プラハ天文時計

Prompt: プラハ天文時計の文脈で、古チェコ時間尺度と天文時計を説明してください。英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time (or Italian hours), with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm (9.8ft).


プラハ天文時計

Prompt: プラハ天文時計の天文時計に関する古チェコ時間尺度を説明してください。英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time (or Italian hours), with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm (9.8ft).


プラハ天文時計

Prompt: プラハ天文時計では、どのように天文時計の古チェコ時間尺度が説明されていますか？英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time (or Italian hours), with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm (9.8ft).


プラハ天文時計

Prompt: プラハ天文時計の天文時計における古チェコ時間尺度の特徴を説明してください。英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time (or Italian hours), with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm (9.8ft).


プラハ天文時計

Prompt: プラハ天文時計の文脈で、太陽と天文時計を説明してください。英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.The position of the Sun over the curved golden lines indicates the time in unequal hours.The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine.


プラハ天文時計

Prompt: プラハ天文時計の天文時計に関する太陽を説明してください。英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.The position of the Sun over the curved golden lines indicates the time in unequal hours.The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine.


プラハ天文時計

Prompt: プラハ天文時計では、どのように天文時計の太陽が説明されていますか？英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.The position of the Sun over the curved golden lines indicates the time in unequal hours.The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine.


プラハ天文時計

Prompt: プラハ天文時計の天文時計における太陽の特徴を説明してください。英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.The position of the Sun over the curved golden lines indicates the time in unequal hours.The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine.


プラハ天文時計

Prompt: プラハ天文時計の文脈で、月と天文時計を説明してください。英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years.


プラハ天文時計

Prompt: プラハ天文時計の天文時計に関する月を説明してください。英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years.


プラハ天文時計

Prompt: プラハ天文時計では、どのように天文時計の月が説明されていますか？英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years.


プラハ天文時計

Prompt: プラハ天文時計の天文時計における月の特徴を説明してください。英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years.


プラハ天文時計

アニメーションのフィギュア

Prompt: プラハ天文時計に焦点を当てて、そのアニメーションのフィギュアを説明してください。英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The four figures flanking the clock are set in motion on the hour, and represent four things that were despised at the time of the clock's making. From left to right in the photographs, the first is Vanity, represented by a figure admiring himself in a mirror. Next, the miser holding a bag of gold represents greed or usury. Across the clock stands Death, a skeleton that strikes the time upon the hour. Finally, there is a Turkish figure representing lust and earthly pleasures. On the hour, the skeleton rings the bell and immediately all other figures shake their heads side to side, signifying their unreadiness "to go".Every hour of the day, statues of the Twelve Apostles with their attributes appear at the doorways above the clock. The left and right windows above the astronomical clock slide aside to reveal the Apostles as viewed from the square in this order: James the Less and Peter, Andrew and Matthias, Thaddeus and Philip, Thomas and Paul, John and Simon, Barnabas and Bartholomew. Unlike the list of the Twelve Apostles mentioned in the canonical gospels, James the Great and Matthew are missing, replaced by Paul and Barnabas.


プラハ天文時計

アニメーションのフィギュア

Prompt: プラハ天文時計のアニメーションのフィギュアを説明してください。英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The four figures flanking the clock are set in motion on the hour, and represent four things that were despised at the time of the clock's making. From left to right in the photographs, the first is Vanity, represented by a figure admiring himself in a mirror. Next, the miser holding a bag of gold represents greed or usury. Across the clock stands Death, a skeleton that strikes the time upon the hour. Finally, there is a Turkish figure representing lust and earthly pleasures. On the hour, the skeleton rings the bell and immediately all other figures shake their heads side to side, signifying their unreadiness "to go".Every hour of the day, statues of the Twelve Apostles with their attributes appear at the doorways above the clock. The left and right windows above the astronomical clock slide aside to reveal the Apostles as viewed from the square in this order: James the Less and Peter, Andrew and Matthias, Thaddeus and Philip, Thomas and Paul, John and Simon, Barnabas and Bartholomew. Unlike the list of the Twelve Apostles mentioned in the canonical gospels, James the Great and Matthew are missing, replaced by Paul and Barnabas.


プラハ天文時計

アニメーションのフィギュア

Prompt: プラハ天文時計はどのようにアニメーションのフィギュアを説明していますか？英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The four figures flanking the clock are set in motion on the hour, and represent four things that were despised at the time of the clock's making. From left to right in the photographs, the first is Vanity, represented by a figure admiring himself in a mirror. Next, the miser holding a bag of gold represents greed or usury. Across the clock stands Death, a skeleton that strikes the time upon the hour. Finally, there is a Turkish figure representing lust and earthly pleasures. On the hour, the skeleton rings the bell and immediately all other figures shake their heads side to side, signifying their unreadiness "to go".Every hour of the day, statues of the Twelve Apostles with their attributes appear at the doorways above the clock. The left and right windows above the astronomical clock slide aside to reveal the Apostles as viewed from the square in this order: James the Less and Peter, Andrew and Matthias, Thaddeus and Philip, Thomas and Paul, John and Simon, Barnabas and Bartholomew. Unlike the list of the Twelve Apostles mentioned in the canonical gospels, James the Great and Matthew are missing, replaced by Paul and Barnabas.


プラハ天文時計

アニメーションのフィギュア

Prompt: プラハ天文時計に関して、どのようにアニメーションのフィギュアが議論されていますか？英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The four figures flanking the clock are set in motion on the hour, and represent four things that were despised at the time of the clock's making. From left to right in the photographs, the first is Vanity, represented by a figure admiring himself in a mirror. Next, the miser holding a bag of gold represents greed or usury. Across the clock stands Death, a skeleton that strikes the time upon the hour. Finally, there is a Turkish figure representing lust and earthly pleasures. On the hour, the skeleton rings the bell and immediately all other figures shake their heads side to side, signifying their unreadiness "to go".Every hour of the day, statues of the Twelve Apostles with their attributes appear at the doorways above the clock. The left and right windows above the astronomical clock slide aside to reveal the Apostles as viewed from the square in this order: James the Less and Peter, Andrew and Matthias, Thaddeus and Philip, Thomas and Paul, John and Simon, Barnabas and Bartholomew. Unlike the list of the Twelve Apostles mentioned in the canonical gospels, James the Great and Matthew are missing, replaced by Paul and Barnabas.


プラハ天文時計

Prompt: プラハ天文時計に焦点を当てて、そのカレンダーを説明してください。英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The calendar plate below the clock was replaced by a copy in 1880. The original made by Josef Mánes is stored in the Prague City Museum. On the edge of the circle is a church calendar with fixed holidays and the names of 365 saints. The board displays allegories of the months. Smaller images represent zodiac signs.Next to the calendar stands a philosopher, archangel Michael pointing at the top of the dial, an astronomer and a chronicler.


プラハ天文時計

Prompt: プラハ天文時計のカレンダーを説明してください。英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The calendar plate below the clock was replaced by a copy in 1880. The original made by Josef Mánes is stored in the Prague City Museum. On the edge of the circle is a church calendar with fixed holidays and the names of 365 saints. The board displays allegories of the months. Smaller images represent zodiac signs.Next to the calendar stands a philosopher, archangel Michael pointing at the top of the dial, an astronomer and a chronicler.


プラハ天文時計

Prompt: プラハ天文時計はどのようにカレンダーを説明していますか？英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The calendar plate below the clock was replaced by a copy in 1880. The original made by Josef Mánes is stored in the Prague City Museum. On the edge of the circle is a church calendar with fixed holidays and the names of 365 saints. The board displays allegories of the months. Smaller images represent zodiac signs.Next to the calendar stands a philosopher, archangel Michael pointing at the top of the dial, an astronomer and a chronicler.


プラハ天文時計

Prompt: プラハ天文時計に関して、どのようにカレンダーが議論されていますか？英語で出力して下さい。

File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->

File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg

Category:Astronomical clocks in the Czech Republic

Category:Towers completed in the 15th century

Category:Clock towers in the Czech Republic

Category:Buildings and structures completed in 1410

The Moon sphere is seen showing approximately a quarter moon

Category:Buildings and structures in Prague

National Heritage Inspectorate (Czech Republic)

Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg

File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg

The calendar plate below the clock was replaced by a copy in 1880. The original made by Josef Mánes is stored in the Prague City Museum. On the edge of the circle is a church calendar with fixed holidays and the names of 365 saints. The board displays allegories of the months. Smaller images represent zodiac signs.Next to the calendar stands a philosopher, archangel Michael pointing at the top of the dial, an astronomer and a chronicler.


ウィキペディアの記念碑

Prompt: ウィキペディアの記念碑に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。

Category:Monuments and memorials in Poland

File:Wikipedia sculpture Poland Slubice.jpg

Category:Articles containing video clips

Common Knowledge? An Ethnography of Wikipedia

The Wikipedia Monument (Polish: Pomnik Wikipedii), located in Słubice, Poland, is a statue designed by Armenian sculptor Mihran Hakobyan honoring Wikipedia contributors. It was unveiled in Frankfurt Square (Plac Frankfurcki) on 22 October 2014 in a ceremony that included representatives from both local Wikimedia chapters and the Wikimedia Foundation.


