{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "モナリザに焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "The Mona Lisa ( MOH-nə LEE-sə; Italian: Gioconda [dʒoˈkonda] or Monna Lisa [ˈmɔnna ˈliːza]; French: Joconde [ʒɔkɔ̃d]) is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as \"the best known, the most visited, the most written about, the most sung about, [and] the most parodied work of art in the world.\" The painting's novel qualities include the subject's enigmatic expression, monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism.The painting has been traditionally considered to depict the Italian noblewoman Lisa del Giocondo. It is painted in oil on a white poplar panel. Leonardo never gave the painting to the Giocondo family. It was believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517. King Francis I of France acquired the Mona Lisa after Leonardo's death in 1519, and it is now the property of the French Republic. It has normally been on display at the Louvre in Paris since 1797.The painting's global fame and popularity partly stem from its 1911 theft by Vincenzo Peruggia, who attributed his actions to Italian patriotism—a belief it should belong to Italy. The theft and subsequent recovery in 1914 generated unprecedented publicity for an art theft, and led to the publication of many cultural depictions such as the 1915 opera Mona Lisa, two early 1930s films (The Theft of the Mona Lisa and Arsène Lupin), and the song \"Mona Lisa\" recorded by Nat King Cole—one of the most successful songs of the 1950s.The Mona Lisa is one of the most valuable paintings in the world. It holds the Guinness World Record for the highest known painting insurance valuation in history at US$100 million in 1962, equivalent to $1 billion as of 2023."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "モナリザのabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "The Mona Lisa ( MOH-nə LEE-sə; Italian: Gioconda [dʒoˈkonda] or Monna Lisa [ˈmɔnna ˈliːza]; French: Joconde [ʒɔkɔ̃d]) is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as \"the best known, the most visited, the most written about, the most sung about, [and] the most parodied work of art in the world.\" The painting's novel qualities include the subject's enigmatic expression, monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism.The painting has been traditionally considered to depict the Italian noblewoman Lisa del Giocondo. It is painted in oil on a white poplar panel. Leonardo never gave the painting to the Giocondo family. It was believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517. King Francis I of France acquired the Mona Lisa after Leonardo's death in 1519, and it is now the property of the French Republic. It has normally been on display at the Louvre in Paris since 1797.The painting's global fame and popularity partly stem from its 1911 theft by Vincenzo Peruggia, who attributed his actions to Italian patriotism—a belief it should belong to Italy. The theft and subsequent recovery in 1914 generated unprecedented publicity for an art theft, and led to the publication of many cultural depictions such as the 1915 opera Mona Lisa, two early 1930s films (The Theft of the Mona Lisa and Arsène Lupin), and the song \"Mona Lisa\" recorded by Nat King Cole—one of the most successful songs of the 1950s.The Mona Lisa is one of the most valuable paintings in the world. It holds the Guinness World Record for the highest known painting insurance valuation in history at US$100 million in 1962, equivalent to $1 billion as of 2023."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "モナリザはどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "The Mona Lisa ( MOH-nə LEE-sə; Italian: Gioconda [dʒoˈkonda] or Monna Lisa [ˈmɔnna ˈliːza]; French: Joconde [ʒɔkɔ̃d]) is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as \"the best known, the most visited, the most written about, the most sung about, [and] the most parodied work of art in the world.\" The painting's novel qualities include the subject's enigmatic expression, monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism.The painting has been traditionally considered to depict the Italian noblewoman Lisa del Giocondo. It is painted in oil on a white poplar panel. Leonardo never gave the painting to the Giocondo family. It was believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517. King Francis I of France acquired the Mona Lisa after Leonardo's death in 1519, and it is now the property of the French Republic. It has normally been on display at the Louvre in Paris since 1797.The painting's global fame and popularity partly stem from its 1911 theft by Vincenzo Peruggia, who attributed his actions to Italian patriotism—a belief it should belong to Italy. The theft and subsequent recovery in 1914 generated unprecedented publicity for an art theft, and led to the publication of many cultural depictions such as the 1915 opera Mona Lisa, two early 1930s films (The Theft of the Mona Lisa and Arsène Lupin), and the song \"Mona Lisa\" recorded by Nat King Cole—one of the most successful songs of the 1950s.The Mona Lisa is one of the most valuable paintings in the world. It holds the Guinness World Record for the highest known painting insurance valuation in history at US$100 million in 1962, equivalent to $1 billion as of 2023."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "モナリザに関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. 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Considered an archetypal masterpiece of the Italian Renaissance, it has been described as \"the best known, the most visited, the most written about, the most sung about, [and] the most parodied work of art in the world.\" The painting's novel qualities include the subject's enigmatic expression, monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism.The painting has been traditionally considered to depict the Italian noblewoman Lisa del Giocondo. It is painted in oil on a white poplar panel. Leonardo never gave the painting to the Giocondo family. It was believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517. King Francis I of France acquired the Mona Lisa after Leonardo's death in 1519, and it is now the property of the French Republic. It has normally been on display at the Louvre in Paris since 1797.The painting's global fame and popularity partly stem from its 1911 theft by Vincenzo Peruggia, who attributed his actions to Italian patriotism—a belief it should belong to Italy. The theft and subsequent recovery in 1914 generated unprecedented publicity for an art theft, and led to the publication of many cultural depictions such as the 1915 opera Mona Lisa, two early 1930s films (The Theft of the Mona Lisa and Arsène Lupin), and the song \"Mona Lisa\" recorded by Nat King Cole—one of the most successful songs of the 1950s.The Mona Lisa is one of the most valuable paintings in the world. It holds the Guinness World Record for the highest known painting insurance valuation in history at US$100 million in 1962, equivalent to $1 billion as of 2023."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "タイトルとテーマ", "subsection": null, "sub_subsection": null, "prompt": "モナリザに焦点を当てて、そのタイトルとテーマを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. 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Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "The title of the painting, which is known in English as Mona Lisa, is based on the presumption that it depicts Lisa del Giocondo, although her likeness is uncertain. Renaissance art historian Giorgio Vasari wrote that \"Leonardo undertook to paint, for Francesco del Giocondo, the portrait of Mona Lisa, his wife.\" Monna in Italian is a polite form of address originating as ma donna—similar to Ma'am, Madam, or my lady in English. This became madonna, and its contraction monna. The title of the painting, though traditionally spelled Mona in English, is spelled in Italian as Monna Lisa (mona being a vulgarity in Italian), but this is rare in English.Lisa del Giocondo was a member of the Gherardini family of Florence and Tuscany, and the wife of wealthy Florentine silk merchant Francesco del Giocondo. The painting is thought to have been commissioned for their new home, and to celebrate the birth of their second son, Andrea. The Italian name for the painting, La Gioconda, means 'jocund' ('happy' or 'jovial') or, literally, 'the jocund one', a pun on the feminine form of Lisa's married name, Giocondo. In French, the title La Joconde has the same meaning.Vasari's account of the Mona Lisa comes from his biography of Leonardo published in 1550, 31 years after the artist's death. It has long been the best-known source of information on the provenance of the work and identity of the sitter. Leonardo's assistant Salaì, at his death in 1524, owned a portrait which in his personal papers was named la Gioconda, a painting bequeathed to him by Leonardo.That Leonardo painted such a work, and its date, were confirmed in 2005 when a scholar at Heidelberg University discovered a marginal note in a 1477 printing of a volume by ancient Roman philosopher Cicero. Dated October 1503, the note was written by Leonardo's contemporary Agostino Vespucci. This note likens Leonardo to renowned Greek painter Apelles, who is mentioned in the text, and states that Leonardo was at that time working on a painting of Lisa del Giocondo.In response to the announcement of the discovery of this document, Vincent Delieuvin, the Louvre representative, stated \"Leonardo da Vinci was painting, in 1503, the portrait of a Florentine lady by the name of Lisa del Giocondo. About this we are now certain. Unfortunately, we cannot be absolutely certain that this portrait of Lisa del Giocondo is the painting of the Louvre.\"The catalogue raisonné Leonardo da Vinci (2019) confirms that the painting probably depicts Lisa del Giocondo, with Isabella d'Este being the only plausible alternative. Scholars have developed several alternative views, arguing that Lisa del Giocondo was the subject of a different portrait, and identifying at least four other paintings referred to by Vasari as the Mona Lisa. Several other people have been proposed as the subject of the painting, including Isabella of Aragon, Cecilia Gallerani, Costanza d'Avalos, Duchess of Francavilla, Pacifica Brandano/Brandino, Isabella Gualanda, Caterina Sforza, Bianca Giovanna Sforza, Salaì, and even Leonardo himself. Psychoanalyst Sigmund Freud theorized that Leonardo imparted an approving smile from his mother, Caterina, onto the Mona Lisa and other works."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "タイトルとテーマ", "subsection": null, "sub_subsection": null, "prompt": "モナリザのタイトルとテーマを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. 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Renaissance art historian Giorgio Vasari wrote that \"Leonardo undertook to paint, for Francesco del Giocondo, the portrait of Mona Lisa, his wife.\" Monna in Italian is a polite form of address originating as ma donna—similar to Ma'am, Madam, or my lady in English. This became madonna, and its contraction monna. The title of the painting, though traditionally spelled Mona in English, is spelled in Italian as Monna Lisa (mona being a vulgarity in Italian), but this is rare in English.Lisa del Giocondo was a member of the Gherardini family of Florence and Tuscany, and the wife of wealthy Florentine silk merchant Francesco del Giocondo. The painting is thought to have been commissioned for their new home, and to celebrate the birth of their second son, Andrea. The Italian name for the painting, La Gioconda, means 'jocund' ('happy' or 'jovial') or, literally, 'the jocund one', a pun on the feminine form of Lisa's married name, Giocondo. In French, the title La Joconde has the same meaning.Vasari's account of the Mona Lisa comes from his biography of Leonardo published in 1550, 31 years after the artist's death. It has long been the best-known source of information on the provenance of the work and identity of the sitter. Leonardo's assistant Salaì, at his death in 1524, owned a portrait which in his personal papers was named la Gioconda, a painting bequeathed to him by Leonardo.That Leonardo painted such a work, and its date, were confirmed in 2005 when a scholar at Heidelberg University discovered a marginal note in a 1477 printing of a volume by ancient Roman philosopher Cicero. Dated October 1503, the note was written by Leonardo's contemporary Agostino Vespucci. This note likens Leonardo to renowned Greek painter Apelles, who is mentioned in the text, and states that Leonardo was at that time working on a painting of Lisa del Giocondo.In response to the announcement of the discovery of this document, Vincent Delieuvin, the Louvre representative, stated \"Leonardo da Vinci was painting, in 1503, the portrait of a Florentine lady by the name of Lisa del Giocondo. About this we are now certain. Unfortunately, we cannot be absolutely certain that this portrait of Lisa del Giocondo is the painting of the Louvre.\"The catalogue raisonné Leonardo da Vinci (2019) confirms that the painting probably depicts Lisa del Giocondo, with Isabella d'Este being the only plausible alternative. Scholars have developed several alternative views, arguing that Lisa del Giocondo was the subject of a different portrait, and identifying at least four other paintings referred to by Vasari as the Mona Lisa. Several other people have been proposed as the subject of the painting, including Isabella of Aragon, Cecilia Gallerani, Costanza d'Avalos, Duchess of Francavilla, Pacifica Brandano/Brandino, Isabella Gualanda, Caterina Sforza, Bianca Giovanna Sforza, Salaì, and even Leonardo himself. Psychoanalyst Sigmund Freud theorized that Leonardo imparted an approving smile from his mother, Caterina, onto the Mona Lisa and other works."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "タイトルとテーマ", "subsection": null, "sub_subsection": null, "prompt": "モナリザはどのようにタイトルとテーマを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. 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Renaissance art historian Giorgio Vasari wrote that \"Leonardo undertook to paint, for Francesco del Giocondo, the portrait of Mona Lisa, his wife.\" Monna in Italian is a polite form of address originating as ma donna—similar to Ma'am, Madam, or my lady in English. This became madonna, and its contraction monna. The title of the painting, though traditionally spelled Mona in English, is spelled in Italian as Monna Lisa (mona being a vulgarity in Italian), but this is rare in English.Lisa del Giocondo was a member of the Gherardini family of Florence and Tuscany, and the wife of wealthy Florentine silk merchant Francesco del Giocondo. The painting is thought to have been commissioned for their new home, and to celebrate the birth of their second son, Andrea. The Italian name for the painting, La Gioconda, means 'jocund' ('happy' or 'jovial') or, literally, 'the jocund one', a pun on the feminine form of Lisa's married name, Giocondo. In French, the title La Joconde has the same meaning.Vasari's account of the Mona Lisa comes from his biography of Leonardo published in 1550, 31 years after the artist's death. It has long been the best-known source of information on the provenance of the work and identity of the sitter. Leonardo's assistant Salaì, at his death in 1524, owned a portrait which in his personal papers was named la Gioconda, a painting bequeathed to him by Leonardo.That Leonardo painted such a work, and its date, were confirmed in 2005 when a scholar at Heidelberg University discovered a marginal note in a 1477 printing of a volume by ancient Roman philosopher Cicero. Dated October 1503, the note was written by Leonardo's contemporary Agostino Vespucci. This note likens Leonardo to renowned Greek painter Apelles, who is mentioned in the text, and states that Leonardo was at that time working on a painting of Lisa del Giocondo.In response to the announcement of the discovery of this document, Vincent Delieuvin, the Louvre representative, stated \"Leonardo da Vinci was painting, in 1503, the portrait of a Florentine lady by the name of Lisa del Giocondo. About this we are now certain. Unfortunately, we cannot be absolutely certain that this portrait of Lisa del Giocondo is the painting of the Louvre.\"The catalogue raisonné Leonardo da Vinci (2019) confirms that the painting probably depicts Lisa del Giocondo, with Isabella d'Este being the only plausible alternative. Scholars have developed several alternative views, arguing that Lisa del Giocondo was the subject of a different portrait, and identifying at least four other paintings referred to by Vasari as the Mona Lisa. Several other people have been proposed as the subject of the painting, including Isabella of Aragon, Cecilia Gallerani, Costanza d'Avalos, Duchess of Francavilla, Pacifica Brandano/Brandino, Isabella Gualanda, Caterina Sforza, Bianca Giovanna Sforza, Salaì, and even Leonardo himself. Psychoanalyst Sigmund Freud theorized that Leonardo imparted an approving smile from his mother, Caterina, onto the Mona Lisa and other works."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "タイトルとテーマ", "subsection": null, "sub_subsection": null, "prompt": "モナリザに関して、どのようにタイトルとテーマが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. 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Renaissance art historian Giorgio Vasari wrote that \"Leonardo undertook to paint, for Francesco del Giocondo, the portrait of Mona Lisa, his wife.\" Monna in Italian is a polite form of address originating as ma donna—similar to Ma'am, Madam, or my lady in English. This became madonna, and its contraction monna. The title of the painting, though traditionally spelled Mona in English, is spelled in Italian as Monna Lisa (mona being a vulgarity in Italian), but this is rare in English.Lisa del Giocondo was a member of the Gherardini family of Florence and Tuscany, and the wife of wealthy Florentine silk merchant Francesco del Giocondo. The painting is thought to have been commissioned for their new home, and to celebrate the birth of their second son, Andrea. The Italian name for the painting, La Gioconda, means 'jocund' ('happy' or 'jovial') or, literally, 'the jocund one', a pun on the feminine form of Lisa's married name, Giocondo. In French, the title La Joconde has the same meaning.Vasari's account of the Mona Lisa comes from his biography of Leonardo published in 1550, 31 years after the artist's death. It has long been the best-known source of information on the provenance of the work and identity of the sitter. Leonardo's assistant Salaì, at his death in 1524, owned a portrait which in his personal papers was named la Gioconda, a painting bequeathed to him by Leonardo.That Leonardo painted such a work, and its date, were confirmed in 2005 when a scholar at Heidelberg University discovered a marginal note in a 1477 printing of a volume by ancient Roman philosopher Cicero. Dated October 1503, the note was written by Leonardo's contemporary Agostino Vespucci. This note likens Leonardo to renowned Greek painter Apelles, who is mentioned in the text, and states that Leonardo was at that time working on a painting of Lisa del Giocondo.In response to the announcement of the discovery of this document, Vincent Delieuvin, the Louvre representative, stated \"Leonardo da Vinci was painting, in 1503, the portrait of a Florentine lady by the name of Lisa del Giocondo. About this we are now certain. Unfortunately, we cannot be absolutely certain that this portrait of Lisa del Giocondo is the painting of the Louvre.\"The catalogue raisonné Leonardo da Vinci (2019) confirms that the painting probably depicts Lisa del Giocondo, with Isabella d'Este being the only plausible alternative. Scholars have developed several alternative views, arguing that Lisa del Giocondo was the subject of a different portrait, and identifying at least four other paintings referred to by Vasari as the Mona Lisa. Several other people have been proposed as the subject of the painting, including Isabella of Aragon, Cecilia Gallerani, Costanza d'Avalos, Duchess of Francavilla, Pacifica Brandano/Brandino, Isabella Gualanda, Caterina Sforza, Bianca Giovanna Sforza, Salaì, and even Leonardo himself. Psychoanalyst Sigmund Freud theorized that Leonardo imparted an approving smile from his mother, Caterina, onto the Mona Lisa and other works."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "モナリザに焦点を当てて、その説明を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "The Mona Lisa bears a strong resemblance to many Renaissance depictions of the Virgin Mary, who was at that time seen as an ideal for womanhood. The woman sits markedly upright in a \"pozzetto\" armchair with her arms folded, a sign of her reserved posture. Her gaze is fixed on the observer.  The woman appears alive to an unusual extent, which Leonardo achieved by his method of not drawing outlines. The soft blending (sfumato) creates an ambiguous mood \"mainly in two features: the corners of the mouth, and the corners of the eyes\".The depiction of the sitter in three-quarter profile is similar to late 15th-century works by Lorenzo di Credi and Agnolo di Domenico del Mazziere. Zöllner notes that the sitter's general position can be traced back to Flemish models and that \"in particular the vertical slices of columns at both sides of the panel had precedents in Flemish portraiture.\" Woods-Marsden cites Hans Memling's portrait of Benedetto Portinari (1487) or Italian imitations such as Sebastiano Mainardi's pendant portraits for the use of a loggia, which has the effect of mediating between the sitter and the distant landscape, a feature missing from Leonardo's earlier portrait of Ginevra de' Benci.The painting was one of the first Italian portraits to depict the sitter in front of an imaginary landscape, although some scholars favour a realistic description, and Leonardo was one of the first painters to use aerial perspective. The enigmatic woman is portrayed seated in what appears to be an open loggia with dark pillar bases on either side. Behind her, a vast landscape recedes to icy mountains, winding paths and a distant bridge, giving only the slightest indications of human presence. Leonardo has chosen to place the horizon line not at the neck, as he did with Ginevra de' Benci, but on a level with the eyes, thus linking the figure with the landscape and emphasizing the mysterious nature of the painting. The bridge in the background was identified by Silvano Vincenti as the four-arched Romito di Laterina bridge from Etruscan-Roman times near Laterina, Arezzo over the Arno river. Other bridges with similar arches suggested as possible locations had more arches. Some observers find similarities with the Azzone Visconti bridge.Mona Lisa has no clearly visible eyebrows or eyelashes, although Vasari describes the eyebrows in detail. In 2007, French engineer Pascal Cotte announced that his ultra-high resolution scans of the painting provide evidence that Mona Lisa was originally painted with eyelashes and eyebrows, but that these had gradually disappeared over time, perhaps as a result of overcleaning. Cotte discovered that the painting had been reworked several times, with changes made to the size of the face and the direction of gaze. He also found that in one layer the subject was depicted wearing numerous hairpins and a headdress adorned with pearls which was later scrubbed out and overpainted.There has been much speculation regarding the painting's model and landscape. For example, Leonardo probably painted his model faithfully since her beauty is not seen as being among the best, \"even when measured by late quattrocento (15th century) or even twenty-first century standards.\" Some historians in Eastern art, such as Yukio Yashiro, argue that the landscape in the background of the picture was influenced by Chinese paintings, but this thesis has been contested for lack of clear evidence.Research in 2003 by Professor Margaret Livingstone of Harvard University said that Mona Lisa's smile disappears when observed with direct vision, known as foveal. Because of the way the human eye processes visual information, it is less suited to pick up shadows directly; however, peripheral vision can pick up shadows well.Research in 2008 by a geomorphology professor at Urbino University and an artist-photographer revealed that Mona Lisa's landscape was similar to some views in the Montefeltro region in the Italian provinces of Pesaro and Urbino, and Rimini. Research in 2023/2024 by geologist and art historian Ann Pizzorusso suggests that the landscape contains \"several recognisable features of Lecco, on the shores of Lake Como in the Lombardy region of northern Italy.\""}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "モナリザの説明を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "The Mona Lisa bears a strong resemblance to many Renaissance depictions of the Virgin Mary, who was at that time seen as an ideal for womanhood. The woman sits markedly upright in a \"pozzetto\" armchair with her arms folded, a sign of her reserved posture. Her gaze is fixed on the observer.  The woman appears alive to an unusual extent, which Leonardo achieved by his method of not drawing outlines. The soft blending (sfumato) creates an ambiguous mood \"mainly in two features: the corners of the mouth, and the corners of the eyes\".The depiction of the sitter in three-quarter profile is similar to late 15th-century works by Lorenzo di Credi and Agnolo di Domenico del Mazziere. Zöllner notes that the sitter's general position can be traced back to Flemish models and that \"in particular the vertical slices of columns at both sides of the panel had precedents in Flemish portraiture.\" Woods-Marsden cites Hans Memling's portrait of Benedetto Portinari (1487) or Italian imitations such as Sebastiano Mainardi's pendant portraits for the use of a loggia, which has the effect of mediating between the sitter and the distant landscape, a feature missing from Leonardo's earlier portrait of Ginevra de' Benci.The painting was one of the first Italian portraits to depict the sitter in front of an imaginary landscape, although some scholars favour a realistic description, and Leonardo was one of the first painters to use aerial perspective. The enigmatic woman is portrayed seated in what appears to be an open loggia with dark pillar bases on either side. Behind her, a vast landscape recedes to icy mountains, winding paths and a distant bridge, giving only the slightest indications of human presence. Leonardo has chosen to place the horizon line not at the neck, as he did with Ginevra de' Benci, but on a level with the eyes, thus linking the figure with the landscape and emphasizing the mysterious nature of the painting. The bridge in the background was identified by Silvano Vincenti as the four-arched Romito di Laterina bridge from Etruscan-Roman times near Laterina, Arezzo over the Arno river. Other bridges with similar arches suggested as possible locations had more arches. Some observers find similarities with the Azzone Visconti bridge.Mona Lisa has no clearly visible eyebrows or eyelashes, although Vasari describes the eyebrows in detail. In 2007, French engineer Pascal Cotte announced that his ultra-high resolution scans of the painting provide evidence that Mona Lisa was originally painted with eyelashes and eyebrows, but that these had gradually disappeared over time, perhaps as a result of overcleaning. Cotte discovered that the painting had been reworked several times, with changes made to the size of the face and the direction of gaze. He also found that in one layer the subject was depicted wearing numerous hairpins and a headdress adorned with pearls which was later scrubbed out and overpainted.There has been much speculation regarding the painting's model and landscape. For example, Leonardo probably painted his model faithfully since her beauty is not seen as being among the best, \"even when measured by late quattrocento (15th century) or even twenty-first century standards.\" Some historians in Eastern art, such as Yukio Yashiro, argue that the landscape in the background of the picture was influenced by Chinese paintings, but this thesis has been contested for lack of clear evidence.Research in 2003 by Professor Margaret Livingstone of Harvard University said that Mona Lisa's smile disappears when observed with direct vision, known as foveal. Because of the way the human eye processes visual information, it is less suited to pick up shadows directly; however, peripheral vision can pick up shadows well.Research in 2008 by a geomorphology professor at Urbino University and an artist-photographer revealed that Mona Lisa's landscape was similar to some views in the Montefeltro region in the Italian provinces of Pesaro and Urbino, and Rimini. Research in 2023/2024 by geologist and art historian Ann Pizzorusso suggests that the landscape contains \"several recognisable features of Lecco, on the shores of Lake Como in the Lombardy region of northern Italy.\""}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "モナリザはどのように説明を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "The Mona Lisa bears a strong resemblance to many Renaissance depictions of the Virgin Mary, who was at that time seen as an ideal for womanhood. The woman sits markedly upright in a \"pozzetto\" armchair with her arms folded, a sign of her reserved posture. Her gaze is fixed on the observer.  The woman appears alive to an unusual extent, which Leonardo achieved by his method of not drawing outlines. The soft blending (sfumato) creates an ambiguous mood \"mainly in two features: the corners of the mouth, and the corners of the eyes\".The depiction of the sitter in three-quarter profile is similar to late 15th-century works by Lorenzo di Credi and Agnolo di Domenico del Mazziere. Zöllner notes that the sitter's general position can be traced back to Flemish models and that \"in particular the vertical slices of columns at both sides of the panel had precedents in Flemish portraiture.\" Woods-Marsden cites Hans Memling's portrait of Benedetto Portinari (1487) or Italian imitations such as Sebastiano Mainardi's pendant portraits for the use of a loggia, which has the effect of mediating between the sitter and the distant landscape, a feature missing from Leonardo's earlier portrait of Ginevra de' Benci.The painting was one of the first Italian portraits to depict the sitter in front of an imaginary landscape, although some scholars favour a realistic description, and Leonardo was one of the first painters to use aerial perspective. The enigmatic woman is portrayed seated in what appears to be an open loggia with dark pillar bases on either side. Behind her, a vast landscape recedes to icy mountains, winding paths and a distant bridge, giving only the slightest indications of human presence. Leonardo has chosen to place the horizon line not at the neck, as he did with Ginevra de' Benci, but on a level with the eyes, thus linking the figure with the landscape and emphasizing the mysterious nature of the painting. The bridge in the background was identified by Silvano Vincenti as the four-arched Romito di Laterina bridge from Etruscan-Roman times near Laterina, Arezzo over the Arno river. Other bridges with similar arches suggested as possible locations had more arches. Some observers find similarities with the Azzone Visconti bridge.Mona Lisa has no clearly visible eyebrows or eyelashes, although Vasari describes the eyebrows in detail. In 2007, French engineer Pascal Cotte announced that his ultra-high resolution scans of the painting provide evidence that Mona Lisa was originally painted with eyelashes and eyebrows, but that these had gradually disappeared over time, perhaps as a result of overcleaning. Cotte discovered that the painting had been reworked several times, with changes made to the size of the face and the direction of gaze. He also found that in one layer the subject was depicted wearing numerous hairpins and a headdress adorned with pearls which was later scrubbed out and overpainted.There has been much speculation regarding the painting's model and landscape. For example, Leonardo probably painted his model faithfully since her beauty is not seen as being among the best, \"even when measured by late quattrocento (15th century) or even twenty-first century standards.\" Some historians in Eastern art, such as Yukio Yashiro, argue that the landscape in the background of the picture was influenced by Chinese paintings, but this thesis has been contested for lack of clear evidence.Research in 2003 by Professor Margaret Livingstone of Harvard University said that Mona Lisa's smile disappears when observed with direct vision, known as foveal. Because of the way the human eye processes visual information, it is less suited to pick up shadows directly; however, peripheral vision can pick up shadows well.Research in 2008 by a geomorphology professor at Urbino University and an artist-photographer revealed that Mona Lisa's landscape was similar to some views in the Montefeltro region in the Italian provinces of Pesaro and Urbino, and Rimini. Research in 2023/2024 by geologist and art historian Ann Pizzorusso suggests that the landscape contains \"several recognisable features of Lecco, on the shores of Lake Como in the Lombardy region of northern Italy.\""}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "モナリザに関して、どのように説明が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "The Mona Lisa bears a strong resemblance to many Renaissance depictions of the Virgin Mary, who was at that time seen as an ideal for womanhood. The woman sits markedly upright in a \"pozzetto\" armchair with her arms folded, a sign of her reserved posture. Her gaze is fixed on the observer.  The woman appears alive to an unusual extent, which Leonardo achieved by his method of not drawing outlines. The soft blending (sfumato) creates an ambiguous mood \"mainly in two features: the corners of the mouth, and the corners of the eyes\".The depiction of the sitter in three-quarter profile is similar to late 15th-century works by Lorenzo di Credi and Agnolo di Domenico del Mazziere. Zöllner notes that the sitter's general position can be traced back to Flemish models and that \"in particular the vertical slices of columns at both sides of the panel had precedents in Flemish portraiture.\" Woods-Marsden cites Hans Memling's portrait of Benedetto Portinari (1487) or Italian imitations such as Sebastiano Mainardi's pendant portraits for the use of a loggia, which has the effect of mediating between the sitter and the distant landscape, a feature missing from Leonardo's earlier portrait of Ginevra de' Benci.The painting was one of the first Italian portraits to depict the sitter in front of an imaginary landscape, although some scholars favour a realistic description, and Leonardo was one of the first painters to use aerial perspective. The enigmatic woman is portrayed seated in what appears to be an open loggia with dark pillar bases on either side. Behind her, a vast landscape recedes to icy mountains, winding paths and a distant bridge, giving only the slightest indications of human presence. Leonardo has chosen to place the horizon line not at the neck, as he did with Ginevra de' Benci, but on a level with the eyes, thus linking the figure with the landscape and emphasizing the mysterious nature of the painting. The bridge in the background was identified by Silvano Vincenti as the four-arched Romito di Laterina bridge from Etruscan-Roman times near Laterina, Arezzo over the Arno river. Other bridges with similar arches suggested as possible locations had more arches. Some observers find similarities with the Azzone Visconti bridge.Mona Lisa has no clearly visible eyebrows or eyelashes, although Vasari describes the eyebrows in detail. In 2007, French engineer Pascal Cotte announced that his ultra-high resolution scans of the painting provide evidence that Mona Lisa was originally painted with eyelashes and eyebrows, but that these had gradually disappeared over time, perhaps as a result of overcleaning. Cotte discovered that the painting had been reworked several times, with changes made to the size of the face and the direction of gaze. He also found that in one layer the subject was depicted wearing numerous hairpins and a headdress adorned with pearls which was later scrubbed out and overpainted.There has been much speculation regarding the painting's model and landscape. For example, Leonardo probably painted his model faithfully since her beauty is not seen as being among the best, \"even when measured by late quattrocento (15th century) or even twenty-first century standards.\" Some historians in Eastern art, such as Yukio Yashiro, argue that the landscape in the background of the picture was influenced by Chinese paintings, but this thesis has been contested for lack of clear evidence.Research in 2003 by Professor Margaret Livingstone of Harvard University said that Mona Lisa's smile disappears when observed with direct vision, known as foveal. Because of the way the human eye processes visual information, it is less suited to pick up shadows directly; however, peripheral vision can pick up shadows well.Research in 2008 by a geomorphology professor at Urbino University and an artist-photographer revealed that Mona Lisa's landscape was similar to some views in the Montefeltro region in the Italian provinces of Pesaro and Urbino, and Rimini. Research in 2023/2024 by geologist and art historian Ann Pizzorusso suggests that the landscape contains \"several recognisable features of Lecco, on the shores of Lake Como in the Lombardy region of northern Italy.\""}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "歴史", "subsection": "作成日と日付", "sub_subsection": null, "prompt": "モナリザの文脈で、作成日と日付と歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "Of Leonardo da Vinci's works, the Mona Lisa is the only portrait whose authenticity has never been seriously questioned, and one of four works—the others being Saint Jerome in the Wilderness, Adoration of the Magi and The Last Supper—whose attribution has avoided controversy. He had begun working on a portrait of Lisa del Giocondo, the model of the Mona Lisa, by October 1503. It is believed by some that the Mona Lisa was begun in 1503 or 1504 in Florence. Although the Louvre states that it was \"doubtless painted between 1503 and 1506\", art historian Martin Kemp says that there are some difficulties in confirming the dates with certainty. Alessandro Vezzosi believes that the painting is characteristic of Leonardo's style in the final years of his life, post-1513. Other academics argue that, given the historical documentation, Leonardo would have painted the work from 1513. According to Vasari, \"after he had lingered over it four years, [he] left it unfinished\". In 1516, Leonardo was invited by King Francis I to work at the Clos Lucé near the Château d'Amboise; it is believed that he took the Mona Lisa with him and continued to work on it after he moved to France. Art historian Carmen C. Bambach has concluded that Leonardo probably continued refining the work until 1516 or 1517. Leonardo's right hand was paralytic c. 1517, which may indicate why he left the Mona Lisa unfinished.Circa 1505, Raphael executed a pen-and-ink sketch, in which the columns flanking the subject are more apparent. Experts universally agree that it is based on Leonardo's portrait. Other later copies of the Mona Lisa, such as those in the National Museum of Art, Architecture and Design and The Walters Art Museum, also display large flanking columns. As a result, it was thought that the Mona Lisa had been trimmed. However, by 1993, Frank Zöllner observed that the painting surface had never been trimmed; this was confirmed through a series of tests in 2004. In view of this, Vincent Delieuvin, curator of 16th-century Italian painting at the Louvre, states that the sketch and these other copies must have been inspired by another version, while Zöllner states that the sketch may be after another Leonardo portrait of the same subject.The record of an October 1517 visit by Louis d'Aragon states that the Mona Lisa was executed for the deceased Giuliano de' Medici, Leonardo's steward at Belvedere, Vienna, between 1513 and 1516—but this was likely an error. According to Vasari, the painting was created for the model's husband, Francesco del Giocondo. A number of experts have argued that Leonardo made two versions (because of the uncertainty concerning its dating and commissioner, as well as its fate following Leonardo's death in 1519, and the difference of details in Raphael's sketch—which may be explained by the possibility that he made the sketch from memory). The hypothetical first portrait, displaying prominent columns, would have been commissioned by Giocondo c. 1503, and left unfinished in Leonardo's pupil and assistant Salaì's possession until his death in 1524. The second, commissioned by Giuliano de' Medici c. 1513, would have been sold by Salaì to Francis I in 1518 and is the one in the Louvre today. Others believe that there was only one true Mona Lisa but are divided as to the two aforementioned fates. At some point in the 16th century, a varnish was applied to the painting. It was kept at the Palace of Fontainebleau until Louis XIV moved it to the Palace of Versailles, where it remained until the French Revolution. In 1797, it went on permanent display at the Louvre."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "歴史", "subsection": "作成日と日付", "sub_subsection": null, "prompt": "モナリザの歴史に関する作成日と日付を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. 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He had begun working on a portrait of Lisa del Giocondo, the model of the Mona Lisa, by October 1503. It is believed by some that the Mona Lisa was begun in 1503 or 1504 in Florence. Although the Louvre states that it was \"doubtless painted between 1503 and 1506\", art historian Martin Kemp says that there are some difficulties in confirming the dates with certainty. Alessandro Vezzosi believes that the painting is characteristic of Leonardo's style in the final years of his life, post-1513. Other academics argue that, given the historical documentation, Leonardo would have painted the work from 1513. According to Vasari, \"after he had lingered over it four years, [he] left it unfinished\". In 1516, Leonardo was invited by King Francis I to work at the Clos Lucé near the Château d'Amboise; it is believed that he took the Mona Lisa with him and continued to work on it after he moved to France. Art historian Carmen C. Bambach has concluded that Leonardo probably continued refining the work until 1516 or 1517. Leonardo's right hand was paralytic c. 1517, which may indicate why he left the Mona Lisa unfinished.Circa 1505, Raphael executed a pen-and-ink sketch, in which the columns flanking the subject are more apparent. Experts universally agree that it is based on Leonardo's portrait. Other later copies of the Mona Lisa, such as those in the National Museum of Art, Architecture and Design and The Walters Art Museum, also display large flanking columns. As a result, it was thought that the Mona Lisa had been trimmed. However, by 1993, Frank Zöllner observed that the painting surface had never been trimmed; this was confirmed through a series of tests in 2004. In view of this, Vincent Delieuvin, curator of 16th-century Italian painting at the Louvre, states that the sketch and these other copies must have been inspired by another version, while Zöllner states that the sketch may be after another Leonardo portrait of the same subject.The record of an October 1517 visit by Louis d'Aragon states that the Mona Lisa was executed for the deceased Giuliano de' Medici, Leonardo's steward at Belvedere, Vienna, between 1513 and 1516—but this was likely an error. According to Vasari, the painting was created for the model's husband, Francesco del Giocondo. A number of experts have argued that Leonardo made two versions (because of the uncertainty concerning its dating and commissioner, as well as its fate following Leonardo's death in 1519, and the difference of details in Raphael's sketch—which may be explained by the possibility that he made the sketch from memory). The hypothetical first portrait, displaying prominent columns, would have been commissioned by Giocondo c. 1503, and left unfinished in Leonardo's pupil and assistant Salaì's possession until his death in 1524. The second, commissioned by Giuliano de' Medici c. 1513, would have been sold by Salaì to Francis I in 1518 and is the one in the Louvre today. Others believe that there was only one true Mona Lisa but are divided as to the two aforementioned fates. At some point in the 16th century, a varnish was applied to the painting. It was kept at the Palace of Fontainebleau until Louis XIV moved it to the Palace of Versailles, where it remained until the French Revolution. In 1797, it went on permanent display at the Louvre."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "歴史", "subsection": "作成日と日付", "sub_subsection": null, "prompt": "モナリザでは、どのように歴史の作成日と日付が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "Of Leonardo da Vinci's works, the Mona Lisa is the only portrait whose authenticity has never been seriously questioned, and one of four works—the others being Saint Jerome in the Wilderness, Adoration of the Magi and The Last Supper—whose attribution has avoided controversy. He had begun working on a portrait of Lisa del Giocondo, the model of the Mona Lisa, by October 1503. It is believed by some that the Mona Lisa was begun in 1503 or 1504 in Florence. Although the Louvre states that it was \"doubtless painted between 1503 and 1506\", art historian Martin Kemp says that there are some difficulties in confirming the dates with certainty. Alessandro Vezzosi believes that the painting is characteristic of Leonardo's style in the final years of his life, post-1513. Other academics argue that, given the historical documentation, Leonardo would have painted the work from 1513. According to Vasari, \"after he had lingered over it four years, [he] left it unfinished\". In 1516, Leonardo was invited by King Francis I to work at the Clos Lucé near the Château d'Amboise; it is believed that he took the Mona Lisa with him and continued to work on it after he moved to France. Art historian Carmen C. Bambach has concluded that Leonardo probably continued refining the work until 1516 or 1517. Leonardo's right hand was paralytic c. 1517, which may indicate why he left the Mona Lisa unfinished.Circa 1505, Raphael executed a pen-and-ink sketch, in which the columns flanking the subject are more apparent. Experts universally agree that it is based on Leonardo's portrait. Other later copies of the Mona Lisa, such as those in the National Museum of Art, Architecture and Design and The Walters Art Museum, also display large flanking columns. As a result, it was thought that the Mona Lisa had been trimmed. However, by 1993, Frank Zöllner observed that the painting surface had never been trimmed; this was confirmed through a series of tests in 2004. In view of this, Vincent Delieuvin, curator of 16th-century Italian painting at the Louvre, states that the sketch and these other copies must have been inspired by another version, while Zöllner states that the sketch may be after another Leonardo portrait of the same subject.The record of an October 1517 visit by Louis d'Aragon states that the Mona Lisa was executed for the deceased Giuliano de' Medici, Leonardo's steward at Belvedere, Vienna, between 1513 and 1516—but this was likely an error. According to Vasari, the painting was created for the model's husband, Francesco del Giocondo. A number of experts have argued that Leonardo made two versions (because of the uncertainty concerning its dating and commissioner, as well as its fate following Leonardo's death in 1519, and the difference of details in Raphael's sketch—which may be explained by the possibility that he made the sketch from memory). The hypothetical first portrait, displaying prominent columns, would have been commissioned by Giocondo c. 1503, and left unfinished in Leonardo's pupil and assistant Salaì's possession until his death in 1524. The second, commissioned by Giuliano de' Medici c. 1513, would have been sold by Salaì to Francis I in 1518 and is the one in the Louvre today. Others believe that there was only one true Mona Lisa but are divided as to the two aforementioned fates. At some point in the 16th century, a varnish was applied to the painting. It was kept at the Palace of Fontainebleau until Louis XIV moved it to the Palace of Versailles, where it remained until the French Revolution. In 1797, it went on permanent display at the Louvre."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "歴史", "subsection": "作成日と日付", "sub_subsection": null, "prompt": "モナリザの歴史における作成日と日付の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "Of Leonardo da Vinci's works, the Mona Lisa is the only portrait whose authenticity has never been seriously questioned, and one of four works—the others being Saint Jerome in the Wilderness, Adoration of the Magi and The Last Supper—whose attribution has avoided controversy. He had begun working on a portrait of Lisa del Giocondo, the model of the Mona Lisa, by October 1503. It is believed by some that the Mona Lisa was begun in 1503 or 1504 in Florence. Although the Louvre states that it was \"doubtless painted between 1503 and 1506\", art historian Martin Kemp says that there are some difficulties in confirming the dates with certainty. Alessandro Vezzosi believes that the painting is characteristic of Leonardo's style in the final years of his life, post-1513. Other academics argue that, given the historical documentation, Leonardo would have painted the work from 1513. According to Vasari, \"after he had lingered over it four years, [he] left it unfinished\". In 1516, Leonardo was invited by King Francis I to work at the Clos Lucé near the Château d'Amboise; it is believed that he took the Mona Lisa with him and continued to work on it after he moved to France. Art historian Carmen C. Bambach has concluded that Leonardo probably continued refining the work until 1516 or 1517. Leonardo's right hand was paralytic c. 1517, which may indicate why he left the Mona Lisa unfinished.Circa 1505, Raphael executed a pen-and-ink sketch, in which the columns flanking the subject are more apparent. Experts universally agree that it is based on Leonardo's portrait. Other later copies of the Mona Lisa, such as those in the National Museum of Art, Architecture and Design and The Walters Art Museum, also display large flanking columns. As a result, it was thought that the Mona Lisa had been trimmed. However, by 1993, Frank Zöllner observed that the painting surface had never been trimmed; this was confirmed through a series of tests in 2004. In view of this, Vincent Delieuvin, curator of 16th-century Italian painting at the Louvre, states that the sketch and these other copies must have been inspired by another version, while Zöllner states that the sketch may be after another Leonardo portrait of the same subject.The record of an October 1517 visit by Louis d'Aragon states that the Mona Lisa was executed for the deceased Giuliano de' Medici, Leonardo's steward at Belvedere, Vienna, between 1513 and 1516—but this was likely an error. According to Vasari, the painting was created for the model's husband, Francesco del Giocondo. A number of experts have argued that Leonardo made two versions (because of the uncertainty concerning its dating and commissioner, as well as its fate following Leonardo's death in 1519, and the difference of details in Raphael's sketch—which may be explained by the possibility that he made the sketch from memory). The hypothetical first portrait, displaying prominent columns, would have been commissioned by Giocondo c. 1503, and left unfinished in Leonardo's pupil and assistant Salaì's possession until his death in 1524. The second, commissioned by Giuliano de' Medici c. 1513, would have been sold by Salaì to Francis I in 1518 and is the one in the Louvre today. Others believe that there was only one true Mona Lisa but are divided as to the two aforementioned fates. At some point in the 16th century, a varnish was applied to the painting. It was kept at the Palace of Fontainebleau until Louis XIV moved it to the Palace of Versailles, where it remained until the French Revolution. In 1797, it went on permanent display at the Louvre."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "歴史", "subsection": "避難、盗難、そして破壊行為", "sub_subsection": null, "prompt": "モナリザの文脈で、避難、盗難、そして破壊行為と歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "After the French Revolution, the painting was moved to the Louvre, but spent a brief period in the bedroom of Napoleon (d. 1821) in the Tuileries Palace. The Mona Lisa was not widely known outside the art world, but in the 1860s, a portion of the French intelligentsia began to hail it as a masterwork of Renaissance painting. During the Franco-Prussian War (1870–1871), the painting was moved from the Louvre to the Brest Arsenal. In 1911, the painting was still not popular among the lay-public. On 21 August 1911, the painting was stolen from the Louvre. The painting was first reported missing the next day by painter Louis Béroud. After some confusion as to whether the painting was being photographed somewhere, the Louvre was closed for a week for investigation. French poet Guillaume Apollinaire came under suspicion and was arrested and imprisoned. Apollinaire implicated his friend Pablo Picasso, who was brought in for questioning. Both were later exonerated. The real culprit was Louvre employee Vincenzo Peruggia, who had helped construct the painting's glass case. He carried out the theft by entering the building during regular hours, hiding in a broom closet, and walking out with the painting hidden under his coat after the museum had closed. Peruggia was an Italian patriot who believed that Leonardo's painting should have been returned to an Italian museum. Peruggia may have been motivated by an associate whose copies of the original would significantly rise in value after the painting's theft. After having kept the Mona Lisa in his apartment for two years, Peruggia grew impatient and was caught when he attempted to sell it to Giovanni Poggi, director of the Uffizi Gallery in Florence. It was exhibited in the Uffizi Gallery for over two weeks and returned to the Louvre on 4 January 1914. Peruggia served six months in prison for the crime and was hailed for his patriotism in Italy. A year after the theft, Saturday Evening Post journalist Karl Decker wrote that he met an alleged accomplice named Eduardo de Valfierno, who claimed to have masterminded the theft. Forger Yves Chaudron was to have created six copies of the painting to sell in the US while concealing the location of the original. Decker published this account of the theft in 1932.During World War II, it was again removed from the Louvre and taken first to the Château d'Amboise, then to the Loc-Dieu Abbey and Château de Chambord, then finally to the Musée Ingres in Montauban.In recent decades, the painting has been temporarily moved to accommodate renovations to the Louvre on three occasions: between 1992 and 1995, from 2001 to 2005, and again in 2019. A new queuing system introduced in 2019 reduces the amount of time museum visitors have to wait in line to see the painting. After going through the queue, a group has about 30 seconds to see the painting.On 30 December 1956, Bolivian Ugo Ungaza Villegas threw a rock at the Mona Lisa while it was on display at the Louvre. He did so with such force that it shattered the glass case and dislodged a speck of pigment near the left elbow. The painting was protected by glass because a few years earlier a man who claimed to be in love with the painting had cut it with a razor blade and tried to steal it. Since then, bulletproof glass has been used to shield the painting from any further attacks. Subsequently, on 21 April 1974, while the painting was on display at the Tokyo National Museum, a woman sprayed it with red paint as a protest against that museum's failure to provide access for disabled people. On 2 August 2009, a Russian woman, distraught over being denied French citizenship, threw a ceramic teacup purchased at the Louvre; the vessel shattered against the glass enclosure. In both cases, the painting was undamaged.On 29 May 2022, a male activist, disguised as a woman in a wheelchair, threw cake at the protective glass covering the painting in an apparent attempt to raise awareness for climate change. The painting was not damaged. The man was arrested and placed in psychiatric care in the police headquarters. An investigation was opened after the Louvre filed a complaint. On 28 January 2024, two attackers from the environmentalist group Riposte Alimentaire (Food Retaliation) threw soup at the painting's protective glass, demanding the right to \"healthy and sustainable food\" and criticizing the contemporary state of agriculture."