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Gremlin Tricks: Calculating a Component's Position in the Hierarchy
Gremlin Tricks: Calculating a Component's Position in the Hierarchy
Learn how to accurately calculate a component's position in the component hierarchy by using Gremlin.
Kristine Marhilevica avatar
Written by Kristine Marhilevica
Updated over a week ago
In this article, we will show how to calculate a component's position in the component hierarchy using Gremlin. Used in a calculated field this can be a convenient way to quickly get an understanding of the component's position in the hierarchy without having to utilize the hierarchy navigator. This can be particularly useful in presentations where the hierarchy navigator is not available.
Calculating a Specific Component's Position in the Hierarchy
In this example, we will calculate the position in the component hierarchy for the component called Sales Strategy and Plans. Assuming that the top level is number 1, we can see that the component is located at level 4 in our Business Capabilities workspace:
Ardoq Calculating a Specific Component's Position in the Hierarchy
Assuming that we only have one component called Sales Strategy and Plans we can use the following query to calculate its position in the component hierarchy:
g.V(). has('name', 'Sales Strategy and Plans'). emit().repeat(out('ardoq_parent')). count()
In the first two lines of the query, we find the component called Sales Strategy and Plans. In the third line of the query we repeatedly keep the current component (using emit()) and traverse up the hierarchy by following the outgoing ardoq_parent reference. The ardoq_parent reference is not an actual reference, but in Ardoq we expose child-parent relationships in Gremlin as a reference called ardoq_parent. In the fourth line of the query we count the number of components we are left with. This will give us the component's position in the component hierarchy since the position is equal to the number of ancestor components plus the component itself.
Ardoq query showing ardoq_parent reference
As expected we get 4 as a result.
Creating a Calculated Field to Show a Component's Position in the Hierarchy
In this example we will create a calculated field that shows the hierarchy position of any component the field is applied to. We will only cover the actual Gremlin query used to create the calculated field, so if this is your first time creating a calculated field make sure to also check out _URL_ to learn how to set up a calculated field.
Below we have modified our previous query to fit how Ardoq expects calculated fields to be defined:
g.V(ids). project('id', 'name', 'value'). by(id). by('name'). by(emit().repeat(out('ardoq_parent')).count())
You may notice that the last line of the query is very similar to our previous query. The rest of the query is common for all calculated fields in Ardoq and ensures that one value is calculated for each component that the calculated field is applied to. Running the query in the calculated field editor we can see that the calculated value for our Sales Strategy and Plans component is 4, as expected:
Ardoq calculated field editor running query example
After saving and applying the field, we can navigate to our Sales Strategy and Plans component and verify that our Position In Hierarchy field has been set to 4, as expected:
Ardoq verify position in hierarchy
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The Rise and Fall of the WASP and Jewish Law Firms
University of Denver Sturm College of Law
Stanford Law Review, Forthcoming
U Denver Legal Studies Research Paper No. 08-15
During their golden era in the 1950s and 1960s, large American law firms were segregated along religious and cultural lines between WASP and Jewish law firms. The rise and success of large law firms with distinctive religious and cultural identities is surprising because the large firm was purportedly a-religious and meritocratic.
This Article asserts that the large WASP law firm, despite its ostensibly a-religious organizational structure, had a deeply rooted religious and cultural identity. Its commitments to Protestant values and white-shoe ethos help explain its rise at the turn of the nineteenth century, its successful campaign for elite professional status within the ranks of the legal profession, and its dominance until 1945. Moreover, the religious and cultural identity of the large WASP firm also explains the rise and success of its main competitor after 1945 - the Jewish law firm. Exploring the consequences of the WASP firm's commitments to Protestant values and white-shoe culture, this Article identifies unique reasons for the remarkable success story of the Jewish firm, whose growth rate far exceeded that of the WASP firm. Finally, the Article chronicles the disintegration of the religious identity of the large firm, WASP and, as a result, Jewish alike.
Number of Pages in PDF File: 66
Date posted: May 29, 2008
© 2015 Social Science Electronic Publishing, Inc. All Rights Reserved.
This page was processed by apollo4 in 0.281 seconds

source: openbmb/Ultra-FineWeb


text:
Keeping the turkey moist during cooking
Because turkey breast meat is so lean, you need to protect it from drying out during cooking. There are different ways of doing this. The simplest are using steam, using covers or basting. More effort is required for brining.
For a brine recipe, please follow this link.
Many cooks swear by brining as a way of ensuring that the turkey remains moist during roasting but this is not an essential step. Brining the turkey simply means that it is soaked in a salty (brine) solution with added flavourings and seasonings prior to cooking. It is usual to brine overnight or for a minimum of six hours. To be absolutely safe, brining should take place in the refrigerator. Raw meat of any kind should not be stored at room temperature. The difficulty here, is that a turkey in a container of brine takes up a lot of space and many people don't have enough spare refrigeration space to do this.
The following steps provide an alternative safe method for brining without a refrigerator:
- Refrigerate the prepared brine solution until thoroughly chilled
- Sterilise a plastic chilly bin (insulated cooler bin/"Esky") by rinsing with boiling water and wiping dry with paper towels. Allow it to cool down. Use a cooler size that will allow the turkey enough room to be surrounded by liquid but is not overly large.
- Pour the chilled brine into the cooler.
- Using clean hands, place the thawed turkey breast-side down into the brine.
- Fill two or three sealable plastic bags with crushed or cubed ice and pack these around the turkey (as many as you can fit). Don't use loose ice cubes as these will dilute the strength and flavour of the brine.
- Put on the lid and place the cooler bin in a cool place.
- Half way through the brining, turn the turkey over and check the ice, replenishing the ice if needed.
- After removing the turkey from the brine, rinse it inside and out with cold water, drain and pat dry with paper towels before continuing with cooking preparations.
- Discard the brine and sterilise the cooler bin.
This is the method that the Croziers use most often. Simply pour water into the bottom of the roasting pan and keep it topped up during the cooking. As the turkey cooks, the water will create a steamy atmosphere that keeps the flesh moist. Additional suggestions include:
Place a rack / cake rack /trivet in the roasting pan so that the turkey is held above the liquid and is less likely to "stew" on the base.
Use flavoured liquids instead of water e.g turkey or chicken stock mixed with wine or fruit juice and herbs.
Using a cover
Start the roasting process by placing a sheet of baking (silicon) paper over the breast and then sealing it with a layer of foil. If baking paper isn't used, the foil tends to stick to the turkey skin and pulls pieces off when removed. After calculating the cooking time, leave the foil in place for half of the cooking time, removing it in order to allow the skin to colour before cooking has finished.
Basting is the technique of spooning fat and cooking juices over the breast of the bird at regular intervals during the entire roasting process. It is a good idea to baste every 20-30 minutes. Basting can be done with a basting brush, a spoon or a turkey baster. A turkey baster is a simple tool that sucks up cooking juices and when squeezed can release them onto the turkey breast. The disadvantage of basting is that the oven has to be opened regularly, which lowers the oven temperature and interrupts the cooking process so make sure you work quickly.
Stuffing-To stuff or not to stuff?
Turkeys that are stuffed take longer to cook than turkeys that aren't. This is because the stuffing forms a dense mass in the centre of the bird and heat takes much longer to penetrate to the centre.
If you are cooking the turkey with stuffing inside the cavity, make sure that the stuffing has been prepared and chilled beforehand. Turkeys can be stuffed in two places: the main cavity and the neck-end cavity. Some cooks like to use a different stuffing for each part; others use the same. During cooking, most types of stuffing expand a little so don't overstuff and do leave a little space. Place the stuffing in lightly and compactly but not too forcefully. The stuffing needs to be sealed in so either use small skewers or a large needle threaded with cotton-string (not plastic stringit melts) and sew the flaps of skin together. The alternative is to cook the stuffing in a separate baking dish and serve as a side accompaniment.
How far ahead can the turkey be stuffed?
Don't be too eager. It's best to stuff the turkey just before you want to start cooking. You could stuff an hour or two ahead as long as you then store the turkey in the refrigerator until cooking begins.
DON'T STUFF THE DAY BEFORE. To an extent, the stuffing is insulated from the cold temperatures of the refrigerator by the turkey cavity. If there are any harmful bacteria present inside the turkey or in the stuffing, they can multiply during storage.
Knowing when it's cooked
Estimating cooking times
We recommend a total cooking time of 15 minutes per 500g plus an extra 15 minutes when cooking at 180°C. A 5 kg turkey takes approximately 2¾ hours. A 5 ½ kg turkey takes approximately 3 hours.
A whole turkey and turkey parts are safe when cooked to a minimum internal temperature of 80 °C (176 °F) as measured with a food thermometer. Check the internal temperature in the innermost part of the thigh and the thickest part of the breast or if the turkey is stuffed, check the temperature in the centre of the stuffing. Remember that if you have inserted the thermometer into the turkey and the temperature is not safe, you must sterilize the thermometer probe before re-using it. Otherwise, you risk contaminating the cooked meat
PopUp Timer
If your Crozier turkey has a pop-up timer inserted in the breast, it will pop up when it reaches the temperature of 85 °C (185 °F).
If you pierce the thickest part of the turkey thigh with a skewer, juices will run out. If the juices run clear the turkey is cooked. If there is still some pinkness (blood) present, longer cooking is required.
In addition to the skewer test, give the drumstick a wiggle The leg should move freely when cooked, with little resistance.
Why is turkey meat (and chicken) sometimes pink close to the bone, even when it is fully cooked to 80 °C degrees or higher?
Younger turkeys (and chickens) have underdeveloped porous bones, which may allow red pigmentation (haemoglobin) to run into the meat. If the bird is fully cooked (80 °C and the thigh juices run clear) the meat is safe to eat even if there is some pink colouring in the flesh surrounding the bones.
After removing your delicious cooked turkey from the oven, lift it from the roasting pan to a carving platter or board and lightly cover it with foil. Allow it to rest for about 10 minutes while you prepare the gravy. Resting allows time for the flesh to relax and for juices to be reabsorbed into the meat before carving.
There are a number of methods used to carve turkey. Here is one:
- Keeping the turkey on its back (breast-side up), cut the skin between the thigh and the body.
- Remove the entire leg (thigh and drum) on both sides.
- Place the legs flat on a chopping board and cut between the thighs and the drums to separate them.
- Pull each wing outward from the body and cut through the joints where they join the body.
- Cut the wings in half at their joints.
- Insert the knife on one side of the breast bone as close to the bone as possible. Cut along the side of the breast bone. Using the knife, follow the rib cage and cut down under the breast meat, lifting it away from the rib cage.
- Repeat for the second side. (An alternative is to carve the breast in slices directly from the turkey)
- Cut the breast meat into slices or portions.
- If you have stuffed the turkey, remove the stuffing with a spoon into a serving bowl.
Even though you'll be enjoying your turkey dinner, don't forget that unserved turkey meat will make great leftovers. But only if you treat your leftovers with respect. Don't leave them sitting out in the kitchen all night. Make sure you package and chill them within two hours or removing from the oven.
Place leftover turkey into a dish and cover with plastic wrap before refrigerating. Store for a maximum of two three days at 4 °C.
Place leftovers into a freezer bag or wrap in plastic wrap. Squeeze out as much air as possible before freezing. Mark with the date. Use within one month
Wines to serve with roast turkey
- Light bodied aromatic e.g Pinot gris (dry rather than sweet style)
- Medium bodied fruity e.g Pinot noir
- Medium bodied deep full flavour e.g Merlot


