Security Demands
To ensure that only callers that have been granted a specified permission can call your code, you can declaratively or imperatively demand that callers of your code have a specific permission or set of permissions. A demand causes the runtime to perform a security check to enforce restrictions on calling code. During a security check, the runtime walks the call stack, examining the permissions of each caller in the stack and determining whether the permission being demanded has been granted to each caller. If a caller that does not have the demanded permission is found, the security check fails and a SecurityException is thrown. The only demands that do not result in a stack walk are link demands, which check only the immediate caller.
You can cause a security check to take place every time a particular method is called or before a particular block of code is executed. If you want the security check to occur when any member of a particular class is called, you can place a demand before the class so that it applies to every member of the class. The remainder of this topic explains how you make security demands, when you should do so, and why you might choose one type of security demand over another.
If you are writing a library that directly accesses a protected resource and if this access is exposed to the caller, you must make a security demand in the library to help verify that all callers in the call stack have permission to access that resource. Your demands can be declarative or imperative. Note that demands should never be made in a class constructor because class constructor code is not guaranteed to execute at any particular point or in any particular context. Because the state of the call stack in a class constructor is not well defined, demands placed on class constructors can produce unexpected and undesired results.
You should use the following guidelines, regardless of the type of demand you make:
 - Ensure that the caller originated from a particular site or zone, or was signed by a particular publisher, by demanding that callers have a particular identity permission. However, you should do this only when you are giving additional access based on matching an identity, not when you are denying access based on matching an identity. Because it is relatively simple to modify or mask code's identity, denying access based on identity alone is not a reliable way of protecting your code and the resources it accesses from unauthorized access.
 - Ensure that an object can be created only by callers who have a specific permission by placing the demand on the class level of that object. For example, suppose you have a class called myFileStream, which derives from the FileStream class, and you want to ensure that only authorized callers can create instances of myFileStream. You would place a declarative demand for a FileIOPermission object that represents the right to access the stream created by myFileStream on the class level of the myFileStream class.
 - You can also put demands in code that set or get a property. In general, you put demands for less restrictive permissions on the get accessor rather than on the set accessor, unless the property holds sensitive information, such as a password.
 Note Role-based security checks have slightly different semantics than code access security checks. For more information, see Role-Based Security.
 Note Demands can be applied at the class, method, event, and property levels only; assemblies and individual non-private variable members are not protected by demands. Demands placed on the assembly or non-private variable level will not produce a compiler warning. Therefore, it is important to use properties instead of public members in order to insure the protection that demands provide.
See Also
Code Access Security | Writing Secure Class Libraries | SecurityException Class
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Setting the Default Browser for Learn More Events
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Use the set.UserDefaultBrowsermethod to control how the Learn More link opens when activated.
For Google IMA ads, with the Learn More feature, you can configure how the link opens when activated. This option is configured using the set.UserDefaultBrowser method. This method defaults to false by default. If the method is not directly called in the app the Learn More button will open in the native application. Configure the button to open in the default browser by adding the following methods to your main activity:

source: openbmb/Ultra-FineWeb


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The project "pelletting machine" addresses the treatment of biological waste from farm animal breeding in the conditions of small and medium-sized farms.
It is the treatment of litter, with a mixture of horse and another faeces, urine, straw and sawdust by their pelletizing into agropellets and subsequent combustion in the pellet boiler, thereby obtaining a clean energy from renewable sources or high-quality fertilizer.
The production capacity of the pelleting machine is processing approximately 1000 kg of manure per day, what represents a production of about 500 kg of pellets.
Production of agropellets is carried out in line, consisting of
How does the pelleting line serve you? Watch the video

source: m-a-p/FineFineWeb


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Definition of phytochrome in English:
noun[mass noun] Biochemistry
A blue-green pigment found in many plants, in which it regulates various developmental processes.
- This macroscopically observable reaction was identified to be coupled with light-induced processes of the photoreceptor phytochrome.
- This is the opposite of the situation in higher plants, where red light activates and far-red light inactivates phytochrome.
- The plant photoreceptor phytochrome exhibits remarkable structural and functional variabilities in the plant cell.
Definition of phytochrome in:
- US English dictionary
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Soft-Shell Clams are found in intertidal mud flats throughout much of the North Atlantic Ocean, and in the US are most abundant in Maine. They reach maturity in one year and usually live about 10 – 12 years.
The abundance of Soft-Shell Clams in Maine is unknown, but recently landings or the amount collected has slightly increased. There is a statewide size limit of 2 inches for Soft-shell Clams with fisheries management delegated to individual municipalities. Management measures include limiting the number of permits issued, area closures, and re-seeding mud flats. Soft-Shell Clams can only be taken commercially by hand devices called clam rakes that cause minimal habitat damage and result in very little bycatch.
In Casco Bay, Maine, 25% of flats have been permanently closed due to pollution, which is particularly concerning in the face of increasing coastal development.

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Ojibwe Place Names in Wisconsin, ca. 1890
Geographical Names in Wisconsin, Minnesota, and Michigan, Having a Chippewa origin
The author of this list, Chrysostom Verwyst (_PHONE_), was a Catholic missionary among the Ojibwe in the Bayfield-Ashland area from 1882 to 1912. Verwyst became fluent in Ojibwe and after retiring spent his remaining years in the Franciscan monastery at Bayfield, where he wrote on the history and language of the Ojibwe and compiled a biography of his predecessor, Rev. Frederic Baraga. This list preserves the Ojibwe names in use in northern Wisconsin at the start of the 20th century; Verwyst also occasionally ascribed Ojibwe origins to place names that modern linguists now believe actually came from other lagnuages. It is one of several works in or about American Indian languages to be found at Turning Points in Wisconsin History. Readers should note that this is a historical document rather than a modern one; students wishing to study the language should rely on materials produced by the tribal language office.
Territory to Statehood|
Treaty Councils, from Prairie du Chien to Madeline Island
|Creator: ||Verwyst, Chrysostom Adrian 1841 - 1925
|Pub Data: ||Wisconsin Historical Collections, vol. XII (1892): 390-398.
|Citation: ||Verwyst, Chrysostom Adrian. "Geographical Names in Wisconsin, Minnesota, and Michigan, Having a Chippewa origin." Wisconsin Historical Collections, vol. XII (1892): 390-398.
Online facsimile at:
Visited on: 5/21/2013


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Refraction is the act of preventing a rule from firing multiple times in succession. Without refraction, at each loop iteration the same rules can be added to the agenda repeatedly. This is because the same conditions are satisfied. To prevent a single rule from firing repeatedly, a refraction condition is implemented. There are many types of refraction rules.
Some systems use a refraction condition that each rule may only be fired once. Once a rule has been fired, it may never be fired again until the system is reset.
In an intermittant rule refraction condition, a rule may never fire twice consecutively, and may not be added to the agenda again until a different rule fires first.
In a changing antecedent refraction condition, a rule may only fire if the attributes in the antecedent have changed.Last modified on 6 March 2011, at 02:44


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The Mini Quad Mute (MQM) is a 6HP vactrol based mute module. The MQM features 4 mono signal paths, with one vactrol per channel (4 vactrols in total). The MQM is perfect for muting all signal types found within a Eurorack System, with each of its audio inputs being cascaded. This means that up to 4 copies of a signal are possible. If no cable is patched into "In 1" a 10V (10 Volt) signal will be outputted.
The MQM can be directly controlled via its 4 buttons (one for each channel). All four buttons allow for both latching and momentary functionality. If a button is short pressed its respective channel will latch between a muted or unmuted state. When a button is long pressed, the channel's momentary mode is activated, lasting until the button is released. This is fantastic for using the MQM during live performances. Through the use of a DIP switch on the rear of the module, you can choose how each state is displayed via the LED buttons, rather than it being prescribed to you. By default when a channel is unmuted its respective LED will be illuminated, and off when the channel is muted. Through changing the position of the DIP switch, an illuminated LED will indicate a channel being muted, and an LED that is off indicates a channel being unmuted.
The MQM also features the ability to detect the difference between both Gate and Trigger signals, and change its functionality based on the signal that is sent to the module, via its 4 "G/T" inputs. If the MQM detects a Trigger signal on one of its "G/T" inputs, the respective channel will latch between either a muted or unmuted state. If a Gate is detected the respective channel will momentarily latch to an unmuted state until the Gate ends. This functionality mirrors that of the 4 integrated LED buttons, allowing you to mute signals the way you want to. This also allows you to sequence each channel.
The MQM can either be orientated with the buttons at the top of the module or at the bottom, thanks to its modular design. Allowing users to choose how they use the MQM is a core feature of the MQM, as we believe that usability and accessibility are both extremely important for module design and users alike. Both I/O board and front panel combinations are included, allowing you use the MQM exactly how you want to straight out of the box.
All Fully Wired Electronics modules come with Aluminum front panels and Knurlies for mounting.
4 independent vactrol based mute circuits (features 1 vactrol per channel)
Cascaded audio inputs, capable of creating up to 4 identical signals
Can be controlled manually the 4 channel buttons or externally via Gate and Trigger signals
Each button can be used in latching or momentary mode
Changes how channels are muted depending on if Gate or Trigger signals are detected (momentary or latching)
Allows you to change how the channel states are displayed via DIP switch on rear of module
Capable of outputting 10V when no signal is patched into "In 1"
Includes two I/O Board & Front Panel combinations, allowing for both button orientations without additional costs straight out of the box
Includes 2 Knurlies
Mini Quad Mute
Format - 3U
HP - 6HP
Depth - 32mm
Active/Passive - Active
+12v - 48mA
-12v - 11mA
+5v - N/A
Includes 2 Knurlies