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "歴史", "subsection": "避難、盗難、そして破壊行為", "sub_subsection": null, "prompt": "モナリザの歴史に関する避難、盗難、そして破壊行為を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "After the French Revolution, the painting was moved to the Louvre, but spent a brief period in the bedroom of Napoleon (d. 1821) in the Tuileries Palace. The Mona Lisa was not widely known outside the art world, but in the 1860s, a portion of the French intelligentsia began to hail it as a masterwork of Renaissance painting. During the Franco-Prussian War (1870–1871), the painting was moved from the Louvre to the Brest Arsenal. In 1911, the painting was still not popular among the lay-public. On 21 August 1911, the painting was stolen from the Louvre. The painting was first reported missing the next day by painter Louis Béroud. After some confusion as to whether the painting was being photographed somewhere, the Louvre was closed for a week for investigation. French poet Guillaume Apollinaire came under suspicion and was arrested and imprisoned. Apollinaire implicated his friend Pablo Picasso, who was brought in for questioning. Both were later exonerated. The real culprit was Louvre employee Vincenzo Peruggia, who had helped construct the painting's glass case. He carried out the theft by entering the building during regular hours, hiding in a broom closet, and walking out with the painting hidden under his coat after the museum had closed. Peruggia was an Italian patriot who believed that Leonardo's painting should have been returned to an Italian museum. Peruggia may have been motivated by an associate whose copies of the original would significantly rise in value after the painting's theft. After having kept the Mona Lisa in his apartment for two years, Peruggia grew impatient and was caught when he attempted to sell it to Giovanni Poggi, director of the Uffizi Gallery in Florence. It was exhibited in the Uffizi Gallery for over two weeks and returned to the Louvre on 4 January 1914. Peruggia served six months in prison for the crime and was hailed for his patriotism in Italy. A year after the theft, Saturday Evening Post journalist Karl Decker wrote that he met an alleged accomplice named Eduardo de Valfierno, who claimed to have masterminded the theft. Forger Yves Chaudron was to have created six copies of the painting to sell in the US while concealing the location of the original. Decker published this account of the theft in 1932.During World War II, it was again removed from the Louvre and taken first to the Château d'Amboise, then to the Loc-Dieu Abbey and Château de Chambord, then finally to the Musée Ingres in Montauban.In recent decades, the painting has been temporarily moved to accommodate renovations to the Louvre on three occasions: between 1992 and 1995, from 2001 to 2005, and again in 2019. A new queuing system introduced in 2019 reduces the amount of time museum visitors have to wait in line to see the painting. After going through the queue, a group has about 30 seconds to see the painting.On 30 December 1956, Bolivian Ugo Ungaza Villegas threw a rock at the Mona Lisa while it was on display at the Louvre. He did so with such force that it shattered the glass case and dislodged a speck of pigment near the left elbow. The painting was protected by glass because a few years earlier a man who claimed to be in love with the painting had cut it with a razor blade and tried to steal it. Since then, bulletproof glass has been used to shield the painting from any further attacks. Subsequently, on 21 April 1974, while the painting was on display at the Tokyo National Museum, a woman sprayed it with red paint as a protest against that museum's failure to provide access for disabled people. On 2 August 2009, a Russian woman, distraught over being denied French citizenship, threw a ceramic teacup purchased at the Louvre; the vessel shattered against the glass enclosure. In both cases, the painting was undamaged.On 29 May 2022, a male activist, disguised as a woman in a wheelchair, threw cake at the protective glass covering the painting in an apparent attempt to raise awareness for climate change. The painting was not damaged. The man was arrested and placed in psychiatric care in the police headquarters. An investigation was opened after the Louvre filed a complaint. On 28 January 2024, two attackers from the environmentalist group Riposte Alimentaire (Food Retaliation) threw soup at the painting's protective glass, demanding the right to \"healthy and sustainable food\" and criticizing the contemporary state of agriculture."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "歴史", "subsection": "避難、盗難、そして破壊行為", "sub_subsection": null, "prompt": "モナリザでは、どのように歴史の避難、盗難、そして破壊行為が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "After the French Revolution, the painting was moved to the Louvre, but spent a brief period in the bedroom of Napoleon (d. 1821) in the Tuileries Palace. The Mona Lisa was not widely known outside the art world, but in the 1860s, a portion of the French intelligentsia began to hail it as a masterwork of Renaissance painting. During the Franco-Prussian War (1870–1871), the painting was moved from the Louvre to the Brest Arsenal. In 1911, the painting was still not popular among the lay-public. On 21 August 1911, the painting was stolen from the Louvre. The painting was first reported missing the next day by painter Louis Béroud. After some confusion as to whether the painting was being photographed somewhere, the Louvre was closed for a week for investigation. French poet Guillaume Apollinaire came under suspicion and was arrested and imprisoned. Apollinaire implicated his friend Pablo Picasso, who was brought in for questioning. Both were later exonerated. The real culprit was Louvre employee Vincenzo Peruggia, who had helped construct the painting's glass case. He carried out the theft by entering the building during regular hours, hiding in a broom closet, and walking out with the painting hidden under his coat after the museum had closed. Peruggia was an Italian patriot who believed that Leonardo's painting should have been returned to an Italian museum. Peruggia may have been motivated by an associate whose copies of the original would significantly rise in value after the painting's theft. After having kept the Mona Lisa in his apartment for two years, Peruggia grew impatient and was caught when he attempted to sell it to Giovanni Poggi, director of the Uffizi Gallery in Florence. It was exhibited in the Uffizi Gallery for over two weeks and returned to the Louvre on 4 January 1914. Peruggia served six months in prison for the crime and was hailed for his patriotism in Italy. A year after the theft, Saturday Evening Post journalist Karl Decker wrote that he met an alleged accomplice named Eduardo de Valfierno, who claimed to have masterminded the theft. Forger Yves Chaudron was to have created six copies of the painting to sell in the US while concealing the location of the original. Decker published this account of the theft in 1932.During World War II, it was again removed from the Louvre and taken first to the Château d'Amboise, then to the Loc-Dieu Abbey and Château de Chambord, then finally to the Musée Ingres in Montauban.In recent decades, the painting has been temporarily moved to accommodate renovations to the Louvre on three occasions: between 1992 and 1995, from 2001 to 2005, and again in 2019. A new queuing system introduced in 2019 reduces the amount of time museum visitors have to wait in line to see the painting. After going through the queue, a group has about 30 seconds to see the painting.On 30 December 1956, Bolivian Ugo Ungaza Villegas threw a rock at the Mona Lisa while it was on display at the Louvre. He did so with such force that it shattered the glass case and dislodged a speck of pigment near the left elbow. The painting was protected by glass because a few years earlier a man who claimed to be in love with the painting had cut it with a razor blade and tried to steal it. Since then, bulletproof glass has been used to shield the painting from any further attacks. Subsequently, on 21 April 1974, while the painting was on display at the Tokyo National Museum, a woman sprayed it with red paint as a protest against that museum's failure to provide access for disabled people. On 2 August 2009, a Russian woman, distraught over being denied French citizenship, threw a ceramic teacup purchased at the Louvre; the vessel shattered against the glass enclosure. In both cases, the painting was undamaged.On 29 May 2022, a male activist, disguised as a woman in a wheelchair, threw cake at the protective glass covering the painting in an apparent attempt to raise awareness for climate change. The painting was not damaged. The man was arrested and placed in psychiatric care in the police headquarters. An investigation was opened after the Louvre filed a complaint. On 28 January 2024, two attackers from the environmentalist group Riposte Alimentaire (Food Retaliation) threw soup at the painting's protective glass, demanding the right to \"healthy and sustainable food\" and criticizing the contemporary state of agriculture."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "歴史", "subsection": "避難、盗難、そして破壊行為", "sub_subsection": null, "prompt": "モナリザの歴史における避難、盗難、そして破壊行為の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "After the French Revolution, the painting was moved to the Louvre, but spent a brief period in the bedroom of Napoleon (d. 1821) in the Tuileries Palace. The Mona Lisa was not widely known outside the art world, but in the 1860s, a portion of the French intelligentsia began to hail it as a masterwork of Renaissance painting. During the Franco-Prussian War (1870–1871), the painting was moved from the Louvre to the Brest Arsenal. In 1911, the painting was still not popular among the lay-public. On 21 August 1911, the painting was stolen from the Louvre. The painting was first reported missing the next day by painter Louis Béroud. After some confusion as to whether the painting was being photographed somewhere, the Louvre was closed for a week for investigation. French poet Guillaume Apollinaire came under suspicion and was arrested and imprisoned. Apollinaire implicated his friend Pablo Picasso, who was brought in for questioning. Both were later exonerated. The real culprit was Louvre employee Vincenzo Peruggia, who had helped construct the painting's glass case. He carried out the theft by entering the building during regular hours, hiding in a broom closet, and walking out with the painting hidden under his coat after the museum had closed. Peruggia was an Italian patriot who believed that Leonardo's painting should have been returned to an Italian museum. Peruggia may have been motivated by an associate whose copies of the original would significantly rise in value after the painting's theft. After having kept the Mona Lisa in his apartment for two years, Peruggia grew impatient and was caught when he attempted to sell it to Giovanni Poggi, director of the Uffizi Gallery in Florence. It was exhibited in the Uffizi Gallery for over two weeks and returned to the Louvre on 4 January 1914. Peruggia served six months in prison for the crime and was hailed for his patriotism in Italy. A year after the theft, Saturday Evening Post journalist Karl Decker wrote that he met an alleged accomplice named Eduardo de Valfierno, who claimed to have masterminded the theft. Forger Yves Chaudron was to have created six copies of the painting to sell in the US while concealing the location of the original. Decker published this account of the theft in 1932.During World War II, it was again removed from the Louvre and taken first to the Château d'Amboise, then to the Loc-Dieu Abbey and Château de Chambord, then finally to the Musée Ingres in Montauban.In recent decades, the painting has been temporarily moved to accommodate renovations to the Louvre on three occasions: between 1992 and 1995, from 2001 to 2005, and again in 2019. A new queuing system introduced in 2019 reduces the amount of time museum visitors have to wait in line to see the painting. After going through the queue, a group has about 30 seconds to see the painting.On 30 December 1956, Bolivian Ugo Ungaza Villegas threw a rock at the Mona Lisa while it was on display at the Louvre. He did so with such force that it shattered the glass case and dislodged a speck of pigment near the left elbow. The painting was protected by glass because a few years earlier a man who claimed to be in love with the painting had cut it with a razor blade and tried to steal it. Since then, bulletproof glass has been used to shield the painting from any further attacks. Subsequently, on 21 April 1974, while the painting was on display at the Tokyo National Museum, a woman sprayed it with red paint as a protest against that museum's failure to provide access for disabled people. On 2 August 2009, a Russian woman, distraught over being denied French citizenship, threw a ceramic teacup purchased at the Louvre; the vessel shattered against the glass enclosure. In both cases, the painting was undamaged.On 29 May 2022, a male activist, disguised as a woman in a wheelchair, threw cake at the protective glass covering the painting in an apparent attempt to raise awareness for climate change. The painting was not damaged. The man was arrested and placed in psychiatric care in the police headquarters. An investigation was opened after the Louvre filed a complaint. On 28 January 2024, two attackers from the environmentalist group Riposte Alimentaire (Food Retaliation) threw soup at the painting's protective glass, demanding the right to \"healthy and sustainable food\" and criticizing the contemporary state of agriculture."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "歴史", "subsection": "現代の分析", "sub_subsection": null, "prompt": "モナリザの文脈で、現代の分析と歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "In the early 21st century, French scientist Pascal Cotte hypothesized a hidden portrait underneath the surface of the painting. He analysed the painting in the Louvre with  reflective light technology beginning in 2004, and produced circumstantial evidence for his theory. Cotte admits that his investigation was carried out only in support of his hypotheses and should not be considered as definitive proof. The underlying portrait appears to be of a model looking to the side, and lacks flanking columns, but does not fit with historical descriptions of the painting. Both Vasari and Gian Paolo Lomazzo describe the subject as smiling, unlike the subject in Cotte's supposed portrait. In 2020, Cotte published a study alleging that the painting has an underdrawing, transferred from a preparatory drawing via the spolvero technique."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "歴史", "subsection": "現代の分析", "sub_subsection": null, "prompt": "モナリザの歴史に関する現代の分析を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. 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Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "In the early 21st century, French scientist Pascal Cotte hypothesized a hidden portrait underneath the surface of the painting. He analysed the painting in the Louvre with  reflective light technology beginning in 2004, and produced circumstantial evidence for his theory. Cotte admits that his investigation was carried out only in support of his hypotheses and should not be considered as definitive proof. The underlying portrait appears to be of a model looking to the side, and lacks flanking columns, but does not fit with historical descriptions of the painting. Both Vasari and Gian Paolo Lomazzo describe the subject as smiling, unlike the subject in Cotte's supposed portrait. In 2020, Cotte published a study alleging that the painting has an underdrawing, transferred from a preparatory drawing via the spolvero technique."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "歴史", "subsection": "現代の分析", "sub_subsection": null, "prompt": "モナリザでは、どのように歴史の現代の分析が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. 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He analysed the painting in the Louvre with  reflective light technology beginning in 2004, and produced circumstantial evidence for his theory. Cotte admits that his investigation was carried out only in support of his hypotheses and should not be considered as definitive proof. The underlying portrait appears to be of a model looking to the side, and lacks flanking columns, but does not fit with historical descriptions of the painting. Both Vasari and Gian Paolo Lomazzo describe the subject as smiling, unlike the subject in Cotte's supposed portrait. In 2020, Cotte published a study alleging that the painting has an underdrawing, transferred from a preparatory drawing via the spolvero technique."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "歴史", "subsection": "現代の分析", "sub_subsection": null, "prompt": "モナリザの歴史における現代の分析の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. 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Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. 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He analysed the painting in the Louvre with  reflective light technology beginning in 2004, and produced circumstantial evidence for his theory. Cotte admits that his investigation was carried out only in support of his hypotheses and should not be considered as definitive proof. The underlying portrait appears to be of a model looking to the side, and lacks flanking columns, but does not fit with historical descriptions of the painting. Both Vasari and Gian Paolo Lomazzo describe the subject as smiling, unlike the subject in Cotte's supposed portrait. In 2020, Cotte published a study alleging that the painting has an underdrawing, transferred from a preparatory drawing via the spolvero technique."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": null, "sub_subsection": null, "prompt": "モナリザに焦点を当てて、その保存を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "The Mona Lisa has survived for more than 500 years, and an international commission convened in 1952 noted that \"the picture is in a remarkable state of preservation.\" It has never been fully restored, so the current condition is partly due to a variety of conservation treatments the painting has undergone. A detailed analysis in 1933 by Madame de Gironde revealed that earlier restorers had \"acted with a great deal of restraint.\" Nevertheless, applications of varnish made to the painting had darkened even by the end of the 16th century, and an aggressive 1809 cleaning and revarnishing removed some of the uppermost portion of the paint layer, resulting in a washed-out appearance to the face of the figure. Despite the treatments, the Mona Lisa has been well cared for throughout its history, and although the panel's warping caused the curators \"some worry\", the 2004–05 conservation team was optimistic about the future of the work."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": null, "sub_subsection": null, "prompt": "モナリザの保存を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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A detailed analysis in 1933 by Madame de Gironde revealed that earlier restorers had \"acted with a great deal of restraint.\" Nevertheless, applications of varnish made to the painting had darkened even by the end of the 16th century, and an aggressive 1809 cleaning and revarnishing removed some of the uppermost portion of the paint layer, resulting in a washed-out appearance to the face of the figure. Despite the treatments, the Mona Lisa has been well cared for throughout its history, and although the panel's warping caused the curators \"some worry\", the 2004–05 conservation team was optimistic about the future of the work."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": null, "sub_subsection": null, "prompt": "モナリザはどのように保存を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "The Mona Lisa has survived for more than 500 years, and an international commission convened in 1952 noted that \"the picture is in a remarkable state of preservation.\" It has never been fully restored, so the current condition is partly due to a variety of conservation treatments the painting has undergone. A detailed analysis in 1933 by Madame de Gironde revealed that earlier restorers had \"acted with a great deal of restraint.\" Nevertheless, applications of varnish made to the painting had darkened even by the end of the 16th century, and an aggressive 1809 cleaning and revarnishing removed some of the uppermost portion of the paint layer, resulting in a washed-out appearance to the face of the figure. Despite the treatments, the Mona Lisa has been well cared for throughout its history, and although the panel's warping caused the curators \"some worry\", the 2004–05 conservation team was optimistic about the future of the work."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": null, "sub_subsection": null, "prompt": "モナリザに関して、どのように保存が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. 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Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. 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A detailed analysis in 1933 by Madame de Gironde revealed that earlier restorers had \"acted with a great deal of restraint.\" Nevertheless, applications of varnish made to the painting had darkened even by the end of the 16th century, and an aggressive 1809 cleaning and revarnishing removed some of the uppermost portion of the paint layer, resulting in a washed-out appearance to the face of the figure. Despite the treatments, the Mona Lisa has been well cared for throughout its history, and although the panel's warping caused the curators \"some worry\", the 2004–05 conservation team was optimistic about the future of the work."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": "ポプラパネル", "sub_subsection": null, "prompt": "モナリザの文脈で、ポプラパネルと保存を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "At some point, the Mona Lisa was removed from its original frame. The unconstrained poplar panel warped freely with changes in humidity, and as a result, a crack developed near the top of the panel, extending down to the hairline of the figure. In the mid-18th century to early 19th century, two butterfly-shaped walnut braces were inserted into the back of the panel to a depth of about one third the thickness of the panel. This intervention was skilfully executed, and successfully stabilized the crack. Sometime between 1888 and 1905, or perhaps during the picture's theft, the upper brace fell out. A later restorer glued and lined the resulting socket and crack with cloth.The picture is kept under strict, climate-controlled conditions in its bulletproof glass case. The humidity is maintained at 50% ±10%, and the temperature is maintained between 18 °C (64 °F) and 21 °C (70 °F). To compensate for fluctuations in relative humidity, the case is supplemented with a bed of silica gel treated to provide 55% relative humidity."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": "ポプラパネル", "sub_subsection": null, "prompt": "モナリザの保存に関するポプラパネルを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "At some point, the Mona Lisa was removed from its original frame. The unconstrained poplar panel warped freely with changes in humidity, and as a result, a crack developed near the top of the panel, extending down to the hairline of the figure. In the mid-18th century to early 19th century, two butterfly-shaped walnut braces were inserted into the back of the panel to a depth of about one third the thickness of the panel. This intervention was skilfully executed, and successfully stabilized the crack. Sometime between 1888 and 1905, or perhaps during the picture's theft, the upper brace fell out. A later restorer glued and lined the resulting socket and crack with cloth.The picture is kept under strict, climate-controlled conditions in its bulletproof glass case. The humidity is maintained at 50% ±10%, and the temperature is maintained between 18 °C (64 °F) and 21 °C (70 °F). To compensate for fluctuations in relative humidity, the case is supplemented with a bed of silica gel treated to provide 55% relative humidity."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": "ポプラパネル", "sub_subsection": null, "prompt": "モナリザでは、どのように保存のポプラパネルが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "At some point, the Mona Lisa was removed from its original frame. The unconstrained poplar panel warped freely with changes in humidity, and as a result, a crack developed near the top of the panel, extending down to the hairline of the figure. In the mid-18th century to early 19th century, two butterfly-shaped walnut braces were inserted into the back of the panel to a depth of about one third the thickness of the panel. This intervention was skilfully executed, and successfully stabilized the crack. Sometime between 1888 and 1905, or perhaps during the picture's theft, the upper brace fell out. A later restorer glued and lined the resulting socket and crack with cloth.The picture is kept under strict, climate-controlled conditions in its bulletproof glass case. The humidity is maintained at 50% ±10%, and the temperature is maintained between 18 °C (64 °F) and 21 °C (70 °F). To compensate for fluctuations in relative humidity, the case is supplemented with a bed of silica gel treated to provide 55% relative humidity."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": "ポプラパネル", "sub_subsection": null, "prompt": "モナリザの保存におけるポプラパネルの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "At some point, the Mona Lisa was removed from its original frame. The unconstrained poplar panel warped freely with changes in humidity, and as a result, a crack developed near the top of the panel, extending down to the hairline of the figure. In the mid-18th century to early 19th century, two butterfly-shaped walnut braces were inserted into the back of the panel to a depth of about one third the thickness of the panel. This intervention was skilfully executed, and successfully stabilized the crack. Sometime between 1888 and 1905, or perhaps during the picture's theft, the upper brace fell out. A later restorer glued and lined the resulting socket and crack with cloth.The picture is kept under strict, climate-controlled conditions in its bulletproof glass case. The humidity is maintained at 50% ±10%, and the temperature is maintained between 18 °C (64 °F) and 21 °C (70 °F). To compensate for fluctuations in relative humidity, the case is supplemented with a bed of silica gel treated to provide 55% relative humidity."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": "フレーム", "sub_subsection": null, "prompt": "モナリザの文脈で、フレームと保存を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. 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Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "Because the Mona Lisa's poplar support expands and contracts with changes in humidity, the picture has experienced some warping. In response to warping and swelling experienced during its storage during World War II, and to prepare the picture for an exhibit to honour the anniversary of Leonardo's 500th birthday, the Mona Lisa was fitted in 1951 with a flexible oak frame with beech crosspieces. This flexible frame, which is used in addition to the decorative frame, exerts pressure on the panel to keep it from warping further. In 1970, the beech crosspieces were switched to maple after it was found that the beechwood had been infested with insects. In 2004–05, a conservation and study team replaced the maple crosspieces with sycamore ones, and an additional metal crosspiece was added for scientific measurement of the panel's warp.The Mona Lisa has had many different decorative frames in its history. In 1909, the art collector Comtesse de Béhague gave the portrait its current frame, a Renaissance-era work consistent with the historical period of the Mona Lisa. The edges of the painting have been trimmed at least once in its history to fit the picture into various frames, but no part of the original paint layer has been trimmed."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": "フレーム", "sub_subsection": null, "prompt": "モナリザの保存に関するフレームを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "Because the Mona Lisa's poplar support expands and contracts with changes in humidity, the picture has experienced some warping. In response to warping and swelling experienced during its storage during World War II, and to prepare the picture for an exhibit to honour the anniversary of Leonardo's 500th birthday, the Mona Lisa was fitted in 1951 with a flexible oak frame with beech crosspieces. This flexible frame, which is used in addition to the decorative frame, exerts pressure on the panel to keep it from warping further. In 1970, the beech crosspieces were switched to maple after it was found that the beechwood had been infested with insects. In 2004–05, a conservation and study team replaced the maple crosspieces with sycamore ones, and an additional metal crosspiece was added for scientific measurement of the panel's warp.The Mona Lisa has had many different decorative frames in its history. In 1909, the art collector Comtesse de Béhague gave the portrait its current frame, a Renaissance-era work consistent with the historical period of the Mona Lisa. The edges of the painting have been trimmed at least once in its history to fit the picture into various frames, but no part of the original paint layer has been trimmed."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": "フレーム", "sub_subsection": null, "prompt": "モナリザでは、どのように保存のフレームが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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In response to warping and swelling experienced during its storage during World War II, and to prepare the picture for an exhibit to honour the anniversary of Leonardo's 500th birthday, the Mona Lisa was fitted in 1951 with a flexible oak frame with beech crosspieces. This flexible frame, which is used in addition to the decorative frame, exerts pressure on the panel to keep it from warping further. In 1970, the beech crosspieces were switched to maple after it was found that the beechwood had been infested with insects. In 2004–05, a conservation and study team replaced the maple crosspieces with sycamore ones, and an additional metal crosspiece was added for scientific measurement of the panel's warp.The Mona Lisa has had many different decorative frames in its history. In 1909, the art collector Comtesse de Béhague gave the portrait its current frame, a Renaissance-era work consistent with the historical period of the Mona Lisa. The edges of the painting have been trimmed at least once in its history to fit the picture into various frames, but no part of the original paint layer has been trimmed."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": "フレーム", "sub_subsection": null, "prompt": "モナリザの保存におけるフレームの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "Because the Mona Lisa's poplar support expands and contracts with changes in humidity, the picture has experienced some warping. In response to warping and swelling experienced during its storage during World War II, and to prepare the picture for an exhibit to honour the anniversary of Leonardo's 500th birthday, the Mona Lisa was fitted in 1951 with a flexible oak frame with beech crosspieces. This flexible frame, which is used in addition to the decorative frame, exerts pressure on the panel to keep it from warping further. In 1970, the beech crosspieces were switched to maple after it was found that the beechwood had been infested with insects. In 2004–05, a conservation and study team replaced the maple crosspieces with sycamore ones, and an additional metal crosspiece was added for scientific measurement of the panel's warp.The Mona Lisa has had many different decorative frames in its history. In 1909, the art collector Comtesse de Béhague gave the portrait its current frame, a Renaissance-era work consistent with the historical period of the Mona Lisa. The edges of the painting have been trimmed at least once in its history to fit the picture into various frames, but no part of the original paint layer has been trimmed."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": "清掃と手直し", "sub_subsection": null, "prompt": "モナリザの文脈で、清掃と手直しと保存を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. 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Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. 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The work involved cleaning with spirits, touch-ups of colour, and revarnishing the painting. In 1906, Louvre restorer Eugène Denizard performed watercolour retouches on areas of the paint layer disturbed by the crack in the panel. Denizard also retouched the edges of the picture with varnish to mask areas that had been covered initially by an older frame.In 1913, when the painting was recovered after its theft, Denizard was again called upon to work on the Mona Lisa. Denizard was directed to clean the picture without solvent and to lightly touch up several scratches on the painting with watercolour. In 1952, the varnish layer over the background in the painting was evened out. After the second 1956 attack, restorer Jean-Gabriel Goulinat was directed to touch up the damage to Mona Lisa's left elbow with watercolour.In 1977, a new insect infestation was discovered in the back of the panel as a result of crosspieces installed to keep the painting from warping. This was treated on the spot with carbon tetrachloride, and later with an ethylene oxide treatment. In 1985, the spot was again treated with carbon tetrachloride as a preventive measure."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": "清掃と手直し", "sub_subsection": null, "prompt": "モナリザの保存に関する清掃と手直しを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "The first and most extensive recorded cleaning, revarnishing, and touch-up of the Mona Lisa was an 1809 wash and revarnishing undertaken by Jean-Marie Hooghstoel, who was responsible for the restoration of paintings for the galleries of the Musée Napoléon. The work involved cleaning with spirits, touch-ups of colour, and revarnishing the painting. In 1906, Louvre restorer Eugène Denizard performed watercolour retouches on areas of the paint layer disturbed by the crack in the panel. Denizard also retouched the edges of the picture with varnish to mask areas that had been covered initially by an older frame.In 1913, when the painting was recovered after its theft, Denizard was again called upon to work on the Mona Lisa. Denizard was directed to clean the picture without solvent and to lightly touch up several scratches on the painting with watercolour. In 1952, the varnish layer over the background in the painting was evened out. After the second 1956 attack, restorer Jean-Gabriel Goulinat was directed to touch up the damage to Mona Lisa's left elbow with watercolour.In 1977, a new insect infestation was discovered in the back of the panel as a result of crosspieces installed to keep the painting from warping. This was treated on the spot with carbon tetrachloride, and later with an ethylene oxide treatment. In 1985, the spot was again treated with carbon tetrachloride as a preventive measure."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": "清掃と手直し", "sub_subsection": null, "prompt": "モナリザでは、どのように保存の清掃と手直しが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. 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Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. 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The work involved cleaning with spirits, touch-ups of colour, and revarnishing the painting. In 1906, Louvre restorer Eugène Denizard performed watercolour retouches on areas of the paint layer disturbed by the crack in the panel. Denizard also retouched the edges of the picture with varnish to mask areas that had been covered initially by an older frame.In 1913, when the painting was recovered after its theft, Denizard was again called upon to work on the Mona Lisa. Denizard was directed to clean the picture without solvent and to lightly touch up several scratches on the painting with watercolour. In 1952, the varnish layer over the background in the painting was evened out. After the second 1956 attack, restorer Jean-Gabriel Goulinat was directed to touch up the damage to Mona Lisa's left elbow with watercolour.In 1977, a new insect infestation was discovered in the back of the panel as a result of crosspieces installed to keep the painting from warping. This was treated on the spot with carbon tetrachloride, and later with an ethylene oxide treatment. In 1985, the spot was again treated with carbon tetrachloride as a preventive measure."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": "清掃と手直し", "sub_subsection": null, "prompt": "モナリザの保存における清掃と手直しの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "The first and most extensive recorded cleaning, revarnishing, and touch-up of the Mona Lisa was an 1809 wash and revarnishing undertaken by Jean-Marie Hooghstoel, who was responsible for the restoration of paintings for the galleries of the Musée Napoléon. The work involved cleaning with spirits, touch-ups of colour, and revarnishing the painting. In 1906, Louvre restorer Eugène Denizard performed watercolour retouches on areas of the paint layer disturbed by the crack in the panel. Denizard also retouched the edges of the picture with varnish to mask areas that had been covered initially by an older frame.In 1913, when the painting was recovered after its theft, Denizard was again called upon to work on the Mona Lisa. Denizard was directed to clean the picture without solvent and to lightly touch up several scratches on the painting with watercolour. In 1952, the varnish layer over the background in the painting was evened out. After the second 1956 attack, restorer Jean-Gabriel Goulinat was directed to touch up the damage to Mona Lisa's left elbow with watercolour.In 1977, a new insect infestation was discovered in the back of the panel as a result of crosspieces installed to keep the painting from warping. This was treated on the spot with carbon tetrachloride, and later with an ethylene oxide treatment. In 1985, the spot was again treated with carbon tetrachloride as a preventive measure."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": "表示", "sub_subsection": null, "prompt": "モナリザの文脈で、表示と保存を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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It is displayed in a purpose-built, climate-controlled enclosure behind bulletproof glass. Since 2005, the painting has been illuminated by an LED lamp, and a new 20-watt LED lamp that was specially designed for this painting was installed in 2013. The lamp has a Colour Rendering Index of up to 98 and minimizes infrared and ultraviolet radiation, which could otherwise degrade the painting. The renovation of the gallery where the painting now resides was financed by the Japanese broadcaster Nippon Television. As of 2019, about 10.2 million people view the painting at the Louvre each year.On the 500th anniversary of the master's death, the Louvre held the largest ever single exhibit of Leonardo's works from 24 October 2019 to 24 February 2020. The Mona Lisa was not included because it is in such great demand among visitors to the museum; the painting remained on display in its gallery.In 2024, it was decided to place the panel in a separate room. This change will require significant construction changes, including a new entrance to the Louvre and two rooms in the basement under the museum's square courtyard. Due to the renovation, visitors will be able to pass directly to the painting, which will reduce queues at the Louvre."}
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It is displayed in a purpose-built, climate-controlled enclosure behind bulletproof glass. Since 2005, the painting has been illuminated by an LED lamp, and a new 20-watt LED lamp that was specially designed for this painting was installed in 2013. The lamp has a Colour Rendering Index of up to 98 and minimizes infrared and ultraviolet radiation, which could otherwise degrade the painting. The renovation of the gallery where the painting now resides was financed by the Japanese broadcaster Nippon Television. As of 2019, about 10.2 million people view the painting at the Louvre each year.On the 500th anniversary of the master's death, the Louvre held the largest ever single exhibit of Leonardo's works from 24 October 2019 to 24 February 2020. The Mona Lisa was not included because it is in such great demand among visitors to the museum; the painting remained on display in its gallery.In 2024, it was decided to place the panel in a separate room. This change will require significant construction changes, including a new entrance to the Louvre and two rooms in the basement under the museum's square courtyard. Due to the renovation, visitors will be able to pass directly to the painting, which will reduce queues at the Louvre."}
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It is displayed in a purpose-built, climate-controlled enclosure behind bulletproof glass. Since 2005, the painting has been illuminated by an LED lamp, and a new 20-watt LED lamp that was specially designed for this painting was installed in 2013. The lamp has a Colour Rendering Index of up to 98 and minimizes infrared and ultraviolet radiation, which could otherwise degrade the painting. The renovation of the gallery where the painting now resides was financed by the Japanese broadcaster Nippon Television. As of 2019, about 10.2 million people view the painting at the Louvre each year.On the 500th anniversary of the master's death, the Louvre held the largest ever single exhibit of Leonardo's works from 24 October 2019 to 24 February 2020. The Mona Lisa was not included because it is in such great demand among visitors to the museum; the painting remained on display in its gallery.In 2024, it was decided to place the panel in a separate room. This change will require significant construction changes, including a new entrance to the Louvre and two rooms in the basement under the museum's square courtyard. Due to the renovation, visitors will be able to pass directly to the painting, which will reduce queues at the Louvre."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "保存", "subsection": "表示", "sub_subsection": null, "prompt": "モナリザの保存における表示の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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It is displayed in a purpose-built, climate-controlled enclosure behind bulletproof glass. Since 2005, the painting has been illuminated by an LED lamp, and a new 20-watt LED lamp that was specially designed for this painting was installed in 2013. The lamp has a Colour Rendering Index of up to 98 and minimizes infrared and ultraviolet radiation, which could otherwise degrade the painting. The renovation of the gallery where the painting now resides was financed by the Japanese broadcaster Nippon Television. As of 2019, about 10.2 million people view the painting at the Louvre each year.On the 500th anniversary of the master's death, the Louvre held the largest ever single exhibit of Leonardo's works from 24 October 2019 to 24 February 2020. The Mona Lisa was not included because it is in such great demand among visitors to the museum; the painting remained on display in its gallery.In 2024, it was decided to place the panel in a separate room. This change will require significant construction changes, including a new entrance to the Louvre and two rooms in the basement under the museum's square courtyard. Due to the renovation, visitors will be able to pass directly to the painting, which will reduce queues at the Louvre."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "遺産", "subsection": null, "sub_subsection": null, "prompt": "モナリザに焦点を当てて、その遺産を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Raphael, who had been to Leonardo's workshop several times, promptly used elements of the portrait's composition and format in several of his works, such as Young Woman with Unicorn (c. 1506), and Portrait of Maddalena Doni (c. 1506). Later paintings by Raphael, such as La velata (1515–16) and Portrait of Baldassare Castiglione (c. 1514–15), continued to borrow from Leonardo's painting. Zollner states that \"None of Leonardo's works would exert more influence upon the evolution of the genre than the Mona Lisa. It became the definitive example of the Renaissance portrait and perhaps for this reason is seen not just as the likeness of a real person, but also as the embodiment of an ideal.\"Where earlier critics such as Vasari in the 16th century and André Félibien in the 17th praised the picture for its realism, by the mid-19th century, writers began to regard the Mona Lisa as imbued with a sense of mystery and romance.  In 1859, Théophile Gautier wrote that the Mona Lisa was a \"sphinx of beauty who smiles so mysteriously\" and that \"Beneath the form expressed one feels a thought that is vague, infinite, inexpressible. One is moved, troubled ... repressed desires, hopes that drive one to despair, stir painfully.\" Walter Pater's essay of 1869 described the sitter as \"older than the rocks among which she sits; like the vampire, she has been dead many times, and learned the secrets of the grave; and has been a diver in the deep seas, and keeps their fallen day about her.\"By the early 20th century, some critics started to feel the painting had become a repository for subjective exegeses and theories. Upon the painting's theft in 1911, Renaissance historian Bernard Berenson admitted that it had \"simply become an incubus, and [he] was glad to be rid of her.\" Jean Metzinger's Le goûter (Tea Time) was exhibited at the 1911 Salon d'Automne and was sarcastically described as \"la Joconde à la cuiller\" (Mona Lisa with a spoon) by art critic Louis Vauxcelles on the front page of Gil Blas. André Salmon subsequently described the painting as \"The Mona Lisa of Cubism\".The avant-garde art world has made note of the Mona Lisa's undeniable popularity. Because of the painting's overwhelming stature, Dadaists and Surrealists often produce modifications and caricatures. In 1883, Le rire, an image of a Mona Lisa smoking a pipe, by Sapeck (Eugène Bataille), was shown at the \"Incoherents\" show in Paris. In 1919, Marcel Duchamp, one of the most influential modern artists, created L.H.O.O.Q., a Mona Lisa parody made by adorning a cheap reproduction with a moustache and goatee. Duchamp added an inscription, which when read out loud in French sounds like \"Elle a chaud au cul\" meaning: \"she has a hot ass\", implying the woman in the painting is in a state of sexual excitement and intended as a Freudian joke. According to Rhonda R. Shearer, the apparent reproduction is in fact a copy partly modelled on Duchamp's own face.Salvador Dalí, famous for his surrealist work, painted Self portrait as Mona Lisa in 1954. Andy Warhol created serigraph prints of multiple Mona Lisas, called Thirty Are Better than One, following the painting's visit to the United States in 1963. The French urban artist known pseudonymously as Invader has created versions of the Mona Lisa on city walls in Paris and Tokyo using a mosaic style. A 2014 New Yorker magazine cartoon parodies the supposed enigma of the Mona Lisa smile in an animation showing progressively more maniacal smiles."}
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Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "The Mona Lisa began influencing contemporary Florentine painting even before its completion. Raphael, who had been to Leonardo's workshop several times, promptly used elements of the portrait's composition and format in several of his works, such as Young Woman with Unicorn (c. 1506), and Portrait of Maddalena Doni (c. 1506). Later paintings by Raphael, such as La velata (1515–16) and Portrait of Baldassare Castiglione (c. 1514–15), continued to borrow from Leonardo's painting. Zollner states that \"None of Leonardo's works would exert more influence upon the evolution of the genre than the Mona Lisa. It became the definitive example of the Renaissance portrait and perhaps for this reason is seen not just as the likeness of a real person, but also as the embodiment of an ideal.\"Where earlier critics such as Vasari in the 16th century and André Félibien in the 17th praised the picture for its realism, by the mid-19th century, writers began to regard the Mona Lisa as imbued with a sense of mystery and romance.  In 1859, Théophile Gautier wrote that the Mona Lisa was a \"sphinx of beauty who smiles so mysteriously\" and that \"Beneath the form expressed one feels a thought that is vague, infinite, inexpressible. One is moved, troubled ... repressed desires, hopes that drive one to despair, stir painfully.\" Walter Pater's essay of 1869 described the sitter as \"older than the rocks among which she sits; like the vampire, she has been dead many times, and learned the secrets of the grave; and has been a diver in the deep seas, and keeps their fallen day about her.\"By the early 20th century, some critics started to feel the painting had become a repository for subjective exegeses and theories. Upon the painting's theft in 1911, Renaissance historian Bernard Berenson admitted that it had \"simply become an incubus, and [he] was glad to be rid of her.\" Jean Metzinger's Le goûter (Tea Time) was exhibited at the 1911 Salon d'Automne and was sarcastically described as \"la Joconde à la cuiller\" (Mona Lisa with a spoon) by art critic Louis Vauxcelles on the front page of Gil Blas. André Salmon subsequently described the painting as \"The Mona Lisa of Cubism\".The avant-garde art world has made note of the Mona Lisa's undeniable popularity. Because of the painting's overwhelming stature, Dadaists and Surrealists often produce modifications and caricatures. In 1883, Le rire, an image of a Mona Lisa smoking a pipe, by Sapeck (Eugène Bataille), was shown at the \"Incoherents\" show in Paris. In 1919, Marcel Duchamp, one of the most influential modern artists, created L.H.O.O.Q., a Mona Lisa parody made by adorning a cheap reproduction with a moustache and goatee. Duchamp added an inscription, which when read out loud in French sounds like \"Elle a chaud au cul\" meaning: \"she has a hot ass\", implying the woman in the painting is in a state of sexual excitement and intended as a Freudian joke. According to Rhonda R. Shearer, the apparent reproduction is in fact a copy partly modelled on Duchamp's own face.Salvador Dalí, famous for his surrealist work, painted Self portrait as Mona Lisa in 1954. Andy Warhol created serigraph prints of multiple Mona Lisas, called Thirty Are Better than One, following the painting's visit to the United States in 1963. The French urban artist known pseudonymously as Invader has created versions of the Mona Lisa on city walls in Paris and Tokyo using a mosaic style. A 2014 New Yorker magazine cartoon parodies the supposed enigma of the Mona Lisa smile in an animation showing progressively more maniacal smiles."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "遺産", "subsection": null, "sub_subsection": null, "prompt": "モナリザはどのように遺産を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "The Mona Lisa began influencing contemporary Florentine painting even before its completion. Raphael, who had been to Leonardo's workshop several times, promptly used elements of the portrait's composition and format in several of his works, such as Young Woman with Unicorn (c. 1506), and Portrait of Maddalena Doni (c. 1506). Later paintings by Raphael, such as La velata (1515–16) and Portrait of Baldassare Castiglione (c. 1514–15), continued to borrow from Leonardo's painting. Zollner states that \"None of Leonardo's works would exert more influence upon the evolution of the genre than the Mona Lisa. It became the definitive example of the Renaissance portrait and perhaps for this reason is seen not just as the likeness of a real person, but also as the embodiment of an ideal.\"Where earlier critics such as Vasari in the 16th century and André Félibien in the 17th praised the picture for its realism, by the mid-19th century, writers began to regard the Mona Lisa as imbued with a sense of mystery and romance.  In 1859, Théophile Gautier wrote that the Mona Lisa was a \"sphinx of beauty who smiles so mysteriously\" and that \"Beneath the form expressed one feels a thought that is vague, infinite, inexpressible. One is moved, troubled ... repressed desires, hopes that drive one to despair, stir painfully.\" Walter Pater's essay of 1869 described the sitter as \"older than the rocks among which she sits; like the vampire, she has been dead many times, and learned the secrets of the grave; and has been a diver in the deep seas, and keeps their fallen day about her.\"By the early 20th century, some critics started to feel the painting had become a repository for subjective exegeses and theories. Upon the painting's theft in 1911, Renaissance historian Bernard Berenson admitted that it had \"simply become an incubus, and [he] was glad to be rid of her.\" Jean Metzinger's Le goûter (Tea Time) was exhibited at the 1911 Salon d'Automne and was sarcastically described as \"la Joconde à la cuiller\" (Mona Lisa with a spoon) by art critic Louis Vauxcelles on the front page of Gil Blas. André Salmon subsequently described the painting as \"The Mona Lisa of Cubism\".The avant-garde art world has made note of the Mona Lisa's undeniable popularity. Because of the painting's overwhelming stature, Dadaists and Surrealists often produce modifications and caricatures. In 1883, Le rire, an image of a Mona Lisa smoking a pipe, by Sapeck (Eugène Bataille), was shown at the \"Incoherents\" show in Paris. In 1919, Marcel Duchamp, one of the most influential modern artists, created L.H.O.O.Q., a Mona Lisa parody made by adorning a cheap reproduction with a moustache and goatee. Duchamp added an inscription, which when read out loud in French sounds like \"Elle a chaud au cul\" meaning: \"she has a hot ass\", implying the woman in the painting is in a state of sexual excitement and intended as a Freudian joke. According to Rhonda R. Shearer, the apparent reproduction is in fact a copy partly modelled on Duchamp's own face.Salvador Dalí, famous for his surrealist work, painted Self portrait as Mona Lisa in 1954. Andy Warhol created serigraph prints of multiple Mona Lisas, called Thirty Are Better than One, following the painting's visit to the United States in 1963. The French urban artist known pseudonymously as Invader has created versions of the Mona Lisa on city walls in Paris and Tokyo using a mosaic style. A 2014 New Yorker magazine cartoon parodies the supposed enigma of the Mona Lisa smile in an animation showing progressively more maniacal smiles."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "遺産", "subsection": null, "sub_subsection": null, "prompt": "モナリザに関して、どのように遺産が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "The Mona Lisa began influencing contemporary Florentine painting even before its completion. Raphael, who had been to Leonardo's workshop several times, promptly used elements of the portrait's composition and format in several of his works, such as Young Woman with Unicorn (c. 1506), and Portrait of Maddalena Doni (c. 1506). Later paintings by Raphael, such as La velata (1515–16) and Portrait of Baldassare Castiglione (c. 1514–15), continued to borrow from Leonardo's painting. Zollner states that \"None of Leonardo's works would exert more influence upon the evolution of the genre than the Mona Lisa. It became the definitive example of the Renaissance portrait and perhaps for this reason is seen not just as the likeness of a real person, but also as the embodiment of an ideal.\"Where earlier critics such as Vasari in the 16th century and André Félibien in the 17th praised the picture for its realism, by the mid-19th century, writers began to regard the Mona Lisa as imbued with a sense of mystery and romance.  In 1859, Théophile Gautier wrote that the Mona Lisa was a \"sphinx of beauty who smiles so mysteriously\" and that \"Beneath the form expressed one feels a thought that is vague, infinite, inexpressible. One is moved, troubled ... repressed desires, hopes that drive one to despair, stir painfully.