Eigen 3.4.90 (git rev a4098ac676528a83cfb73d4d26ce1b42ec05f47c)
Extending MatrixBase (and other classes)
In this section we will see how to add custom methods to MatrixBase. Since all expressions and matrix types inherit MatrixBase, adding a method to MatrixBase make it immediately available to all expressions ! A typical use case is, for instance, to make Eigen compatible with another API.
You certainly know that in C++ it is not possible to add methods to an existing class. So how that's possible ? Here the trick is to include in the declaration of MatrixBase a file defined by the preprocessor token EIGEN_MATRIXBASE_PLUGIN:
class MatrixBase {
// ...
#ifdef EIGEN_MATRIXBASE_PLUGIN
#include EIGEN_MATRIXBASE_PLUGIN
#endif
};
Base class for all dense matrices, vectors, and expressions.
Definition: MatrixBase.h:52
Therefore to extend MatrixBase with your own methods you just have to create a file with your method declaration and define EIGEN_MATRIXBASE_PLUGIN before you include any Eigen's header file.
You can extend many of the other classes used in Eigen by defining similarly named preprocessor symbols. For instance, define EIGEN_ARRAYBASE_PLUGIN if you want to extend the ArrayBase class. A full list of classes that can be extended in this way and the corresponding preprocessor symbols can be found on our page Preprocessor directives.
Here is an example of an extension file for adding methods to MatrixBase:
MatrixBaseAddons.h
inline Scalar at(uint i, uint j) const { return this->operator()(i,j); }
inline Scalar& at(uint i, uint j) { return this->operator()(i,j); }
inline Scalar at(uint i) const { return this->operator[](i); }
inline Scalar& at(uint i) { return this->operator[](i); }
inline RealScalar squaredLength() const { return squaredNorm(); }
inline RealScalar length() const { return norm(); }
inline RealScalar invLength(void) const { return fast_inv_sqrt(squaredNorm()); }
template<typename OtherDerived>
inline Scalar squaredDistanceTo(const MatrixBase<OtherDerived>& other) const
{ return (derived() - other.derived()).squaredNorm(); }
template<typename OtherDerived>
inline RealScalar distanceTo(const MatrixBase<OtherDerived>& other) const
{ return internal::sqrt(derived().squaredDistanceTo(other)); }
inline void scaleTo(RealScalar l) { RealScalar vl = norm(); if (vl>1e-9) derived() *= (l/vl); }
inline Transpose<Derived> transposed() {return this->transpose();}
inline const Transpose<Derived> transposed() const {return this->transpose();}
inline uint minComponentId(void) const { int i; this->minCoeff(&i); return i; }
inline uint maxComponentId(void) const { int i; this->maxCoeff(&i); return i; }
template<typename OtherDerived>
void makeFloor(const MatrixBase<OtherDerived>& other) { derived() = derived().cwiseMin(other.derived()); }
template<typename OtherDerived>
void makeCeil(const MatrixBase<OtherDerived>& other) { derived() = derived().cwiseMax(other.derived()); }
const CwiseBinaryOp<internal::scalar_sum_op<Scalar>, const Derived, const ConstantReturnType>
operator+(const Scalar& scalar) const
{ return CwiseBinaryOp<internal::scalar_sum_op<Scalar>, const Derived, const ConstantReturnType>(derived(), Constant(rows(),cols(),scalar)); }
friend const CwiseBinaryOp<internal::scalar_sum_op<Scalar>, const ConstantReturnType, Derived>
operator+(const Scalar& scalar, const MatrixBase<Derived>& mat)
{ return CwiseBinaryOp<internal::scalar_sum_op<Scalar>, const ConstantReturnType, Derived>(Constant(rows(),cols(),scalar), mat.derived()); }
Then one can the following declaration in the config.h or whatever prerequisites header file of his project:
#define EIGEN_MATRIXBASE_PLUGIN "MatrixBaseAddons.h"


Master Detail Example#
The Master Detail Example shows how to present data from different data sources in the same application. The album titles, and the corresponding artists and release dates, are kept in a database, while each album's tracks are stored in an XML file.
The example also shows how to add as well as remove data from both the database and the associated XML file using the API provided by the Qt SQL and Qt XML modules, respectively.
../_images/masterdetail-example.png
Example project @ code.qt.io


Satbara | What is 7/12 | सातबारा उतारा माहिती
Satbara | What is 7/12 | सातबारा उतारा माहिती
Most of people are living in Cities because of jobs, services or any kind of business. Most of people have lands in their villages and they don't know about How much Land is there? Which crop is there? If you want to know more about your Agriculture land then Satbara (7/12) is important. You get a detailed information about your land by using Satbara Utara. Maharashtra government developed portal named Mahabhulekh where you get a detailed information of your land through 7/12 and 8A Records.
What is 7/12 (Satbara)?
सातबारा उतारा
You can called mirror of Land. Because you get a all information of your land at home without going into land. There are total 21 types of sections of village land in Maharashtra Land Revenue Code 1966. Combined of form 7 and form 12, we got a 7/12 Utara.
How to Read Satbara 7/12 Utara?
In Satbara Utara there are two sections one is form 7 and another is form 12. Both are combined in single form.
Form 7: It defines Owner details and their rights
Form 12: It defines Crop Details
Why 7/12 is Important?
While a buying and plot or agriculture land you need to get a 7/12 Utara first. 7/12 Utara clears your all doubts regarding land. You must remember that satbara cannot be used for transfer land from one owner to another owner.
How to Get a Satbara (7/12) Utara?
You get a satbara Utara from Tehsil Office. Recently Maharashtra Government's Revenue Department launched official website to Download your 7/12 from Online. is the official website of Mahabhulekh or Bhumi Abhilekh to Download your Satbara Utara with few simple easy steps.
 - It is used in any civil legal disputes.
 - It contains important information like loan, legal disputes etc..
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I am a science fiction writer, looking for a method for constructing a realistic galactic map. I would like to know if it's possible to get the 3D density distribution of gas within a given Subhalo, such that (say, using volumetric fog) a 3D image of that galaxy could be constructed. Is it possible to compute this from data in the Illustris database?
The 3D gas density within galaxies/subhalos is, as you suspect, a direct output of the simulation. The form this data is in is somewhat complex - it could be considered a scattered/irregular point set. More accurately, it should (could) be interpreted as a Voronoi tessellation with the gas density and gradient (first derivative) defined within each control volume.
Making an image from this data is exactly what we've done in most of the movies (which show often gas temperature, or sometimes gas density). But with two differences to what you want: they are more zoomed out, showing many galaxies at once, and we typically neglect any fog/attenuation effects.
You could directly download, for a given subhalo, the gas Coordinates and Density fields, and with just these attempt some renders.
Let me know if I can help more.
Thanks for the reply.
I managed to identify those fields and am using them to place stars in my artificial galaxy.
I noticed that the gas density and coordinates data appears present only for the final snapshot of the simulation Illustris-1. I tried to grab the data for other snapshots (in the sub halo I'm using for my galaxy - 340843) and found it contained only the dark matter concentration. Is this intentional?
It is true that some subhalos will contain only e.g. dark matter.
But, subhalo ID 340843 at snapshots other than 135 has nothing to do with subhalo ID 340843 at snapshot 135 (z=0). To figure out what subhalo this guy originated from, you will need to follow the merger tree.
For example, looking at the sublink_progenitor field in the online API, the immediate prog (at snapshot 134) is 338003, which does indeed have gas, stars, etc.
I see. I'll have a look. So far the data has what I'm looking for. Thanks so much for your help and setting the simulation up.