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The Boonshoft Museum of Discovery, just north of downtown Dayton, has its roots in the city's Museum of Natural History, which opened in 1893, and in a civic movement to create a children's museum in 1993. The two efforts merged in 1999, and Boonshoft was born.
Although the mission of the museum focuses on children, its exhibits provide science education for all ages, with an emphasis on anthropology, biology, geology and paleontology.
The Space Theater planetarium offers a variety of shows based on age groups; for example, the 3-D Meerkats show is geared toward children 4 and older.
Also popular with children are the water-play area, a faux archeology dig and a two-story climbing structure. (Parents should be aware that children can exit the top level to a staircase.)
The museum has a small eating area with vending machines, and visitors are welcome to take food and eat it there.
— Jane Hawes


How Employee Voice and Recognition Boosted Engagement at Bayhealth
How employee voice and recognition boosted engagement at Bayhealth
Taking a clue from their adage to strengthen the health of their communities one life at a time, Bayhealth prioritized the strength of their teams with a strategic focus on employee voice and recognition, and the goal of improving engagement.
For all organizations, improving a culture of approval is critical to driving the booking needed to succeed. In fact, according to the Brandon Hall Group's 2020 Culture of Recognition report, organizations that rate their culture of recognition highly are 2. 5x more likely to see increased hire engagement–a known outcome of frequent and meaningful approval.
Here's how Bayhealth, Delaware's largest not-for-profit healthcare system with 4,000 hires, encouraged a culture of acceptance and boosted action across the organization.
Turning top-down recognition into greater transparency
Grappling with outdated approval traditions that were siloed and without discernible significance, Bayhealth departed in search of a new mixture. They needed a platform that would take them from handwritten notes committed from overseer to employee, to a dynamic tech-forward solution that was easy to use, allowed for transparency across the organization, and altered their growing–and largely mobile–workforce.
Understanding that their employees too required recognition that was in-the-moment, two-way and technology-focused, Bayhealth opted to partner with Achievers, the chairwoman in acceptance and wages technology.
Using Achievers Employee Success Platform, Bayhealth launched their new recognition curriculum and appointed it Driven–a testament to their commitment to doing, and being, better. Upon its launch, Driven began to move the needle on engagement in a big way.
Previously among the lowest values on their date cross-examine, acknowledgment at Bayhealth met a. 11 stage mount to 3.79( on a scale of 1-5) in the first year of their program. Similarly, changes to the frequency and opennes of peer-to-peer identifications impacted action values, rapidly moving them out of the bottom quarter of the industry average, where they previous seat. These chassis and their real impact on the organization are largely attributed to the enthusiastic adoption of their Achievers program among Bayhealth employees. Despite being a primarily portable personnel, works were agitated and interested to recognize and reward their peers and interact with the recognitions of others employing the platform's mobile and social capabilities.
98 percent of Bayhealth works have activated their planned accounting and 84 percentage are using the programme monthly
Implementing easy ways to recognize and has an influence
90 percent of workers say that when they receive approval, it causes them to work harder. While optimal hire accomplishment was something that Bayhealth strived for, they understood that the positive effects of recognition went beyond merely laborer output.
To Bayhealth, acknowledgment is not only about the employee, it was about the customer–or in such cases, the patient. The society understood matters by aligning its values with actions that drive improved employee booking and performance, the patient experience could be positively affected.
Using the robust reporting capabilities in the Achievers platform, supervisors at Bayhealth were able to find brand-new and artistic ways to recognize their teams in times that would have maximum significance. For instance, Bayhealth's chief nurse detective captured "great catches" each day and shared the good news tales and recognitions during safe huddles. This public recognition was two-fold: it aroused a culture of recognition and reinforced Bayhealth's focus on patient safety.
Leveling up hire listening
To genuinely make their employee engagement to the next grade, Bayhealth chose to complement their acceptance planned with Achievers Listen, Achievers' dynamic work expres solution.
Seamlessly integrated with their Driven program, Listen lets Bayhealth to uncover how hires feel about the performance of their duties and why, in the moments that matter most to them. Bayhealth can now tap into real-time feedback with Listen's Check-Ins feature and gathering a robust and timely given of insights through its frequent Pulse examinations. This approach has allowed them to understand engagement at different points throughout the year and accomplish awfully change by addressing employee concerns as they arise.
Using their hire feedback and data-driven insights from Listen, commanders at Bayhealth are able to take action and upshot positive change that drives engagement across their teams. When it comes to feeling heard, 90 percent of workers say that they are more likely to stay at a company that takes and acts on feedback. That's an important figure for organizations like Bayhealth that want to keep their immense talent.
Seem forward with a 360 thought
By pairing two dynamic technologies together, Bayhealth is empowered with a holistic 360 -degree view of their hire ordeal. Armed with real-time feedback and a program supported by science, they continue to bolster commitment across the organization.
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The Dell XPS 13 2-in-1 is a highly versatile and powerful laptop that combines the functionality of a laptop and the convenience of a tablet in one sleek and compact device. It offers excellent performance, a stunning display, and a range of useful features, making it an ideal choice for both work and leisure activities.
With its innovative design, powerful processor, and long battery life, the Dell XPS 13 2-in-1 is a top contender in the market for those seeking a high-performance and versatile laptop.
The Evolution Of 2-in-1 Laptops
The Dell XPS 13 2-in-1 is an impressive addition to the evolution of 2-in-1 laptops. With its sleek design and powerful performance, it offers a versatile computing experience for users.
Definition And Introduction To 2-in-1 Laptops
2-in-1 laptops have revolutionized the way we work and play by combining the functionality of a laptop and the versatility of a tablet. These devices feature a touchscreen display that can be detached or flipped around, allowing users to switch between laptop and tablet modes seamlessly. With their sleek design and portability, 2-in-1 laptops have gained popularity among professionals, students, and tech enthusiasts alike.
Brief History And Evolution Of 2-in-1 Laptops
2-in-1 laptops have come a long way since their inception. The concept of a hybrid laptop originated in the early 2000s, but it wasn't until the introduction of the Microsoft Surface in 2012 that the market for 2-in-1 laptops truly took off. This groundbreaking device paved the way for other manufacturers to explore the potential of convertible laptops.
Over the years, advancements in technology have allowed for thinner designs, more powerful processors, and longer battery life in 2-in-1 laptops. Manufacturers have also focused on improving the responsiveness and accuracy of the touchscreens, making them more enjoyable to use. These innovations have made 2-in-1 laptops a viable alternative to traditional laptops and tablets.
Accessibility And Convenience Offered By 2-in-1 Laptops
One of the main attractions of 2-in-1 laptops is their accessibility and convenience. With the ability to switch between laptop and tablet modes, users can adapt to different tasks and environments with ease. Whether you're taking notes in a meeting, watching movies on a plane, or editing a document at your desk, a 2-in-1 laptop offers the versatility to meet your needs.
Moreover, the portability of 2-in-1 laptops makes them ideal for those on the go. The compact size and lightweight design allow users to carry them effortlessly in their backpacks or handbags. No longer do you have to carry a separate laptop and tablet. Everything you need is neatly packed into a single device.
Additionally, 2-in-1 laptops often come with features such as stylus support, multi-touch gestures, and keyboards that can be detached or backlit. These features enhance the overall user experience, making tasks like drawing, taking handwritten notes, and typing more intuitive and enjoyable.
Dell Xps 13 2-in-1: The Perfect Blend Of Power And Flexibility
Versatility In Design: Flipping And Folding Options
The Dell XPS 13 2-in-1 is not your ordinary laptop. With its innovative convertible design, this cutting-edge device offers a level of versatility that is hard to match. Whether you need a traditional laptop for work or a tablet for casual browsing, this 2-in-1 device has got you covered.
Explanation Of Dell Xps 13 2-in-1 Convertible Design
The Dell XPS 13 2-in-1 features a unique convertible design that allows you to flip and fold the screen to fit different usage scenarios. Its flexible hinge enables smooth transitions between four different modes: laptop, tent, stand, and tablet.
|Laptop||The default mode, perfect for productivity tasks such as writing, coding, and creating presentations.|
|Tent||Ideal for watching movies, video conferences, or showcasing presentations, as the touchscreen is easily accessible.|
|Stand||Great for hands-free viewing while working with touch-based apps or collaborating on projects.|
|Tablet||A fully functional tablet mode, providing the ultimate portability for browsing, reading, and media consumption.|
Benefits And Drawbacks Of Flipping And Folding Options
The flipping and folding options of the Dell XPS 13 2-in-1 offer a range of benefits for users. First and foremost, the ability to switch between different modes provides unparalleled flexibility in adapting to various tasks and environments. Whether you are crunching numbers on a spreadsheet or binge-watching your favorite show, this device can be easily adjusted to suit your needs.
Additionally, the tablet mode is a game-changer for those who prefer a more portable and lightweight option. The sleek design and touch-enabled screen make it a pleasure to use in tablet mode, allowing for intuitive navigation and effortless interaction with apps and content.
However, it's worth noting that the folding and flipping mechanism may come with some drawbacks too. The complex hinge system that enables the versatile design makes the device slightly bulkier and heavier compared to a traditional laptop. This may not be an issue for those who prioritize versatility, but it's something to consider if ultra-portability is a top priority.
In conclusion, the Dell XPS 13 2-in-1's flipping and folding options provide an enhanced user experience with their ability to adapt to different usage scenarios. Whether you're a student, professional, or casual user, this versatile device offers the best of both worlds – the power of a laptop and the flexibility of a tablet. With its sleek design and innovative features, it's no wonder that the Dell XPS 13 2-in-1 is a favorite among tech enthusiasts.
Unleashing Creativity: Touchscreen And Stylus Support
One of the most exciting features of the Dell XPS 13 2-in-1 is its touchscreen display and stylus support. This combination opens up a world of creative possibilities, allowing users to take their artistic endeavors to new heights. In this section, we will delve into the integration and functionality of the touchscreen display, the precision and responsiveness of the stylus pen, and the creative applications and possibilities that come with touchscreen and stylus support.
Integration And Functionality Of Touchscreen Display
The integration and functionality of the touchscreen display on the Dell XPS 13 2-in-1 are truly remarkable. With this feature, users can interact with their device in a more intuitive and natural way. Whether it's zooming in and out of images, scrolling through web pages, or swiping through documents, the touchscreen display provides a seamless and effortless experience. The responsive and fluid touch capabilities make navigation a breeze, making it easy to access various applications and features with just the touch of a finger.
Precision And Responsiveness Of The Stylus Pen
For those who crave even more precision and control, the Dell XPS 13 2-in-1 also comes with stylus pen support. This innovative accessory allows users to take their creativity to the next level. The stylus pen is exceptionally precise and responsive, providing a natural and lifelike drawing experience. With pressure sensitivity and tilt support, every stroke is captured with remarkable accuracy, allowing artists and designers to create intricate details and bring their visions to life.
Creative Applications And Possibilities With Touchscreen And Stylus Support
The touchscreen and stylus support on the Dell XPS 13 2-in-1 open up a world of creative applications and possibilities. Whether you're an artist, designer, or student, the ability to draw, sketch, annotate, and create directly on the screen is invaluable. From digital art to handwritten notes, the touchscreen and stylus pen provide a new level of convenience and functionality. With a wide range of creative software available, users can explore their artistic talents, design stunning visuals, and unleash their creativity like never before.
Moreover, the compatibility of the touchscreen and stylus support with popular design and note-taking applications ensures a seamless workflow. Whether you prefer Adobe Photoshop, CorelDRAW, Microsoft OneNote, or other creative tools, the Dell XPS 13 2-in-1 delivers an exceptional experience, allowing you to unleash your creativity without any limitations.
In conclusion, the touchscreen and stylus support on the Dell XPS 13 2-in-1 truly unleash creativity in a way that was not possible before. The integration and functionality of the touchscreen display, along with the precision and responsiveness of the stylus pen, provide an unparalleled experience. With a wide range of creative applications and possibilities, this device empowers artists, designers, and students to bring their imagination to life, making the Dell XPS 13 2-in-1 the perfect companion for those seeking innovative and versatile tools.
The Power Within: Performance And Battery Life
When it comes to portable productivity, the Dell XPS 13 2-in-1 is a force to be reckoned with. This revolutionary device combines high-performance functionality with an exceptional battery life, providing users with the power they need to tackle any task throughout the day. In this section, we will explore the processing power and performance capabilities of the Dell XPS 13 2-in-1, as well as the impact of Intel processors and SSD storage on its overall performance. Additionally, we will delve into the battery life and efficiency of this remarkable device, ensuring that users can stay productive all day long.
Processing Power And Performance Capabilities Of Dell Xps 13 2-in-1
Designed to deliver seam


