text:
Managing PPPs for Budget Sustainability: The Case of PPPs in Portugal, from Problems to Solutions
M Abrantes de Sousa, PPP Lusofonia, PT
The case study of the PPP program experience in Portugal focuses on the issue of budget sustainability. Though PPPs have clearly contributed to Portugal's budget and external debt problems, lessons can be learned about this can be avoided.
Managing PPPs for Budget Sustainability: Lessons from the Portuguese Experience
The work consists of a case study of the PPP program experience in Portugal, focusing on the issue of budget sustainability.
Portugal is one of the countries that has relied the most on concession and PPP contracts to meet its public investment needs, even as the project finance market retracted in the financial crisis. As a result, the public sector has assumed considerable project risks in the form of availability payments, either at project onset, or upon contract renegotiations.
In fact, PPPs, which were once seen as part of the solution to Portugal's investment needs, are now clearly contributing to the budget sustainability and public debt problems which plague Portugal.
The key areas of analysis include:
1. The recourse to PPPs in the context of a severe Government budget constraint and limited public investment funding capacity: PPPs, Budget Framework Law and the Maastricht criteria
2. Individual PPP projects , selection, priorities and the overall PPP and public investment programme
3. The legal and organizational framework for managing the PPP contracts and budgeting for PPP liabilities and fiscal risks
4. Managing the PPP program in the financial crisis, public tenders, financing and renegotiations
5. Resolving the fiscal risks related to PPP contracts in the future in order to help resolve Portugal external debt problem.
The Portugal PPP case study details the impact of PPPs on Portugal's debt crisis, and draws lessons and recommendations for managing individual PPP contracts and overall PPP programs in a manner consistent with reducing fiscal risks and improving budget sustainability.
Association for European Transport


Understanding group attribute values to roles mapping
As part of managing their users, partners typically assign them role-based values (also known as group attribute values), such as Sales Managers, Service Managers, etc. However, we do not have visibility into their user directories and one partner may name the value "Sales Managers" while another partner may name it "SalesTeamManagers". To organize these group attribute values, we have created a group construct in the federated directory service. As the systems administrator in the host tenant, you can create host groups (for example "Mgrs-Sales" group) in which to map the group attribute values (for example the "Sales Managers" and "SalesTeamManagers" values). This host group can then be added to roles in your tenant. The diagram below demonstrates this flow.


Stand-alone Annotation Tool
An easy way to use the annotation facilities offered by Ellogon, without the need to install and use Ellogon, is through the stand-alone annotation tool. This stand-alone annotation tool wraps all the needed Ellogon components into a single executable, which requires no installation: the user (i.e. the annotator) simply downloads and runs the tool.
The tool supports various configurations:
 - Autonomous annotation: the tool stores corpora and annotations localy, in the computer used to run the tool. Usually this is the prefered mode if a single annotator needs to annotate a corpus.
 - Collaborative annotation: the tool stores both corpora and annotations on a remote database server (such as mysql or postgres). Multiple annotators can annotate the same corpus.
The tool can be downloaded from here: Annotation Tool version 1.0.0
The above link contains binaries for both windows (XP, 7, 8, 8.1), Linux (64 bit) and OSX (Mountain Lion +).
How to configure the Annotation Tool
The annotation tool contains configuration information, which has been embedded during the creation of the executable file. In order to create specialised executables that contain configuration for your specific needs and annotation tasks, please contact the Ellogon authors.
Another way to override the default configuration, is to create a text file, with the name "init.ini", in the same directory as the executable of the tool.
In this configuration file various fields can be defined, which override the ones in the default configuration, contained inside the tool. The format is identical to windows "ini" files.A sample configuration file is:
WindowTitle=Ellogon Annotation Tool (demo)
; CollectionsHomeVariable=UserHomeDir
Scheme=english sentiment polarity {}


About the COAD
What does the Elkhart County COAD do?
The Elkhart County COAD convenes and coordinates a collaborative disaster response network of private, public, and nonprofit individuals and organizations to respond to disasters.
Why should we join the Elkhart County COAD?
In times of disaster you will get up to date information about resources and response and the opportunity to attend regular disaster forums, trainings, and information sessions.
What do member organizations have to do?
Member organizations and individuals are asked to 1) attend regular meetings and trainings, 2) share updates about their work to facilitate collaboration, and 3) help communicate critical information and resources back to affected communities.
Who are the ECCOAD members?
Over 30 organizations and individuals are part of our COAD including the Community Foundation of Elkhart County, City of Elkhart, local faith institutions and businesses.
What is the value of a COAD?
Communities that bring resources together through a COAD can increase the effectiveness of their response to the needs of disaster survivors, and reduce the social and economic impact of the disaster.
Who runs the Elkhart County COAD?
The COAD is governed by an executive committee and chair. The COAD fiscal agent is the Crossroads United Way and it was jointly founded by the Community Foundation of Elkhart County and the Crossroads United Way.
Does the Elkhart County COAD have funding to distribute?
No, but the COAD can hold and distribute funds during an emergency
Does the Elkhart County COAD only convene member organizations during emergencies and disasters?
It would be very difficult for coordination to occur if there was no regular communication between COAD and member organizations. Meetings and communication occur regularly enough to maintain channels and updates during non-emergency periods. During emergencies and disasters, meetings are scheduled as needed and taskforces meet even more regularly to help coordinate resources.
Does the Elkhart County COAD have control over the member organizations?
No, the COAD serves, supports, and coordinates member organizations in disaster response and recovery. Participation is voluntary.
Does the Elkhart County COAD perform public outreach?
The COAD's role is to support members. We work through our members to coordinate messaging but COAD will do direct public outreach if it is requested from our member organizations.


text:
Music : Yaporigami
Visual : Kezzardrix
installation piece for audio-visual exhibition "Chromesthesia"
We will challenge to present a work focusing on the collapse and formation of rhythm by music and images. The Gestalt collapse is known as a both auditory and visual phenomenon in which you lose cognition of 'form' such as rhythms once properly recognised. In ancient Greece, the rhythm was called rhythmos which refers to the formation of 'forms' in a wide range of fields including placement of objects and/or establishment of humanity. When recognising the rhythm, the human nature or personal emotions can be evoked. When losing the rhythm, those are put in an ambiguous state until new 'form' can be found. Fluctuation on this boundary has a mysterious charm. Through the collapse and formation of rhythm on the time axis, we would like to question how ambiguous our perceptions are.
Curator: YEH Ting-Hao
Exhibition Dates： 2018-09-01 ~ 2018-11-18
Place： Digiark Gallery

