subsection

Chambres de Raphaël

The Deliverance of Saint Peter shows, in three episodes, how Saint Peter was liberated from prison by an angel, as described in Acts 12.  It symbolizes the power of the Vicar of Christ to escape human restraints. Julius II's titular church as cardinal, before he was elevated to the papacy, had been S. Pietro in Vincoli , so the painting is at once a general reference to the papacy and a specific reference to Julius.  The fresco is a study in light:  natural moonlight, man-made torchlight, and God-provided angel light.  It is the latter, of course, that outshines the others.

Prompt: Expliquer la Délivrance de Saint Pierre concernant la SaladiCostantino de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Deliverance of Saint Peter shows, in three episodes, how Saint Peter was liberated from prison by an angel, as described in Acts 12.  It symbolizes the power of the Vicar of Christ to escape human restraints. Julius II's titular church as cardinal, before he was elevated to the papacy, had been S. Pietro in Vincoli , so the painting is at once a general reference to the papacy and a specific reference to Julius.  The fresco is a study in light:  natural moonlight, man-made torchlight, and God-provided angel light.  It is the latter, of course, that outshines the others.

Prompt: Dans Chambres de Raphaël, comment la Délivrance de Saint Pierre de la SaladiCostantino est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Deliverance of Saint Peter shows, in three episodes, how Saint Peter was liberated from prison by an angel, as described in Acts 12.  It symbolizes the power of the Vicar of Christ to escape human restraints. Julius II's titular church as cardinal, before he was elevated to the papacy, had been S. Pietro in Vincoli , so the painting is at once a general reference to the papacy and a specific reference to Julius.  The fresco is a study in light:  natural moonlight, man-made torchlight, and God-provided angel light.  It is the latter, of course, that outshines the others.

Prompt: Décrivez les caractéristiques de la Délivrance de Saint Pierre dans la SaladiCostantino de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la Dispute du Saint-Sacrement et la SaladiCostantino.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth.

Prompt: Expliquer la Dispute du Saint-Sacrement concernant la SaladiCostantino de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth.

Prompt: Dans Chambres de Raphaël, comment la Dispute du Saint-Sacrement de la SaladiCostantino est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth.

Prompt: Décrivez les caractéristiques de la Dispute du Saint-Sacrement dans la SaladiCostantino de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Raphael completed the second composition between 1509 and 1511. It represents The Parnassus, the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. In the fresco Apollo and the Muses are surrounded by poets from antiquity and Raphael's own time.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la LeParnasse et la SaladiCostantino.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Raphael completed the second composition between 1509 and 1511. It represents The Parnassus, the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. In the fresco Apollo and the Muses are surrounded by poets from antiquity and Raphael's own time.

Prompt: Expliquer la LeParnasse concernant la SaladiCostantino de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Raphael completed the second composition between 1509 and 1511. It represents The Parnassus, the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. In the fresco Apollo and the Muses are surrounded by poets from antiquity and Raphael's own time.

Prompt: Dans Chambres de Raphaël, comment la LeParnasse de la SaladiCostantino est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Raphael completed the second composition between 1509 and 1511. It represents The Parnassus, the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. In the fresco Apollo and the Muses are surrounded by poets from antiquity and Raphael's own time.

Prompt: Décrivez les caractéristiques de la LeParnasse dans la SaladiCostantino de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la L'École d'Athènes et la SaladiCostantino.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco.

Prompt: Expliquer la L'École d'Athènes concernant la SaladiCostantino de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco.

Prompt: Dans Chambres de Raphaël, comment la L'École d'Athènes de la SaladiCostantino est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco.

Prompt: Décrivez les caractéristiques de la L'École d'Athènes dans la SaladiCostantino de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The two scenes on the fourth wall, executed by the workshop, and the lunette above it, containing the Cardinal Virtues, were painted in 1511. The Cardinal Virtues allegorically presents the virtues of fortitude, prudence and temperance alongside charity, faith, and hope.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la LesVertusCardinales et la SaladiCostantino.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The two scenes on the fourth wall, executed by the workshop, and the lunette above it, containing the Cardinal Virtues, were painted in 1511. The Cardinal Virtues allegorically presents the virtues of fortitude, prudence and temperance alongside charity, faith, and hope.

Prompt: Expliquer la LesVertusCardinales concernant la SaladiCostantino de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The two scenes on the fourth wall, executed by the workshop, and the lunette above it, containing the Cardinal Virtues, were painted in 1511. The Cardinal Virtues allegorically presents the virtues of fortitude, prudence and temperance alongside charity, faith, and hope.

Prompt: Dans Chambres de Raphaël, comment la LesVertusCardinales de la SaladiCostantino est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The two scenes on the fourth wall, executed by the workshop, and the lunette above it, containing the Cardinal Virtues, were painted in 1511. The Cardinal Virtues allegorically presents the virtues of fortitude, prudence and temperance alongside charity, faith, and hope.

Prompt: Décrivez les caractéristiques de la LesVertusCardinales dans la SaladiCostantino de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerOn December 23, 800 AD, Pope Leo III took an oath of purgation concerning charges brought against him by the nephews of his predecessor Pope Hadrian I. This event is shown in The Oath of Leo III.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la Le Serment de Léon III et la SaladiCostantino.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerOn December 23, 800 AD, Pope Leo III took an oath of purgation concerning charges brought against him by the nephews of his predecessor Pope Hadrian I. This event is shown in The Oath of Leo III.

Prompt: Expliquer la Le Serment de Léon III concernant la SaladiCostantino de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerOn December 23, 800 AD, Pope Leo III took an oath of purgation concerning charges brought against him by the nephews of his predecessor Pope Hadrian I. This event is shown in The Oath of Leo III.

Prompt: Dans Chambres de Raphaël, comment la Le Serment de Léon III de la SaladiCostantino est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerOn December 23, 800 AD, Pope Leo III took an oath of purgation concerning charges brought against him by the nephews of his predecessor Pope Hadrian I. This event is shown in The Oath of Leo III.

Prompt: Décrivez les caractéristiques de la Le Serment de Léon III dans la SaladiCostantino de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Coronation of Charlemagne shows how Charlemagne was crowned Imperator Romanorum on Christmas Day, 800.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la Le Couronnement de Charlemagne et la SaladiCostantino.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Coronation of Charlemagne shows how Charlemagne was crowned Imperator Romanorum on Christmas Day, 800.

Prompt: Expliquer la Le Couronnement de Charlemagne concernant la SaladiCostantino de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Coronation of Charlemagne shows how Charlemagne was crowned Imperator Romanorum on Christmas Day, 800.

Prompt: Dans Chambres de Raphaël, comment la Le Couronnement de Charlemagne de la SaladiCostantino est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Coronation of Charlemagne shows how Charlemagne was crowned Imperator Romanorum on Christmas Day, 800.