ウィキペディアの記念碑

Prompt: ウィキペディアの記念碑のabstractを説明してください。英語で出力して下さい。

Category:Monuments and memorials in Poland

File:Wikipedia sculpture Poland Slubice.jpg

Category:Articles containing video clips

Common Knowledge? An Ethnography of Wikipedia

The Wikipedia Monument (Polish: Pomnik Wikipedii), located in Słubice, Poland, is a statue designed by Armenian sculptor Mihran Hakobyan honoring Wikipedia contributors. It was unveiled in Frankfurt Square (Plac Frankfurcki) on 22 October 2014 in a ceremony that included representatives from both local Wikimedia chapters and the Wikimedia Foundation.


ウィキペディアの記念碑

Prompt: ウィキペディアの記念碑はどのようにabstractを説明していますか？英語で出力して下さい。

Category:Monuments and memorials in Poland

File:Wikipedia sculpture Poland Slubice.jpg

Category:Articles containing video clips

Common Knowledge? An Ethnography of Wikipedia

The Wikipedia Monument (Polish: Pomnik Wikipedii), located in Słubice, Poland, is a statue designed by Armenian sculptor Mihran Hakobyan honoring Wikipedia contributors. It was unveiled in Frankfurt Square (Plac Frankfurcki) on 22 October 2014 in a ceremony that included representatives from both local Wikimedia chapters and the Wikimedia Foundation.


ウィキペディアの記念碑

Prompt: ウィキペディアの記念碑に関して、どのようにabstractが議論されていますか？英語で出力して下さい。

Category:Monuments and memorials in Poland

File:Wikipedia sculpture Poland Slubice.jpg

Category:Articles containing video clips

Common Knowledge? An Ethnography of Wikipedia

The Wikipedia Monument (Polish: Pomnik Wikipedii), located in Słubice, Poland, is a statue designed by Armenian sculptor Mihran Hakobyan honoring Wikipedia contributors. It was unveiled in Frankfurt Square (Plac Frankfurcki) on 22 October 2014 in a ceremony that included representatives from both local Wikimedia chapters and the Wikimedia Foundation.


ウィキペディアの記念碑

Prompt: ウィキペディアの記念碑に焦点を当てて、その説明を説明してください。英語で出力して下さい。

Category:Monuments and memorials in Poland

File:Wikipedia sculpture Poland Slubice.jpg

Category:Articles containing video clips

Common Knowledge? An Ethnography of Wikipedia

The monument depicts four nude figures holding aloft a globe based on the Wikipedia logo, reaching over two metres (6 ft 7 in) up. The fiber-and-resin statue was designed by Armenian-born artist Mihran Hakobyan, who graduated from Collegium Polonicum. It cost about 50,000 złotys (approximately $13,500; €11,700) and was funded by Słubice regional authorities. The monument has the following inscription:With this monument the citizens of Słubice would like to pay homage to thousands of anonymous editors all over the world, who have contributed voluntarily to the creation of Wikipedia, the greatest project co-created by people regardless of political, religious or cultural borders. In the year this monument is unveiled Wikipedia is available in more than 280 languages and contains about 30 million articles. The benefactors behind this monument feel certain that with Wikipedia as one of its pillars the knowledge society will be able to contribute to the sustainable development of our civilization, social justice and peace among nations.


ウィキペディアの記念碑

Prompt: ウィキペディアの記念碑の説明を説明してください。英語で出力して下さい。

Category:Monuments and memorials in Poland

File:Wikipedia sculpture Poland Slubice.jpg

Category:Articles containing video clips

Common Knowledge? An Ethnography of Wikipedia

The monument depicts four nude figures holding aloft a globe based on the Wikipedia logo, reaching over two metres (6 ft 7 in) up. The fiber-and-resin statue was designed by Armenian-born artist Mihran Hakobyan, who graduated from Collegium Polonicum. It cost about 50,000 złotys (approximately $13,500; €11,700) and was funded by Słubice regional authorities. The monument has the following inscription:With this monument the citizens of Słubice would like to pay homage to thousands of anonymous editors all over the world, who have contributed voluntarily to the creation of Wikipedia, the greatest project co-created by people regardless of political, religious or cultural borders. In the year this monument is unveiled Wikipedia is available in more than 280 languages and contains about 30 million articles. The benefactors behind this monument feel certain that with Wikipedia as one of its pillars the knowledge society will be able to contribute to the sustainable development of our civilization, social justice and peace among nations.


ウィキペディアの記念碑

Prompt: ウィキペディアの記念碑はどのように説明を説明していますか？英語で出力して下さい。

Category:Monuments and memorials in Poland

File:Wikipedia sculpture Poland Slubice.jpg

Category:Articles containing video clips

Common Knowledge? An Ethnography of Wikipedia

The monument depicts four nude figures holding aloft a globe based on the Wikipedia logo, reaching over two metres (6 ft 7 in) up. The fiber-and-resin statue was designed by Armenian-born artist Mihran Hakobyan, who graduated from Collegium Polonicum. It cost about 50,000 złotys (approximately $13,500; €11,700) and was funded by Słubice regional authorities. The monument has the following inscription:With this monument the citizens of Słubice would like to pay homage to thousands of anonymous editors all over the world, who have contributed voluntarily to the creation of Wikipedia, the greatest project co-created by people regardless of political, religious or cultural borders. In the year this monument is unveiled Wikipedia is available in more than 280 languages and contains about 30 million articles. The benefactors behind this monument feel certain that with Wikipedia as one of its pillars the knowledge society will be able to contribute to the sustainable development of our civilization, social justice and peace among nations.


ウィキペディアの記念碑

Prompt: ウィキペディアの記念碑に関して、どのように説明が議論されていますか？英語で出力して下さい。

Category:Monuments and memorials in Poland

File:Wikipedia sculpture Poland Slubice.jpg

Category:Articles containing video clips

Common Knowledge? An Ethnography of Wikipedia

The monument depicts four nude figures holding aloft a globe based on the Wikipedia logo, reaching over two metres (6 ft 7 in) up. The fiber-and-resin statue was designed by Armenian-born artist Mihran Hakobyan, who graduated from Collegium Polonicum. It cost about 50,000 złotys (approximately $13,500; €11,700) and was funded by Słubice regional authorities. The monument has the following inscription:With this monument the citizens of Słubice would like to pay homage to thousands of anonymous editors all over the world, who have contributed voluntarily to the creation of Wikipedia, the greatest project co-created by people regardless of political, religious or cultural borders. In the year this monument is unveiled Wikipedia is available in more than 280 languages and contains about 30 million articles. The benefactors behind this monument feel certain that with Wikipedia as one of its pillars the knowledge society will be able to contribute to the sustainable development of our civilization, social justice and peace among nations.


ウィキペディアの記念碑

Prompt: ウィキペディアの記念碑に焦点を当てて、その歴史を説明してください。英語で出力して下さい。

Category:Monuments and memorials in Poland

File:Wikipedia sculpture Poland Slubice.jpg

Category:Articles containing video clips

The monument was suggested around 2010 by Krzysztof Wojciechowski, a university professor and director of the Collegium Polonicum in Słubice. Polish Wikipedia is a popular website in Poland and, with over a million articles, the 10th-largest Wikipedia in the world. According to Piotr Łuczyński, deputy mayor, the memorial "will highlight the town's importance as an academic centre". A Wikimedia Polska representative stated that the organization hopes that this project will "raise awareness of the website and encourage people to contribute."It was unveiled on 22 October 2014, on the Plac Frankfurcki, becoming the world's first monument to the online encyclopedia. Representatives from the Wikimedia Foundation as well as from the Wikimedia chapters for Poland and Germany (Wikimedia Polska and Wikimedia Deutschland, respectively) attended the dedication ceremony. Dariusz Jemielniak, a professor of management, Wikimedia activist, and an author of the 2014 book Common Knowledge? An Ethnography of Wikipedia, delivered an opening ceremony address.When Wikipedia started back in 2001 I have to say that I never imagined a day when Wikipedia would be honored with a monument – we write about them, we photograph them with our Wiki Loves Monuments competition, and now we have a monument of our own. It is a truly special and exciting day, and one that I hope shines the spotlight on the thousands of Wikimedians who edit Wikipedia and make it the source of free knowledge it has come to be. I look forward to visiting Słubice one day to see the monument for myself and perhaps meeting some of those involved in the project.