source: openbmb/Ultra-FineWeb


text:
Stress has become a common problem in today's fast-paced world. From work pressures to personal issues, stress can take a toll on our overall well-being. If you're looking for a natural solution to combat stress, organic amla powder might be the answer you've been searching for.
What is Organic Amla Powder?
Amla, also known as Indian gooseberry, is a fruit that is highly regarded in Ayurvedic medicine for its numerous health benefits. It is rich in vitamin C, antioxidants, and other essential nutrients. Organic amla powder is made by drying and grinding the amla fruit, preserving its nutritional value.
How Does Organic Amla Powder Help with Stress Relief?
Organic amla powder is known for its adaptogenic properties, which means it helps the body adapt to stress and promotes overall well-being. Here's how it can help with stress relief:
- Reduces Cortisol Levels: Cortisol is a hormone released in response to stress. High cortisol levels can lead to anxiety and other stress-related symptoms. Organic amla powder helps regulate cortisol levels, reducing stress and promoting a sense of calm.
- Boosts Immune System: Stress weakens the immune system, making us more susceptible to illnesses. The high vitamin C content in organic amla powder strengthens the immune system, helping the body fight off stress-induced illnesses.
- Enhances Mood: Organic amla powder contains natural antioxidants that help improve mood and reduce feelings of anxiety and depression. It promotes the production of serotonin, a neurotransmitter responsible for feelings of happiness and well-being.
- Provides Nutritional Support: Stress can deplete the body of essential nutrients. Organic amla powder is packed with vitamins, minerals, and antioxidants that nourish the body and support overall health.
How to Use Organic Amla Powder for Stress Relief
There are several ways to incorporate organic amla powder into your daily routine:
- Drink Amla Juice: Mix organic amla powder with water to make a refreshing and rejuvenating drink. Drink it in the morning to kickstart your day with a boost of energy and stress-fighting nutrients.
- Add to Smoothies: Blend organic amla powder into your favorite smoothie recipe for an added nutritional punch. It pairs well with fruits like bananas, berries, and mangoes.
- Mix with Honey: Combine organic amla powder with honey to create a natural stress-relieving paste. Consume a spoonful of this mixture daily to experience its calming effects.
- Use as a Face Mask: Organic amla powder can also be used topically to promote skin health. Mix it with water or rose water to create a face mask that helps reduce stress-induced skin issues like acne and inflammation.
Organic amla powder is a natural and effective way to combat stress and promote overall well-being. Its adaptogenic properties, immune-boosting abilities, and mood-enhancing benefits make it a valuable addition to your daily routine. Try incorporating organic amla powder into your diet and lifestyle to experience its stress-relieving effects firsthand.
< Read the Previous Blog (Organic Amla Powder For Cardiovascular Health)
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March 17, 2014
Restoration project shines new light on Paonia church
Earlana Sims, who is leading the effort to restore the Paonia Fellow Christian Church's 100-year-old stained glass windows, looks at one of the windows as she recalls some of her memories of the church. Her mother first took her to a service at the church, then the First Christian Church, when she was 2 weeks old.
One of Paonia's century-old churches is gaining attention lately, both from its congregation members, and from historical preservation entities that could help protect and restore the building for the next 100 years.
Thanks largely to the efforts of Paonia Christian Fellowship member Earlana "Lana" Sims, the church was placed on the Colorado State Register of Historic Properties on Feb. 24.
Glass artist Rick Steckel of Crawford puts the finishing restoration touches on a 100-year-old stained glass window from the Paonia Fellowship Christian Church.
Currently, 27 Delta County properties and sites are on the register, including three other churches: the First Methodist Episcopal Church of Delta, the First Presbyterian Church of Eckert, and the Hotchkiss Methodist Episcopal Church.
Originally established as the First Christian Church, the building, located at the corner of Third and Box Elder, was completed in 1908 and dedicated in March of 1909. The name was changed to Paonia Christian Fellowship in 2002 following a split of the congregation.
The building is an excellent example of Romanesque-style architecture, which was primarily used in religious, civic and commercial buildings, wrote Heather Bailey, State and National Register Historian with the office of Archaeology and Historic Preservation.
The church was built with sandstone quarried from near what is now Mount Jumbo. According to Sims' church history, R.J. Decker and his son, Orange, built the road to the quarry, quarried the stone, hauled it to Paonia and laid the foundation. These sandstone blocks were also used locally in the construction of several other buildings of that period. Stones for the inside walls "were quarried north of Paonia to the east of the old Converse Mine," according to the state application. "Albert Campbell and W.T. Bross hauled much of this."
"My mom brought me to this church when I was two weeks old," said Sims, who is the longest standing congregation member, but not its oldest. Her life history can be traced through the history of the church. Her father was born in 1898, the year the congregation was established, and at one time, her mother was the oldest living member. Earlana and husband Ron were married there in 1958, and their two daughters also were married there. Ron crafted the oak cross hanging above the sanctuary. "Two of my grandmothers, their funerals were here. Yeah, we have quite a history with the church," said Earlana, who also penned the church's history, from its first congregational meeting in 1898, to the building's 100th anniversary in 2008.
Kathy Steckel points to a broken piece of stained glass and demonstrates how the lead soldering is disintegrating due to 100 years of exposure to the elements and the pane's own weight. The adjacent window has already undergone restoration.
But more than 100 years of use and exposure to the elements have taken their toll on the building, leaving its foundation and other features in need of repair.
Church members recently discovered several cracks and bows in the church's many signature stained glass windows, caused by more than a century of harsh weather and temperature fluctuations (plus a few well-aimed rocks and BBs). A congregation member suggested that Sims apply for selection to the state Register of Historic Properties, which would qualify the building for state preservation funding. Those funds come from a portion of the state's gaming tax revenues. The application was timely, since after this year, all of the state's preservation funds for the next three years will be earmarked for restoration of the state Capitol.
Feeling a sense of urgency, Sims also began fundraising efforts to repair the windows. Thanks to donations by community and church members, including a generous anonymous contribution, she was able to begin having the windows restored.
Despite an extensive documented history of the church and its construction, there is no record of who made the stained glass windows. "I'd like to do a little more research," said glass artist Rick Steckel of K Dahl Glass in Crawford. Steckel and his wife, Kathy, were chosen for the restoration project. "The fact that they were able to
Each pane is first given a water bath to remove grime and prevent dust from escaping the disintegrating lead solder. Some of the pieces were so dirty that the Steckels weren't certain what colors they were until they cleaned them. Much of that grime was remnants of a time when the church was heated by a coal stove.
make curves like this and make everything fit together is pretty remarkable."
The process of making stained glass windows hasn't changed much in the last 500 or so years, explained Rick while he and Kathy were busy putting the finishing touches on one of the panes at their shop near Crawford. The biggest change has probably been in the quality of the tools, and in safety. "They didn't have a lot of the fancy grinders and things, so most of the cuts they made were by hand," he said, pointing to the flowing lines of a flower.
The Steckels have identified 57 panes in need of restoration. Most of the frames are about 28 by 30 inches, and many are part of a two-frame set, a top and bottom panel that appears as one window when installed.
The brunt of the repair work lies in replacing all of the lead solder that frames each piece.
"After 100 years it gets old and crisp, especially the outside lead," which frames the entire window and gives it strength, said Rick, crumbling a strip of solder in his fingers. "There's no way that that's going to give any support to the glass at all." It's the same with almost every window they have inspected.
Moisture gets into the joints and expands and contracts with the changes in temperature, causing the pieces to shift, Rick explained. "So the entire window is moving almost all of the time." Considering that "they're very, very solid windows. They've been there for 100 years or more, and so gradually, they're going to bow and sag and that's going to cause the pieces to crack."
People passing by the Paonia Christian Fellowship Church are likely to notice that some of the church's 100-year-old stained glass windows are missing. Rick and Kathy Steckel of K Dahl Glass in Crawford are meticulously restoring each of the panes.
The company that made the original stained glass, the Paul Wissmach Glass Manufacturers of West Virginia, is still making pressed glass and was able to match the century-old colors and patterns.
Replacing glass doesn't harm the historical integrity of the pieces, since that particular glass is still being made, said Rick. If the glass were custom-made or had original art work, then priority would be set on preserving each piece of glass.
Where possible, the broken pieces will be repaired with an epoxy and will show up only as a crack in the glass.
The Steckels began the project in December, starting with the symbolic Cross and the Crown, which was bowed and needed to be straightened, but was otherwise in good shape. That window has already been re-installed on the southwest corner of the church.
Upon arrival at K Dahl, individual pieces of glass are numbered, and a "rubbing" of the window is made. This rubbing provides a pattern for where each piece of glass belongs and how tightly each should fit and still fitting back into the original frame. They also photograph each window after it is repaired. The photo, along with the rubbing, creates an archival document, said Kathy Steckel, a 35-year veteran of glass arts.
The entire frame is then bathed in water and gently scrubbed with a soft brush to reveal the true colors of the glass. (The Cross and the Crown was so dirty, they couldn't tell what colors it was, even with sunlight shining through.) This process dampens the lead solder, making it easier and safer to work with, and loosens the original grout.
To prevent future structural damage, zinc solder will be used instead of lead in key places, since it is stronger and can add more support to the window. Where necessary, structural reinforcement bars will be added to the back sides of the windows to prevent bowing and sagging. From inside the church, the bars will appear only as shadows.
The hardest pieces of glass to replace are at the centers of the frames, "where you have to dismantle to the center to get the middle piece," said Rick, describing the process as putting together a puzzle in reverse. "It would probably be less work to build a new window, but then, of course, you have a new window instead of these, and these are great."
Once the framework is complete and broken glass replaced or repaired, the joints are thoroughly grouted. The idea, said Rick, is to produce a waterproof grout that will expand and contract. The grout they mix, "kind of a cross between a slurry and a putty," helps stabilize the entire window and keeps the water out of the joints. "If you could seal the moisture out, there would be very, very little deterioration at all," said Rick.
"The whole idea here is to make it last as long as possible," said Rick. "I feel pretty confident that when these go back in, barring BBs and rocks, they're going to last


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HTMLSelection
HTMLSelection object
Represents the active selection, which is typically a highlighted block of text or other elements in the document. The active selection can be used to complete an action issued by a user or a script.
HTML5 A vocabulary and associated APIs for HTML and XHTML, Section 7.6.1Internet Explorer 9

Members
The HTMLSelection object has these types of members:
Methods
The HTMLSelection object has these methods.
MethodDescription
addRange
Adds a Range to the current selection.
collapse
Replaces the current selection with an empty selection (or a caret) at the given offset.
collapseToEnd
Collapses or sets the insertion point or caret at the end of a selection object.
collapseToStart
Collapses, or sets the insertion point or caret at the beginning of a selection object.
containsNode
Determines if the given node is included in the selection.
deleteFromDocument
Deletes the selected nodes from a document.
empty
Removes all ranges of the selection.
extend
Moves the focus of the selection to a specified offset within the given node.
getRangeAt
Returns a specified Range from a selection. The Range is specified by an index and cannot be greater than the number that is returned by rangeCount.
removeAllRanges
Removes all ranges from a selection.
removeRange
Removes a range from a selection.
selectAllChildren
Replaces the current selection with all the contents of the given node.
setBaseAndExtent
Sets the anchor (base) and focus (extent) boundary points for the selection.

Properties
The HTMLSelection object has these properties.
PropertyDescription
anchorNode
Returns the element or node that contains the start of the selection.
anchorOffset
Retrieves the starting position of a selection that is relative to the anchorNode.
focusNode
Retrieves the element or node that contains the end of a selection.
focusOffset
Retrieves the end position of a selection that is relative to the focusNode.
isCollapsed
Retrieves whether a selection is collapsed or empty.
rangeCount
Returns the number of ranges in a selection

Standards information
Remarks
You can use the HTMLSelection object as input from the user to identify which portion of the document to act on, or as output to the user to show the results of an action.
Users and scripts can create selections. Users create selections by dragging a finger or mouse over a portion of the document. Scripts create selections by calls to selection methods. To get the active selection, apply the getSelection method to the document object.
A document can have only one selection at a time. Use the isCollapsed property to test whether a selection is empty. Although an empty selection contains nothing, you can use it to mark a position, or place a caret in the document.