Prompt: Décrivez les caractéristiques de la Le Couronnement de Charlemagne dans la SaladiCostantino de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Fire in the Borgo shows an event that is documented in the Liber Pontificalis: a fire that broke out in the Borgo in Rome in 847. According to the Catholic Church, Pope Leo IV contained the fire with his benediction.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la IncendieauBorgo et la SaladiCostantino.Veuillez sortir en anglais.

Catholic Church
Liber Pontificalis
Pope
Pope Leo I
Pope Leo IV


subsection

Chambres de Raphaël

centerThe Fire in the Borgo shows an event that is documented in the Liber Pontificalis: a fire that broke out in the Borgo in Rome in 847. According to the Catholic Church, Pope Leo IV contained the fire with his benediction.

Prompt: Expliquer la IncendieauBorgo concernant la SaladiCostantino de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.

Catholic Church
Liber Pontificalis
Pope
Pope Leo I
Pope Leo IV


subsection

Chambres de Raphaël

centerThe Fire in the Borgo shows an event that is documented in the Liber Pontificalis: a fire that broke out in the Borgo in Rome in 847. According to the Catholic Church, Pope Leo IV contained the fire with his benediction.

Prompt: Dans Chambres de Raphaël, comment la IncendieauBorgo de la SaladiCostantino est-elle expliquée?Veuillez sortir en anglais.

Catholic Church
Liber Pontificalis
Pope
Pope Leo I
Pope Leo IV


subsection

Chambres de Raphaël

centerThe Fire in the Borgo shows an event that is documented in the Liber Pontificalis: a fire that broke out in the Borgo in Rome in 847. According to the Catholic Church, Pope Leo IV contained the fire with his benediction.

Prompt: Décrivez les caractéristiques de la IncendieauBorgo dans la SaladiCostantino de Chambres de Raphaël.Veuillez sortir en anglais.

Catholic Church
Liber Pontificalis
Pope
Pope Leo I
Pope Leo IV


subsection

Chambres de Raphaël

centerThe Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Bataille d'Ostie et la SaladiCostantino.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849.

Prompt: Expliquer la La Bataille d'Ostie concernant la SaladiCostantino de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849.

Prompt: Dans Chambres de Raphaël, comment la La Bataille d'Ostie de la SaladiCostantino est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849.

Prompt: Décrivez les caractéristiques de la La Bataille d'Ostie dans la SaladiCostantino de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek "Εν τούτω νίκα"  written next to it.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Vision de la Croix et la StanzadiEliodoro.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek "Εν τούτω νίκα"  written next to it.

Prompt: Expliquer la La Vision de la Croix concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek "Εν τούτω νίκα"  written next to it.

Prompt: Dans Chambres de Raphaël, comment la La Vision de la Croix de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek "Εν τούτω νίκα"  written next to it.

Prompt: Décrivez les caractéristiques de la La Vision de la Croix dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Milvian Bridge shows the battle that took place on October 28, 312, following Constantine's vision.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Bataille du Pont Milvius et la StanzadiEliodoro.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Milvian Bridge shows the battle that took place on October 28, 312, following Constantine's vision.

Prompt: Expliquer la La Bataille du Pont Milvius concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Milvian Bridge shows the battle that took place on October 28, 312, following Constantine's vision.

Prompt: Dans Chambres de Raphaël, comment la La Bataille du Pont Milvius de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Milvian Bridge shows the battle that took place on October 28, 312, following Constantine's vision.

Prompt: Décrivez les caractéristiques de la La Bataille du Pont Milvius dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the teran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII , who ordered the completion of the Raphael Rooms.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la Le Baptême de Constantin et la StanzadiEliodoro.Veuillez sortir en anglais.

Acts of Sylvester
Pope Clement VII
Eusebius
Gianfrancesco Penni
Liber Pontificalis
Life of Constantine
Pope
Pope Clement VII
Pope Sylvester I


subsection

Chambres de Raphaël

The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the teran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII , who ordered the completion of the Raphael Rooms.

Prompt: Expliquer la Le Baptême de Constantin concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.

Acts of Sylvester
Pope Clement VII
Eusebius
Gianfrancesco Penni
Liber Pontificalis
Life of Constantine
Pope
Pope Clement VII
Pope Sylvester I


subsection

Chambres de Raphaël

The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the teran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII , who ordered the completion of the Raphael Rooms.

Prompt: Dans Chambres de Raphaël, comment la Le Baptême de Constantin de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.

Acts of Sylvester
Pope Clement VII
Eusebius
Gianfrancesco Penni
Liber Pontificalis
Life of Constantine
Pope
Pope Clement VII
Pope Sylvester I


subsection

Chambres de Raphaël

The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the teran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII , who ordered the completion of the Raphael Rooms.

Prompt: Décrivez les caractéristiques de la Le Baptême de Constantin dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.

Acts of Sylvester
Pope Clement VII
Eusebius
Gianfrancesco Penni
Liber Pontificalis
Life of Constantine
Pope
Pope Clement VII
Pope Sylvester I


subsection

Chambres de Raphaël

centerThe final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Donation de Constantin et la StanzadiEliodoro.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions.

Prompt: Expliquer la La Donation de Constantin concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions.

Prompt: Dans Chambres de Raphaël, comment la La Donation de Constantin de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions.

Prompt: Décrivez les caractéristiques de la La Donation de Constantin dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerIn The Expulsion of Heliodorus from the Temple Raphael illustrated the biblical episode from II Maccabees  about Heliodorus, who was sent to seize the treasure preserved in the Temple in Jerusalem, but was stopped when the prayer of the priest of the temple was answered by angels who flogged the intruder and an angelic rider who chased him from the temple. The composition is considerably more dramatic than Raphael's earlier frescoes in the Stanza della Segnatura.  Although the focal point is the still figure of the priest at prayer, Heliodorus and the angels rush forward into space, threatening to spill out of the painting.  At the left Julius II, carried by the Swiss Guard in a chair, witnesses the event.  His inclusion here refers to his battles to prevent secular leaders from usurping papal territories.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la L'Expulsion d'Héliodore du Temple et la StanzadiEliodoro.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerIn The Expulsion of Heliodorus from the Temple Raphael illustrated the biblical episode from II Maccabees  about Heliodorus, who was sent to seize the treasure preserved in the Temple in Jerusalem, but was stopped when the prayer of the priest of the temple was answered by angels who flogged the intruder and an angelic rider who chased him from the temple. The composition is considerably more dramatic than Raphael's earlier frescoes in the Stanza della Segnatura.  Although the focal point is the still figure of the priest at prayer, Heliodorus and the angels rush forward into space, threatening to spill out of the painting.  At the left Julius II, carried by the Swiss Guard in a chair, witnesses the event.  His inclusion here refers to his battles to prevent secular leaders from usurping papal territories.