\" Walter Pater's essay of 1869 described the sitter as \"older than the rocks among which she sits; like the vampire, she has been dead many times, and learned the secrets of the grave; and has been a diver in the deep seas, and keeps their fallen day about her.\"By the early 20th century, some critics started to feel the painting had become a repository for subjective exegeses and theories. Upon the painting's theft in 1911, Renaissance historian Bernard Berenson admitted that it had \"simply become an incubus, and [he] was glad to be rid of her.\" Jean Metzinger's Le goûter (Tea Time) was exhibited at the 1911 Salon d'Automne and was sarcastically described as \"la Joconde à la cuiller\" (Mona Lisa with a spoon) by art critic Louis Vauxcelles on the front page of Gil Blas. André Salmon subsequently described the painting as \"The Mona Lisa of Cubism\".The avant-garde art world has made note of the Mona Lisa's undeniable popularity. Because of the painting's overwhelming stature, Dadaists and Surrealists often produce modifications and caricatures. In 1883, Le rire, an image of a Mona Lisa smoking a pipe, by Sapeck (Eugène Bataille), was shown at the \"Incoherents\" show in Paris. In 1919, Marcel Duchamp, one of the most influential modern artists, created L.H.O.O.Q., a Mona Lisa parody made by adorning a cheap reproduction with a moustache and goatee. Duchamp added an inscription, which when read out loud in French sounds like \"Elle a chaud au cul\" meaning: \"she has a hot ass\", implying the woman in the painting is in a state of sexual excitement and intended as a Freudian joke. According to Rhonda R. Shearer, the apparent reproduction is in fact a copy partly modelled on Duchamp's own face.Salvador Dalí, famous for his surrealist work, painted Self portrait as Mona Lisa in 1954. Andy Warhol created serigraph prints of multiple Mona Lisas, called Thirty Are Better than One, following the painting's visit to the United States in 1963. The French urban artist known pseudonymously as Invader has created versions of the Mona Lisa on city walls in Paris and Tokyo using a mosaic style. A 2014 New Yorker magazine cartoon parodies the supposed enigma of the Mona Lisa smile in an animation showing progressively more maniacal smiles."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "遺産", "subsection": "名声", "sub_subsection": null, "prompt": "モナリザの文脈で、名声と遺産を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. 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Once part of King Francis I of France's collection, the Mona Lisa was among the first artworks to be exhibited in the Louvre, which became a national museum after the French Revolution. Leonardo began to be revered as a genius, and the painting's popularity grew in the mid-19th century when French intelligentsia praised it as mysterious and a representation of the femme fatale. The Baedeker guide in 1878 called it \"the most celebrated work of Leonardo in the Louvre\", but the painting was known more by the intelligentsia than the general public.The 1911 theft of the Mona Lisa and its subsequent return was reported worldwide, leading to a massive increase in public recognition of the painting. During the 20th century, it was an object for mass reproduction, merchandising, lampooning, and speculation, and was claimed to have been reproduced in \"300 paintings and 2,000 advertisements\". The Mona Lisa was regarded as \"just another Leonardo until early last century, when the scandal of the painting's theft from the Louvre and subsequent return kept a spotlight on it over several years.\"From December 1962 to March 1963, the French government lent it to the United States to be displayed in New York City and Washington, D.C. It was shipped on the new ocean liner SS France. In New York, an estimated 1.7 million people queued \"in order to cast a glance at the Mona Lisa for 20 seconds or so.\" While exhibited in the Metropolitan Museum of Art, the painting was nearly drenched in water because of a faulty sprinkler, but the painting's bullet-proof glass case protected it.In 1974, the painting was exhibited in Tokyo and Moscow.In 2014, 9.3 million people visited the Louvre. Former director Henri Loyrette reckoned that \"80 percent of the people only want to see the Mona Lisa.\""}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "遺産", "subsection": "名声", "sub_subsection": null, "prompt": "モナリザの遺産に関する名声を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. 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Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "Today, the Mona Lisa is considered the most famous painting in the world, a destination painting, but until the 20th century, it was one among many highly regarded artworks. Once part of King Francis I of France's collection, the Mona Lisa was among the first artworks to be exhibited in the Louvre, which became a national museum after the French Revolution. Leonardo began to be revered as a genius, and the painting's popularity grew in the mid-19th century when French intelligentsia praised it as mysterious and a representation of the femme fatale. The Baedeker guide in 1878 called it \"the most celebrated work of Leonardo in the Louvre\", but the painting was known more by the intelligentsia than the general public.The 1911 theft of the Mona Lisa and its subsequent return was reported worldwide, leading to a massive increase in public recognition of the painting. During the 20th century, it was an object for mass reproduction, merchandising, lampooning, and speculation, and was claimed to have been reproduced in \"300 paintings and 2,000 advertisements\". The Mona Lisa was regarded as \"just another Leonardo until early last century, when the scandal of the painting's theft from the Louvre and subsequent return kept a spotlight on it over several years.\"From December 1962 to March 1963, the French government lent it to the United States to be displayed in New York City and Washington, D.C. It was shipped on the new ocean liner SS France. In New York, an estimated 1.7 million people queued \"in order to cast a glance at the Mona Lisa for 20 seconds or so.\" While exhibited in the Metropolitan Museum of Art, the painting was nearly drenched in water because of a faulty sprinkler, but the painting's bullet-proof glass case protected it.In 1974, the painting was exhibited in Tokyo and Moscow.In 2014, 9.3 million people visited the Louvre. Former director Henri Loyrette reckoned that \"80 percent of the people only want to see the Mona Lisa.\""}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "遺産", "subsection": "名声", "sub_subsection": null, "prompt": "モナリザでは、どのように遺産の名声が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. 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Once part of King Francis I of France's collection, the Mona Lisa was among the first artworks to be exhibited in the Louvre, which became a national museum after the French Revolution. Leonardo began to be revered as a genius, and the painting's popularity grew in the mid-19th century when French intelligentsia praised it as mysterious and a representation of the femme fatale. The Baedeker guide in 1878 called it \"the most celebrated work of Leonardo in the Louvre\", but the painting was known more by the intelligentsia than the general public.The 1911 theft of the Mona Lisa and its subsequent return was reported worldwide, leading to a massive increase in public recognition of the painting. During the 20th century, it was an object for mass reproduction, merchandising, lampooning, and speculation, and was claimed to have been reproduced in \"300 paintings and 2,000 advertisements\". The Mona Lisa was regarded as \"just another Leonardo until early last century, when the scandal of the painting's theft from the Louvre and subsequent return kept a spotlight on it over several years.\"From December 1962 to March 1963, the French government lent it to the United States to be displayed in New York City and Washington, D.C. It was shipped on the new ocean liner SS France. In New York, an estimated 1.7 million people queued \"in order to cast a glance at the Mona Lisa for 20 seconds or so.\" While exhibited in the Metropolitan Museum of Art, the painting was nearly drenched in water because of a faulty sprinkler, but the painting's bullet-proof glass case protected it.In 1974, the painting was exhibited in Tokyo and Moscow.In 2014, 9.3 million people visited the Louvre. Former director Henri Loyrette reckoned that \"80 percent of the people only want to see the Mona Lisa.\""}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "遺産", "subsection": "名声", "sub_subsection": null, "prompt": "モナリザの遺産における名声の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. 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Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "Today, the Mona Lisa is considered the most famous painting in the world, a destination painting, but until the 20th century, it was one among many highly regarded artworks. Once part of King Francis I of France's collection, the Mona Lisa was among the first artworks to be exhibited in the Louvre, which became a national museum after the French Revolution. Leonardo began to be revered as a genius, and the painting's popularity grew in the mid-19th century when French intelligentsia praised it as mysterious and a representation of the femme fatale. The Baedeker guide in 1878 called it \"the most celebrated work of Leonardo in the Louvre\", but the painting was known more by the intelligentsia than the general public.The 1911 theft of the Mona Lisa and its subsequent return was reported worldwide, leading to a massive increase in public recognition of the painting. During the 20th century, it was an object for mass reproduction, merchandising, lampooning, and speculation, and was claimed to have been reproduced in \"300 paintings and 2,000 advertisements\". The Mona Lisa was regarded as \"just another Leonardo until early last century, when the scandal of the painting's theft from the Louvre and subsequent return kept a spotlight on it over several years.\"From December 1962 to March 1963, the French government lent it to the United States to be displayed in New York City and Washington, D.C. It was shipped on the new ocean liner SS France. In New York, an estimated 1.7 million people queued \"in order to cast a glance at the Mona Lisa for 20 seconds or so.\" While exhibited in the Metropolitan Museum of Art, the painting was nearly drenched in water because of a faulty sprinkler, but the painting's bullet-proof glass case protected it.In 1974, the painting was exhibited in Tokyo and Moscow.In 2014, 9.3 million people visited the Louvre. Former director Henri Loyrette reckoned that \"80 percent of the people only want to see the Mona Lisa.\""}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "遺産", "subsection": "財務価値", "sub_subsection": null, "prompt": "モナリザの文脈で、財務価値と遺産を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. 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Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "Before the 1962–1963 tour, the painting was assessed for insurance at $100 million (equivalent to $770 million in 2023), making it, in practice, the most highly-valued painting in the world. The insurance was not purchased; instead, more was spent on security.In 2014, a France 24 article suggested that the painting could be sold to help ease the national debt, although it was observed that the Mona Lisa and other such art works were prohibited from being sold by French heritage law, which states that, \"Collections held in museums that belong to public bodies are considered public property and cannot be otherwise.\""}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "遺産", "subsection": "財務価値", "sub_subsection": null, "prompt": "モナリザの遺産に関する財務価値を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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The insurance was not purchased; instead, more was spent on security.In 2014, a France 24 article suggested that the painting could be sold to help ease the national debt, although it was observed that the Mona Lisa and other such art works were prohibited from being sold by French heritage law, which states that, \"Collections held in museums that belong to public bodies are considered public property and cannot be otherwise.\""}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "遺産", "subsection": "財務価値", "sub_subsection": null, "prompt": "モナリザでは、どのように遺産の財務価値が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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The insurance was not purchased; instead, more was spent on security.In 2014, a France 24 article suggested that the painting could be sold to help ease the national debt, although it was observed that the Mona Lisa and other such art works were prohibited from being sold by French heritage law, which states that, \"Collections held in museums that belong to public bodies are considered public property and cannot be otherwise.\""}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "遺産", "subsection": "財務価値", "sub_subsection": null, "prompt": "モナリザの遺産における財務価値の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "Before the 1962–1963 tour, the painting was assessed for insurance at $100 million (equivalent to $770 million in 2023), making it, in practice, the most highly-valued painting in the world. The insurance was not purchased; instead, more was spent on security.In 2014, a France 24 article suggested that the painting could be sold to help ease the national debt, although it was observed that the Mona Lisa and other such art works were prohibited from being sold by French heritage law, which states that, \"Collections held in museums that belong to public bodies are considered public property and cannot be otherwise.\""}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "遺産", "subsection": "文化的描写", "sub_subsection": null, "prompt": "モナリザの文脈で、文化的描写と遺産を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "Cultural depictions of the Mona Lisa include: The 1915 Mona Lisa by German composer Max von Schillings.Two 1930s films written about the theft, (The Theft of the Mona Lisa and Arsène Lupin).The 1950 song \"Mona Lisa\" recorded by Nat King Cole.The 2011 song \"The Ballad of Mona Lisa\" by American rock band Panic! at the Disco.The 2018 song \"Mona Lisa\" by rapper Lil Wayne.The 2022 mystery film Glass Onion: A Knives Out Mystery depicts the destruction of the Mona Lisa, which has been borrowed from its location by a billionaire.Lego released a set called Mona Lisa 31213 as part of their Lego Art theme. The set includes 1503 pieces to build it."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "遺産", "subsection": "文化的描写", "sub_subsection": null, "prompt": "モナリザの遺産に関する文化的描写を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "Cultural depictions of the Mona Lisa include: The 1915 Mona Lisa by German composer Max von Schillings.Two 1930s films written about the theft, (The Theft of the Mona Lisa and Arsène Lupin).The 1950 song \"Mona Lisa\" recorded by Nat King Cole.The 2011 song \"The Ballad of Mona Lisa\" by American rock band Panic! at the Disco.The 2018 song \"Mona Lisa\" by rapper Lil Wayne.The 2022 mystery film Glass Onion: A Knives Out Mystery depicts the destruction of the Mona Lisa, which has been borrowed from its location by a billionaire.Lego released a set called Mona Lisa 31213 as part of their Lego Art theme. The set includes 1503 pieces to build it."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "遺産", "subsection": "文化的描写", "sub_subsection": null, "prompt": "モナリザでは、どのように遺産の文化的描写が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "Cultural depictions of the Mona Lisa include: The 1915 Mona Lisa by German composer Max von Schillings.Two 1930s films written about the theft, (The Theft of the Mona Lisa and Arsène Lupin).The 1950 song \"Mona Lisa\" recorded by Nat King Cole.The 2011 song \"The Ballad of Mona Lisa\" by American rock band Panic! at the Disco.The 2018 song \"Mona Lisa\" by rapper Lil Wayne.The 2022 mystery film Glass Onion: A Knives Out Mystery depicts the destruction of the Mona Lisa, which has been borrowed from its location by a billionaire.Lego released a set called Mona Lisa 31213 as part of their Lego Art theme. The set includes 1503 pieces to build it."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "遺産", "subsection": "文化的描写", "sub_subsection": null, "prompt": "モナリザの遺産における文化的描写の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. Kennedy", "Isabella d'Este", "exegeses", "upright=1.7", "mona", "Young Woman with Unicorn", "climate change", "Gian Paolo Lomazzo", "Italian", "Etruscan civilization", "LED lamp", "intelligentsia", "Category:Vandalized works of art", "Carroll & Graf Publishers", "most highly-valued painting", "André Salmon", "List of stolen paintings", "Saturday Evening Post", "Eduardo de Valfierno", "Guillaume Apollinaire", "St. John the Baptist", "provenance", "Category:Paintings in the Louvre by Italian artists", "Oil", "Artwork title", "destination painting", "Category:16th-century portraits", "Louvre", "Napoleon", "File:Gioconda Louvre photographers.jpg", "Laterina", "white poplar", "madonna", "National Public Radio", "Chinese paintings", "Rhonda R. Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. 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Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. 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The set includes 1503 pieces to build it."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "初期のバージョンとコピー", "subsection": "プラド美術館 ラ・ジョコンダ", "sub_subsection": null, "prompt": "モナリザの文脈で、プラド美術館 ラ・ジョコンダと初期のバージョンとコピーを説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "A version of Mona Lisa known as Mujer de mano de Leonardo Abince (\"Woman by Leonardo da Vinci's hand\", Museo del Prado, Madrid) was for centuries considered to be a work by Leonardo. However, since its restoration in 2012, it is now thought to have been executed by one of Leonardo's pupils in his studio at the same time as Mona Lisa was being painted. The Prado's conclusion that the painting is probably by Salaì (1480–1524) or by Melzi (1493–1572) has been called into question by others.The restored painting is from a slightly different perspective than the original Mona Lisa, leading to the speculation that it is part of the world's first stereoscopic pair. However, a more recent report has demonstrated that this stereoscopic pair in fact gives no reliable stereoscopic depth."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "初期のバージョンとコピー", "subsection": "プラド美術館 ラ・ジョコンダ", "sub_subsection": null, "prompt": "モナリザの初期のバージョンとコピーに関するプラド美術館 ラ・ジョコンダを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. 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However, since its restoration in 2012, it is now thought to have been executed by one of Leonardo's pupils in his studio at the same time as Mona Lisa was being painted. The Prado's conclusion that the painting is probably by Salaì (1480–1524) or by Melzi (1493–1572) has been called into question by others.The restored painting is from a slightly different perspective than the original Mona Lisa, leading to the speculation that it is part of the world's first stereoscopic pair. However, a more recent report has demonstrated that this stereoscopic pair in fact gives no reliable stereoscopic depth."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "初期のバージョンとコピー", "subsection": "プラド美術館 ラ・ジョコンダ", "sub_subsection": null, "prompt": "モナリザでは、どのように初期のバージョンとコピーのプラド美術館 ラ・ジョコンダが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "A version of Mona Lisa known as Mujer de mano de Leonardo Abince (\"Woman by Leonardo da Vinci's hand\", Museo del Prado, Madrid) was for centuries considered to be a work by Leonardo. However, since its restoration in 2012, it is now thought to have been executed by one of Leonardo's pupils in his studio at the same time as Mona Lisa was being painted. The Prado's conclusion that the painting is probably by Salaì (1480–1524) or by Melzi (1493–1572) has been called into question by others.The restored painting is from a slightly different perspective than the original Mona Lisa, leading to the speculation that it is part of the world's first stereoscopic pair. However, a more recent report has demonstrated that this stereoscopic pair in fact gives no reliable stereoscopic depth."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "初期のバージョンとコピー", "subsection": "プラド美術館 ラ・ジョコンダ", "sub_subsection": null, "prompt": "モナリザの初期のバージョンとコピーにおけるプラド美術館 ラ・ジョコンダの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. 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However, since its restoration in 2012, it is now thought to have been executed by one of Leonardo's pupils in his studio at the same time as Mona Lisa was being painted. The Prado's conclusion that the painting is probably by Salaì (1480–1524) or by Melzi (1493–1572) has been called into question by others.The restored painting is from a slightly different perspective than the original Mona Lisa, leading to the speculation that it is part of the world's first stereoscopic pair. However, a more recent report has demonstrated that this stereoscopic pair in fact gives no reliable stereoscopic depth."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "初期のバージョンとコピー", "subsection": "アイルズワース・モナリザ", "sub_subsection": null, "prompt": "モナリザの文脈で、アイルズワース・モナリザと初期のバージョンとコピーを説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "A version of the Mona Lisa known as the Isleworth Mona Lisa was first bought by an English nobleman in 1778 and was rediscovered in 1913 by Hugh Blaker, an art connoisseur. The painting was presented to the media in 2012 by the Mona Lisa Foundation. It is a painting of the same subject as Leonardo da Vinci's Mona Lisa. The current scholarly consensus on attribution is unclear. Some experts, including Frank Zöllner, Martin Kemp, and Luke Syson denied the attribution to Leonardo; professors such as Salvatore Lorusso, Andrea Natali, and John F Asmus supported it; others like Alessandro Vezzosi and Carlo Pedretti were uncertain."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "初期のバージョンとコピー", "subsection": "アイルズワース・モナリザ", "sub_subsection": null, "prompt": "モナリザの初期のバージョンとコピーに関するアイルズワース・モナリザを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "A version of the Mona Lisa known as the Isleworth Mona Lisa was first bought by an English nobleman in 1778 and was rediscovered in 1913 by Hugh Blaker, an art connoisseur. The painting was presented to the media in 2012 by the Mona Lisa Foundation. It is a painting of the same subject as Leonardo da Vinci's Mona Lisa. The current scholarly consensus on attribution is unclear. Some experts, including Frank Zöllner, Martin Kemp, and Luke Syson denied the attribution to Leonardo; professors such as Salvatore Lorusso, Andrea Natali, and John F Asmus supported it; others like Alessandro Vezzosi and Carlo Pedretti were uncertain."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "初期のバージョンとコピー", "subsection": "アイルズワース・モナリザ", "sub_subsection": null, "prompt": "モナリザでは、どのように初期のバージョンとコピーのアイルズワース・モナリザが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "A version of the Mona Lisa known as the Isleworth Mona Lisa was first bought by an English nobleman in 1778 and was rediscovered in 1913 by Hugh Blaker, an art connoisseur. The painting was presented to the media in 2012 by the Mona Lisa Foundation. It is a painting of the same subject as Leonardo da Vinci's Mona Lisa. The current scholarly consensus on attribution is unclear. Some experts, including Frank Zöllner, Martin Kemp, and Luke Syson denied the attribution to Leonardo; professors such as Salvatore Lorusso, Andrea Natali, and John F Asmus supported it; others like Alessandro Vezzosi and Carlo Pedretti were uncertain."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "初期のバージョンとコピー", "subsection": "アイルズワース・モナリザ", "sub_subsection": null, "prompt": "モナリザの初期のバージョンとコピーにおけるアイルズワース・モナリザの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. 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The painting was presented to the media in 2012 by the Mona Lisa Foundation. It is a painting of the same subject as Leonardo da Vinci's Mona Lisa. The current scholarly consensus on attribution is unclear. Some experts, including Frank Zöllner, Martin Kemp, and Luke Syson denied the attribution to Leonardo; professors such as Salvatore Lorusso, Andrea Natali, and John F Asmus supported it; others like Alessandro Vezzosi and Carlo Pedretti were uncertain."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "初期のバージョンとコピー", "subsection": "エルミタージュ モナリザ", "sub_subsection": null, "prompt": "モナリザの文脈で、エルミタージュ モナリザと初期のバージョンとコピーを説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Shearer", "speculation", "Mona Lisa (Nat King Cole song)", "upright", "Today", "Metropolitan Museum of Art", "stolen", "Franco-Prussian War", "Hermitage Mona Lisa", "Tuscany", "Agostino Vespucci", "Sigmund Freud", "National Museum of Norway", "World War II", "Support (art)", "File:JFK, Marie-Madeleine Lioux, André Malraux, Jackie, L.B. Johnson, unveiling Mona Lisa at National Gallery of Art.png", "Hermitage Museum", "National Geographic", "Vincent Delieuvin", "Sapeck", "silica gel", "romance", "Montauban", "Today (American TV program)", "Arno river", "Apollo (magazine)", "Florentine painting", "Adoration of the Magi", "Roman", "Caterina Sforza", "André Félibien", "Nippon Television", "Hans Memling", "Musée Ingres Bourdelle", "Thames & Hudson", "Province of Rimini", "Colour Rendering Index", "Karl Decker (journalist)", "my lady", "Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.<ref name=\"Z12\">{{harvnb", "Le Petit Parisien", "Taylor & Francis", "Chinese painting", "Sansoni (publisher)", "poplar", "Harry N. Abrams, Inc.", "aerial perspective", "Le goûter (Tea Time)", "varnish", "Reuters", "Sterling", "Benedetto Portinari Triptych", "Zöllner", "Flemish", "1999", "File:Louis Beroud - Mona Lisa au Louvre 1911.jpg", "Arsène Lupin", "Associated Press", "Marguerite Agniel", "avant-garde", "The Ballad of Mona Lisa", "Louis Vauxcelles", "infrared", "serigraph", "The Last Supper", "Lyndon B. Johnson", "Louis Béroud", "Category:Mona Lisa", "Realism (arts)", "Louis d'Aragon", "Invader", "Category:Portraits of women", "Mona Lisa (Hermitage)", "''spolvero''", "Arno", "foveal", "Loc-Dieu Abbey", "The Virgin and Child with St. Anne", "Geneva", "Montefeltro", "Luke Syson", "Lorenzo Torrentino", "The Daily Telegraph", "Oil painting", "Carlo Pedretti", "Dada", "Château de Chambord", "Martin Kemp (art historian)", "Exegesis", "CNN", "List of most expensive paintings", "Musée Ingres", "SS France (1961)", "Category:Stolen works of art", "Giuliano di Lorenzo de' Medici", "ABC News (United States)", "Lisa del Giocondo", "thumb", "Bianca Giovanna Sforza", "University of California Press", "Bernard Berenson", "Lorenzo di Credi", "L.H.O.O.Q.", "Mona Lisa (opera)", "NPR", ":commons:File:Davide Ghirlandaio Retrato de dama de perfil Gemäldegalerie, Berlín.jpg", "circumstantial evidence", "Tokyo National Museum", "Martin Kemp", "Pablo Picasso", "King Francis I of France", "Wikt:mona#Italian", "Madonna (art)", "''Mona Lisa''", "Portrait of Baldassare Castiglione", "Brest Arsenal", "Mona Lisa (Lil Wayne song)", "Flemish painting", "Color rendering index", "Leonardeschi", "Category:Recovered works of art", "Cecilia Gallerani", "Incoherents", "Saint Jerome in the Wilderness", "catalogue raisonné", "Yukio Yashiro", "Apelles", "Tea Time (Metzinger)", "Glass Onion: A Knives Out Mystery", "stereoscopic", "New Scientist", "SS ''France''", "ultraviolet", "Apollo", "loggia", "sfumato", "The Guardian", "Urbino University", "Sterling Publishing", "Rhonda Roland Shearer", "Two-''Mona Lisa'' theory", "University of São Paulo", "Speculations about Mona Lisa", "Freudian joke", "French language", "Humor in Freud", "Giovanni Poggi (historian)", "caricature", "Salon d'Automne", "Francesco Melzi", "Populus alba", "Francis I of France", "French Revolution", "Conservation Science in Cultural Heritage", "Male Mona Lisa theories", "Nippon TV", "Agnolo di Domenico del Mazziere", "Vincenzo Peruggia", "Château d'Amboise", "serigraphy", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Surrealists", "Melzi", "The Burlington Magazine", "The tourist's view in 2015", "Clos Lucé", "left", "Romanticism", "art theft", "Farago", "femme fatale", "The Theft of the Mona Lisa", "Butterfly joint", "Leonardo da Vinci's works", "Karl Decker", "Harry N. 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{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "初期のバージョンとコピー", "subsection": "エルミタージュ モナリザ", "sub_subsection": null, "prompt": "モナリザの初期のバージョンとコピーに関するエルミタージュ モナリザを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "初期のバージョンとコピー", "subsection": "エルミタージュ モナリザ", "sub_subsection": null, "prompt": "モナリザでは、どのように初期のバージョンとコピーのエルミタージュ モナリザが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "初期のバージョンとコピー", "subsection": "エルミタージュ モナリザ", "sub_subsection": null, "prompt": "モナリザの初期のバージョンとコピーにおけるエルミタージュ モナリザの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "モナリザの錯覚", "subsection": null, "sub_subsection": null, "prompt": "モナリザに焦点を当てて、そのモナリザの錯覚を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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It is presumably for this reason that many people, while taking photographs, ask subjects to look at the camera rather than anywhere else. In psychology, this is known as the \"Mona Lisa illusion\", which was named after the famous painting that also presents the same illusion."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "モナリザの錯覚", "subsection": null, "sub_subsection": null, "prompt": "モナリザのモナリザの錯覚を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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It is presumably for this reason that many people, while taking photographs, ask subjects to look at the camera rather than anywhere else. In psychology, this is known as the \"Mona Lisa illusion\", which was named after the famous painting that also presents the same illusion."}
{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "モナリザの錯覚", "subsection": null, "sub_subsection": null, "prompt": "モナリザはどのようにモナリザの錯覚を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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{"title": "モナリザ", "srclang_title": "Mona Lisa", "en_title": "Mona Lisa", "pageid": 70889, "page_rank": 1, "page_url": "https://en.wikipedia.org/wiki/Mona_Lisa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg/270px-Mona_Lisa%2C_by_Leonardo_da_Vinci%2C_from_C2RMF_retouched.jpg", "section": "モナリザの錯覚", "subsection": null, "sub_subsection": null, "prompt": "モナリザに関して、どのようにモナリザの錯覚が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Italian Renaissance", "Philadelphia Museum of Art", "Cross bracing", "ethylene oxide", "Beech tree", "''(Left to right)'' US President [[John F. 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Abrams", "Sector research institutes of Denmark#Økonomi- og Erhvervsministeriet", "Noah Charney", "Giovanni Poggi", "bulletproof glass", "List of works by Leonardo da Vinci", "Costanza d'Avalos, Duchess of Francavilla", "Lake Como", "Ginevra de' Benci", "masterpiece", "Rimini", "Comtesse de Béhague", "Renaissance", "Category:1500s paintings", "Gil Blas", "ABC News", "Category:Portrait paintings in the Louvre", "Macmillan Publishers", "panel painting", "La Trobe University", "Arezzo", "Jacqueline Kennedy", "Pesaro and Urbino", "National Museum of Art, Architecture and Design", "panel", "Louis XIV", "alternative views", "Category:Paintings by Leonardo da Vinci", "Palace of Versailles", "underdrawing", "Portrait of Maddalena Doni", "Belvedere, Vienna", "Taschen", "Andy Warhol", "crosspieces", "[[Raphael", "Italy", "Florence, Italy", "Italian language", "solvent", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (hands).jpg", "List of most expensive paintings#List of highest prices paid", "G.C. Sansoni", "the original painting", "Henri Loyrette", "carbon tetrachloride", "The Virgin and Child with St. Anne (Leonardo)", "Alessandro Vezzosi", "Uffizi Gallery", "Gherardini", "Populus", "Gherardini family", "Guinness World Record", "Campbell, Lorne", "Mona Lisa", "Penguin Books", "Yves Chaudron", "Isabella of Aragon, Duchess of Milan", "All Things Considered", "support", "portrait painting", "Martine-Marie-Pol de Béhague", "Margaret Livingstone", "ancient Roman", "Leonardo", "Madeleine Malraux", "File:Mona Lisa margin scribble.jpg", "Detail of the background (right side)", "The Last Supper (Leonardo)", "Guinness World Records", "Florence", "Invader (artist)", "Speculations about ''Mona Lisa''", "cake", "File:Sketch of the Mona Lisa by Raphael.jpg", "Palace of Fontainebleau", "Janina Ramirez", "Sebastiano Mainardi's pendant portraits", "File:Leonardo di ser Piero da Vinci - Portrait de Mona Lisa (dite La Joconde) - Louvre 779 - Detail (right landscape).jpg", "commons:file:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg", "Ancient Rome", "University of Heidelberg", "Giuliano de' Medici", "France 24", "portrait of Benedetto Portinari", "peripheral vision", "Giorgio Vasari", "Tuileries Palace", "The New York Times", "History Workshop Journal", "Leonardo da Vinci", "Independent.co.uk", "Salaì", "butterfly-shaped", "Lombardy", "Salvador Dalí", "Heidelberg University", "title of the painting", "William Morrow and Company", "Théophile Gautier", "Lil Wayne", "Luigi d'Aragona", "Virgin Mary", "Aalborg University", "Saint Jerome in the Wilderness (Leonardo)", "A margin note by [[Agostino Vespucci", "Barnes & Noble Books", "Random House", "Isabella of Aragon", "p=372}}</ref>", "Male ''Mona Lisa'' theories", "Cicero", "Lorne Campbell (art historian)", "Oxford University Press", "Harvard University", "Arsène Lupin (1932 film)", "St. John the Baptist (Leonardo)", "Robert Henri", "Musée Napoléon", "SBI", "Pouncing", "beechwood", "Hugh Blaker", "Panic! at the Disco", "Raphael", "oil on canvas", "Two–Mona Lisa theory", "Isleworth Mona Lisa", "Lecco", "Baedeker", "King Francis I", "Walter Pater", "Etruscan", "André Malraux", "Azzone Visconti", "Museo del Prado", "The Independent", "Jean Metzinger", "Marcel Duchamp", "Frank Zöllner", "Leonardo's pupils", "Lego", "Province of Pesaro and Urbino", "La velata", "Romito di Laterina bridge", "Vasari", "[[Louis Béroud", "realism", "surrealism", "The Walters Art Museum", " ", "French", "Nat King Cole"], "gold": "If a person being photographed looks into the camera lens, the image produced provides an illusion that viewers perceive as the subject looking at them, irrespective of the photograph's position. It is presumably for this reason that many people, while taking photographs, ask subjects to look at the camera rather than anywhere else. In psychology, this is known as the \"Mona Lisa illusion\", which was named after the famous painting that also presents the same illusion."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちに焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The statue of Laocoön and His Sons, also called the Laocoön Group (Italian: Gruppo del Laocoonte), has been one of the most famous ancient sculptures since it was excavated in Rome in 1506 and put on public display in the Vatican Museums, where it remains today. The statue is very likely the same one that was praised in the highest terms by Pliny the Elder, the main Roman writer on art, who attributed it to Greek sculptors but did not say when it was created. The figures in the statue are nearly life-sized, with the entire group measuring just over 2 m (6 ft 7 in) in height. The sculpture depicts the Trojan priest Laocoön and his sons Antiphantes and Thymbraeus being attacked by sea serpents.The Laocoön Group has been called \"the prototypical icon of human agony\" in Western art. Unlike the agony often portrayed in Christian art depicting the Passion of Jesus and martyrs, the suffering shown in this statue offers no redemptive power or reward. The agony is conveyed through the contorted expressions on the faces, particularly Laocoön's bulging eyebrows, which were noted by Guillaume Duchenne de Boulogne as physiologically impossible. These expressions are mirrored in the struggling bodies, especially Laocoön's, with every part of his body shown straining.Pliny attributed the work, then in the palace of Emperor Titus, to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros, and Polydorus, but he did not mention the date or patron. In style it is considered \"one of the finest examples of the Hellenistic baroque\" and certainly in the Greek tradition. However, its origin is uncertain, as it is not known if it is an original work or a copy of an earlier bronze sculpture. Some believe it to be a copy of a work from the early Imperial period, while others think it to be an original work from the later period, continuing the Pergamene style of some two centuries earlier. Regardless, it was probably commissioned for a wealthy Roman's home, possibly from the Imperial family. The dates suggested for the statue range from 200 BC to the 70s AD, with a Julio-Claudian date (27 BC to 68 AD) now being the preferred option.Despite being in mostly excellent condition for an excavated sculpture, the group is missing several parts and underwent several ancient modifications, as well as restorations since its excavation. The statue is currently on display in the Museo Pio-Clementino, which is part of the Vatican Museums."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちのabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The statue of Laocoön and His Sons, also called the Laocoön Group (Italian: Gruppo del Laocoonte), has been one of the most famous ancient sculptures since it was excavated in Rome in 1506 and put on public display in the Vatican Museums, where it remains today. The statue is very likely the same one that was praised in the highest terms by Pliny the Elder, the main Roman writer on art, who attributed it to Greek sculptors but did not say when it was created. The figures in the statue are nearly life-sized, with the entire group measuring just over 2 m (6 ft 7 in) in height. The sculpture depicts the Trojan priest Laocoön and his sons Antiphantes and Thymbraeus being attacked by sea serpents.The Laocoön Group has been called \"the prototypical icon of human agony\" in Western art. Unlike the agony often portrayed in Christian art depicting the Passion of Jesus and martyrs, the suffering shown in this statue offers no redemptive power or reward. The agony is conveyed through the contorted expressions on the faces, particularly Laocoön's bulging eyebrows, which were noted by Guillaume Duchenne de Boulogne as physiologically impossible. These expressions are mirrored in the struggling bodies, especially Laocoön's, with every part of his body shown straining.Pliny attributed the work, then in the palace of Emperor Titus, to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros, and Polydorus, but he did not mention the date or patron. In style it is considered \"one of the finest examples of the Hellenistic baroque\" and certainly in the Greek tradition. However, its origin is uncertain, as it is not known if it is an original work or a copy of an earlier bronze sculpture. Some believe it to be a copy of a work from the early Imperial period, while others think it to be an original work from the later period, continuing the Pergamene style of some two centuries earlier. Regardless, it was probably commissioned for a wealthy Roman's home, possibly from the Imperial family. The dates suggested for the statue range from 200 BC to the 70s AD, with a Julio-Claudian date (27 BC to 68 AD) now being the preferred option.Despite being in mostly excellent condition for an excavated sculpture, the group is missing several parts and underwent several ancient modifications, as well as restorations since its excavation. The statue is currently on display in the Museo Pio-Clementino, which is part of the Vatican Museums."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちはどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The statue of Laocoön and His Sons, also called the Laocoön Group (Italian: Gruppo del Laocoonte), has been one of the most famous ancient sculptures since it was excavated in Rome in 1506 and put on public display in the Vatican Museums, where it remains today. The statue is very likely the same one that was praised in the highest terms by Pliny the Elder, the main Roman writer on art, who attributed it to Greek sculptors but did not say when it was created. The figures in the statue are nearly life-sized, with the entire group measuring just over 2 m (6 ft 7 in) in height. The sculpture depicts the Trojan priest Laocoön and his sons Antiphantes and Thymbraeus being attacked by sea serpents.The Laocoön Group has been called \"the prototypical icon of human agony\" in Western art. Unlike the agony often portrayed in Christian art depicting the Passion of Jesus and martyrs, the suffering shown in this statue offers no redemptive power or reward. The agony is conveyed through the contorted expressions on the faces, particularly Laocoön's bulging eyebrows, which were noted by Guillaume Duchenne de Boulogne as physiologically impossible. These expressions are mirrored in the struggling bodies, especially Laocoön's, with every part of his body shown straining.Pliny attributed the work, then in the palace of Emperor Titus, to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros, and Polydorus, but he did not mention the date or patron. In style it is considered \"one of the finest examples of the Hellenistic baroque\" and certainly in the Greek tradition. However, its origin is uncertain, as it is not known if it is an original work or a copy of an earlier bronze sculpture. Some believe it to be a copy of a work from the early Imperial period, while others think it to be an original work from the later period, continuing the Pergamene style of some two centuries earlier. Regardless, it was probably commissioned for a wealthy Roman's home, possibly from the Imperial family. The dates suggested for the statue range from 200 BC to the 70s AD, with a Julio-Claudian date (27 BC to 68 AD) now being the preferred option.Despite being in mostly excellent condition for an excavated sculpture, the group is missing several parts and underwent several ancient modifications, as well as restorations since its excavation. The statue is currently on display in the Museo Pio-Clementino, which is part of the Vatican Museums."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちに関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The statue of Laocoön and His Sons, also called the Laocoön Group (Italian: Gruppo del Laocoonte), has been one of the most famous ancient sculptures since it was excavated in Rome in 1506 and put on public display in the Vatican Museums, where it remains today. The statue is very likely the same one that was praised in the highest terms by Pliny the Elder, the main Roman writer on art, who attributed it to Greek sculptors but did not say when it was created. The figures in the statue are nearly life-sized, with the entire group measuring just over 2 m (6 ft 7 in) in height. The sculpture depicts the Trojan priest Laocoön and his sons Antiphantes and Thymbraeus being attacked by sea serpents.The Laocoön Group has been called \"the prototypical icon of human agony\" in Western art. Unlike the agony often portrayed in Christian art depicting the Passion of Jesus and martyrs, the suffering shown in this statue offers no redemptive power or reward. The agony is conveyed through the contorted expressions on the faces, particularly Laocoön's bulging eyebrows, which were noted by Guillaume Duchenne de Boulogne as physiologically impossible. These expressions are mirrored in the struggling bodies, especially Laocoön's, with every part of his body shown straining.Pliny attributed the work, then in the palace of Emperor Titus, to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros, and Polydorus, but he did not mention the date or patron. In style it is considered \"one of the finest examples of the Hellenistic baroque\" and certainly in the Greek tradition. However, its origin is uncertain, as it is not known if it is an original work or a copy of an earlier bronze sculpture. Some believe it to be a copy of a work from the early Imperial period, while others think it to be an original work from the later period, continuing the Pergamene style of some two centuries earlier. Regardless, it was probably commissioned for a wealthy Roman's home, possibly from the Imperial family. The dates suggested for the statue range from 200 BC to the 70s AD, with a Julio-Claudian date (27 BC to 68 AD) now being the preferred option.Despite being in mostly excellent condition for an excavated sculpture, the group is missing several parts and underwent several ancient modifications, as well as restorations since its excavation. The statue is currently on display in the Museo Pio-Clementino, which is part of the Vatican Museums."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "件名", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちに焦点を当てて、その件名を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The story of Laocoön, a Trojan priest, came from the Greek Epic Cycle on the Trojan Wars, though it is not mentioned by Homer. It had been the subject of a tragedy, now lost, by Sophocles and was mentioned by other Greek writers, though the events around the attack by the serpents vary considerably. The most famous account of these is now in Virgil's Aeneid (see the Aeneid quotation at the entry Laocoön), but this dates from between 29 and 19 BC, which is possibly later than the sculpture. However, some scholars see the group as a depiction of the scene as described by Virgil.In Virgil, Laocoön was a priest of Poseidon who was killed with both his sons after attempting to expose the ruse of the Trojan Horse by striking it with a spear. In Sophocles, on the other hand, he was a priest of Apollo, who should have been celibate but had married. The serpents killed only the two sons, leaving Laocoön himself alive to suffer.  In other versions he was killed for having had sex with his wife in the temple of Poseidon, or simply making a sacrifice in the temple with his wife present. In this second group of versions, the snakes were sent by Poseidon and in the first by Poseidon and Athena, or Apollo, and the deaths were interpreted by the Trojans as proof that the horse was a sacred object. The two versions have rather different morals: Laocoön was either punished for doing wrong, or for being right.The snakes are depicted as both biting and constricting, and are probably intended as venomous, as in Virgil. Pietro Aretino thought so, praising the group in 1537:...the two serpents, in attacking the three figures, produce the most striking semblances of fear, suffering and death. The youth embraced in the coils is fearful; the old man struck by the fangs is in torment; the child who has received the poison, dies.In at least one Greek telling of the story the older son is able to escape, and the composition seems to allow for that possibility."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "件名", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちの件名を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The story of Laocoön, a Trojan priest, came from the Greek Epic Cycle on the Trojan Wars, though it is not mentioned by Homer. It had been the subject of a tragedy, now lost, by Sophocles and was mentioned by other Greek writers, though the events around the attack by the serpents vary considerably. The most famous account of these is now in Virgil's Aeneid (see the Aeneid quotation at the entry Laocoön), but this dates from between 29 and 19 BC, which is possibly later than the sculpture. However, some scholars see the group as a depiction of the scene as described by Virgil.In Virgil, Laocoön was a priest of Poseidon who was killed with both his sons after attempting to expose the ruse of the Trojan Horse by striking it with a spear. In Sophocles, on the other hand, he was a priest of Apollo, who should have been celibate but had married. The serpents killed only the two sons, leaving Laocoön himself alive to suffer.  In other versions he was killed for having had sex with his wife in the temple of Poseidon, or simply making a sacrifice in the temple with his wife present. In this second group of versions, the snakes were sent by Poseidon and in the first by Poseidon and Athena, or Apollo, and the deaths were interpreted by the Trojans as proof that the horse was a sacred object. The two versions have rather different morals: Laocoön was either punished for doing wrong, or for being right.The snakes are depicted as both biting and constricting, and are probably intended as venomous, as in Virgil. Pietro Aretino thought so, praising the group in 1537:...the two serpents, in attacking the three figures, produce the most striking semblances of fear, suffering and death. The youth embraced in the coils is fearful; the old man struck by the fangs is in torment; the child who has received the poison, dies.In at least one Greek telling of the story the older son is able to escape, and the composition seems to allow for that possibility."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "件名", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちはどのように件名を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The story of Laocoön, a Trojan priest, came from the Greek Epic Cycle on the Trojan Wars, though it is not mentioned by Homer. It had been the subject of a tragedy, now lost, by Sophocles and was mentioned by other Greek writers, though the events around the attack by the serpents vary considerably. The most famous account of these is now in Virgil's Aeneid (see the Aeneid quotation at the entry Laocoön), but this dates from between 29 and 19 BC, which is possibly later than the sculpture. However, some scholars see the group as a depiction of the scene as described by Virgil.In Virgil, Laocoön was a priest of Poseidon who was killed with both his sons after attempting to expose the ruse of the Trojan Horse by striking it with a spear. In Sophocles, on the other hand, he was a priest of Apollo, who should have been celibate but had married. The serpents killed only the two sons, leaving Laocoön himself alive to suffer.  In other versions he was killed for having had sex with his wife in the temple of Poseidon, or simply making a sacrifice in the temple with his wife present. In this second group of versions, the snakes were sent by Poseidon and in the first by Poseidon and Athena, or Apollo, and the deaths were interpreted by the Trojans as proof that the horse was a sacred object. The two versions have rather different morals: Laocoön was either punished for doing wrong, or for being right.The snakes are depicted as both biting and constricting, and are probably intended as venomous, as in Virgil. Pietro Aretino thought so, praising the group in 1537:...the two serpents, in attacking the three figures, produce the most striking semblances of fear, suffering and death. The youth embraced in the coils is fearful; the old man struck by the fangs is in torment; the child who has received the poison, dies.In at least one Greek telling of the story the older son is able to escape, and the composition seems to allow for that possibility."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "件名", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちに関して、どのように件名が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The story of Laocoön, a Trojan priest, came from the Greek Epic Cycle on the Trojan Wars, though it is not mentioned by Homer. It had been the subject of a tragedy, now lost, by Sophocles and was mentioned by other Greek writers, though the events around the attack by the serpents vary considerably. The most famous account of these is now in Virgil's Aeneid (see the Aeneid quotation at the entry Laocoön), but this dates from between 29 and 19 BC, which is possibly later than the sculpture. However, some scholars see the group as a depiction of the scene as described by Virgil.In Virgil, Laocoön was a priest of Poseidon who was killed with both his sons after attempting to expose the ruse of the Trojan Horse by striking it with a spear. In Sophocles, on the other hand, he was a priest of Apollo, who should have been celibate but had married. The serpents killed only the two sons, leaving Laocoön himself alive to suffer.  In other versions he was killed for having had sex with his wife in the temple of Poseidon, or simply making a sacrifice in the temple with his wife present. In this second group of versions, the snakes were sent by Poseidon and in the first by Poseidon and Athena, or Apollo, and the deaths were interpreted by the Trojans as proof that the horse was a sacred object. The two versions have rather different morals: Laocoön was either punished for doing wrong, or for being right.The snakes are depicted as both biting and constricting, and are probably intended as venomous, as in Virgil. Pietro Aretino thought so, praising the group in 1537:...the two serpents, in attacking the three figures, produce the most striking semblances of fear, suffering and death. The youth embraced in the coils is fearful; the old man struck by the fangs is in torment; the child who has received the poison, dies.In at least one Greek telling of the story the older son is able to escape, and the composition seems to allow for that possibility."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "古代", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちの文脈で、古代と歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The style of the work is agreed to be that of the Hellenistic \"Pergamene baroque\" which arose in Greek Asia Minor around 200 BC, and whose best known undoubtedly original work is the Pergamon Altar, dated c. 180–160 BC, and now in Berlin. Here the figure of Alcyoneus is shown in a pose and situation (including serpents) which is very similar to those of Laocoön, though the style is \"looser and wilder in its principles\" than the altar.The execution of the Laocoön is extremely fine throughout, and the composition very carefully calculated, even though it appears that the group underwent adjustments in ancient times.  The two sons are rather small in scale compared to their father, but this adds to the impact of the central figure.  The fine white marble used is often thought to be Greek, but has not been identified by analysis."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "古代", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちの歴史に関する古代を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - 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{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "古代", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちでは、どのように歴史の古代が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The style of the work is agreed to be that of the Hellenistic \"Pergamene baroque\" which arose in Greek Asia Minor around 200 BC, and whose best known undoubtedly original work is the Pergamon Altar, dated c. 180–160 BC, and now in Berlin. Here the figure of Alcyoneus is shown in a pose and situation (including serpents) which is very similar to those of Laocoön, though the style is \"looser and wilder in its principles\" than the altar.The execution of the Laocoön is extremely fine throughout, and the composition very carefully calculated, even though it appears that the group underwent adjustments in ancient times.  The two sons are rather small in scale compared to their father, but this adds to the impact of the central figure.  The fine white marble used is often thought to be Greek, but has not been identified by analysis."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "古代", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちの歴史における古代の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The style of the work is agreed to be that of the Hellenistic \"Pergamene baroque\" which arose in Greek Asia Minor around 200 BC, and whose best known undoubtedly original work is the Pergamon Altar, dated c. 180–160 BC, and now in Berlin. Here the figure of Alcyoneus is shown in a pose and situation (including serpents) which is very similar to those of Laocoön, though the style is \"looser and wilder in its principles\" than the altar.The execution of the Laocoön is extremely fine throughout, and the composition very carefully calculated, even though it appears that the group underwent adjustments in ancient times.  The two sons are rather small in scale compared to their father, but this adds to the impact of the central figure.  The fine white marble used is often thought to be Greek, but has not been identified by analysis."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "古代", "sub_subsection": "プリニウス", "prompt": "ラオコーンと彼の息子たちの歴史に焦点を当てて、古代についてのプリニウスを説明してください。