source: m-a-p/FineFineWeb


How Many Utters does a Cow have?
Do you mean udder? Cows have only one udder, but that single udder contains four teats, and those four teats contain one mammary gland. That seemed like alot to explain.
1 Additional Answer Answer for: how many utters does a cow have
Kingdom: Animalia Phylum: Chordata Class: Mammalia Order: Artiodactyla Family: Bovidae Genus: Bos Species: Bos taurus
Like most domestic animals, Bos taurus, the domestic cow, is currently found throughout much of the world. The wild ancestors of cows were native to northern Africa, Europe, and southern Asia. Domestic cows are large, sturdy... More »
Q&A Related to "How Many Utters does a Cow have?"
1. Gently wash the udders with warm water to soften them before milking. This also cleans the udders. 2. Pick a moisturizer or balm especially designed for moisturizing cow udders
Cows have one udder. That one udder contains four teats which each contain a single mammary gland. Extra teats can occur, but they are not functional.You can find more information
the part that the calf sucks to get milk First answer by ID3434483670. Last edit by ID3434483670. Question popularity: 1 [recommend question].
A cows udders are made of skin. They are the mammary glands of the cow, from which she
Explore this Topic
A milk cow's udder has four separate parts. The right and left halves are separated by a wall called the medial suspensory ligament. All of the parts...
The male cow bulls do not have udders in real life. Males lack a mammary structure, but they do have teats. The teats on them are very small all through their...
The answer to your question of how long after a cow is pregnant does her utter start to fill up is generally a two to four weeks before the calf is born....


Mystery bird: Madagascar blue vanga, Cyanolanius madagascarinus
This striking mystery bird is unique amongst its family because it is the only one NOT endemic to Madagascar (includes audio)
Madagascar blue vanga, Cyanolanius madagascarinus (protonym, Loxia madagascarina), Linnaeus, 1766, photographed at Zombitse National Park, Atsimo-Andrefana region, Madagascar.
Image: Nick Athanas/Tropical Birding, 10 November 2010 (with permission) [velociraptorize].
Canon EOS 7D.
Question: After yesterday's mystery bird (which remains a mystery to all of us, apparently!), I've got blue plumage colour on my mind once again, so of course, I can't resist sharing this beauty with you. This Madagascan mystery bird is part of a small taxonomic family we've not seen here before. This species is unique amongst its family members. Can you tell me why? Can you identify this bird's taxonomic family and species?
Response: This is an adult male Madagascar blue vanga, Cyanolanius madagascarinus. This bird is a member of a small shrike-like family, Vangidae. Although we do know that the vangas are songbirds, we're not sure about the specifics of their relationships with other passerines, and indeed, in some cases, we're not entirely sure which birds are vangas.
In general, vangas are smallto medium-sized birds and they have strong similarities in their skull shape and bony palate structure. However, the vangas are quite variable and, having evolved from a single founding population, they are a lovely example of adaptive radiation. The vangas diversified to occupy the various niches on Madagascar that are typically occupied by other bird families in other parts of the world. For example, some vangids resemble shrikes whilst others look a lot like babblers or flycatchers. Further, some studies indicate that several Old World babbler and flycatcher species on Madagascar are actually vangas [doi:10.1006/mpev._PHONE_ & doi:10.1111/j.0014-3820.2001.tb00639.x].
Madagascar blue vangas are unique amongst their relatives (as we currently know this family) because they are the only vanga that is not a Madagascar endemic; a population is also found on the Comoro Islands. Also, unlike their relatives, which have black, brown or grey upperparts, the blue vanga is, well, blue on top. Blue vangas are also distinct from all but one of their relatives because they occasionally supplement their carnivorous diet with fruit.
The blue vanga is fairly common and widespread in woodlands on Madagascar and on the Comoros islands and Mayotte.
Embedded below is a 1 minute recording of a pair of blue vangas responding to playback, courtesy of Xeno-Canto:
(recorded on 25 November 2010 by Nick Athanas at Mananara Lodge, Anjozorobe, Madagascar [audio link]).
Oh, and speaking of relationships; I admit I am very curious to know why Linnaeus originally placed this species into the genus Loxia (the crossbills). Does anyone know what his reasoning was?
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facebook: grrlscientist


How To Fix iPhone XR Rear Camera Not Working Faulty
Basic Fix Ideas On Motherboard
The rear camera faulty fix of the iPhone 8 and its successors is easier than its previous iPhones. Because since the iPhone 8, all iPhones apply multi-pin integrated chips instead of power supply connectors with 4 pins. Generally speaking, for iPhone 8, and the following iPhones, there are mainly two causes for the rear camera not working faulty on the motherboard:
 1. I2C bus
Flashlight and rear camera share the same I2C bus. Under such circumstances, when one part has been damaged or not working or the I2C bus itself has been faulty, it will cause the other parts not working. Therefore, when flashlight has been faulty, it will lead to rear camera fail to work, vice versa.
 1. Camera Connector
There is an interrupt signal on the camera connector. The signal is connected to the CPU and the camera cannot work without it, so the camera connector also needs to be checked：corrosive power supply parts, pseudo-soldering chips, or broken circuits connected to CPU.
That being so, we can fix an iPhone rear camera faulty according to its performance. Such as, if the rear camera cannot work, and the flashlight work normally, then it is the CPU signal faulty instead of the I2C bus.
Case Study: Fix An iPhone XR Rear Camera Not Working
Now we will give a demonstration of an iPhone XR and you will learn the fix methods and steps.
Step 1: Check The Performance
First of all, let's check its performance. It is quite easy, just check the flashlight. It turns out the flashlight is normal, so it is the camera connector faulty if the rear camera itself is OK.
Step 2: Replace Rear Camera
Before moving to the motherboard fix, we still need to check the rear camera. After all, replacing a rear camera is much easier than fixing the parts on the camera connector.
Hence we disconnect the screen ( How? Please check here: iPhone XR screen replacement guide), remove the battery connector, and take down the rear camera. Then install a new rear camera. After that, we test again, however, the rear camera still won't work, so it is indeed the camera connector faulty.
Step 3: Measure Camera Connector
Two steps for measuring camera connector:
 1. Measure the diode readings of the pins on the rear camera connector, if the values are abnormal, we then check the related circuits. However, all the values are normal, so we move to the next step.
 1. Measure the voltage of the connector. Check out the circuit diagram: the related parts include pin2, pin10, pin12, pin14, pin20, pin26. Hence we only need to test these pins. It is not easy since all the power supply voltages of the rear camera are instantaneous values except for 1.8V camera power supply, so we need to test many times to find out the truth. After a series of testing, it turns out that the pin20 has no voltage.
Step 4: Analyze The Abnormal Voltage
Check out the circuit diagram: pin26 and pin20 have the same voltage 2.85V, so we connect their circuits to make pin20 function again. Check again, the pin26 is connected to C3909, while pin20 is connected to C3994. Here comes the solution, we could jump a copper line from C3909 to C3994 to fix the pin20.
Step 5: Jump Copper Line
Now let's jump copper line to connect C3909 to C3994, do it as follows:
 - Take down the motherboard and fix it on a PCB holder
 - Heat up C3909 to C3994 to remove the adhesive so that they can be connected
 - Apply solder flux and melt the solder wire on C3909 with a soldering iron, so that it can be coated with tin
 - Next, weld a copper wire on C3909
 - Then melt the solder wire on C3994 for tin coating and weld the other side of copper wire on it
It is not easy, better to have an advanced welding tool: hot air gun desoldering station.
Now the pin20 no voltage issue has been fixed, the rear camera not working issue should have been fixed. We install the phone and test again. Needless to say, the phone rear camera works perfectly.
You can find the detailed demonstration here:
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text:
Exiting the program.
Defines the exit codes that a program can return.
indicates successful termination;
indicates program failure with an exit code. The exact interpretation of the code is operating-system dependent. In particular, some values may be prohibited (e.g. 0 on a POSIX-compliant system).
On program termination, the standard
stderr are flushed automatically; any other buffered
need to be flushed manually, otherwise the buffered data will be
A program that fails in any other way is treated as if it had
A program that terminates successfully without calling
explicitly is treated as it it had called
ExitCode is not an
the error handling in the
IO monad and cannot be intercepted by
catch from the Prelude. However it is a
SomeException, and can
be caught using the functions of Control.Exception. This means
that cleanup computations added with
(from Control.Exception) are also executed properly on
Note: in GHC,
exitWith should be called from the main program
thread in order to exit the process. When called from another
exitWith will throw an
ExitException as normal, but the
exception will not cause the process itself to exit.