Prompt: Expliquer la L'Expulsion d'Héliodore du Temple concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerIn The Expulsion of Heliodorus from the Temple Raphael illustrated the biblical episode from II Maccabees  about Heliodorus, who was sent to seize the treasure preserved in the Temple in Jerusalem, but was stopped when the prayer of the priest of the temple was answered by angels who flogged the intruder and an angelic rider who chased him from the temple. The composition is considerably more dramatic than Raphael's earlier frescoes in the Stanza della Segnatura.  Although the focal point is the still figure of the priest at prayer, Heliodorus and the angels rush forward into space, threatening to spill out of the painting.  At the left Julius II, carried by the Swiss Guard in a chair, witnesses the event.  His inclusion here refers to his battles to prevent secular leaders from usurping papal territories.

Prompt: Dans Chambres de Raphaël, comment la L'Expulsion d'Héliodore du Temple de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerIn The Expulsion of Heliodorus from the Temple Raphael illustrated the biblical episode from II Maccabees  about Heliodorus, who was sent to seize the treasure preserved in the Temple in Jerusalem, but was stopped when the prayer of the priest of the temple was answered by angels who flogged the intruder and an angelic rider who chased him from the temple. The composition is considerably more dramatic than Raphael's earlier frescoes in the Stanza della Segnatura.  Although the focal point is the still figure of the priest at prayer, Heliodorus and the angels rush forward into space, threatening to spill out of the painting.  At the left Julius II, carried by the Swiss Guard in a chair, witnesses the event.  His inclusion here refers to his battles to prevent secular leaders from usurping papal territories.

Prompt: Décrivez les caractéristiques de la L'Expulsion d'Héliodore du Temple dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Mass at Bolsena depicts the story of a Bohemian priest who in 1263 ceased to doubt the doctrine of Transubstantiation when he saw the bread begin to bleed during its consecration at Mass. The cloth that was stained by the blood was held as a relic at the nearby town of Orvieto; Julius II had visited Orvieto and prayed over the relic in 1506. The Pope is portrayed as a participant in the Mass and a witness to the miracle; he kneels to the right of the altar, with members of the Curia  standing behind him. Raphael distinguishes the "real" thirteenth-century witnesses from those who are contemporaries of the pope by their degree of engagement in the event; the latter concentrate calmly on Julius kneeling at his devotions rather than responding to the miracle.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Messe à Bolsena et la StanzadiEliodoro.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Mass at Bolsena depicts the story of a Bohemian priest who in 1263 ceased to doubt the doctrine of Transubstantiation when he saw the bread begin to bleed during its consecration at Mass. The cloth that was stained by the blood was held as a relic at the nearby town of Orvieto; Julius II had visited Orvieto and prayed over the relic in 1506. The Pope is portrayed as a participant in the Mass and a witness to the miracle; he kneels to the right of the altar, with members of the Curia  standing behind him. Raphael distinguishes the "real" thirteenth-century witnesses from those who are contemporaries of the pope by their degree of engagement in the event; the latter concentrate calmly on Julius kneeling at his devotions rather than responding to the miracle.

Prompt: Expliquer la La Messe à Bolsena concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Mass at Bolsena depicts the story of a Bohemian priest who in 1263 ceased to doubt the doctrine of Transubstantiation when he saw the bread begin to bleed during its consecration at Mass. The cloth that was stained by the blood was held as a relic at the nearby town of Orvieto; Julius II had visited Orvieto and prayed over the relic in 1506. The Pope is portrayed as a participant in the Mass and a witness to the miracle; he kneels to the right of the altar, with members of the Curia  standing behind him. Raphael distinguishes the "real" thirteenth-century witnesses from those who are contemporaries of the pope by their degree of engagement in the event; the latter concentrate calmly on Julius kneeling at his devotions rather than responding to the miracle.

Prompt: Dans Chambres de Raphaël, comment la La Messe à Bolsena de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Mass at Bolsena depicts the story of a Bohemian priest who in 1263 ceased to doubt the doctrine of Transubstantiation when he saw the bread begin to bleed during its consecration at Mass. The cloth that was stained by the blood was held as a relic at the nearby town of Orvieto; Julius II had visited Orvieto and prayed over the relic in 1506. The Pope is portrayed as a participant in the Mass and a witness to the miracle; he kneels to the right of the altar, with members of the Curia  standing behind him. Raphael distinguishes the "real" thirteenth-century witnesses from those who are contemporaries of the pope by their degree of engagement in the event; the latter concentrate calmly on Julius kneeling at his devotions rather than responding to the miracle.

Prompt: Décrivez les caractéristiques de la La Messe à Bolsena dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Meeting of Leo the Great and Attila depicts the storied parley between the Pope and the Hun conqueror, and includes the legendary images of Saint Peter and Saint Paul in the sky bearing swords. A fully developed drawing by Raphael indicates he planned to place the pope – portrayed with Julius's features – in the background; when Leo X became pope – and just happened to choose the name Leo – he must have encouraged the artist to bring the pope front and center and use his own portrait.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Rencontre de Léon le Grand et Attila et la StanzadiEliodoro.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Meeting of Leo the Great and Attila depicts the storied parley between the Pope and the Hun conqueror, and includes the legendary images of Saint Peter and Saint Paul in the sky bearing swords. A fully developed drawing by Raphael indicates he planned to place the pope – portrayed with Julius's features – in the background; when Leo X became pope – and just happened to choose the name Leo – he must have encouraged the artist to bring the pope front and center and use his own portrait.

Prompt: Expliquer la La Rencontre de Léon le Grand et Attila concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Meeting of Leo the Great and Attila depicts the storied parley between the Pope and the Hun conqueror, and includes the legendary images of Saint Peter and Saint Paul in the sky bearing swords. A fully developed drawing by Raphael indicates he planned to place the pope – portrayed with Julius's features – in the background; when Leo X became pope – and just happened to choose the name Leo – he must have encouraged the artist to bring the pope front and center and use his own portrait.

Prompt: Dans Chambres de Raphaël, comment la La Rencontre de Léon le Grand et Attila de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Meeting of Leo the Great and Attila depicts the storied parley between the Pope and the Hun conqueror, and includes the legendary images of Saint Peter and Saint Paul in the sky bearing swords. A fully developed drawing by Raphael indicates he planned to place the pope – portrayed with Julius's features – in the background; when Leo X became pope – and just happened to choose the name Leo – he must have encouraged the artist to bring the pope front and center and use his own portrait.