英語で出力して下さい。", "template": "ja_template1_sub_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "=In Pliny's survey of Greek and Roman stone sculpture in his encyclopedic Natural History (XXXVI, 37), he says:....in the case of several works of very great excellence, the number of artists that have been engaged upon them has proved a considerable obstacle to the fame of each, no individual being able to engross the whole of the credit, and it being impossible to award it in due proportion to the names of the several artists combined. Such is the case with the Laocoön, for example, in the palace of the Emperor Titus, a work that may be looked upon as preferable to any other production of the art of painting or of [bronze] statuary. It is sculptured from a single block, both the main figure as well as the children, and the serpents with their marvellous folds. This group was made in concert by three most eminent artists, Agesander, Polydorus, and Athenodorus, natives of Rhodes.It is generally accepted that this is the same work as is now in the Vatican.  It is now very often thought that the three Rhodians were copyists, perhaps of a bronze sculpture from Pergamon, created around 200 BC. It is noteworthy that Pliny does not address this issue explicitly, in a way that suggests \"he regards it as an original\".  Pliny states that it was located in the palace of the emperor Titus, and it is possible that it remained in the same place until 1506 (see \"Findspot\" section below). He also asserts that it was carved from a single piece of marble, though the Vatican work comprises at least seven interlocking pieces.  The phrase translated above as \"in concert\" (de consilii sententia) is regarded by some as referring to their commission rather than the artists' method of working, giving in Nigel Spivey's translation: \"[the artists] at the behest of council designed a group...\", which Spivey takes to mean that the commission was by Titus, possibly even advised by Pliny among other savants.The same three artists' names, though in a different order (Athenodoros, Agesander, and Polydorus), with the names of their fathers, are inscribed on one of the sculptures at Tiberius's villa at Sperlonga (though they may predate his ownership), but it seems likely that not all the three masters were the same individuals.  Though broadly similar in style, many aspects of the execution of the two groups are drastically different, with the Laocoon group of much higher quality and finish.Some scholars used to think that honorific inscriptions found at Lindos in Rhodes dated Agesander and Athenodoros, recorded as priests, to a period after 42 BC, making the years 42 to 20 BC the most likely date for the Laocoön group's creation.  However the Sperlonga inscription, which also gives the fathers of the artists, makes it clear that at least Agesander is a different individual from the priest of the same name recorded at Lindos, though very possibly related.  The names may have recurred across generations, a Rhodian habit, within the context of a family workshop (which might well have included the adoption of promising young sculptors).  Altogether eight \"signatures\" (or labels) of an Athenodoros are found on sculptures or bases for them, five of these from Italy. Some, including that from Sperlonga, record his father as Agesander.  The whole question remains the subject of academic debate."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "古代", "sub_subsection": "プリニウス", "prompt": "ラオコーンと彼の息子たちの歴史の古代に関するプリニウスを説明してください。英語で出力して下さい。", "template": "ja_template2_sub_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "=In Pliny's survey of Greek and Roman stone sculpture in his encyclopedic Natural History (XXXVI, 37), he says:....in the case of several works of very great excellence, the number of artists that have been engaged upon them has proved a considerable obstacle to the fame of each, no individual being able to engross the whole of the credit, and it being impossible to award it in due proportion to the names of the several artists combined. Such is the case with the Laocoön, for example, in the palace of the Emperor Titus, a work that may be looked upon as preferable to any other production of the art of painting or of [bronze] statuary. It is sculptured from a single block, both the main figure as well as the children, and the serpents with their marvellous folds. This group was made in concert by three most eminent artists, Agesander, Polydorus, and Athenodorus, natives of Rhodes.It is generally accepted that this is the same work as is now in the Vatican.  It is now very often thought that the three Rhodians were copyists, perhaps of a bronze sculpture from Pergamon, created around 200 BC. It is noteworthy that Pliny does not address this issue explicitly, in a way that suggests \"he regards it as an original\".  Pliny states that it was located in the palace of the emperor Titus, and it is possible that it remained in the same place until 1506 (see \"Findspot\" section below). He also asserts that it was carved from a single piece of marble, though the Vatican work comprises at least seven interlocking pieces.  The phrase translated above as \"in concert\" (de consilii sententia) is regarded by some as referring to their commission rather than the artists' method of working, giving in Nigel Spivey's translation: \"[the artists] at the behest of council designed a group...\", which Spivey takes to mean that the commission was by Titus, possibly even advised by Pliny among other savants.The same three artists' names, though in a different order (Athenodoros, Agesander, and Polydorus), with the names of their fathers, are inscribed on one of the sculptures at Tiberius's villa at Sperlonga (though they may predate his ownership), but it seems likely that not all the three masters were the same individuals.  Though broadly similar in style, many aspects of the execution of the two groups are drastically different, with the Laocoon group of much higher quality and finish.Some scholars used to think that honorific inscriptions found at Lindos in Rhodes dated Agesander and Athenodoros, recorded as priests, to a period after 42 BC, making the years 42 to 20 BC the most likely date for the Laocoön group's creation.  However the Sperlonga inscription, which also gives the fathers of the artists, makes it clear that at least Agesander is a different individual from the priest of the same name recorded at Lindos, though very possibly related.  The names may have recurred across generations, a Rhodian habit, within the context of a family workshop (which might well have included the adoption of promising young sculptors).  Altogether eight \"signatures\" (or labels) of an Athenodoros are found on sculptures or bases for them, five of these from Italy. Some, including that from Sperlonga, record his father as Agesander.  The whole question remains the subject of academic debate."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "古代", "sub_subsection": "プリニウス", "prompt": "ラオコーンと彼の息子たちに関して、歴史の古代はプリニウスをどのように取り入れていますか？英語で出力して下さい。", "template": "ja_template3_sub_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "=In Pliny's survey of Greek and Roman stone sculpture in his encyclopedic Natural History (XXXVI, 37), he says:....in the case of several works of very great excellence, the number of artists that have been engaged upon them has proved a considerable obstacle to the fame of each, no individual being able to engross the whole of the credit, and it being impossible to award it in due proportion to the names of the several artists combined. Such is the case with the Laocoön, for example, in the palace of the Emperor Titus, a work that may be looked upon as preferable to any other production of the art of painting or of [bronze] statuary. It is sculptured from a single block, both the main figure as well as the children, and the serpents with their marvellous folds. This group was made in concert by three most eminent artists, Agesander, Polydorus, and Athenodorus, natives of Rhodes.It is generally accepted that this is the same work as is now in the Vatican.  It is now very often thought that the three Rhodians were copyists, perhaps of a bronze sculpture from Pergamon, created around 200 BC. It is noteworthy that Pliny does not address this issue explicitly, in a way that suggests \"he regards it as an original\".  Pliny states that it was located in the palace of the emperor Titus, and it is possible that it remained in the same place until 1506 (see \"Findspot\" section below). He also asserts that it was carved from a single piece of marble, though the Vatican work comprises at least seven interlocking pieces.  The phrase translated above as \"in concert\" (de consilii sententia) is regarded by some as referring to their commission rather than the artists' method of working, giving in Nigel Spivey's translation: \"[the artists] at the behest of council designed a group...\", which Spivey takes to mean that the commission was by Titus, possibly even advised by Pliny among other savants.The same three artists' names, though in a different order (Athenodoros, Agesander, and Polydorus), with the names of their fathers, are inscribed on one of the sculptures at Tiberius's villa at Sperlonga (though they may predate his ownership), but it seems likely that not all the three masters were the same individuals.  Though broadly similar in style, many aspects of the execution of the two groups are drastically different, with the Laocoon group of much higher quality and finish.Some scholars used to think that honorific inscriptions found at Lindos in Rhodes dated Agesander and Athenodoros, recorded as priests, to a period after 42 BC, making the years 42 to 20 BC the most likely date for the Laocoön group's creation.  However the Sperlonga inscription, which also gives the fathers of the artists, makes it clear that at least Agesander is a different individual from the priest of the same name recorded at Lindos, though very possibly related.  The names may have recurred across generations, a Rhodian habit, within the context of a family workshop (which might well have included the adoption of promising young sculptors).  Altogether eight \"signatures\" (or labels) of an Athenodoros are found on sculptures or bases for them, five of these from Italy. Some, including that from Sperlonga, record his father as Agesander.  The whole question remains the subject of academic debate."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "古代", "sub_subsection": "プリニウス", "prompt": "ラオコーンと彼の息子たちの歴史について見たとき、その古代のプリニウスをどのように議論しますか？英語で出力して下さい。", "template": "ja_template4_sub_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "=In Pliny's survey of Greek and Roman stone sculpture in his encyclopedic Natural History (XXXVI, 37), he says:....in the case of several works of very great excellence, the number of artists that have been engaged upon them has proved a considerable obstacle to the fame of each, no individual being able to engross the whole of the credit, and it being impossible to award it in due proportion to the names of the several artists combined. Such is the case with the Laocoön, for example, in the palace of the Emperor Titus, a work that may be looked upon as preferable to any other production of the art of painting or of [bronze] statuary. It is sculptured from a single block, both the main figure as well as the children, and the serpents with their marvellous folds. This group was made in concert by three most eminent artists, Agesander, Polydorus, and Athenodorus, natives of Rhodes.It is generally accepted that this is the same work as is now in the Vatican.  It is now very often thought that the three Rhodians were copyists, perhaps of a bronze sculpture from Pergamon, created around 200 BC. It is noteworthy that Pliny does not address this issue explicitly, in a way that suggests \"he regards it as an original\".  Pliny states that it was located in the palace of the emperor Titus, and it is possible that it remained in the same place until 1506 (see \"Findspot\" section below). He also asserts that it was carved from a single piece of marble, though the Vatican work comprises at least seven interlocking pieces.  The phrase translated above as \"in concert\" (de consilii sententia) is regarded by some as referring to their commission rather than the artists' method of working, giving in Nigel Spivey's translation: \"[the artists] at the behest of council designed a group...\", which Spivey takes to mean that the commission was by Titus, possibly even advised by Pliny among other savants.The same three artists' names, though in a different order (Athenodoros, Agesander, and Polydorus), with the names of their fathers, are inscribed on one of the sculptures at Tiberius's villa at Sperlonga (though they may predate his ownership), but it seems likely that not all the three masters were the same individuals.  Though broadly similar in style, many aspects of the execution of the two groups are drastically different, with the Laocoon group of much higher quality and finish.Some scholars used to think that honorific inscriptions found at Lindos in Rhodes dated Agesander and Athenodoros, recorded as priests, to a period after 42 BC, making the years 42 to 20 BC the most likely date for the Laocoön group's creation.  However the Sperlonga inscription, which also gives the fathers of the artists, makes it clear that at least Agesander is a different individual from the priest of the same name recorded at Lindos, though very possibly related.  The names may have recurred across generations, a Rhodian habit, within the context of a family workshop (which might well have included the adoption of promising young sculptors).  Altogether eight \"signatures\" (or labels) of an Athenodoros are found on sculptures or bases for them, five of these from Italy. Some, including that from Sperlonga, record his father as Agesander.  The whole question remains the subject of academic debate."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "ルネサンス", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちの文脈で、ルネサンスと歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The group was unearthed in February 1506 in the vineyard of Felice De Fredis; informed of the fact, Pope Julius II, an enthusiastic classicist, sent for his court artists.  Michelangelo was called to the site of the unearthing of the statue immediately after its discovery, along with the Florentine architect Giuliano da Sangallo and his eleven-year-old son Francesco da Sangallo, later a sculptor, who wrote an account over sixty years later:The first time I was in Rome when I was very young, the pope was told about the discovery of some very beautiful statues in a vineyard near Santa Maria Maggiore. The pope ordered one of his officers to run and tell Giuliano da Sangallo to go and see them.  So he set off immediately. Since Michelangelo Buonarroti was always to be found at our house, my father having summoned him and having assigned him the commission of the pope's tomb, my father wanted him to come along, too. I joined up with my father and off we went. I climbed down to where the statues were when immediately my father said, \"That is the Laocoön, which Pliny mentions\".  Then they dug the hole wider so that they could pull the statue out. As soon as it was visible everyone started to draw (or \"started to have lunch\"), all the while discoursing on ancient things, chatting as well about the ones in Florence.Julius acquired the group on March 23, giving De Fredis a job as a scribe as well as the customs revenues from one of the gates of Rome.  By August the group was placed for public viewing in a niche in the wall of the brand new Belvedere Garden at the Vatican, now part of the Vatican Museums, which regard this as the start of their history. As yet it had no base, which was not added until 1511, and from various prints and drawings from the time the older son appears to have been completely detached from the rest of the group.In July 1798 the statue was taken to France in the wake of the French conquest of Italy, though the replacement parts were left in Rome. It was on display when the new Musée Central des Arts, later the Musée Napoléon, opened at the Louvre in November 1800.  A competition was announced for new parts to complete the composition, but there were no entries. Some plaster sections by François Girardon, over 150 years old, were used instead.  After Napoleon's final defeat at the Battle of Waterloo in 1815 most (but certainly not all) of the artworks plundered by the French were returned, and the Laocoön reached Rome in January 1816."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "ルネサンス", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちの歴史に関するルネサンスを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The group was unearthed in February 1506 in the vineyard of Felice De Fredis; informed of the fact, Pope Julius II, an enthusiastic classicist, sent for his court artists.  Michelangelo was called to the site of the unearthing of the statue immediately after its discovery, along with the Florentine architect Giuliano da Sangallo and his eleven-year-old son Francesco da Sangallo, later a sculptor, who wrote an account over sixty years later:The first time I was in Rome when I was very young, the pope was told about the discovery of some very beautiful statues in a vineyard near Santa Maria Maggiore. The pope ordered one of his officers to run and tell Giuliano da Sangallo to go and see them.  So he set off immediately. Since Michelangelo Buonarroti was always to be found at our house, my father having summoned him and having assigned him the commission of the pope's tomb, my father wanted him to come along, too. I joined up with my father and off we went. I climbed down to where the statues were when immediately my father said, \"That is the Laocoön, which Pliny mentions\".  Then they dug the hole wider so that they could pull the statue out. As soon as it was visible everyone started to draw (or \"started to have lunch\"), all the while discoursing on ancient things, chatting as well about the ones in Florence.Julius acquired the group on March 23, giving De Fredis a job as a scribe as well as the customs revenues from one of the gates of Rome.  By August the group was placed for public viewing in a niche in the wall of the brand new Belvedere Garden at the Vatican, now part of the Vatican Museums, which regard this as the start of their history. As yet it had no base, which was not added until 1511, and from various prints and drawings from the time the older son appears to have been completely detached from the rest of the group.In July 1798 the statue was taken to France in the wake of the French conquest of Italy, though the replacement parts were left in Rome. It was on display when the new Musée Central des Arts, later the Musée Napoléon, opened at the Louvre in November 1800.  A competition was announced for new parts to complete the composition, but there were no entries. Some plaster sections by François Girardon, over 150 years old, were used instead.  After Napoleon's final defeat at the Battle of Waterloo in 1815 most (but certainly not all) of the artworks plundered by the French were returned, and the Laocoön reached Rome in January 1816."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "ルネサンス", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちでは、どのように歴史のルネサンスが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The group was unearthed in February 1506 in the vineyard of Felice De Fredis; informed of the fact, Pope Julius II, an enthusiastic classicist, sent for his court artists.  Michelangelo was called to the site of the unearthing of the statue immediately after its discovery, along with the Florentine architect Giuliano da Sangallo and his eleven-year-old son Francesco da Sangallo, later a sculptor, who wrote an account over sixty years later:The first time I was in Rome when I was very young, the pope was told about the discovery of some very beautiful statues in a vineyard near Santa Maria Maggiore. The pope ordered one of his officers to run and tell Giuliano da Sangallo to go and see them.  So he set off immediately. Since Michelangelo Buonarroti was always to be found at our house, my father having summoned him and having assigned him the commission of the pope's tomb, my father wanted him to come along, too. I joined up with my father and off we went. I climbed down to where the statues were when immediately my father said, \"That is the Laocoön, which Pliny mentions\".  Then they dug the hole wider so that they could pull the statue out. As soon as it was visible everyone started to draw (or \"started to have lunch\"), all the while discoursing on ancient things, chatting as well about the ones in Florence.Julius acquired the group on March 23, giving De Fredis a job as a scribe as well as the customs revenues from one of the gates of Rome.  By August the group was placed for public viewing in a niche in the wall of the brand new Belvedere Garden at the Vatican, now part of the Vatican Museums, which regard this as the start of their history. As yet it had no base, which was not added until 1511, and from various prints and drawings from the time the older son appears to have been completely detached from the rest of the group.In July 1798 the statue was taken to France in the wake of the French conquest of Italy, though the replacement parts were left in Rome. It was on display when the new Musée Central des Arts, later the Musée Napoléon, opened at the Louvre in November 1800.  A competition was announced for new parts to complete the composition, but there were no entries. Some plaster sections by François Girardon, over 150 years old, were used instead.  After Napoleon's final defeat at the Battle of Waterloo in 1815 most (but certainly not all) of the artworks plundered by the French were returned, and the Laocoön reached Rome in January 1816."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "ルネサンス", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちの歴史におけるルネサンスの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The group was unearthed in February 1506 in the vineyard of Felice De Fredis; informed of the fact, Pope Julius II, an enthusiastic classicist, sent for his court artists.  Michelangelo was called to the site of the unearthing of the statue immediately after its discovery, along with the Florentine architect Giuliano da Sangallo and his eleven-year-old son Francesco da Sangallo, later a sculptor, who wrote an account over sixty years later:The first time I was in Rome when I was very young, the pope was told about the discovery of some very beautiful statues in a vineyard near Santa Maria Maggiore. The pope ordered one of his officers to run and tell Giuliano da Sangallo to go and see them.  So he set off immediately. Since Michelangelo Buonarroti was always to be found at our house, my father having summoned him and having assigned him the commission of the pope's tomb, my father wanted him to come along, too. I joined up with my father and off we went. I climbed down to where the statues were when immediately my father said, \"That is the Laocoön, which Pliny mentions\".  Then they dug the hole wider so that they could pull the statue out. As soon as it was visible everyone started to draw (or \"started to have lunch\"), all the while discoursing on ancient things, chatting as well about the ones in Florence.Julius acquired the group on March 23, giving De Fredis a job as a scribe as well as the customs revenues from one of the gates of Rome.  By August the group was placed for public viewing in a niche in the wall of the brand new Belvedere Garden at the Vatican, now part of the Vatican Museums, which regard this as the start of their history. As yet it had no base, which was not added until 1511, and from various prints and drawings from the time the older son appears to have been completely detached from the rest of the group.In July 1798 the statue was taken to France in the wake of the French conquest of Italy, though the replacement parts were left in Rome. It was on display when the new Musée Central des Arts, later the Musée Napoléon, opened at the Louvre in November 1800.  A competition was announced for new parts to complete the composition, but there were no entries. Some plaster sections by François Girardon, over 150 years old, were used instead.  After Napoleon's final defeat at the Battle of Waterloo in 1815 most (but certainly not all) of the artworks plundered by the French were returned, and the Laocoön reached Rome in January 1816."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "修復作業", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちの文脈で、修復作業と歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "When the statue was discovered, Laocoön's right arm was missing, along with part of the hand of one son and the right arm of the other, and various sections of the snake. The older son, on the right, was detached from the other two figures.  The age of the altar used as a seat by Laocoön remains uncertain.  Artists and connoisseurs debated how the missing parts should be interpreted. Michelangelo suggested that the missing right arms were originally bent back over the shoulder. Others, however, believed it was more appropriate to show the right arms extended outwards in a heroic gesture.According to Vasari, in about 1510 Bramante, the Pope's architect, held an informal contest among sculptors to make replacement right arms, which was judged by Raphael, and won by Jacopo Sansovino. The winner, in the outstretched position, was used in copies but not attached to the original group, which remained as it was until 1532, when Giovanni Antonio Montorsoli, a pupil of Michelangelo, added his even more straight version of Laocoön's outstretched arm, which remained in place until modern times.  In 1725–1727 Agostino Cornacchini added a section to the younger son's arm, and after 1816 Antonio Canova tidied up the group after their return from Paris, without being convinced by the correctness of the additions but wishing to avoid a controversy.In 1906 Ludwig Pollak, archaeologist, art dealer and director of the Museo Barracco, discovered a fragment of a marble arm in a builder's yard in Rome, close to where the group was found. Noting a stylistic similarity to the Laocoön group he presented it to the Vatican Museums: it remained in their storerooms for half a century. In 1957 the museum decided that this arm – bent, as Michelangelo had suggested – had originally belonged to this Laocoön, and replaced it. According to Paolo Liverani: \"Remarkably, despite the lack of a critical section, the join between the torso and the arm was guaranteed by a drill hole on one piece which aligned perfectly with a corresponding hole on the other.\"In the 1980s the statue was dismantled and reassembled, again with the Pollak arm incorporated.  The restored portions of the sons' arms and hands were removed. In the course of disassembly, it was possible to observe breaks, cuttings, metal tenons, and dowel holes which suggested that in antiquity, a more compact, three-dimensional pyramidal grouping of the three figures had been used or at least contemplated. According to Seymour Howard, both the Vatican group and the Sperlonga sculptures \"show a similar taste for open and flexible pictorial organization that called for pyrotechnic piercing and lent itself to changes at the site, and in new situations\".The more open, planographic composition along a plane, used in the restoration of the Laocoön group, has been interpreted as \"apparently the result of serial reworkings by Roman Imperial as well as Renaissance and modern craftsmen\". A different reconstruction was proposed by Seymour Howard, to give \"a more cohesive, baroque-looking and diagonally-set pyramidal composition\", by turning the older son as much as 90°, with his back to the side of the altar, and looking towards the frontal viewer rather than at his father.  The findings Seymour Howard documented do not change his belief about the organization of the original. But dating the reworked coil ends by measuring the depth of the surface crust and comparing the metal dowels in the original and reworked portions allows one to determine the provenance of the parts and the sequence of the repairs. Other suggestions have been made."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "修復作業", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちの歴史に関する修復作業を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "When the statue was discovered, Laocoön's right arm was missing, along with part of the hand of one son and the right arm of the other, and various sections of the snake. The older son, on the right, was detached from the other two figures.  The age of the altar used as a seat by Laocoön remains uncertain.  Artists and connoisseurs debated how the missing parts should be interpreted. Michelangelo suggested that the missing right arms were originally bent back over the shoulder. Others, however, believed it was more appropriate to show the right arms extended outwards in a heroic gesture.According to Vasari, in about 1510 Bramante, the Pope's architect, held an informal contest among sculptors to make replacement right arms, which was judged by Raphael, and won by Jacopo Sansovino. The winner, in the outstretched position, was used in copies but not attached to the original group, which remained as it was until 1532, when Giovanni Antonio Montorsoli, a pupil of Michelangelo, added his even more straight version of Laocoön's outstretched arm, which remained in place until modern times.  In 1725–1727 Agostino Cornacchini added a section to the younger son's arm, and after 1816 Antonio Canova tidied up the group after their return from Paris, without being convinced by the correctness of the additions but wishing to avoid a controversy.In 1906 Ludwig Pollak, archaeologist, art dealer and director of the Museo Barracco, discovered a fragment of a marble arm in a builder's yard in Rome, close to where the group was found. Noting a stylistic similarity to the Laocoön group he presented it to the Vatican Museums: it remained in their storerooms for half a century. In 1957 the museum decided that this arm – bent, as Michelangelo had suggested – had originally belonged to this Laocoön, and replaced it. According to Paolo Liverani: \"Remarkably, despite the lack of a critical section, the join between the torso and the arm was guaranteed by a drill hole on one piece which aligned perfectly with a corresponding hole on the other.\"In the 1980s the statue was dismantled and reassembled, again with the Pollak arm incorporated.  The restored portions of the sons' arms and hands were removed. In the course of disassembly, it was possible to observe breaks, cuttings, metal tenons, and dowel holes which suggested that in antiquity, a more compact, three-dimensional pyramidal grouping of the three figures had been used or at least contemplated. According to Seymour Howard, both the Vatican group and the Sperlonga sculptures \"show a similar taste for open and flexible pictorial organization that called for pyrotechnic piercing and lent itself to changes at the site, and in new situations\".The more open, planographic composition along a plane, used in the restoration of the Laocoön group, has been interpreted as \"apparently the result of serial reworkings by Roman Imperial as well as Renaissance and modern craftsmen\". A different reconstruction was proposed by Seymour Howard, to give \"a more cohesive, baroque-looking and diagonally-set pyramidal composition\", by turning the older son as much as 90°, with his back to the side of the altar, and looking towards the frontal viewer rather than at his father.  The findings Seymour Howard documented do not change his belief about the organization of the original. But dating the reworked coil ends by measuring the depth of the surface crust and comparing the metal dowels in the original and reworked portions allows one to determine the provenance of the parts and the sequence of the repairs. Other suggestions have been made."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "修復作業", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちでは、どのように歴史の修復作業が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "When the statue was discovered, Laocoön's right arm was missing, along with part of the hand of one son and the right arm of the other, and various sections of the snake. The older son, on the right, was detached from the other two figures.  The age of the altar used as a seat by Laocoön remains uncertain.  Artists and connoisseurs debated how the missing parts should be interpreted. Michelangelo suggested that the missing right arms were originally bent back over the shoulder. Others, however, believed it was more appropriate to show the right arms extended outwards in a heroic gesture.According to Vasari, in about 1510 Bramante, the Pope's architect, held an informal contest among sculptors to make replacement right arms, which was judged by Raphael, and won by Jacopo Sansovino. The winner, in the outstretched position, was used in copies but not attached to the original group, which remained as it was until 1532, when Giovanni Antonio Montorsoli, a pupil of Michelangelo, added his even more straight version of Laocoön's outstretched arm, which remained in place until modern times.  In 1725–1727 Agostino Cornacchini added a section to the younger son's arm, and after 1816 Antonio Canova tidied up the group after their return from Paris, without being convinced by the correctness of the additions but wishing to avoid a controversy.In 1906 Ludwig Pollak, archaeologist, art dealer and director of the Museo Barracco, discovered a fragment of a marble arm in a builder's yard in Rome, close to where the group was found. Noting a stylistic similarity to the Laocoön group he presented it to the Vatican Museums: it remained in their storerooms for half a century. In 1957 the museum decided that this arm – bent, as Michelangelo had suggested – had originally belonged to this Laocoön, and replaced it. According to Paolo Liverani: \"Remarkably, despite the lack of a critical section, the join between the torso and the arm was guaranteed by a drill hole on one piece which aligned perfectly with a corresponding hole on the other.\"In the 1980s the statue was dismantled and reassembled, again with the Pollak arm incorporated.  The restored portions of the sons' arms and hands were removed. In the course of disassembly, it was possible to observe breaks, cuttings, metal tenons, and dowel holes which suggested that in antiquity, a more compact, three-dimensional pyramidal grouping of the three figures had been used or at least contemplated. According to Seymour Howard, both the Vatican group and the Sperlonga sculptures \"show a similar taste for open and flexible pictorial organization that called for pyrotechnic piercing and lent itself to changes at the site, and in new situations\".The more open, planographic composition along a plane, used in the restoration of the Laocoön group, has been interpreted as \"apparently the result of serial reworkings by Roman Imperial as well as Renaissance and modern craftsmen\". A different reconstruction was proposed by Seymour Howard, to give \"a more cohesive, baroque-looking and diagonally-set pyramidal composition\", by turning the older son as much as 90°, with his back to the side of the altar, and looking towards the frontal viewer rather than at his father.  The findings Seymour Howard documented do not change his belief about the organization of the original. But dating the reworked coil ends by measuring the depth of the surface crust and comparing the metal dowels in the original and reworked portions allows one to determine the provenance of the parts and the sequence of the repairs. Other suggestions have been made."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "歴史", "subsection": "修復作業", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちの歴史における修復作業の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "When the statue was discovered, Laocoön's right arm was missing, along with part of the hand of one son and the right arm of the other, and various sections of the snake. The older son, on the right, was detached from the other two figures.  The age of the altar used as a seat by Laocoön remains uncertain.  Artists and connoisseurs debated how the missing parts should be interpreted. Michelangelo suggested that the missing right arms were originally bent back over the shoulder. Others, however, believed it was more appropriate to show the right arms extended outwards in a heroic gesture.According to Vasari, in about 1510 Bramante, the Pope's architect, held an informal contest among sculptors to make replacement right arms, which was judged by Raphael, and won by Jacopo Sansovino. The winner, in the outstretched position, was used in copies but not attached to the original group, which remained as it was until 1532, when Giovanni Antonio Montorsoli, a pupil of Michelangelo, added his even more straight version of Laocoön's outstretched arm, which remained in place until modern times.  In 1725–1727 Agostino Cornacchini added a section to the younger son's arm, and after 1816 Antonio Canova tidied up the group after their return from Paris, without being convinced by the correctness of the additions but wishing to avoid a controversy.In 1906 Ludwig Pollak, archaeologist, art dealer and director of the Museo Barracco, discovered a fragment of a marble arm in a builder's yard in Rome, close to where the group was found. Noting a stylistic similarity to the Laocoön group he presented it to the Vatican Museums: it remained in their storerooms for half a century. In 1957 the museum decided that this arm – bent, as Michelangelo had suggested – had originally belonged to this Laocoön, and replaced it. According to Paolo Liverani: \"Remarkably, despite the lack of a critical section, the join between the torso and the arm was guaranteed by a drill hole on one piece which aligned perfectly with a corresponding hole on the other.\"In the 1980s the statue was dismantled and reassembled, again with the Pollak arm incorporated.  The restored portions of the sons' arms and hands were removed. In the course of disassembly, it was possible to observe breaks, cuttings, metal tenons, and dowel holes which suggested that in antiquity, a more compact, three-dimensional pyramidal grouping of the three figures had been used or at least contemplated. According to Seymour Howard, both the Vatican group and the Sperlonga sculptures \"show a similar taste for open and flexible pictorial organization that called for pyrotechnic piercing and lent itself to changes at the site, and in new situations\".The more open, planographic composition along a plane, used in the restoration of the Laocoön group, has been interpreted as \"apparently the result of serial reworkings by Roman Imperial as well as Renaissance and modern craftsmen\". A different reconstruction was proposed by Seymour Howard, to give \"a more cohesive, baroque-looking and diagonally-set pyramidal composition\", by turning the older son as much as 90°, with his back to the side of the altar, and looking towards the frontal viewer rather than at his father.  The findings Seymour Howard documented do not change his belief about the organization of the original. But dating the reworked coil ends by measuring the depth of the surface crust and comparing the metal dowels in the original and reworked portions allows one to determine the provenance of the parts and the sequence of the repairs. Other suggestions have been made."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "影響", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちに焦点を当てて、その影響を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The discovery of the Laocoön made a great impression on Italian artists and continued to influence Italian art into the Baroque period. Michelangelo is known to have been particularly impressed by the massive scale of the work and its sensuous Hellenistic aesthetic, particularly its depiction of the male figures. The influence of the Laocoön, as well as the Belvedere Torso, is evidenced in many of Michelangelo's later sculptures, such as the Rebellious Slave and the Dying Slave, created for the tomb of Pope Julius II.  Several of the ignudi and the figure of Haman in the Sistine Chapel ceiling draw on the figures.  Raphael used the face of Laocoön for his Homer in his Parnassus in the Raphael Rooms, expressing blindness rather than pain.The Florentine sculptor Baccio Bandinelli was commissioned to make a copy by the Medici Pope Leo X. Bandinelli's version, which was often copied and distributed in small bronzes, is in the Uffizi Gallery, Florence, the Pope having decided it was too good to send to François I of France as originally intended. A bronze casting, made for François I at Fontainebleau from a mold taken from the original under the supervision of Primaticcio, is at the Musée du Louvre.  There are many copies of the statue, including a well-known one in the Grand Palace of the Knights of St. John in Rhodes. Many still show the arm in the outstretched position, but the copy in Rhodes has been corrected.The group was rapidly depicted in prints as well as small models, and became known all over Europe. Titian appears to have had access to a good cast or reproduction from about 1520, and echoes of the figures begin to appear in his works, two of them in the Averoldi Altarpiece of 1520–1522.  A woodcut, probably after a drawing by Titian, parodied the sculpture by portraying three apes instead of humans. It has often been interpreted as a satire on the clumsiness of Bandinelli's copy, or as a commentary on debates of the time around the similarities between human and ape anatomy. It has also been suggested that this woodcut was one of a number of Renaissance images that were made to reflect contemporary doubts as to the authenticity of the Laocoön Group, the 'aping' of the statue referring to the incorrect pose of the Trojan priest who was depicted in ancient art in the traditional sacrificial pose, with his leg raised to subdue the bull. Over 15 drawings of the group made by Rubens in Rome have survived, and the influence of the figures can be seen in many of his major works, including his Descent from the Cross in Antwerp Cathedral.The original was seized and taken to Paris by Napoleon Bonaparte after his conquest of Italy in 1799, and installed in a place of honour in the Musée Napoléon at the Louvre. Following the fall of Napoleon, it was returned by the Allies to the Vatican in 1816."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "影響", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちの影響を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The discovery of the Laocoön made a great impression on Italian artists and continued to influence Italian art into the Baroque period. Michelangelo is known to have been particularly impressed by the massive scale of the work and its sensuous Hellenistic aesthetic, particularly its depiction of the male figures. The influence of the Laocoön, as well as the Belvedere Torso, is evidenced in many of Michelangelo's later sculptures, such as the Rebellious Slave and the Dying Slave, created for the tomb of Pope Julius II.  Several of the ignudi and the figure of Haman in the Sistine Chapel ceiling draw on the figures.  Raphael used the face of Laocoön for his Homer in his Parnassus in the Raphael Rooms, expressing blindness rather than pain.The Florentine sculptor Baccio Bandinelli was commissioned to make a copy by the Medici Pope Leo X. Bandinelli's version, which was often copied and distributed in small bronzes, is in the Uffizi Gallery, Florence, the Pope having decided it was too good to send to François I of France as originally intended. A bronze casting, made for François I at Fontainebleau from a mold taken from the original under the supervision of Primaticcio, is at the Musée du Louvre.  There are many copies of the statue, including a well-known one in the Grand Palace of the Knights of St. John in Rhodes. Many still show the arm in the outstretched position, but the copy in Rhodes has been corrected.The group was rapidly depicted in prints as well as small models, and became known all over Europe. Titian appears to have had access to a good cast or reproduction from about 1520, and echoes of the figures begin to appear in his works, two of them in the Averoldi Altarpiece of 1520–1522.  A woodcut, probably after a drawing by Titian, parodied the sculpture by portraying three apes instead of humans. It has often been interpreted as a satire on the clumsiness of Bandinelli's copy, or as a commentary on debates of the time around the similarities between human and ape anatomy. It has also been suggested that this woodcut was one of a number of Renaissance images that were made to reflect contemporary doubts as to the authenticity of the Laocoön Group, the 'aping' of the statue referring to the incorrect pose of the Trojan priest who was depicted in ancient art in the traditional sacrificial pose, with his leg raised to subdue the bull. Over 15 drawings of the group made by Rubens in Rome have survived, and the influence of the figures can be seen in many of his major works, including his Descent from the Cross in Antwerp Cathedral.The original was seized and taken to Paris by Napoleon Bonaparte after his conquest of Italy in 1799, and installed in a place of honour in the Musée Napoléon at the Louvre. Following the fall of Napoleon, it was returned by the Allies to the Vatican in 1816."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "影響", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちはどのように影響を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The discovery of the Laocoön made a great impression on Italian artists and continued to influence Italian art into the Baroque period. Michelangelo is known to have been particularly impressed by the massive scale of the work and its sensuous Hellenistic aesthetic, particularly its depiction of the male figures. The influence of the Laocoön, as well as the Belvedere Torso, is evidenced in many of Michelangelo's later sculptures, such as the Rebellious Slave and the Dying Slave, created for the tomb of Pope Julius II.  Several of the ignudi and the figure of Haman in the Sistine Chapel ceiling draw on the figures.  Raphael used the face of Laocoön for his Homer in his Parnassus in the Raphael Rooms, expressing blindness rather than pain.The Florentine sculptor Baccio Bandinelli was commissioned to make a copy by the Medici Pope Leo X. Bandinelli's version, which was often copied and distributed in small bronzes, is in the Uffizi Gallery, Florence, the Pope having decided it was too good to send to François I of France as originally intended. A bronze casting, made for François I at Fontainebleau from a mold taken from the original under the supervision of Primaticcio, is at the Musée du Louvre.  There are many copies of the statue, including a well-known one in the Grand Palace of the Knights of St. John in Rhodes. Many still show the arm in the outstretched position, but the copy in Rhodes has been corrected.The group was rapidly depicted in prints as well as small models, and became known all over Europe. Titian appears to have had access to a good cast or reproduction from about 1520, and echoes of the figures begin to appear in his works, two of them in the Averoldi Altarpiece of 1520–1522.  A woodcut, probably after a drawing by Titian, parodied the sculpture by portraying three apes instead of humans. It has often been interpreted as a satire on the clumsiness of Bandinelli's copy, or as a commentary on debates of the time around the similarities between human and ape anatomy. It has also been suggested that this woodcut was one of a number of Renaissance images that were made to reflect contemporary doubts as to the authenticity of the Laocoön Group, the 'aping' of the statue referring to the incorrect pose of the Trojan priest who was depicted in ancient art in the traditional sacrificial pose, with his leg raised to subdue the bull. Over 15 drawings of the group made by Rubens in Rome have survived, and the influence of the figures can be seen in many of his major works, including his Descent from the Cross in Antwerp Cathedral.The original was seized and taken to Paris by Napoleon Bonaparte after his conquest of Italy in 1799, and installed in a place of honour in the Musée Napoléon at the Louvre. Following the fall of Napoleon, it was returned by the Allies to the Vatican in 1816."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "影響", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちに関して、どのように影響が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The discovery of the Laocoön made a great impression on Italian artists and continued to influence Italian art into the Baroque period. Michelangelo is known to have been particularly impressed by the massive scale of the work and its sensuous Hellenistic aesthetic, particularly its depiction of the male figures. The influence of the Laocoön, as well as the Belvedere Torso, is evidenced in many of Michelangelo's later sculptures, such as the Rebellious Slave and the Dying Slave, created for the tomb of Pope Julius II.  Several of the ignudi and the figure of Haman in the Sistine Chapel ceiling draw on the figures.  Raphael used the face of Laocoön for his Homer in his Parnassus in the Raphael Rooms, expressing blindness rather than pain.The Florentine sculptor Baccio Bandinelli was commissioned to make a copy by the Medici Pope Leo X. Bandinelli's version, which was often copied and distributed in small bronzes, is in the Uffizi Gallery, Florence, the Pope having decided it was too good to send to François I of France as originally intended. A bronze casting, made for François I at Fontainebleau from a mold taken from the original under the supervision of Primaticcio, is at the Musée du Louvre.  There are many copies of the statue, including a well-known one in the Grand Palace of the Knights of St. John in Rhodes. Many still show the arm in the outstretched position, but the copy in Rhodes has been corrected.The group was rapidly depicted in prints as well as small models, and became known all over Europe. Titian appears to have had access to a good cast or reproduction from about 1520, and echoes of the figures begin to appear in his works, two of them in the Averoldi Altarpiece of 1520–1522.  A woodcut, probably after a drawing by Titian, parodied the sculpture by portraying three apes instead of humans. It has often been interpreted as a satire on the clumsiness of Bandinelli's copy, or as a commentary on debates of the time around the similarities between human and ape anatomy. It has also been suggested that this woodcut was one of a number of Renaissance images that were made to reflect contemporary doubts as to the authenticity of the Laocoön Group, the 'aping' of the statue referring to the incorrect pose of the Trojan priest who was depicted in ancient art in the traditional sacrificial pose, with his leg raised to subdue the bull. Over 15 drawings of the group made by Rubens in Rome have survived, and the influence of the figures can be seen in many of his major works, including his Descent from the Cross in Antwerp Cathedral.The original was seized and taken to Paris by Napoleon Bonaparte after his conquest of Italy in 1799, and installed in a place of honour in the Musée Napoléon at the Louvre. Following the fall of Napoleon, it was returned by the Allies to the Vatican in 1816."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "影響", "subsection": "ラオコーンは芸術の理想として", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちの文脈で、ラオコーンは芸術の理想としてと影響を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "Pliny's description of Laocoön as \"a work to be preferred to all that the arts of painting and sculpture have produced\" has led to a tradition which debates this claim that the sculpture is the greatest of all artworks. Johann Joachim Winckelmann (1717–1768) wrote about the paradox of admiring beauty while seeing a scene of death and failure.  The most influential contribution to the debate, Gotthold Ephraim Lessing's essay Laocoon: An Essay on the Limits of Painting and Poetry, examines the differences between visual and literary art by comparing the sculpture with Virgil's verse. He argues that the artists could not realistically depict the physical suffering of the victims, as this would be too painful. Instead, they had to express suffering while retaining beauty.Johann Goethe said the following in his essay, Upon the Laocoon \"A true work of art, like a work of nature, never ceases to open boundlessly before the mind. We examine, – we are impressed with it, – it produces its effect; but it can never be all comprehended, still less can its essence, its value, be expressed in words.The most unusual intervention in the debate, William Blake's annotated print Laocoön, surrounds the image with graffiti-like commentary in several languages, written in multiple directions. Blake presents the sculpture as a mediocre copy of a lost Israelite original, describing it as \"Jehovah & his two Sons Satan & Adam as they were copied from the Cherubim Of Solomons Temple by three Rhodians & applied to Natural Fact or History of Ilium\". This reflects Blake's theory that the imitation of ancient Greek and Roman art was destructive to the creative imagination, and that Classical sculpture represented a banal naturalism in contrast to Judeo-Christian spiritual art.The central figure of Laocoön served as loose inspiration for the Indian in Horatio Greenough's The Rescue (1837–1850), which stood before the east façade of the United States Capitol for over 100 years.Near the end of Charles Dickens' 1843 novella, A Christmas Carol, Ebenezer Scrooge self-describes \"making a perfect Laocoön of himself with his stockings\" in his hurry to dress on Christmas morning.John Ruskin disliked the sculpture and compared its \"disgusting convulsions\" unfavourably with work by Michelangelo, whose fresco of The Brazen Serpent, on a corner pendentive of the Sistine Chapel, also involves figures struggling with snakes – the fiery serpents of the Book of Numbers. He invited contrast between the \"meagre lines and contemptible tortures of the Laocoon\" and the \"awfulness and quietness\" of Michelangelo, saying \"the slaughter of the Dardan priest\" was \"entirely wanting\" in sublimity. Furthermore, he attacked the composition on naturalistic grounds, contrasting the carefully studied human anatomy of the restored figures with the unconvincing portrayal of the snakes:For whatever knowledge of the human frame there may be in the Laocoön, there is certainly none of the habits of serpents. The fixing of the snake's head in the side of the principal figure is as false to nature, as it is poor in composition of line. A large serpent never wants to bite, it wants to hold, it seizes therefore always where it can hold best, by the extremities, or throat, it seizes once and forever, and that before it coils, following up the seizure with the twist of its body round the victim, as invisibly swift as the twist of a whip lash round any hard object it may strike, and then it holds fast, never moving the jaws or the body, if its prey has any power of struggling left, it throws round another coil, without quitting the hold with the jaws; if Laocoön had had to do with real serpents, instead of pieces of tape with heads to them, he would have been held still, and not allowed to throw his arms or legs about.In 1910 the critic Irving Babbitt used the title The New Laokoon: An Essay on the Confusion of the Arts for an essay on contemporary culture at the beginning of the 20th century. In 1940 Clement Greenberg adapted the concept for his own essay entitled Towards a Newer Laocoön in which he argued that abstract art now provided an ideal for artists to measure their work against. A 2007 exhibition at the Henry Moore Institute in turn copied this title while exhibiting work by modern artists influenced by the sculpture."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "影響", "subsection": "ラオコーンは芸術の理想として", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちの影響に関するラオコーンは芸術の理想としてを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "Pliny's description of Laocoön as \"a work to be preferred to all that the arts of painting and sculpture have produced\" has led to a tradition which debates this claim that the sculpture is the greatest of all artworks. Johann Joachim Winckelmann (1717–1768) wrote about the paradox of admiring beauty while seeing a scene of death and failure.  