source: HuggingFaceFW/fineweb-edu


bridge:movable=lift (Q890)
From OpenStreetMap Wiki
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A type of movable bridge, a lift bridge contains a span which rises vertically while remaining parallel to its closed position. The span is suspended between lift towers at each end when open.
Language Label Description Also known as
English
bridge:movable=lift
A type of movable bridge, a lift bridge contains a span which rises vertically while remaining parallel to its closed position. The span is suspended between lift towers at each end when open.
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 MovableBridge lift.gif
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The Wabasha Street Caves is an event hall built into the sandstone caves located on the south shore of the Mississippi River in downtown Saint Paul, Minnesota. The caves have been home to mobsters, speakeasies, and in more recent years have begun hosting a "Swing Night" on Thursday nights with live big-band music. The Wabasha Street Caves also provide historical tours of the sandstone caves in Saint Paul, Minnesota.Plan to see Wabasha Street Caves and other attractions that appeal to you using our Saint Paul travel app .
The caves, which technically are mines because they are manmade, are carved out of sandstone and date back to the 1840s. Throughout history the caves have been used for a number of different activities, including growing mushrooms, storage of food and belongings, music, and dancing.
In the 1920s, the caves were used as a restaurant and nightclub venue known as the Wabasha Street Speakeasy. The speakeasy was said to have been frequented by gangsters such as John Dillinger and Ma Barker, however there is no evidence that these visits occurred; thus, these stories are considered legend.
On October 26, 1933, Josie & William Lehmann opened the Castle Royal, which was built into the side of the caves. Castle Royal was closed in the late 1930s due to the start of World War II and went back to primarily being a place to grow mushrooms. Some time in the 1970s, Castle Royal 2 was opened as a venue for Disco music. The caves have also been used as a place of storage for debris and belongings that were washed up from flooding. Some of these things can still be found in the caves today.
Wabasha Street Caves Reviews
The D W and I both agree that to make this experience worthwhile that you need to take the 2 hour $30 gangster tour . The crowd was close to 100 on the cave tour but only 12 on the bus.Tons of cool tr... more »
The history in St. Paul is really quite unique and unmatched elsewhere! If you take a tour here, they will typically fill you in on some of it!! more »
We really enjoyed this! The tour was wonderful and very interesting! We plan to go back and try another one of their tours! You do need cash since they can't get wifi for credit cards. The location is close to other fun things and places to eat also.
Good tour, great staff. Lots of history there. Well worth the time an money.
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17 days in Saint Paul, Duluth & Minneapolis BY A USER FROM UNITED STATES August, teens, kids, culture, historic sites, museums, wildlife, popular sights PREFERENCES: August, teens, kids, culture, historic sites, museums, wildlife ATTRACTION STYLE: Popular sights PACE: Medium 1 day in Saint Paul BY A USER FROM UNITED STATES July, popular sights PREFERENCES: July ATTRACTION STYLE: Popular sights PACE: Medium 14 days in Saint Paul & Minneapolis BY A USER FROM UNITED STATES June, kids, popular sights PREFERENCES: June, kids ATTRACTION STYLE: Popular sights PACE: Medium 1 day in Saint Paul BY A USER FROM UNITED STATES April, popular sights PREFERENCES: April ATTRACTION STYLE: Popular sights PACE: Medium 8 days in The Minneapolis-Saunt Paul Area BY A USER FROM UNITED STATES September, culture, romantic, museums, fast-paced, popular & hidden gems PREFERENCES: September, culture, romantic, museums ATTRACTION STYLE: Popular & hidden gems PACE: Fast-paced 3 days in Saint Paul BY A USER FROM UNITED STATES November, popular sights PREFERENCES: November ATTRACTION STYLE: Popular sights PACE: Medium


text:
On 30 November at 11.00, to commemorate the start of the war, state leadership will lay a wreath at the National Memorial to the Winter War at Kasarmintori Square in Helsinki. After that, 105 candles will be lit at the memorial, one for every day of the war, to honour the Finns, volunteers from abroad and friends of Finland from all over the world who lived at the time of the war.
The commemoration event will be open to the public.
This year marks the 80th anniversary of the beginning of the Winter War. The war started when the Soviet Union attacked Finland without a declaration of war.