ウィキペディアの記念碑

Prompt: ウィキペディアの記念碑の歴史を説明してください。英語で出力して下さい。

Category:Monuments and memorials in Poland

File:Wikipedia sculpture Poland Slubice.jpg

Category:Articles containing video clips

The monument was suggested around 2010 by Krzysztof Wojciechowski, a university professor and director of the Collegium Polonicum in Słubice. Polish Wikipedia is a popular website in Poland and, with over a million articles, the 10th-largest Wikipedia in the world. According to Piotr Łuczyński, deputy mayor, the memorial "will highlight the town's importance as an academic centre". A Wikimedia Polska representative stated that the organization hopes that this project will "raise awareness of the website and encourage people to contribute."It was unveiled on 22 October 2014, on the Plac Frankfurcki, becoming the world's first monument to the online encyclopedia. Representatives from the Wikimedia Foundation as well as from the Wikimedia chapters for Poland and Germany (Wikimedia Polska and Wikimedia Deutschland, respectively) attended the dedication ceremony. Dariusz Jemielniak, a professor of management, Wikimedia activist, and an author of the 2014 book Common Knowledge? An Ethnography of Wikipedia, delivered an opening ceremony address.When Wikipedia started back in 2001 I have to say that I never imagined a day when Wikipedia would be honored with a monument – we write about them, we photograph them with our Wiki Loves Monuments competition, and now we have a monument of our own. It is a truly special and exciting day, and one that I hope shines the spotlight on the thousands of Wikimedians who edit Wikipedia and make it the source of free knowledge it has come to be. I look forward to visiting Słubice one day to see the monument for myself and perhaps meeting some of those involved in the project.


ウィキペディアの記念碑

Prompt: ウィキペディアの記念碑はどのように歴史を説明していますか？英語で出力して下さい。

Category:Monuments and memorials in Poland

File:Wikipedia sculpture Poland Slubice.jpg

Category:Articles containing video clips

The monument was suggested around 2010 by Krzysztof Wojciechowski, a university professor and director of the Collegium Polonicum in Słubice. Polish Wikipedia is a popular website in Poland and, with over a million articles, the 10th-largest Wikipedia in the world. According to Piotr Łuczyński, deputy mayor, the memorial "will highlight the town's importance as an academic centre". A Wikimedia Polska representative stated that the organization hopes that this project will "raise awareness of the website and encourage people to contribute."It was unveiled on 22 October 2014, on the Plac Frankfurcki, becoming the world's first monument to the online encyclopedia. Representatives from the Wikimedia Foundation as well as from the Wikimedia chapters for Poland and Germany (Wikimedia Polska and Wikimedia Deutschland, respectively) attended the dedication ceremony. Dariusz Jemielniak, a professor of management, Wikimedia activist, and an author of the 2014 book Common Knowledge? An Ethnography of Wikipedia, delivered an opening ceremony address.When Wikipedia started back in 2001 I have to say that I never imagined a day when Wikipedia would be honored with a monument – we write about them, we photograph them with our Wiki Loves Monuments competition, and now we have a monument of our own. It is a truly special and exciting day, and one that I hope shines the spotlight on the thousands of Wikimedians who edit Wikipedia and make it the source of free knowledge it has come to be. I look forward to visiting Słubice one day to see the monument for myself and perhaps meeting some of those involved in the project.


ウィキペディアの記念碑

Prompt: ウィキペディアの記念碑に関して、どのように歴史が議論されていますか？英語で出力して下さい。

Category:Monuments and memorials in Poland

File:Wikipedia sculpture Poland Slubice.jpg

Category:Articles containing video clips

The monument was suggested around 2010 by Krzysztof Wojciechowski, a university professor and director of the Collegium Polonicum in Słubice. Polish Wikipedia is a popular website in Poland and, with over a million articles, the 10th-largest Wikipedia in the world. According to Piotr Łuczyński, deputy mayor, the memorial "will highlight the town's importance as an academic centre". A Wikimedia Polska representative stated that the organization hopes that this project will "raise awareness of the website and encourage people to contribute."It was unveiled on 22 October 2014, on the Plac Frankfurcki, becoming the world's first monument to the online encyclopedia. Representatives from the Wikimedia Foundation as well as from the Wikimedia chapters for Poland and Germany (Wikimedia Polska and Wikimedia Deutschland, respectively) attended the dedication ceremony. Dariusz Jemielniak, a professor of management, Wikimedia activist, and an author of the 2014 book Common Knowledge? An Ethnography of Wikipedia, delivered an opening ceremony address.When Wikipedia started back in 2001 I have to say that I never imagined a day when Wikipedia would be honored with a monument – we write about them, we photograph them with our Wiki Loves Monuments competition, and now we have a monument of our own. It is a truly special and exciting day, and one that I hope shines the spotlight on the thousands of Wikimedians who edit Wikipedia and make it the source of free knowledge it has come to be. I look forward to visiting Słubice one day to see the monument for myself and perhaps meeting some of those involved in the project.


ジネヴラ・デ・ベンチ

Prompt: ジネヴラ・デ・ベンチに焦点を当てて、そのabstractを説明してください。英語で出力して下さい。

File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg

File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg

Category:Paintings in the National Gallery of Art

Lives of the Most Excellent Painters, Sculptors, and Architects

Leonardo da Vinci, ''Study of a Woman's Hands'', 1490

Ginevra de' Benci is a portrait painting by Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458). It was acquired by the National Gallery of Art in Washington, D.C. US from Franz Joseph II, Prince of Liechtenstein in February 1967 for a record price for a painting of between $5 and $6 million. It is the only painting by Leonardo on public view in the Americas.


ジネヴラ・デ・ベンチ

Prompt: ジネヴラ・デ・ベンチのabstractを説明してください。英語で出力して下さい。

File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg

File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg

Category:Paintings in the National Gallery of Art

Lives of the Most Excellent Painters, Sculptors, and Architects

Leonardo da Vinci, ''Study of a Woman's Hands'', 1490

Ginevra de' Benci is a portrait painting by Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458). It was acquired by the National Gallery of Art in Washington, D.C. US from Franz Joseph II, Prince of Liechtenstein in February 1967 for a record price for a painting of between $5 and $6 million. It is the only painting by Leonardo on public view in the Americas.


ジネヴラ・デ・ベンチ

Prompt: ジネヴラ・デ・ベンチはどのようにabstractを説明していますか？英語で出力して下さい。

File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg

File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg

Category:Paintings in the National Gallery of Art

Lives of the Most Excellent Painters, Sculptors, and Architects

Leonardo da Vinci, ''Study of a Woman's Hands'', 1490

Ginevra de' Benci is a portrait painting by Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458). It was acquired by the National Gallery of Art in Washington, D.C. US from Franz Joseph II, Prince of Liechtenstein in February 1967 for a record price for a painting of between $5 and $6 million. It is the only painting by Leonardo on public view in the Americas.


ジネヴラ・デ・ベンチ

Prompt: ジネヴラ・デ・ベンチに関して、どのようにabstractが議論されていますか？英語で出力して下さい。

File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg

File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg

Category:Paintings in the National Gallery of Art

Lives of the Most Excellent Painters, Sculptors, and Architects

Leonardo da Vinci, ''Study of a Woman's Hands'', 1490

Ginevra de' Benci is a portrait painting by Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458). It was acquired by the National Gallery of Art in Washington, D.C. US from Franz Joseph II, Prince of Liechtenstein in February 1967 for a record price for a painting of between $5 and $6 million. It is the only painting by Leonardo on public view in the Americas.


ジネヴラ・デ・ベンチ

Prompt: ジネヴラ・デ・ベンチに焦点を当てて、その件名を説明してください。英語で出力して下さい。

File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg

Franz Joseph II, Prince of Liechtenstein

File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg

Category:Paintings in the National Gallery of Art

Lives of the Most Excellent Painters, Sculptors, and Architects

Leonardo da Vinci, ''Study of a Woman's Hands'', 1490

Ginevra de' Benci, a well-known young Florentine woman, is universally considered to be the portrait's sitter. Leonardo painted the portrait in Florence between 1474 and 1478, possibly to commemorate Ginevra's marriage to Luigi di Bernardo Niccolini at the age of 16. More likely, it commemorates the engagement. Commonly, contemporary portraits of females were commissioned for either of two occasions: betrothal or marriage.  Wedding portraits traditionally were created in pairs, with the woman on the right, facing left; since this portrait faces right, it more likely represents betrothal.The juniper bush that surrounds Ginevra's head and fills much of the background, serves more than mere decorative purposes. In Renaissance Italy, the juniper was regarded a symbol of female virtue, while the Italian word for juniper, ginepro, also makes a play on Ginevra's name.The imagery and text on the reverse of the panel—a juniper sprig encircled by a wreath of laurel and palm, memorialized by the Latin motto Virtvtem Forma Decorat ("Beauty adorns virtue")—further support the identification of the portrait. The phrase is understood as symbolizing the intricate relationship between Ginevra's intellectual and moral virtue on the one hand, and her physical beauty on the other. The sprig of juniper, encircled by laurel and palm, suggests her name. The laurel and palm are in the personal emblem of Bernardo Bembo, a Venetian ambassador to Florence whose platonic relationship with Ginevra is revealed in poems exchanged between them. Infrared examination has revealed Bembo's motto "Virtue and Honor" beneath Ginevra's, making it likely that Bembo was somehow involved in the commission of the portrait.The portrait is one of the highlights of the National Gallery of Art, and is admired by many for its portrayal of Ginevra's temperament. Ginevra is beautiful, but austere; she has no hint of a smile and her gaze, although forward, seems indifferent to the viewer.At some point, the bottom of the painting was removed, presumably owing to damage, and Ginevra's arms and hands are thought to have been lost. Using the golden ratio, Susan Dorothea White has drawn an interpretation of how her arms and hands may have been positioned in the original. The adaptation is based on drawings of hands by Leonardo thought to be studies for this painting.