Show:
© 2015 Microsoft


Censorship of Japanese media in South Korea
From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Censorship of Japanese media in South Korea refers to laws created by the government of South Korea to prevent the import and distribution of media from Japan. These laws were a reaction to the decades-long Japanese occupation of Korea. As a result, South Koreans had no legal access to Japanese media at all until the 1990s. As of 2018, there are still several laws restricting broadcasting of Japanese media in South Korea.
Immediately following the end of the Japanese rule of Korea, on August 15, 1945, South Korea enacted the Law For Punishing Anti-National Deeds (반민족행위처벌법), which was followed with many other laws over the decades restricting the broadcast and distribution of records, videos, CDs, and games from outside the country. While the laws did not specify any specific country, the intent of the laws was primarily aimed at Japanese media.[1]
Revisions to the laws[edit]
On 20 October 1998, manga and other publications were allowed to be imported for the first time.[2][3] Films that were joint Japan–Korea productions, or had won an Academy Award or an award at a major international film festival (Cannes, Berlin or Venice), were also allowed to be screened in theatres.[4][5] Animated films continued to be banned.[6]
In September 1999, Japanese music was allowed to be performed in venues not exceeding 2000 seats, and non-animated films that had won an award at any international film festival were allowed to be shown.[7][6][5]
In June 2000, the limit on seats in live performances was lifted, and animated feature-length theatrical films that had won one or more major international film awards were allowed to be shown, as were all films with a 12+ or 15+ rating. These films could also now be screened on cable and satellite television. Computer, online and arcade-style video games were allowed to be sold, and sporting events, news programs and documentaries were allowed to be broadcast on television. Music recordings and CDs with no Japanese lyrics, such as instrumental music or songs sung in other languages, was allowed to sold.[6][7]
On 1 January 2004, all Japanese films were allowed to be shown in theaters, and all Japanese music and video games could be sold by retailers.[4] For satellite and cable television, programming now allowed was lifestyle information programs, educational programs, Japanese music, Japanese films (those screening in theatres), and television dramas that were Japan–Korea productions or had a 7+, 12+ or general rating. For terrestrial television, allowed programming was lifestyle information programs, educational programs, non-animated Japanese films (those screening in theatres), television dramas that were Japan–Korea productions, live broadcasts of Japanese singers' concerts in South Korea, and Japanese singers appearing on Korean programs.[6]
Laws remaining in place[edit]
It is still illegal to broadcast Japanese music and television dramas over terrestrial signals in South Korea.[8]
In February 2011, the Korean censor indicated that they might consider lifting the ban in the future.[9] In August 2011, a single Japanese song was broadcast in South Korea as part of a trial program.[10][11]
In 2014, the Korean-language song "Uh-ee" by Korean band Crayon Pop was banned from broadcast by KBS because it contained the Japanese word pikapika in its lyrics.[12][13] However, SBS MTV and SBS funE allowed it.[14]
 1. ^ 中村知子 (Tomoko Nakamura) "韓国における日本大衆文化統制" (Control of Japanese popular culture in Korea) Archived 2011-12-23 at the Wayback Machine (in Japanese). Ritsumeikan University. March 2004. (English translation)
 2. ^ "[어제의 오늘]1998년 일본 대중문화 1차 개방 발표" (in Korean). The Kyunghyang shinmun. 19 October 1998.
 3. ^ <연말특집:聯合通信선정 '98 국내 및 해외 10대뉴스>-① (in Korean). yonhapnews. 10 December 1998.
 4. ^ a b Demick, Barbara (28 December 2003). "South Korea Makes Way for Anime". Los Angeles Times. Retrieved 2016-07-05. CS1 maint: discouraged parameter (link)
 5. ^ a b "Minister proposes allowing Japanese dramas into Korea". The Dong-a Ilbo. February 25, 2011. Retrieved 6 July 2016. CS1 maint: discouraged parameter (link)
 6. ^ a b c d Suzuki, Hitoshi (2004-03-15). "Ban Lifted on Japanese Popular Culture in South Korea". IIST World Forum. Institute for International Studies and Training. Retrieved 2016-07-05. CS1 maint: discouraged parameter (link)
 7. ^ a b Kim, Elisa (July 22, 2000). "Korea loosens ban on Japanese pop culture". Billboard. Vol. 112 no. 30. p. 68. Retrieved July 7, 2016. CS1 maint: discouraged parameter (link)
 8. ^ "韓国政府による日本文化開放政策(概要)" (Open-door policy of Japanese culture by the Korean government – Overview) (in Japanese), Embassy of Japan in South Korea, 30 December 2003. (English translation)
 9. ^ 韓国、日本ドラマ解禁に積極姿勢 (Positive attitude Korea, Japan to ban drama) (in Japanese), 西日本新聞 (West Newspapers), 24 February 2011. (English translation)
 10. ^ 日, 정치인까지 反한류 감정에 편승 (Politicians capitalize on the emotions of the Korean Wave) (in Korean), chosun.com, 1 September 2011. (English translation)
 11. ^ 「韓流偏重批判に考慮を 自民・片山さつき議員が民放連に要請 ("Liberal Democratic Party lawmaker Satsuki Katayama NAB requested to "take into account the criticism obsessed Hallyu") (in Japanese), J-Cast News, 31 August 2011. (English translation)
 12. ^ Yonhap News. ＜芸能＞韓国アイドルの新曲 日本語使用で「放送不適合」 2014/04/03
 13. ^ Ashcraft, Brian. "Korean TV Network Bans Pop Song for Using Japanese". Kotaku. Retrieved 2019-02-06.
 14. ^ "[HD] 140408 Crayon Pop - Uh ee @ SBS MTV The Show". YouTube. Retrieved 2014-04-08.


text: The temperature dependence of the first-order magnetic anisotropy constant has been investigated for off-stoichiometric chemically ordered L10, Fe45Pt55 nanoparticle samples. A representative sample shows an anisotropy energy density of Ku=0.7×107 erg/cm3 and a thermal stability factor of KuV/kBT=77 at room temperature. With decreasing temperature, from room temperature to 5 K, a 50% increase of Ku, accompanied by a 25% increase of the saturation magnetization MS is observed. The temperature dependence of Ku is explained on the basis of the spin-Hamiltonian approach with an Fe effective spin. The estimated median "magnetic" grain size, obtained from time-dependent measurements, decreases by about 15% with decreasing temperature from 298 to 100 K. This magnetic grain size reduction is attributed to the decrease of the superparamagnetic fraction in the FePt nanoparticle sample. © 2003 American Institute of Physics.

source: m-a-p/FineFineWeb


text:
Professor Yeomans' Homepage
Professor Sarah K. Yeomans
M.A. University of Sheffield
Specializations: Biblical Archaeology, Roman History
E-mail Professor Yeomans
Sarah K. Yeomans is an archaeologist who teaches Biblical archaeology at West Virginia University. She is also the Director of Educational Programs for the Biblical Archaeology Society. Sarah received her graduate degree in archaeology from the University of Sheffield, England. Her research, in collaboration with the Centre Nationale de Récherche Scientifique (C.N.R.S.) in Aix-en-Provence, was a study of cultural and religious syncretism in the ancient Roman provinces. Though a native Californian, her work has brought her to live in France, England and Italy before settling her in Washington D.C.
While residing in Rome, she taught Roman history, archaeology and art history at Duquesne University's Rome program and conducted research on religious syncretism in the Roman Empire as well as the role of the later Catholic Church in the development of science. Her current research involves the archaeological research of Biblical sites in the Near East as well as ancient medical technology. A fellow of the Explorer's Club, Professor Yeomans is also a certified archaeological speleologist.
She has appeared as an interviewed expert on the History Channel's "Cities of the Underworld" series, is a contributing writer at Archaeology Magazine and the Biblical Archaeology Review, and has lectured widely on a variety of topics pertaining to Roman and Biblical archaeology, the revival of antiquity in the Renaissance and ancient medicine in the Mediterranean world.


1
When I record a script in Jmeter I get hundreds of samplers that I don't need.
How can I identify which samples can be deleted without impacting the script functionality?
3 Answers 3
3
You need to refine your scripts for the unwanted requests as per below mentioned ways
 1. First you should exclude all the static content (like CSS, images, js files, .properties files, .ico etc.) from your recording, as requests for these samples should be from cache and keeping these requests will only make your script lengthy and heavy. So, in your HTTP recorder there is an option to Exclude unwanted samplers, just add all those extensions which you want to exclude there and they will not be recorded.
When you use this Exclusion, most of your unwanted requests/samples will get reduced automatically and instead of hundreds of request you will see few requests.
 1. If your application is communicating to other application/URL through some plugin or other way round, then you need to delete those requests from your recorded script. Just look at the URL which is being called from sampler detail, if that URL does not belong to your application (i.e. IP/domain name is different from yours) then delete such samplers e.g. call being placed to facebook, twitter, some live-chat support plugin.
 2. You need to keep only those HTTP requests which are calling/hitting your application GET/POST method for either posting your request with some parameters and getting response from the server. Any request which is neither posting anything or not getting any response from the server should be deleted. For this too you need to verify samples from their detail.'
When using step 3, first try with 'Deactivating' the samples, if your script works after deactivating then delete those deactivated requested. This is just a backup plan, in case your script doesn't work after delete or you delete some required request by mistake then by using Deactivating method you can still get it back and make your script working. It is just to avoid some rework (else script need to be re-recorded), Once you get used to this process you can directly go with the delete sample step, instead of first making it inactive and then deleting them.
 1. Another method is not to go by recording process, just add blank HTTP samplers to your test plan and then modify your URLs/requests which are actually needed, but for this process you need to have in depth knowledge about the application and which methods are called for performing a feature e.g. for saving a record you need to add the samplers for 'Add', 'View' and 'Save' functions. This method of creating script is bit tricky and time consuming in initial phase but then you don't need to record and then delete samplers.
0
 1. Exclude all the external domains which are not related to the web application you're testing. I.e. if it displays map from Bing - remove this sampler, if application plays video from Youtube - remove it as well as you ain't gonna need it. See Excluding Domains from the Load Test guide for details on how to filter out unwanted domains.
 2. If you open File -> Templates -> Recording in JMeter and look at the HTTP(S) Test Script Recorder configuration, you'll see that some content types are being excluded from recording, e.g. bmp, css, js, gif, etc.
JMeter PRoxy
So if you replicate this configuration - requests to these images will be filtered out.
Actually it is not correct to completely remove these requests as real browsers:
 - download all these "embedded resources" like scripts, styles, etc.
 - do it only once, on subsequent requests resources are being returned from browser's cache
So "good" configuration would be:
 1. Excluding images, scripts and styles from recording
 2. Configuring HTTP Request Samplers (better via HTTP Request Defaults) to
 - Download Embedded Resources
 - Use concurrent pool of 2-4 threads for it
 3. Add HTTP Cache Manager to replicate browser's behaviour w.r.t. embedded resources.
0
You can add unwanted URL patterns to exclude in HTTP Test Script Recorder. I have written about this concept here with examples.
_URL_
The important thing is to use the Test Recorder fields URL Patterns to Include and URL Patterns to Exclude.
In Patterns to Include, use .*\.html unless there are specific pages you need to exclude.
In Patterns to Exclude, use (?i).*\.(bmp|css|js|gif|ico|jpe?g|png|swf|woff) to avoid recording style, image, font, and animation files.
The patterns are Regular Expressions, so you can improve your filtering by learning more about regular expressions and how they work
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 - Hi, Rajesh, your original answer would probably have been deleted as a link-only answer or spam. I expanded it with information from your blog post and made it a bit clearer that it is your post.
 – Kate Paulk
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Subject Source: Unspecified ingested source
Found in 1 Collection or Record:
Automobile Claims Study records of Robert Keeton
This collection containes materials relating to Keeton's Automobile Claims Study. The Study was initiated in 1963 to survey the automobile insurance system, suggest reform by introducing a new concept of liability in automobile accidents, and propose legislation based on the new concept. The Study focused in particular on circumstances in Massachusetts, and it led to the passage of the Massachusetts Personal Injury Protection Act of 1970 and subsequent acts.