text:
Thin stone veneer
| This article does not cite any references or sources.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
The first stone material used for construction was commonly thick slabs and blocks. A veneer was used to describe building stone and the term is traced to the 1890s. The first veneer stone was hand-cut and measures nearly four inches thick and could be used to construct tall buildings. Reliance Building in Chicago used stone veneer between two to four inches thick for the first two floors on the exterior portion. Thinner slabs were found in the early twentieth century for storefronts and building interiors. By the 1930s, stone veneer was being applied to large curtain walls and later became a popular technique for cladding entire building exteriors. The Rule-Page Building in Iowa and the Federal Reserve Bank in Michigan were some of the first buildings to use stone veneer to clad the entire building. Later, in the 1960s, the John F. Kennedy Center for Performing Arts in Washington, D.C., became one of the first buildings to receive thin stone veneer cladding. Marble veneer clads the entire building at roughly one inch of thickness. Because of advancements in knowledge about thin stone veneer, architectural preferences resulted in a dramatic increase in use.
 Manufacturing Process
Before the 1900s, building stones were retrieved from quarries and were hand-finished into thick slabs or blocks. After the 20th century began, machines were introduced that could use multibladed frame saws that could simultaneously cut the blocks into smaller slabs. Water wheels were used to cool the blades and take away the resultant abrasive sludge. Eventually, water pumps and machines were refined to regulate the quantity of abrasive used. In 1932, the National Building Granite Quarries Association described the gang saw process as being almost entirely by machine. It used three to seven reciprocating steel blades running parallel to one another in the frame and could cut down through the stone to make uniform pieces. Several finishes were available at this time including: rock faced, sandblasted, peen hammered, rubbed, honed, and polished. The honed finished could be achieved using a fine grained grinding wheel while a polished finish required a heavy felt-coated wheel and jeweler's rouge. Thin stone veneer was typically used for interiors, store fronts, and façades of buildings at the street level. Later, diamond-studded cables to slab blocks were introduced as well as a frame saw with metal abrasives, which could cut stone to 1/8 inch thick for composite panel use.
 Uses and Installation
Veneer panels were usually laid up on mortar beds and the joints were finished in the same style of traditional masonry construction with mortar. Interior panels were attached to backup material of brick or block using wire anchors that were set in holes drilled into the panels and discrete mortar spots. Lateral anchors for exterior panels were made of galvanized and asphalt-coated steel rods that were bent and set into holes. The rods went into the stone roughly ¾ of an inch for stone that were two inches thick and 1 ¼ for panels four inches thick. Plaster of pairs could be used to quickly set spacers behind the panels. It was typical to use four anchors per panel, two to each side (either left to right or top to bottom). The Cold Spring and North Star Granite Company was one of the first companies to market the 1 inch thick granite veneer (1940), followed by the Aberene Stone Company who could manufacture granite veneers at 7/8 inch. A shelf angle was strongly recommended between each sheet to help carry the weight of the panels. Filling the joints with mortar was still the ideal way to finish the wall. Lateral anchors for thin stone were typically brass or steel rods that were set into holes filled with cement mortar. If the stone was more than 2 inches thick, it would traditionally be accompanied by steel straps. During the 1940s, the use of straps became the more popular form of lateral support for thin stone veneer. In recladding, the anchor was twisted 90 degrees and mortared or plastered into a slot in the backup masonry. New construction usually required the straps being mechanically fastened into the back material because they could be bent out of the way during the setting of the veneer and then bent into a slot for easy installation. In the 1950s, stone was usually produced in four different thickness; 7/8, 1 ¼, 1 ½, and 2 inches, though 1 ½ was suggested for veneer. 7/8 was thought to be more expensive to produce. Industry standards states tolerances being plus or minus ¼ inch and spacing between the panels at ¼ inch. Expansion joints were recommended to be placed every 30 feet vertically or every second floor horizontally. Creating a cavity (roughly 1 inch behind panels) filled with mortar and coating the back of the panel with damp proofing was also suggested. The popularity of the curtain wall and the improved manufacturing efficiencies promoted the use of thin stone veneer in the 1950s. Elastomeric sealants soon took the place of mortar in the horizontal joints. Aluminum, plastic or lead shims were placed in horizontal joints to transfer panel weights. Soon, manufacturers began suggesting that more lateral anchors be used. Different lateral anchors types emerged, including stainless steel straps, brass dowel and wires, and disks. The split-tail anchor gave anchors the ability to address gravity and lateral supports. In the later 1950s, stone was being used in composite building panels. Precast concrete panels faced with a thin stone veneer became the most popular. Hairpin wire anchors or dower anchors were preset into the back of the stone panel before casting. The thin stone veneer component was then formed by placing the concrete against the backside of the stone panel with the panel set face down in a form. A bond breaker sheet between the concrete and stone was not incorporated before casting the concrete. The technique of separating materials was more commonly use in the 1960s. Thin stone veneer became more standardized in the 1960s.
Conservation of thin stone veneer if the cause of distress or deterioration is understood and the basic diagnostic and assessment techniques are well employed. Conservation techniques are wide ranging and thorough understanding of the techniques available will help in developing correct repair methods.
Connections and support are the most common causes of distress seen in stone cladding. The major types of distress observed with the typical anchoring systems include cracks around the anchors location, spalls at anchor locations, spalls at shelf angles supports, and cracks at panel corners. Rust staining is also common with these types of anchor systems. A variety of factors can cause these types of distress, including improperly designed anchors. Distress caused by improperly designed anchors can lead to cracking in adjacent stone of displacement of panels. Missing anchors can cause distress in the stone. Also, water penetration through the cladding can corrode the metal anchors and shims. Improper attachment of anchors, improper anchor positioning, and missing separators between concrete backup and panels are just a few other problems that can affect the structural integrity of the thin stone veneer structure. While most problems associated with stone veneer can be associated with improper installation, cyclical heating and cooling, water-penetration, freezing and thawing, and acid rain can also deteriorate building stone. Marble loses more strength than granite. The strength loss is related to the panel's thickness, the thinnest panel is expected to be the most affected by strength loss. Stone curtain walls rely on the strength of the stone panel material; if it is not strong enough, it may present with cracking or bowing between supports. Marbles are not volume stable as the experience permanent volume growth as a result of heating and cooling. The marbles strength is decreased and can lead to warping or bowing as the opposite side of the panel experiences differential thermal expansion. Visible characteristics of stones have been linked to strength loss. Bowing, warping, sugaring of the surface, and exfoliation are just some surface appearances that imply strength loss. Composition of the stone is not limited to different varieties. Stones can experience different compositions in a single piece. All stones have a natural bedding orientation and their strength and durability can be affected. Distress in stone cladding components can also be related to buildings and wall movements or differential movement not accommodated by the cladding design. If insufficiently sized joints are used to accommodate building movement, panels can come in contact with another during thermal expansion which can result in cracking or spalling near the edges and corners. Staining is not usually a structural issue and can be related to preferential weathering of the stone's mineral components, corrosion of ferrous components, or water runoff from surrounding minerals. Staining may also be caused by excessive water leakage through joints or cladding units and may indicate corrosion of embedded material. This can be a cause for concern because the structure may be suffering.
 Conservation Techniques
Reviewing original construction documents and design calculations will assists in understanding the overall construction. Removing portions of the veneer for inspection or laboratory testing may be the only way to fully understand the construction of the veneer. Less intrusive ways should be attempted first because they might eliminate need for invasive procedures. Tapping or sounding with a hammer, metal detection tools, or field microscope are some of the less evasive ways to investigate the structural integrity of thin stone veneers. Conservation of the material usually involves the documentation the number of specific condition related to the veneer's attachment to the building. It is important to determine if it is the anchors promoting distress, if there are enough anchors,


text:
Acceleration of the measurement time of thermopiles using sigma-delta control
PublisherMultidisciplinary Digital Publishing Institute (MDPI)
Rights accessOpen Access
This work presents a double sliding mode control designed for accelerating the measurement of heat fluxes using thermopiles. The slow transient response generated in the thermopile, when it is placed in contact with the surface to be measured, is due to the changes in the temperature distributions that this operation triggers. It is shown that under some conditions the proposed controls keep the temperature distribution of the whole system constant and that changes in the heat flux at the thermopile are almost instantaneously compensated by the controls. One-dimensional simulations and experimental results using a commercial thermopile, showing the goodness of the proposed approach, are presented. A first rigorous analysis of the control using the Sliding Mode Control and Diffusive Representation theories is also made.
CitationDominguez, M. [et al.]. Acceleration of the measurement time of thermopiles using sigma-delta control. "Sensors", 18 Juliol 2019, vol. 19, núm. 14, p. 3159-1-3159-21.


What is a Nose Rider?
A nose rider is a popular option for AXYZ CNC routers. It is a relatively simple accessory which fits onto the bottom of the routing spindle and fixes its position relative to the pressure foot. The end result of this is to effectively 'lock' the height of the spindle to the surface of the material. The final depth of cut into the material is determined by how far the router bit is protruding from the lower face of the pressure foot. The nose rider includes an adjustable ring which allows very fine tuning of the vertical position of the spindle relative to the pressure foot and therefore the cut depth.
When to use a Nose Rider?
The primary reason for using a nose rider is when an application requires an accurate and constant cut depth when measured from the surface of the material.
If the sacrificial bed of the machine is absolutely flat and if the thickness of the material being processed is accurate and consistent then there should be no need to use a nose rider. However, if either of these cases is in doubt then the nose rider provides an excellent means of simple yet accurate compensation.
One example of this is engraving. For best visual results, engraving demands a very consistent depth of cut and quite often materials to be engraved are not consistent in their thickness and can vary by as much as 1.5mm over the area of a sheet. Even if the material does have a consistent thickness, any minor variations in bed flatness can spoil a fine engraving job. The nose rider will easily compensate in these situations and ensure constant depth engraving over the entire bed area.
Another example is when V-grooving composite materials which need to be folded. The depth of cut is quite critical in order to ensure consistent fold lines and final visual appearance. The AXYZ PANELBuilder machines which are designed for panel fabrication applications are almost always supplied with a nose rider accessory.
How to use a Nose Rider?
This video shows how a nose rider can be fitted and adjusted on an AXYZ machine.
Author: Ged Lodge is an Applications Specialist for AXYZ, a global manufacturer of CNC router and knife systems. Ged has over 10 years' experience with AXYZ and over 25 years' experience with CNC routers.


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Adding an Assistant or Game Manager for Extra Help
By Dr. David Hoch, CMAA on October 03, 2017 hst Print
With all of the responsibilities and the extensive time it takes to accomplish everything, an athletic administrator has an extremely hectic and perhaps, at times, overwhelming position. Without some extra help, some individuals may face extreme frustration and possible burnout.
While game management is only one of the hundreds of these responsibilities, it does consume many evenings, particularly in the fall and winter seasons and makes for extremely long days. Help covering these contests represent a good starting point to provide some relief. And there are basically two possibilities – adding an assistant athletic director or game managers for individual contests.
What is the difference between the two options? An assistant, for example, should have some knowledge, experience and ability involving a full-range of tasks and duties and not just providing coverage of contests. This individual would be assigned to help with specific aspects of athletic management, some of which would be handling occasional game management responsibilities in place of the athletic administrator.
A game manager, as the title implies, has a very specific responsibility and that is to be the supervisor at an assigned contest. An out-of-season coach, a teacher or an assistant principal could easily fill this part-time position with a little training. With written step-by-step guidelines and one evening "shadowing" the athletic director while he is managing a game, an individual with a basic understanding of athletics should be able to handle the responsibilities.
However, the difference goes beyond the actual scope or duties of each position. It will probably cost more to fund an assistant athletic director's position than paying for game managers for individual contests. The undetermined variable, however, is the number of games that would be covered by someone other than the athletic director.
While adding an administrative assistant could also provide help, the following suggestions should be considered specifically with regard to assisting with coverage of games.
 - Prepare a proposal detailing the hours and responsibilities involved in game management requirements for a season. Hard data can go a long way in an effort to substantiate the reasons for additional personnel.
 - Invite your principal or superintendent to join you in the step-by-step procedures to set up, manage and close up after a typical contest. Show this individual the detail and effort involved. And then explain that this process is repeated several times a week, week-after-week during a season.
 - Create a job description for both assistant and game manager positions. These documents should include the basic responsibilities and should be shared with your supervisor – the principal or superintendent – so that this individual can get a clearer picture of what is involved. Also, a job description for both alternatives is necessary in order to draw a fair comparison between these two alternatives.
 - Take a look at a typical seasonal schedule and try to determine how many evenings should be covered in an ideal situation and what amount would be the bare minimum in order for you to meet personal and family needs. With this information, you can develop a cost analysis of adding an assistant or utilizing game managers.
 - Come up with a creative way to fund game management personnel if inclusion in the budget is not possible. One option is to use gate revenue to pay the individuals filling this position. First, you would need approval from your supervisor and follow the proper payment procedures that are used in your district. This would probably involve depositing funds in your school account and writing checks for each person filling this occasional position.
 - Schedule a meeting with your principal or superintendent to present your data, share possible solutions and ask what help they think is ultimately possible. With insight and feedback from this conversation, prepare your formal proposal.
If your proposal is approved, you will still want to monitor your game management responsibilities. As schedules expand or additional sports are added, you may need to tweak your coverage plan. Of course, if your suggestion for providing help isn't approved, you will want to continue to document your time and efforts. It also means that you should network and keep looking for creative solutions.
There should be little doubt that adding an additional individual, or several, to provide help is a key ingredient in order to survive both during a season and for a long, successful career.