ジネヴラ・デ・ベンチ

Prompt: ジネヴラ・デ・ベンチの件名を説明してください。英語で出力して下さい。

File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg

Franz Joseph II, Prince of Liechtenstein

File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg

Category:Paintings in the National Gallery of Art

Lives of the Most Excellent Painters, Sculptors, and Architects

Leonardo da Vinci, ''Study of a Woman's Hands'', 1490

Ginevra de' Benci, a well-known young Florentine woman, is universally considered to be the portrait's sitter. Leonardo painted the portrait in Florence between 1474 and 1478, possibly to commemorate Ginevra's marriage to Luigi di Bernardo Niccolini at the age of 16. More likely, it commemorates the engagement. Commonly, contemporary portraits of females were commissioned for either of two occasions: betrothal or marriage.  Wedding portraits traditionally were created in pairs, with the woman on the right, facing left; since this portrait faces right, it more likely represents betrothal.The juniper bush that surrounds Ginevra's head and fills much of the background, serves more than mere decorative purposes. In Renaissance Italy, the juniper was regarded a symbol of female virtue, while the Italian word for juniper, ginepro, also makes a play on Ginevra's name.The imagery and text on the reverse of the panel—a juniper sprig encircled by a wreath of laurel and palm, memorialized by the Latin motto Virtvtem Forma Decorat ("Beauty adorns virtue")—further support the identification of the portrait. The phrase is understood as symbolizing the intricate relationship between Ginevra's intellectual and moral virtue on the one hand, and her physical beauty on the other. The sprig of juniper, encircled by laurel and palm, suggests her name. The laurel and palm are in the personal emblem of Bernardo Bembo, a Venetian ambassador to Florence whose platonic relationship with Ginevra is revealed in poems exchanged between them. Infrared examination has revealed Bembo's motto "Virtue and Honor" beneath Ginevra's, making it likely that Bembo was somehow involved in the commission of the portrait.The portrait is one of the highlights of the National Gallery of Art, and is admired by many for its portrayal of Ginevra's temperament. Ginevra is beautiful, but austere; she has no hint of a smile and her gaze, although forward, seems indifferent to the viewer.At some point, the bottom of the painting was removed, presumably owing to damage, and Ginevra's arms and hands are thought to have been lost. Using the golden ratio, Susan Dorothea White has drawn an interpretation of how her arms and hands may have been positioned in the original. The adaptation is based on drawings of hands by Leonardo thought to be studies for this painting.


ジネヴラ・デ・ベンチ

Prompt: ジネヴラ・デ・ベンチはどのように件名を説明していますか？英語で出力して下さい。

File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg

Franz Joseph II, Prince of Liechtenstein

File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg

Category:Paintings in the National Gallery of Art

Lives of the Most Excellent Painters, Sculptors, and Architects

Leonardo da Vinci, ''Study of a Woman's Hands'', 1490

Ginevra de' Benci, a well-known young Florentine woman, is universally considered to be the portrait's sitter. Leonardo painted the portrait in Florence between 1474 and 1478, possibly to commemorate Ginevra's marriage to Luigi di Bernardo Niccolini at the age of 16. More likely, it commemorates the engagement. Commonly, contemporary portraits of females were commissioned for either of two occasions: betrothal or marriage.  Wedding portraits traditionally were created in pairs, with the woman on the right, facing left; since this portrait faces right, it more likely represents betrothal.The juniper bush that surrounds Ginevra's head and fills much of the background, serves more than mere decorative purposes. In Renaissance Italy, the juniper was regarded a symbol of female virtue, while the Italian word for juniper, ginepro, also makes a play on Ginevra's name.The imagery and text on the reverse of the panel—a juniper sprig encircled by a wreath of laurel and palm, memorialized by the Latin motto Virtvtem Forma Decorat ("Beauty adorns virtue")—further support the identification of the portrait. The phrase is understood as symbolizing the intricate relationship between Ginevra's intellectual and moral virtue on the one hand, and her physical beauty on the other. The sprig of juniper, encircled by laurel and palm, suggests her name. The laurel and palm are in the personal emblem of Bernardo Bembo, a Venetian ambassador to Florence whose platonic relationship with Ginevra is revealed in poems exchanged between them. Infrared examination has revealed Bembo's motto "Virtue and Honor" beneath Ginevra's, making it likely that Bembo was somehow involved in the commission of the portrait.The portrait is one of the highlights of the National Gallery of Art, and is admired by many for its portrayal of Ginevra's temperament. Ginevra is beautiful, but austere; she has no hint of a smile and her gaze, although forward, seems indifferent to the viewer.At some point, the bottom of the painting was removed, presumably owing to damage, and Ginevra's arms and hands are thought to have been lost. Using the golden ratio, Susan Dorothea White has drawn an interpretation of how her arms and hands may have been positioned in the original. The adaptation is based on drawings of hands by Leonardo thought to be studies for this painting.


ジネヴラ・デ・ベンチ

Prompt: ジネヴラ・デ・ベンチに関して、どのように件名が議論されていますか？英語で出力して下さい。

File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg

Franz Joseph II, Prince of Liechtenstein

File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg

Category:Paintings in the National Gallery of Art

Lives of the Most Excellent Painters, Sculptors, and Architects

Leonardo da Vinci, ''Study of a Woman's Hands'', 1490

Ginevra de' Benci, a well-known young Florentine woman, is universally considered to be the portrait's sitter. Leonardo painted the portrait in Florence between 1474 and 1478, possibly to commemorate Ginevra's marriage to Luigi di Bernardo Niccolini at the age of 16. More likely, it commemorates the engagement. Commonly, contemporary portraits of females were commissioned for either of two occasions: betrothal or marriage.  Wedding portraits traditionally were created in pairs, with the woman on the right, facing left; since this portrait faces right, it more likely represents betrothal.The juniper bush that surrounds Ginevra's head and fills much of the background, serves more than mere decorative purposes. In Renaissance Italy, the juniper was regarded a symbol of female virtue, while the Italian word for juniper, ginepro, also makes a play on Ginevra's name.The imagery and text on the reverse of the panel—a juniper sprig encircled by a wreath of laurel and palm, memorialized by the Latin motto Virtvtem Forma Decorat ("Beauty adorns virtue")—further support the identification of the portrait. The phrase is understood as symbolizing the intricate relationship between Ginevra's intellectual and moral virtue on the one hand, and her physical beauty on the other. The sprig of juniper, encircled by laurel and palm, suggests her name. The laurel and palm are in the personal emblem of Bernardo Bembo, a Venetian ambassador to Florence whose platonic relationship with Ginevra is revealed in poems exchanged between them. Infrared examination has revealed Bembo's motto "Virtue and Honor" beneath Ginevra's, making it likely that Bembo was somehow involved in the commission of the portrait.The portrait is one of the highlights of the National Gallery of Art, and is admired by many for its portrayal of Ginevra's temperament. Ginevra is beautiful, but austere; she has no hint of a smile and her gaze, although forward, seems indifferent to the viewer.At some point, the bottom of the painting was removed, presumably owing to damage, and Ginevra's arms and hands are thought to have been lost. Using the golden ratio, Susan Dorothea White has drawn an interpretation of how her arms and hands may have been positioned in the original. The adaptation is based on drawings of hands by Leonardo thought to be studies for this painting.


ジネヴラ・デ・ベンチ

Prompt: ジネヴラ・デ・ベンチに焦点を当てて、その雑学を説明してください。英語で出力して下さい。

File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg

Franz Joseph II, Prince of Liechtenstein

File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg

Category:Paintings in the National Gallery of Art

Lives of the Most Excellent Painters, Sculptors, and Architects

Leonardo da Vinci, ''Study of a Woman's Hands'', 1490

As a woman of renowned beauty, Ginevra de' Benci was also the subject of ten poems written by members of the Medici circle, Cristoforo Landino and Alessandro Braccesi, and of two sonnets by Lorenzo de' Medici himself.According to Giorgio Vasari, Ginevra de' Benci was also included in the fresco by Domenico Ghirlandaio of the Visitation of Mary and Elizabeth in the church of Santa Maria Novella in Florence, but it is now believed that Vasari made a mistake and that Ghirlandaio painted Giovanna Tornabuoni.Ginevra's brother Giovanni (1456–1523) was a friend of Leonardo. When Vasari wrote his Lives, Leonardo's unfinished Adoration of the Magi was in the house of Amerigo Benci, Giovanni's son.In 2017, the researcher and cryptographer Carla Glori anagrammatized fifty Latin sentences signed VINCI, formed with the very same alphabetical letters of the motto VIRTVTEM FORMA DECORAT when supplemented with the Latin word iuniperus (juniper [sprig]). Glori argues that the anagrams form a coherent text and have a meaning that unequivocally refers to the portrait and to the biography of Ginevra Benci.