Home > News > Technical Article > The Difference Of Frame Rate,.....
The Difference Of Frame Rate, Stream and Resolution
 - Author:mvteam
 - Source:mvteamcctv.com
 - Release on:2015-11-05
Frame rate is the quantity of image, resolution is the size of each image, that Means definition stream is the date quantity / second video after compressed, compressing is spantial reduce redundancy and time redundancy. So for stillness scenario, can getter better image quality, but for movement scenario, difficult to reach good image quality with high stream.
So Conclusion: setting Means realtime frame rate, resolution setting Means the image size, setting stream depends on the camera and scenarion, throuhg debut, until they get a acceptable image quality.
Frame Rate:
A frame is a stillness of the image, continuous frame forms of animation, like televison image. The frame rate usually we said, simple saying, image frame Transferred in 1 second, also can be understood is how many times the graphics image processor can update in 1 second. High frame rage can get more fluid and realistic image.
It Means used video data flow per unit time, it's the most important part in image quality control. Under the same resolution, the video stream of bigger, compressing smaller, higher quality image.
Resolution Means the size of image. Common resolution is 352 × 288.176 × 144.640 × 768 × _PHONE_, in the group digital, the former is the length of image, the latter is the width of image, two multiply, get resolution of image, usually we length: width is 4: 3.
MVTEAM Shenzhen Technology Co., Ltd. is China CCTV IP Camera manufacturer, focus on CCTV Surveillance for more than 10 years.


- Briefing on the work of the Synod on the Family 2015
AMERICA/BOLIVIA - Cardinal Terrazas strongly condemns the "DIY justice"
Santa Cruz (Agenzia Fides) - Cardinal Julio Terrazas, Archbishop of Santa Cruz, has strongly condemned the scourge of the "DIY justice". "It is really scary to know when someone is lynched, as if it were a significant fact that every community can take the law into their own hands, it is horrible to take the life of another person and what is worse, if one says that it was a mistake," the Cardinal said in his homily on Sunday, May 27, referring to the execution of two people last week, including a policeman in the town of Ventilla. In this last case the authors admitted that the murder victim was killed by mistake, to avenge a wrong that was committed by another person. In the area the population tends to seek justice for themselves and often innocent people pay the consequences. The Cardinal has also complained about the growth of youth gangs in several cities: several of these groups are made up of children who are beyond parental control or occupy their leisure time in the wrong way. "It is painful to see how gangs increase, a phenomenon that should have been faced by those who have a responsibility towards society. But rather than counting the number of gangs, what should concern us is that these groups are children, boys and girls aged between 11 and 12 years," said Cardinal Terrazas. According to a study of the local Service of Social Policy, received by Fides, in Bolivia there are 2 million 800 thousand children living in a risky situation, victims of abuse, extreme poverty and neglect in the street. (CE) (Agenzia Fides 29/5/2012)


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These images have been supplied by Muhaimin – not all are WW1 related. If you are able to identify any individual or location in any of the photos etc, please let me know. Permission for use of any of the photos/images needs to be obtained from Muhaimin through the GWAA.
9. Looks like a British stamp of Tanga with inscriptions of war and weapons.
It is an extremely rare stamp and does not exist in the Stanley Gibbons catalogue.
22. Old hand written Bible in Kiswahili Arabic script. It is one of the very rare or rather unique example of John Willamson, who made a great effort by putting together this great achievement in translating and writting the Kiswahili Bible in Arabic script. This Bible was introduced mostly for the people of the East African coastline which was under the Arabian Sultanate of Zanzibar. Due to the Arab influence the locals learnt to read and write in Arabic. So when the christian missionaries came they had to teach them the Bible in Kiswahili Arabic script. This is how this Bible came into existence. It's over a hundred years old.It has a beautiful binding of Elephant skin with very good Islamic caligraphy. It has 86 pages. It measures length 8.7 inches and width 6.8 inches. The inside part which looks like a sticker reads in Kiswahili Arabic "kitabu hiki nimali yangu mimi John Williamson" which means "this Bible belongs to me John Williamson". AND THE INSIDE CALIGRAPHY IN WREATH READS in kiswahili kama ilivyoitwa injil Yohana which means like it was mentioned injil as Yohana
34. This book, The darkest Africa by Henry Morton Stanley.It has a letter inside to a friend of stanley and also sighed by Stanley himself, with original seals.If you look closely you will see a stamp with a yacht,3 rupien. It has a handstamp of Taveta. These were used during the Salaita Hills war between the British and the Germans. Due to the overprint of Taveta, this is also a rare stamp.
38. Ear rings: Not very sure about the authenticity.The are made up of silver on the exterior and the pin where as the inside is gold this is because there was no white gold before in the olden days.They are studded with diamonds.These diamonds have been cut in the olden style they have flat base and they are not very appealinng because of less facits.In one earing one small diamond is missing where as the other two small diamonds are missing.The two larger center pieces are intact.
41. Below, there are a few medals. The Victorian medal was awarded to Ali Bin Nassur Pilot, King George V medal was for Serjeant Bakari Ahmed. There is a brass medal which was for 1820 PTE Waziri 2/K.A.R. The Elizabeth medal was for Abukhan. There is also a German medal. There are gun metal coins of G.E.A. The bomb shell is the largest used in East africa. The copy of G.E.A story in English. There is the German colonial atlas. The Victorian military lock has a warranty of 35 years and even after 100 years it is still working. The map is of the Songea; the front and back has a canvas. A bullet shell that killed Selous found about 200 yards from where he was killed and burried.
Firstly Zanzibar badges of honour which are extremely rare. You will see one which has Chuaka District probably unknown. Maybe about 100pcs are known of such badges. Then we have the Italian Somalia medals, a coin and a victory medal. Tokens of East Africa porters. There are 2 World War 1 medals belonging to 1/3 Interp John Ishmael 4 K.A.R, the other one is 6009 Pte Odhiambo 4 K.A.R, the Victory Medal belonged to 1820 Pte WAZIRI 2 K.A.R. This one is similar to the previous bronze King George V medal photo above. Then we have 3 Africa Medals which are in bad shape. The Edward VII does not have a name. The King George V reads 4479 SUT NORALILI 5/K.A.R. The Elizabeth Medal reads 9445 OCN St Masombe Mwangangi. G.E.A. Heller coins. A map of East Africa 1936. Miscellaneous items such as badges, tokens, a cufflink, HMS Royal Arthur Hammer, Kenya police button etc. Finally, a ceremonial sword used in parades during the British era.
First, a G.E.A map of Usambara.Then we have the G.E.A map of Mohoro dated 1916. This was made by the British for the East African Campaign. Old map of G.E.A. Again a G.E.A map of Usumbura but covers Tanga, Pangani and Wilhemstal. Blue print map of Mafia Island. Very important map, most likely British occupation probably unique. G.E.A letter – no clue what it says. Book of Evangelist missioneries in G.E.A. Its binding is file-like, most likely never published, extremely rare dated 1913-14. Again another Letter of G.E.A, contents not known. Newspaper of G.E.A dated 1915 and finally land book of G.E.A with original seal.
We have three bayonets: one seems to be German, another French. I have no idea how it came to East Africa and lastly British Wilkinson London. Then we have two East Africa hand painted vases. There is an old brass British ship compass World War era. Then we have a rare British flare gun. It has a different wooden handle and an extendable barrel. World War 2 German helmet. World War 2 Africa medals with Africa Star King George VI. Then we have probable military buttons, Victory Medals belonging to 1071.PTE.ALI ABUBAKAR. 7/K.A.R. The other one belongs to (it's not very clear, I can only get one name) 10376L/KOMBO. 3/K.A.R. The other is a Victory Medal Italian Somaliland. There's something like a hand bracelet which was worn by locomotive drivers working for Municipal Council of Mombasa East Africa in the colonial days. Last but not least just tokens nothing to do with East Africa.
An original water colour painting by Rena Fennesy. She was mostly an illustrator,painter and also worked at the museums of Kenya. She even designed some of the East Africa stamps.
Pre independence local newspaper dated 1963. Written is "ushindi ni wa Kenya" which means "victory belongs to Kenya".


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The Central Bank has published an FAQ document on the bank and investment firm resolution fund levy dealing with the following issues:
- What is the Bank Recovery and Resolution Directive (BRRD)?
- How has the BRRD been implemented in Ireland?
- What is the Single Resolution Mechanism?
- What is the Bank and Investment Firm Resolution Fund?
- Is this the first time that institutions are contributing to a fund?
- Why are banks and investment firms being levied now? and
- Why is this additional levy needed?