Prompt: Décrivez les caractéristiques de la La Rencontre de Léon le Grand et Attila dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Deliverance of Saint Peter shows, in three episodes, how Saint Peter was liberated from prison by an angel, as described in Acts 12.  It symbolizes the power of the Vicar of Christ to escape human restraints. Julius II's titular church as cardinal, before he was elevated to the papacy, had been S. Pietro in Vincoli , so the painting is at once a general reference to the papacy and a specific reference to Julius.  The fresco is a study in light:  natural moonlight, man-made torchlight, and God-provided angel light.  It is the latter, of course, that outshines the others.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la Délivrance de Saint Pierre et la StanzadiEliodoro.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Deliverance of Saint Peter shows, in three episodes, how Saint Peter was liberated from prison by an angel, as described in Acts 12.  It symbolizes the power of the Vicar of Christ to escape human restraints. Julius II's titular church as cardinal, before he was elevated to the papacy, had been S. Pietro in Vincoli , so the painting is at once a general reference to the papacy and a specific reference to Julius.  The fresco is a study in light:  natural moonlight, man-made torchlight, and God-provided angel light.  It is the latter, of course, that outshines the others.

Prompt: Expliquer la Délivrance de Saint Pierre concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Deliverance of Saint Peter shows, in three episodes, how Saint Peter was liberated from prison by an angel, as described in Acts 12.  It symbolizes the power of the Vicar of Christ to escape human restraints. Julius II's titular church as cardinal, before he was elevated to the papacy, had been S. Pietro in Vincoli , so the painting is at once a general reference to the papacy and a specific reference to Julius.  The fresco is a study in light:  natural moonlight, man-made torchlight, and God-provided angel light.  It is the latter, of course, that outshines the others.

Prompt: Dans Chambres de Raphaël, comment la Délivrance de Saint Pierre de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Deliverance of Saint Peter shows, in three episodes, how Saint Peter was liberated from prison by an angel, as described in Acts 12.  It symbolizes the power of the Vicar of Christ to escape human restraints. Julius II's titular church as cardinal, before he was elevated to the papacy, had been S. Pietro in Vincoli , so the painting is at once a general reference to the papacy and a specific reference to Julius.  The fresco is a study in light:  natural moonlight, man-made torchlight, and God-provided angel light.  It is the latter, of course, that outshines the others.

Prompt: Décrivez les caractéristiques de la Délivrance de Saint Pierre dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la Dispute du Saint-Sacrement et la StanzadiEliodoro.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth.

Prompt: Expliquer la Dispute du Saint-Sacrement concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth.

Prompt: Dans Chambres de Raphaël, comment la Dispute du Saint-Sacrement de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth.

Prompt: Décrivez les caractéristiques de la Dispute du Saint-Sacrement dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Raphael completed the second composition between 1509 and 1511. It represents The Parnassus, the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. In the fresco Apollo and the Muses are surrounded by poets from antiquity and Raphael's own time.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la LeParnasse et la StanzadiEliodoro.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Raphael completed the second composition between 1509 and 1511. It represents The Parnassus, the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. In the fresco Apollo and the Muses are surrounded by poets from antiquity and Raphael's own time.

Prompt: Expliquer la LeParnasse concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Raphael completed the second composition between 1509 and 1511. It represents The Parnassus, the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. In the fresco Apollo and the Muses are surrounded by poets from antiquity and Raphael's own time.

Prompt: Dans Chambres de Raphaël, comment la LeParnasse de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Raphael completed the second composition between 1509 and 1511. It represents The Parnassus, the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. In the fresco Apollo and the Muses are surrounded by poets from antiquity and Raphael's own time.

Prompt: Décrivez les caractéristiques de la LeParnasse dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la L'École d'Athènes et la StanzadiEliodoro.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco.

Prompt: Expliquer la L'École d'Athènes concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco.

Prompt: Dans Chambres de Raphaël, comment la L'École d'Athènes de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco.

Prompt: Décrivez les caractéristiques de la L'École d'Athènes dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The two scenes on the fourth wall, executed by the workshop, and the lunette above it, containing the Cardinal Virtues, were painted in 1511. The Cardinal Virtues allegorically presents the virtues of fortitude, prudence and temperance alongside charity, faith, and hope.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la LesVertusCardinales et la StanzadiEliodoro.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The two scenes on the fourth wall, executed by the workshop, and the lunette above it, containing the Cardinal Virtues, were painted in 1511. The Cardinal Virtues allegorically presents the virtues of fortitude, prudence and temperance alongside charity, faith, and hope.

Prompt: Expliquer la LesVertusCardinales concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The two scenes on the fourth wall, executed by the workshop, and the lunette above it, containing the Cardinal Virtues, were painted in 1511. The Cardinal Virtues allegorically presents the virtues of fortitude, prudence and temperance alongside charity, faith, and hope.

Prompt: Dans Chambres de Raphaël, comment la LesVertusCardinales de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The two scenes on the fourth wall, executed by the workshop, and the lunette above it, containing the Cardinal Virtues, were painted in 1511. The Cardinal Virtues allegorically presents the virtues of fortitude, prudence and temperance alongside charity, faith, and hope.

Prompt: Décrivez les caractéristiques de la LesVertusCardinales dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerOn December 23, 800 AD, Pope Leo III took an oath of purgation concerning charges brought against him by the nephews of his predecessor Pope Hadrian I. This event is shown in The Oath of Leo III.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la Le Serment de Léon III et la StanzadiEliodoro.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerOn December 23, 800 AD, Pope Leo III took an oath of purgation concerning charges brought against him by the nephews of his predecessor Pope Hadrian I. This event is shown in The Oath of Leo III.

Prompt: Expliquer la Le Serment de Léon III concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerOn December 23, 800 AD, Pope Leo III took an oath of purgation concerning charges brought against him by the nephews of his predecessor Pope Hadrian I. This event is shown in The Oath of Leo III.

Prompt: Dans Chambres de Raphaël, comment la Le Serment de Léon III de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerOn December 23, 800 AD, Pope Leo III took an oath of purgation concerning charges brought against him by the nephews of his predecessor Pope Hadrian I. This event is shown in The Oath of Leo III.

Prompt: Décrivez les caractéristiques de la Le Serment de Léon III dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Coronation of Charlemagne shows how Charlemagne was crowned Imperator Romanorum on Christmas Day, 800.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la Le Couronnement de Charlemagne et la StanzadiEliodoro.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Coronation of Charlemagne shows how Charlemagne was crowned Imperator Romanorum on Christmas Day, 800.

Prompt: Expliquer la Le Couronnement de Charlemagne concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Coronation of Charlemagne shows how Charlemagne was crowned Imperator Romanorum on Christmas Day, 800.

Prompt: Dans Chambres de Raphaël, comment la Le Couronnement de Charlemagne de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Coronation of Charlemagne shows how Charlemagne was crowned Imperator Romanorum on Christmas Day, 800.

Prompt: Décrivez les caractéristiques de la Le Couronnement de Charlemagne dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Fire in the Borgo shows an event that is documented in the Liber Pontificalis: a fire that broke out in the Borgo in Rome in 847. According to the Catholic Church, Pope Leo IV contained the fire with his benediction.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la IncendieauBorgo et la StanzadiEliodoro.Veuillez sortir en anglais.