Communications of the Association for Information Systems
Recently, RFID has emerged to be a promising technology to revolutionize the supply chain and logistics management. Currently there exists a sharp contrast between retailers in China and their counterparts in the United States with respect for RFID adoption. In the United States, big retailers like Wal-Mart are actively pursuing RFID by issuing mandates to their suppliers worldwide for RFID adoption. However, retailers in China never enjoy such a dominating role in pursuing RFID. To explore what is behind this phenomenon, in this paper, an analysis framework is proposed to develop decision support tools for RFID technology adoption analysis in retailers in China. The framework is realized in a service platform developed based on three principles to help reach mutual understanding between RFID vendors and customers in RFID technology adoption analysis. The framework is illustrated and validated through an example to demonstrate its feasibility to help to analyze the adoption of RFID technologies retailers in China. The technology analysis service platform integrates various tools enabling interactive and flexible analysis processes to understand how RFID technology can be adopted and used effectively in retailers in China and in logistics and supply chain management.


list,recursion,lisp,common-lisp , LISP Function that Returns True If Atom Is In List
LISP Function that Returns True If Atom Is In List
Question:
Tag: list,recursion,lisp,common-lisp
I'm trying to write a function (deep-find) that takes in a list and another argument and returns T if that argument is present in the list. For example, if I called (deep-find '(A B (C D)) 'C) it should return true, but if I called (deep-find '(A B (C D)) 'F) it should return false. Here's the code I have so far, but it returns nil every time:
(defun deep-find (L n)
 (cond
 ((null L) nil)
 ((equal n (car L)) t)
 ((deep-find (cdr L) n))))
Answer:
Your code does not return NIL every time; it works well for simple lists. For instance (deep-find '(A B (C D)) 'A) returns T as it should.
You have three cases in your cond: end of list, list head check, and list tail check. However, there is nothing regarding trees in that. So, you need another condition that recurses into the deeper levels of a tree in case of a branch in the tree:
(defun deep-find (L n)
 (cond
 ((null L) nil)
 ((equal n (car L)) t)
 ((listp (car L)) ; in case of a branch,
 (or (deep-find (car L) n) ; check the branch,
 (deep-find (cdr L) n))) ; and check rest of the list
 ((deep-find (cdr L) n))))
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12 Fixes For DISM Error 87 On Windows
Introduction:
DISM stands for Deployment Image Service and Management. It is a built-in executable command-line tool used to fix the mount of the Windows image from the .wim file, .ffu, .vhd file, or a .vhdx file and also upgrade the operating system running.
DISM error code 87 on Windows
If you are facing problems like error code 0xc000021a, windows media player not working, or some particular application or operation is deviant. Then using the DISM could help you fix the issue related to any of the corrupted system files, which might be causing you unnecessary errors.
Similar to that of the DISM. There is one more command-line tool which is the SFC Scan. Here SFC stands for the System File Checker.
SFC helps restore the older cached copy to fix the registry. And if the system file source cache is also corrupted, then DISM help correct the issue from the roots.
But today, in this article. We won't be talking about SFC. But DISM, and fix the error code 87 preventing us from completing the DISM cleanup.
What is DISM error code 87?
DISM error code 87 is the direct result of the failure of the DISM clean-up command due to either faulty commands or system failure.
What is Causing DISM Error 87 on Windows 10?
DISM error code 87 in most cases is caused due to wrong spaces given in the command. You have to make sure you use a properly defined order. Running the commands in the Command Prompt or Power Shell is also a cause of DISM error code 87. Some other reasons that could be troubling you are as follow:
Command-Line not Written Accurately:
The main reason behind getting the DISM error code is the mistaken command. And a lot of people do mistakes in entering the commands correctly and thus end up getting the error codes.
Due to Windows 10 Bug:
Windows 10 bug results in the Windows ending up getting a blue screen addressing your system running into a problem and needing to restart.
And this error you can easily fix this by updating Windows to the latest operating system.
Command not Running Into an Elevated Prompt/Not Admin Permissions:
Many peoples get confused when asked to run the command with administrative privileges. And they run it without giving the approvals of overtaking the default configurations. And due to the same many commands which require root privileges fail.
Outdated OS:
The primary cause for any system crash circulates the Windows Operating System. And if you do not keep it updated. Then it will create problems, now and then. So the first and foremost thing to fix and avoid any issue is to keep the Windows OS updated.
Damaged Windows Installation:
If you have damaged windows installed. Then you will probably be facing problems in running any command in the command prompt, including the DISM command.
To run the commands without errors. It is crucial to avoid having a damaged window installed. And if you have one. Then you should delete and install the windows again.
Incorrect Version of Deployment Image Service and Management:
An incorrect version of Deployment Image Services and Management can also be one of the reasons causing you the error code 87.
So, if you are trying to use the outdated DISM image to fix the issue for your system. Then you will be fetching the error code 87.
And the only solution to fix this issue is to use the proper version of DISM to fix your Windows.
How to fix the DISM error code 87 on Windows 10?
So, if you are facing the DISM error code 87… And do not know what is next to do. Then follow the below-mentioned solutions and get it fixed for you in no time.
Beneath, we have mentioned all the possible solutions to fix the DISM error code 87.
Solutions to fix the DISM error code 87
 1. Use the Correct Spacing
 2. Use An Elevated Command Prompt
 3. Installing Pending Windows Updates
 4. Use the Windows 10 Version of Deployment Image Service and Management (if applicable)
 5. Perform A Repair Install
 6. Reinstall Windows
 7. Run System File Checker
 8. Run Windows Update Troubleshooter
 9. Running the CHKDSK Tool
 10. Repairing Windows
 11. Scan Windows PC with Microsoft Security Essentials
 12. Create New Partition & Reinstall the Windows
Use the Correct Spacing:
So, before doing anything. The first and foremost thing you need to do is to check if you have correctly entered the commands with proper space and letters. And for this, you can refer to the DISM command below:
DISM Command: DISM /Online /Cleanup-Image /CheckHealth
Make sure you have written the commands correctly, and then try again. Now check if this solution fixes the issue for you. If yes, then great. And if not, follow the next solution.
Use An Elevated Command Prompt:
If you do not use the Command prompt with the root privileges. And use the regular command prompt. Then probably you will get to see the same error even if you use the correct command without mistakes. So, how can you achieve this? Follow the instructions below to run the Command Prompt with the root privileges.
 1. Open the search panel of your windows.
 2. Search Command Prompt.
 3. Now, from the menu given for the Command Prompt, select Run as Administrator.