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Aims of the project
Aims are linked to ongoing exchange of ideas to progress teaching and learning in both schools.
it will be seen as successful if the frequency of meetings and exchange events trigger improvements in practice in either school. Senior managers and pupils have already gained from the links.
Background and goals
- The project was initiated at the joint initiative of the respective head teachers.
- The Head of Gartree made an initial approach which was reciprocated.
- The partnership took place during the academic year 2014/15.
- Time availability is the only real resource critical factor.
- Facilities, such as Leicester Grammar's performance spaces may be shared from time to time.
- Currently it is focussed on SMT and teaching staff.
The outcomes will be judged by review carried out by the respective heads on an annual basis. Lessons learnt and possible improvements will be judged and incorporated in future work. It is seen as a long term linkage.
All from the age of 10 to 18 may be involved. An example is the annual Mathematics challenge competition in which Garyree has entered at least one team of Year 7 pupils. The competition is run by Leicester Grammar schools mathematics staff with help from Years 12 and 13 pupils. This is a co-educational experience.
Frequency and duration
The mathematics challenge is annual event but otherwise like events are ongoing throughout the academic year.


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needs to be taken to ensure that the strong optical aberrations induced by the fluid-filled pipe wall do not negatively impact the optical measurement being performed.
Prior to commencing this investigation, a custom-made corrective optic (referred to as an optical contour) was designed and manufactured using a computer numerically controlled (CNC) 5-axis machining station and used to correct for the aberrations induced by the water-filled acrylic pipe. The original design and manufacture of the optical contour is described in de Witt et al.. The optical contour was designed to be clamped to the external pipe surface, making it relatively easy to attach it to different pipe locations. The optical contour was found to correct for the strong aberrations that would have otherwise been present while imaging through the water-filled pipe. The optical contour allows for approximately 80% of the central pipe to be investigated as shown in de Witt et al..
The camera and the beam source are positioned perpendicular to the pipe axis as shown in Figure 1, with the spatial extent of flow investigated approximately 24.5 mm in the -direction of the 57.15 mm internal diameter cast-acrylic pipe. As noted in Figure 1 (upper), two optical contours are required when applying the SH-WFS to the investigation of pipe flow. A replica of the CNC-manufactured optical contour described by de Witt et al. is produced by first creating a mold of the CNC-manufactured optical contour and then pouring a time-hardening transparent urethane into the mold. The transparent urethane optical contour shows good optical characteristics when compared with the original acrylic lens. Moreover, it can be produced at a fraction of the cost and in less time than the CNC-manufactured optical contour.
2.2. Half-Pipe Apparatus
The half-pipe test section shown in Figure 1 (lower) enables the response of the optical diagnostic equipment to be examined while detecting air bubbles in water and in the absence of a net bulk velocity. The inner diameter of the acrylic half-pipe section is 57.15 mm with a wall thickness of 12.7 mm. The half-pipe section is attached to an acrylic wall 11.4 mm in thickness. The optical contour is clamped to the outside of the acrylic half pipe, and given that one external surface was planar, the half-pipe apparatus requires only one optical contour.
Air bubbles are introduced into the half-pipe apparatus using two different methods. A single stationary bubble is introduced by injecting a known volume of air through a syringe into a small-diameter hose. A small-diameter hose is placed in the water-filled acrylic half pipe in a manner that ensures that the end of the hose is aligned with the sensing area of the SH-WFS.
For the generation of multiple ascending bubbles, a piece of porous material (sand packing of 2.54 cm length and 1.27 cm diameter) is connected to a regenerative blower (EG&G Rotron Blower, with a maximum flow of 0.008684 and a maximum pressure of 61.0 cm of water) and placed at the bottom of the half pipe. The air supply hose connecting the blower to the sand packing has an internal diameter of 0.5 mm and is secured internally to the half pipe so as not to interfere with the measurement area (2.54 cm wide) within the pipe.
2.3. Optically Active Multiphase Flow Facility
The multiphase flow facility was designed and built specifically to study dispersed multiphase flow using optical methods. The facility can operate using air, water, and oil; however, only air and water are considered in the current investigation.
A schematic of the multiphase flow facility is shown in Figure 2 with water and air as the operating fluids. The cast acrylic pipe section shown in Figure 2 runs the length of a 4.572 m by 1.829 m optical bench, enabling a wide variety of optical sensing methods to be applied to the study of multiphase flow. The facility can be broken down into five main sections as follows.
3. Shack-Hartmann Wavefront Sensor
The performance of the SH-WFS is first examined by conducting experiments with a single bubble and with multiple ascending bubbles in the water-filled half-pipe.
3.1. Single Bubble Experiment
A single stationary bubble is introduced into the half-pipe apparatus by injecting a known volume of air (average volume = 0.0344 ± 0.0035 ) through a syringe into a small-diameter hose. A small-diameter hose is placed into the water-filled acrylic half-pipe so that the end of the hose is aligned with the sensing area of the SH-WFS.
The left part of Figure 3 shows a schematic of the incoming wavefront passing through a bubble where light encountering the bubble is shown to be scattered away from the detector. Results from a ray-tracing model (not shown) independently confirm this assumption. The right part of the same figure shows the corresponding intensity profile collected by the SH-WFS for a subset of the 2048 pixel array. Each 0.448 mm wide lens functions to focus the light into a relatively well-defined and quantifiable focal spot. Overlaid on the intensity profile is the reference measurement for the case of no bubble. By comparing the reference measurement to the single bubble measurement, it becomes apparent that the air bubble serves to scatter light away from the detectors, as depicted in the schematic to the left in the figure. The main consequence of this result is that it was not possible to apply the standard Shack-Hartmann data processing techniques that were described earlier. Rather, an alternate method of evaluating the data from the SH-WFS is required.
Due to low-signal levels, an evaluation that computes intensity attenuation is performed. To compare the intensities, the attenuation for each lens is calculated as the summed absolute difference between the reference intensity profile and the intensity profile collected with the air bubble in place. The attenuation is then passed through a thresholding algorithm that only accepts attenuations larger than 50 counts. A threshold of 50 counts is determined by quantifying noise as the summed absolute difference for multiple reference intensity profiles.
This thresholding algorithm is found to reject variations caused by electronic noise and results in clearer plots. The maximum value of attenuation is well above the threshold level and is greater than 1000 counts. The resulting plot in Figure 4 shows the existence of an aberration in lenses 37 through 46 (pixels 1168 to 1456). Given the 32 pixels per lenslet and a pixel width of 14, the radius of the single bubble aberration is quantified to be 0.4032 cm. Knowing the average volume injected by the syringe and assuming that the bubble remains spherical, the average radius is computed to be cm or a difference of 0.15%.
In order to ascertain the benefits of using the SH-WFS for bubble measurements, Figure 5 shows the intensity profile obtained for a single stationary bubble while using a standard line-scan camera without lenslet array. Once again, data from a reference measurement collected for the case of no bubble is overlaid. Although an attenuation region caused by the bubble is evident, it is more difficult to visually perceive this region than for the case with the lenslet array presented in Figure 3. The pixel-by-pixel absolute difference between the Single Bubble Measurement and the reference measurement is calculated, thresholded, and plotted as a contour plot in Figure 6. Although a region of strong attenuation is noted from pixel 814 to pixel 1096, artifacts of the differencing and thresholding routine appear at pixels that are not aligned with the bubble, as noted specifically near pixels 725 and 1400.
The bubble diameter can be calculated from Figure 6 as the length from pixel 814 to pixel 1096, resulting in a diameter of 0.3948 cm. When compared with the cm average bubble diameter, an error of 2.23% can be calculated. This error is slightly larger than that obtained while using the lenslet array. The main difference between the two results is attributed to the increased difficulty in the thresholding routine for the case without lenslet array.
A more severe threshold is applied to the case without lenslet array in order to filter the data. The contour plot of the differences between intensity profiles (Figure 6) results in increased noise near the edges of the bubble. The diameter of the single bubble is estimated with increased error from Figure 6 due to the inconsistency in light attenuation along the pixel array. In comparison, the results for the experiments with the lenslet array (cf. Figure 4) lead to a more uniform region for the single bubble experiment.
3.2. Multiple Ascending Bubbles Experiment
Data for multiple ascending bubbles in the half-pipe apparatus is collected at a line rate of 2.5, yielding 256 lines of data with 0.0004 seconds between samples. When multiple bubbles are studied, it is noted that clustering between two or more bubbles may be observed leading to an uncertainty in the response of the SH-WFS.
For the case of multiple ascending bubbles, the subaperture spot centroidal location does not shift significantly when compared to the unaberrated reference signal. Furthermore, the signal for multiple bubbles is not fully attenuated as it is for a single bubble. It is suspected that scattered light from one bubble may be detected by other subapertures not directly aligned with that bubble. Even though the amount of light extinction is less than that for the case of a single bubble, the extinction is still more quantifiable than a shift in spot centroidal location. Consequently, the same signal analysis routine as performed for the single bubble experiment is used, with results shown in Figure 7.