Catholic Church
Liber Pontificalis
Pope
Pope Leo I
Pope Leo IV


subsection

Chambres de Raphaël

centerThe Fire in the Borgo shows an event that is documented in the Liber Pontificalis: a fire that broke out in the Borgo in Rome in 847. According to the Catholic Church, Pope Leo IV contained the fire with his benediction.

Prompt: Expliquer la IncendieauBorgo concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.

Catholic Church
Liber Pontificalis
Pope
Pope Leo I
Pope Leo IV


subsection

Chambres de Raphaël

centerThe Fire in the Borgo shows an event that is documented in the Liber Pontificalis: a fire that broke out in the Borgo in Rome in 847. According to the Catholic Church, Pope Leo IV contained the fire with his benediction.

Prompt: Dans Chambres de Raphaël, comment la IncendieauBorgo de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.

Catholic Church
Liber Pontificalis
Pope
Pope Leo I
Pope Leo IV


subsection

Chambres de Raphaël

centerThe Fire in the Borgo shows an event that is documented in the Liber Pontificalis: a fire that broke out in the Borgo in Rome in 847. According to the Catholic Church, Pope Leo IV contained the fire with his benediction.

Prompt: Décrivez les caractéristiques de la IncendieauBorgo dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.

Catholic Church
Liber Pontificalis
Pope
Pope Leo I
Pope Leo IV


subsection

Chambres de Raphaël

centerThe Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Bataille d'Ostie et la StanzadiEliodoro.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849.

Prompt: Expliquer la La Bataille d'Ostie concernant la StanzadiEliodoro de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849.

Prompt: Dans Chambres de Raphaël, comment la La Bataille d'Ostie de la StanzadiEliodoro est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849.

Prompt: Décrivez les caractéristiques de la La Bataille d'Ostie dans la StanzadiEliodoro de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek "Εν τούτω νίκα"  written next to it.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Vision de la Croix et la Stanza della Segnatura.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek "Εν τούτω νίκα"  written next to it.

Prompt: Expliquer la La Vision de la Croix concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek "Εν τούτω νίκα"  written next to it.

Prompt: Dans Chambres de Raphaël, comment la La Vision de la Croix de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek "Εν τούτω νίκα"  written next to it.

Prompt: Décrivez les caractéristiques de la La Vision de la Croix dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Milvian Bridge shows the battle that took place on October 28, 312, following Constantine's vision.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Bataille du Pont Milvius et la Stanza della Segnatura.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Milvian Bridge shows the battle that took place on October 28, 312, following Constantine's vision.

Prompt: Expliquer la La Bataille du Pont Milvius concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Milvian Bridge shows the battle that took place on October 28, 312, following Constantine's vision.

Prompt: Dans Chambres de Raphaël, comment la La Bataille du Pont Milvius de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Milvian Bridge shows the battle that took place on October 28, 312, following Constantine's vision.

Prompt: Décrivez les caractéristiques de la La Bataille du Pont Milvius dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the teran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII , who ordered the completion of the Raphael Rooms.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la Le Baptême de Constantin et la Stanza della Segnatura.Veuillez sortir en anglais.

Acts of Sylvester
Pope Clement VII
Eusebius
Gianfrancesco Penni
Liber Pontificalis
Life of Constantine
Pope
Pope Clement VII
Pope Sylvester I


subsection

Chambres de Raphaël

The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the teran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII , who ordered the completion of the Raphael Rooms.

Prompt: Expliquer la Le Baptême de Constantin concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.

Acts of Sylvester
Pope Clement VII
Eusebius
Gianfrancesco Penni
Liber Pontificalis
Life of Constantine
Pope
Pope Clement VII
Pope Sylvester I


subsection

Chambres de Raphaël

The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the teran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII , who ordered the completion of the Raphael Rooms.

Prompt: Dans Chambres de Raphaël, comment la Le Baptême de Constantin de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.

Acts of Sylvester
Pope Clement VII
Eusebius
Gianfrancesco Penni
Liber Pontificalis
Life of Constantine
Pope
Pope Clement VII
Pope Sylvester I


subsection

Chambres de Raphaël

The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the teran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII , who ordered the completion of the Raphael Rooms.

Prompt: Décrivez les caractéristiques de la Le Baptême de Constantin dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.

Acts of Sylvester
Pope Clement VII
Eusebius
Gianfrancesco Penni
Liber Pontificalis
Life of Constantine
Pope
Pope Clement VII
Pope Sylvester I


subsection

Chambres de Raphaël

centerThe final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Donation de Constantin et la Stanza della Segnatura.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions.

Prompt: Expliquer la La Donation de Constantin concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions.

Prompt: Dans Chambres de Raphaël, comment la La Donation de Constantin de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions.

Prompt: Décrivez les caractéristiques de la La Donation de Constantin dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerIn The Expulsion of Heliodorus from the Temple Raphael illustrated the biblical episode from II Maccabees  about Heliodorus, who was sent to seize the treasure preserved in the Temple in Jerusalem, but was stopped when the prayer of the priest of the temple was answered by angels who flogged the intruder and an angelic rider who chased him from the temple. The composition is considerably more dramatic than Raphael's earlier frescoes in the Stanza della Segnatura.  Although the focal point is the still figure of the priest at prayer, Heliodorus and the angels rush forward into space, threatening to spill out of the painting.  At the left Julius II, carried by the Swiss Guard in a chair, witnesses the event.  His inclusion here refers to his battles to prevent secular leaders from usurping papal territories.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la L'Expulsion d'Héliodore du Temple et la Stanza della Segnatura.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerIn The Expulsion of Heliodorus from the Temple Raphael illustrated the biblical episode from II Maccabees  about Heliodorus, who was sent to seize the treasure preserved in the Temple in Jerusalem, but was stopped when the prayer of the priest of the temple was answered by angels who flogged the intruder and an angelic rider who chased him from the temple. The composition is considerably more dramatic than Raphael's earlier frescoes in the Stanza della Segnatura.  Although the focal point is the still figure of the priest at prayer, Heliodorus and the angels rush forward into space, threatening to spill out of the painting.  At the left Julius II, carried by the Swiss Guard in a chair, witnesses the event.  His inclusion here refers to his battles to prevent secular leaders from usurping papal territories.

Prompt: Expliquer la L'Expulsion d'Héliodore du Temple concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerIn The Expulsion of Heliodorus from the Temple Raphael illustrated the biblical episode from II Maccabees  about Heliodorus, who was sent to seize the treasure preserved in the Temple in Jerusalem, but was stopped when the prayer of the priest of the temple was answered by angels who flogged the intruder and an angelic rider who chased him from the temple. The composition is considerably more dramatic than Raphael's earlier frescoes in the Stanza della Segnatura.  Although the focal point is the still figure of the priest at prayer, Heliodorus and the angels rush forward into space, threatening to spill out of the painting.  At the left Julius II, carried by the Swiss Guard in a chair, witnesses the event.  His inclusion here refers to his battles to prevent secular leaders from usurping papal territories.