ジネヴラ・デ・ベンチ

Prompt: ジネヴラ・デ・ベンチの雑学を説明してください。英語で出力して下さい。

File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg

Franz Joseph II, Prince of Liechtenstein

File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg

Category:Paintings in the National Gallery of Art

Lives of the Most Excellent Painters, Sculptors, and Architects

Leonardo da Vinci, ''Study of a Woman's Hands'', 1490

As a woman of renowned beauty, Ginevra de' Benci was also the subject of ten poems written by members of the Medici circle, Cristoforo Landino and Alessandro Braccesi, and of two sonnets by Lorenzo de' Medici himself.According to Giorgio Vasari, Ginevra de' Benci was also included in the fresco by Domenico Ghirlandaio of the Visitation of Mary and Elizabeth in the church of Santa Maria Novella in Florence, but it is now believed that Vasari made a mistake and that Ghirlandaio painted Giovanna Tornabuoni.Ginevra's brother Giovanni (1456–1523) was a friend of Leonardo. When Vasari wrote his Lives, Leonardo's unfinished Adoration of the Magi was in the house of Amerigo Benci, Giovanni's son.In 2017, the researcher and cryptographer Carla Glori anagrammatized fifty Latin sentences signed VINCI, formed with the very same alphabetical letters of the motto VIRTVTEM FORMA DECORAT when supplemented with the Latin word iuniperus (juniper [sprig]). Glori argues that the anagrams form a coherent text and have a meaning that unequivocally refers to the portrait and to the biography of Ginevra Benci.


ジネヴラ・デ・ベンチ

Prompt: ジネヴラ・デ・ベンチはどのように雑学を説明していますか？英語で出力して下さい。

File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg

Franz Joseph II, Prince of Liechtenstein

File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg

Category:Paintings in the National Gallery of Art

Lives of the Most Excellent Painters, Sculptors, and Architects

Leonardo da Vinci, ''Study of a Woman's Hands'', 1490

As a woman of renowned beauty, Ginevra de' Benci was also the subject of ten poems written by members of the Medici circle, Cristoforo Landino and Alessandro Braccesi, and of two sonnets by Lorenzo de' Medici himself.According to Giorgio Vasari, Ginevra de' Benci was also included in the fresco by Domenico Ghirlandaio of the Visitation of Mary and Elizabeth in the church of Santa Maria Novella in Florence, but it is now believed that Vasari made a mistake and that Ghirlandaio painted Giovanna Tornabuoni.Ginevra's brother Giovanni (1456–1523) was a friend of Leonardo. When Vasari wrote his Lives, Leonardo's unfinished Adoration of the Magi was in the house of Amerigo Benci, Giovanni's son.In 2017, the researcher and cryptographer Carla Glori anagrammatized fifty Latin sentences signed VINCI, formed with the very same alphabetical letters of the motto VIRTVTEM FORMA DECORAT when supplemented with the Latin word iuniperus (juniper [sprig]). Glori argues that the anagrams form a coherent text and have a meaning that unequivocally refers to the portrait and to the biography of Ginevra Benci.


ジネヴラ・デ・ベンチ

Prompt: ジネヴラ・デ・ベンチに関して、どのように雑学が議論されていますか？英語で出力して下さい。

File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg

Franz Joseph II, Prince of Liechtenstein

File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg

Category:Paintings in the National Gallery of Art

Lives of the Most Excellent Painters, Sculptors, and Architects

Leonardo da Vinci, ''Study of a Woman's Hands'', 1490

As a woman of renowned beauty, Ginevra de' Benci was also the subject of ten poems written by members of the Medici circle, Cristoforo Landino and Alessandro Braccesi, and of two sonnets by Lorenzo de' Medici himself.According to Giorgio Vasari, Ginevra de' Benci was also included in the fresco by Domenico Ghirlandaio of the Visitation of Mary and Elizabeth in the church of Santa Maria Novella in Florence, but it is now believed that Vasari made a mistake and that Ghirlandaio painted Giovanna Tornabuoni.Ginevra's brother Giovanni (1456–1523) was a friend of Leonardo. When Vasari wrote his Lives, Leonardo's unfinished Adoration of the Magi was in the house of Amerigo Benci, Giovanni's son.In 2017, the researcher and cryptographer Carla Glori anagrammatized fifty Latin sentences signed VINCI, formed with the very same alphabetical letters of the motto VIRTVTEM FORMA DECORAT when supplemented with the Latin word iuniperus (juniper [sprig]). Glori argues that the anagrams form a coherent text and have a meaning that unequivocally refers to the portrait and to the biography of Ginevra Benci.


ベノワ・マドンナ

Prompt: ベノワ・マドンナに焦点を当てて、そのabstractを説明してください。英語で出力して下さい。

Category:Paintings in the Hermitage Museum

A. I. Korsakov, 1808, by [[Orest Kiprensky

A. A. Sapozhnikov, 1852, by [[Vasily Tropinin

File:British Museum Leonardo study for Virgin and Child.jpg

Category:Paintings of the Madonna and Child by Leonardo da Vinci

The Benois Madonna, otherwise known as the Madonna and Child with Flowers, is a painting by the Italian Renaissance master Leonardo da Vinci in the Hermitage Museum, Saint Petersburg. One of two Madonnas begun by Leonardo in October 1478, it was completed c. 1478–1480; the other was the Madonna of the Carnation, now in the Alte Pinakothek, Munich.


ベノワ・マドンナ

Prompt: ベノワ・マドンナのabstractを説明してください。英語で出力して下さい。

Category:Paintings in the Hermitage Museum

A. I. Korsakov, 1808, by [[Orest Kiprensky

A. A. Sapozhnikov, 1852, by [[Vasily Tropinin

File:British Museum Leonardo study for Virgin and Child.jpg

Category:Paintings of the Madonna and Child by Leonardo da Vinci

The Benois Madonna, otherwise known as the Madonna and Child with Flowers, is a painting by the Italian Renaissance master Leonardo da Vinci in the Hermitage Museum, Saint Petersburg. One of two Madonnas begun by Leonardo in October 1478, it was completed c. 1478–1480; the other was the Madonna of the Carnation, now in the Alte Pinakothek, Munich.


ベノワ・マドンナ

Prompt: ベノワ・マドンナはどのようにabstractを説明していますか？英語で出力して下さい。

Category:Paintings in the Hermitage Museum

A. I. Korsakov, 1808, by [[Orest Kiprensky

A. A. Sapozhnikov, 1852, by [[Vasily Tropinin

File:British Museum Leonardo study for Virgin and Child.jpg

Category:Paintings of the Madonna and Child by Leonardo da Vinci

The Benois Madonna, otherwise known as the Madonna and Child with Flowers, is a painting by the Italian Renaissance master Leonardo da Vinci in the Hermitage Museum, Saint Petersburg. One of two Madonnas begun by Leonardo in October 1478, it was completed c. 1478–1480; the other was the Madonna of the Carnation, now in the Alte Pinakothek, Munich.


ベノワ・マドンナ

Prompt: ベノワ・マドンナに関して、どのようにabstractが議論されていますか？英語で出力して下さい。

Category:Paintings in the Hermitage Museum

A. I. Korsakov, 1808, by [[Orest Kiprensky

A. A. Sapozhnikov, 1852, by [[Vasily Tropinin

File:British Museum Leonardo study for Virgin and Child.jpg

Category:Paintings of the Madonna and Child by Leonardo da Vinci

The Benois Madonna, otherwise known as the Madonna and Child with Flowers, is a painting by the Italian Renaissance master Leonardo da Vinci in the Hermitage Museum, Saint Petersburg. One of two Madonnas begun by Leonardo in October 1478, it was completed c. 1478–1480; the other was the Madonna of the Carnation, now in the Alte Pinakothek, Munich.