text:
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Inclusive Green Growth in Africa-Rationale Challenges and Opportunities
Inclusive Green Growth in Africa-Rationale Challenges and OpportunitiesPublication 1
Oct 4, 2013
The road ahead is clearly not going to be easy for Africa as it struggles with natural resource depletion, climate change, population growth and the need to ensure that rapid economic growth translates into poverty reduction and employment opportunities for majority of Africans. To avoid costly policy reversals in Africa, this paper argues that there are significant opportunities and challenges for promoting inclusive green growth in Africa. The paper demonstrates that inclusive green growth entails supporting growth that enhances human wellbeing, social equity and shared economic opportunities while reducing environmental risks and ecological scarcities, minimizing inefficient use of natural resources and maintaining biodiversity among others.


The definitive marijuana guide from Cannabis UK
CB1 cannabinoid receptor expression in brain regions associated with zebra finch song control
by Soderstrom K, Johnson F
Cannabinoids have been used for millennia through various preparations of Cannabis sativa. Despite this long history of use, the physiological significance of cannabinoid signaling in the vertebrate CNS is not well understood. High CB1 cannabinoid receptor densities in mammalian telencephalon and the results of behavioral studies suggest that cannabinoids play a role in cognitive function, learning, and memory. Since a network of discrete brain regions in zebra finch telencephalon controls song learning, we hypothesized that cannabinoid signaling may be relevant to songbird vocal development and behavior. Radioligand binding experiments using the cannabinoid agonist [3H]CP-55940 allowed identification of a dense population of high-affinity cannabinoid binding sites in zebra finch neuronal membranes. Northern blotting and RT-PCR experiments demonstrated expression of a predominant zebra finch CB1 mRNA of approximately 5.5 kb. Expression of this CB1 mRNA appears to change over the course of vocal development within the caudal telencephalon. As zebra finch caudal telencephalon contains the higher vocal center (HVC) and the robust nucleus of the archistriatum (RA), regions involved in song learning and production, we further investigated CB1 expression in these areas using in situ hybridization. In situ hybridization revealed that CB1 mRNA is expressed at high levels within both HVC and RA. Overall, these data demonstrate the presence of CB1 signaling systems within songbird telencephalon, notably within regions known to be involved in song learning and production. High-level CB1 expression in song regions suggests a potential role for cannabinoid signaling in zebra finch vocal development.
Cannabis Seeds
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Marijuana Buds
Cannabis Buds
Marijuana Incence
Cannabis Hydroponics
Marijuana Cannabis Scales
Marijuana Pipes


text:
EPK has a much higher fired shrinkage. This is counter intuitive because Grolleg is known to produce more vitrified porcelains. It also appears whiter yet in a porcelain body the Grolleg will produce a much whiter fired product. This means that to compare porcelains we need to see them "playing on the team", in a recipe working with other materials, to see their the properties they really contribute.
Pages that reference this post in the Digitalfire Reference Database:
This post is one of thousands found in the Digitalfire Reference Database. Most are part of a timeline maintained by Tony Hansen. You can search that timeline on the home page of digitalfire.com.


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Dear Builder's Engineer,
I'm a framer and I hear all the time, "shear off a wall." What's that really mean?
Jerome O., Branchville, South Carolina
If you were in the giant scissor business, I'd have a different answer than the one that follows.
In the world of construction, shear can refer to several things. To engineers it's a certain type of stress inside a structural member due to some applied load. Shear can also mean a lateral load from earthquake or wind. And shear can refer to a construction method of resisting wind and earthquake loads. To shear off a wall is in reference to this third definition.
Shear is one of several stresses, with bending, tension, and compression being the other main ones. To understand what shear really is, let's look at how things fail.
- If a member fails in tension, it is pulled apart. For example, a cable being pulled beyond its tensile capacity snaps in two.
- If a member fails in compression, it crushes. For example, a short post supporting too heavy a load mashes.
- If a member fails in bending it breaks due to too large a bending moment. Breaking a pencil in half with your hands is a good example. (Bending moment is another topic altogether.)
If a member fails in shear it rips. A rip is caused by one side of a member going one way and another side going the other way. The most common examples of shear failures are walls that have been through an earthquake. In these you'll see lots of diagonal cracking especially at doors and windows. That's from in-plane (in the plane of the wall) lateral (sideways) forces racking the wall. Racking is the top of the wall being forced in one direction while the bottom is held stationary or is forced in the other. Door and window corners are particularly vulnerable to these racking shear forces.
Here's another seat-of-the-pants example of shear. Say you have a tall stack of long 1x4s. You and a buddy lift the stack, one guy on each end. The boards sag and bounce as you walk. They do this because the boards can slide on top of each other. Now envision that same stack of 1x4s with a layer of stout glue between each board. After the glue has cured, you and your buddy carry them and are astonished that there is zero sag or bounce. The glue is resisting shear forces between the boards. You have just turned a bunch of puny 1x4s into a mighty glu-lam beam.
Wood glue, in fact, is mainly intended to resist shear, which in this sense means pieces of wood sliding on each other. The glue I spec in my structural designs, Liquid Nails LN-940, is good for 450 pounds per square inch, wood-on-wood shear.
In most stick-framed construction, walls provide resistance to the racking, lateral forces brought on by wind, storms, and earthquakes. The amount of racking resistance a wall provides has everything to do with how it is constructed. A wall of just 2x4s, no plywood or drywall, can support a lot of gravity (downward) load but will provide almost no racking resistance. As a framer, you know this because the only way you can true up a wall is to rack it plumb before any sheathing has been nailed off.
A "shear wall" generally means a wall intended to resist the racking loads applied by wind or seismic events. The word "intended" is key because while any wall can resist some lateral load, not all of them are designed to do so. If a non-shear walls does anyway, that's great and adds to the redundancy of the lateral resisting system. When engineers design buildings, they determine how lateral loads will be distributed and ensure that shear walls are located strategically to resist those loads.
A framed wall with drywall on one or both sides can resist a fair amount of racking force. The building code recognizes this and allows drywall-sheathed walls as shear walls. More typical are plywood or OSB-sheathed shear walls. As you might suspect, wood sheathing has greater shear capacity than drywall.
The capacity of a shear wall also depends a lot on the nailing pattern of the sheathing to studs; whether or not the edges of sheathing have blocking behind them; and other factors.
So when someone says that a wall is to be sheared off, they're really saying, "Make sure that sheathing is applied to the studs with a certain nail pattern so that the wall can be depended upon to take wind and earthquake loads."
We all know that a chain is only as good as its weakest link. A shear wall is but a link in the chain of a building's lateral resisting system. In a future column we'll tear into that topic, also known as load path.
Tim Garrison is an author, public speaker, and professional engineer. He welcomes correspondence via his blog at ConstructionCalc.com.


text:
World congress on endourology - Annual endourology research symposium. St, Louis USA ; St, Louis USA, 1994/12.
A review of the National Institutes of Health funding history for urolithiasis shows that support has increased from about $3 million in 1990 to about $4.7 million in 1993 and to an estimated $5.1 million in 1994.
The award of large project grants accounts for the increase : individual research project grant funding (R01-type grants) has not increased.
The overall funding for urologic research supported by the National Institute of Diabetes and Digestive and Kidney Diseases has more than doubled in this same period, with most of the increase attributable to the award of individual research grants.
Although there has been a significant number of urolithiasis research grant applications submitted in this time period, the percent of successful (funded) applications continues to lag behind the number in other urology-related areas.
Strategies for improving the award rate for urolithiasis-related research grant applications are reviewed.
Mots-clés Pascal : Lithiase, Appareil urinaire, Homme, Recherche scientifique, Financement, Aspect économique, Etats Unis, Amérique du Nord, Amérique, Appareil urinaire pathologie, Calcul urinaire
Mots-clés Pascal anglais : Lithiasis, Urinary system, Human, Scientific research, Financing, Economic aspect, United States, North America, America, Urinary system disease, Urinary stone
Notice produite par :
Inist-CNRS - Institut de l'Information Scientifique et Technique
Cote : 95-_PHONE_
Code Inist : 002B30A06B. Création : 01/03/1996.