Prompt: Dans Chambres de Raphaël, comment la L'Expulsion d'Héliodore du Temple de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerIn The Expulsion of Heliodorus from the Temple Raphael illustrated the biblical episode from II Maccabees  about Heliodorus, who was sent to seize the treasure preserved in the Temple in Jerusalem, but was stopped when the prayer of the priest of the temple was answered by angels who flogged the intruder and an angelic rider who chased him from the temple. The composition is considerably more dramatic than Raphael's earlier frescoes in the Stanza della Segnatura.  Although the focal point is the still figure of the priest at prayer, Heliodorus and the angels rush forward into space, threatening to spill out of the painting.  At the left Julius II, carried by the Swiss Guard in a chair, witnesses the event.  His inclusion here refers to his battles to prevent secular leaders from usurping papal territories.

Prompt: Décrivez les caractéristiques de la L'Expulsion d'Héliodore du Temple dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Mass at Bolsena depicts the story of a Bohemian priest who in 1263 ceased to doubt the doctrine of Transubstantiation when he saw the bread begin to bleed during its consecration at Mass. The cloth that was stained by the blood was held as a relic at the nearby town of Orvieto; Julius II had visited Orvieto and prayed over the relic in 1506. The Pope is portrayed as a participant in the Mass and a witness to the miracle; he kneels to the right of the altar, with members of the Curia  standing behind him. Raphael distinguishes the "real" thirteenth-century witnesses from those who are contemporaries of the pope by their degree of engagement in the event; the latter concentrate calmly on Julius kneeling at his devotions rather than responding to the miracle.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Messe à Bolsena et la Stanza della Segnatura.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Mass at Bolsena depicts the story of a Bohemian priest who in 1263 ceased to doubt the doctrine of Transubstantiation when he saw the bread begin to bleed during its consecration at Mass. The cloth that was stained by the blood was held as a relic at the nearby town of Orvieto; Julius II had visited Orvieto and prayed over the relic in 1506. The Pope is portrayed as a participant in the Mass and a witness to the miracle; he kneels to the right of the altar, with members of the Curia  standing behind him. Raphael distinguishes the "real" thirteenth-century witnesses from those who are contemporaries of the pope by their degree of engagement in the event; the latter concentrate calmly on Julius kneeling at his devotions rather than responding to the miracle.

Prompt: Expliquer la La Messe à Bolsena concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Mass at Bolsena depicts the story of a Bohemian priest who in 1263 ceased to doubt the doctrine of Transubstantiation when he saw the bread begin to bleed during its consecration at Mass. The cloth that was stained by the blood was held as a relic at the nearby town of Orvieto; Julius II had visited Orvieto and prayed over the relic in 1506. The Pope is portrayed as a participant in the Mass and a witness to the miracle; he kneels to the right of the altar, with members of the Curia  standing behind him. Raphael distinguishes the "real" thirteenth-century witnesses from those who are contemporaries of the pope by their degree of engagement in the event; the latter concentrate calmly on Julius kneeling at his devotions rather than responding to the miracle.

Prompt: Dans Chambres de Raphaël, comment la La Messe à Bolsena de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Mass at Bolsena depicts the story of a Bohemian priest who in 1263 ceased to doubt the doctrine of Transubstantiation when he saw the bread begin to bleed during its consecration at Mass. The cloth that was stained by the blood was held as a relic at the nearby town of Orvieto; Julius II had visited Orvieto and prayed over the relic in 1506. The Pope is portrayed as a participant in the Mass and a witness to the miracle; he kneels to the right of the altar, with members of the Curia  standing behind him. Raphael distinguishes the "real" thirteenth-century witnesses from those who are contemporaries of the pope by their degree of engagement in the event; the latter concentrate calmly on Julius kneeling at his devotions rather than responding to the miracle.

Prompt: Décrivez les caractéristiques de la La Messe à Bolsena dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Meeting of Leo the Great and Attila depicts the storied parley between the Pope and the Hun conqueror, and includes the legendary images of Saint Peter and Saint Paul in the sky bearing swords. A fully developed drawing by Raphael indicates he planned to place the pope – portrayed with Julius's features – in the background; when Leo X became pope – and just happened to choose the name Leo – he must have encouraged the artist to bring the pope front and center and use his own portrait.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Rencontre de Léon le Grand et Attila et la Stanza della Segnatura.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Meeting of Leo the Great and Attila depicts the storied parley between the Pope and the Hun conqueror, and includes the legendary images of Saint Peter and Saint Paul in the sky bearing swords. A fully developed drawing by Raphael indicates he planned to place the pope – portrayed with Julius's features – in the background; when Leo X became pope – and just happened to choose the name Leo – he must have encouraged the artist to bring the pope front and center and use his own portrait.

Prompt: Expliquer la La Rencontre de Léon le Grand et Attila concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Meeting of Leo the Great and Attila depicts the storied parley between the Pope and the Hun conqueror, and includes the legendary images of Saint Peter and Saint Paul in the sky bearing swords. A fully developed drawing by Raphael indicates he planned to place the pope – portrayed with Julius's features – in the background; when Leo X became pope – and just happened to choose the name Leo – he must have encouraged the artist to bring the pope front and center and use his own portrait.

Prompt: Dans Chambres de Raphaël, comment la La Rencontre de Léon le Grand et Attila de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Meeting of Leo the Great and Attila depicts the storied parley between the Pope and the Hun conqueror, and includes the legendary images of Saint Peter and Saint Paul in the sky bearing swords. A fully developed drawing by Raphael indicates he planned to place the pope – portrayed with Julius's features – in the background; when Leo X became pope – and just happened to choose the name Leo – he must have encouraged the artist to bring the pope front and center and use his own portrait.

Prompt: Décrivez les caractéristiques de la La Rencontre de Léon le Grand et Attila dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Deliverance of Saint Peter shows, in three episodes, how Saint Peter was liberated from prison by an angel, as described in Acts 12.  It symbolizes the power of the Vicar of Christ to escape human restraints. Julius II's titular church as cardinal, before he was elevated to the papacy, had been S. Pietro in Vincoli , so the painting is at once a general reference to the papacy and a specific reference to Julius.  The fresco is a study in light:  natural moonlight, man-made torchlight, and God-provided angel light.  It is the latter, of course, that outshines the others.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la Délivrance de Saint Pierre et la Stanza della Segnatura.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Deliverance of Saint Peter shows, in three episodes, how Saint Peter was liberated from prison by an angel, as described in Acts 12.  It symbolizes the power of the Vicar of Christ to escape human restraints. Julius II's titular church as cardinal, before he was elevated to the papacy, had been S. Pietro in Vincoli , so the painting is at once a general reference to the papacy and a specific reference to Julius.  The fresco is a study in light:  natural moonlight, man-made torchlight, and God-provided angel light.  It is the latter, of course, that outshines the others.