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EXE020---Image-(002).jpg Exel Composites
A Blend of Benefits
Hybrid composites help manufacturers get the best of both materials
Hybrid vehicles are taking the automotive industry by storm, as the growing momentum for cleaner travel is driving greener options to the forefront of the industry. As hybrids boast both a conventional engine and electric battery power, drivers get the best of both worlds. However, many aren't aware that the hybrid concept also extends to composite materials. Here, Patrick Loock, segment business owner for products and applications at leading composite technology company Exel Composites, explains why hybrid composites are the perfect mix.
By definition, a hybrid is achieved by combining two different items together so that the end result contains qualities relating to both of them. If we also think about defining composites, resin and fiber are combined to form a material that is better than the two original materials.
Hybrid composites take this one step further by combining two or more reinforcement fibers. Carbon fiber and fiberglass are commonly used, although it is possible to produce a hybrid using a variety of other fibers — such as natural ones. By using a hybrid structure, the optimum ratio of both materials' mechanical properties can be reached to cater to the needs of an individual application.
Bringing the benefits
Hybrid composites have many advantages. Using a hybrid of fibers makes it possible to combine the benefits of multiple fiber types while simultaneously reducing their weaknesses. It is thanks to these benefits that hybrids can be used across a range of industries and for a variety of products.
Perhaps the most obvious boon of using a hybrid is its economic value. Composite materials aren't particularly known for their modest budget and it's rare to see, for example, a car made with using mostly carbon fiber due to its steep price. Hybrid composites can offer a cost-cutting solution to customers, as combining carbon fiber with a less expensive fiber reduces the amount of expensive product but still allows end-users to reap its benefits.
Combining those fibers into a composite solution would undeniably enhance its robustness and create a more durable material. It is also favored for its lightweight, so combining carbon fiber with fiberglass would provide customers with an ideal option for applications where low density is an essential design consideration, such as in aerospace.
However, one of the drawbacks of carbon fiber is that it is brittle and breaks more easily upon impact. By combining carbon fiber with a more flexible fiber, such as fiberglass, manufacturers can improve the rigidity of the material and increase its impact resistance. Furthermore, carbon fiber conducts electricity — a quality that can be viewed as both an advantage and a limitation, depending on where it is applied.
Fiberglass composites, on the other hand, are insulators and can resist the flow of electric charge. It's a case of opposites attract — more carbon fiber can be applied to increase the electrical conductivity of the finished product, while more fiberglass can help insulate it for applications such as electrical enclosures, where conducting currents could damage equipment.
The where and how
The fibers in hybrid composites can be arranged in multiple ways, depending on the desired outcome. At Exel, we manufacture a range of hybrid composites using continuous processes to provide customers with an outcome that is tailored to their requirements. We would select the type of fiber that would fit your final expectation in terms of properties. Using the pultrusion method to permeate the fibers with a thermoset resin and pull them through a heated die for curing, we can manufacture hybrids in several different ways — depending on how and where customers want to use their benefits.
For example, different fibers can be mixed together so that they are evenly blended throughout the composite. We can also create hybrid profiles and tubes that are primarily made using fiberglass, with carbon fibers strategically weaved throughout the product for added strength. Another strength-enhancing option would be to manufacture a product using one type of fiber on the inside and with a strong carbon fiber outer shell. On the contrary, we can place pigmented fiberglass on the outside of the product to vary the composite's color and switch up its aesthetics.
While all these methods are possible, an understanding of the best solution for the end requirements is essential. When developing a hybrid composite, both the mechanical needs of the product and the economical limits of the customer must be considered.
Hybrids are gaining traction in industries beyond automotive because they give customers the option to enjoy new characteristics. We're often told that we cannot have the best of both worlds, but composites make it possible. Blending two materials together to form a hybrid composite doesn't only mean that we can enjoy the benefits of each material, but a combination of different fibers that creates a whole new set of qualities that cannot be achieved using just one type of fiber or one specific material.
To find out more about Exel Composite's extensive offering, including hybrid composite tubes and profiles, visit exelcomposites.com.
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Welcome to the world of ice racing in New Hampshire! This thrilling and adrenaline-pumping sport is gaining popularity among motorsport enthusiasts, and for good reason. Ice racing combines the excitement of racing with the challenge of navigating icy surfaces, making it a unique and exhilarating experience.
What is Ice Racing?
Ice racing is a form of motorsport that takes place on frozen bodies of water, such as lakes or ponds. It involves racing vehicles, typically modified cars or motorcycles, on specially prepared ice tracks. These tracks are marked with cones or barricades to guide the racers, and the ice is often treated with chemicals to improve traction.
The History of Ice Racing
Ice racing has a rich history that dates back several decades. It originated in Scandinavia in the early 20th century, where it was primarily a means of transportation during the winter months. Over time, it evolved into a competitive sport, with organized races and dedicated tracks being established.
Ice Racing in New Hampshire
New Hampshire is a prime location for ice racing due to its cold winters and abundance of frozen lakes. The state has a strong motorsport culture, and ice racing has become a popular winter activity among enthusiasts. There are several ice racing events and clubs in New Hampshire, providing ample opportunities for both spectators and participants.
Types of Ice Racing Vehicles
Ice racing vehicles come in various shapes and sizes, each designed to handle the unique challenges of racing on ice. Here are some of the most common types:
Studded Tires vs. Non-Studded Tires
One of the key components of an ice racing vehicle is the tires. Studded tires are commonly used in ice racing as they provide superior traction on icy surfaces. These tires have metal studs embedded in the tread, which grip into the ice and provide stability during turns and acceleration. Non-studded tires, on the other hand, rely on specialized rubber compounds to improve grip.
Many ice racing enthusiasts modify their cars for optimal performance on ice. These modifications can include reinforcing the chassis, installing studded tires, adjusting suspension settings, and adding additional safety features. Modified cars are often lighter and more agile than their stock counterparts, allowing for better maneuverability on the ice.
Motorcycles and ATVs
In addition to cars, motorcycles and ATVs are also popular choices for ice racing. These vehicles are typically fitted with studded tires and have modified suspensions to handle the icy terrain. Ice racing on motorcycles and ATVs requires a high level of skill and balance, making it a thrilling and challenging experience.
While ice racing can be an exhilarating sport, it is important to prioritize safety. Here are some safety precautions to keep in mind:
Wearing the appropriate protective gear is crucial in ice racing. This includes a helmet, gloves, a racing suit, and sturdy boots. The gear should be designed specifically for motorsports and provide adequate protection in the event of a crash or collision.
Before participating in an ice racing event, it is essential to inspect the track for any potential hazards. This includes checking for cracks, holes, or other irregularities that could pose a risk to the racers. It is also important to ensure that the track has been properly marked and that there are clear boundaries in place.
Ice racing requires a unique set of skills, and it is important to receive proper training before hitting the ice. Many ice racing clubs offer training programs for beginners, teaching them the fundamentals of ice racing and emphasizing safety techniques. It is recommended to start with a qualified instructor and gradually build up your skills and confidence.
Being prepared for emergencies is essential in any motorsport, and ice racing is no exception. It is important to have a well-stocked first aid kit on hand, as well as communication devices in case of an emergency. Additionally, it is advisable to have a safety team or personnel present at the event to respond to any accidents or incidents.
Ice Racing Events in New Hampshire
New Hampshire hosts a variety of ice racing events throughout the winter season. These events attract both professional racers and enthusiasts, providing an exciting spectacle for spectators. Here are some notable ice racing events in New Hampshire:
New Hampshire Ice Racing Association (NHIRA) Championships
The NHIRA Championships are one of the most prestigious ice racing events in New Hampshire. This multi-day event features various classes of ice racing vehicles, including cars and motorcycles. The NHIRA Championships attract top racers from across the region, making it a must-see event for motorsport enthusiasts.
Ice Racing at Lake Winnipesaukee
Lake Winnipesaukee is a popular destination for ice racing in New Hampshire. The lake offers a vast expanse of frozen surface, perfect for setting up ice racing tracks. Several ice racing events take place on Lake Winnipesaukee, drawing both participants and spectators alike.
Ice Racing Festivals
Various ice racing festivals are held throughout New Hampshire, celebrating the sport and its enthusiasts. These festivals often feature live music, food vendors, and family-friendly activities, creating a festive atmosphere for all attendees. Ice racing festivals are a great way to experience the sport while enjoying the winter season.
Ice racing in New Hampshire is a thrilling and unique motorsport that combines speed, skill, and the challenge of icy terrain. Whether you're a spectator or a participant, ice racing offers an unforgettable experience that will get your heart racing. With its rich history, dedicated tracks, and exciting events, New Hampshire is the perfect destination for ice racing enthusiasts. So, bundle up, grab a hot cup of cocoa, and prepare to witness the adrenaline-fueled spectacle that is ice racing in New Hampshire.


With the onset of democracy in Bhutan in 2008, socio-economic development activities of the nation have accelerated. To be proactive in ensuring a safe future for the BNC and to use them as ambassadors for the conservation of other species and their habitats, during the next three years, RSPN and ICF wish to undertake a series of activities in each of the three regions where cranes spend their winter. Under the species based conservation program of RSPN, the conservation of two flagship species in the country, White bellied Heron (Ardea insignis) and BNC, are prioritized. Subsequently, a memorandum of understanding was signed between RSPN and the Department of Forest and Park Services to enhance knowledge, identify and implement appropriate conservation measures of the two species and their habitats. The MoU further stated to promote biodiversity and ecosystem conservation through collaboration in the field of species and habitat, water resource management and research between participants.
To increase foraging grounds of BNC in Bumdeling through restoration of degraded paddy fields.
 1. To reduce local threats to BNC
 2. Enhance knowledge on wintering BNC ecology in Bhutan
 3. To promote crane conducive livelihood activities of the local communities
 4. Promote community engagement in BNC conservation
 1. Phobjikha
 2. Bumthang
 3. Trashiyangtse
Expected Outcome:
 - Additional foraging grounds for BNC available and used by the cranes.
 - Dog population increase controlled (Phobjikha, Bumdeling and Bumthang).
 - Reduction of Crane casualties due to electric lines.
 - Appropriate interventions/recommendations for BNC conservation and protection identified from the BNC ecology study
 - Awareness on BNC generated among community and stakeholders in Phobjikha and Bumthang and improved cooperation and harmonization of BNC conservation among the habitat areas.
 - Preliminary idea on waste management for Phobjikha framed through consultation meetings.
 - Community participation in BNC conservation improved in Bumthang and Bumdeling
Given the current scenario of supporting Black-necked Crane conservation program in the country through project tied funding, RSPN wishes to establish an endowment fund which would ensure the sustainability of the conservation program and long term impact. To constantly carry out the conservation work for BNC and their habitat, RSPN has developed a 5 year action plan in consultation with all the stakeholders. This would require an estimated amount of US $ 100,000 annually, and can only be possible with an endowment fund of US $ 2 million at 5% annual investment interest. So far, we have raised US $ 30,000 through individual and institutional donors.
At RSPN, we believe a single grain of sand can tip the scale. You can be the grain that tips the scale towards improved environmental conditions and conservation efforts in Bhutan. RSPN has set a target to raise US$ 1.5 million for next 10 years.