text:
About Leesville Lake Levels Page
For clarification, SML tailwater elevation is the elevation of water at the base of SML dam; Leesville Lake Forebay level is the elevation of water at the lake surface above the Leesville Dam, whereas Leesville tail water is the level of the Staunton River at the base of Leesville dam. When the LVL forebay is higher than the SML tail water, water is being pumped to SML and the flow of water is in that direction. The opposite occurs when the LVL forebay is lower than the SML tail water.
For more info, visit the Page Below


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Brief History of Canberra. Watson, F.. 1927. A brief history of Canberra the capital city of Australia by Frederick Watson, outlines the early history of the region
in some detail from European discovery by Charles Throsby in 1820, settlement by Moore and others from 1826, the determination of the site for a federal capital to the early development of the city. Apart from the trials and tribulations of the first European settlers the dialogue covers the establishment and early years of the Church of St John the Baptist, and the exploits of Frank Gardiner and his fellow bushrangers. The Oliver Inquiry into the selection of a site for the Australian Capital territory and the subsequent debate occupies a significant section of the book as does the initial planning by Griffin and the initial construction period from 1921 to 1927. The establishment of Duntroon in 1910 and its early years are also featured. The publication names early settlers in the area and some have significant biographical information written about them including Throsby, Moore, Campbell, Ainslie, and Farrer. Other men mentioned who have lesser biographical details included but are still well worth accessing include, Murray, MacPherson, Klensenddorlffe, Palmer, and Hayley. Old historical records are a valuable resource for local, family and social historians as well as for researchers in other fields of Australian history. They provide information on the environment experienced by the residents of the time and how they lived, as well as their occupations.


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Appendix A: QIMAGELIST
Rapid-Q Documentation by William Yu (c)1999-2000 Appendix A: QIMAGELIST
QIMAGELIST Component
QImageList is an array of images, all of the same/fixed size.
QImageList Properties
FieldTypeR/WDefault
BkColorINTEGERRWclNone
BkColor determines which background color to use when drawing an image. Setting BkColor to clNone specifies no background color, ie. the image is drawn transparently. Setting BkColor to clDefault specifies using the imagelists background color when drawing.
BlendColorINTEGERRWclNone
BlendColor determines which foreground color to use when drawing an image. Setting BlendColor to clNone specifies no blend color, while setting BlendColor to clDefault specifies the system highlight color for the foreground.
CountINTEGERR
Count returns the number of images in the imagelist.
DrawingStyleINTEGERRWdsNormal
DrawingStyle specifies the style to be used when the imagelist is drawing an image.
0 = dsFocused -- Draws the image blending 25% with the system highlight color. This only affects imagelists which contain masks.
1 = dsSelected -- Draws the image blending 50% with the system highlight color. This only affects imagelists which contain masks.
2 = dsNormal -- Draws the image using the color specified in the BkColor property. If the BkColor is clNone then the image is drawn transparently using the mask.
3 = dsTransparent -- Draws using the mask regardless of the BkColor setting.
GetBMPARRAY of IMAGES/BMPR
GetBMP returns the image specified by their index.
Examples:
DIM ImageList AS QIMAGELIST
DIM Button AS QBUTTON
ImageList.AddBMPFile("whatever.bmp", 0)
Button.BMP = Imagelist.GetBMP(0)
GetICOARRAY of IMAGES/ICOR
HandleINTEGERRW
HeightINTEGERRW
ImageTypeINTEGERRWitImage
ImageType determines whether the imagelist will use the image or the associated image mask when drawing.
MaskedINTEGERRWTrue
Masked specifies whether the imagelist contains transparent or non-transparent images.
WidthINTEGERRW
QImageList Methods
MethodTypeDescriptionParams
AddBMPFileSUB (FileName$, MaskColor%)Add BMP file to Imagelist2
AddICOFileSUB (FileName$)Add Icon file to Imagelist1
AddBMPHandleSUB (BMP_Resource, MaskColor%)Add BMP to Imagelist2
AddICOHandleSUB (ICO_Resource)Add Icon to Imagelist1
ClearSUBRemoves all images0
DeleteSUB (Index%)Delete image at Index%1
DrawSUB (QIMAGE/QBITMAP/QCANVAS/QDXSCREEN, X%, Y%, Index%)Draw on canvas at (X,Y) with image index% in ImageList4
InsertBMPFileSUB (Index%, Filename$, Mask%)Insert BMP file at Index%3
InsertICOFileSUB (Index%, Filename$)Insert Icon file at Index%2
InsertBMPHandleSUB (Index%, BMP_Resource, Mask%)Insert BMP at Index%3
InsertICOHandleSUB (Index%, ICO_Resource)Insert Icon at Index%2
QImageList Examples
' Imagelist demo
$resource bmp_handle as "nolight.bmp"
$resource ico_handle as "close.ico"
DIM ImageList AS QImageList
DIM Form AS QForm
DIM Button AS QButton
ImageList.Width = 9
ImageList.Height = 17
ImageList.AddBMPHandle bmp_handle,0
'ImageList.AddBMPFile "nolight.bmp", 0
ImageList.AddICOHandle ico_handle
'ImageList.AddICOFile "close.ico"
Button.Parent = Form
Button.BMP = Imagelist.GetBMP(0)
Form.Icon = ImageList.GetICO(1)
Form.Showmodal
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text:
When an airline wet leases an aircraft, the leasing company provides literally everything – the aircraft itself, pilots and cabin crew. … Usually, when a leasing company provides an ACMI (Aircraft, Crew, Maintenance and Insurance) service, they operate under their own Air operator's certificate.
How much does it cost to lease an aircraft?
For a 737-800 you are looking at USD 120,000–350,000 monthly. For a 747-8i you are looking at USD 640,000–1,250,000 monthly. Leasing costs are calculated in various ways.
How long are aircraft leases?
A wet lease generally lasts 1–24 months. A wet lease is typically utilized during peak traffic seasons or annual heavy maintenance checks, or to initiate new routes. A wet-leased aircraft may be used to fly services into countries where the lessee is banned from operating.
Why are airlines leasing more aircraft?
The primary reason why airlines opt to lease aircraft is due to the lower overall cost. For example, a new Airbus A320neo would cost airlines around $110 million, while the larger Boeing 787 would cost around $250 million.
Why is it called a wet lease?
Your car comes with a driver, fuel and the registration to operate on the roads. Several companies in the aviation space offer not just aircraft for lease, but provide their own pilots, flight crew, maintenance, and even airline certificates. This is called wet leasing.
Is it cheaper to rent or buy a plane?
Plane owners can save some money by doing the maintenance themselves, hunting for the best insurance quote, and storing their plane at the cheapest airport. But there's no denying it: owning your own plane will cost you more money than renting.
Is it better to own or rent a private jet?
While the cost of hiring a private jet is also notably higher than first-class fares, it is certainly a lot more economical than buying and maintaining a jet. The hiring cost varies with the size of the aircraft. … for light-cabin jets (1-7 passengers), $3400-$3700/hr. for mid-size jets (1-8 seats), $3900-$4500/hr.
What percentage of planes lease?
There were approximately 31,000 commercial aircraft in service around the world on 31 Jan-2020. Just over 16,800 of these – almost 50% – were leased. (Note that these totals include all aircraft operating in the roles of passenger, freighter, combi or converted passenger/freighter aircraft.)
Is aircraft leasing profitable?
In short, yes, they are profitable. With aviation booming as it is and passenger numbers rising yearly, airlines do lease more and more aircraft. According to a KPMG report about the aviation industry leaders, around 15% of the global aviation fleet was leased by airlines in 1999.
What is the difference between a wet lease and a dry lease?
In a wet-lease situation, the lessor maintains operational control of all flights whilst providing aircraft and crew, whereas with dry-lease the lessee provides its own crew and exercises control.
Which airline owns the most planes?
The largest fleet in the world belongs to American Airlines, with 872 aircraft.
Do airlines own their aircraft?
Airlines rely heavily on third-party debt and equity to finance these capital-intensive assets. … Today, over 13,300 commercial jet aircraft, valued at approximately $331 billion, are owned by operating lessors and leased on this basis to the global airlines, representing more than 49% of the fleet by value.
Does Emirates own or lease aircraft?
Emirates has agreed to lease 14 Boeing 777-300ER wide-body aircraft and Qatar Airways has placed an order to lease two new Airbus A330-200 wide-body aircraft.
What does wet lease mean?
is defined under EU regulations as an agreement between air carriers pursuant to which the aircraft is operated under the AOC of the Lessor.
What does wet lease mean in aviation?
Wet lease: Under a wet leasing arrangement, the owner supplies the aircraft as well as at least one crew member, according to the FAA. The owner assumes operational responsibility, which includes performing maintenance, procuring insurance, and other legal responsibilities of operations.
What qualifies as an operating lease?
An operating lease is a contract that allows for the use of an asset but does not convey ownership rights of the asset. Operating leases are considered a form of off-balance-sheet financing—meaning a leased asset and associated liabilities (i.e. future rent payments) are not included on a company's balance sheet.