ベノワ・マドンナ

Prompt: ベノワ・マドンナに焦点を当てて、その歴史を説明してください。英語で出力して下さい。

Category:Paintings in the Hermitage Museum

A. I. Korsakov, 1808, by [[Orest Kiprensky

A. A. Sapozhnikov, 1852, by [[Vasily Tropinin

File:British Museum Leonardo study for Virgin and Child.jpg

Category:Paintings of the Madonna and Child by Leonardo da Vinci

It is likely that the Benois Madonna was the first work painted by Leonardo independently from his master Andrea del Verrocchio. Two of Leonardo's preliminary sketches for this work are in the British Museum, although the painting was probably overpainted by other hands. The preliminary sketches and the painting itself suggest that Leonardo was concentrating on the idea of sight and perspective. The child is thought to be guiding his mother's hands into his central vision.The Benois Madonna has proved to be one of Leonardo's most popular works. It was extensively copied by young painters, including Raphael in his Madonna of the Pinks in the National Gallery, London.For centuries, the painting was presumed to have been lost, then found, then lost, then found, then lost. It had in fact been acquired in Italy by the Russian artillery general and art connoisseur Aleksei Ivanovich Korsakov (1751–1821) in the 1790s. Upon Korsakov's death, his son sold it for the sum of 1,400 roubles to the Astrakhan fishing merchant Alexander Petrovich Sapozhnikov, who had his own art gallery; it was then passed on to his wealthy philanthropist son Alexander Alexendrovich Sapozhnikov (1827–1887). Finally, when his daughter Maria Sapozhnikova (1858–1938) married the architect Leon Benois (1856–1928), the painting became part of the inheritance of the Benois family. In 1909, the painting was sensationally exhibited in Saint Petersburg as part of the Benois collection. In 1912, the Benois family considered selling the painting and requested an appraisal from the London art dealer Joseph Duveen, who gave an evaluation of 500,000 francs. The art historian Bernard Berenson made disparaging comments about the painting, raising doubts about its authenticity:One unhappy day I was called to see the 'Benois Madonna'. I found myself confronted by a young woman with a bald forehead and puffed cheeks, a toothless smile, blear eyes, and a furrowed throat. The uncanny, anile apparition plays with a child who looks like a hollow mask fixed on inflated body and limbs. The hands are wretched, the folds purposeless and fussy, the color like whey. And yet I had to acknowledge that this painful affair was the work of Leonardo da Vinci. It was hard, but the effort freed me, and the indignation I felt gave me the resolution to proclaim my freedom.Despite these wrangles about attribution, however, the Benois Madonna was eventually sold to the Imperial Hermitage Museum in 1914 for a record amount. The purchase was made by Ernst Friedrich von Liphart, then curator of paintings at the Hermitage, who identified da Vinci as the artist. The payments were made in installments, continuing even after the 1917 October Revolution.Since 1914 the painting has been exhibited in the Hermitage Museum, Saint Petersburg.


ベノワ・マドンナ

Prompt: ベノワ・マドンナの歴史を説明してください。英語で出力して下さい。

Category:Paintings in the Hermitage Museum

A. I. Korsakov, 1808, by [[Orest Kiprensky

A. A. Sapozhnikov, 1852, by [[Vasily Tropinin

File:British Museum Leonardo study for Virgin and Child.jpg

Category:Paintings of the Madonna and Child by Leonardo da Vinci

It is likely that the Benois Madonna was the first work painted by Leonardo independently from his master Andrea del Verrocchio. Two of Leonardo's preliminary sketches for this work are in the British Museum, although the painting was probably overpainted by other hands. The preliminary sketches and the painting itself suggest that Leonardo was concentrating on the idea of sight and perspective. The child is thought to be guiding his mother's hands into his central vision.The Benois Madonna has proved to be one of Leonardo's most popular works. It was extensively copied by young painters, including Raphael in his Madonna of the Pinks in the National Gallery, London.For centuries, the painting was presumed to have been lost, then found, then lost, then found, then lost. It had in fact been acquired in Italy by the Russian artillery general and art connoisseur Aleksei Ivanovich Korsakov (1751–1821) in the 1790s. Upon Korsakov's death, his son sold it for the sum of 1,400 roubles to the Astrakhan fishing merchant Alexander Petrovich Sapozhnikov, who had his own art gallery; it was then passed on to his wealthy philanthropist son Alexander Alexendrovich Sapozhnikov (1827–1887). Finally, when his daughter Maria Sapozhnikova (1858–1938) married the architect Leon Benois (1856–1928), the painting became part of the inheritance of the Benois family. In 1909, the painting was sensationally exhibited in Saint Petersburg as part of the Benois collection. In 1912, the Benois family considered selling the painting and requested an appraisal from the London art dealer Joseph Duveen, who gave an evaluation of 500,000 francs. The art historian Bernard Berenson made disparaging comments about the painting, raising doubts about its authenticity:One unhappy day I was called to see the 'Benois Madonna'. I found myself confronted by a young woman with a bald forehead and puffed cheeks, a toothless smile, blear eyes, and a furrowed throat. The uncanny, anile apparition plays with a child who looks like a hollow mask fixed on inflated body and limbs. The hands are wretched, the folds purposeless and fussy, the color like whey. And yet I had to acknowledge that this painful affair was the work of Leonardo da Vinci. It was hard, but the effort freed me, and the indignation I felt gave me the resolution to proclaim my freedom.Despite these wrangles about attribution, however, the Benois Madonna was eventually sold to the Imperial Hermitage Museum in 1914 for a record amount. The purchase was made by Ernst Friedrich von Liphart, then curator of paintings at the Hermitage, who identified da Vinci as the artist. The payments were made in installments, continuing even after the 1917 October Revolution.Since 1914 the painting has been exhibited in the Hermitage Museum, Saint Petersburg.


ベノワ・マドンナ

Prompt: ベノワ・マドンナはどのように歴史を説明していますか？英語で出力して下さい。

Category:Paintings in the Hermitage Museum

A. I. Korsakov, 1808, by [[Orest Kiprensky

A. A. Sapozhnikov, 1852, by [[Vasily Tropinin

File:British Museum Leonardo study for Virgin and Child.jpg

Category:Paintings of the Madonna and Child by Leonardo da Vinci

It is likely that the Benois Madonna was the first work painted by Leonardo independently from his master Andrea del Verrocchio. Two of Leonardo's preliminary sketches for this work are in the British Museum, although the painting was probably overpainted by other hands. The preliminary sketches and the painting itself suggest that Leonardo was concentrating on the idea of sight and perspective. The child is thought to be guiding his mother's hands into his central vision.The Benois Madonna has proved to be one of Leonardo's most popular works. It was extensively copied by young painters, including Raphael in his Madonna of the Pinks in the National Gallery, London.For centuries, the painting was presumed to have been lost, then found, then lost, then found, then lost. It had in fact been acquired in Italy by the Russian artillery general and art connoisseur Aleksei Ivanovich Korsakov (1751–1821) in the 1790s. Upon Korsakov's death, his son sold it for the sum of 1,400 roubles to the Astrakhan fishing merchant Alexander Petrovich Sapozhnikov, who had his own art gallery; it was then passed on to his wealthy philanthropist son Alexander Alexendrovich Sapozhnikov (1827–1887). Finally, when his daughter Maria Sapozhnikova (1858–1938) married the architect Leon Benois (1856–1928), the painting became part of the inheritance of the Benois family. In 1909, the painting was sensationally exhibited in Saint Petersburg as part of the Benois collection. In 1912, the Benois family considered selling the painting and requested an appraisal from the London art dealer Joseph Duveen, who gave an evaluation of 500,000 francs. The art historian Bernard Berenson made disparaging comments about the painting, raising doubts about its authenticity:One unhappy day I was called to see the 'Benois Madonna'. I found myself confronted by a young woman with a bald forehead and puffed cheeks, a toothless smile, blear eyes, and a furrowed throat. The uncanny, anile apparition plays with a child who looks like a hollow mask fixed on inflated body and limbs. The hands are wretched, the folds purposeless and fussy, the color like whey. And yet I had to acknowledge that this painful affair was the work of Leonardo da Vinci. It was hard, but the effort freed me, and the indignation I felt gave me the resolution to proclaim my freedom.Despite these wrangles about attribution, however, the Benois Madonna was eventually sold to the Imperial Hermitage Museum in 1914 for a record amount. The purchase was made by Ernst Friedrich von Liphart, then curator of paintings at the Hermitage, who identified da Vinci as the artist. The payments were made in installments, continuing even after the 1917 October Revolution.Since 1914 the painting has been exhibited in the Hermitage Museum, Saint Petersburg.


ベノワ・マドンナ

Prompt: ベノワ・マドンナに関して、どのように歴史が議論されていますか？英語で出力して下さい。

Category:Paintings in the Hermitage Museum

A. I. Korsakov, 1808, by [[Orest Kiprensky

A. A. Sapozhnikov, 1852, by [[Vasily Tropinin

File:British Museum Leonardo study for Virgin and Child.jpg

Category:Paintings of the Madonna and Child by Leonardo da Vinci

It is likely that the Benois Madonna was the first work painted by Leonardo independently from his master Andrea del Verrocchio. Two of Leonardo's preliminary sketches for this work are in the British Museum, although the painting was probably overpainted by other hands. The preliminary sketches and the painting itself suggest that Leonardo was concentrating on the idea of sight and perspective. The child is thought to be guiding his mother's hands into his central vision.The Benois Madonna has proved to be one of Leonardo's most popular works. It was extensively copied by young painters, including Raphael in his Madonna of the Pinks in the National Gallery, London.For centuries, the painting was presumed to have been lost, then found, then lost, then found, then lost. It had in fact been acquired in Italy by the Russian artillery general and art connoisseur Aleksei Ivanovich Korsakov (1751–1821) in the 1790s. Upon Korsakov's death, his son sold it for the sum of 1,400 roubles to the Astrakhan fishing merchant Alexander Petrovich Sapozhnikov, who had his own art gallery; it was then passed on to his wealthy philanthropist son Alexander Alexendrovich Sapozhnikov (1827–1887). Finally, when his daughter Maria Sapozhnikova (1858–1938) married the architect Leon Benois (1856–1928), the painting became part of the inheritance of the Benois family. In 1909, the painting was sensationally exhibited in Saint Petersburg as part of the Benois collection. In 1912, the Benois family considered selling the painting and requested an appraisal from the London art dealer Joseph Duveen, who gave an evaluation of 500,000 francs. The art historian Bernard Berenson made disparaging comments about the painting, raising doubts about its authenticity:One unhappy day I was called to see the 'Benois Madonna'. I found myself confronted by a young woman with a bald forehead and puffed cheeks, a toothless smile, blear eyes, and a furrowed throat. The uncanny, anile apparition plays with a child who looks like a hollow mask fixed on inflated body and limbs. The hands are wretched, the folds purposeless and fussy, the color like whey. And yet I had to acknowledge that this painful affair was the work of Leonardo da Vinci. It was hard, but the effort freed me, and the indignation I felt gave me the resolution to proclaim my freedom.Despite these wrangles about attribution, however, the Benois Madonna was eventually sold to the Imperial Hermitage Museum in 1914 for a record amount. The purchase was made by Ernst Friedrich von Liphart, then curator of paintings at the Hermitage, who identified da Vinci as the artist. The payments were made in installments, continuing even after the 1917 October Revolution.Since 1914 the painting has been exhibited in the Hermitage Museum, Saint Petersburg.