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The best concentrate for calves ... – concentrate part 313. Juni 2022 — General Information, Calf Feeding, Calf management — #Work management #Calf cereal #Concentrated feed #Management #Pellets #Dry TMR #Growth #Gains
Which type of feed is the best?
Needless to say, it always depends on the raw materials that are used in mixing the feed. However, the question of acceptance by the calves is also important, because we aim to achieve the earliest possible uptake of the concentrate feed. Third, handling and labour also play a role in daily feeding. Dry TMR is an interesting alternative in all respects.
This article is about
Cereal or pellets?
We would like to make it clear that we at Holm & Laue have no preference between different types of concentrate. In addition to the classic feed meal, as is still often used today in proprietary mixtures, pelletised calf grain or calf cereal made from various crushed and flaked components are also provided.
We cannot see any overall difference in performance between pelletised feed or calf cereal, even though there are many different products of different qualities and price categories on the market.
Advantages of dry TMR for calves
We have already mentioned the significance of roughage in calf feeding in our article "Powerfood for calves". However, it is often difficult to obtain good hay and the quality of silage is not always optimal for calves. Moreover, calves may initially be reluctant to eat even a good silage mix for cows.
This is why the use of dry TMR (TMR = total mixed ration) has become established in calf feeding in recent years. This feed mixture consists of a mix of high-quality concentrate and chopped straw, hay or alfalfa. Here, both components are linked, usually by molasses, in such a way that the calves have to eat the concentrate and roughage together.
The advantages of dry TMR are obvious:
- The roughage component ensures good rumen growth, salivation and early rumination.
- The concentrated feed component ensures that the rumen villi develop well in the digestion process through short-chain fatty acids.
- It is not possible to separate out individual components. Roughage and concentrated feed are therefore eaten in an optimum ratio.
- In addition, it can be stored for a long time and can be easily prepared.
- It is generally not necessary to offer additional hay or other roughage, at least during the milk-feeding phase, but this can be done in preparation for the transition to the young cattle ration.
Preparing your own dry TMR
Besides ready-mixed products from feed manufacturers, it is relatively easy to prepare TMR rations for calves yourself.
1. Prepare feed analyses
All recommendations made here depend on what feed components are available and their quality. For this reason, it is important to analyse the ingredients of the concentrate components and, where necessary, also to determine the quality of the straw/hay.
When calculating the dry TMR feed mixture, the final product should contain approx. 10 MJ ME/kg and 15-17 % raw protein.
2. Chop straw
The raw fibre component is important here. Straw is most often used. Good meadow hay or alfalfa hay are very suitable. The chopped straw should be approx. 20-30 mm long. Longer structures often cause the finished TMR to separate again or the calves to start selecting.
The straw can, for example, be mixed in the feed mixer until the right length is reached. Care must also be taken to ensure that there is no feed residue in the mixer cart, which could later cause the dry TMR to become fungal.
You can also use bought-in, dedusted straw chaff if it is difficult to achieve the right length of straw or if the straw is too dusty after mixing. It is often sold in pressed plastic bags and can thus be stored in a confined space. In addition, this eliminates the step of crushing in the mixing cart, which can take up to 20 minutes.
3. Mix straw and molasses
Straw and molasses (molasses content: approx. 5 % of the finished mixture) are then mixed in the feed mixer cart. The purpose of the molasses is to ensure that the concentrate sticks to the straw later on. You can also add approx. 1 % vegetable oil to reduce dust, where necessary. Mixing must continue until it is clear that the liquid components are well dispersed and no lumps are visible.
4. Add concentrate components
The concentrate components are then added to the mixing cart. Depending on the mixing recommendation, you can mix between 20 and 30 percent by weight of straw with the remaining portion of concentrate. In terms of volume, a ratio of 50 % straw and 50 % concentrate has proved successful: one shovel of straw to one shovel of concentrate.
Depending on the mixing concept and mixing feed cart, the finished mixture should only be mixed briefly (a few minutes) until a homogeneous blend is achieved.
A dry TMR (min. 80-90 % dry matter) can be stored for 1-3 months without any problems (of course depending on the quality of the ingredients). Some advisers recommend mixing in milk replacer, for example. However, a mixture of this kind needs to be consumed within a few days.
Storage should be dry and enclosed. This prevents rodents and flies from accessing the feed. For example, cut-open IBC containers with lids or big bags have proven effective.
Feeding dry TMR
Dry TMR can be fed in a similar way to pure concentrate. You can start with small amounts as early as the 2nd week of life. Always only as much as a calf eats in a day. The food bowl should be just about empty.
When the calves consume approx. 1.5 - 2 kg, you can start feeding a high-performance cow ration (adjusted to approx. 25 l of milk) if desired. This should be done during the weaning phase or directly afterwards.
Very often, only dry TMR is fed in the calf pen, perhaps in combination with a hay supply, for work management reasons. This is OK if the calves do not stay in the calf pen for more than 2 weeks. You can then start providing the cows with a high-performance ration in addition to the dry TMR at the latest after they have been moved to the young cattle barn.
When they are 4-5 months old, limit the intake of dry TMR to 3 kg per day. Naturally, the calves' development must always be monitored to check that the weight targets set have been reached. Dry TMR can generally be discontinued as soon as the calves are 6 months old.


From Wikipedia, the free encyclopedia
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This article is about the term for male servants. For the village in Iran, see Valet, Iran.
For other uses of "varlet", see Varlet (disambiguation).
A 17th-century valet de chambre
Valet and varlet are terms for male servants who serve as personal attendants to their employer. In the Middle Ages and Ancien Regime, valet de chambre was a role for junior courtiers and specialists such as artists in a royal court, but the term "valet" by itself most often refers to a normal servant responsible for the clothes and personal belongings of an employer, and making minor arrangements.
In the United States, the term most often refers to a parking valet.
Word origins[edit]
In English, valet as "personal man-servant" is recorded since 1567, though use of the term in the French-speaking English medieval court is older, and the variant form varlet is cited from 1456 (OED). Both are French importations of valet (the "t" being silent in modern French) or varlet, Old French variants of vaslet "man's servant," originally "squire, young man," assumed to be from Gallo-Romance Vulgar Latin *vassellittus "young nobleman, squire, page," diminutive of Medieval Latin vassallus, from vassus "servant", possibly cognate to an Old Celtic root wasso- "young man, squire" (source of Welsh gwas "youth, servant," Breton goaz "servant, vassal, man," Irish foss "servant"). See yeoman, possibly derived from yonge man, a related term.
The modern use is usually short for the valet de chambre (French for "valet of the chamber", in modern terms the bedroom, though not originally so), described in the following section.
Since the 16th century, the word has traditionally been pronounced as rhyming with pallet, though an alternative pronunciation, rhyming with chalet, as in French, is now common.[1] The Oxford English Dictionary lists both pronunciations as valid.
Domestic valet[edit]
A valet or "gentleman's gentleman" is a gentleman's male servant; the closest female equivalent is a lady's maid. The valet performs personal services such as maintaining his employer's clothes, running his bath and perhaps (especially in the past) shaving his employer.
In a great house, the master of the house had his own valet, and in the very grandest great houses, other adult members of the employing family (e.g. master's sons) would also have their own valets.
At a court, even minor princes and high officials may be assigned one, but in a smaller household the butler – the majordomo in charge of the household staff – might have to double as his employer's valet. In a bachelor's household the valet might perform light housekeeping duties as well.
Valets learned the skills for their role in various ways. Some began as footmen, learning some relevant skills as part of that job, and picking up others when deputising for their master's valet, or by performing valeting tasks for his sons before they had a valet of their own, or for male guests who did not travel with a valet. Others started out as soldier-servants to army officers (batmen) or stewards to naval officers.
Traditionally, a valet did much more than merely lay out clothes and take care of personal items. He was also responsible for making travel arrangements, dealing with any bills and handling all money matters concerning his master or his master's household.
Alexandre Bontemps, the most senior of the thirty-six valets to Louis XIV of France, was a powerful figure, who ran the Chateau de Versailles. In courts, valet de chambre was a position of some status, often given to artists, musicians, poets and others, who generally spent most of their time on their specialized work. The role was also, at least during the late Middle Ages and the Renaissance, a common first step or training period in a nobleman's career at court.
Valets, like butlers and most specialized domestic staff, have become relatively rare. A more common, though still infrequent, arrangement is the general servant performing combined roles.
Famous fictional valets[edit]
Carving of "Bazin", the valet to Aramis, of The Three Musketeers, was a studious person who later became a lay brother. (Thomas Nicholls carves him brushing his master's clothes whilst studying theology).
Other valets[edit]
Valet is also used for people performing specific services:
 - hotel valet — an employee who performs personal services for guests.
 - parking valet – a service employee who parks cars for guests, only from 1960.
 - car valet — an employee who is paid to clean people's cars professionally.
 - valet — a professional wrestling term for a person who accompanies a wrestler to the ring.
 - Jockey's Valet - an employee who maintains a jockey's wardrobe and ensures the proper uniform is worn for each horse the Jockey races.
Other forms of valet-like personnel include:
Clothes valet[edit]
Main article: Clothes valet
Clothes valets are a piece of furniture also referred to as a men's valet. A majority are free standing and made out of wood.
While in French this word remained restricted to the feudal use for a (knight's) squire, in modern English it came to be used for the various other male servants originally called va(r)let other than the gentleman's gentleman, when in livery usually called lackey, such as the valet de pied ('foot varlet', compare footman). In archaic English, varlet also could mean an unprincipled man; a rogue.
See also[edit]
 1. ^ " Great Books Online -- Quotes, Poems, Novels, Classics and hundreds more". Retrieved 28 October 2014.
 2. ^ "". Retrieved 28 October 2014.
 3. ^ "". IMDb. Retrieved 28 October 2014.
External links[edit]
 - The dictionary definition of valet at Wiktionary