text:
Understanding the Light Field viewing volume, it's practical applications in VR and how viewers interact with it are core challenges at Lytro. It forced us to think in new ways and find solutions that work in conjunction with the broader ecosystem of post-production tools and storytelling conventions.
In a previous blog post we talked about the concept of the Light Field volume.
We often refered to this Light Field volume as a sphere that surrounds the viewer's head. In this blog post we'll explore the various considerations that come into play when shaping the view volume and how it affects the resulting user experience.
First, let's understand what is the "natural" shape of the view volume. The view volume's shape depends on the shape of the device that captured the footage/rays of light. For example, if you have a perfect dense sphere of cameras, the view volume would also look like a smaller sphere in the center of the capture sphere. How much smaller? That depends on the field of view of the lenses involved. For example, with 90 degrees lenses, the view volume of a capture sphere would look like this:
Cross section of a capture sphere (in gray) surrounded by cameras with 90 degrees lenses,
forming a smaller view volume (in orange) in the same shape as the capture sphere.
If you have a planar capture configuration, the view volume shape starts being less well defined. The resulting view volume shape is a collection of overlapping triangles that form some sort of a star configuration (exact shape is determined by the rotation steps and field of view of the lenses).
Why does the shape matter?
The shape of the viewing volume matters due to several important considerations:
- It defines the range of motion (space) the viewer would eventually have
- It defines the continuity of motion inside of the view volume
- It affects the production cost
- It affects the creative choices and data size of the final output
1. Range of Motion
Range of motion is simply the volume of space that is available for the viewer to move in. The larger the volume, the more the viewer's head can travel within the Light Field, the more parallax is available, the more details that can be discovered (revealing occluded information). All things being equal, most content creators would always prefer to have as large of a volume as possible – bigger is better!
The balance to volume size is data size. As described in the "Outward vs. Inward Capture" blog post, the data size in a volume grows to the power of 3 and that quickly gets very large. Depending on the use-case, and method of delivery, this can become unwieldy and defeats the purpose of a great viewer experience.
2. Continuity of Motion
The continuity of motion consideration within a viewing volume has to do with the geometrical shape of that volume and how the player application handles "Out of Bound" (OOB) scenario. When the viewer find him/herself in a partially samples point of the Light Field, unpredictable results might occur. The required rays of light might be available or not. The resulting distortions or artifacts might be noticeable, or not. The player might be able to reproject other rays of light into the missing pieces, or not – it's simply not predictable and therefore we always try to avoid it.
As an example of discontinuity within a Light Field, let's imagine shape with a missing triangle (represented by red lines below). Since the viewer can freely move their head in real-world coordinates, they can easily find themselves in a zone of discontinuity where the Light Field is not fully sampled.
Viewer moving their head from point A to point B in a curve find themselves
inadvertently outside (highlighted in red) of the viewing volume (orange).
3. Production Cost
As stated before, the larger the volume, the more data you need to manage from capture to post-production all the way to final delivery. Due to current technological/IT constraints (storage, data throughout, backups, etc.), cost is often influenced by data size and content producers have to ask themselves – is that enough volume or possibly too much?
For post-production, the more data you manage, the more touchups and cleanups you have to evaluate and that can quickly add-up. When performing post-production operations on a volume of space, you have to constantly deal with visual information that not only changes over time (temporally) but also based on spatial point of view (result of parallax). An actor's feet that seem invisible from one angle can suddenly pop into frame from another angle and require some adjustment. An actor's face that is perfectly lit from the front might be underexposed from the side or might reveal the cable of the spot-mic.
Storage and rendering costs can also grow in the same direction. There are many techniques and best practices for mitigating cost increases but the general rule is: more volume = more cost. The Light Field volume captured by Lytro Immerge is carefully selected to strike a balance between view volume and overall production cost.
4. Final Output
Most importantly, the shape of the viewing volume has a direct impact on artistic choices and storytelling. Assuming that content creators are trying to balance all of these considerations and produce the best VR experience for their project, shaping this viewing volume becomes a critical creative choice. For example, imagine a performer in a corner of a room. The room is providing critical atmosphere for the performance but the viewer is expected to spend 90% of their time looking at the performer. Investing production cost and data size in enabling range of motion for viewing the room might be a misguided choice vs. enabling greater range of motion near the performer – getting closer, looking from the sides or from above…
Another example is practical set. A director might choose to give a nice range of motion for the audience in front of a stage but trim that motion on the edges, just before the set ends and the back-stage starts becoming visible. Or the opposite, expose a surprise if the viewer is looking at the back-stage.
Content creators have to balance many considerations and find the right solution for each situation/need. It is recommended to think about the most demanding situation that you have (the largest viewing volume that you think you need) make that into your "master volume" and customize multiple viewing volumes as a subsets, each addressing a different need. The largest viewing volume could be for an in-venue experience (where file size is not an issue). A slightly trimmed down version for a large download and a small viewing volume for a smaller download version.
To address all of the considerations and challenges mentioned above, Lytro has been developing a wide range of solutions, including:
- Plugins that extend the capabilities of existing post-production tools to accommodate Light Field and three dimensional points of view
- Cloud processing infrastructure that can help optimize time and cost
- Quality control tools for tracking every ray of light, where it originated from and how it affects the viewer's experience
- Tools for tracking the range of motion viewers require while viewing different VR pieces so the viewing volume can be optimized
As it pertains to tracking viewers motion in headset, we are also interested in different viewing experiences from seated positions to standing in place or walking around a large, room-scale, Light Field. The goal is to develop tools and best practices that help guide content creators in the pursuit of the optimal Light Field viewing volume for each piece of content and use.
Viewer being tracked for range of motion while viewing Lytro's "Moon" VR piece in a seated position.
Data is represented as a heat map where red = frequent and green = less frequent visit
For live action Light Field content, we think of a sphere as that natural shape that we need to capture. Once obtained, we treat this large sphere-shaped view volume as the ultimate "master" and all optimizations are a subset of that master, chosen based on creative choices, production cost and delivery needs.
Various shapes of viewing volume around a viewer's head. The larger gray sphere represents the "master" view volume and the orange shape is the optimized view volume. Each piece of content might benefit from multiple different shapes to meet different objectives.
In developing Light Field solutions, we often find ourselves looking to solve challenges in an uncharted territory. We are constantly iterating and experimenting with different view volume shapes, sizes and characteristics. In our persistence, we strive to give content creators the widest set of creative tools and choices with which to tell their stories, and look forward to seeing how they will put it all to great use.


In PHP, How Can I Identify The Initial And Final Iteration In A Foreach Loop?
In a foreach loop in PHP, you can determine the first and last iteration by keeping track of the current iteration using a counter variable. Here's an example:
$items = ['apple', 'banana', 'orange', 'grape'];
$totalItems = count($items);
$counter = 1;
foreach ($items as $item) {
 if ($counter === 1) {
 // First iteration
 echo "First item: $item" . PHP_EOL;
 } elseif ($counter === $totalItems) {
 // Last iteration
 echo "Last item: $item" . PHP_EOL;
 }

 // Process the current item

 $counter++;
}
In this example, we initialize a counter variable $counter to keep track of the current iteration. We also calculate the total number of items in the array using the count() function and store it in $totalItems.
Inside the foreach loop, we check if the current iteration is the first by comparing $counter with 1. If it matches, we perform the desired action for the first iteration.
Similarly, we also check if the current iteration is the last by comparing $counter with $totalItems. If it matches, we perform the desired action for the last iteration.
After each iteration, we increment the $counter by one so that it represents the current iteration in the next loop iteration.
About the Author Rex
I'm a passionate tech blogger with an insatiable love for programming! From my early days tinkering with code, I've delved into web dev, mobile apps, and AI. Sharing insights and tutorials with the world is my joy, connecting me to a global community of like-minded tech enthusiasts. Python holds a special place in my heart, but I embrace all challenges. Constantly learning, I attend tech conferences, contribute to open-source projects, and engage in code review sessions. My ultimate goal is to inspire the next generation of developers and contribute positively to the ever-evolving tech landscape. Let's code together!


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New Profits for Planned Parenthood: Hormone Therapy for Those Who Identify as Trans
Planned Parenthood offers hormone therapy
Planned Parenthood is tapping into a new market, reaching out to young people who identify as transgender and offering them hormone therapy.
Attorney Mary Hasson, a fellow in the Catholic Studies program at the Washington, D.C.-based Ethics & Public Policy Center, has followed the trend for several years and says it makes financial sense, given the growing number of adolescents and young adults who consider themselves to be transgender or simply gender non-conforming.
Those who are gender non-conforming may want to use hormones to achieve a certain look.
"They seek hormones to modify their bodies, not to the extent that someone who identifies as transgender might but just for example, for a girl to have less fat and more musculature to look a little bit more masculine," Hasson explained.
Planned Parenthood's 2019-2020 annual report shows the extent of the new venture. Two hundred centers in 31 states now welcome patients who desire hormone therapy.
It's labeled gender-affirming hormone therapy which typically means few if any questions are asked that would challenge a young person's thinking. It also typically means no mental health support is needed to obtain the hormones.
Hasson says she's concerned about the mental health issues that can go untreated in these patients.
"Instead of their underlying wounds being addressed and someone sorting out why it is," she explained, "they're simply medicating that and creating new customers for life in a way that's deeply damaging to these women's bodies."
CBN News reached out to Planned Parenthood for information on its services. A spokeswoman emphasized that they vary by location.
Some centers offer hormone therapy to those 16 and under, which critics like Hasson fear will set up a lifelong relationship and permanently alter adolescent bodies.
MORE: Ex-Planned Parenthood Employee Says Abortion Giant Treating Trans Kids Like a 'Cash Cow'
Learn why Truth Matters at CBN News.
Bring Hope
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Year of Project: 2012
Name of Project: Arkansas ReLeaf
Number of Trees to be Planted: 0
Project Name: Arkansas ReLeaf
Number of Trees: 150
American Forests paired with Arkansas Releaf to help the city of Marmaduke, which has been impacted by natural disasters. Marmaduke was hit by a tornado in 2011 — two years after it was devastated by an ice storm — costing the city much of its tree canopy. To restore the lost trees, Arkansas Releaf held a planting event for Arkansas' official Arbor Day. Twenty-nine large trees were planted throughout one of Marmaduke's parks to help provide immediate shade. A hundred smaller trees were distributed to community members, and 500 pine seedlings were presented to a local Boy Scout troop to plant. This project aimed to not only help restore the tree canopy of Marmaduke, but educate community members on different tree species, selection and placement.