ベノワ・マドンナ

Prompt: ベノワ・マドンナに焦点を当てて、その説明と解釈を説明してください。英語で出力して下さい。

Category:Paintings in the Hermitage Museum

A. I. Korsakov, 1808, by [[Orest Kiprensky

A. A. Sapozhnikov, 1852, by [[Vasily Tropinin

File:British Museum Leonardo study for Virgin and Child.jpg

Category:Paintings of the Madonna and Child by Leonardo da Vinci

This small painting shows a dark room with the Virgin seated on a bench with her Child outstretched on her lap. Her young rounded face is lively; she is clothed in an olive and brown raiment, with brown and blue underwear covering her knees. The amply proportioned Christ Child grasps a cruciform sprig of flowers which the Virgin is holding. The faces of the vividly coloured figures are crowned with delicately gilded haloes. In an otherwise dark interior, a double-arched aperture gives a glimpse on to pale blue skies.In Renaissance Florence, artistic portrayals of the Madonna often used Christian symbolism to suggest foreknowledge of the Crucifixion — for example, the goldfinch plucking Christ’s thorns from his crown. For the Benois Madonna, the symbol is a flowering sprig, in the form of a crucifix, held by the Virgin. As Feinberg (2011) suggests, in the Benois Madonna Leonardo attempted to rationalize between the mysteries of 'sight' and 'insight': "The child of the Benois Madonna has still not responded to the distinctly cruciform shape of the flower [...] because he cannot see it clearly. Once that happens, the child's hazy curiosity could [...] lead to foresight of his sacrifice". Notwithstanding its solemn motif, the painting represents one of the "most joyous and youthful depiction of Mary in Renaissance art ... she seems to be speaking or laughing, playfully engaged with her child, her radiant vitality accentuated through Leonardo’s deliberate complications of posture and drapery".


ベノワ・マドンナ

Prompt: ベノワ・マドンナの説明と解釈を説明してください。英語で出力して下さい。

Category:Paintings in the Hermitage Museum

A. I. Korsakov, 1808, by [[Orest Kiprensky

A. A. Sapozhnikov, 1852, by [[Vasily Tropinin

File:British Museum Leonardo study for Virgin and Child.jpg

Category:Paintings of the Madonna and Child by Leonardo da Vinci

This small painting shows a dark room with the Virgin seated on a bench with her Child outstretched on her lap. Her young rounded face is lively; she is clothed in an olive and brown raiment, with brown and blue underwear covering her knees. The amply proportioned Christ Child grasps a cruciform sprig of flowers which the Virgin is holding. The faces of the vividly coloured figures are crowned with delicately gilded haloes. In an otherwise dark interior, a double-arched aperture gives a glimpse on to pale blue skies.In Renaissance Florence, artistic portrayals of the Madonna often used Christian symbolism to suggest foreknowledge of the Crucifixion — for example, the goldfinch plucking Christ’s thorns from his crown. For the Benois Madonna, the symbol is a flowering sprig, in the form of a crucifix, held by the Virgin. As Feinberg (2011) suggests, in the Benois Madonna Leonardo attempted to rationalize between the mysteries of 'sight' and 'insight': "The child of the Benois Madonna has still not responded to the distinctly cruciform shape of the flower [...] because he cannot see it clearly. Once that happens, the child's hazy curiosity could [...] lead to foresight of his sacrifice". Notwithstanding its solemn motif, the painting represents one of the "most joyous and youthful depiction of Mary in Renaissance art ... she seems to be speaking or laughing, playfully engaged with her child, her radiant vitality accentuated through Leonardo’s deliberate complications of posture and drapery".


ベノワ・マドンナ

Prompt: ベノワ・マドンナはどのように説明と解釈を説明していますか？英語で出力して下さい。

Category:Paintings in the Hermitage Museum

A. I. Korsakov, 1808, by [[Orest Kiprensky

A. A. Sapozhnikov, 1852, by [[Vasily Tropinin

File:British Museum Leonardo study for Virgin and Child.jpg

Category:Paintings of the Madonna and Child by Leonardo da Vinci

This small painting shows a dark room with the Virgin seated on a bench with her Child outstretched on her lap. Her young rounded face is lively; she is clothed in an olive and brown raiment, with brown and blue underwear covering her knees. The amply proportioned Christ Child grasps a cruciform sprig of flowers which the Virgin is holding. The faces of the vividly coloured figures are crowned with delicately gilded haloes. In an otherwise dark interior, a double-arched aperture gives a glimpse on to pale blue skies.In Renaissance Florence, artistic portrayals of the Madonna often used Christian symbolism to suggest foreknowledge of the Crucifixion — for example, the goldfinch plucking Christ’s thorns from his crown. For the Benois Madonna, the symbol is a flowering sprig, in the form of a crucifix, held by the Virgin. As Feinberg (2011) suggests, in the Benois Madonna Leonardo attempted to rationalize between the mysteries of 'sight' and 'insight': "The child of the Benois Madonna has still not responded to the distinctly cruciform shape of the flower [...] because he cannot see it clearly. Once that happens, the child's hazy curiosity could [...] lead to foresight of his sacrifice". Notwithstanding its solemn motif, the painting represents one of the "most joyous and youthful depiction of Mary in Renaissance art ... she seems to be speaking or laughing, playfully engaged with her child, her radiant vitality accentuated through Leonardo’s deliberate complications of posture and drapery".


ベノワ・マドンナ

Prompt: ベノワ・マドンナに関して、どのように説明と解釈が議論されていますか？英語で出力して下さい。

Category:Paintings in the Hermitage Museum

A. I. Korsakov, 1808, by [[Orest Kiprensky

A. A. Sapozhnikov, 1852, by [[Vasily Tropinin

File:British Museum Leonardo study for Virgin and Child.jpg

Category:Paintings of the Madonna and Child by Leonardo da Vinci

This small painting shows a dark room with the Virgin seated on a bench with her Child outstretched on her lap. Her young rounded face is lively; she is clothed in an olive and brown raiment, with brown and blue underwear covering her knees. The amply proportioned Christ Child grasps a cruciform sprig of flowers which the Virgin is holding. The faces of the vividly coloured figures are crowned with delicately gilded haloes. In an otherwise dark interior, a double-arched aperture gives a glimpse on to pale blue skies.In Renaissance Florence, artistic portrayals of the Madonna often used Christian symbolism to suggest foreknowledge of the Crucifixion — for example, the goldfinch plucking Christ’s thorns from his crown. For the Benois Madonna, the symbol is a flowering sprig, in the form of a crucifix, held by the Virgin. As Feinberg (2011) suggests, in the Benois Madonna Leonardo attempted to rationalize between the mysteries of 'sight' and 'insight': "The child of the Benois Madonna has still not responded to the distinctly cruciform shape of the flower [...] because he cannot see it clearly. Once that happens, the child's hazy curiosity could [...] lead to foresight of his sacrifice". Notwithstanding its solemn motif, the painting represents one of the "most joyous and youthful depiction of Mary in Renaissance art ... she seems to be speaking or laughing, playfully engaged with her child, her radiant vitality accentuated through Leonardo’s deliberate complications of posture and drapery".


アレッツォのキメラ

Prompt: アレッツォのキメラに焦点を当てて、そのabstractを説明してください。英語で出力して下さい。

Category:Archaeological discoveries in Italy

Category:National Archaeological Museum, Florence

Cosimo I de' Medici, Grand Duke of Tuscany

The Chimera of Arezzo is regarded as the best example of ancient Etruscan art. The British art historian David Ekserdjian described the sculpture as "one of the most arresting of all animal sculptures and the supreme masterpiece of Etruscan bronze-casting".  Made entirely of bronze and measuring 78.5 cm high with a length of 129 cm, it was found alongside a small collection of other bronze statues in Arezzo, an ancient Etruscan and Roman city in Tuscany. The statue was originally part of a larger sculptural group representing a fight between a chimera and the Greek hero Bellerophon. This sculpture is likely to have been created as a votive offering to the Etruscan god Tinia and is held by the National Archaeological Museum, Florence.