The most influential contribution to the debate, Gotthold Ephraim Lessing's essay Laocoon: An Essay on the Limits of Painting and Poetry, examines the differences between visual and literary art by comparing the sculpture with Virgil's verse. He argues that the artists could not realistically depict the physical suffering of the victims, as this would be too painful. Instead, they had to express suffering while retaining beauty.Johann Goethe said the following in his essay, Upon the Laocoon \"A true work of art, like a work of nature, never ceases to open boundlessly before the mind. We examine, – we are impressed with it, – it produces its effect; but it can never be all comprehended, still less can its essence, its value, be expressed in words.The most unusual intervention in the debate, William Blake's annotated print Laocoön, surrounds the image with graffiti-like commentary in several languages, written in multiple directions. Blake presents the sculpture as a mediocre copy of a lost Israelite original, describing it as \"Jehovah & his two Sons Satan & Adam as they were copied from the Cherubim Of Solomons Temple by three Rhodians & applied to Natural Fact or History of Ilium\". This reflects Blake's theory that the imitation of ancient Greek and Roman art was destructive to the creative imagination, and that Classical sculpture represented a banal naturalism in contrast to Judeo-Christian spiritual art.The central figure of Laocoön served as loose inspiration for the Indian in Horatio Greenough's The Rescue (1837–1850), which stood before the east façade of the United States Capitol for over 100 years.Near the end of Charles Dickens' 1843 novella, A Christmas Carol, Ebenezer Scrooge self-describes \"making a perfect Laocoön of himself with his stockings\" in his hurry to dress on Christmas morning.John Ruskin disliked the sculpture and compared its \"disgusting convulsions\" unfavourably with work by Michelangelo, whose fresco of The Brazen Serpent, on a corner pendentive of the Sistine Chapel, also involves figures struggling with snakes – the fiery serpents of the Book of Numbers. He invited contrast between the \"meagre lines and contemptible tortures of the Laocoon\" and the \"awfulness and quietness\" of Michelangelo, saying \"the slaughter of the Dardan priest\" was \"entirely wanting\" in sublimity. Furthermore, he attacked the composition on naturalistic grounds, contrasting the carefully studied human anatomy of the restored figures with the unconvincing portrayal of the snakes:For whatever knowledge of the human frame there may be in the Laocoön, there is certainly none of the habits of serpents. The fixing of the snake's head in the side of the principal figure is as false to nature, as it is poor in composition of line. A large serpent never wants to bite, it wants to hold, it seizes therefore always where it can hold best, by the extremities, or throat, it seizes once and forever, and that before it coils, following up the seizure with the twist of its body round the victim, as invisibly swift as the twist of a whip lash round any hard object it may strike, and then it holds fast, never moving the jaws or the body, if its prey has any power of struggling left, it throws round another coil, without quitting the hold with the jaws; if Laocoön had had to do with real serpents, instead of pieces of tape with heads to them, he would have been held still, and not allowed to throw his arms or legs about.In 1910 the critic Irving Babbitt used the title The New Laokoon: An Essay on the Confusion of the Arts for an essay on contemporary culture at the beginning of the 20th century. In 1940 Clement Greenberg adapted the concept for his own essay entitled Towards a Newer Laocoön in which he argued that abstract art now provided an ideal for artists to measure their work against. A 2007 exhibition at the Henry Moore Institute in turn copied this title while exhibiting work by modern artists influenced by the sculpture."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "影響", "subsection": "ラオコーンは芸術の理想として", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちでは、どのように影響のラオコーンは芸術の理想としてが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "Pliny's description of Laocoön as \"a work to be preferred to all that the arts of painting and sculpture have produced\" has led to a tradition which debates this claim that the sculpture is the greatest of all artworks. Johann Joachim Winckelmann (1717–1768) wrote about the paradox of admiring beauty while seeing a scene of death and failure.  The most influential contribution to the debate, Gotthold Ephraim Lessing's essay Laocoon: An Essay on the Limits of Painting and Poetry, examines the differences between visual and literary art by comparing the sculpture with Virgil's verse. He argues that the artists could not realistically depict the physical suffering of the victims, as this would be too painful. Instead, they had to express suffering while retaining beauty.Johann Goethe said the following in his essay, Upon the Laocoon \"A true work of art, like a work of nature, never ceases to open boundlessly before the mind. We examine, – we are impressed with it, – it produces its effect; but it can never be all comprehended, still less can its essence, its value, be expressed in words.The most unusual intervention in the debate, William Blake's annotated print Laocoön, surrounds the image with graffiti-like commentary in several languages, written in multiple directions. Blake presents the sculpture as a mediocre copy of a lost Israelite original, describing it as \"Jehovah & his two Sons Satan & Adam as they were copied from the Cherubim Of Solomons Temple by three Rhodians & applied to Natural Fact or History of Ilium\". This reflects Blake's theory that the imitation of ancient Greek and Roman art was destructive to the creative imagination, and that Classical sculpture represented a banal naturalism in contrast to Judeo-Christian spiritual art.The central figure of Laocoön served as loose inspiration for the Indian in Horatio Greenough's The Rescue (1837–1850), which stood before the east façade of the United States Capitol for over 100 years.Near the end of Charles Dickens' 1843 novella, A Christmas Carol, Ebenezer Scrooge self-describes \"making a perfect Laocoön of himself with his stockings\" in his hurry to dress on Christmas morning.John Ruskin disliked the sculpture and compared its \"disgusting convulsions\" unfavourably with work by Michelangelo, whose fresco of The Brazen Serpent, on a corner pendentive of the Sistine Chapel, also involves figures struggling with snakes – the fiery serpents of the Book of Numbers. He invited contrast between the \"meagre lines and contemptible tortures of the Laocoon\" and the \"awfulness and quietness\" of Michelangelo, saying \"the slaughter of the Dardan priest\" was \"entirely wanting\" in sublimity. Furthermore, he attacked the composition on naturalistic grounds, contrasting the carefully studied human anatomy of the restored figures with the unconvincing portrayal of the snakes:For whatever knowledge of the human frame there may be in the Laocoön, there is certainly none of the habits of serpents. The fixing of the snake's head in the side of the principal figure is as false to nature, as it is poor in composition of line. A large serpent never wants to bite, it wants to hold, it seizes therefore always where it can hold best, by the extremities, or throat, it seizes once and forever, and that before it coils, following up the seizure with the twist of its body round the victim, as invisibly swift as the twist of a whip lash round any hard object it may strike, and then it holds fast, never moving the jaws or the body, if its prey has any power of struggling left, it throws round another coil, without quitting the hold with the jaws; if Laocoön had had to do with real serpents, instead of pieces of tape with heads to them, he would have been held still, and not allowed to throw his arms or legs about.In 1910 the critic Irving Babbitt used the title The New Laokoon: An Essay on the Confusion of the Arts for an essay on contemporary culture at the beginning of the 20th century. In 1940 Clement Greenberg adapted the concept for his own essay entitled Towards a Newer Laocoön in which he argued that abstract art now provided an ideal for artists to measure their work against. A 2007 exhibition at the Henry Moore Institute in turn copied this title while exhibiting work by modern artists influenced by the sculpture."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "影響", "subsection": "ラオコーンは芸術の理想として", "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちの影響におけるラオコーンは芸術の理想としての特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "Pliny's description of Laocoön as \"a work to be preferred to all that the arts of painting and sculpture have produced\" has led to a tradition which debates this claim that the sculpture is the greatest of all artworks. Johann Joachim Winckelmann (1717–1768) wrote about the paradox of admiring beauty while seeing a scene of death and failure.  The most influential contribution to the debate, Gotthold Ephraim Lessing's essay Laocoon: An Essay on the Limits of Painting and Poetry, examines the differences between visual and literary art by comparing the sculpture with Virgil's verse. He argues that the artists could not realistically depict the physical suffering of the victims, as this would be too painful. Instead, they had to express suffering while retaining beauty.Johann Goethe said the following in his essay, Upon the Laocoon \"A true work of art, like a work of nature, never ceases to open boundlessly before the mind. We examine, – we are impressed with it, – it produces its effect; but it can never be all comprehended, still less can its essence, its value, be expressed in words.The most unusual intervention in the debate, William Blake's annotated print Laocoön, surrounds the image with graffiti-like commentary in several languages, written in multiple directions. Blake presents the sculpture as a mediocre copy of a lost Israelite original, describing it as \"Jehovah & his two Sons Satan & Adam as they were copied from the Cherubim Of Solomons Temple by three Rhodians & applied to Natural Fact or History of Ilium\". This reflects Blake's theory that the imitation of ancient Greek and Roman art was destructive to the creative imagination, and that Classical sculpture represented a banal naturalism in contrast to Judeo-Christian spiritual art.The central figure of Laocoön served as loose inspiration for the Indian in Horatio Greenough's The Rescue (1837–1850), which stood before the east façade of the United States Capitol for over 100 years.Near the end of Charles Dickens' 1843 novella, A Christmas Carol, Ebenezer Scrooge self-describes \"making a perfect Laocoön of himself with his stockings\" in his hurry to dress on Christmas morning.John Ruskin disliked the sculpture and compared its \"disgusting convulsions\" unfavourably with work by Michelangelo, whose fresco of The Brazen Serpent, on a corner pendentive of the Sistine Chapel, also involves figures struggling with snakes – the fiery serpents of the Book of Numbers. He invited contrast between the \"meagre lines and contemptible tortures of the Laocoon\" and the \"awfulness and quietness\" of Michelangelo, saying \"the slaughter of the Dardan priest\" was \"entirely wanting\" in sublimity. Furthermore, he attacked the composition on naturalistic grounds, contrasting the carefully studied human anatomy of the restored figures with the unconvincing portrayal of the snakes:For whatever knowledge of the human frame there may be in the Laocoön, there is certainly none of the habits of serpents. The fixing of the snake's head in the side of the principal figure is as false to nature, as it is poor in composition of line. A large serpent never wants to bite, it wants to hold, it seizes therefore always where it can hold best, by the extremities, or throat, it seizes once and forever, and that before it coils, following up the seizure with the twist of its body round the victim, as invisibly swift as the twist of a whip lash round any hard object it may strike, and then it holds fast, never moving the jaws or the body, if its prey has any power of struggling left, it throws round another coil, without quitting the hold with the jaws; if Laocoön had had to do with real serpents, instead of pieces of tape with heads to them, he would have been held still, and not allowed to throw his arms or legs about.In 1910 the critic Irving Babbitt used the title The New Laokoon: An Essay on the Confusion of the Arts for an essay on contemporary culture at the beginning of the 20th century. In 1940 Clement Greenberg adapted the concept for his own essay entitled Towards a Newer Laocoön in which he argued that abstract art now provided an ideal for artists to measure their work against. A 2007 exhibition at the Henry Moore Institute in turn copied this title while exhibiting work by modern artists influenced by the sculpture."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "発見場所", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちに焦点を当てて、その発見場所を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The location where the buried statue was found in 1506 was always known to be \"in the vineyard of Felice De Fredis\" on the Oppian Hill (the southern spur of the Esquiline Hill), as noted in the document recording the sale of the group to the Pope.  But over time, knowledge of the site's precise location was lost, beyond \"vague\" statements such as Sangallo's \"near Santa Maria Maggiore\" (see above) or it being \"near the site of the Domus Aurea\" (the palace of the Emperor Nero); in modern terms near the Colosseum.  An inscribed plaque of 1529 in the church of Santa Maria in Aracoeli records the burial of De Fredis and his son there, covering his finding of the group but giving no occupation. Research published in 2010 has recovered two documents in the municipal archives (badly indexed, and so missed by earlier researchers), which have established a much more precise location for the find: slightly to the east of the southern end of the Sette Sale, the ruined cistern for the successive imperial baths at the base of the hill by the Colosseum.The first document records De Fredis' purchase of a vineyard of about 1.5 hectares from a convent for 135 ducats on 14 November 1504, exactly 14 months before the finding of the statue.  The second document, from 1527, makes it clear that there is now a house on the property, and clarifies the location; by then De Fredis was dead and his widow rented out the house. The house appears on a map of 1748, and still survives as a substantial building of three storeys, as of 2014 in the courtyard of a convent.  The area remained mainly agricultural until the 19th century, but is now entirely built up. It is speculated that De Fredis began building the house soon after his purchase, and as the group was reported to have been found some four metres below ground, at a depth unlikely to be reached by normal vineyard-digging operations, it seems likely that it was discovered when digging the foundations for the house, or possibly a well for it.The findspot was inside and very close to the Servian Wall, which was still maintained in the 1st century AD (possibly converted to an aqueduct), though no longer the city boundary, as building had spread well beyond it.  The spot was within the Gardens of Maecenas, founded by Gaius Maecenas the ally of Augustus and patron of the arts.  He bequeathed the gardens to Augustus in 8 BC, and Tiberius lived there after he returned to Rome as heir to Augustus in 2 AD.  Pliny said the Laocoön was in his time at the palace of Titus (qui est in Titi imperatoris domo), then heir to his father Vespasian, but the location of Titus's residence remains unknown; the imperial estate of the Gardens of Maecenas may be a plausible candidate.  If the Laocoön group was already in the location of the later findspot by the time Pliny saw it, it might have arrived there under Maecenas or any of the emperors.  The extent of the grounds of Nero's Domus Aurea is now unclear, but they do not appear to have extended so far north or east, though the newly rediscovered findspot-location is not very far beyond them."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "発見場所", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちの発見場所を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - 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But over time, knowledge of the site's precise location was lost, beyond \"vague\" statements such as Sangallo's \"near Santa Maria Maggiore\" (see above) or it being \"near the site of the Domus Aurea\" (the palace of the Emperor Nero); in modern terms near the Colosseum.  An inscribed plaque of 1529 in the church of Santa Maria in Aracoeli records the burial of De Fredis and his son there, covering his finding of the group but giving no occupation. Research published in 2010 has recovered two documents in the municipal archives (badly indexed, and so missed by earlier researchers), which have established a much more precise location for the find: slightly to the east of the southern end of the Sette Sale, the ruined cistern for the successive imperial baths at the base of the hill by the Colosseum.The first document records De Fredis' purchase of a vineyard of about 1.5 hectares from a convent for 135 ducats on 14 November 1504, exactly 14 months before the finding of the statue.  The second document, from 1527, makes it clear that there is now a house on the property, and clarifies the location; by then De Fredis was dead and his widow rented out the house. The house appears on a map of 1748, and still survives as a substantial building of three storeys, as of 2014 in the courtyard of a convent.  The area remained mainly agricultural until the 19th century, but is now entirely built up. It is speculated that De Fredis began building the house soon after his purchase, and as the group was reported to have been found some four metres below ground, at a depth unlikely to be reached by normal vineyard-digging operations, it seems likely that it was discovered when digging the foundations for the house, or possibly a well for it.The findspot was inside and very close to the Servian Wall, which was still maintained in the 1st century AD (possibly converted to an aqueduct), though no longer the city boundary, as building had spread well beyond it.  The spot was within the Gardens of Maecenas, founded by Gaius Maecenas the ally of Augustus and patron of the arts.  He bequeathed the gardens to Augustus in 8 BC, and Tiberius lived there after he returned to Rome as heir to Augustus in 2 AD.  Pliny said the Laocoön was in his time at the palace of Titus (qui est in Titi imperatoris domo), then heir to his father Vespasian, but the location of Titus's residence remains unknown; the imperial estate of the Gardens of Maecenas may be a plausible candidate.  If the Laocoön group was already in the location of the later findspot by the time Pliny saw it, it might have arrived there under Maecenas or any of the emperors.  The extent of the grounds of Nero's Domus Aurea is now unclear, but they do not appear to have extended so far north or east, though the newly rediscovered findspot-location is not very far beyond them."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "発見場所", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちはどのように発見場所を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The location where the buried statue was found in 1506 was always known to be \"in the vineyard of Felice De Fredis\" on the Oppian Hill (the southern spur of the Esquiline Hill), as noted in the document recording the sale of the group to the Pope.  But over time, knowledge of the site's precise location was lost, beyond \"vague\" statements such as Sangallo's \"near Santa Maria Maggiore\" (see above) or it being \"near the site of the Domus Aurea\" (the palace of the Emperor Nero); in modern terms near the Colosseum.  An inscribed plaque of 1529 in the church of Santa Maria in Aracoeli records the burial of De Fredis and his son there, covering his finding of the group but giving no occupation. Research published in 2010 has recovered two documents in the municipal archives (badly indexed, and so missed by earlier researchers), which have established a much more precise location for the find: slightly to the east of the southern end of the Sette Sale, the ruined cistern for the successive imperial baths at the base of the hill by the Colosseum.The first document records De Fredis' purchase of a vineyard of about 1.5 hectares from a convent for 135 ducats on 14 November 1504, exactly 14 months before the finding of the statue.  The second document, from 1527, makes it clear that there is now a house on the property, and clarifies the location; by then De Fredis was dead and his widow rented out the house. The house appears on a map of 1748, and still survives as a substantial building of three storeys, as of 2014 in the courtyard of a convent.  The area remained mainly agricultural until the 19th century, but is now entirely built up. It is speculated that De Fredis began building the house soon after his purchase, and as the group was reported to have been found some four metres below ground, at a depth unlikely to be reached by normal vineyard-digging operations, it seems likely that it was discovered when digging the foundations for the house, or possibly a well for it.The findspot was inside and very close to the Servian Wall, which was still maintained in the 1st century AD (possibly converted to an aqueduct), though no longer the city boundary, as building had spread well beyond it.  The spot was within the Gardens of Maecenas, founded by Gaius Maecenas the ally of Augustus and patron of the arts.  He bequeathed the gardens to Augustus in 8 BC, and Tiberius lived there after he returned to Rome as heir to Augustus in 2 AD.  Pliny said the Laocoön was in his time at the palace of Titus (qui est in Titi imperatoris domo), then heir to his father Vespasian, but the location of Titus's residence remains unknown; the imperial estate of the Gardens of Maecenas may be a plausible candidate.  If the Laocoön group was already in the location of the later findspot by the time Pliny saw it, it might have arrived there under Maecenas or any of the emperors.  The extent of the grounds of Nero's Domus Aurea is now unclear, but they do not appear to have extended so far north or east, though the newly rediscovered findspot-location is not very far beyond them."}
{"title": "ラオコーンと彼の息子たち", "srclang_title": "Laocoön and His Sons", "en_title": "Laocoön and His Sons", "pageid": 450547, "page_rank": 18, "page_url": "https://en.wikipedia.org/wiki/Laoco%C3%B6n_and_His_Sons", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/Laoco%C3%B6n_and_his_sons_group.jpg/270px-Laoco%C3%B6n_and_his_sons_group.jpg", "section": "発見場所", "subsection": null, "sub_subsection": null, "prompt": "ラオコーンと彼の息子たちに関して、どのように発見場所が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Gardens of Maecenas", "Titus", "section image here", "ducat", "Tiberius", "Pergamon Altar", "Maurus Servius Honoratus", "''The Rescue'' by Greenough", "aqueduct (bridge)", "Category:Hellenistic-style Roman sculptures", "Bramante", "Julio-Claudian", "Poseidon", "Donato Bramante", "Rhodes", "File:Laocoon-arm.JPG", "Battle of Waterloo", "Agesander", "Belvedere Garden", "Agostino Cornacchini", "Pergamene", "Category:Roman copies of Greek sculptures", "Clark, Kenneth", "Epic Cycle", "Nicholas Penny", "Charles Dickens", "File:C.sf., urbino, coppa con laocoonte, 1530-1545 circa.JPG", "United States Capitol", "woodcut", "Sublime (philosophy)", "aqueduct", "Pergamon museum", "Category:1st-century BC sculptures", "File:Pianta regio III da Lanciani.jpg", "Category:Archaeological discoveries in Italy", "The other oblique view", "Francis Haskell", "Spivey, Nigel", "s:Laocoon (Blake)", "Apollo", "William Blake", "Category:Sculptures of snakes", "hectare", "Santa Maria in Aracoeli", "Johann Joachim Winckelmann", "Western art", "Beard, Mary", "Troy", "martyr", "Natural History (Pliny)", "Musée du Louvre", "File:Laocoon.b.p1.300.jpg", "Grand Palace", "Sophocles", "Sistine Chapel ceiling", "Cathedral of Our Lady (Antwerp)", "Florence", "Johann Goethe", "sublimity", "Indian", "Julio-Claudian dynasty", "Category:1st-century sculptures", "bronze sculpture", "Robert Manuel Cook", "Gaius Maecenas", "Oxford Classical Dictionary", "Hellenistic", "Pergamon", "Sistine Chapel", "Giovanni Angelo Montorsoli", "Boardman, John", "Alcyoneus", "Virgil", "Florentine", "''Census''", "University of California", "Dardan", "Marble", "Sette Sale", "Eryx jaculus", "Pliny the Younger", "Gaia (mythology)", "Gotthold Ephraim Lessing", "Euphorion of Chalcis", "Palace of the Grand Master of the Knights of Rhodes", "Giambattista Nolli", "The Art Bulletin", "John Ruskin", "François I of France", "Museo Barracco di Scultura Antica", "Colosseum", "Native Americans in the United States", "File:At Ibirapuera Park 2023 055.jpg", "Gaia", "Horatio Greenough", "Antonio Canova", "Fiery flying serpent", "Francis I of France", "Pope Leo X", "Alcyoneus (?), [[Athena", "Ludwig Pollak", "File:Laocoon group closeup 4.jpg", "Giuliano da Sangallo", "Louvre", "Napoleon", "File:Fregio della gigantomachia 02.JPG", "The arm after refixing, 2010", "Nigel Spivey", "Modern Painters", "Fontainebleau", "Nike", "File:Laocoon Vatican.jpg", "Natural History", "Sperlonga sculptures", "Napoleon Bonaparte", "Mary Beard (classicist)", "Pietro Aretino", "John Boardman (art historian)", "Baroque", "A Christmas Carol", "Nero", "Rubens", "Guillaume Duchenne de Boulogne", "left", "1820}}", "Trojan Wars", "Johann Wolfgang von Goethe", "Census of Antique Works of Art and Architecture Known in the Renaissance", "File:Gruppo del laocoonte, 05.JPG", "Oblique view", "Vespasian", "Château de Fontainebleau", "Titian", "Image:Laocoonphoto.jpg", "Passion of Jesus", "upright", "Haman", "Francesco da Sangallo", "Haman (Bible)", "Museo Pio-Clementino", "Vatican Museums", "Knights of St. John", "Times Literary Supplement", "Esquiline Hill", "Henry Moore Institute", "adoption", "Haskell, Francis", "Oxford University Press", "200px", "Head of the older son, Antiphantes", "Primaticcio", "Vatican City", "Belvedere Torso", "François Girardon", "Asia Minor", "Musée Napoléon", "Averoldi Polyptych", "Rebellious Slave", "Athenodoros", "Hellenistic art", "Dardanus (city)", "Category:1506 archaeological discoveries", "Anatolia", "cistern", "Domus Aurea", "Roland Hampe", "Raphael", "The Rescue", "Averoldi Altarpiece", "Capitoline Wolf", ":File:Giovanni Battista Nolli-Nuova Pianta di Roma (1748) 09-12.JPG", "Trojan Horse", "Bocca della Verità", "The Parnassus", "Henry Moore Foundation", "Pope Julius II", "Dying Slave", "Pliny the Elder", "Museo Barracco", "fiery serpents", "Smarthistory", "Giovanni Antonio Montorsoli", ":File:GreenoughRescue.jpg", "Uffizi", "File:Caricature of the Laocoon group as apes.jpg", "Hellenistic period", "old master print", "File:Scan the World - Laocoon Group.stl", "Classical sculpture", "Nike (mythology)", "Parnassus", "Wellcome Trust", "Cortile del Belvedere", "Vatican Museums#Museo Pio-Clementino", "Michelangelo", "A replica in [[Ibirapuera Park", "Titian's parody of the ''Laocoön'' as a group of apes", "Agesander of Rhodes", "Lindos", "Laocoön", "The Descent from the Cross (Rubens, 1612-1614)", "Servian Wall", "thumb", "Category:Hellenistic sculpture", "Musée Napoléon (Paris)", "Cook, R.M.", "The group as it was between c. 1540 and 1957, with Laocoön's extended arm; the sons' restored arms were removed in the 1980s.", "Athena", "Knights Hospitaller", "Ludovisi Battle sarcophagus", "Homer", "Raphael Rooms", "Kenneth Clark", "Category:Antiquities acquired by Napoleon", "A [[maiolica", "Category:Sculptures in the Vatican Museums", "Category:Nude sculptures", "Baccio Bandinelli", "right", "prints", "Clement Greenberg", "Vasari", "Category:Tourist attractions in Rome", "Irving Babbitt", "Art of Europe", "Athenodorus of Rhodes", "The Rescue (statue)", "ignudi", "This map shows the findspot of the sculpture{{snd}}near the R in \"SERVIUS\", east of the [[Sette Sale", "Blake's ''Laocoön'' print, {{circa", "Trojan", "Oppian Hill", "Antwerp Cathedral", "Jacopo Sansovino", "Augustus", "Descent from the Cross", "Emperor Nero", "Christian art", "sculptures at Tiberius's villa at Sperlonga", "Book of Numbers", "Aeneid", "Richard Brilliant", "Emperor Titus", "Penny, Nicholas"], "gold": "The location where the buried statue was found in 1506 was always known to be \"in the vineyard of Felice De Fredis\" on the Oppian Hill (the southern spur of the Esquiline Hill), as noted in the document recording the sale of the group to the Pope.  But over time, knowledge of the site's precise location was lost, beyond \"vague\" statements such as Sangallo's \"near Santa Maria Maggiore\" (see above) or it being \"near the site of the Domus Aurea\" (the palace of the Emperor Nero); in modern terms near the Colosseum.  An inscribed plaque of 1529 in the church of Santa Maria in Aracoeli records the burial of De Fredis and his son there, covering his finding of the group but giving no occupation. Research published in 2010 has recovered two documents in the municipal archives (badly indexed, and so missed by earlier researchers), which have established a much more precise location for the find: slightly to the east of the southern end of the Sette Sale, the ruined cistern for the successive imperial baths at the base of the hill by the Colosseum.The first document records De Fredis' purchase of a vineyard of about 1.5 hectares from a convent for 135 ducats on 14 November 1504, exactly 14 months before the finding of the statue.  The second document, from 1527, makes it clear that there is now a house on the property, and clarifies the location; by then De Fredis was dead and his widow rented out the house. The house appears on a map of 1748, and still survives as a substantial building of three storeys, as of 2014 in the courtyard of a convent.  The area remained mainly agricultural until the 19th century, but is now entirely built up. It is speculated that De Fredis began building the house soon after his purchase, and as the group was reported to have been found some four metres below ground, at a depth unlikely to be reached by normal vineyard-digging operations, it seems likely that it was discovered when digging the foundations for the house, or possibly a well for it.The findspot was inside and very close to the Servian Wall, which was still maintained in the 1st century AD (possibly converted to an aqueduct), though no longer the city boundary, as building had spread well beyond it.  The spot was within the Gardens of Maecenas, founded by Gaius Maecenas the ally of Augustus and patron of the arts.  He bequeathed the gardens to Augustus in 8 BC, and Tiberius lived there after he returned to Rome as heir to Augustus in 2 AD.  Pliny said the Laocoön was in his time at the palace of Titus (qui est in Titi imperatoris domo), then heir to his father Vespasian, but the location of Titus's residence remains unknown; the imperial estate of the Gardens of Maecenas may be a plausible candidate.  If the Laocoön group was already in the location of the later findspot by the time Pliny saw it, it might have arrived there under Maecenas or any of the emperors.  The extent of the grounds of Nero's Domus Aurea is now unclear, but they do not appear to have extended so far north or east, though the newly rediscovered findspot-location is not very far beyond them."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Liberty Leading the People (French: La Liberté guidant le peuple [la libɛʁte ɡidɑ̃ lə pœpl]) is a painting of the Romantic era by the French artist Eugène Delacroix,  commemorating the July Revolution of 1830 that toppled King Charles X (r. 1824-1830). A bare-breasted “woman of the people” with a Phrygian cap personifying the concept and Goddess of Liberty, accompanied by a young boy brandishing a pistol in each hand, leads a group of various people forward over a barricade and the bodies of the fallen while holding aloft the flag of the French Revolution — the tricolour, which again became France's national flag after these events — in one hand, and brandishing a bayonetted musket with the other. The figure of Liberty is also viewed as a symbol of France and the French Republic known as Marianne. The painting is sometimes wrongly thought to depict the French Revolution of 1789.Liberty Leading the People is exhibited in the Louvre in Paris."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Liberty Leading the People (French: La Liberté guidant le peuple [la libɛʁte ɡidɑ̃ lə pœpl]) is a painting of the Romantic era by the French artist Eugène Delacroix,  commemorating the July Revolution of 1830 that toppled King Charles X (r. 1824-1830). A bare-breasted “woman of the people” with a Phrygian cap personifying the concept and Goddess of Liberty, accompanied by a young boy brandishing a pistol in each hand, leads a group of various people forward over a barricade and the bodies of the fallen while holding aloft the flag of the French Revolution — the tricolour, which again became France's national flag after these events — in one hand, and brandishing a bayonetted musket with the other. The figure of Liberty is also viewed as a symbol of France and the French Republic known as Marianne. The painting is sometimes wrongly thought to depict the French Revolution of 1789.Liberty Leading the People is exhibited in the Louvre in Paris."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Liberty Leading the People (French: La Liberté guidant le peuple [la libɛʁte ɡidɑ̃ lə pœpl]) is a painting of the Romantic era by the French artist Eugène Delacroix,  commemorating the July Revolution of 1830 that toppled King Charles X (r. 1824-1830). A bare-breasted “woman of the people” with a Phrygian cap personifying the concept and Goddess of Liberty, accompanied by a young boy brandishing a pistol in each hand, leads a group of various people forward over a barricade and the bodies of the fallen while holding aloft the flag of the French Revolution — the tricolour, which again became France's national flag after these events — in one hand, and brandishing a bayonetted musket with the other. The figure of Liberty is also viewed as a symbol of France and the French Republic known as Marianne. The painting is sometimes wrongly thought to depict the French Revolution of 1789.Liberty Leading the People is exhibited in the Louvre in Paris."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Liberty Leading the People (French: La Liberté guidant le peuple [la libɛʁte ɡidɑ̃ lə pœpl]) is a painting of the Romantic era by the French artist Eugène Delacroix,  commemorating the July Revolution of 1830 that toppled King Charles X (r. 1824-1830). A bare-breasted “woman of the people” with a Phrygian cap personifying the concept and Goddess of Liberty, accompanied by a young boy brandishing a pistol in each hand, leads a group of various people forward over a barricade and the bodies of the fallen while holding aloft the flag of the French Revolution — the tricolour, which again became France's national flag after these events — in one hand, and brandishing a bayonetted musket with the other. The figure of Liberty is also viewed as a symbol of France and the French Republic known as Marianne. The painting is sometimes wrongly thought to depict the French Revolution of 1789.Liberty Leading the People is exhibited in the Louvre in Paris."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由に焦点を当てて、その歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "By the time Delacroix painted Liberty Leading the People, he was already the acknowledged leader of the Romantic school in French painting. Delacroix, who was born as the Age of Enlightenment was giving way to the ideas and style of romanticism, rejected the emphasis on precise drawing that characterised the academic art of his time, and instead gave a new prominence to freely brushed colour.Delacroix painted his work in the autumn of 1830. In a letter to his brother dated 21 October, he wrote: \"My bad mood is vanishing thanks to hard work. I've embarked on a modern subject—a barricade. And if I haven't fought for my country at least I'll paint for her.\" The painting was first exhibited at the official Salon of 1831."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由の歴史を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "By the time Delacroix painted Liberty Leading the People, he was already the acknowledged leader of the Romantic school in French painting. Delacroix, who was born as the Age of Enlightenment was giving way to the ideas and style of romanticism, rejected the emphasis on precise drawing that characterised the academic art of his time, and instead gave a new prominence to freely brushed colour.Delacroix painted his work in the autumn of 1830. In a letter to his brother dated 21 October, he wrote: \"My bad mood is vanishing thanks to hard work. I've embarked on a modern subject—a barricade. And if I haven't fought for my country at least I'll paint for her.\" The painting was first exhibited at the official Salon of 1831."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由はどのように歴史を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "By the time Delacroix painted Liberty Leading the People, he was already the acknowledged leader of the Romantic school in French painting. Delacroix, who was born as the Age of Enlightenment was giving way to the ideas and style of romanticism, rejected the emphasis on precise drawing that characterised the academic art of his time, and instead gave a new prominence to freely brushed colour.Delacroix painted his work in the autumn of 1830. In a letter to his brother dated 21 October, he wrote: \"My bad mood is vanishing thanks to hard work. I've embarked on a modern subject—a barricade. And if I haven't fought for my country at least I'll paint for her.\" The painting was first exhibited at the official Salon of 1831."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由に関して、どのように歴史が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "By the time Delacroix painted Liberty Leading the People, he was already the acknowledged leader of the Romantic school in French painting. Delacroix, who was born as the Age of Enlightenment was giving way to the ideas and style of romanticism, rejected the emphasis on precise drawing that characterised the academic art of his time, and instead gave a new prominence to freely brushed colour.Delacroix painted his work in the autumn of 1830. In a letter to his brother dated 21 October, he wrote: \"My bad mood is vanishing thanks to hard work. I've embarked on a modern subject—a barricade. And if I haven't fought for my country at least I'll paint for her.\" The painting was first exhibited at the official Salon of 1831."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "象徴主義", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由に焦点を当てて、その象徴主義を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Delacroix depicted Liberty as both an allegorical goddess-figure and a robust woman of the people. The mound of corpses and wreckage acts as a kind of pedestal from which Liberty strides, barefoot and bare-breasted, out of the canvas and into the space of the viewer. The Phrygian cap she wears had come to symbolize liberty during the first French Revolution, of 1789. The painting has been seen as a marker to the end of the Age of Enlightenment, as many scholars see the end of the French Revolution as the start of the Romantic era.The fighters are from a mixture of social classes, ranging from the bourgeoisie represented by the young man in a top hat, a student from the prestigious École Polytechnique wearing the traditional bicorne, to the revolutionary urban worker, as exemplified by the boy holding pistols. What they have in common is the fierceness and determination in their eyes. Aside from the flag held by Liberty, a second, minute tricolore can be discerned in the distance flying from the towers of Notre-Dame.The identity of the man in the top hat has been widely debated. The suggestion that it was a self-portrait by Delacroix has been discounted by modern art historians. In the late 19th century, it was suggested the model was the theatre director Étienne Arago; others have suggested the future curator of the Louvre, Frédéric Villot; but there is no firm consensus on this point.Several of the figures are probably borrowed from a print by popular artist Nicolas Charlet, a prolific illustrator who Delacroix believed captured, more than anyone else, the peculiar energy of the Parisians."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "象徴主義", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由の象徴主義を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Delacroix depicted Liberty as both an allegorical goddess-figure and a robust woman of the people. The mound of corpses and wreckage acts as a kind of pedestal from which Liberty strides, barefoot and bare-breasted, out of the canvas and into the space of the viewer. The Phrygian cap she wears had come to symbolize liberty during the first French Revolution, of 1789. The painting has been seen as a marker to the end of the Age of Enlightenment, as many scholars see the end of the French Revolution as the start of the Romantic era.The fighters are from a mixture of social classes, ranging from the bourgeoisie represented by the young man in a top hat, a student from the prestigious École Polytechnique wearing the traditional bicorne, to the revolutionary urban worker, as exemplified by the boy holding pistols. What they have in common is the fierceness and determination in their eyes. Aside from the flag held by Liberty, a second, minute tricolore can be discerned in the distance flying from the towers of Notre-Dame.The identity of the man in the top hat has been widely debated. The suggestion that it was a self-portrait by Delacroix has been discounted by modern art historians. In the late 19th century, it was suggested the model was the theatre director Étienne Arago; others have suggested the future curator of the Louvre, Frédéric Villot; but there is no firm consensus on this point.Several of the figures are probably borrowed from a print by popular artist Nicolas Charlet, a prolific illustrator who Delacroix believed captured, more than anyone else, the peculiar energy of the Parisians."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "象徴主義", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由はどのように象徴主義を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Delacroix depicted Liberty as both an allegorical goddess-figure and a robust woman of the people. The mound of corpses and wreckage acts as a kind of pedestal from which Liberty strides, barefoot and bare-breasted, out of the canvas and into the space of the viewer. The Phrygian cap she wears had come to symbolize liberty during the first French Revolution, of 1789. The painting has been seen as a marker to the end of the Age of Enlightenment, as many scholars see the end of the French Revolution as the start of the Romantic era.The fighters are from a mixture of social classes, ranging from the bourgeoisie represented by the young man in a top hat, a student from the prestigious École Polytechnique wearing the traditional bicorne, to the revolutionary urban worker, as exemplified by the boy holding pistols. What they have in common is the fierceness and determination in their eyes. Aside from the flag held by Liberty, a second, minute tricolore can be discerned in the distance flying from the towers of Notre-Dame.The identity of the man in the top hat has been widely debated. The suggestion that it was a self-portrait by Delacroix has been discounted by modern art historians. In the late 19th century, it was suggested the model was the theatre director Étienne Arago; others have suggested the future curator of the Louvre, Frédéric Villot; but there is no firm consensus on this point.Several of the figures are probably borrowed from a print by popular artist Nicolas Charlet, a prolific illustrator who Delacroix believed captured, more than anyone else, the peculiar energy of the Parisians."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "象徴主義", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由に関して、どのように象徴主義が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Delacroix depicted Liberty as both an allegorical goddess-figure and a robust woman of the people. The mound of corpses and wreckage acts as a kind of pedestal from which Liberty strides, barefoot and bare-breasted, out of the canvas and into the space of the viewer. The Phrygian cap she wears had come to symbolize liberty during the first French Revolution, of 1789. The painting has been seen as a marker to the end of the Age of Enlightenment, as many scholars see the end of the French Revolution as the start of the Romantic era.The fighters are from a mixture of social classes, ranging from the bourgeoisie represented by the young man in a top hat, a student from the prestigious École Polytechnique wearing the traditional bicorne, to the revolutionary urban worker, as exemplified by the boy holding pistols. What they have in common is the fierceness and determination in their eyes. Aside from the flag held by Liberty, a second, minute tricolore can be discerned in the distance flying from the towers of Notre-Dame.The identity of the man in the top hat has been widely debated. The suggestion that it was a self-portrait by Delacroix has been discounted by modern art historians. In the late 19th century, it was suggested the model was the theatre director Étienne Arago; others have suggested the future curator of the Louvre, Frédéric Villot; but there is no firm consensus on this point.Several of the figures are probably borrowed from a print by popular artist Nicolas Charlet, a prolific illustrator who Delacroix believed captured, more than anyone else, the peculiar energy of the Parisians."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "購入と展示", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由に焦点を当てて、その購入と展示を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "The French government bought the painting in 1831 for 3,000 francs with the intention of displaying it in the throne room of the Palais du Luxembourg as a reminder to the \"citizen-king\" Louis-Philippe of the July Revolution, through which he had come to power. This plan did not come to fruition and the canvas hung in the palace's museum gallery for a few months, before being removed due to its inflammatory political message. After the June Rebellion of 1832, it was returned to the artist. According to Albert Boime,Champfleury wrote in August 1848 that it had been \"hidden in an attic for being too revolutionary.\" Although Louis-Philippe's Ministry of the Interior initially acquired it as a gesture to the Left, after the uprising at the funeral of Lamarque in June 1832 it was never again openly displayed for fear of setting a bad example. Delacroix was permitted to send the painting to his aunt Félicité for safekeeping. After the Second Republic was established following the revolution of 1848 it was exhibited briefly in that year, and then during the Second Empire in the Salon of 1855. The recently established Third Republic finally acquired the painting in 1874 for the collection of the Musée du Louvre in Paris.In 1974–75, the painting was the featured work in an exhibition organized by the French government, the Metropolitan Museum of Art in New York and the Detroit Institute of Arts as a Bicentennial gift to the people of the United States. The exhibition, entitled French Painting 1774–1830: The Age of Revolution, marked a rare display of the Delacroix painting, and many of the other 148 works, outside France.  The exhibition was first shown at the Grand Palais from 16 November 1974 to 3 February 1975. It moved to Detroit from 5 March to 4 May 1975, then New York from 12 June to 7 September 1975.In 1999, it was flown on board an Airbus Beluga from Paris to Tokyo via Bahrain and Calcutta in about 20 hours. The large canvas, measuring 2.99 metres (9.8 feet) high by 3.62 metres (11.9 feet) long, was too large to fit into a Boeing 747. It was transported in the vertical position inside a special pressurised container provided with isothermal protection and an anti-vibration device.In 2012, it was moved to the new Louvre-Lens museum in Lens, Pas-de-Calais, as the starring work in the first tranche of paintings from the Louvre's collection to be installed. On 7 February 2013, the painting was vandalized by a visitor in Lens. An unidentified 28-year-old woman allegedly wrote an inscription (\"AE911\") on the painting. The woman was immediately arrested by a security guard and a visitor. A short time after the incident, the management of the Louvre and its Pas-de-Calais branch published a press release indicating that \"at first glance, the inscription is superficial and should be easily removed\". Louvre officials announced the next day that the writing had been removed in less than two hours by a restorer without damaging the original paint, and the piece returned to display that morning.In September 2023, officials removed the work from display for its latest conservation and restoration. To prepare, the museum first subjected the painting to X-ray, ultraviolet and infrared analysis. These examinations led to the discovery that many of the painting's brilliant colors were muted under several layers of yellowed varnish and dust. The size of the canvas forced conservators to perform all work on-site.  The restored painting returned to display in April 2024. During their work, restorers discovered several things hidden under eight layers of varnish and dirt.  In addition to the vivid white clouds and plumes of smoke, they found the central figure's dress was not entirely yellow but originally light grey with bits of gold.  They believed this change occurred during restoration work completed in 1949.  Also, they discovered a boot in the lower left corner which for many years had blended into the paving stones.  "}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "購入と展示", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由の購入と展示を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "The French government bought the painting in 1831 for 3,000 francs with the intention of displaying it in the throne room of the Palais du Luxembourg as a reminder to the \"citizen-king\" Louis-Philippe of the July Revolution, through which he had come to power. This plan did not come to fruition and the canvas hung in the palace's museum gallery for a few months, before being removed due to its inflammatory political message. After the June Rebellion of 1832, it was returned to the artist. According to Albert Boime,Champfleury wrote in August 1848 that it had been \"hidden in an attic for being too revolutionary.\" Although Louis-Philippe's Ministry of the Interior initially acquired it as a gesture to the Left, after the uprising at the funeral of Lamarque in June 1832 it was never again openly displayed for fear of setting a bad example. Delacroix was permitted to send the painting to his aunt Félicité for safekeeping. After the Second Republic was established following the revolution of 1848 it was exhibited briefly in that year, and then during the Second Empire in the Salon of 1855. The recently established Third Republic finally acquired the painting in 1874 for the collection of the Musée du Louvre in Paris.In 1974–75, the painting was the featured work in an exhibition organized by the French government, the Metropolitan Museum of Art in New York and the Detroit Institute of Arts as a Bicentennial gift to the people of the United States. The exhibition, entitled French Painting 1774–1830: The Age of Revolution, marked a rare display of the Delacroix painting, and many of the other 148 works, outside France.  The exhibition was first shown at the Grand Palais from 16 November 1974 to 3 February 1975. It moved to Detroit from 5 March to 4 May 1975, then New York from 12 June to 7 September 1975.In 1999, it was flown on board an Airbus Beluga from Paris to Tokyo via Bahrain and Calcutta in about 20 hours. The large canvas, measuring 2.99 metres (9.8 feet) high by 3.62 metres (11.9 feet) long, was too large to fit into a Boeing 747. It was transported in the vertical position inside a special pressurised container provided with isothermal protection and an anti-vibration device.In 2012, it was moved to the new Louvre-Lens museum in Lens, Pas-de-Calais, as the starring work in the first tranche of paintings from the Louvre's collection to be installed. On 7 February 2013, the painting was vandalized by a visitor in Lens. An unidentified 28-year-old woman allegedly wrote an inscription (\"AE911\") on the painting. The woman was immediately arrested by a security guard and a visitor. A short time after the incident, the management of the Louvre and its Pas-de-Calais branch published a press release indicating that \"at first glance, the inscription is superficial and should be easily removed\". Louvre officials announced the next day that the writing had been removed in less than two hours by a restorer without damaging the original paint, and the piece returned to display that morning.In September 2023, officials removed the work from display for its latest conservation and restoration. To prepare, the museum first subjected the painting to X-ray, ultraviolet and infrared analysis. These examinations led to the discovery that many of the painting's brilliant colors were muted under several layers of yellowed varnish and dust. The size of the canvas forced conservators to perform all work on-site.  The restored painting returned to display in April 2024. During their work, restorers discovered several things hidden under eight layers of varnish and dirt.  In addition to the vivid white clouds and plumes of smoke, they found the central figure's dress was not entirely yellow but originally light grey with bits of gold.  They believed this change occurred during restoration work completed in 1949.  Also, they discovered a boot in the lower left corner which for many years had blended into the paving stones.  "}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "購入と展示", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由はどのように購入と展示を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "The French government bought the painting in 1831 for 3,000 francs with the intention of displaying it in the throne room of the Palais du Luxembourg as a reminder to the \"citizen-king\" Louis-Philippe of the July Revolution, through which he had come to power. This plan did not come to fruition and the canvas hung in the palace's museum gallery for a few months, before being removed due to its inflammatory political message. After the June Rebellion of 1832, it was returned to the artist. According to Albert Boime,Champfleury wrote in August 1848 that it had been \"hidden in an attic for being too revolutionary.\" Although Louis-Philippe's Ministry of the Interior initially acquired it as a gesture to the Left, after the uprising at the funeral of Lamarque in June 1832 it was never again openly displayed for fear of setting a bad example. Delacroix was permitted to send the painting to his aunt Félicité for safekeeping. After the Second Republic was established following the revolution of 1848 it was exhibited briefly in that year, and then during the Second Empire in the Salon of 1855. The recently established Third Republic finally acquired the painting in 1874 for the collection of the Musée du Louvre in Paris.In 1974–75, the painting was the featured work in an exhibition organized by the French government, the Metropolitan Museum of Art in New York and the Detroit Institute of Arts as a Bicentennial gift to the people of the United States. The exhibition, entitled French Painting 1774–1830: The Age of Revolution, marked a rare display of the Delacroix painting, and many of the other 148 works, outside France.  