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Pottery objects with typical drawings, full of colors, provide insight into the Tiwanaku culture and civilization.
1) Keru cup, of the 5th period, created with clay between 750 - 1100 b.c. It was used for religious ceremonies. The name comes from the quechua word which means wood, since the inca ceremonial cups were made out of wood.
2) Pot with animal form, between 15 and 25cm of height, probably from the 200-700 b.c. period.
3) Mud bottle with colors with holders. The nose, ears and mouth of a face were painted on the neck of the bottle.
4) Clay pot, likewise between the 200-700 b.c. period.
5) Rug fragment from the expansionist era of Tiwanaku. Shows the figure of the gate of the sun.
6) Ceremonial knife, made in gold, with a human figure as an ornament in the handle.
7) Pots of gold and copper were produced by the Tiwanaku.
8) Ceremonial hat with a religious meaning.
9) Human form pottery, also animals were used commonly as a subject for much of the pottery.


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: - - -
- Give a brief history of the bugle.
- Do the following:
- a. Explain and demonstrate how the bugle makes sound, and explain how the bugle is related to other brass wind instruments.
- b. Compose a bugle call for your troop or patrol to signal a common group activity, such as assembling for mealtime or striking a campsite.
- Sound the following bugle calls: "First Call," "Reveille," "Assembly," "Mess," "Drill," "Fatigue," "Officers," "Recall," "Church," "Swimming," "Fire," "Retreat," "To the Colors," "Call to Quarters," and "Taps."
- Explain when each of the calls in requirement 3 is used.
- Explain how to care for, clean, and maintain a bugle.
- Serve as bugler in your troop for three months. *
- * NOTE: A bugle, trumpet, or cornet may be used to meet these requirements.
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Step #1: Measure wire for the pendant.PrevNext
- Using square wire, form a loose loop around the stone that is 3⁄4" to 1" away from the stone all around. Cut at intersection of the loop. Or, using tape measure, find the circumference of the stone, add 3", and cut.
- This is your template for cutting the rest of the wire needed (at least 4 pieces this size) for the wrap. If working with a thicker stone, you'll need more wires. This group of wires is called the bundle.
Step #2: Wrap the stone.PrevNext
- Cut about 8" of half-round wire. You'll make more of these cuts later. Line up the square wire to form a flat sheet. All should curve in the same direction. This inside curve will be the "inside" of your piece.
- Making sure the flat side of the half-round is against the bundle of square wire, wrap 5–7 times (or more for a larger stone) around the bundle. This is called the wrap. It should be evenly wound and smooth, and loose enough to slide along the bundle.
- Cut loose ends of the half-round wire on inside curve of the bundle. The stone, once placed, will hold these ends in place, preventing them from unwinding. Start next wrap near previous one. This will work as a clamp to hold the bundle wires in line.
- Depending on the size and shape of your stone, you will need at least 4 of these wraps. To make wrapping easier, place them close together, and slide them into place later while shaping the wrapped bundle to fit your stone.
Step #3: Shape the wrapped bundle.PrevNext
- Find the bottom center of your stone, and moving the wraps into their proper places, bend the wrapped bundle with your fingers. Check the shape and location of wraps against the stone. Move the wraps to where they will best support the stone. This should be a loose fit with approximately 1/8" of room around the piece you are wrapping.
- Move the top 2 wraps to meet at the top of the stone. This will form the measuring point for the first bends in forming the bail. The bail is the top of the piece, which allows it to hang on a chain or cord.
Step #4: Close the circle.PrevNext
- After making sure the wrapped bundle is the proper size and shape, place your chain-nose pliers on one of the top wraps, and bend the unwrapped portion 90 degrees upward with your fingers. Repeat on the other side. Gently straighten the loose wires so that the 2 bent sections meet smoothly in the middle. You should now have something that looks like a bubble-blowing wand.
- Move one of the wires on the outside edge of the combined bundle and twist it slightly with the pin vise. This will harden the wire, making it stronger to contain the wire bundle without slipping.
- Wrap this wire 3 times around the bundle to secure the lower section of the piece, and leave the end uncut for now (you'll use it to wrap the bottom of the bail). Give these wraps a slight pinch with pliers to tighten them in place.
Step #5: Make the bail.PrevNext
- Determine which side is the front of your piece, and bend the front-most wires down 90 degrees toward the front. These front wires will be used for decorations to be added later. This junction of wires will also be a measuring point for the bail construction. Leave 4 or 5 wires unbent, for the bail.
- With pliers, fan remaining wires into a smooth row of 4 or 5. Place pliers approximately 3⁄4" up from the intersection of wrapped wires, and bend the bail wire forward 90 degrees.
- Reposition pliers to other side of first bend, and bend wires downward into a U. Width of the bail top is determined by width of the plier jaws. Place pliers into the junction point formed by the bottom bail wrap. Firmly grasping the sides of the bail, bend the wires upward 90 degrees. This is a hard bend.
- Reposition pliers slightly above previous bend and turn wires 90 degrees under. This is a very hard bend, so anchor work firmly between thumb and forefinger. This bend brings all wires roughly parallel to the original bundle of bail wires.
Step #6: Cut the wires.PrevNext
- Clip extra bail wires off where decoration wires are pulled down. The cut wires should run parallel to the back of the bail and tuck above the junction of wires.
- Continue wrapping upwards with existing wrap wire, or twist a new one from decoration wires. Wrap tightly to "chin" of bail and clip off — leave no hanging wire. Fan the bail to even out inconsistencies.
Step #7: Set the stone.PrevNext
- With your fingers, bend the wires on the back of the piece inward to form the place where your stone will rest, forming the back of the piece. Place the stone into the setting, and gently bend the wires on the front of the piece to hold the stone in place. The stone will fit very loosely into the setting.
- Using pliers, gently turn each wire on the back of the piece to hold the stone tightly in the setting. Be sure pliers are on the square sides of the wire to prevent nicks. Turn front wires in sequence from the inside of the wrap outwards, always turning in the same direction. Placement of the next bend is determined by the inside curve of the previous bend.


The matrimony of qualitative and quantitative analytics "Product people - Product managers, product designers, UX designers, UX researchers, Business analysts, developers, makers & entrepreneurs June 06 2017 True Mobile Analytics, Product Design, Product Focus, Qualitative Analytics, Mind the Product Mind the Product Ltd 1029 Product Management 4.116
The matrimony of qualitative and quantitative analytics
As mobile app technology evolves, it seems logical that our mobile analytics capabilities should evolve proportionally. Yet for the most part, any evolution in the mobile analytics realm is happening at a much more glacial pace. Now that's not to discount improvements in areas such as data visualisation, product integrations, and real-time capabilities, which have helped product managers gather and dissect their data better than ever before. These advancements are valuable, but do not supersede the underlying disproportion between mobile app technology and our capability to analyse mobile app usage that exists today.
Interestingly, this disparity is due to the data itself – you've all heard the quote "the devil is in the data". But what if I was to tell you that the quantitative data you have been gathering is actually functioning more like a prologue to an important story than the story itself – in this case, your users' story. This quantitative data gives you a powerful introduction into what users are doing in your mobile app, but it doesn't allow you to explore their specific experiences. Mobile product managers need data that provides them with the ability to actually see and understand specific user behaviour instead of having to define it by aggregate, numerical data.
However, a few mobile analytics companies, including Appsee, have recognised this need and brought a new type of analytics to market – qualitative analytics.
And as you probably guessed, once you combine qualitative analytics with your quantitative data, you are able to obtain that epic, complete story on your mobile users. But how exactly?
The shortcomings of quantitative analytics
In order to understand the potency of this union, we first need to understand why relying solely on analytics that provides quantitative data (traditional analytics) simply does not cut it.
Let's just review the definition of quantitative for a moment. Merriam Webster notes the definition as follows:
3: based on quantity; specifically of classical verse: based on temporal quantity or duration of sounds
Numbers, numbers, numbers – that is the core of the definition. So when it comes to quantitative analytics, basically all of the data and information it collects can be measured with numbers.
This is no bad thing, in fact it's extremely important. Quantitative data can help you gather insights on overall user actions and usage trends, such as the length of the average user session or how many users completed a certain conversion funnel. But these numbers don't answer the pivotal question of "why?". Quantitative analytics can only answer your number based inquiries. Numbers have an extremely important story to tell, but how do you figure out and communicate that story?
Enter qualitative analytics.
What is qualitative analytics and why is it needed?
While quantitative analytics focuses on aspects of your app that can be measured by numbers, qualitative analytics zones in on the one essential element of your mobile app that cannot be delineated by numbers. That element is the user experience; your user's unique story within your app.
At the moment, how do you know whether your users are frustrated with a certain unresponsive button or confused by a particular feature? To put it simply, no number on a dashboard can effectively describe those specific in-app experiences. In order to fully understand and assess your users' stories, you need data that enables you to see what your users are experiencing and how they behave. This is the essence of qualitative analytics.
With features such as user session recordings and touch heatmaps, qualitative analytics allows you to actually step into the shoes of your real users (not beta testers) and examine how they truly interact with your app. This is the best way to analyse a KPI as subjective and nuanced as user experience.
Yet the value of qualitative analytics is not limited to inspecting user experience. It also serves as an extremely powerful compliment to your quantitative data.
How quantitative and qualitative make the perfect couple
Quantitative analytics allows you to identify on a numerical basis important trends, issues, and actions within your mobile app. Then, qualitative analytics (such as unique user session recordings) augments this data by supplying the crucial "whys" behind those numbers.
Let's look at some compelling use cases of this power couple in action.
In-app crashes
Your quantitative analytics tells you that your daily app crash rate has increased by 50%. This is very important, but now you need to understand why this is happening. To obtain valuable visual context behind your crashes, you turn to your qualitative analytics and watch session recordings of crashed sessions from that specific day. This allows you to accurately reproduce a crash and discern the sequence of user actions that led to a crash.
Conversion funnels
You have an ecommerce app with a conversion funnel in place for purchase completion. Your quantitative data tells you that over a seven-day period, 74.4% of your users that visited the "My Cart" screen, dropped out of the funnel and did not trigger the event "Purchase Complete". These stats alert you to the fact that your users might be encountering a potential issue or multiple issues within the "My Cart" screen. What are the issues exactly? By drilling down to specific session recordings of users that dropped out of the funnel, you can see exactly what might have caused friction within their experience.
In a nutshell, this combination of quantitative data and qualitative information allows you to streamline the process of turning data into information, and information into insights – actionable insights. No more scenarios of drowning in copious amounts of quantitative data and guesswork.
To top it off, by using qualitative analytics to distill quantitative data, you can save valuable time and resources – which product managers often are low on. At the end of the day, this quantitative and qualitative union should empower you to separate the "wheat from the chaff" within your data and make key decisions regarding your product with more confidence. We can't wait to hear what insights you obtain.