Prompt: Expliquer la Délivrance de Saint Pierre concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Deliverance of Saint Peter shows, in three episodes, how Saint Peter was liberated from prison by an angel, as described in Acts 12.  It symbolizes the power of the Vicar of Christ to escape human restraints. Julius II's titular church as cardinal, before he was elevated to the papacy, had been S. Pietro in Vincoli , so the painting is at once a general reference to the papacy and a specific reference to Julius.  The fresco is a study in light:  natural moonlight, man-made torchlight, and God-provided angel light.  It is the latter, of course, that outshines the others.

Prompt: Dans Chambres de Raphaël, comment la Délivrance de Saint Pierre de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The Deliverance of Saint Peter shows, in three episodes, how Saint Peter was liberated from prison by an angel, as described in Acts 12.  It symbolizes the power of the Vicar of Christ to escape human restraints. Julius II's titular church as cardinal, before he was elevated to the papacy, had been S. Pietro in Vincoli , so the painting is at once a general reference to the papacy and a specific reference to Julius.  The fresco is a study in light:  natural moonlight, man-made torchlight, and God-provided angel light.  It is the latter, of course, that outshines the others.

Prompt: Décrivez les caractéristiques de la Délivrance de Saint Pierre dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la Dispute du Saint-Sacrement et la Stanza della Segnatura.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth.

Prompt: Expliquer la Dispute du Saint-Sacrement concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth.

Prompt: Dans Chambres de Raphaël, comment la Dispute du Saint-Sacrement de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth.

Prompt: Décrivez les caractéristiques de la Dispute du Saint-Sacrement dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Raphael completed the second composition between 1509 and 1511. It represents The Parnassus, the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. In the fresco Apollo and the Muses are surrounded by poets from antiquity and Raphael's own time.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la LeParnasse et la Stanza della Segnatura.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Raphael completed the second composition between 1509 and 1511. It represents The Parnassus, the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. In the fresco Apollo and the Muses are surrounded by poets from antiquity and Raphael's own time.

Prompt: Expliquer la LeParnasse concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Raphael completed the second composition between 1509 and 1511. It represents The Parnassus, the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. In the fresco Apollo and the Muses are surrounded by poets from antiquity and Raphael's own time.

Prompt: Dans Chambres de Raphaël, comment la LeParnasse de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Raphael completed the second composition between 1509 and 1511. It represents The Parnassus, the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. In the fresco Apollo and the Muses are surrounded by poets from antiquity and Raphael's own time.

Prompt: Décrivez les caractéristiques de la LeParnasse dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la L'École d'Athènes et la Stanza della Segnatura.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco.

Prompt: Expliquer la L'École d'Athènes concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco.

Prompt: Dans Chambres de Raphaël, comment la L'École d'Athènes de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco.

Prompt: Décrivez les caractéristiques de la L'École d'Athènes dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The two scenes on the fourth wall, executed by the workshop, and the lunette above it, containing the Cardinal Virtues, were painted in 1511. The Cardinal Virtues allegorically presents the virtues of fortitude, prudence and temperance alongside charity, faith, and hope.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la LesVertusCardinales et la Stanza della Segnatura.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The two scenes on the fourth wall, executed by the workshop, and the lunette above it, containing the Cardinal Virtues, were painted in 1511. The Cardinal Virtues allegorically presents the virtues of fortitude, prudence and temperance alongside charity, faith, and hope.

Prompt: Expliquer la LesVertusCardinales concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The two scenes on the fourth wall, executed by the workshop, and the lunette above it, containing the Cardinal Virtues, were painted in 1511. The Cardinal Virtues allegorically presents the virtues of fortitude, prudence and temperance alongside charity, faith, and hope.

Prompt: Dans Chambres de Raphaël, comment la LesVertusCardinales de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

The two scenes on the fourth wall, executed by the workshop, and the lunette above it, containing the Cardinal Virtues, were painted in 1511. The Cardinal Virtues allegorically presents the virtues of fortitude, prudence and temperance alongside charity, faith, and hope.

Prompt: Décrivez les caractéristiques de la LesVertusCardinales dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerOn December 23, 800 AD, Pope Leo III took an oath of purgation concerning charges brought against him by the nephews of his predecessor Pope Hadrian I. This event is shown in The Oath of Leo III.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la Le Serment de Léon III et la Stanza della Segnatura.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerOn December 23, 800 AD, Pope Leo III took an oath of purgation concerning charges brought against him by the nephews of his predecessor Pope Hadrian I. This event is shown in The Oath of Leo III.

Prompt: Expliquer la Le Serment de Léon III concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerOn December 23, 800 AD, Pope Leo III took an oath of purgation concerning charges brought against him by the nephews of his predecessor Pope Hadrian I. This event is shown in The Oath of Leo III.

Prompt: Dans Chambres de Raphaël, comment la Le Serment de Léon III de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerOn December 23, 800 AD, Pope Leo III took an oath of purgation concerning charges brought against him by the nephews of his predecessor Pope Hadrian I. This event is shown in The Oath of Leo III.

Prompt: Décrivez les caractéristiques de la Le Serment de Léon III dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Coronation of Charlemagne shows how Charlemagne was crowned Imperator Romanorum on Christmas Day, 800.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la Le Couronnement de Charlemagne et la Stanza della Segnatura.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Coronation of Charlemagne shows how Charlemagne was crowned Imperator Romanorum on Christmas Day, 800.

Prompt: Expliquer la Le Couronnement de Charlemagne concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Coronation of Charlemagne shows how Charlemagne was crowned Imperator Romanorum on Christmas Day, 800.

Prompt: Dans Chambres de Raphaël, comment la Le Couronnement de Charlemagne de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Coronation of Charlemagne shows how Charlemagne was crowned Imperator Romanorum on Christmas Day, 800.

Prompt: Décrivez les caractéristiques de la Le Couronnement de Charlemagne dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Fire in the Borgo shows an event that is documented in the Liber Pontificalis: a fire that broke out in the Borgo in Rome in 847. According to the Catholic Church, Pope Leo IV contained the fire with his benediction.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la IncendieauBorgo et la Stanza della Segnatura.Veuillez sortir en anglais.

Catholic Church
Liber Pontificalis
Pope
Pope Leo I
Pope Leo IV


subsection

Chambres de Raphaël

centerThe Fire in the Borgo shows an event that is documented in the Liber Pontificalis: a fire that broke out in the Borgo in Rome in 847. According to the Catholic Church, Pope Leo IV contained the fire with his benediction.