The exhibition was first shown at the Grand Palais from 16 November 1974 to 3 February 1975. It moved to Detroit from 5 March to 4 May 1975, then New York from 12 June to 7 September 1975.In 1999, it was flown on board an Airbus Beluga from Paris to Tokyo via Bahrain and Calcutta in about 20 hours. The large canvas, measuring 2.99 metres (9.8 feet) high by 3.62 metres (11.9 feet) long, was too large to fit into a Boeing 747. It was transported in the vertical position inside a special pressurised container provided with isothermal protection and an anti-vibration device.In 2012, it was moved to the new Louvre-Lens museum in Lens, Pas-de-Calais, as the starring work in the first tranche of paintings from the Louvre's collection to be installed. On 7 February 2013, the painting was vandalized by a visitor in Lens. An unidentified 28-year-old woman allegedly wrote an inscription (\"AE911\") on the painting. The woman was immediately arrested by a security guard and a visitor. A short time after the incident, the management of the Louvre and its Pas-de-Calais branch published a press release indicating that \"at first glance, the inscription is superficial and should be easily removed\". Louvre officials announced the next day that the writing had been removed in less than two hours by a restorer without damaging the original paint, and the piece returned to display that morning.In September 2023, officials removed the work from display for its latest conservation and restoration. To prepare, the museum first subjected the painting to X-ray, ultraviolet and infrared analysis. These examinations led to the discovery that many of the painting's brilliant colors were muted under several layers of yellowed varnish and dust. The size of the canvas forced conservators to perform all work on-site.  The restored painting returned to display in April 2024. During their work, restorers discovered several things hidden under eight layers of varnish and dirt.  In addition to the vivid white clouds and plumes of smoke, they found the central figure's dress was not entirely yellow but originally light grey with bits of gold.  They believed this change occurred during restoration work completed in 1949.  Also, they discovered a boot in the lower left corner which for many years had blended into the paving stones.  "}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "購入と展示", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由に関して、どのように購入と展示が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "The French government bought the painting in 1831 for 3,000 francs with the intention of displaying it in the throne room of the Palais du Luxembourg as a reminder to the \"citizen-king\" Louis-Philippe of the July Revolution, through which he had come to power. This plan did not come to fruition and the canvas hung in the palace's museum gallery for a few months, before being removed due to its inflammatory political message. After the June Rebellion of 1832, it was returned to the artist. According to Albert Boime,Champfleury wrote in August 1848 that it had been \"hidden in an attic for being too revolutionary.\" Although Louis-Philippe's Ministry of the Interior initially acquired it as a gesture to the Left, after the uprising at the funeral of Lamarque in June 1832 it was never again openly displayed for fear of setting a bad example. Delacroix was permitted to send the painting to his aunt Félicité for safekeeping. After the Second Republic was established following the revolution of 1848 it was exhibited briefly in that year, and then during the Second Empire in the Salon of 1855. The recently established Third Republic finally acquired the painting in 1874 for the collection of the Musée du Louvre in Paris.In 1974–75, the painting was the featured work in an exhibition organized by the French government, the Metropolitan Museum of Art in New York and the Detroit Institute of Arts as a Bicentennial gift to the people of the United States. The exhibition, entitled French Painting 1774–1830: The Age of Revolution, marked a rare display of the Delacroix painting, and many of the other 148 works, outside France.  The exhibition was first shown at the Grand Palais from 16 November 1974 to 3 February 1975. It moved to Detroit from 5 March to 4 May 1975, then New York from 12 June to 7 September 1975.In 1999, it was flown on board an Airbus Beluga from Paris to Tokyo via Bahrain and Calcutta in about 20 hours. The large canvas, measuring 2.99 metres (9.8 feet) high by 3.62 metres (11.9 feet) long, was too large to fit into a Boeing 747. It was transported in the vertical position inside a special pressurised container provided with isothermal protection and an anti-vibration device.In 2012, it was moved to the new Louvre-Lens museum in Lens, Pas-de-Calais, as the starring work in the first tranche of paintings from the Louvre's collection to be installed. On 7 February 2013, the painting was vandalized by a visitor in Lens. An unidentified 28-year-old woman allegedly wrote an inscription (\"AE911\") on the painting. The woman was immediately arrested by a security guard and a visitor. A short time after the incident, the management of the Louvre and its Pas-de-Calais branch published a press release indicating that \"at first glance, the inscription is superficial and should be easily removed\". Louvre officials announced the next day that the writing had been removed in less than two hours by a restorer without damaging the original paint, and the piece returned to display that morning.In September 2023, officials removed the work from display for its latest conservation and restoration. To prepare, the museum first subjected the painting to X-ray, ultraviolet and infrared analysis. These examinations led to the discovery that many of the painting's brilliant colors were muted under several layers of yellowed varnish and dust. The size of the canvas forced conservators to perform all work on-site.  The restored painting returned to display in April 2024. During their work, restorers discovered several things hidden under eight layers of varnish and dirt.  In addition to the vivid white clouds and plumes of smoke, they found the central figure's dress was not entirely yellow but originally light grey with bits of gold.  They believed this change occurred during restoration work completed in 1949.  Also, they discovered a boot in the lower left corner which for many years had blended into the paving stones.  "}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "遺産", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由に焦点を当てて、その遺産を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Although Delacroix was not the first artist to depict Liberty in a Phrygian cap, his painting may be the best known early version of the figure commonly known as Marianne, a symbol of the French Republic and of France in general.The painting may have influenced Victor Hugo's 1862 novel Les Misérables. In particular, the character of Gavroche is widely believed to have been inspired by the figure of the pistols-wielding boy running over the barricade. The novel describes the events of the June Rebellion two years after the revolution celebrated in the painting, the same rebellion that led to its being removed from public view.The painting inspired Frédéric Auguste Bartholdi's Liberty Enlightening the World, known as the Statue of Liberty in New York City, which was given to the United States as a gift from the French a half-century after Liberty Leading the People was painted. The statue, which holds a torch in its hand, takes a more stable, immovable stance than that of the woman in the painting. An engraved version of part of the painting, along with a depiction of Delacroix, was featured on the 100 franc note from 1978 to 1995.The painting has had an influence on classical music. George Antheil titled his Symphony No. 6 After Delacroix, and stated that the work was inspired by Liberty Leading the People.  The imagery was adapted by Robert Ballagh to commemorate Ireland's independence struggle on an Irish postage stamp in 1979, the centenary of the birth of Pádraig Pearse, and the painting was used for the band Coldplay's 2008 album cover Viva la Vida or Death and All His Friends, with the words Viva La Vida written in white.  Rigoberta Bandini references the painting in the chorus of her 2021 song Ay mamá. The cover of the 2010 book Enough is Enough: How to Build a New Republic by Fintan O'Toole references the painting, but with Kathleen Ni Houlihan holding the Irish tricolour in Dublin while the leaders of the three main political parties at the time (Brian Cowen, Enda Kenny and Eamon Gilmore) lie on the ground.During the 20 October 2011 episode of the BBC Radio 4 series In Our Time, host Melvyn Bragg led a panel discussion of the painting.Liberty Leading the People made an appearance in the 11th episode (\"EDGELORD – Revolution of the 14-Year-Olds\") of the Netflix animation series Ghost in the Shell: SAC 2045.The painting was featured in Vincenzo, a 2021 South Korean TV series starring Song Joong-ki in episode 7. The series is also available on Netflix.A photograph of Aed Abu Amro taken during the 2018–2019 Gaza border protests by Mustafa Hassona on 22 October 2018, was considered by some a personification of the Liberty Leading the People.Libery Leading the People makes a prominent appearance in the 2023 film John Wick Chapter 4, starring Keanu Reeves. Near the end of the second act, main antagonist,  Marquis Vincent de Garmont (Bill Skarsgård) is seen standing before Liberty Leading the People inside the Louvre Museum, which was famously closed to the public for the filming of the scenes.Actors recreated the painting during the Opening Ceremonies of the 2024 Olympics at the Conciergerie. During the recreation, they were accompanied by the French version of \"Do You Hear The People Sing?\" from Les Misérables. "}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "遺産", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由の遺産を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Although Delacroix was not the first artist to depict Liberty in a Phrygian cap, his painting may be the best known early version of the figure commonly known as Marianne, a symbol of the French Republic and of France in general.The painting may have influenced Victor Hugo's 1862 novel Les Misérables. In particular, the character of Gavroche is widely believed to have been inspired by the figure of the pistols-wielding boy running over the barricade. The novel describes the events of the June Rebellion two years after the revolution celebrated in the painting, the same rebellion that led to its being removed from public view.The painting inspired Frédéric Auguste Bartholdi's Liberty Enlightening the World, known as the Statue of Liberty in New York City, which was given to the United States as a gift from the French a half-century after Liberty Leading the People was painted. The statue, which holds a torch in its hand, takes a more stable, immovable stance than that of the woman in the painting. An engraved version of part of the painting, along with a depiction of Delacroix, was featured on the 100 franc note from 1978 to 1995.The painting has had an influence on classical music. George Antheil titled his Symphony No. 6 After Delacroix, and stated that the work was inspired by Liberty Leading the People.  The imagery was adapted by Robert Ballagh to commemorate Ireland's independence struggle on an Irish postage stamp in 1979, the centenary of the birth of Pádraig Pearse, and the painting was used for the band Coldplay's 2008 album cover Viva la Vida or Death and All His Friends, with the words Viva La Vida written in white.  Rigoberta Bandini references the painting in the chorus of her 2021 song Ay mamá. The cover of the 2010 book Enough is Enough: How to Build a New Republic by Fintan O'Toole references the painting, but with Kathleen Ni Houlihan holding the Irish tricolour in Dublin while the leaders of the three main political parties at the time (Brian Cowen, Enda Kenny and Eamon Gilmore) lie on the ground.During the 20 October 2011 episode of the BBC Radio 4 series In Our Time, host Melvyn Bragg led a panel discussion of the painting.Liberty Leading the People made an appearance in the 11th episode (\"EDGELORD – Revolution of the 14-Year-Olds\") of the Netflix animation series Ghost in the Shell: SAC 2045.The painting was featured in Vincenzo, a 2021 South Korean TV series starring Song Joong-ki in episode 7. The series is also available on Netflix.A photograph of Aed Abu Amro taken during the 2018–2019 Gaza border protests by Mustafa Hassona on 22 October 2018, was considered by some a personification of the Liberty Leading the People.Libery Leading the People makes a prominent appearance in the 2023 film John Wick Chapter 4, starring Keanu Reeves. Near the end of the second act, main antagonist,  Marquis Vincent de Garmont (Bill Skarsgård) is seen standing before Liberty Leading the People inside the Louvre Museum, which was famously closed to the public for the filming of the scenes.Actors recreated the painting during the Opening Ceremonies of the 2024 Olympics at the Conciergerie. During the recreation, they were accompanied by the French version of \"Do You Hear The People Sing?\" from Les Misérables. "}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "遺産", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由はどのように遺産を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Although Delacroix was not the first artist to depict Liberty in a Phrygian cap, his painting may be the best known early version of the figure commonly known as Marianne, a symbol of the French Republic and of France in general.The painting may have influenced Victor Hugo's 1862 novel Les Misérables. In particular, the character of Gavroche is widely believed to have been inspired by the figure of the pistols-wielding boy running over the barricade. The novel describes the events of the June Rebellion two years after the revolution celebrated in the painting, the same rebellion that led to its being removed from public view.The painting inspired Frédéric Auguste Bartholdi's Liberty Enlightening the World, known as the Statue of Liberty in New York City, which was given to the United States as a gift from the French a half-century after Liberty Leading the People was painted. The statue, which holds a torch in its hand, takes a more stable, immovable stance than that of the woman in the painting. An engraved version of part of the painting, along with a depiction of Delacroix, was featured on the 100 franc note from 1978 to 1995.The painting has had an influence on classical music. George Antheil titled his Symphony No. 6 After Delacroix, and stated that the work was inspired by Liberty Leading the People.  The imagery was adapted by Robert Ballagh to commemorate Ireland's independence struggle on an Irish postage stamp in 1979, the centenary of the birth of Pádraig Pearse, and the painting was used for the band Coldplay's 2008 album cover Viva la Vida or Death and All His Friends, with the words Viva La Vida written in white.  Rigoberta Bandini references the painting in the chorus of her 2021 song Ay mamá. The cover of the 2010 book Enough is Enough: How to Build a New Republic by Fintan O'Toole references the painting, but with Kathleen Ni Houlihan holding the Irish tricolour in Dublin while the leaders of the three main political parties at the time (Brian Cowen, Enda Kenny and Eamon Gilmore) lie on the ground.During the 20 October 2011 episode of the BBC Radio 4 series In Our Time, host Melvyn Bragg led a panel discussion of the painting.Liberty Leading the People made an appearance in the 11th episode (\"EDGELORD – Revolution of the 14-Year-Olds\") of the Netflix animation series Ghost in the Shell: SAC 2045.The painting was featured in Vincenzo, a 2021 South Korean TV series starring Song Joong-ki in episode 7. The series is also available on Netflix.A photograph of Aed Abu Amro taken during the 2018–2019 Gaza border protests by Mustafa Hassona on 22 October 2018, was considered by some a personification of the Liberty Leading the People.Libery Leading the People makes a prominent appearance in the 2023 film John Wick Chapter 4, starring Keanu Reeves. Near the end of the second act, main antagonist,  Marquis Vincent de Garmont (Bill Skarsgård) is seen standing before Liberty Leading the People inside the Louvre Museum, which was famously closed to the public for the filming of the scenes.Actors recreated the painting during the Opening Ceremonies of the 2024 Olympics at the Conciergerie. During the recreation, they were accompanied by the French version of \"Do You Hear The People Sing?\" from Les Misérables. "}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "遺産", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由に関して、どのように遺産が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Although Delacroix was not the first artist to depict Liberty in a Phrygian cap, his painting may be the best known early version of the figure commonly known as Marianne, a symbol of the French Republic and of France in general.The painting may have influenced Victor Hugo's 1862 novel Les Misérables. In particular, the character of Gavroche is widely believed to have been inspired by the figure of the pistols-wielding boy running over the barricade. The novel describes the events of the June Rebellion two years after the revolution celebrated in the painting, the same rebellion that led to its being removed from public view.The painting inspired Frédéric Auguste Bartholdi's Liberty Enlightening the World, known as the Statue of Liberty in New York City, which was given to the United States as a gift from the French a half-century after Liberty Leading the People was painted. The statue, which holds a torch in its hand, takes a more stable, immovable stance than that of the woman in the painting. An engraved version of part of the painting, along with a depiction of Delacroix, was featured on the 100 franc note from 1978 to 1995.The painting has had an influence on classical music. George Antheil titled his Symphony No. 6 After Delacroix, and stated that the work was inspired by Liberty Leading the People.  The imagery was adapted by Robert Ballagh to commemorate Ireland's independence struggle on an Irish postage stamp in 1979, the centenary of the birth of Pádraig Pearse, and the painting was used for the band Coldplay's 2008 album cover Viva la Vida or Death and All His Friends, with the words Viva La Vida written in white.  Rigoberta Bandini references the painting in the chorus of her 2021 song Ay mamá. The cover of the 2010 book Enough is Enough: How to Build a New Republic by Fintan O'Toole references the painting, but with Kathleen Ni Houlihan holding the Irish tricolour in Dublin while the leaders of the three main political parties at the time (Brian Cowen, Enda Kenny and Eamon Gilmore) lie on the ground.During the 20 October 2011 episode of the BBC Radio 4 series In Our Time, host Melvyn Bragg led a panel discussion of the painting.Liberty Leading the People made an appearance in the 11th episode (\"EDGELORD – Revolution of the 14-Year-Olds\") of the Netflix animation series Ghost in the Shell: SAC 2045.The painting was featured in Vincenzo, a 2021 South Korean TV series starring Song Joong-ki in episode 7. The series is also available on Netflix.A photograph of Aed Abu Amro taken during the 2018–2019 Gaza border protests by Mustafa Hassona on 22 October 2018, was considered by some a personification of the Liberty Leading the People.Libery Leading the People makes a prominent appearance in the 2023 film John Wick Chapter 4, starring Keanu Reeves. Near the end of the second act, main antagonist,  Marquis Vincent de Garmont (Bill Skarsgård) is seen standing before Liberty Leading the People inside the Louvre Museum, which was famously closed to the public for the filming of the scenes.Actors recreated the painting during the Opening Ceremonies of the 2024 Olympics at the Conciergerie. During the recreation, they were accompanied by the French version of \"Do You Hear The People Sing?\" from Les Misérables. "}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "批評", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由に焦点を当てて、その批評を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Liberty Leading the People is considered a republican and anti-monarchist symbol, and as such was sometimes criticized by royalists and monarchists."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "批評", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由の批評を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Liberty Leading the People is considered a republican and anti-monarchist symbol, and as such was sometimes criticized by royalists and monarchists."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "批評", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由はどのように批評を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Liberty Leading the People is considered a republican and anti-monarchist symbol, and as such was sometimes criticized by royalists and monarchists."}
{"title": "民衆を導く自由", "srclang_title": "Liberty Leading the People", "en_title": "Liberty Leading the People", "pageid": 383805, "page_rank": 23, "page_url": "https://en.wikipedia.org/wiki/Liberty_Leading_the_People", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/02/La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg/300px-La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg", "section": "批評", "subsection": null, "sub_subsection": null, "prompt": "民衆を導く自由に関して、どのように批評が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Third Republic", "University of Chicago Press", "Le Nouvel Observateur", "Melvyn Bragg", "Rigoberta Bandini", "French First Republic", "francs", "Salon", "Category:Oil on canvas paintings", "Architects & Engineers for 9/11 Truth", "Frédéric Villot", "Calcutta", "Second French Republic", "Lens, Pas-de-Calais", "July Revolution", "Phrygian cap", "Kathleen Ni Houlihan", "Category:Paintings by Eugène Delacroix", "barricade", "Category:1830 paintings", "Bicentennial", "United States Bicentennial", "Paris Salon", "Liberty (goddess)", "Flag of France", "Vincenzo", "File:The separation barrier which runs through Bethlehem.jpg", "Bayonet", "revolution of 1848", "Notre-Dame", "monarchist", "Charles X of France", "The Guardian", "École Polytechnique", "''Freedom for France, freedoms for the French'' (1940), a poster depicting [[Marianne", "Europa FM (Spain)", "Louvre-Lens", "Romantic era", "Static_Media#Owned_or_associated_websites", "Musée du Louvre", "academic art", "Bahrain", "Category:Allegorical paintings by French artists", "Age of Enlightenment", "Detroit", "Vincenzo (TV series)", "Detroit Free Press", "Enda Kenny", "Category:Vandalized works of art", "Airbus Beluga", "In Our Time", "French Republic", "France", "Brian Cowen", "Artnet", "Nicolas-Toussaint Charlet", "personifying the concept and Goddess of Liberty", "tricolour", "Ay mamá", "Agence France-Presse", "George Antheil", "musket", "French Revolution of 1848", "Statue of Liberty", "allegory", "2024 Summer Olympics opening ceremony", "royalist", "Second Republic", "France 24", "Chicago", "bayonetted", "pedestal", "Smithsonian", "Liberty", "top hat", "Category:Notre-Dame de Paris", "Conciergerie", "New York City", "French Revolution", "Oil on canvas", "Category:War paintings", "Louis-Philippe", "[[West Bank Wall graffiti art", "Louvre", "Detroit Institute of Arts", "Viva la Vida or Death and All His Friends", "security guard", "Romanticism", "Liberty (personification)", "Louis-Philippe of France", "File:INF3-304 Unity of Strength La liberté pour la France, les libertés pour les Français.jpg", "Le Monde", "upright", "BBC", "Marianne", "Barricade", "Metropolitan Museum of Art", "Aed Abu Amro", "Robert Ballagh", "Anti-monarchism", "anti-monarchist", "In Our Time (radio series)", "Salon (Paris)", "Category:Paintings of Paris", "French franc", "allegorical", "Oil painting", "Charles X", "Étienne Arago", "France 3", "Bethlehem", "Eamon Gilmore", "Frédéric Auguste Bartholdi", "June Rebellion", "(\"AE911\")", "2018–2019 Gaza border protests", "Ghost in the Shell: SAC 2045", "Pádraig Pearse", "Category:Paintings in the Louvre by French artists", "Kolkata", "Luxembourg Palace", "BBC Radio 4", "bicorne", "Smithsonian (magazine)", "Victor Hugo", "Republicanism", "republican", "Category:Liberty symbols", "Notre-Dame de Paris", "''tricolore''", "New York", "Romantic", "Paris", "Les Misérables", "Palais du Luxembourg", "The Independent", "thumb", "French Third Republic", "Gavroche", "Wayne State University Press", "Europa FM", "Patrick Pearse", "Looper", "Category:19th-century allegorical paintings", "Tokyo", "Eugène Delacroix", "Netflix", "Nicolas Charlet", "right", "Grand Palais", "Albert Boime", "Coldplay", "Category:Flags in art", "Liberté, égalité, fraternité", "Song Joong-ki", "Opening Ceremonies of the 2024 Olympics", "Les Misérables (musical)"], "gold": "Liberty Leading the People is considered a republican and anti-monarchist symbol, and as such was sometimes criticized by royalists and monarchists."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロに焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo or Aphrodite of Melos is an ancient Greek marble sculpture that was created during the Hellenistic period.  Its exact dating is uncertain, but the modern consensus places it in the 2nd century BC, perhaps between 160 and 110 BC.  It was rediscovered in 1820 on the island of Milos, Greece, and has been displayed at the Louvre Museum since 1821. Since the statue's discovery, it has become one of the most famous works of ancient Greek sculpture in the world.The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus.  Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is missing both arms. The original position of these missing arms is uncertain. The sculpture was originally identified as depicting Aphrodite holding the apple of discord as a marble hand holding an apple was found alongside it; recent scientific analysis supports the identification of this hand as part of the sculpture. On the basis of a now-lost inscription found near the sculpture, it has been attributed to Alexandros from Antioch on the Maeander, though the name on the inscription is uncertain and its connection to the Venus is disputed.The Venus de Milo rapidly became a cornerstone of the Louvre's antiquities collection in the aftermath of the Napoleonic Wars, and its fame spread through distribution in photographs and three-dimensional copies. The statue inspired over 70 poems, influenced 19th-century art and the Surrealist movement in the early 20th century, and has been featured in various modern artistic projects, including film and advertising. In contrast to the popular appreciation of the sculpture, scholars have been more critical. Though upon its discovery the Venus was considered a classical masterpiece, since it was re-dated to the Hellenistic period classicists have neglected the Venus in favour of studying sculptures mentioned in ancient written sources, even though they only survive as later copies which are technically inferior to the Venus."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロのabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo or Aphrodite of Melos is an ancient Greek marble sculpture that was created during the Hellenistic period.  Its exact dating is uncertain, but the modern consensus places it in the 2nd century BC, perhaps between 160 and 110 BC.  It was rediscovered in 1820 on the island of Milos, Greece, and has been displayed at the Louvre Museum since 1821. Since the statue's discovery, it has become one of the most famous works of ancient Greek sculpture in the world.The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus.  Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is missing both arms. The original position of these missing arms is uncertain. The sculpture was originally identified as depicting Aphrodite holding the apple of discord as a marble hand holding an apple was found alongside it; recent scientific analysis supports the identification of this hand as part of the sculpture. On the basis of a now-lost inscription found near the sculpture, it has been attributed to Alexandros from Antioch on the Maeander, though the name on the inscription is uncertain and its connection to the Venus is disputed.The Venus de Milo rapidly became a cornerstone of the Louvre's antiquities collection in the aftermath of the Napoleonic Wars, and its fame spread through distribution in photographs and three-dimensional copies. The statue inspired over 70 poems, influenced 19th-century art and the Surrealist movement in the early 20th century, and has been featured in various modern artistic projects, including film and advertising. In contrast to the popular appreciation of the sculpture, scholars have been more critical. Though upon its discovery the Venus was considered a classical masterpiece, since it was re-dated to the Hellenistic period classicists have neglected the Venus in favour of studying sculptures mentioned in ancient written sources, even though they only survive as later copies which are technically inferior to the Venus."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロはどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo or Aphrodite of Melos is an ancient Greek marble sculpture that was created during the Hellenistic period.  Its exact dating is uncertain, but the modern consensus places it in the 2nd century BC, perhaps between 160 and 110 BC.  It was rediscovered in 1820 on the island of Milos, Greece, and has been displayed at the Louvre Museum since 1821. Since the statue's discovery, it has become one of the most famous works of ancient Greek sculpture in the world.The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus.  Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is missing both arms. The original position of these missing arms is uncertain. The sculpture was originally identified as depicting Aphrodite holding the apple of discord as a marble hand holding an apple was found alongside it; recent scientific analysis supports the identification of this hand as part of the sculpture. On the basis of a now-lost inscription found near the sculpture, it has been attributed to Alexandros from Antioch on the Maeander, though the name on the inscription is uncertain and its connection to the Venus is disputed.The Venus de Milo rapidly became a cornerstone of the Louvre's antiquities collection in the aftermath of the Napoleonic Wars, and its fame spread through distribution in photographs and three-dimensional copies. The statue inspired over 70 poems, influenced 19th-century art and the Surrealist movement in the early 20th century, and has been featured in various modern artistic projects, including film and advertising. In contrast to the popular appreciation of the sculpture, scholars have been more critical. Though upon its discovery the Venus was considered a classical masterpiece, since it was re-dated to the Hellenistic period classicists have neglected the Venus in favour of studying sculptures mentioned in ancient written sources, even though they only survive as later copies which are technically inferior to the Venus."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロに関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo or Aphrodite of Melos is an ancient Greek marble sculpture that was created during the Hellenistic period.  Its exact dating is uncertain, but the modern consensus places it in the 2nd century BC, perhaps between 160 and 110 BC.  It was rediscovered in 1820 on the island of Milos, Greece, and has been displayed at the Louvre Museum since 1821. Since the statue's discovery, it has become one of the most famous works of ancient Greek sculpture in the world.The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus.  Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is missing both arms. The original position of these missing arms is uncertain. The sculpture was originally identified as depicting Aphrodite holding the apple of discord as a marble hand holding an apple was found alongside it; recent scientific analysis supports the identification of this hand as part of the sculpture. On the basis of a now-lost inscription found near the sculpture, it has been attributed to Alexandros from Antioch on the Maeander, though the name on the inscription is uncertain and its connection to the Venus is disputed.The Venus de Milo rapidly became a cornerstone of the Louvre's antiquities collection in the aftermath of the Napoleonic Wars, and its fame spread through distribution in photographs and three-dimensional copies. The statue inspired over 70 poems, influenced 19th-century art and the Surrealist movement in the early 20th century, and has been featured in various modern artistic projects, including film and advertising. In contrast to the popular appreciation of the sculpture, scholars have been more critical. Though upon its discovery the Venus was considered a classical masterpiece, since it was re-dated to the Hellenistic period classicists have neglected the Venus in favour of studying sculptures mentioned in ancient written sources, even though they only survive as later copies which are technically inferior to the Venus."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロに焦点を当てて、その説明を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo is an over 2 metres (6 ft 7 in) tall Parian marble statue of a Greek goddess, most likely Aphrodite, depicted with a bare torso and drapery over the lower half of her body.  The figure stands with her weight on her right leg, and the left leg raised; her head is turned to the left. The statue is missing both arms, the left foot, and the earlobes. There is a filled hole below her right breast that originally contained a metal tenon that would have supported the right arm.  The Venus' flesh is polished smooth, but chisel marks are still visible on other surfaces.  The drapery is more elaborately carved on the right-hand side of the statue than the left, perhaps because on the left-hand side it was originally obscured from view.  Likewise the Venus is less finely-finished from behind, suggesting that it was originally intended to be viewed only from the front. While the body of the Venus is depicted in a realistic style, the head is more idealised. The lips are slightly open, the eyes and mouth are small. The sculpture has been minimally restored: only the tip of the nose, lower lip, big toe on the right foot, and some of the drapery.Stylistically, the sculpture combines elements of classical and Hellenistic art. Features such as the small, regular eyes and mouth, and the strong brow and nose, are classical in style, while the shape of the torso and the deeply carved drapery are Hellenistic.Kenneth Clark describes the figure as \"the last great work of antique Greece\", and \"of all the works of antiquity one of the most complex and the most artful. ...[the sculptor] has consciously attempted to give the effect of a 5th-century work\", while also using \"the inventions of his own time\"; \"the planes of her body are so large and calm that at first we do not realise the number of angles through which they pass. In architectural terms, she is a baroque composition with classic effect\".  "}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロの説明を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo is an over 2 metres (6 ft 7 in) tall Parian marble statue of a Greek goddess, most likely Aphrodite, depicted with a bare torso and drapery over the lower half of her body.  The figure stands with her weight on her right leg, and the left leg raised; her head is turned to the left. The statue is missing both arms, the left foot, and the earlobes. There is a filled hole below her right breast that originally contained a metal tenon that would have supported the right arm.  The Venus' flesh is polished smooth, but chisel marks are still visible on other surfaces.  The drapery is more elaborately carved on the right-hand side of the statue than the left, perhaps because on the left-hand side it was originally obscured from view.  Likewise the Venus is less finely-finished from behind, suggesting that it was originally intended to be viewed only from the front. While the body of the Venus is depicted in a realistic style, the head is more idealised. The lips are slightly open, the eyes and mouth are small. The sculpture has been minimally restored: only the tip of the nose, lower lip, big toe on the right foot, and some of the drapery.Stylistically, the sculpture combines elements of classical and Hellenistic art. Features such as the small, regular eyes and mouth, and the strong brow and nose, are classical in style, while the shape of the torso and the deeply carved drapery are Hellenistic.Kenneth Clark describes the figure as \"the last great work of antique Greece\", and \"of all the works of antiquity one of the most complex and the most artful. ...[the sculptor] has consciously attempted to give the effect of a 5th-century work\", while also using \"the inventions of his own time\"; \"the planes of her body are so large and calm that at first we do not realise the number of angles through which they pass. In architectural terms, she is a baroque composition with classic effect\".  "}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロはどのように説明を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo is an over 2 metres (6 ft 7 in) tall Parian marble statue of a Greek goddess, most likely Aphrodite, depicted with a bare torso and drapery over the lower half of her body.  The figure stands with her weight on her right leg, and the left leg raised; her head is turned to the left. The statue is missing both arms, the left foot, and the earlobes. There is a filled hole below her right breast that originally contained a metal tenon that would have supported the right arm.  The Venus' flesh is polished smooth, but chisel marks are still visible on other surfaces.  The drapery is more elaborately carved on the right-hand side of the statue than the left, perhaps because on the left-hand side it was originally obscured from view.  Likewise the Venus is less finely-finished from behind, suggesting that it was originally intended to be viewed only from the front. While the body of the Venus is depicted in a realistic style, the head is more idealised. The lips are slightly open, the eyes and mouth are small. The sculpture has been minimally restored: only the tip of the nose, lower lip, big toe on the right foot, and some of the drapery.Stylistically, the sculpture combines elements of classical and Hellenistic art. Features such as the small, regular eyes and mouth, and the strong brow and nose, are classical in style, while the shape of the torso and the deeply carved drapery are Hellenistic.Kenneth Clark describes the figure as \"the last great work of antique Greece\", and \"of all the works of antiquity one of the most complex and the most artful. ...[the sculptor] has consciously attempted to give the effect of a 5th-century work\", while also using \"the inventions of his own time\"; \"the planes of her body are so large and calm that at first we do not realise the number of angles through which they pass. In architectural terms, she is a baroque composition with classic effect\".  "}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロに関して、どのように説明が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo is an over 2 metres (6 ft 7 in) tall Parian marble statue of a Greek goddess, most likely Aphrodite, depicted with a bare torso and drapery over the lower half of her body.  The figure stands with her weight on her right leg, and the left leg raised; her head is turned to the left. The statue is missing both arms, the left foot, and the earlobes. There is a filled hole below her right breast that originally contained a metal tenon that would have supported the right arm.  The Venus' flesh is polished smooth, but chisel marks are still visible on other surfaces.  The drapery is more elaborately carved on the right-hand side of the statue than the left, perhaps because on the left-hand side it was originally obscured from view.  Likewise the Venus is less finely-finished from behind, suggesting that it was originally intended to be viewed only from the front. While the body of the Venus is depicted in a realistic style, the head is more idealised. The lips are slightly open, the eyes and mouth are small. The sculpture has been minimally restored: only the tip of the nose, lower lip, big toe on the right foot, and some of the drapery.Stylistically, the sculpture combines elements of classical and Hellenistic art. Features such as the small, regular eyes and mouth, and the strong brow and nose, are classical in style, while the shape of the torso and the deeply carved drapery are Hellenistic.Kenneth Clark describes the figure as \"the last great work of antique Greece\", and \"of all the works of antiquity one of the most complex and the most artful. ...[the sculptor] has consciously attempted to give the effect of a 5th-century work\", while also using \"the inventions of his own time\"; \"the planes of her body are so large and calm that at first we do not realise the number of angles through which they pass. In architectural terms, she is a baroque composition with classic effect\".  "}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "発見", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロに焦点を当てて、その発見を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo was discovered on 8 April 1820 by a Greek farmer on the island of Milos, then still part of the Ottoman Empire.  Olivier Voutier, a French sailor interested in archaeology, witnessed the discovery and encouraged the farmer to continue digging.  Voutier and the farmer uncovered  two large pieces of the sculpture and a third, smaller piece.  A fragment of an arm, a hand holding an apple, and two herms were also found alongside the statue. Two inscriptions were also apparently found with the Venus. One, transcribed by Dumont D'Urville, a French naval officer who arrived on Milos shortly after the discovery, commemorates a dedication by one Bakchios son of Satios, the assistant gymnasiarch. The other, recorded on a drawing made by Auguste Debay, preserves part of a sculptor's signature.  Both inscriptions are now lost.  Other sculptural fragments found around the same time include a third herm, two further arms, and a foot with sandal.Dumont D'Urville wrote an account of the find.  According to his testimony, the Venus statue was found in a quadrangular niche.  If this findspot were the original context for the Venus, the niche and the gymnasiarch's inscription suggests that the Venus de Milo was installed in the gymnasium of Melos.  An alternative theory proposed by Salomon Reinach is that the findspot was instead the remains of a lime kiln, and that the other fragments had no connection to the Venus; this theory is dismissed by Christofilis Maggidis as having \"no factual basis\".After stopping in Melos, D'Urville's ship sailed to Constantinople, where he reported the find to the Comte de Marcellus, assistant to Charles François de Riffardeau, marquis de Rivière, the French ambassador. Rivière agreed that Marcellus should go to Melos to buy the statue.  By the time Marcellus arrived at Melos, the farmer who discovered the statue had already received another offer to buy it, and it had been loaded onto a ship; the French intervened and Marcellus was able to buy the Venus.  It was brought to France, where Louis XVIII had it installed in the Louvre. Contrary to the usual practice at the time, on the recommendation of Quatremère de Quincy, the Venus was not significantly restored but was exhibited in the state in which she was discovered.  Quatremère, who believed that the Venus was originally part of a group with a sculpture of Mars, argued that as the entire Mars was missing it was impossible to restore the sculpture. "}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "発見", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロの発見を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo was discovered on 8 April 1820 by a Greek farmer on the island of Milos, then still part of the Ottoman Empire.  Olivier Voutier, a French sailor interested in archaeology, witnessed the discovery and encouraged the farmer to continue digging.  Voutier and the farmer uncovered  two large pieces of the sculpture and a third, smaller piece.  A fragment of an arm, a hand holding an apple, and two herms were also found alongside the statue. Two inscriptions were also apparently found with the Venus. One, transcribed by Dumont D'Urville, a French naval officer who arrived on Milos shortly after the discovery, commemorates a dedication by one Bakchios son of Satios, the assistant gymnasiarch. The other, recorded on a drawing made by Auguste Debay, preserves part of a sculptor's signature.  Both inscriptions are now lost.  Other sculptural fragments found around the same time include a third herm, two further arms, and a foot with sandal.Dumont D'Urville wrote an account of the find.  According to his testimony, the Venus statue was found in a quadrangular niche.  If this findspot were the original context for the Venus, the niche and the gymnasiarch's inscription suggests that the Venus de Milo was installed in the gymnasium of Melos.  An alternative theory proposed by Salomon Reinach is that the findspot was instead the remains of a lime kiln, and that the other fragments had no connection to the Venus; this theory is dismissed by Christofilis Maggidis as having \"no factual basis\".After stopping in Melos, D'Urville's ship sailed to Constantinople, where he reported the find to the Comte de Marcellus, assistant to Charles François de Riffardeau, marquis de Rivière, the French ambassador. Rivière agreed that Marcellus should go to Melos to buy the statue.  By the time Marcellus arrived at Melos, the farmer who discovered the statue had already received another offer to buy it, and it had been loaded onto a ship; the French intervened and Marcellus was able to buy the Venus.  It was brought to France, where Louis XVIII had it installed in the Louvre. Contrary to the usual practice at the time, on the recommendation of Quatremère de Quincy, the Venus was not significantly restored but was exhibited in the state in which she was discovered.  Quatremère, who believed that the Venus was originally part of a group with a sculpture of Mars, argued that as the entire Mars was missing it was impossible to restore the sculpture. "}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "発見", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロはどのように発見を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo was discovered on 8 April 1820 by a Greek farmer on the island of Milos, then still part of the Ottoman Empire.  Olivier Voutier, a French sailor interested in archaeology, witnessed the discovery and encouraged the farmer to continue digging.  Voutier and the farmer uncovered  two large pieces of the sculpture and a third, smaller piece.  A fragment of an arm, a hand holding an apple, and two herms were also found alongside the statue. Two inscriptions were also apparently found with the Venus. One, transcribed by Dumont D'Urville, a French naval officer who arrived on Milos shortly after the discovery, commemorates a dedication by one Bakchios son of Satios, the assistant gymnasiarch. The other, recorded on a drawing made by Auguste Debay, preserves part of a sculptor's signature.  Both inscriptions are now lost.  Other sculptural fragments found around the same time include a third herm, two further arms, and a foot with sandal.Dumont D'Urville wrote an account of the find.  According to his testimony, the Venus statue was found in a quadrangular niche.  If this findspot were the original context for the Venus, the niche and the gymnasiarch's inscription suggests that the Venus de Milo was installed in the gymnasium of Melos.  An alternative theory proposed by Salomon Reinach is that the findspot was instead the remains of a lime kiln, and that the other fragments had no connection to the Venus; this theory is dismissed by Christofilis Maggidis as having \"no factual basis\".After stopping in Melos, D'Urville's ship sailed to Constantinople, where he reported the find to the Comte de Marcellus, assistant to Charles François de Riffardeau, marquis de Rivière, the French ambassador. Rivière agreed that Marcellus should go to Melos to buy the statue.  By the time Marcellus arrived at Melos, the farmer who discovered the statue had already received another offer to buy it, and it had been loaded onto a ship; the French intervened and Marcellus was able to buy the Venus.  It was brought to France, where Louis XVIII had it installed in the Louvre. Contrary to the usual practice at the time, on the recommendation of Quatremère de Quincy, the Venus was not significantly restored but was exhibited in the state in which she was discovered.  Quatremère, who believed that the Venus was originally part of a group with a sculpture of Mars, argued that as the entire Mars was missing it was impossible to restore the sculpture. "}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "発見", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロに関して、どのように発見が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo was discovered on 8 April 1820 by a Greek farmer on the island of Milos, then still part of the Ottoman Empire.  Olivier Voutier, a French sailor interested in archaeology, witnessed the discovery and encouraged the farmer to continue digging.  Voutier and the farmer uncovered  two large pieces of the sculpture and a third, smaller piece.  A fragment of an arm, a hand holding an apple, and two herms were also found alongside the statue. Two inscriptions were also apparently found with the Venus. One, transcribed by Dumont D'Urville, a French naval officer who arrived on Milos shortly after the discovery, commemorates a dedication by one Bakchios son of Satios, the assistant gymnasiarch. The other, recorded on a drawing made by Auguste Debay, preserves part of a sculptor's signature.  Both inscriptions are now lost.  Other sculptural fragments found around the same time include a third herm, two further arms, and a foot with sandal.Dumont D'Urville wrote an account of the find.  According to his testimony, the Venus statue was found in a quadrangular niche.  If this findspot were the original context for the Venus, the niche and the gymnasiarch's inscription suggests that the Venus de Milo was installed in the gymnasium of Melos.  An alternative theory proposed by Salomon Reinach is that the findspot was instead the remains of a lime kiln, and that the other fragments had no connection to the Venus; this theory is dismissed by Christofilis Maggidis as having \"no factual basis\".After stopping in Melos, D'Urville's ship sailed to Constantinople, where he reported the find to the Comte de Marcellus, assistant to Charles François de Riffardeau, marquis de Rivière, the French ambassador. Rivière agreed that Marcellus should go to Melos to buy the statue.  By the time Marcellus arrived at Melos, the farmer who discovered the statue had already received another offer to buy it, and it had been loaded onto a ship; the French intervened and Marcellus was able to buy the Venus.  It was brought to France, where Louis XVIII had it installed in the Louvre. Contrary to the usual practice at the time, on the recommendation of Quatremère de Quincy, the Venus was not significantly restored but was exhibited in the state in which she was discovered.  Quatremère, who believed that the Venus was originally part of a group with a sculpture of Mars, argued that as the entire Mars was missing it was impossible to restore the sculpture. "}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "表示", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロに焦点を当てて、その表示を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo was initially installed in the Louvre in 1821; it was rapidly moved twice before finding a long-term home in the Salle du Tibre where it remained until 1848.  From there it was moved to the Salle de l'Isis, where it remained until being removed from the museum in 1870 for protection during the Paris Commune.  When the Salle de l'Isis was renovated in the 1880s, the Venus was given a new pedestal which allowed spectators to rotate the sculpture; at the same time the approach to the sculpture was filled with other ancient Venus statues.  A proposal in 1919 to display the Venus alongside the Leonardo's Mona Lisa and Michelangelo's Dying Slave and Rebellious Slave was never carried out, but in 1936, the sculpture was once again moved to the Salle de la Vénus de Milo to accommodate the volume of visitors to the Louvre; the other Venus statues were removed to focus visitors on the Venus de Milo. At this time the route for visitors through the Louvre was modified to be more chronological, coming through galleries of archaic and classical sculpture before arriving in a gallery dedicated to the Hellenstic period; the Venus de Milo was placed between the classical and Hellenistic galleries. During the Second World War the sculpture was once again removed from the Louvre for safekeeping, and stored in the Château de Valençay. In 1964 it was exhibited in Tokyo and Kyoto; this is the only time the sculpture has left France since it was acquired by the Louvre.  In 1972 an experiment was made with a new site for the sculpture, and it was temporarily moved to allow renovations in the 1980s and 1990s; by 1999 the volume of visitors to the Venus was causing problems and the Louvre authorities were considering returning the sculpture to its previous setting. In 2010 the sculpture was installed in its new setting, with the sculptural fragments discovered alongside it on display in the same room."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "表示", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロの表示を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo was initially installed in the Louvre in 1821; it was rapidly moved twice before finding a long-term home in the Salle du Tibre where it remained until 1848.  From there it was moved to the Salle de l'Isis, where it remained until being removed from the museum in 1870 for protection during the Paris Commune.  When the Salle de l'Isis was renovated in the 1880s, the Venus was given a new pedestal which allowed spectators to rotate the sculpture; at the same time the approach to the sculpture was filled with other ancient Venus statues.  A proposal in 1919 to display the Venus alongside the Leonardo's Mona Lisa and Michelangelo's Dying Slave and Rebellious Slave was never carried out, but in 1936, the sculpture was once again moved to the Salle de la Vénus de Milo to accommodate the volume of visitors to the Louvre; the other Venus statues were removed to focus visitors on the Venus de Milo. At this time the route for visitors through the Louvre was modified to be more chronological, coming through galleries of archaic and classical sculpture before arriving in a gallery dedicated to the Hellenstic period; the Venus de Milo was placed between the classical and Hellenistic galleries. During the Second World War the sculpture was once again removed from the Louvre for safekeeping, and stored in the Château de Valençay. In 1964 it was exhibited in Tokyo and Kyoto; this is the only time the sculpture has left France since it was acquired by the Louvre.  In 1972 an experiment was made with a new site for the sculpture, and it was temporarily moved to allow renovations in the 1980s and 1990s; by 1999 the volume of visitors to the Venus was causing problems and the Louvre authorities were considering returning the sculpture to its previous setting. In 2010 the sculpture was installed in its new setting, with the sculptural fragments discovered alongside it on display in the same room."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "表示", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロはどのように表示を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo was initially installed in the Louvre in 1821; it was rapidly moved twice before finding a long-term home in the Salle du Tibre where it remained until 1848.  From there it was moved to the Salle de l'Isis, where it remained until being removed from the museum in 1870 for protection during the Paris Commune.  When the Salle de l'Isis was renovated in the 1880s, the Venus was given a new pedestal which allowed spectators to rotate the sculpture; at the same time the approach to the sculpture was filled with other ancient Venus statues.  A proposal in 1919 to display the Venus alongside the Leonardo's Mona Lisa and Michelangelo's Dying Slave and Rebellious Slave was never carried out, but in 1936, the sculpture was once again moved to the Salle de la Vénus de Milo to accommodate the volume of visitors to the Louvre; the other Venus statues were removed to focus visitors on the Venus de Milo. At this time the route for visitors through the Louvre was modified to be more chronological, coming through galleries of archaic and classical sculpture before arriving in a gallery dedicated to the Hellenstic period; the Venus de Milo was placed between the classical and Hellenistic galleries. During the Second World War the sculpture was once again removed from the Louvre for safekeeping, and stored in the Château de Valençay. In 1964 it was exhibited in Tokyo and Kyoto; this is the only time the sculpture has left France since it was acquired by the Louvre.  