Running Command Prompt with Administrative Privileges
And this is how you do it. Now run the same DISM command and see if this works for you. If not, move to the next solution.
Installing Pending Windows Updates:
If you wish to keep your system free from errors and crashes. Then you must keep on updating the windows constantly. It minimizes the chances of unnecessary errors getting to you.
 1. To check if your windows are updated, follow the instructions beneath.
 2. Open the Windows Settings.
 3. Locate the Windows update option.
 4. Click over a check for updates.
Checking for updates
Install the updates if found any. And if not, move to the next solution.
Use the Windows 10 Version of Deployment Image Service and Management (if applicable):
This tool can be used to scan and repair potential problems with the .wim store in Windows that may influence system files. It can mount Windows images in .wim, .vhd, or .vhdx format, and can be used to address issues in the presently installed Windows operating system.
The System File Checker tool analogizes those files against the .wim store that is saved on the system. If this store is corrupted, the repairs may not resolve the problems of the system. The DISM tool has some modifiers that can examine and mend the .wim store based on parent copies stored on Microsoft's update servers, making it useful to operate in conjunction with a system file check.
Modifier & Description:
/online – Signifies that you are modifying an online image
/cleanup-image – Begins a more extensive check which can resolve issues with the store]
/checkhealth – Starts a primary check to see if corruption has been detected in the store
/scanhealth – Serves a more comprehensive scan of the store for corruption
/restorehealth – Scans the store for corruption and also fixes corrupted files
As an example, the following command would begin a scan of an online image to check the Windows store for corruption and rectify any that it finds:
{dism /online /cleanup-image /restorehealth}
The command does not always check the files with the parent copies kept on the Windows Update servers by default, and adding the /online modifier does not allow the computer to drag from the Windows Update server with it disabled. If the online functionality is disabled, you may run the command and get an error displaying that it was unable to find the source file. To enable the option:
 1. Open the Local Group Policy Editor by typing gpedit.msc into the start menu search bar and press Enter.
 2. Navigate to Computer Configuration>Administrative Templates>System>Specify settings for optional component installation and component repair then double-click on it to open the settings window.
 3. Set the process to enable, and in the Options section look for the option tagged Contact Windows Update straight to download repair content instead of Windows Server Update Services (WSUS) and check the box.
Under good conditions, the command will take about 10-20 minutes to run, but depending on circumstances it can potentially take about or over an hour.
Perform A Repair Install:
To perform a repair install on your windows, you will be required to have an ISO file. Okay so, before getting an ISO file. Let's have a quick overview of what it is actually.
An ISO file is an identical manuscript of the optical disk. To get an ISO image for your system, follow the instructions below:
 1. Download the Media Creation Tool from the Official Windows Microsoft page.
 2. Click the download button under the Create Windows Installation Media.
 3. Launch the Media Creation Tool, approve all the terms and select Create Installation Media.
Downloading windows media creation tool
 1. Select the options according to your device.
 2. Select the ISO file when asked to choose the output format.
Selecting ISO file format in media creation tool
 1. Click finish and complete the process and note the location of the ISO file.
Now, we'll run the repair install.
Before this, make sure you remove all the devices plugged in with your system to ensure device safety.
To run the repair, follow the instructions below:
 1. Locate the ISO file.
 2. Right-click on it and select the Mount option.
 3. Double-click the set-up.exe file from the ISO-mounted folder.
 4. Now,


University of Cambridge > Talks.cam > Biological Anthropology Seminar Series > Anthropology, mass graves and the politics of the dead
Anthropology, mass graves and the politics of the dead
If you have a question about this talk, please contact Michael Rivera.
In the past few decades, anthropologists, among other experts, have been called to assist in the investigation of mass graves by conducting exhumations, anthropological examinations and identifications of human skeletal remains. The reasons for this choice of specialists are several: anthropologists are trained in methods of grave location, archaeological excavation and identification by constructing the biological profile of the exhumed remains. In recent years, DNA analyses have been employed to verify the anthropological findings, bringing into the picture yet another scientific specialisation. The use of anthropologists in the investigation of mass graves started in Argentina in the mid-1980s and it has since become common in similar situations. When an international organisation such as the United Nations or even a government decide to investigate a mass grave, this can be for either legal or humanitarian purposes. In the legal context, the focus is to bring those responsible to justice, while in the humanitarian the main goal is to identify the remains and return them to their families for a proper burial according to local customs. The involvement of experts who employ scientific techniques in these investigations, is aimed at providing the objectivity and impartiality required in this context. But are the investigations always objective?
This talk is part of the Biological Anthropology Seminar Series series.
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UX Bookclub Switzerland meeting: interaction design lessons from science fiction
Red attended the meeting of the UX Bookclub Switzerland to discuss the influence of science fiction media on real-life interface and interaction design.
Image showing Red at the UX Book Club discussing the relevance of interfaces from Sci-Fi movies.
At the UX Book Club interfaces in Sci-Fi movies are a hot topic!
Exploring fictional user interfaces
The latest meeting of the UX Bookclub revolved around the book Make It So - Interaction Design Lessons from Science Fiction by Nathan Shedroff and Christopher Noessel. They investigate how interfaces in science fiction films are presented and how interaction designers can use these fictional interfaces as a source of inspiration. Although there is a lot of technological extravagance in science fiction, certain aspects can be put to use in real life.
Real-world vs fictional interfaces
The technologies and interface designs which we see on screen have a great influence on both designer and user. Sometimes, they may actually inspire real world technology, as it was the case with the Motorola StarTAC phone, which was inspired by the communicator from the Star Trek series filmed 30 years earlier. Fictional possibilities inevitably change our expectations and desires regarding real technology.
The most important difference between fiction and reality is of course the fact that while it is essential that user interfaces in the real world function properly, fictional interfaces needn't work. They do not necessarily have to be thought through to the last detail or can simply rely on a system which is extremely intelligent. This allows for more freedom in imagining an ideal interface. Though we cannot start designing unfinished interfaces which don't work, we can gain from this the idea of giving our imagination free rein. It might be worth blocking out the usual project limitations such as budget, technology and client wishes, at least for a moment.
Design itself is fiction
Another interesting realisation when looking at the relation between science fiction and real-world design is the fact that in the end, our work is fiction, too: „All design is fiction—at least until it gets built or is made available to users and customers." The personae which we create could be compared to characters, the scenarios and use cases to narratives and prototypes to scenes. We are sci-fi creators! Just as sci-fi writers use their imagination to write an engaging story, we have to be imaginative when designing an interface which satisfies the user.
The idea to learn from sci-fi films and television shows is certainly very interesting. Nathan Shedroff and Christopher Noessel provide a well-organised overview of different sci-fi user interfaces and show that we can gain valuable new approaches by having a closer look at these fictional interfaces. However, the book reads more like general thoughts from an interaction designer's view and lacks a certain profoundness. Another interesting read on sci-fi and technology is Aaron Marcus' The Past 100 Years of the Future: Human-Computer Interaction in Science-Fiction Movies and Television. His book also explores how real-life professionals and sci-fi media-producers can learn from one another.
In the meantime, we are also confronted with divining what technological breakthrough the "real" future will bring. Thinking about Google Glass or Siri we realise that technologies such as augmented reality or voice recognition, which several years ago may have seemed like pure fiction, exist. The question is now how things will develop - what will be the next best thing?