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Some scientific phenomena in the ocean or atmosphere, such as wind and current, are normally measured with a pair of variables. The pair can be either magnitude (speed) and direction, where magnitude measures how fast wind or water flows, and direction measures the direction of the flow. These can also be measured as U and V components, where U is the velocity toward east, and V is the velocity toward north. This blog describes the capabilities of visualizing wind and ocean current data in ArcGIS, as well as the workflow for preparing layers for visualization.
To visualize wind or water flow, it is common to use vectors to symbolize size, color to represent speed, and symbol angle to represent flow direction. So how can you visualize the two rasters, either magnitude and direction variables, or U and V components? ArcGIS has a vector field data type and special renders for this purpose.
Visualize wind data in ArcGIS Pro
The map displays wind data on top of a temperature layer for the continental United States. The layer is composed of U and V components of wind, and displayed using the wind barb symbol of the Vector Field renderer. More vector symbol types are supported; see this help topic for more information on how to work with the Vector Field renderer in ArcGIS Pro.
Visualize an imagery layer of ocean current data using Map Viewer
This imagery layer in ArcGIS Image for ArcGIS Online contains magnitude and direction variables of ocean currents. The map displays using the Vector Symbol renderer in Map Viewer, in which arrows point to the flow direction and color indicates the speed. Since the imagery layer is multidimensional, the time slider can be used to animate wind flow through time.
Visualize an imagery layer of wind using Animated Flow Renderer
How to prepare data for visualization
Wind and ocean current data is often stored in netCDF, GRIB, or HDF format, either as a single file or multiple files. There are a few ways to prepare a layer with the vector field from the data, depending on which product you use. The key is the Vector Field raster function, which composes the two variables that describe speed and direction into a two-band raster with a vector field type. The type is Vector-MagDir if the two variables represent magnitude and direction, or Vector-UV if the two variables represent U and V components. The recommended workflows of preparing data in ArcGIS Pro, ArcGIS Image for ArcGIS Online and ArcGIS Enterprise are outlined below.
Prepare data using ArcGIS Pro
You can create a raster layer of the vector field and visualize it in ArcGIS Pro, or prepare a dataset with the vector field, and publish a vector field-ready imagery layer from it in ArcGIS Online and ArcGIS Enterprise.
Workflow 1: Create a vector field layer directly from the data
You can use the following workflow if the two variables are in one multidimensional raster file, such as a netCDF, HDF, GRIB, or CRF file:
- Click the Add Data button and choose the Add Multidimensional Raster Layer tool.
- Check the check boxes for two variables that represent magnitude and direction (or U and V components).
- Choose an option for Output Configuration. In this example, it is Vector Field (Magnitude-Direction), as indicated above. Define the corresponding variable type, as shown below, and click OK to create the layer.
A layer with Vector-MagDir type will be added to the map and it will be displayed using the vector field render by default. You can also save the data to a vector field-ready Cloud Raster Format (CRF) using the Copy Raster tool.
Note: This layer is a function raster layer containing a Vector Field raster function. You can also add the two variables to the map and create a layer using the Vector Field raster function. If the two variables are stored in two files, you can also use this workflow, adding the two variables as two separate raster layers to create a layer using the Vector Field raster function.
Workflow 2: Create a dataset of vector field type from multiple files
When your data is stored in multiple files, you can use a mosaic dataset and a vector field processing template to create a vector field-ready dataset. Here, we use NetCDF files as an example to outline the workflow:
- Create a mosaic dataset using the Create Mosaic Dataset geoprocessing tool.
- Open the Add Rasters to Mosaic Dataset tool and for Raster Type, choose NetCDF. If your data is in other formats, you can choose an appropriate raster type here.
- Set the input path containing your data and click the Raster Type button (blue box). The Raster Type Properties page appears.
- On the page, click Variables in the left panel and select two variables in the right panel, then define the type for each variable; in this example, it is U and V. Next, click Processing in the left panel and choose Vector Field.
- Click OK to add data, and a mosaic dataset will be created with a Vector-UV type.
- For better display performance, you can convert the mosaic dataset to CRF format using the Copy Raster tool, and this output CRF will have a Vector-UV raster type.
Create a vector field imagery layer in ArcGIS Online
There are two ways to create a vector field imagery layer in ArcGIS Online: One is to first create an imagery layer from the source files containing the two variables, then create a vector field imagery layer by composing a function template and running raster analytics. The created imagery layer will have either a Vector-UV or Vector-MagDir type. This workflow is entirely web based and requires that you have image analysis privilege. The other method is to use ArcGIS Pro to create a vector field dataset, such as CRF, from which to create a vector field imagery layer directly in ArcGIS Online. I recommend you use this method if you have ArcGIS Pro, because it will upload only the two required variables in ArcGIS Online which saves storage, and you can publish it directly without having to run raster analytics which requires image analysis privileges.
Workflow 3: Create a vector field imagery layer from source files
You can create a vector field imagery layer directly from the source files, such as data in netCDF, HDF, GRIB, or CRF format. Before you start, make sure your account has the ArcGIS Image for ArcGIS Online user type extension license with hosted imagery publishing and image analysis privileges. Refer to this help topic for information about privileges to publish a hosted imagery layer, as well as the choice of tiled or dynamic imagery layers.
To create a multidimensional imagery layer, complete the following steps:
- Click the My Contenttab and click the New item
- Choose the Imagery layer option to open the Create Imagery Layers
- Choose the Tiled Imagery Layer Both tiled and dynamic imagery layers are supported for visualizing vector field data.
- For the layer configuration option, choose One Image if your data is stored in a single file, or choose One Mosaicked Image if your data is stored in multiple files.
- In the Select input imagery box, click Browse or drag your files or the whole CRF folder into the box.
- Click Next to define your layer name, tags, summary, and folder to save.
- Choose Create to start layer creation.
It will create a single imagery layer with all the variables available including the two variables for the Vector Field raster function in the next step.
Note: If the data is stored in two separate raster files, you can create two layers by going through the workflow steps above twice.
To create a vector field imagery layer, complete the following steps:
This will take the two variables in the imagery layer in the previous step, and create a vector field imagery layer using the Vector Field raster function. Use Map Viewer Classic if the Raster Function Editor is not yet available in the standard Map Viewer.
- Open the multidimensional imagery layer created above in Map Viewer Classic, click the Raster Function Editor button (in blue box).
2. In the Raster Function Editor, search for the Multidimensional Filter function and Vector Field function in the System category and create a function chain the same as the one in the following diagram. You can save the raster function template, or directly bring it to the Raster Analysis pane without saving. Click OK to continue and prepare for raster analysis.
Note: If U and V (or Magnitude and Direction) are created in two separate imagery layers, Match Variables option in Multidimensional Rules needs to be unchecked. Multidimensional Rules are located in Edit Properties, the first button at top-right corner of the Raster Function Editor.
3. Define the input parameters for the template.
a. In the first Multidimensional Filter function, select the first variable, for U or magnitude.
b. In the second Multidimensional Filter function, select the second variable, for V or direction.
c. Choose an option for Input Data Type from the combo box. It is either U-V or Magnitude-Direction; make sure the type matches the selected variables. And define the Output Data Type to be Magnitude-Direction.
d. Provide an output name and click Run Analysis to the create imagery layer.
The output will be a vector field-ready imagery layer.
Workflow 4: Create an imagery layer from a vector field-ready CRF
Sometimes you may have a CRF with a vector field type created in ArcGIS Pro. You can create an imagery layer from this CRF using the first portion of workflow 3 above, described in the ArcGIS Online workflow section. The layer created will be vector field ready.
Publish an imagery layer for ArcGIS Enterprise
To publish a vector field imagery layer for ArcGIS Enterprise, you can either publish from your portal or publish using ArcGIS Pro.
Workflow 5: Publish from your portal
To publish from


THE VALUE OF SMAXDT IS March 02, 2021
THE NUMBER OF DAYS SINCE START OF STUDY MEDICATION IS 1
You have entered the following responses:
Siteid:
Patient ID:
Baseline Transfusion units /8 weeks:
Date of First Dose of study Medication:
Date of 1st Lab Specimen:
1st Hgb g/dL result:
1st ANC x10^9/L result:
1st Platelet Count x10^9/L result:
Date of 2nd Lab Specimen:
2nd Hgb g/dL result:
2nd ANC x10^9/L result:
2nd Platelet Count x10^9/L result:
Average Hgb g/dL result: 0
Average ANC 10^9/L result: 0
Average Platelet Count x10^9/L result: 0
You have entered the following post-baseline responses:
Siteid:
Patient ID:
You have entered the following RBC Transfusion responses:
Siteid:
Patient ID:
Unable to select databaseCan't connect to local MySQL server through socket '/tmp/mysql.sock' (96)


text:
Distance from Ogaki to Karatsu
Distance from Ōgaki to Karatsu is 647 kilometers. This air travel distance is equal to 402 miles.
The air travel (bird fly) shortest distance between Ōgaki and Karatsu is 647 km= 402 miles.
If you travel with an airplane (which has average speed of 560 miles) from Ogaki to Karatsu, It takes 0.72 hours to arrive.
Ogaki is located in Japan.
|GPS Coordinates (DMS)||35° 21' 0.0000'' N |
136° 37' 0.0120'' E
Ōgaki Distances to Cities
|Distance from Ogaki to Iida||111 km|
|Distance from Ogaki to Iyo||401 km|
|Distance from Ogaki to Ise||96 km|
|Distance from Ogaki to Ito||229 km|
|Distance from Ogaki to Naka||331 km|
Karatsu is located in Japan.
|GPS Coordinates||33° 26' 33.0000'' N |
129° 58' 10.9920'' E
Karatsu Distances to Cities
|Distance from Karatsu to Ayabe||527 km|
|Distance from Karatsu to Hashimoto||531 km|
|Distance from Karatsu to Naruto||988 km|
|Distance from Karatsu to Ishiki||667 km|
|Distance from Karatsu to Ishii||420 km|


text:
I have all the needed parts listed in the wiki, but I'm lost at "inverting the signal"? I can follow directions and solder easily enough, but have little electrical knowledge. Can someone please help?
Pulling a pin low or high means applying 0V or +5v to it (you have to check the datasheets of the chip for exact values, though most chips work with +5v.). One of the ICs turns emphasis on if it's pulled low (0v on the emph pin), the other turns emphasis on if it's pulled high (+5v on the emph pin). You need to invert the signal, so whenever chip A sends 0v, chip B receives +5v. You can use a hex inverter IC for this.
Or, you can measure the voltage of the emph pin with a multimeter and apply the inverted signal directly, since I doubt that the console actually changes emphasis during function. Meaning if the PCM1725 pin 12 measures 0v, you can just solder +5v to pin 3 of the cs8406.