In 1972 an experiment was made with a new site for the sculpture, and it was temporarily moved to allow renovations in the 1980s and 1990s; by 1999 the volume of visitors to the Venus was causing problems and the Louvre authorities were considering returning the sculpture to its previous setting. In 2010 the sculpture was installed in its new setting, with the sculptural fragments discovered alongside it on display in the same room."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "表示", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロに関して、どのように表示が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo was initially installed in the Louvre in 1821; it was rapidly moved twice before finding a long-term home in the Salle du Tibre where it remained until 1848.  From there it was moved to the Salle de l'Isis, where it remained until being removed from the museum in 1870 for protection during the Paris Commune.  When the Salle de l'Isis was renovated in the 1880s, the Venus was given a new pedestal which allowed spectators to rotate the sculpture; at the same time the approach to the sculpture was filled with other ancient Venus statues.  A proposal in 1919 to display the Venus alongside the Leonardo's Mona Lisa and Michelangelo's Dying Slave and Rebellious Slave was never carried out, but in 1936, the sculpture was once again moved to the Salle de la Vénus de Milo to accommodate the volume of visitors to the Louvre; the other Venus statues were removed to focus visitors on the Venus de Milo. At this time the route for visitors through the Louvre was modified to be more chronological, coming through galleries of archaic and classical sculpture before arriving in a gallery dedicated to the Hellenstic period; the Venus de Milo was placed between the classical and Hellenistic galleries. During the Second World War the sculpture was once again removed from the Louvre for safekeeping, and stored in the Château de Valençay. In 1964 it was exhibited in Tokyo and Kyoto; this is the only time the sculpture has left France since it was acquired by the Louvre.  In 1972 an experiment was made with a new site for the sculpture, and it was temporarily moved to allow renovations in the 1980s and 1990s; by 1999 the volume of visitors to the Venus was causing problems and the Louvre authorities were considering returning the sculpture to its previous setting. In 2010 the sculpture was installed in its new setting, with the sculptural fragments discovered alongside it on display in the same room."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "解釈", "subsection": "識別", "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロの文脈で、識別と解釈を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo is probably a sculpture of the goddess Aphrodite, but its fragmentary state makes secure identification difficult.  The earliest written accounts of the sculpture, by a French captain and the French vice-consul on Melos, both identify it as representing Aphrodite holding the apple of discord, apparently on the basis of the now-lost hand holding an apple found with the sculpture.  An alternative identification proposed by Reinach is that she represents the sea-goddess Amphitrite, and was originally grouped with a sculpture of Poseidon from Melos, discovered in 1878.  Other proposed identifications include a Muse, Nemesis, or Sappho.The authorship and date of the Venus de Milo were both disputed from its discovery.  Within a month of its acquisition by the Louvre, three French scholars had published papers on the statue, disagreeing on all aspects of its interpretation: Toussaint-Bernard Éméric-David thought it dated to c. 420 BC – c. 380 BC, between sculptors Phidias and Praxiteles; Quatremère de Quincy attributed it to the mid-fourth century and the circle of Praxiteles; and the Comte de Clarac thought it a later copy of a work by Praxiteles.  The scholarly consensus in the 19th century was that the Venus dated to the fourth century BC.  In 1893, Adolf Furtwängler was the first to argue that it was in fact late Hellenistic, dating to c. 150 BC – c. 50 BC, and this dating continues to be widely accepted.One of the inscriptions discovered with the statue, which was drawn by Debay as fitting into the missing section of the statue's plinth, names the sculptor as [---]andros, son of [M]enides, of Antioch on the Maeander. The inscription must date to after 280 BC, when Antioch on the Maeander was founded; the lettering of the inscription suggests a date of 150–50 BC.  Maggidis argues based on this inscription, as well as the style of the statue and the increasing prosperity of Melos in the period due to Roman involvement on the island which he suggests is a plausible context for the commissioning of the sculpture, that it probably dates to c. 150 BC – c. 110 BC.  Rachel Kousser agrees with Furtwängler's dates for the sculpture.  Marianne Hamiaux suggests c. 160 BC – c. 140 BC. The association of the fragmentary artist's signature with the sculpture, and thus the identification of the sculptor as Alexandros of Antioch, is not universally accepted. Kousser and Jean-Luc Martinez both question this connection. Kousser notes that though the plaque is shown fitting into the broken base of the Venus in Debay's drawing, the drawing shows no evidence of the sculpture's missing left foot which would have rested on it, while in Voutier's sketch of the finds the plaque is shown as the base of one of the herms found alongside the Venus. As the inscription is lost, its connection to the Venus cannot be either proven or disproven.Magiddis suggested that the Venus de Milo was carved by the same sculptor who also made the Poseidon of Melos. Isméni Trianti has suggested that three further sculptures found in Melos can be attributed to the same artist: two statues of women, and a colossal statue of a god."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "解釈", "subsection": "識別", "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロの解釈に関する識別を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo is probably a sculpture of the goddess Aphrodite, but its fragmentary state makes secure identification difficult.  The earliest written accounts of the sculpture, by a French captain and the French vice-consul on Melos, both identify it as representing Aphrodite holding the apple of discord, apparently on the basis of the now-lost hand holding an apple found with the sculpture.  An alternative identification proposed by Reinach is that she represents the sea-goddess Amphitrite, and was originally grouped with a sculpture of Poseidon from Melos, discovered in 1878.  Other proposed identifications include a Muse, Nemesis, or Sappho.The authorship and date of the Venus de Milo were both disputed from its discovery.  Within a month of its acquisition by the Louvre, three French scholars had published papers on the statue, disagreeing on all aspects of its interpretation: Toussaint-Bernard Éméric-David thought it dated to c. 420 BC – c. 380 BC, between sculptors Phidias and Praxiteles; Quatremère de Quincy attributed it to the mid-fourth century and the circle of Praxiteles; and the Comte de Clarac thought it a later copy of a work by Praxiteles.  The scholarly consensus in the 19th century was that the Venus dated to the fourth century BC.  In 1893, Adolf Furtwängler was the first to argue that it was in fact late Hellenistic, dating to c. 150 BC – c. 50 BC, and this dating continues to be widely accepted.One of the inscriptions discovered with the statue, which was drawn by Debay as fitting into the missing section of the statue's plinth, names the sculptor as [---]andros, son of [M]enides, of Antioch on the Maeander. The inscription must date to after 280 BC, when Antioch on the Maeander was founded; the lettering of the inscription suggests a date of 150–50 BC.  Maggidis argues based on this inscription, as well as the style of the statue and the increasing prosperity of Melos in the period due to Roman involvement on the island which he suggests is a plausible context for the commissioning of the sculpture, that it probably dates to c. 150 BC – c. 110 BC.  Rachel Kousser agrees with Furtwängler's dates for the sculpture.  Marianne Hamiaux suggests c. 160 BC – c. 140 BC. The association of the fragmentary artist's signature with the sculpture, and thus the identification of the sculptor as Alexandros of Antioch, is not universally accepted. Kousser and Jean-Luc Martinez both question this connection. Kousser notes that though the plaque is shown fitting into the broken base of the Venus in Debay's drawing, the drawing shows no evidence of the sculpture's missing left foot which would have rested on it, while in Voutier's sketch of the finds the plaque is shown as the base of one of the herms found alongside the Venus. As the inscription is lost, its connection to the Venus cannot be either proven or disproven.Magiddis suggested that the Venus de Milo was carved by the same sculptor who also made the Poseidon of Melos. Isméni Trianti has suggested that three further sculptures found in Melos can be attributed to the same artist: two statues of women, and a colossal statue of a god."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "解釈", "subsection": "識別", "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロでは、どのように解釈の識別が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo is probably a sculpture of the goddess Aphrodite, but its fragmentary state makes secure identification difficult.  The earliest written accounts of the sculpture, by a French captain and the French vice-consul on Melos, both identify it as representing Aphrodite holding the apple of discord, apparently on the basis of the now-lost hand holding an apple found with the sculpture.  An alternative identification proposed by Reinach is that she represents the sea-goddess Amphitrite, and was originally grouped with a sculpture of Poseidon from Melos, discovered in 1878.  Other proposed identifications include a Muse, Nemesis, or Sappho.The authorship and date of the Venus de Milo were both disputed from its discovery.  Within a month of its acquisition by the Louvre, three French scholars had published papers on the statue, disagreeing on all aspects of its interpretation: Toussaint-Bernard Éméric-David thought it dated to c. 420 BC – c. 380 BC, between sculptors Phidias and Praxiteles; Quatremère de Quincy attributed it to the mid-fourth century and the circle of Praxiteles; and the Comte de Clarac thought it a later copy of a work by Praxiteles.  The scholarly consensus in the 19th century was that the Venus dated to the fourth century BC.  In 1893, Adolf Furtwängler was the first to argue that it was in fact late Hellenistic, dating to c. 150 BC – c. 50 BC, and this dating continues to be widely accepted.One of the inscriptions discovered with the statue, which was drawn by Debay as fitting into the missing section of the statue's plinth, names the sculptor as [---]andros, son of [M]enides, of Antioch on the Maeander. The inscription must date to after 280 BC, when Antioch on the Maeander was founded; the lettering of the inscription suggests a date of 150–50 BC.  Maggidis argues based on this inscription, as well as the style of the statue and the increasing prosperity of Melos in the period due to Roman involvement on the island which he suggests is a plausible context for the commissioning of the sculpture, that it probably dates to c. 150 BC – c. 110 BC.  Rachel Kousser agrees with Furtwängler's dates for the sculpture.  Marianne Hamiaux suggests c. 160 BC – c. 140 BC. The association of the fragmentary artist's signature with the sculpture, and thus the identification of the sculptor as Alexandros of Antioch, is not universally accepted. Kousser and Jean-Luc Martinez both question this connection. Kousser notes that though the plaque is shown fitting into the broken base of the Venus in Debay's drawing, the drawing shows no evidence of the sculpture's missing left foot which would have rested on it, while in Voutier's sketch of the finds the plaque is shown as the base of one of the herms found alongside the Venus. As the inscription is lost, its connection to the Venus cannot be either proven or disproven.Magiddis suggested that the Venus de Milo was carved by the same sculptor who also made the Poseidon of Melos. Isméni Trianti has suggested that three further sculptures found in Melos can be attributed to the same artist: two statues of women, and a colossal statue of a god."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "解釈", "subsection": "識別", "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロの解釈における識別の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "The Venus de Milo is probably a sculpture of the goddess Aphrodite, but its fragmentary state makes secure identification difficult.  The earliest written accounts of the sculpture, by a French captain and the French vice-consul on Melos, both identify it as representing Aphrodite holding the apple of discord, apparently on the basis of the now-lost hand holding an apple found with the sculpture.  An alternative identification proposed by Reinach is that she represents the sea-goddess Amphitrite, and was originally grouped with a sculpture of Poseidon from Melos, discovered in 1878.  Other proposed identifications include a Muse, Nemesis, or Sappho.The authorship and date of the Venus de Milo were both disputed from its discovery.  Within a month of its acquisition by the Louvre, three French scholars had published papers on the statue, disagreeing on all aspects of its interpretation: Toussaint-Bernard Éméric-David thought it dated to c. 420 BC – c. 380 BC, between sculptors Phidias and Praxiteles; Quatremère de Quincy attributed it to the mid-fourth century and the circle of Praxiteles; and the Comte de Clarac thought it a later copy of a work by Praxiteles.  The scholarly consensus in the 19th century was that the Venus dated to the fourth century BC.  In 1893, Adolf Furtwängler was the first to argue that it was in fact late Hellenistic, dating to c. 150 BC – c. 50 BC, and this dating continues to be widely accepted.One of the inscriptions discovered with the statue, which was drawn by Debay as fitting into the missing section of the statue's plinth, names the sculptor as [---]andros, son of [M]enides, of Antioch on the Maeander. The inscription must date to after 280 BC, when Antioch on the Maeander was founded; the lettering of the inscription suggests a date of 150–50 BC.  Maggidis argues based on this inscription, as well as the style of the statue and the increasing prosperity of Melos in the period due to Roman involvement on the island which he suggests is a plausible context for the commissioning of the sculpture, that it probably dates to c. 150 BC – c. 110 BC.  Rachel Kousser agrees with Furtwängler's dates for the sculpture.  Marianne Hamiaux suggests c. 160 BC – c. 140 BC. The association of the fragmentary artist's signature with the sculpture, and thus the identification of the sculptor as Alexandros of Antioch, is not universally accepted. Kousser and Jean-Luc Martinez both question this connection. Kousser notes that though the plaque is shown fitting into the broken base of the Venus in Debay's drawing, the drawing shows no evidence of the sculpture's missing left foot which would have rested on it, while in Voutier's sketch of the finds the plaque is shown as the base of one of the herms found alongside the Venus. As the inscription is lost, its connection to the Venus cannot be either proven or disproven.Magiddis suggested that the Venus de Milo was carved by the same sculptor who also made the Poseidon of Melos. Isméni Trianti has suggested that three further sculptures found in Melos can be attributed to the same artist: two statues of women, and a colossal statue of a god."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "解釈", "subsection": "再構築", "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロの文脈で、再構築と解釈を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "Without arms, it is unclear what the statue originally looked like. The original appearance of the Venus has been disputed since 1821, with de Clarac arguing that the Venus was a single figure holding an apple, whereas Quatremere held that she was part of a group, with her arms around another figure.  Other proposed restorations have included the Venus holding wreaths, a dove, or spears.Wilhelm Fröhner suggested in 1876 that the Venus de Milo's right hand held the drapery slipping down from her hips, while the left held an apple; this theory was expanded on by Furtwängler.  Kousser considers this the \"most plausible\" reconstruction. Scientific analyses conducted during restoration of the Venus in 2010 supported the theory that the  arm fragment and hand holding the apple found alongside the sculpture were originally part of the Venus; Martinez argues that the identification of the sculpture as Venus holding an apple is thus definitively proved.Hamiaux suggests that the Venus de Milo is of the same sculptural type as the Capuan Venus and another sculpture of Aphrodite from Perge.  She argues that all derive from the cult statue in the temple of Aphrodite on the Acrocorinth, which depicted Aphrodite admiring herself in a shield.  Christine Mitchell Havelock, who believes the Capuan Venus was based on the Venus de Milo, by contrast considers the Melian sculpture \"a fresh invention\" of the Hellenistic period."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "解釈", "subsection": "再構築", "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロの解釈に関する再構築を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "Without arms, it is unclear what the statue originally looked like. The original appearance of the Venus has been disputed since 1821, with de Clarac arguing that the Venus was a single figure holding an apple, whereas Quatremere held that she was part of a group, with her arms around another figure.  Other proposed restorations have included the Venus holding wreaths, a dove, or spears.Wilhelm Fröhner suggested in 1876 that the Venus de Milo's right hand held the drapery slipping down from her hips, while the left held an apple; this theory was expanded on by Furtwängler.  Kousser considers this the \"most plausible\" reconstruction. Scientific analyses conducted during restoration of the Venus in 2010 supported the theory that the  arm fragment and hand holding the apple found alongside the sculpture were originally part of the Venus; Martinez argues that the identification of the sculpture as Venus holding an apple is thus definitively proved.Hamiaux suggests that the Venus de Milo is of the same sculptural type as the Capuan Venus and another sculpture of Aphrodite from Perge.  She argues that all derive from the cult statue in the temple of Aphrodite on the Acrocorinth, which depicted Aphrodite admiring herself in a shield.  Christine Mitchell Havelock, who believes the Capuan Venus was based on the Venus de Milo, by contrast considers the Melian sculpture \"a fresh invention\" of the Hellenistic period."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "解釈", "subsection": "再構築", "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロでは、どのように解釈の再構築が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "Without arms, it is unclear what the statue originally looked like. The original appearance of the Venus has been disputed since 1821, with de Clarac arguing that the Venus was a single figure holding an apple, whereas Quatremere held that she was part of a group, with her arms around another figure.  Other proposed restorations have included the Venus holding wreaths, a dove, or spears.Wilhelm Fröhner suggested in 1876 that the Venus de Milo's right hand held the drapery slipping down from her hips, while the left held an apple; this theory was expanded on by Furtwängler.  Kousser considers this the \"most plausible\" reconstruction. Scientific analyses conducted during restoration of the Venus in 2010 supported the theory that the  arm fragment and hand holding the apple found alongside the sculpture were originally part of the Venus; Martinez argues that the identification of the sculpture as Venus holding an apple is thus definitively proved.Hamiaux suggests that the Venus de Milo is of the same sculptural type as the Capuan Venus and another sculpture of Aphrodite from Perge.  She argues that all derive from the cult statue in the temple of Aphrodite on the Acrocorinth, which depicted Aphrodite admiring herself in a shield.  Christine Mitchell Havelock, who believes the Capuan Venus was based on the Venus de Milo, by contrast considers the Melian sculpture \"a fresh invention\" of the Hellenistic period."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "解釈", "subsection": "再構築", "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロの解釈における再構築の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "Without arms, it is unclear what the statue originally looked like. The original appearance of the Venus has been disputed since 1821, with de Clarac arguing that the Venus was a single figure holding an apple, whereas Quatremere held that she was part of a group, with her arms around another figure.  Other proposed restorations have included the Venus holding wreaths, a dove, or spears.Wilhelm Fröhner suggested in 1876 that the Venus de Milo's right hand held the drapery slipping down from her hips, while the left held an apple; this theory was expanded on by Furtwängler.  Kousser considers this the \"most plausible\" reconstruction. Scientific analyses conducted during restoration of the Venus in 2010 supported the theory that the  arm fragment and hand holding the apple found alongside the sculpture were originally part of the Venus; Martinez argues that the identification of the sculpture as Venus holding an apple is thus definitively proved.Hamiaux suggests that the Venus de Milo is of the same sculptural type as the Capuan Venus and another sculpture of Aphrodite from Perge.  She argues that all derive from the cult statue in the temple of Aphrodite on the Acrocorinth, which depicted Aphrodite admiring herself in a shield.  Christine Mitchell Havelock, who believes the Capuan Venus was based on the Venus de Milo, by contrast considers the Melian sculpture \"a fresh invention\" of the Hellenistic period."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロに焦点を当てて、その受付を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "No ancient source can be securely identified as discussing the Venus de Milo, and there are neither enough surviving ancient statues, nor enough evidence about how ancient Greeks judged artistic quality, to judge how the sculpture would have been received in the ancient world.  But, according to Kenneth Clark (in 1949), \"within a few years of her discovery in 1820, the Venus de Milo had taken the central, impregnable position formerly occupied by the Venus de' Medici, and even now that she has lost favour with connoisseurs and archaeologists she has held her place in popular imagery as a symbol, or trade mark, of Beauty\".Today the Venus de Milo is perhaps the most famous ancient Greek statue in the world, seen by more than seven million visitors every year.  It established itself as a key part of the Louvre's antiquities collection soon after its discovery.  At this time, the Louvre had recently lost several major works following the Napoleonic Wars, as objects acquired by Napoleon were returned to their countries of origin.  The Venus was soon one of the most famous antiquities in Europe; in the 19th century it was distributed in plaster casts, photographs, and bronze copies.  A plaster cast was sent to the Berlin Academy in 1822, only a year after the Louvre acquired the Venus, and a cast was displayed at The Crystal Palace.The Venus de Milo has been the subject of both literature and the visual arts since its discovery.  More than 70 poems about the Venus have been published.  In the 19th century paintings of the Venus often depicted statuettes of the figure, for instance in Honoré Daumier's The Connoisseur.  19th-century artists also used the Venus as a model: Max Klinger based the Minerva in his Judgement of Paris on the Venus de Milo; Eugene Delacroix may have used it for Liberty Leading the People.In the early 20th century, the Venus de Milo caught the attention of the surrealist movement.  Erwin Blumenfeld and Clarence Sinclair Bull both made photomontages based on the Venus.  Max Ernst used the Venus in his \"instruction manuals\"; René Magritte painted a plaster copy of the Venus, making her body pink, her robe blue, and leaving the head white; and Salvador Dalì based several paintings and sculptures, including his painting The Hallucinogenic Toreador, on her.  In contemporary art, Niki de Saint-Phalle has used a reproduction of the Venus in a performance, Yves Klein produced a copy in International Klein Blue, and artists including Arman, Clive Barker, and Jim Dine have all made sculptures inspired by the Venus. The iconic status of the Venus de Milo has meant that in the 20th century it has been used in film and advertising: a poster for the 1932 film Blonde Venus shows Marlene Dietrich as the Venus de Milo, while in 2003 Eva Green, wearing only a white sheet and black arm-length gloves, recreated the sculpture in The Dreamers.  Actresses have frequently been compared to the Venus: an article in Photoplay in 1928 concluded the Joan Crawford was the Hollywood actress whose measurements most resembled the Venus de Milo, Clara Bow and Jean Harlow were both photographed as the Venus for magazines.  Advertisements for Kellogg's cornflakes, an early speakerphone made by General Telephone & Electronics, Levi's jeans and Mercedes-Benz cars have all used the Venus.In contrast with the popular and artistic appreciation of the Venus, since Fürtwangler re-dated the sculpture to the Hellenistic period some scholars have been more critical. In his History of Greek Art, Martin Robertson argues that the sculpture's reputation is due more to propaganda than to its own artistic merit. Scholars have concentrated on studying copies of classical sculpture mentioned in ancient sources, such as the Aphrodite of Knidos, than the Venus de Milo, even when those copies are generally considered to be technically inferior to the Venus; Elizabeth Prettejohn argues that this is due to classicists' bias towards written sources over visual ones."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロの受付を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "No ancient source can be securely identified as discussing the Venus de Milo, and there are neither enough surviving ancient statues, nor enough evidence about how ancient Greeks judged artistic quality, to judge how the sculpture would have been received in the ancient world.  But, according to Kenneth Clark (in 1949), \"within a few years of her discovery in 1820, the Venus de Milo had taken the central, impregnable position formerly occupied by the Venus de' Medici, and even now that she has lost favour with connoisseurs and archaeologists she has held her place in popular imagery as a symbol, or trade mark, of Beauty\".Today the Venus de Milo is perhaps the most famous ancient Greek statue in the world, seen by more than seven million visitors every year.  It established itself as a key part of the Louvre's antiquities collection soon after its discovery.  At this time, the Louvre had recently lost several major works following the Napoleonic Wars, as objects acquired by Napoleon were returned to their countries of origin.  The Venus was soon one of the most famous antiquities in Europe; in the 19th century it was distributed in plaster casts, photographs, and bronze copies.  A plaster cast was sent to the Berlin Academy in 1822, only a year after the Louvre acquired the Venus, and a cast was displayed at The Crystal Palace.The Venus de Milo has been the subject of both literature and the visual arts since its discovery.  More than 70 poems about the Venus have been published.  In the 19th century paintings of the Venus often depicted statuettes of the figure, for instance in Honoré Daumier's The Connoisseur.  19th-century artists also used the Venus as a model: Max Klinger based the Minerva in his Judgement of Paris on the Venus de Milo; Eugene Delacroix may have used it for Liberty Leading the People.In the early 20th century, the Venus de Milo caught the attention of the surrealist movement.  Erwin Blumenfeld and Clarence Sinclair Bull both made photomontages based on the Venus.  Max Ernst used the Venus in his \"instruction manuals\"; René Magritte painted a plaster copy of the Venus, making her body pink, her robe blue, and leaving the head white; and Salvador Dalì based several paintings and sculptures, including his painting The Hallucinogenic Toreador, on her.  In contemporary art, Niki de Saint-Phalle has used a reproduction of the Venus in a performance, Yves Klein produced a copy in International Klein Blue, and artists including Arman, Clive Barker, and Jim Dine have all made sculptures inspired by the Venus. The iconic status of the Venus de Milo has meant that in the 20th century it has been used in film and advertising: a poster for the 1932 film Blonde Venus shows Marlene Dietrich as the Venus de Milo, while in 2003 Eva Green, wearing only a white sheet and black arm-length gloves, recreated the sculpture in The Dreamers.  Actresses have frequently been compared to the Venus: an article in Photoplay in 1928 concluded the Joan Crawford was the Hollywood actress whose measurements most resembled the Venus de Milo, Clara Bow and Jean Harlow were both photographed as the Venus for magazines.  Advertisements for Kellogg's cornflakes, an early speakerphone made by General Telephone & Electronics, Levi's jeans and Mercedes-Benz cars have all used the Venus.In contrast with the popular and artistic appreciation of the Venus, since Fürtwangler re-dated the sculpture to the Hellenistic period some scholars have been more critical. In his History of Greek Art, Martin Robertson argues that the sculpture's reputation is due more to propaganda than to its own artistic merit. Scholars have concentrated on studying copies of classical sculpture mentioned in ancient sources, such as the Aphrodite of Knidos, than the Venus de Milo, even when those copies are generally considered to be technically inferior to the Venus; Elizabeth Prettejohn argues that this is due to classicists' bias towards written sources over visual ones."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロはどのように受付を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "No ancient source can be securely identified as discussing the Venus de Milo, and there are neither enough surviving ancient statues, nor enough evidence about how ancient Greeks judged artistic quality, to judge how the sculpture would have been received in the ancient world.  But, according to Kenneth Clark (in 1949), \"within a few years of her discovery in 1820, the Venus de Milo had taken the central, impregnable position formerly occupied by the Venus de' Medici, and even now that she has lost favour with connoisseurs and archaeologists she has held her place in popular imagery as a symbol, or trade mark, of Beauty\".Today the Venus de Milo is perhaps the most famous ancient Greek statue in the world, seen by more than seven million visitors every year.  It established itself as a key part of the Louvre's antiquities collection soon after its discovery.  At this time, the Louvre had recently lost several major works following the Napoleonic Wars, as objects acquired by Napoleon were returned to their countries of origin.  The Venus was soon one of the most famous antiquities in Europe; in the 19th century it was distributed in plaster casts, photographs, and bronze copies.  A plaster cast was sent to the Berlin Academy in 1822, only a year after the Louvre acquired the Venus, and a cast was displayed at The Crystal Palace.The Venus de Milo has been the subject of both literature and the visual arts since its discovery.  More than 70 poems about the Venus have been published.  In the 19th century paintings of the Venus often depicted statuettes of the figure, for instance in Honoré Daumier's The Connoisseur.  19th-century artists also used the Venus as a model: Max Klinger based the Minerva in his Judgement of Paris on the Venus de Milo; Eugene Delacroix may have used it for Liberty Leading the People.In the early 20th century, the Venus de Milo caught the attention of the surrealist movement.  Erwin Blumenfeld and Clarence Sinclair Bull both made photomontages based on the Venus.  Max Ernst used the Venus in his \"instruction manuals\"; René Magritte painted a plaster copy of the Venus, making her body pink, her robe blue, and leaving the head white; and Salvador Dalì based several paintings and sculptures, including his painting The Hallucinogenic Toreador, on her.  In contemporary art, Niki de Saint-Phalle has used a reproduction of the Venus in a performance, Yves Klein produced a copy in International Klein Blue, and artists including Arman, Clive Barker, and Jim Dine have all made sculptures inspired by the Venus. The iconic status of the Venus de Milo has meant that in the 20th century it has been used in film and advertising: a poster for the 1932 film Blonde Venus shows Marlene Dietrich as the Venus de Milo, while in 2003 Eva Green, wearing only a white sheet and black arm-length gloves, recreated the sculpture in The Dreamers.  Actresses have frequently been compared to the Venus: an article in Photoplay in 1928 concluded the Joan Crawford was the Hollywood actress whose measurements most resembled the Venus de Milo, Clara Bow and Jean Harlow were both photographed as the Venus for magazines.  Advertisements for Kellogg's cornflakes, an early speakerphone made by General Telephone & Electronics, Levi's jeans and Mercedes-Benz cars have all used the Venus.In contrast with the popular and artistic appreciation of the Venus, since Fürtwangler re-dated the sculpture to the Hellenistic period some scholars have been more critical. In his History of Greek Art, Martin Robertson argues that the sculpture's reputation is due more to propaganda than to its own artistic merit. Scholars have concentrated on studying copies of classical sculpture mentioned in ancient sources, such as the Aphrodite of Knidos, than the Venus de Milo, even when those copies are generally considered to be technically inferior to the Venus; Elizabeth Prettejohn argues that this is due to classicists' bias towards written sources over visual ones."}
{"title": "ヴィーナス・ド・ミロ", "srclang_title": "Venus de Milo", "en_title": "Venus de Milo", "pageid": 53435, "page_rank": 26, "page_url": "https://en.wikipedia.org/wiki/Venus_de_Milo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg/270px-V%C3%A9nus_de_Milo_-_Mus%C3%A9e_du_Louvre_AGER_LL_299_%3B_N_527_%3B_Ma_399.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "ヴィーナス・ド・ミロに関して、どのように受付が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Poseidon of Melos", "Adolf Furtwängler", "Max Ernst", "Category:Female beauty", "Aphrodite of Knidos", "Mortise and tenon", "Venus de' Medici", "Poseidon", "GTE", "Mona Lisa", "Marie-Louis Jean André Charles de Martin du Tyrac", "File:Joan Crawford as Venus de Milo.jpg", "Category:Sculptures of women in Paris", "Parian marble", "Sappho", "Phidias", "Jean-Luc Martinez", "Acrocorinth", "comte de Forbin", "[[Joan Crawford", "Eva Green", "ancient Greek sculpture", "Constantinople", "Erwin Blumenfeld", "tenon", "Max Klinger", "Toussaint-Bernard Éméric-David", "Musée du Louvre", "File:Paris Louvre Venus de Milo Debay drawing.jpg", "Charles François de Riffardeau, marquis de Rivière", "ancient Greek", "gymnasium (ancient Greece)", "Liberty Leading the People", "Photoplay", "File:Joseph Warlencourt - L'ancienne salle du Tibre.jpg", "Amphitrite", "Marlene Dietrich", "gymnasium", "Hellenistic", "Salomon Reinach", "Category:Marble sculptures in France", "Dumont D'Urville", "''The Connoisseur'' ({{circa", "Louis Nicolas Philippe Auguste de Forbin", "Joan Crawford", "Herm_(sculpture)", "Louis XVIII", "Antioch on the Maeander", "The Crystal Palace", "Venus (mythology)", "Olivier Voutier", "Clive Barker", "Milos", "The ''Venus de Milo'' on display in the Louvre, c.1824–1830, attributed to [[Joseph Warlencourt", "speakerphone", "Jules Dumont d'Urville", "Thespiae", "Levi Strauss & Co.", "Prussian Academy of Arts", "Nemesis", "Category:Archaeological discoveries in the Aegean Islands", "Quatremère de Quincy", "The Hallucinogenic Toreador", "Interpretatio graeca", "Louvre", "counterpart", "Ottoman Empire", "classical", "Berlin Academy", "Auguste Debay", "Salvador Dalí", "Wilhelm Fröhner", "Paris Commune", "Niki de Saint Phalle", "Niki de Saint-Phalle", "Yves Klein", "Château de Valençay", "Mercedes-Benz", "Category:Statues in France", "Category:1820 archaeological discoveries", "Aphrodite", "Roman mythology", "Surrealist", "File:The Connoisseur MET DT637.jpg", "herms", "Comte de Marcellus", "photomontage", "Category:Venus de Milo", "niche", "Venus", "Napoleonic Wars", "Rebellious Slave", "exedra", "Arman", "Hellenistic art", "Category:Nude sculptures in France", "Muses", "Alexandros", "Auguste-Hyacinthe Debay", "Category:Greek artifacts outside Greece", "Friedrich Hiller von Gaertringen", "The Dreamers", "Levi's", "Dying Slave", "International Klein Blue", "Honoré Daumier", "General Telephone & Electronics", "Category:Ancient Milos", "lime kiln", "Martin Robertson", "Louvre Museum", "Hellenistic period", "Praxiteles", "1865}}), by [[Honoré Daumier", "Michelangelo", "1860", "Charles Othon Frédéric Jean-Baptiste de Clarac", "apple of discord", "Valley of the Muses", "Salvador Dalì", "Category:2nd-century BC Greek sculptures", "Eugene Delacroix", "cornflakes", "Jean Harlow", "Comte de Clarac", "classical Greece", "thumb", "Category:Hellenistic sculpture", "Jim Dine", "Muse", "Category:Ancient Greek and Roman sculptures in the Louvre", "Surrealism", "Blonde Venus", "Kellogg's", "Kenneth Clark", "contemporary art", "Clarence Sinclair Bull", "Eugène Delacroix", "René Magritte", "right", "Capuan Venus", "Clara Bow", "surrealist movement", "''Venus de Milo'' drawn by Auguste Debay.  The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of [[Antioch on the Maeander", "gymnasiarch", "surrealism", "The Dreamers (2003 film)", " ", "Alexandros of Antioch", "Ancient Greece", "Roman"], "gold": "No ancient source can be securely identified as discussing the Venus de Milo, and there are neither enough surviving ancient statues, nor enough evidence about how ancient Greeks judged artistic quality, to judge how the sculpture would have been received in the ancient world.  But, according to Kenneth Clark (in 1949), \"within a few years of her discovery in 1820, the Venus de Milo had taken the central, impregnable position formerly occupied by the Venus de' Medici, and even now that she has lost favour with connoisseurs and archaeologists she has held her place in popular imagery as a symbol, or trade mark, of Beauty\".Today the Venus de Milo is perhaps the most famous ancient Greek statue in the world, seen by more than seven million visitors every year.  It established itself as a key part of the Louvre's antiquities collection soon after its discovery.  At this time, the Louvre had recently lost several major works following the Napoleonic Wars, as objects acquired by Napoleon were returned to their countries of origin.  The Venus was soon one of the most famous antiquities in Europe; in the 19th century it was distributed in plaster casts, photographs, and bronze copies.  A plaster cast was sent to the Berlin Academy in 1822, only a year after the Louvre acquired the Venus, and a cast was displayed at The Crystal Palace.The Venus de Milo has been the subject of both literature and the visual arts since its discovery.  More than 70 poems about the Venus have been published.  In the 19th century paintings of the Venus often depicted statuettes of the figure, for instance in Honoré Daumier's The Connoisseur.  19th-century artists also used the Venus as a model: Max Klinger based the Minerva in his Judgement of Paris on the Venus de Milo; Eugene Delacroix may have used it for Liberty Leading the People.In the early 20th century, the Venus de Milo caught the attention of the surrealist movement.  Erwin Blumenfeld and Clarence Sinclair Bull both made photomontages based on the Venus.  Max Ernst used the Venus in his \"instruction manuals\"; René Magritte painted a plaster copy of the Venus, making her body pink, her robe blue, and leaving the head white; and Salvador Dalì based several paintings and sculptures, including his painting The Hallucinogenic Toreador, on her.  In contemporary art, Niki de Saint-Phalle has used a reproduction of the Venus in a performance, Yves Klein produced a copy in International Klein Blue, and artists including Arman, Clive Barker, and Jim Dine have all made sculptures inspired by the Venus. The iconic status of the Venus de Milo has meant that in the 20th century it has been used in film and advertising: a poster for the 1932 film Blonde Venus shows Marlene Dietrich as the Venus de Milo, while in 2003 Eva Green, wearing only a white sheet and black arm-length gloves, recreated the sculpture in The Dreamers.  Actresses have frequently been compared to the Venus: an article in Photoplay in 1928 concluded the Joan Crawford was the Hollywood actress whose measurements most resembled the Venus de Milo, Clara Bow and Jean Harlow were both photographed as the Venus for magazines.  Advertisements for Kellogg's cornflakes, an early speakerphone made by General Telephone & Electronics, Levi's jeans and Mercedes-Benz cars have all used the Venus.In contrast with the popular and artistic appreciation of the Venus, since Fürtwangler re-dated the sculpture to the Hellenistic period some scholars have been more critical. In his History of Greek Art, Martin Robertson argues that the sculpture's reputation is due more to propaganda than to its own artistic merit. Scholars have concentrated on studying copies of classical sculpture mentioned in ancient sources, such as the Aphrodite of Knidos, than the Venus de Milo, even when those copies are generally considered to be technically inferior to the Venus; Elizabeth Prettejohn argues that this is due to classicists' bias towards written sources over visual ones."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスに焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The Augustus of Prima Porta (Italian: Augusto di Prima Porta) is a full-length portrait statue of Augustus, the first Roman emperor.The statue was discovered on April 20, 1863, during archaeological excavations directed by Giuseppe Gagliardi at the Villa of Livia owned by Augustus' third and final wife, Livia Drusilla in Prima Porta. Livia had retired to the villa after Augustus's death in AD 14. The statue was discovered in 1863 and first publicized by the German archeologist Wilhelm Henzen in the same year.Crafted by skilled Greek sculptors, the marble statue is believed to be a copy of a lost original bronze piece displayed in Rome. It blends Greek and Roman elements to craft an official image of Augustus, showcasing his grasp of visual influence. While the head portrays a realistic youthful Augustus, the body diverges from reality; despite its clothed form, it resembles the heroic stance found in Greek statues. The detailed armor, depicting a Parthian returning standards to a Roman, symbolizes peace along the eastern frontier of the Roman Empire. The statue stands 2.08 metres (6 ft 10 in) tall and weighs 1,000 kilograms (2,200 lb).The Augustus of Prima Porta is now displayed in the Braccio Nuovo (New Arm) of the Vatican Museums. Since its discovery, it has become the best known of Augustus' portraits and one of the most famous sculptures of the ancient world."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスのabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The Augustus of Prima Porta (Italian: Augusto di Prima Porta) is a full-length portrait statue of Augustus, the first Roman emperor.The statue was discovered on April 20, 1863, during archaeological excavations directed by Giuseppe Gagliardi at the Villa of Livia owned by Augustus' third and final wife, Livia Drusilla in Prima Porta. Livia had retired to the villa after Augustus's death in AD 14. The statue was discovered in 1863 and first publicized by the German archeologist Wilhelm Henzen in the same year.Crafted by skilled Greek sculptors, the marble statue is believed to be a copy of a lost original bronze piece displayed in Rome. It blends Greek and Roman elements to craft an official image of Augustus, showcasing his grasp of visual influence. While the head portrays a realistic youthful Augustus, the body diverges from reality; despite its clothed form, it resembles the heroic stance found in Greek statues. The detailed armor, depicting a Parthian returning standards to a Roman, symbolizes peace along the eastern frontier of the Roman Empire. The statue stands 2.08 metres (6 ft 10 in) tall and weighs 1,000 kilograms (2,200 lb).The Augustus of Prima Porta is now displayed in the Braccio Nuovo (New Arm) of the Vatican Museums. Since its discovery, it has become the best known of Augustus' portraits and one of the most famous sculptures of the ancient world."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスはどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The Augustus of Prima Porta (Italian: Augusto di Prima Porta) is a full-length portrait statue of Augustus, the first Roman emperor.The statue was discovered on April 20, 1863, during archaeological excavations directed by Giuseppe Gagliardi at the Villa of Livia owned by Augustus' third and final wife, Livia Drusilla in Prima Porta. Livia had retired to the villa after Augustus's death in AD 14. The statue was discovered in 1863 and first publicized by the German archeologist Wilhelm Henzen in the same year.Crafted by skilled Greek sculptors, the marble statue is believed to be a copy of a lost original bronze piece displayed in Rome. It blends Greek and Roman elements to craft an official image of Augustus, showcasing his grasp of visual influence. While the head portrays a realistic youthful Augustus, the body diverges from reality; despite its clothed form, it resembles the heroic stance found in Greek statues. The detailed armor, depicting a Parthian returning standards to a Roman, symbolizes peace along the eastern frontier of the Roman Empire. The statue stands 2.08 metres (6 ft 10 in) tall and weighs 1,000 kilograms (2,200 lb).The Augustus of Prima Porta is now displayed in the Braccio Nuovo (New Arm) of the Vatican Museums. Since its discovery, it has become the best known of Augustus' portraits and one of the most famous sculptures of the ancient world."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスに関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The Augustus of Prima Porta (Italian: Augusto di Prima Porta) is a full-length portrait statue of Augustus, the first Roman emperor.The statue was discovered on April 20, 1863, during archaeological excavations directed by Giuseppe Gagliardi at the Villa of Livia owned by Augustus' third and final wife, Livia Drusilla in Prima Porta. Livia had retired to the villa after Augustus's death in AD 14. The statue was discovered in 1863 and first publicized by the German archeologist Wilhelm Henzen in the same year.Crafted by skilled Greek sculptors, the marble statue is believed to be a copy of a lost original bronze piece displayed in Rome. It blends Greek and Roman elements to craft an official image of Augustus, showcasing his grasp of visual influence. While the head portrays a realistic youthful Augustus, the body diverges from reality; despite its clothed form, it resembles the heroic stance found in Greek statues. The detailed armor, depicting a Parthian returning standards to a Roman, symbolizes peace along the eastern frontier of the Roman Empire. The statue stands 2.08 metres (6 ft 10 in) tall and weighs 1,000 kilograms (2,200 lb).The Augustus of Prima Porta is now displayed in the Braccio Nuovo (New Arm) of the Vatican Museums. Since its discovery, it has become the best known of Augustus' portraits and one of the most famous sculptures of the ancient world."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "申し訳ありませんが、翻訳するためのテキストが提供されていません。もう一度お試しいただけますか？", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスに焦点を当てて、その申し訳ありませんが、翻訳するためのテキストが提供されていません。もう一度お試しいただけますか？を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The imagery on the lorica musculata cuirass (typical of legates) refers to the Parthian restitution of the Roman eagles, or insignia, in 20 BC, one of Augustus' most significant diplomatic accomplishments. The date of the (hypothetical) bronze original is therefore later than 20 BC. The detailed armor, depicting a Parthian returning standards to a Roman, symbolizes peace along the eastern frontier of the Roman Empire. The fact that Augustus is depicted barefooted is intended to be a divine representation, as this was a standard depiction of gods or heroes in classical iconography. The date of the marble copy would presumably fall between that date and Livia's death in AD 29.The statue might have been commissioned by Tiberius, the son of Livia and successor to Augustus. This hypothesis is based on the fact that Tiberius, who served as an intermediary in the recovery of the eagles, is also depicted on the cuirass. As this act was the greatest service he had performed for Augustus, the breastplate imagery would remind viewers of Tiberius's connection to the deified emperor and suggest continuity between both reigns. It is also possible that it was commissioned by Livia herself, Augustus's wife at the time of his death."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "申し訳ありませんが、翻訳するためのテキストが提供されていません。もう一度お試しいただけますか？", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスの申し訳ありませんが、翻訳するためのテキストが提供されていません。もう一度お試しいただけますか？を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The imagery on the lorica musculata cuirass (typical of legates) refers to the Parthian restitution of the Roman eagles, or insignia, in 20 BC, one of Augustus' most significant diplomatic accomplishments. The date of the (hypothetical) bronze original is therefore later than 20 BC. The detailed armor, depicting a Parthian returning standards to a Roman, symbolizes peace along the eastern frontier of the Roman Empire. The fact that Augustus is depicted barefooted is intended to be a divine representation, as this was a standard depiction of gods or heroes in classical iconography. The date of the marble copy would presumably fall between that date and Livia's death in AD 29.The statue might have been commissioned by Tiberius, the son of Livia and successor to Augustus. This hypothesis is based on the fact that Tiberius, who served as an intermediary in the recovery of the eagles, is also depicted on the cuirass. As this act was the greatest service he had performed for Augustus, the breastplate imagery would remind viewers of Tiberius's connection to the deified emperor and suggest continuity between both reigns. It is also possible that it was commissioned by Livia herself, Augustus's wife at the time of his death."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "申し訳ありませんが、翻訳するためのテキストが提供されていません。もう一度お試しいただけますか？", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスはどのように申し訳ありませんが、翻訳するためのテキストが提供されていません。もう一度お試しいただけますか？を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The imagery on the lorica musculata cuirass (typical of legates) refers to the Parthian restitution of the Roman eagles, or insignia, in 20 BC, one of Augustus' most significant diplomatic accomplishments. The date of the (hypothetical) bronze original is therefore later than 20 BC. The detailed armor, depicting a Parthian returning standards to a Roman, symbolizes peace along the eastern frontier of the Roman Empire. The fact that Augustus is depicted barefooted is intended to be a divine representation, as this was a standard depiction of gods or heroes in classical iconography. The date of the marble copy would presumably fall between that date and Livia's death in AD 29.The statue might have been commissioned by Tiberius, the son of Livia and successor to Augustus. This hypothesis is based on the fact that Tiberius, who served as an intermediary in the recovery of the eagles, is also depicted on the cuirass. As this act was the greatest service he had performed for Augustus, the breastplate imagery would remind viewers of Tiberius's connection to the deified emperor and suggest continuity between both reigns. It is also possible that it was commissioned by Livia herself, Augustus's wife at the time of his death."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "申し訳ありませんが、翻訳するためのテキストが提供されていません。もう一度お試しいただけますか？", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスに関して、どのように申し訳ありませんが、翻訳するためのテキストが提供されていません。もう一度お試しいただけますか？が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The imagery on the lorica musculata cuirass (typical of legates) refers to the Parthian restitution of the Roman eagles, or insignia, in 20 BC, one of Augustus' most significant diplomatic accomplishments. The date of the (hypothetical) bronze original is therefore later than 20 BC. The detailed armor, depicting a Parthian returning standards to a Roman, symbolizes peace along the eastern frontier of the Roman Empire. The fact that Augustus is depicted barefooted is intended to be a divine representation, as this was a standard depiction of gods or heroes in classical iconography. The date of the marble copy would presumably fall between that date and Livia's death in AD 29.The statue might have been commissioned by Tiberius, the son of Livia and successor to Augustus. This hypothesis is based on the fact that Tiberius, who served as an intermediary in the recovery of the eagles, is also depicted on the cuirass. As this act was the greatest service he had performed for Augustus, the breastplate imagery would remind viewers of Tiberius's connection to the deified emperor and suggest continuity between both reigns. It is also possible that it was commissioned by Livia herself, Augustus's wife at the time of his death."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "スタイル", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスに焦点を当てて、そのスタイルを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "Augustus is shown in his role of imperator, the commander of the army, as thoracatus —or commander-in-chief of the Roman army (literally, thorax-wearer)—meaning the statue should form part of a commemorative monument to his latest victories; he is in military clothing, carrying a consular baton and raising his right hand in a rhetorical adlocutio pose, addressing the troops. The bas-reliefs on his armored cuirass have a complex allegorical and political agenda, alluding to diverse Roman deities, including Mars, god of war, as well as the personifications of the latest territories he conquered:  Hispania, Gaul, Germania, Parthia (that had humiliated Crassus, and here appears in the act of returning the standards captured from his legions); at the top, the chariot of the Sun illuminates Augustus's deeds.The statue is an idealized image of Augustus showing a standard pose of a Roman orator and based on the 5th-century BC statue of the Spear Bearer or Doryphoros by the sculptor Polykleitos. The Doryphoros's contrapposto stance, creating diagonals between tense and relaxed limbs, a feature typical of classical sculpture, is adapted here. The pose of the statue's legs is similar to Doryphoros. The right leg is taut, while the left leg is relaxed, as if the statue is moving forward. The misidentification of the Doryphoros in the Roman period as representing the warrior Achilles made the model all the more appropriate for this image. Despite the Republican influence in the portrait head, the overall style is closer to Hellenistic idealization than to the realism of Roman portraiture. The reason for this style shift is the acquisition of Greek art. Following each conquest, the Romans brought back large amounts of Greek art. This flow of Greek artifacts changed Romans' aesthetic tastes, and these art pieces were regarded as a symbol of wealth and status for the Roman upper class.Despite the accuracy with which Augustus' features are depicted (with his somber look and characteristic fringe), the distant and tranquil expression of his face has been idealized, as have the conventional contrapposto, the anatomical proportions and the deeply draped paludamentum or \"cloth of the commander\".  