text:
When it comes to home décor, people are often drawn to unique and distinctive pieces that add character and charm to their space. One such item that has been gaining popularity in recent years is the church pew.
These timeless wooden benches have a rich history and bring with them an air of nostalgia and elegance. If you've ever wondered how to incorporate a church pew into your home, this article will guide you through the process of transforming this traditional seating into a stunning focal point for any room.
Church pews have long been considered staples of religious gatherings, providing comfort and support to worshipers throughout the years. However, their appeal extends far beyond the walls of churches. The craftsmanship and design details found in church pews can enhance any interior style, whether it be modern, rustic, or traditional. By introducing a church pew into your home, you not only bring a piece of history but also create a unique seating option that is both functional and visually striking.
The versatility of church pews allows you to place them in various areas of your home, from the entryway or hallway for a grand entrance statement to the dining room or living area for additional seating options. Regardless of where it is placed, decorating a church pew involves thoughtful consideration of its surroundings while honoring its historical significance.
In the following sections, we will explore step-by-step how to transform an ordinary church pew into an extraordinary addition to your home décor.
Choosing the Perfect Church Pew for Your Home
When it comes to decorating your home with a church pew, choosing the perfect one is essential. There are various styles and materials to consider, as well as factors to think about when selecting a church pew for your home. By taking these aspects into account, you can ensure that the church pew not only adds charm and character to your space but also fits seamlessly with your existing interior design.
When searching for a church pew, you'll come across different styles such as Victorian, Gothic, or Mission. Each style has its own unique characteristics and can make a distinct statement in your home. Additionally, you'll need to consider the material of the pew. Common options include wood, metal, or a combination of both. The choice of material will depend on the overall aesthetic of your home and your personal preferences.
In addition to style and material, there are several important factors to keep in mind when selecting a church pew for your home. First and foremost, consider the size of the space where you plan to place the pew. Measure the area carefully to ensure that the pew will fit comfortably without overcrowding the room.
It's also crucial to assess the condition of the pew before purchasing it. Look for any signs of damage or wear that may require restoration or repair.
|Mission||Combination (wood and metal)|
Ultimately, finding the perfect church pew for your home requires careful consideration of style, material, size, and condition. By taking the time to choose wisely, you can ensure that the church pew becomes a beloved and cherished addition to your home decor.
Preparing the Church Pew for Transformation
Before you begin decorating your church pew, it is important to assess the condition of the piece and make any necessary repairs or restorations. Here are some steps to help you prepare your church pew for its transformation:
- Assessing the Condition: Start by thoroughly examining the church pew for any damage, such as cracks, loose joints, or missing pieces. Make a note of any areas that require repair or restoration.
- Cleaning Techniques: Depending on the material of your church pew, there are different cleaning techniques to consider. For wooden pews, use a mild soap and water solution to gently clean the surface. Avoid using harsh chemicals that can damage the wood. For metal pews, wipe them down with a damp cloth and use a metal polish to remove any tarnish or rust.
- Restoring Techniques: If your church pew requires more extensive restoration work, such as repairing broken parts or refinishing the surface, you may want to consider hiring a professional furniture restorer who specializes in antique or vintage pieces. They can help bring back the original beauty of your church pew while ensuring its structural integrity.
Once you have completed these preparatory steps, you are ready to move on to transforming your church pew into a focal point of charm and character in your home decor.
Below is an ordered list of key steps in preparing your church pew for transformation:
- Assess the condition of the pew.
- Determine if any repairs or restorations are needed.
- Clean the pew using appropriate techniques based on its material.
- Consider professional restoration for more extensive repairs.
By taking these steps to properly prepare your church pew, you can ensure that it will be in optimal condition before moving on to the next stage of transforming it to fit into your home decor vision.
Working with the Existing Style of Your Home
When incorporating a church pew into your home decor, one important consideration is how to work with the existing style of your home. Whether your interior design theme is traditional, modern, or somewhere in between, there are ways to harmonize the church pew with your surroundings and create a cohesive look.
Harmonizing the church pew with your existing interior design theme
To ensure that the church pew seamlessly blends in with your home decor, it's essential to consider the overall style and aesthetic of your space. If you have a traditional or vintage-inspired interior, opt for a classic wooden church pew that complements the warm tones and finishes in the room. On the other hand, if your home has a more contemporary or minimalist design, choose a sleek and streamlined pew with clean lines.
To achieve harmony between the church pew and your existing furniture pieces, pay attention to details such as wood tone and shape. If you have predominantly dark wood furniture in your home, select a church pew with similar undertones. Similarly, if you have curved or ornate furnishings, look for a pew that features similar design elements.
Blending traditional and modern elements
Sometimes, it can be exciting to mix different styles within your home decor. By blending traditional and modern elements together with the church pew, you can create a unique and eclectic look. For instance, pair a rustic wooden pew with contemporary artwork or abstract sculptures for an intriguing contrast.
Another way to combine traditional and modern elements is by incorporating contrasting materials. If you have sleek metal accents in your space, consider choosing a church pew upholstered in luxurious velvet or textured fabric to add warmth and coziness.
Remember that achieving harmony between styles doesn't mean everything has to match perfectly. Instead, focus on creating visual interest through thoughtful juxtapositions that complement rather than clash with each other.
By working with the existing style of your home when decorating your church pew, you can seamlessly integrate this historical piece into your interior design. Whether you choose to harmonize the church pew with your existing theme or blend traditional and modern elements, the result will be a cohesive and visually appealing space that highlights the unique character of the pew.
Color and Finishing Touches
When it comes to decorating a church pew in your home, choosing the right colors and finishing touches can make all the difference in transforming its appearance. Here are some tips and ideas to help you bring out the beauty of your church pew.
1. Painting or Staining the Church Pew: One of the first decisions you will need to make is whether to paint or stain your church pew. Both options have their merits and it ultimately depends on the style you want to achieve.
If you're looking for a more rustic or vintage look, staining the wood can bring out its natural beauty. On the other hand, painting allows for more versatility when it comes to matching your home's color scheme or adding a pop of color as an accent piece.
2. Choosing the Right Upholstery or Cushions: Adding cushions or upholstery is not only a practical choice for comfort but also an opportunity to enhance the visual appeal of your church pew. When selecting fabrics, think about durability and how well they will coordinate with your existing décor. Neutral colors are always a safe choice, but don't be afraid to experiment with patterns or textures that reflect your personal style.
– TIP: Consider using removable cushion covers so that you can easily change them according to seasons or whenever you want a fresh new look.
3. Accessories and Decorative Accents: The finishing touches on your church pew can truly elevate its overall aesthetic. Think about incorporating decorative accents that reflect your personal taste and style. For example, if you want to emphasize its religious significance, consider placing religious icons or symbols on a small shelf attached to the back of the pew. Alternatively, you could display a collection of antique books or decorative objects that align with your interior design theme.
– TIP: You can also personalize your church pew by adding custom-made throw pillows or blankets that showcase your family name, monogram, or a meaningful quote.
By carefully choosing the colors and finishing touches for your church pew, you can create a stunning focal point in your home that seamlessly integrates with your existing décor. Whether you decide to paint or stain it, upholster it with luxurious fabrics, or showcase sentimental items on its surface, these details will help bring out the unique charm and character of your church pew.
Adding Personal Touches to Your Church Pew
Once you have chosen and prepared your church pew for transformation, it's time to add personal touches that will make it truly unique and reflective of your style. By incorporating sentimental items or family heirlooms, as well as displaying religious or decorative accents, you can create a meaningful and personalized space in your home.
One way to add a personal touch to your church pew is by including sentimental items or family heirlooms. These can be items that have been passed down through generations or hold special meaning to you and your family.
Consider placing small picture frames on the pew with


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Parenteral penicillin for children with meningococcal disease before hospital admission: Case-control study
Harnden A., Ninis N., Thompson M., Perera R., Levin M., Mant D., Mayon-White R.
Objective: To explore the impact on mortality and morbidity of parenteral penicillin given to children before admission to hospital with suspected meningococcal disease. Design: Retrospective comparison of fatal and non-fatal cases. Setting: England, Wales, and Northern Ireland; December 1997 to February 1999. Participants: 158 children aged 0-16 years (26 died, 132 survived) in whom a general practitioner had made the diagnosis of meningococcal disease before hospital admission. Results: Administration of parenteral penicillin by general practitioners was associated with increased odds ratios for death (7.4,95% confidence interval 1.5 to 37.7) and complications in survivors (5.0, 1.7 to 15.0). Children who received penicillin had more severe disease on admission (median Glasgow meningococcal septicaemia prognostic score (GMSPS) 6.5 v 4.0, P = 0.002). Severity on admission did not differ significantly with time taken to reach hospital. Conclusions: Children who were given parenteral penicillin by a general practitioner had more severe disease on reaching hospital than those who were not given penicillin before admission. The association with poor outcome may be because children who are more severely ill are being given penicillin before admission.


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Correcting Business Information Where a Nominee Was Used
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Many taxpayers have applied for Employer Identification Numbers (EINs) listing on the application an individual or entity other than the entity's true responsible party as the principal officer, general partner, grantor, owner, or trustor. The use of such an individual or entity, a "nominee", has resulted in IRS records containing incorrect information. Entities that used nominees on their applications should consider updating the information shown on the original application.
Who Should Update the Information?
Any entity that applied for an EIN listing a nominee as the "principal officer", etc., and listing the nominee's Taxpayer Identification Number as that of the principal officer, should send the IRS a letter providing the name and Taxpayer Identification Number (Social Security Number, Employer Identification Number, or Individual Taxpayer Identification Number) of the true responsible party. Entities that submitted applications that showed, as the principal officer, an individual or entity who is no longer the true responsible party also should update the entity's information.
What the Terms "Nominee" and "Responsible Party" Mean
A "nominee" is someone who is given limited authority to act on behalf of an entity, usually for a limited period of time, and usually during the formation of the entity. The "principal officer, general partner," etc., as defined by the IRS, is the true "responsible party" for the entity, instead of a nominee. See the Responsible Parties and Nominees page for more details.
Why the Information should be corrected
In the event that the IRS has a need to contact an entity about a tax matter relating to the business, we must be certain we are contacting the correct party. Otherwise, information regarding an entity could be disclosed to someone who is not authorized to receive such information. The IRS is considering several ways to identify the responsible parties of entities. However, by updating the information itself, an entity can establish that it is a reliable partner of the IRS in complying with the Federal tax laws.
How to Update the Information
There is no form available to update the information, and the IRS asks entities updating their information NOT to submit a second EIN application. Instead, the IRS asks that the entity send a letter, on company letterhead, if available, providing the name and Taxpayer Identification Number of the current principal officer, general partner, grantor, owner, or trustor. Be sure to include the entity's complete name, EIN, and mailing address so we can correctly identify your IRS account. Depending upon the entity's principal business address, the entity should send the letter to the following IRS campus:
If the entity's principal business, office or agency is located in:
Send Letter to:
Internal Revenue Service
Stop 343G
Cincinnati, OH 45999
Internal Revenue Service
M/S 6273
Ogden, UT 84201
The IRS will send a letter confirming our receipt of the updated information. If the entity has not received the confirmation letter within 60 days, it should mail a copy of the original letter, annotated "Second Request", to the campus that services the entity's state.
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Page Last Reviewed or Updated: 09-Nov-2015