source: HuggingFaceFW/fineweb-edu


text:
RICHLAND – Scanning technology developed at a Richland lab to screen airplane passengers could soon be used to target bedbugs.
The technology developed at the Pacific Northwest National Laboratory has been licensed to a start-up company in Corvallis, Ore., as part of a White House initiative to help young companies grow, the Tri-City Herald reports.
VisiRay in Corvallis, Ore., signed an option agreement with PNNL for millimeter wave technology and plans to manufacture devices to detect pests in buildings. The initial target will be bedbugs, sometimes called wall lice, because they may live inside walls as well as in beds and couches.
PNNL initially developed the millimeter wave technology with Federal Aviation Administration grants to scan passengers using harmless radio waves. It can detect objects hidden beneath their clothing, whether they are metal, liquid, plastic or ceramic. The technology is now in use at about 78 airports nationwide.


text: The non-linear free vibration behavior of functionally graded (FG) orthotropic cylindrical shell interacting with the two-parameter elastic foundation is investigated. The major goal of this research was to obtain a solution for the non-linear frequencies associated with the problem outlined above. The dynamic stability and compatibility equations of FG orthotropic cylindrical shells surrounded by an elastic foundation are derived within the first order shear deformation theory (FSDT) and von Karman strain displacement relationships, and then superposition and Galerkin methods are adopted to convert the above equations into a nonlinear ordinary differential equation. The expression for non-linear frequency of FG orthotropic cylindrical shell surrounded by an elastic foundation within the FSDT is obtained using the homotopy perturbation method (HPM). In particular, similar expression in the framework of the classical shell theory (CST) is obtained, also. The results are compared and validated with the results available in the literature. Finally, the calculation and presentation of the effect of many parameters included in the analysis conclude the goals to be reached in the study. (C) 2017 Elsevier Ltd. All rights reserved.


This paper presents a coordinated primal-dual interior point (PDIP) method for solving structured convex linear and quadratic programs (LP-QP) in a distributed manner. The considered class of problems represents a multi-agent setting, where the aggregated cost is to be minimized while respecting coupling constraints as well as local constraints of the agents. Unlike fully distributed methods, a central agent is utilized, which coordinates the Newton steps taken within the interior-point algorithm. In practical PDIP implementations, predictor-corrector variants are widely used, due to their very fast convergence. We show that in the coordinated case, a naive implementation of a PDIP with predictor-corrector scheme introduces extra communication steps between local and central agents. We propose a decentralized predictor-corrector scheme that uses a non-uniform perturbation on the complementary slackness condition, which is able to reduce the number of communication steps while preserving fast convergence of the original methods. We analyse the general framework of PDIP methods with non-uniform perturbations and provide convergence and complexity results, that directly apply to the proposed coordinated PDIP with decentralized predictorcorrector scheme.


text:
Change a path's starting point
While open paths have obvious starting and ending points, closed paths also have a starting point (which is the same as its ending point). Microsoft Expression Design uses the starting point of a closed path to determine how a brush stroke fits on a path, for example.
To change the starting point on an existing path
In the Toolbox, select the Start Point tool.
Click the anchor point you want to be the new starting point.
You can also use the Start Point tool on an open path. If you click the starting point or ending point of an open path, Expression Design just reverses the direction of the path. If you click any anchor point other than an ending or starting point, the path converts to a closed path, and that anchor point becomes the path's starting point.


Let ZFC2 be the Second-Order formalisation of ZFC.
The Second-Order Axiom schema of Comprehension (part of the deductive system for SOL) says that for every formula (of SOL) there is a relation with the same extension (shapiro 1991).
If we formalise ZFC2, then the domain is all sets and the second-order quantifiers range over all the subsets of the domain. But then, what stops Russell's Paradox from arising?
I know it doesn't because ZFC2 is equivalent to Morse-Kelley set theory.
In Second-order Logic, the comprehension schema (considering for simplicity only unary predicate variables) is:
∃X∀x [ ϕ(x) ↔ X(x) ],
where x is an individual variable, X is a 1-ary predicate variable and X may not occur free in ϕ.
What prevents form generating Russell's Paradox?
Two facts:
(i) we cannot substitute X for x.
A s-o language for sets must use individual variables x for sets and unary predicate variables for classes. So, x ∈ A must be formalized as A(x) and thus, using it as ϕ(x), what we get is:
∃X∀x [ ~A(x) ↔ X(x) ].
(ii) the proviso that X may not be free in ϕ prevents from using ~X(x) to get:
∃X∀x [ ~X(x) ↔ X(x) ].
Your Answer


text:
Research & Development
Since 2011 SKN-RG Research and Development Team have been breaking the boundaries of conventional skincare. Their advancements in microbiology, frequency, light and wavelength have placed them at the forefront of a new generation of advanced skincare. Using only 100% certified organic and natural ingredients in their high performance complexes, the founders looked to nature and science, and after many years of research, unveiled their creation; Quanta® Wave Technology.
Secret known only to the founders, the broad spectrum light and sound wave technology termed "Quanta®" was created in their laboratories to increase and potentise the performance of the natural and organic ingredients. Expertly encapsulated, once applied onto the skin, Quanta® imparts it's energy, this is where the name SKN-RG (skin energy – pronounced "skinergy") comes from.
Each product is unique, using specific broad spectrum light and sound waves chosen to compliment the products specific purpose. The results are exceptional. The rest is history…… Purity is just the beginning….
Born on the coast | Built for performance


Molybdenum Copper Alloy Properties
Molybdenum Copper Alloy Properties As Follows:
molybdenum copper alloyMolybdenum Copper Alloy nature - a special high-temperature performance
The melting point of molybdenum 2610 ℃, the melting point of copper is only 1083 cC, molybdenum-copper alloy at room temperature and the temperature, both good strength, but also a certain plasticity, and when the temperature exceeds the melting point of copper, the material of the copper can endothermic evaporation liquefaction, play a cooling effect (transpiration cooling). This performance can be used as high-temperature materials for special purposes, such as drug refractory lined combustion temperature nozzle throat, under the action of high temperature electrical arcing contacts and so on.
Molybdenum Copper Alloy nature - high conductance thermal conductivity characteristics
Molybdenum metal in addition gold, silver, copper and other metals, the conductivity and relatively good thermal conductivity element. Therefore, molybdenum and molybdenum-copper alloy composed of copper has a high electrical conductivity, thermal conductivity.
Properties of Molybdenum-copper alloy - with low thermal expansion coefficient can be adjusted
High coefficient of thermal expansion of copper, molybdenum has a low coefficient of thermal expansion. Therefore, the application can be made of a combination according to different required components low thermal expansion coefficient, so that they can communicate with other material combinations of the thermal expansion coefficient matched to avoid excessive thermal expansion coefficient difference in thermal stress caused damage.
Copper-molybdenum alloy - good machinability
Pure molybdenum metal itself due to the high hardness and brittleness, machining more difficult. The copper-molybdenum-copper alloy material after the incorporation of lower hardness, ductility increases, so is conducive to machining, can be processed into complex shaped parts.
Copper-molybdenum alloy - non-magnetic
Molybdenum and copper are non-ferromagnetic metal, so the composition of the molybdenum-copper alloy is an excellent non-magnetic material.
Copper-molybdenum alloy - low gas content and good vacuum performance
Either molybdenum or copper, an oxide easily restore their N, H, C and other impurities can easily be removed under vacuum to maintain a very low outgassing performance with good vacuum.
If you have any interest in our molybdenum copper alloy or other molybdenum alloy products, please feel free to contact us by email:, or by telephone:86 _PHONE_.
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text:
After pruning your willow tree, recycle the thin, flexible branches into woven materials. You can use woven willow, also called wattle, to produce sturdy and attractive fences, garden trellises, sculptures, baskets or furniture. Weaving willow branches is an ancient, meditative craft that adults and children can do together.
- Skill level:
- Moderately Easy
Other People Are Reading
Things you need
- Pruning saw
- Pocket knife
Prune your willow tree as normal, using a pruning saw. If making a trellis or fence, set aside long, straight, supple branches for horizontal rows and thicker, sturdier branches for vertical posts. If making a basket, furniture or sculpture piece, only set aside the long, straight, supple branches.
Place the cut ends of the branches in water until you are ready to weave. For best results, weave the willow a week or sooner after pruning.
Strip leaves and secondary branches from your willow branches, using a pocket knife.
Lay out branches parallel to each other at equal intervals until their combined length is as long as you want the woven object to be. If making a fence or trellis, lay out the stout branches. Place the branches as close together or as far apart as you want, depending on how tight you'd like the weave to be.
Weave a thinner branch horizontally over and under the branches laid out in the last step. When starting a second row, weave a branch under and over the vertical branches. Continue adding rows and alternating branches until the weave is complete.
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Owl Class - Stone Age Cave Art
18th September 2020
Owl Class have been getting creative and replicating 'Stone Age Cave Art'. They looked at how people in prehistoric times would have communicated with each other and by drawing around their hands, made effective drawings using charcoal just like what was left behind in the caves. They talked about what each hand might represent. The results were very striking and showed various skills.