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Carolina Youth Symphony
CYS prides itself on creating a community for young musicians, their families and the people that support their passion for music.
Carolina Youth Symphony strives to:
- Encourage pride and self-esteem in young people from all cultural backgrounds through their individual musical achievement.
- Create an atmosphere of discipline and appreciation of fine music our members will carry with them all their lives.
- Promote and enhance the cultural life of Upstate South Carolina, Georgia and North Carolina through orchestral performances, community outreach programs, open rehearsals and recitals, and open music competitions.
To learn more, visit carolinayouthsymphony.org


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Whole Number Worksheets
VIEWS: 8 PAGES: 4
 Whole Number Worksheets
Whole Number Worksheets
Whole Number WorkSheets :- We have studied about the counting numbers. The numbers
used for counting are called natural numbers. 1, 2, 3, 4, ------- up to infinite are all natural
numbers. If we add 0 to the set of natural numbers, it becomes the set of whole numbers.
This means, the set of whole numbers is 0, 1, 2 , 3,………. up to infinite are called whole
numbers. A set of whole numbers is used for various measurements may it be distance,
speed, weight , volume or any other measurement.
We observe that every natural number has a successor, which we can get by adding 1 to any
given whole number. For instance, successor of 245 is 245 + 1 = 246, successor of 890 is
890 + 1 = 891.
Similarly we see that every whole number except 0 has a predecessor, which we can get by
subtracting 1 from the given number. As we can see, the predecessor of 45 is 45 – 1 = 44,
predecessor of 900 is 900 – 1 = 899.
Here are some of the properties of whole numbers :
 Know More About Commutative Property Of Addition Worksheets
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1. Closure Property: If a, b are any whole numbers, then a+ b is also a whole number. We say
that whole numbers satisfy the closure property of addition,
2. Similarly according to the closure property of subtraction, if a , b are any two whole
numbers such that a > b, then a – b is also a whole number.
E.g. if a = 9 and b = 4 , then a – b =9 – 4 = 5. Here we find that a - b is also a whole number.
3. Closure Property of multiplication also holds true, thus we can say that if a and b are whole
numbers, then a * b is also a whole number.
E.g. if a = 3 and b = 5 then a * b = 3 * 5 = 15 is also a whole number.
4. Closure property does not always holds true for the division operation, which means that if
a, b are whole numbers, then a / b is not necessary a whole number.
5. Commutative Property of whole numbers holds true of addition and multiplication but not
for subtraction and division : It says that if a and b are any two whole numbers then a + b =
b + a and a * b = b * a.
But we also have a – b ≠ b – a and a / b ≠ b /a
6. Additive Identity and Multiplicative Identity : If a is any whole number, then there exists a
whole number 0, such that a + 0 = a .
Also there exists a whole number 1, such that a * 1 = a. So we can say that 0 is the additive
identity and 1 is the multiplicative identity.
So we can say that if any number is added to 0, the result is the original number, and if 1 is
multiplied to any number, the result is the original number.
Read More About Using Polar Coordinates, Evaluate The Improper Integral
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The term whole number is one you'll find often in mathematics. Essentially the definition of a
whole number is based around what it doesn't contain.
A whole number can't be a fraction of a number, a percentage, or have a decimal. If you have
a number like 21.32, it has a whole number portion (21), but in itself, this number is not a
whole number because it contains a fraction (.32).
Whole numbers are usually defined as non-negative integers, including zero, although not
everyone agrees on this definition.
The definition for whole number may seem unnecessary to some, but in fact in early math we
soon begin teaching children the properties of integers. Integers and whole numbers are not
the same, but all whole numbers are integers.
The difference is that integers include negative numbers, while all whole numbers are non-
negative. Zero is neither positive nor negative.
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Overview this course focuses on advanced practice in clinical supervision ideally participants will have more than 2 years of experience in supervising students or colleagues and may have a leadership role in clinical education in the workplace. Models of supervision in education situation in schools hence, supervision is a modern idea that should assist student teachers in improving instruction in the. Clinical supervision 1 supervisory conference 2 started by morris cogan and robert goldhammer clinical supervision is a five-step process (based ongoldhammer) designed to improve teaching performance. Clinical supervision is the construction of individualized learning plans for supervisees working with clients the systematic manner in which supervision is applied is called a model both the standards for supervision. Multisystemic therapy (mst) overview presented by • highly structured clinical supervision and • attending a school that does not flex to youth.
In addition, this year there is a new david j powell clinical supervision partial scholarship application for new england participants who are taking clinical supervision courses at the best practices school. Educational supervision in a transformed school organization dennis l treslan faculty of education memorial university of newfoundland abstract. Clinical supervision, according to snow-gerono (2008), is to provide support to collaboration and collegiality are very important in today's modern schools. The program in clinical anatomy was created to meet the students undertake a dissertation research project under the supervision of one modern living and.
Clinical and laboratory experiences are an integral part of the nursing major health care agencies in central, southern and southwestern illinois and in the greater st louis area cooperate with the school of nursing in providing opportunities to practice clinical skills and apply theoretical knowledge. Contemporary trends in supervision theory: a shift the paper gives a brief overview of the keywords clinical supervision relational theory. Programs program in human sexuality (phs) the program in human sexuality (phs) is one of the world's largest clinical, teaching, and research institutions specializing in human sexuality. Theory and practice of counselor supervision site supervisors in schools and in other settings limited clinical supervision training (cigrand & wood, 2011). Search the school of education: definition and components of supervision a variety of definitions for clinical supervision exist differences typically reflect.
Jourml ofcrculum and supemo rii 1s6vol 2, no 1 1-24 1 reflection, the heart of clinical supervision: a modern rationale for professional practice. Nasw, oh chapter models of supervision a brief overview models by category • developmental models • discrimination model • orientation specific models. Workinprogress81413& & & supervisionandevaluationplanintroduction' theplansupportsandencouragesthegrowthofthepottsgroveschooldistrict's. Nursing research increasingly calls for clinical supervision to support nurses and improve nursing practice despite this, clinical supervision is not well established in healthcare organisations this paper employs a critical interpretive approach to review the clinical supervision literature the. Collaboration and collegiality are very important in today's modern schools according to burke and fessler (1983), teachers are the central focuses of collaborative approach to supervision collaborative approaches to supervision are mainly designed to help beginning teachers and those who are new to a school or teaching environment with the.
Concept of supervision 1 • supervision is more modern concept which aim to help the teacher improve his/her work to become a better teacher especially in his. The effects of clinical supervision on the teaching performance of and modern languages, universiti utara malaysia, 6010 sintok, malaysia abstract this study was. Teachers' expectation: issues in school concept of supervision 1967), as modern definitions of educational supervision do not depict such inspectorial. Our schools, the researcher is of the view that clinical supervision which is the most modern method of supervision and the most appropriate method that leads to effective.
What are the developments influencing supervision in clinical psychology supervision and clinical psychology, life after graduate school in psychology. Aals workshop for new law school clinical teachers 7:30 am - 8 pm this session will provide an overview for thinking clinical supervision harborside c, 4th. Assumptions underlying the process of clinical supervision 1 teaching is a complex set of activities that requires careful analysis 2 teachers are responsible and competent professionals who. Placements outside of canada will be considered if appropriate clinical supervision is available speech-language & audiology canada (sac) nova scotia hearing and speech centres (nshsc.
To elucidate the meaning and purpose of supervision in counselling and psychotherapy historical overview of supervision clinical supervision, training. Current issues in supervision: a literature review part iii provides a more detailed overview of the fairly large list of problems decrepit schools without. The approved clinical supervisor (acs) credential identifies those professionals who have met approved national professional supervision standards promotes the professional identity, visibility and accountability of approved clinical.


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A step-by-step guide to Sweet Cherry audiobooks
1. Download a free QR code reader to your smart phone or tablet by searching on your device's app store.
2. Scan the code on your book with your smart phone or tablet.
3. Listen! Once the webpage has loaded, press play to hear the story. You can listen to it whenever you are connected to the internet.
4. Keep the audio readings on your phone or tablet forever by downloading them, then you can listen to them without an internet connection. Just click on the download button on the website.


Catholic University Clinic of Psychology - CUP
The development of a higher education project in Psychology involves creating structures to carry activities such as practical training, teaching and scientific research, thus the Faculty of Education and Psychology has created a psychological consultation service. The CUP allows activities closer to the professional practice for students, supporting their development stage and advanced training programs in the area of psychological intervention. In addition, it contributes to the development of research lines, allowing systematic and more efficient monitoring of intervention processes. Finally, the CUP of the Catholic University in Porto embodies a strong connection to the target community, providing psychological support through cooperation protocols with entities as well as private users.
Visit the website