Prompt: Expliquer la IncendieauBorgo concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.

Catholic Church
Liber Pontificalis
Pope
Pope Leo I
Pope Leo IV


subsection

Chambres de Raphaël

centerThe Fire in the Borgo shows an event that is documented in the Liber Pontificalis: a fire that broke out in the Borgo in Rome in 847. According to the Catholic Church, Pope Leo IV contained the fire with his benediction.

Prompt: Dans Chambres de Raphaël, comment la IncendieauBorgo de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.

Catholic Church
Liber Pontificalis
Pope
Pope Leo I
Pope Leo IV


subsection

Chambres de Raphaël

centerThe Fire in the Borgo shows an event that is documented in the Liber Pontificalis: a fire that broke out in the Borgo in Rome in 847. According to the Catholic Church, Pope Leo IV contained the fire with his benediction.

Prompt: Décrivez les caractéristiques de la IncendieauBorgo dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.

Catholic Church
Liber Pontificalis
Pope
Pope Leo I
Pope Leo IV


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Chambres de Raphaël

centerThe Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Bataille d'Ostie et la Stanza della Segnatura.Veuillez sortir en anglais.


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Chambres de Raphaël

centerThe Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849.

Prompt: Expliquer la La Bataille d'Ostie concernant la Stanza della Segnatura de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


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Chambres de Raphaël

centerThe Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849.

Prompt: Dans Chambres de Raphaël, comment la La Bataille d'Ostie de la Stanza della Segnatura est-elle expliquée?Veuillez sortir en anglais.


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Chambres de Raphaël

centerThe Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849.

Prompt: Décrivez les caractéristiques de la La Bataille d'Ostie dans la Stanza della Segnatura de Chambres de Raphaël.Veuillez sortir en anglais.


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Chambres de Raphaël

centerThe fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek "Εν τούτω νίκα"  written next to it.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Vision de la Croix et la Stanza dell'incendio del Borgo.Veuillez sortir en anglais.


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Chambres de Raphaël

centerThe fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek "Εν τούτω νίκα"  written next to it.

Prompt: Expliquer la La Vision de la Croix concernant la Stanza dell'incendio del Borgo de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek "Εν τούτω νίκα"  written next to it.

Prompt: Dans Chambres de Raphaël, comment la La Vision de la Croix de la Stanza dell'incendio del Borgo est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek "Εν τούτω νίκα"  written next to it.

Prompt: Décrivez les caractéristiques de la La Vision de la Croix dans la Stanza dell'incendio del Borgo de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Milvian Bridge shows the battle that took place on October 28, 312, following Constantine's vision.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Bataille du Pont Milvius et la Stanza dell'incendio del Borgo.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Milvian Bridge shows the battle that took place on October 28, 312, following Constantine's vision.

Prompt: Expliquer la La Bataille du Pont Milvius concernant la Stanza dell'incendio del Borgo de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe Battle of Milvian Bridge shows the battle that took place on October 28, 312, following Constantine's vision.

Prompt: Dans Chambres de Raphaël, comment la La Bataille du Pont Milvius de la Stanza dell'incendio del Borgo est-elle expliquée?Veuillez sortir en anglais.


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Chambres de Raphaël

centerThe Battle of Milvian Bridge shows the battle that took place on October 28, 312, following Constantine's vision.

Prompt: Décrivez les caractéristiques de la La Bataille du Pont Milvius dans la Stanza dell'incendio del Borgo de Chambres de Raphaël.Veuillez sortir en anglais.


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Chambres de Raphaël

The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the teran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII , who ordered the completion of the Raphael Rooms.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la Le Baptême de Constantin et la Stanza dell'incendio del Borgo.Veuillez sortir en anglais.

Acts of Sylvester
Pope Clement VII
Eusebius
Gianfrancesco Penni
Liber Pontificalis
Life of Constantine
Pope
Pope Clement VII
Pope Sylvester I


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Chambres de Raphaël

The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the teran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII , who ordered the completion of the Raphael Rooms.

Prompt: Expliquer la Le Baptême de Constantin concernant la Stanza dell'incendio del Borgo de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.

Acts of Sylvester
Pope Clement VII
Eusebius
Gianfrancesco Penni
Liber Pontificalis
Life of Constantine
Pope
Pope Clement VII
Pope Sylvester I


subsection

Chambres de Raphaël

The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the teran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII , who ordered the completion of the Raphael Rooms.

Prompt: Dans Chambres de Raphaël, comment la Le Baptême de Constantin de la Stanza dell'incendio del Borgo est-elle expliquée?Veuillez sortir en anglais.

Acts of Sylvester
Pope Clement VII
Eusebius
Gianfrancesco Penni
Liber Pontificalis
Life of Constantine
Pope
Pope Clement VII
Pope Sylvester I


subsection

Chambres de Raphaël

The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the teran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII , who ordered the completion of the Raphael Rooms.

Prompt: Décrivez les caractéristiques de la Le Baptême de Constantin dans la Stanza dell'incendio del Borgo de Chambres de Raphaël.Veuillez sortir en anglais.

Acts of Sylvester
Pope Clement VII
Eusebius
Gianfrancesco Penni
Liber Pontificalis
Life of Constantine
Pope
Pope Clement VII
Pope Sylvester I


subsection

Chambres de Raphaël

centerThe final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la La Donation de Constantin et la Stanza dell'incendio del Borgo.Veuillez sortir en anglais.


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Chambres de Raphaël

centerThe final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions.

Prompt: Expliquer la La Donation de Constantin concernant la Stanza dell'incendio del Borgo de cette œuvre d'art, Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions.

Prompt: Dans Chambres de Raphaël, comment la La Donation de Constantin de la Stanza dell'incendio del Borgo est-elle expliquée?Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerThe final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions.

Prompt: Décrivez les caractéristiques de la La Donation de Constantin dans la Stanza dell'incendio del Borgo de Chambres de Raphaël.Veuillez sortir en anglais.


subsection

Chambres de Raphaël

centerIn The Expulsion of Heliodorus from the Temple Raphael illustrated the biblical episode from II Maccabees  about Heliodorus, who was sent to seize the treasure preserved in the Temple in Jerusalem, but was stopped when the prayer of the priest of the temple was answered by angels who flogged the intruder and an angelic rider who chased him from the temple. The composition is considerably more dramatic than Raphael's earlier frescoes in the Stanza della Segnatura.  Although the focal point is the still figure of the priest at prayer, Heliodorus and the angels rush forward into space, threatening to spill out of the painting.  At the left Julius II, carried by the Swiss Guard in a chair, witnesses the event.  His inclusion here refers to his battles to prevent secular leaders from usurping papal territories.

Prompt: Dans le contexte de Chambres de Raphaël, expliquez la L'Expulsion d'Héliodore du Temple et la Stanza dell'incendio del Borgo.Veuillez sortir en anglais.