アレッツォのキメラ

Prompt: アレッツォのキメラのabstractを説明してください。英語で出力して下さい。

Category:Archaeological discoveries in Italy

Category:National Archaeological Museum, Florence

Cosimo I de' Medici, Grand Duke of Tuscany

The Chimera of Arezzo is regarded as the best example of ancient Etruscan art. The British art historian David Ekserdjian described the sculpture as "one of the most arresting of all animal sculptures and the supreme masterpiece of Etruscan bronze-casting".  Made entirely of bronze and measuring 78.5 cm high with a length of 129 cm, it was found alongside a small collection of other bronze statues in Arezzo, an ancient Etruscan and Roman city in Tuscany. The statue was originally part of a larger sculptural group representing a fight between a chimera and the Greek hero Bellerophon. This sculpture is likely to have been created as a votive offering to the Etruscan god Tinia and is held by the National Archaeological Museum, Florence.


アレッツォのキメラ

Prompt: アレッツォのキメラはどのようにabstractを説明していますか？英語で出力して下さい。

Category:Archaeological discoveries in Italy

Category:National Archaeological Museum, Florence

Cosimo I de' Medici, Grand Duke of Tuscany

The Chimera of Arezzo is regarded as the best example of ancient Etruscan art. The British art historian David Ekserdjian described the sculpture as "one of the most arresting of all animal sculptures and the supreme masterpiece of Etruscan bronze-casting".  Made entirely of bronze and measuring 78.5 cm high with a length of 129 cm, it was found alongside a small collection of other bronze statues in Arezzo, an ancient Etruscan and Roman city in Tuscany. The statue was originally part of a larger sculptural group representing a fight between a chimera and the Greek hero Bellerophon. This sculpture is likely to have been created as a votive offering to the Etruscan god Tinia and is held by the National Archaeological Museum, Florence.


アレッツォのキメラ

Prompt: アレッツォのキメラに関して、どのようにabstractが議論されていますか？英語で出力して下さい。

Category:Archaeological discoveries in Italy

Category:National Archaeological Museum, Florence

Cosimo I de' Medici, Grand Duke of Tuscany

The Chimera of Arezzo is regarded as the best example of ancient Etruscan art. The British art historian David Ekserdjian described the sculpture as "one of the most arresting of all animal sculptures and the supreme masterpiece of Etruscan bronze-casting".  Made entirely of bronze and measuring 78.5 cm high with a length of 129 cm, it was found alongside a small collection of other bronze statues in Arezzo, an ancient Etruscan and Roman city in Tuscany. The statue was originally part of a larger sculptural group representing a fight between a chimera and the Greek hero Bellerophon. This sculpture is likely to have been created as a votive offering to the Etruscan god Tinia and is held by the National Archaeological Museum, Florence.


アレッツォのキメラ

Prompt: アレッツォのキメラに焦点を当てて、その歴史を説明してください。英語で出力して下さい。

Category:Archaeological discoveries in Italy

Category:National Archaeological Museum, Florence

Cosimo I de' Medici, Grand Duke of Tuscany

According to Greek mythology, the Chimera or "She-Goat" was a monstrous, fire-breathing hybrid creature of Lycia in Anatolia created by the binding of multiple animal parts to create a singular unnatural creature. As the offspring of Typhon and Echidna, the Chimera ravaged the lands of Lycia at a disastrous pace.Distressed by the destruction of his lands, Iobates, the king of Lycia, ordered a young warrior named Bellerophon to slay her. This was also a favor to a neighboring king, Proetus, who wanted Bellerophon dead because his wife accused Bellerophon of rape and he assumed that the warrior would perish in the attempt to kill the beast.Bellerophon set out on his winged horse, Pegasus, and emerged victorious from his battle, eventually winning not only the hand of Iobates' daughter but also his kingdom. It is this story that led art historians to believe that the Chimera of Arezzo was originally part of a group sculpture that included Bellerophon and Pegasus. Votive offerings for the gods often depicted mythological stories. A round hole on the left rump of the Chimera might suggest a spot where Bellerophon may have struck the beast with a now-missing spear.The first known literary reference was in Homer's Iliad and the epic poetry of Hesiod of the 8th century BCE also mentions the Chimera.In response to questions of the statue's true meaning, Giorgio Vasari wrote in his Reasonings Over the Inventions He Painted in Florence in the Palace of Their Serene Highnesses:Yes, sir, because there are the medals of the Duke my lord who came from Rome with a goat's head stuck in the neck of this lion, who as he sees VE, also has the serpent's belly, and we found the queue that was broken between those bronze fragments with many metal figurines that you've seen all, and the wounds that she has touched on show it, and yet the pain that is known in the readiness of the head of this animal ...The tail was not restored until 1785 when the Pistoiese sculptor Francesco Carradori (or his teacher, Innocenzo Spinazzi) fashioned a replacement, incorrectly positioning the serpent to bite the goat's horn. It is much more likely that the snake had to strike out against Bellerophon instead since biting the head of the goat meant it was biting itself.Inscribed on its right foreleg is an inscription in the ancient Etruscan language. It has been variously deciphered, but most recently it is thought to read tinscvil "Offering belonging to Tinia". The original statue is estimated to have been created around 400 BCE.In 1718, the sculpture was transported to the Uffizi Gallery and later, along with the remaining collection Cosimo I had originally seized, taken to the Palazzo della Crocetta. Court intellectuals of the time considered the Chimera of Arezzo to be a symbol of the Medici domination of the Grand Duchy of Tuscany. Its permanent residence is in the National Archaeological Museum from which it was placed on brief loan to the Getty Villa for an exhibition in 2010.The sculpture was probably commissioned by an aristocratic clan or a prosperous community and erected in a religious sanctuary near the ancient Etruscan town of Arezzo, about 50 miles southeast of Florence. The Chimera was one of a hoard of bronzes that had been carefully buried for safety sometime in classical antiquity. A bronze replica now stands near the spot of its original discovery.


アレッツォのキメラ

Prompt: アレッツォのキメラの歴史を説明してください。英語で出力して下さい。

Category:Archaeological discoveries in Italy

Category:National Archaeological Museum, Florence

Cosimo I de' Medici, Grand Duke of Tuscany

According to Greek mythology, the Chimera or "She-Goat" was a monstrous, fire-breathing hybrid creature of Lycia in Anatolia created by the binding of multiple animal parts to create a singular unnatural creature. As the offspring of Typhon and Echidna, the Chimera ravaged the lands of Lycia at a disastrous pace.Distressed by the destruction of his lands, Iobates, the king of Lycia, ordered a young warrior named Bellerophon to slay her. This was also a favor to a neighboring king, Proetus, who wanted Bellerophon dead because his wife accused Bellerophon of rape and he assumed that the warrior would perish in the attempt to kill the beast.Bellerophon set out on his winged horse, Pegasus, and emerged victorious from his battle, eventually winning not only the hand of Iobates' daughter but also his kingdom. It is this story that led art historians to believe that the Chimera of Arezzo was originally part of a group sculpture that included Bellerophon and Pegasus. Votive offerings for the gods often depicted mythological stories. A round hole on the left rump of the Chimera might suggest a spot where Bellerophon may have struck the beast with a now-missing spear.The first known literary reference was in Homer's Iliad and the epic poetry of Hesiod of the 8th century BCE also mentions the Chimera.In response to questions of the statue's true meaning, Giorgio Vasari wrote in his Reasonings Over the Inventions He Painted in Florence in the Palace of Their Serene Highnesses:Yes, sir, because there are the medals of the Duke my lord who came from Rome with a goat's head stuck in the neck of this lion, who as he sees VE, also has the serpent's belly, and we found the queue that was broken between those bronze fragments with many metal figurines that you've seen all, and the wounds that she has touched on show it, and yet the pain that is known in the readiness of the head of this animal ...The tail was not restored until 1785 when the Pistoiese sculptor Francesco Carradori (or his teacher, Innocenzo Spinazzi) fashioned a replacement, incorrectly positioning the serpent to bite the goat's horn. It is much more likely that the snake had to strike out against Bellerophon instead since biting the head of the goat meant it was biting itself.Inscribed on its right foreleg is an inscription in the ancient Etruscan language. It has been variously deciphered, but most recently it is thought to read tinscvil "Offering belonging to Tinia". The original statue is estimated to have been created around 400 BCE.In 1718, the sculpture was transported to the Uffizi Gallery and later, along with the remaining collection Cosimo I had originally seized, taken to the Palazzo della Crocetta. Court intellectuals of the time considered the Chimera of Arezzo to be a symbol of the Medici domination of the Grand Duchy of Tuscany. Its permanent residence is in the National Archaeological Museum from which it was placed on brief loan to the Getty Villa for an exhibition in 2010.The sculpture was probably commissioned by an aristocratic clan or a prosperous community and erected in a religious sanctuary near the ancient Etruscan town of Arezzo, about 50 miles southeast of Florence. The Chimera was one of a hoard of bronzes that had been carefully buried for safety sometime in classical antiquity. A bronze replica now stands near the spot of its original discovery.