On the other hand, Augustus's barefootedness and the inclusion of Cupid riding a dolphin as structural support for the statue reveals his mythical connection to the goddess Venus (Cupid's mother) by way of his adopted father Julius Caesar. The clear Greek inspiration in style and symbol for official sculptural portraits, which under the Roman emperors became instruments of governmental propaganda, is a central part of the Augustan ideological campaign, a shift from the Roman Republican era iconography where old and wise features were seen as symbols of solemn character. Therefore, the Prima Porta statue marks a conscious reversal of iconography to the Greek classical and Hellenistic period, in which youth and strength were valued as signs of leadership, emulating heroes and culminating in Alexander the Great himself.  Such a statue's political function was very obvious—to show Rome that the emperor Augustus was an exceptional figure, comparable to the heroes worthy of being raised to divine status on Olympus, and the best man to govern Rome."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "スタイル", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスのスタイルを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "Augustus is shown in his role of imperator, the commander of the army, as thoracatus —or commander-in-chief of the Roman army (literally, thorax-wearer)—meaning the statue should form part of a commemorative monument to his latest victories; he is in military clothing, carrying a consular baton and raising his right hand in a rhetorical adlocutio pose, addressing the troops. The bas-reliefs on his armored cuirass have a complex allegorical and political agenda, alluding to diverse Roman deities, including Mars, god of war, as well as the personifications of the latest territories he conquered:  Hispania, Gaul, Germania, Parthia (that had humiliated Crassus, and here appears in the act of returning the standards captured from his legions); at the top, the chariot of the Sun illuminates Augustus's deeds.The statue is an idealized image of Augustus showing a standard pose of a Roman orator and based on the 5th-century BC statue of the Spear Bearer or Doryphoros by the sculptor Polykleitos. The Doryphoros's contrapposto stance, creating diagonals between tense and relaxed limbs, a feature typical of classical sculpture, is adapted here. The pose of the statue's legs is similar to Doryphoros. The right leg is taut, while the left leg is relaxed, as if the statue is moving forward. The misidentification of the Doryphoros in the Roman period as representing the warrior Achilles made the model all the more appropriate for this image. Despite the Republican influence in the portrait head, the overall style is closer to Hellenistic idealization than to the realism of Roman portraiture. The reason for this style shift is the acquisition of Greek art. Following each conquest, the Romans brought back large amounts of Greek art. This flow of Greek artifacts changed Romans' aesthetic tastes, and these art pieces were regarded as a symbol of wealth and status for the Roman upper class.Despite the accuracy with which Augustus' features are depicted (with his somber look and characteristic fringe), the distant and tranquil expression of his face has been idealized, as have the conventional contrapposto, the anatomical proportions and the deeply draped paludamentum or \"cloth of the commander\".  On the other hand, Augustus's barefootedness and the inclusion of Cupid riding a dolphin as structural support for the statue reveals his mythical connection to the goddess Venus (Cupid's mother) by way of his adopted father Julius Caesar. The clear Greek inspiration in style and symbol for official sculptural portraits, which under the Roman emperors became instruments of governmental propaganda, is a central part of the Augustan ideological campaign, a shift from the Roman Republican era iconography where old and wise features were seen as symbols of solemn character. Therefore, the Prima Porta statue marks a conscious reversal of iconography to the Greek classical and Hellenistic period, in which youth and strength were valued as signs of leadership, emulating heroes and culminating in Alexander the Great himself.  Such a statue's political function was very obvious—to show Rome that the emperor Augustus was an exceptional figure, comparable to the heroes worthy of being raised to divine status on Olympus, and the best man to govern Rome."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "スタイル", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスはどのようにスタイルを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "Augustus is shown in his role of imperator, the commander of the army, as thoracatus —or commander-in-chief of the Roman army (literally, thorax-wearer)—meaning the statue should form part of a commemorative monument to his latest victories; he is in military clothing, carrying a consular baton and raising his right hand in a rhetorical adlocutio pose, addressing the troops. The bas-reliefs on his armored cuirass have a complex allegorical and political agenda, alluding to diverse Roman deities, including Mars, god of war, as well as the personifications of the latest territories he conquered:  Hispania, Gaul, Germania, Parthia (that had humiliated Crassus, and here appears in the act of returning the standards captured from his legions); at the top, the chariot of the Sun illuminates Augustus's deeds.The statue is an idealized image of Augustus showing a standard pose of a Roman orator and based on the 5th-century BC statue of the Spear Bearer or Doryphoros by the sculptor Polykleitos. The Doryphoros's contrapposto stance, creating diagonals between tense and relaxed limbs, a feature typical of classical sculpture, is adapted here. The pose of the statue's legs is similar to Doryphoros. The right leg is taut, while the left leg is relaxed, as if the statue is moving forward. The misidentification of the Doryphoros in the Roman period as representing the warrior Achilles made the model all the more appropriate for this image. Despite the Republican influence in the portrait head, the overall style is closer to Hellenistic idealization than to the realism of Roman portraiture. The reason for this style shift is the acquisition of Greek art. Following each conquest, the Romans brought back large amounts of Greek art. This flow of Greek artifacts changed Romans' aesthetic tastes, and these art pieces were regarded as a symbol of wealth and status for the Roman upper class.Despite the accuracy with which Augustus' features are depicted (with his somber look and characteristic fringe), the distant and tranquil expression of his face has been idealized, as have the conventional contrapposto, the anatomical proportions and the deeply draped paludamentum or \"cloth of the commander\".  On the other hand, Augustus's barefootedness and the inclusion of Cupid riding a dolphin as structural support for the statue reveals his mythical connection to the goddess Venus (Cupid's mother) by way of his adopted father Julius Caesar. The clear Greek inspiration in style and symbol for official sculptural portraits, which under the Roman emperors became instruments of governmental propaganda, is a central part of the Augustan ideological campaign, a shift from the Roman Republican era iconography where old and wise features were seen as symbols of solemn character. Therefore, the Prima Porta statue marks a conscious reversal of iconography to the Greek classical and Hellenistic period, in which youth and strength were valued as signs of leadership, emulating heroes and culminating in Alexander the Great himself.  Such a statue's political function was very obvious—to show Rome that the emperor Augustus was an exceptional figure, comparable to the heroes worthy of being raised to divine status on Olympus, and the best man to govern Rome."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "スタイル", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスに関して、どのようにスタイルが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "Augustus is shown in his role of imperator, the commander of the army, as thoracatus —or commander-in-chief of the Roman army (literally, thorax-wearer)—meaning the statue should form part of a commemorative monument to his latest victories; he is in military clothing, carrying a consular baton and raising his right hand in a rhetorical adlocutio pose, addressing the troops. The bas-reliefs on his armored cuirass have a complex allegorical and political agenda, alluding to diverse Roman deities, including Mars, god of war, as well as the personifications of the latest territories he conquered:  Hispania, Gaul, Germania, Parthia (that had humiliated Crassus, and here appears in the act of returning the standards captured from his legions); at the top, the chariot of the Sun illuminates Augustus's deeds.The statue is an idealized image of Augustus showing a standard pose of a Roman orator and based on the 5th-century BC statue of the Spear Bearer or Doryphoros by the sculptor Polykleitos. The Doryphoros's contrapposto stance, creating diagonals between tense and relaxed limbs, a feature typical of classical sculpture, is adapted here. The pose of the statue's legs is similar to Doryphoros. The right leg is taut, while the left leg is relaxed, as if the statue is moving forward. The misidentification of the Doryphoros in the Roman period as representing the warrior Achilles made the model all the more appropriate for this image. Despite the Republican influence in the portrait head, the overall style is closer to Hellenistic idealization than to the realism of Roman portraiture. The reason for this style shift is the acquisition of Greek art. Following each conquest, the Romans brought back large amounts of Greek art. This flow of Greek artifacts changed Romans' aesthetic tastes, and these art pieces were regarded as a symbol of wealth and status for the Roman upper class.Despite the accuracy with which Augustus' features are depicted (with his somber look and characteristic fringe), the distant and tranquil expression of his face has been idealized, as have the conventional contrapposto, the anatomical proportions and the deeply draped paludamentum or \"cloth of the commander\".  On the other hand, Augustus's barefootedness and the inclusion of Cupid riding a dolphin as structural support for the statue reveals his mythical connection to the goddess Venus (Cupid's mother) by way of his adopted father Julius Caesar. The clear Greek inspiration in style and symbol for official sculptural portraits, which under the Roman emperors became instruments of governmental propaganda, is a central part of the Augustan ideological campaign, a shift from the Roman Republican era iconography where old and wise features were seen as symbols of solemn character. Therefore, the Prima Porta statue marks a conscious reversal of iconography to the Greek classical and Hellenistic period, in which youth and strength were valued as signs of leadership, emulating heroes and culminating in Alexander the Great himself.  Such a statue's political function was very obvious—to show Rome that the emperor Augustus was an exceptional figure, comparable to the heroes worthy of being raised to divine status on Olympus, and the best man to govern Rome."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "ポリクロミー", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスに焦点を当てて、そのポリクロミーを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "It is almost certain that the Augustus was originally painted, but so few traces remain today (having been lost in the ground and having faded since discovery) that historians have had to fall back on old watercolors and new scientific investigations for evidence. Vincenz Brinkmann of Munich researched the use of color on ancient sculpture in the 1980s using ultraviolet rays to find traces of color.Today, the Vatican Museums have produced a copy of the statue so as to paint it in the theorized original colors, as confirmed when the statue was cleaned in 1999. However, an art historian of the University of St Andrews in Scotland, Fabio Barry, has criticized this reconstitution as unsubtle and exaggerated, while other critics have argued that there are many notable differences between the original Prima Porta of Augustus and the painted recreation.However, due to the ongoing disagreement on the statue's pigmentation there is little information or exploration on the usage of these colors. Another copy was painted with a different color scheme for the Tarraco Viva 2014 Festival.Since at least the 18th century, the familiar sight of Roman sculptures that lack their original paint has encouraged the idea that monochromy is the natural condition for classical sculpture; but surface treatment is now recognized as integral to the overall effect of the sculpture.The writings of second-century polymath Lucian provide a good example of how color functioned for a work of that time, \"I Fear I stand in the way of her most important feature!... the rest of the body let Apelles represent.. not too white but diffused with blood.\" The quote continues to state that a statue of the time is unfinished without its \"chora\"—skin—or layer, applied to the statue to render it complete. The specific implications of each color chosen for the Prima Porta are unknown; assumedly red for the military and royalty."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "ポリクロミー", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスのポリクロミーを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "It is almost certain that the Augustus was originally painted, but so few traces remain today (having been lost in the ground and having faded since discovery) that historians have had to fall back on old watercolors and new scientific investigations for evidence. Vincenz Brinkmann of Munich researched the use of color on ancient sculpture in the 1980s using ultraviolet rays to find traces of color.Today, the Vatican Museums have produced a copy of the statue so as to paint it in the theorized original colors, as confirmed when the statue was cleaned in 1999. However, an art historian of the University of St Andrews in Scotland, Fabio Barry, has criticized this reconstitution as unsubtle and exaggerated, while other critics have argued that there are many notable differences between the original Prima Porta of Augustus and the painted recreation.However, due to the ongoing disagreement on the statue's pigmentation there is little information or exploration on the usage of these colors. Another copy was painted with a different color scheme for the Tarraco Viva 2014 Festival.Since at least the 18th century, the familiar sight of Roman sculptures that lack their original paint has encouraged the idea that monochromy is the natural condition for classical sculpture; but surface treatment is now recognized as integral to the overall effect of the sculpture.The writings of second-century polymath Lucian provide a good example of how color functioned for a work of that time, \"I Fear I stand in the way of her most important feature!... the rest of the body let Apelles represent.. not too white but diffused with blood.\" The quote continues to state that a statue of the time is unfinished without its \"chora\"—skin—or layer, applied to the statue to render it complete. The specific implications of each color chosen for the Prima Porta are unknown; assumedly red for the military and royalty."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "ポリクロミー", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスはどのようにポリクロミーを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "It is almost certain that the Augustus was originally painted, but so few traces remain today (having been lost in the ground and having faded since discovery) that historians have had to fall back on old watercolors and new scientific investigations for evidence. Vincenz Brinkmann of Munich researched the use of color on ancient sculpture in the 1980s using ultraviolet rays to find traces of color.Today, the Vatican Museums have produced a copy of the statue so as to paint it in the theorized original colors, as confirmed when the statue was cleaned in 1999. However, an art historian of the University of St Andrews in Scotland, Fabio Barry, has criticized this reconstitution as unsubtle and exaggerated, while other critics have argued that there are many notable differences between the original Prima Porta of Augustus and the painted recreation.However, due to the ongoing disagreement on the statue's pigmentation there is little information or exploration on the usage of these colors. Another copy was painted with a different color scheme for the Tarraco Viva 2014 Festival.Since at least the 18th century, the familiar sight of Roman sculptures that lack their original paint has encouraged the idea that monochromy is the natural condition for classical sculpture; but surface treatment is now recognized as integral to the overall effect of the sculpture.The writings of second-century polymath Lucian provide a good example of how color functioned for a work of that time, \"I Fear I stand in the way of her most important feature!... the rest of the body let Apelles represent.. not too white but diffused with blood.\" The quote continues to state that a statue of the time is unfinished without its \"chora\"—skin—or layer, applied to the statue to render it complete. The specific implications of each color chosen for the Prima Porta are unknown; assumedly red for the military and royalty."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "ポリクロミー", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスに関して、どのようにポリクロミーが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "It is almost certain that the Augustus was originally painted, but so few traces remain today (having been lost in the ground and having faded since discovery) that historians have had to fall back on old watercolors and new scientific investigations for evidence. Vincenz Brinkmann of Munich researched the use of color on ancient sculpture in the 1980s using ultraviolet rays to find traces of color.Today, the Vatican Museums have produced a copy of the statue so as to paint it in the theorized original colors, as confirmed when the statue was cleaned in 1999. However, an art historian of the University of St Andrews in Scotland, Fabio Barry, has criticized this reconstitution as unsubtle and exaggerated, while other critics have argued that there are many notable differences between the original Prima Porta of Augustus and the painted recreation.However, due to the ongoing disagreement on the statue's pigmentation there is little information or exploration on the usage of these colors. Another copy was painted with a different color scheme for the Tarraco Viva 2014 Festival.Since at least the 18th century, the familiar sight of Roman sculptures that lack their original paint has encouraged the idea that monochromy is the natural condition for classical sculpture; but surface treatment is now recognized as integral to the overall effect of the sculpture.The writings of second-century polymath Lucian provide a good example of how color functioned for a work of that time, \"I Fear I stand in the way of her most important feature!... the rest of the body let Apelles represent.. not too white but diffused with blood.\" The quote continues to state that a statue of the time is unfinished without its \"chora\"—skin—or layer, applied to the statue to render it complete. The specific implications of each color chosen for the Prima Porta are unknown; assumedly red for the military and royalty."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "イコノグラフィー", "subsection": "肖像", "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスの文脈で、肖像とイコノグラフィーを説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The haircut is made up of divided, thick strands of hair, with a strand directly over the middle of Augustus's forehead framed by other strands over it. From the left two strands stray onto the forehead, and from the right three strands, a hairstyle first found on this statue. This hairstyle also marks this statue out as Augustus from comparison with his portrait on his coinage, which can also give a date to it.  This particular hairstyle is used as the first sign identifying this portrait type of Augustus as the Prima Porta type, the second and most popular of three official portrait types: other hairstyles of Augustus may be seen on the Ara Pacis, for example. Another full-size statue of Augustus with these \"Primaporta type\" features is the Augustus of Via Labicana, portraying Augustus in the role of Pontifex Maximus, now in the Museo Nazionale Romano.The face is idealized, but not as those of Polykleitos' statues. Augustus's face is not smoothed and shows details to indicate the individual features of Augustus. Art underwent important changes during Augustus's reign, with the extreme realism that dominated the Republican era giving way to Greek influence, as seen in the portraits of the emperors - idealizations summarizing all the virtues that should be possessed by the exceptional man worthy of governing the Empire.  In earlier portraits, Augustus allowed himself to be portrayed in monarchical fashion, but amended these with later more diplomatic images that represented him as  \"primus inter pares\".  The head and neck were produced separately in Parian marble and inserted to the torso."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "イコノグラフィー", "subsection": "肖像", "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスのイコノグラフィーに関する肖像を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The haircut is made up of divided, thick strands of hair, with a strand directly over the middle of Augustus's forehead framed by other strands over it. From the left two strands stray onto the forehead, and from the right three strands, a hairstyle first found on this statue. This hairstyle also marks this statue out as Augustus from comparison with his portrait on his coinage, which can also give a date to it.  This particular hairstyle is used as the first sign identifying this portrait type of Augustus as the Prima Porta type, the second and most popular of three official portrait types: other hairstyles of Augustus may be seen on the Ara Pacis, for example. Another full-size statue of Augustus with these \"Primaporta type\" features is the Augustus of Via Labicana, portraying Augustus in the role of Pontifex Maximus, now in the Museo Nazionale Romano.The face is idealized, but not as those of Polykleitos' statues. Augustus's face is not smoothed and shows details to indicate the individual features of Augustus. Art underwent important changes during Augustus's reign, with the extreme realism that dominated the Republican era giving way to Greek influence, as seen in the portraits of the emperors - idealizations summarizing all the virtues that should be possessed by the exceptional man worthy of governing the Empire.  In earlier portraits, Augustus allowed himself to be portrayed in monarchical fashion, but amended these with later more diplomatic images that represented him as  \"primus inter pares\".  The head and neck were produced separately in Parian marble and inserted to the torso."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "イコノグラフィー", "subsection": "肖像", "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスでは、どのようにイコノグラフィーの肖像が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The haircut is made up of divided, thick strands of hair, with a strand directly over the middle of Augustus's forehead framed by other strands over it. From the left two strands stray onto the forehead, and from the right three strands, a hairstyle first found on this statue. This hairstyle also marks this statue out as Augustus from comparison with his portrait on his coinage, which can also give a date to it.  This particular hairstyle is used as the first sign identifying this portrait type of Augustus as the Prima Porta type, the second and most popular of three official portrait types: other hairstyles of Augustus may be seen on the Ara Pacis, for example. Another full-size statue of Augustus with these \"Primaporta type\" features is the Augustus of Via Labicana, portraying Augustus in the role of Pontifex Maximus, now in the Museo Nazionale Romano.The face is idealized, but not as those of Polykleitos' statues. Augustus's face is not smoothed and shows details to indicate the individual features of Augustus. Art underwent important changes during Augustus's reign, with the extreme realism that dominated the Republican era giving way to Greek influence, as seen in the portraits of the emperors - idealizations summarizing all the virtues that should be possessed by the exceptional man worthy of governing the Empire.  In earlier portraits, Augustus allowed himself to be portrayed in monarchical fashion, but amended these with later more diplomatic images that represented him as  \"primus inter pares\".  The head and neck were produced separately in Parian marble and inserted to the torso."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "イコノグラフィー", "subsection": "肖像", "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスのイコノグラフィーにおける肖像の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The haircut is made up of divided, thick strands of hair, with a strand directly over the middle of Augustus's forehead framed by other strands over it. From the left two strands stray onto the forehead, and from the right three strands, a hairstyle first found on this statue. This hairstyle also marks this statue out as Augustus from comparison with his portrait on his coinage, which can also give a date to it.  This particular hairstyle is used as the first sign identifying this portrait type of Augustus as the Prima Porta type, the second and most popular of three official portrait types: other hairstyles of Augustus may be seen on the Ara Pacis, for example. Another full-size statue of Augustus with these \"Primaporta type\" features is the Augustus of Via Labicana, portraying Augustus in the role of Pontifex Maximus, now in the Museo Nazionale Romano.The face is idealized, but not as those of Polykleitos' statues. Augustus's face is not smoothed and shows details to indicate the individual features of Augustus. Art underwent important changes during Augustus's reign, with the extreme realism that dominated the Republican era giving way to Greek influence, as seen in the portraits of the emperors - idealizations summarizing all the virtues that should be possessed by the exceptional man worthy of governing the Empire.  In earlier portraits, Augustus allowed himself to be portrayed in monarchical fashion, but amended these with later more diplomatic images that represented him as  \"primus inter pares\".  The head and neck were produced separately in Parian marble and inserted to the torso."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "イコノグラフィー", "subsection": "胸当ての浮彫り", "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスの文脈で、胸当ての浮彫りとイコノグラフィーを説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The statue's iconography is frequently compared to that of the carmen saeculare by Horace, and commemorates Augustus's establishment of the Pax Romana.  The breastplate is carved in relief with numerous small figures depicting the return, thanks to the diplomacy of Augustus, of the Roman legionary eagles or aquilae lost to Parthia by Mark Antony in the 40s BC and by Crassus in 53 BC.The figure in the centre, according to the most common interpretation, is the subjected Parthian king (Phraates IV) returning Crassus's standard to an armored Roman (possibly Tiberius, or symbolically Mars Ultor or the incarnation of the ideal legionary). Other theory sees in the male figure the ideal incarnation of the Roman legions.  This was a very popular subject in Augustan propaganda, as one of his greatest international successes, and had to be especially strongly emphasized, since Augustus had been deterred by Parthian military strength from the war which the Roman people had expected and had instead opted for diplomacy. Below the armed figure we can see a dog, or probably a wolf or, according to archaeologist Ascanio Modena Altieri, a she-wolf, nurse of Romulus and Remus. To the left and right sit mourning female figures;  the figure on the one side with a sheathed sword personifies the peoples in the East (and possibly the Teutons) forced to pay tribute to Rome, and the one on the other side with an unsheathed sword personifies the subjected peoples (the Celts).  From the top, clockwise, we see:Caelus, the sky god, spreading the tent of the skyAurora and Lunathe personification of the subjected peoplesthe goddess Dianathe earth goddess Ceres/Tellus - similarly represented on the Ara PacisApollo, Augustus's patronthe personification of the tributary peoplesthe sun god Sola Sphinx on each shoulder, representing the defeat of Cleopatra by AugustusInterestingly, the cuirass is not solely frontal; there is a backside to the armor as well. On the bottom right side of the back of the cuirass, there is a helmeted trophy with a wing above, a carnyx on the left hip, and greaves against a tree trunk. There was an iron peg that is thought to have connected the statue to a wall. This is likely due to the back being unfinished None of these interpretations are undisputed.  The gods, however, probably all symbolize the continuity and logical consistency of the events - just as the sun and moon forever rise, so Roman successes are certain and divinely sanctioned.  Furthermore, these successes are connected with the wearer of this breastplate, Augustus.  The only active person is the Parthian king, implying that everything else is divinely desired and ordained."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "イコノグラフィー", "subsection": "胸当ての浮彫り", "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスのイコノグラフィーに関する胸当ての浮彫りを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The statue's iconography is frequently compared to that of the carmen saeculare by Horace, and commemorates Augustus's establishment of the Pax Romana.  The breastplate is carved in relief with numerous small figures depicting the return, thanks to the diplomacy of Augustus, of the Roman legionary eagles or aquilae lost to Parthia by Mark Antony in the 40s BC and by Crassus in 53 BC.The figure in the centre, according to the most common interpretation, is the subjected Parthian king (Phraates IV) returning Crassus's standard to an armored Roman (possibly Tiberius, or symbolically Mars Ultor or the incarnation of the ideal legionary). Other theory sees in the male figure the ideal incarnation of the Roman legions.  This was a very popular subject in Augustan propaganda, as one of his greatest international successes, and had to be especially strongly emphasized, since Augustus had been deterred by Parthian military strength from the war which the Roman people had expected and had instead opted for diplomacy. Below the armed figure we can see a dog, or probably a wolf or, according to archaeologist Ascanio Modena Altieri, a she-wolf, nurse of Romulus and Remus. To the left and right sit mourning female figures;  the figure on the one side with a sheathed sword personifies the peoples in the East (and possibly the Teutons) forced to pay tribute to Rome, and the one on the other side with an unsheathed sword personifies the subjected peoples (the Celts).  From the top, clockwise, we see:Caelus, the sky god, spreading the tent of the skyAurora and Lunathe personification of the subjected peoplesthe goddess Dianathe earth goddess Ceres/Tellus - similarly represented on the Ara PacisApollo, Augustus's patronthe personification of the tributary peoplesthe sun god Sola Sphinx on each shoulder, representing the defeat of Cleopatra by AugustusInterestingly, the cuirass is not solely frontal; there is a backside to the armor as well. On the bottom right side of the back of the cuirass, there is a helmeted trophy with a wing above, a carnyx on the left hip, and greaves against a tree trunk. There was an iron peg that is thought to have connected the statue to a wall. This is likely due to the back being unfinished None of these interpretations are undisputed.  The gods, however, probably all symbolize the continuity and logical consistency of the events - just as the sun and moon forever rise, so Roman successes are certain and divinely sanctioned.  Furthermore, these successes are connected with the wearer of this breastplate, Augustus.  The only active person is the Parthian king, implying that everything else is divinely desired and ordained."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "イコノグラフィー", "subsection": "胸当ての浮彫り", "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスでは、どのようにイコノグラフィーの胸当ての浮彫りが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The statue's iconography is frequently compared to that of the carmen saeculare by Horace, and commemorates Augustus's establishment of the Pax Romana.  The breastplate is carved in relief with numerous small figures depicting the return, thanks to the diplomacy of Augustus, of the Roman legionary eagles or aquilae lost to Parthia by Mark Antony in the 40s BC and by Crassus in 53 BC.The figure in the centre, according to the most common interpretation, is the subjected Parthian king (Phraates IV) returning Crassus's standard to an armored Roman (possibly Tiberius, or symbolically Mars Ultor or the incarnation of the ideal legionary). Other theory sees in the male figure the ideal incarnation of the Roman legions.  This was a very popular subject in Augustan propaganda, as one of his greatest international successes, and had to be especially strongly emphasized, since Augustus had been deterred by Parthian military strength from the war which the Roman people had expected and had instead opted for diplomacy. Below the armed figure we can see a dog, or probably a wolf or, according to archaeologist Ascanio Modena Altieri, a she-wolf, nurse of Romulus and Remus. To the left and right sit mourning female figures;  the figure on the one side with a sheathed sword personifies the peoples in the East (and possibly the Teutons) forced to pay tribute to Rome, and the one on the other side with an unsheathed sword personifies the subjected peoples (the Celts).  From the top, clockwise, we see:Caelus, the sky god, spreading the tent of the skyAurora and Lunathe personification of the subjected peoplesthe goddess Dianathe earth goddess Ceres/Tellus - similarly represented on the Ara PacisApollo, Augustus's patronthe personification of the tributary peoplesthe sun god Sola Sphinx on each shoulder, representing the defeat of Cleopatra by AugustusInterestingly, the cuirass is not solely frontal; there is a backside to the armor as well. On the bottom right side of the back of the cuirass, there is a helmeted trophy with a wing above, a carnyx on the left hip, and greaves against a tree trunk. There was an iron peg that is thought to have connected the statue to a wall. This is likely due to the back being unfinished None of these interpretations are undisputed.  The gods, however, probably all symbolize the continuity and logical consistency of the events - just as the sun and moon forever rise, so Roman successes are certain and divinely sanctioned.  Furthermore, these successes are connected with the wearer of this breastplate, Augustus.  The only active person is the Parthian king, implying that everything else is divinely desired and ordained."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "イコノグラフィー", "subsection": "胸当ての浮彫り", "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスのイコノグラフィーにおける胸当ての浮彫りの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The statue's iconography is frequently compared to that of the carmen saeculare by Horace, and commemorates Augustus's establishment of the Pax Romana.  The breastplate is carved in relief with numerous small figures depicting the return, thanks to the diplomacy of Augustus, of the Roman legionary eagles or aquilae lost to Parthia by Mark Antony in the 40s BC and by Crassus in 53 BC.The figure in the centre, according to the most common interpretation, is the subjected Parthian king (Phraates IV) returning Crassus's standard to an armored Roman (possibly Tiberius, or symbolically Mars Ultor or the incarnation of the ideal legionary). Other theory sees in the male figure the ideal incarnation of the Roman legions.  This was a very popular subject in Augustan propaganda, as one of his greatest international successes, and had to be especially strongly emphasized, since Augustus had been deterred by Parthian military strength from the war which the Roman people had expected and had instead opted for diplomacy. Below the armed figure we can see a dog, or probably a wolf or, according to archaeologist Ascanio Modena Altieri, a she-wolf, nurse of Romulus and Remus. To the left and right sit mourning female figures;  the figure on the one side with a sheathed sword personifies the peoples in the East (and possibly the Teutons) forced to pay tribute to Rome, and the one on the other side with an unsheathed sword personifies the subjected peoples (the Celts).  From the top, clockwise, we see:Caelus, the sky god, spreading the tent of the skyAurora and Lunathe personification of the subjected peoplesthe goddess Dianathe earth goddess Ceres/Tellus - similarly represented on the Ara PacisApollo, Augustus's patronthe personification of the tributary peoplesthe sun god Sola Sphinx on each shoulder, representing the defeat of Cleopatra by AugustusInterestingly, the cuirass is not solely frontal; there is a backside to the armor as well. On the bottom right side of the back of the cuirass, there is a helmeted trophy with a wing above, a carnyx on the left hip, and greaves against a tree trunk. There was an iron peg that is thought to have connected the statue to a wall. This is likely due to the back being unfinished None of these interpretations are undisputed.  The gods, however, probably all symbolize the continuity and logical consistency of the events - just as the sun and moon forever rise, so Roman successes are certain and divinely sanctioned.  Furthermore, these successes are connected with the wearer of this breastplate, Augustus.  The only active person is the Parthian king, implying that everything else is divinely desired and ordained."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "イコノグラフィー", "subsection": "神聖な地位", "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスの文脈で、神聖な地位とイコノグラフィーを説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "During his lifetime, Augustus did not wish to be depicted as a god (unlike the later emperors who embraced divinity), but this statue has many thinly-veiled references to the emperor's \"divine nature\", his genius.  Augustus is shown barefoot, which indicates that he is a hero and perhaps even a divus, and also adds a civilian aspect to an otherwise military portrait.  Being barefoot was only previously allowed on images of the gods, but it may also imply that the statue is a posthumous copy set up by Livia of a statue from the city of Rome in which Augustus was not barefoot.The small Cupid (son of Venus) at his feet (riding on a dolphin, Venus's patron animal) is a reference to the claim that the Julian family were descended from the goddess Venus, made by both Augustus and by his great uncle Julius Caesar - a way of claiming divine lineage without claiming the full divine status. The dolphin which Cupid rides has a political significance.  It suggests that Augustus has won the battle of Actium and defeated one of his primary rivals, Mark Antony."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "イコノグラフィー", "subsection": "神聖な地位", "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスのイコノグラフィーに関する神聖な地位を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "During his lifetime, Augustus did not wish to be depicted as a god (unlike the later emperors who embraced divinity), but this statue has many thinly-veiled references to the emperor's \"divine nature\", his genius.  Augustus is shown barefoot, which indicates that he is a hero and perhaps even a divus, and also adds a civilian aspect to an otherwise military portrait.  Being barefoot was only previously allowed on images of the gods, but it may also imply that the statue is a posthumous copy set up by Livia of a statue from the city of Rome in which Augustus was not barefoot.The small Cupid (son of Venus) at his feet (riding on a dolphin, Venus's patron animal) is a reference to the claim that the Julian family were descended from the goddess Venus, made by both Augustus and by his great uncle Julius Caesar - a way of claiming divine lineage without claiming the full divine status. The dolphin which Cupid rides has a political significance.  It suggests that Augustus has won the battle of Actium and defeated one of his primary rivals, Mark Antony."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "イコノグラフィー", "subsection": "神聖な地位", "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスでは、どのようにイコノグラフィーの神聖な地位が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "During his lifetime, Augustus did not wish to be depicted as a god (unlike the later emperors who embraced divinity), but this statue has many thinly-veiled references to the emperor's \"divine nature\", his genius.  Augustus is shown barefoot, which indicates that he is a hero and perhaps even a divus, and also adds a civilian aspect to an otherwise military portrait.  Being barefoot was only previously allowed on images of the gods, but it may also imply that the statue is a posthumous copy set up by Livia of a statue from the city of Rome in which Augustus was not barefoot.The small Cupid (son of Venus) at his feet (riding on a dolphin, Venus's patron animal) is a reference to the claim that the Julian family were descended from the goddess Venus, made by both Augustus and by his great uncle Julius Caesar - a way of claiming divine lineage without claiming the full divine status. The dolphin which Cupid rides has a political significance.  It suggests that Augustus has won the battle of Actium and defeated one of his primary rivals, Mark Antony."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "イコノグラフィー", "subsection": "神聖な地位", "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスのイコノグラフィーにおける神聖な地位の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "During his lifetime, Augustus did not wish to be depicted as a god (unlike the later emperors who embraced divinity), but this statue has many thinly-veiled references to the emperor's \"divine nature\", his genius.  Augustus is shown barefoot, which indicates that he is a hero and perhaps even a divus, and also adds a civilian aspect to an otherwise military portrait.  Being barefoot was only previously allowed on images of the gods, but it may also imply that the statue is a posthumous copy set up by Livia of a statue from the city of Rome in which Augustus was not barefoot.The small Cupid (son of Venus) at his feet (riding on a dolphin, Venus's patron animal) is a reference to the claim that the Julian family were descended from the goddess Venus, made by both Augustus and by his great uncle Julius Caesar - a way of claiming divine lineage without claiming the full divine status. The dolphin which Cupid rides has a political significance.  It suggests that Augustus has won the battle of Actium and defeated one of his primary rivals, Mark Antony."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "タイプ", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスに焦点を当てて、そのタイプを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The Prima Porta-type of statues of Augustus, of which Augustus of Prima Porta is the most famous example, became the prevailing representational style for him. This type was introduced around 27 BC to visually express the title Augustus and was copied full-length and in busts in various versions throughout the empire up until his death in AD 14.  The copies never showed Augustus looking older, however, but represented him as forever young, in line with the aims of his propaganda, i.e. to display the authority of the Roman emperors through conventional styles and stories of the culture. At its best, in Roland R. R. Smith's view, this \"type achieves a sort [of] visual paradox that might be described as mature, ageless, and authoritative youthfulness\"."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "タイプ", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスのタイプを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The Prima Porta-type of statues of Augustus, of which Augustus of Prima Porta is the most famous example, became the prevailing representational style for him. This type was introduced around 27 BC to visually express the title Augustus and was copied full-length and in busts in various versions throughout the empire up until his death in AD 14.  The copies never showed Augustus looking older, however, but represented him as forever young, in line with the aims of his propaganda, i.e. to display the authority of the Roman emperors through conventional styles and stories of the culture. At its best, in Roland R. R. Smith's view, this \"type achieves a sort [of] visual paradox that might be described as mature, ageless, and authoritative youthfulness\"."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "タイプ", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスはどのようにタイプを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The Prima Porta-type of statues of Augustus, of which Augustus of Prima Porta is the most famous example, became the prevailing representational style for him. This type was introduced around 27 BC to visually express the title Augustus and was copied full-length and in busts in various versions throughout the empire up until his death in AD 14.  The copies never showed Augustus looking older, however, but represented him as forever young, in line with the aims of his propaganda, i.e. to display the authority of the Roman emperors through conventional styles and stories of the culture. At its best, in Roland R. R. Smith's view, this \"type achieves a sort [of] visual paradox that might be described as mature, ageless, and authoritative youthfulness\"."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "タイプ", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスに関して、どのようにタイプが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The Prima Porta-type of statues of Augustus, of which Augustus of Prima Porta is the most famous example, became the prevailing representational style for him. This type was introduced around 27 BC to visually express the title Augustus and was copied full-length and in busts in various versions throughout the empire up until his death in AD 14.  The copies never showed Augustus looking older, however, but represented him as forever young, in line with the aims of his propaganda, i.e. to display the authority of the Roman emperors through conventional styles and stories of the culture. At its best, in Roland R. R. Smith's view, this \"type achieves a sort [of] visual paradox that might be described as mature, ageless, and authoritative youthfulness\"."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "発見", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスに焦点を当てて、その発見を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The statue of Augustus of Prima Porta was discovered within the Villa of Livia in 1863, however little is known about the discovery itself and its immediate aftermath, as the incomplete archaeological journals leave ambiguous evidence for modern historians. The statue was first publicized by the German archeologist Wilhelm Henzen in 1863 the Bulletino dell'Instituto di Corrispondenza Archaeologica. The exact location of the statue within the villa is unknown. Suggested sites are the underground complex, a placement near a staircase, the villa's atrium, or in a laurel grove on the south-east corner of Prima Porta hill.  Scholars have stated that the last one is relatively unconvincing compared with the first three. The theory that Augustus's statue was found in the underground complex of the villa is based on a hypothesis that Augustus holds a laurel branch instead of a spear in his left hand. Scholars have noted that if this hypothesis is correct, then Villa of Livia must have been decorated with laurel groves and that the reason of the decoration is the omen of the gallina alba.Recent excavations have discovered the remnants of pots used to plant laurel on the edge of the Prima Porta hill in front of the underground complex, which Reeder believes suggests the possibility of the existence of laurel groves in the villa and makes it likely that the statue was located in the underground complex. She rationalized this by stating that per Suetonius, Augustus had a fear of lightning and often hid in 'an underground vaulted room', which she theorizes was likely the underground complex, particularly as during the time of Augustus laurels were thought to provide protection from lightning.Scholars who disagree with the theory have argued that although the pot remnants could have been used to plant laurel, such pots were also used for other plants such as lemons. They also state that according to an 1891 drawing made 25 years after the first excavation, Prima Porta Augustus was found at the bottom of the staircase leading to the underground complex, not the complex itself. Alan Klynne and Peter Liljenstolpe have further noted that the statue could have been brought to the basement from another location such as the atrium, where it would have stood on a rectangular structure that stands right on the axis against the south wall of the atrium. As visitors would enter the atrium from the fauces at the northeastern corner, the statue would be the first thing that they would see and that they would view it from the left, which fits Kähler's idea that it should be seen from this position.  When the visitor walked across the atrium their eyes would meet with Augustus's right hand, thus \"receiving\" the address that Augustus made.The story of gallina alba narrates that after Livia married Octavian an eagle dropped a hen with a laurel branch onto Livia's lap, which the religious authorities of Rome took as a sign of blessing and divinity. The plant was ordered to be planted with great religious care at what is now known as the villa surbana, where it grew into a grove. According to Jane Clark Reeder, when Julio-Claudians experienced military success they would take a laurel branch from the villa."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "発見", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスの発見を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The statue of Augustus of Prima Porta was discovered within the Villa of Livia in 1863, however little is known about the discovery itself and its immediate aftermath, as the incomplete archaeological journals leave ambiguous evidence for modern historians. The statue was first publicized by the German archeologist Wilhelm Henzen in 1863 the Bulletino dell'Instituto di Corrispondenza Archaeologica. The exact location of the statue within the villa is unknown. Suggested sites are the underground complex, a placement near a staircase, the villa's atrium, or in a laurel grove on the south-east corner of Prima Porta hill.  Scholars have stated that the last one is relatively unconvincing compared with the first three. The theory that Augustus's statue was found in the underground complex of the villa is based on a hypothesis that Augustus holds a laurel branch instead of a spear in his left hand. Scholars have noted that if this hypothesis is correct, then Villa of Livia must have been decorated with laurel groves and that the reason of the decoration is the omen of the gallina alba.Recent excavations have discovered the remnants of pots used to plant laurel on the edge of the Prima Porta hill in front of the underground complex, which Reeder believes suggests the possibility of the existence of laurel groves in the villa and makes it likely that the statue was located in the underground complex. She rationalized this by stating that per Suetonius, Augustus had a fear of lightning and often hid in 'an underground vaulted room', which she theorizes was likely the underground complex, particularly as during the time of Augustus laurels were thought to provide protection from lightning.Scholars who disagree with the theory have argued that although the pot remnants could have been used to plant laurel, such pots were also used for other plants such as lemons. They also state that according to an 1891 drawing made 25 years after the first excavation, Prima Porta Augustus was found at the bottom of the staircase leading to the underground complex, not the complex itself. Alan Klynne and Peter Liljenstolpe have further noted that the statue could have been brought to the basement from another location such as the atrium, where it would have stood on a rectangular structure that stands right on the axis against the south wall of the atrium. As visitors would enter the atrium from the fauces at the northeastern corner, the statue would be the first thing that they would see and that they would view it from the left, which fits Kähler's idea that it should be seen from this position.  When the visitor walked across the atrium their eyes would meet with Augustus's right hand, thus \"receiving\" the address that Augustus made.The story of gallina alba narrates that after Livia married Octavian an eagle dropped a hen with a laurel branch onto Livia's lap, which the religious authorities of Rome took as a sign of blessing and divinity. The plant was ordered to be planted with great religious care at what is now known as the villa surbana, where it grew into a grove. According to Jane Clark Reeder, when Julio-Claudians experienced military success they would take a laurel branch from the villa."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "発見", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスはどのように発見を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The statue of Augustus of Prima Porta was discovered within the Villa of Livia in 1863, however little is known about the discovery itself and its immediate aftermath, as the incomplete archaeological journals leave ambiguous evidence for modern historians. The statue was first publicized by the German archeologist Wilhelm Henzen in 1863 the Bulletino dell'Instituto di Corrispondenza Archaeologica. The exact location of the statue within the villa is unknown. Suggested sites are the underground complex, a placement near a staircase, the villa's atrium, or in a laurel grove on the south-east corner of Prima Porta hill.  Scholars have stated that the last one is relatively unconvincing compared with the first three. The theory that Augustus's statue was found in the underground complex of the villa is based on a hypothesis that Augustus holds a laurel branch instead of a spear in his left hand. Scholars have noted that if this hypothesis is correct, then Villa of Livia must have been decorated with laurel groves and that the reason of the decoration is the omen of the gallina alba.Recent excavations have discovered the remnants of pots used to plant laurel on the edge of the Prima Porta hill in front of the underground complex, which Reeder believes suggests the possibility of the existence of laurel groves in the villa and makes it likely that the statue was located in the underground complex. She rationalized this by stating that per Suetonius, Augustus had a fear of lightning and often hid in 'an underground vaulted room', which she theorizes was likely the underground complex, particularly as during the time of Augustus laurels were thought to provide protection from lightning.Scholars who disagree with the theory have argued that although the pot remnants could have been used to plant laurel, such pots were also used for other plants such as lemons. They also state that according to an 1891 drawing made 25 years after the first excavation, Prima Porta Augustus was found at the bottom of the staircase leading to the underground complex, not the complex itself. Alan Klynne and Peter Liljenstolpe have further noted that the statue could have been brought to the basement from another location such as the atrium, where it would have stood on a rectangular structure that stands right on the axis against the south wall of the atrium. As visitors would enter the atrium from the fauces at the northeastern corner, the statue would be the first thing that they would see and that they would view it from the left, which fits Kähler's idea that it should be seen from this position.  When the visitor walked across the atrium their eyes would meet with Augustus's right hand, thus \"receiving\" the address that Augustus made.The story of gallina alba narrates that after Livia married Octavian an eagle dropped a hen with a laurel branch onto Livia's lap, which the religious authorities of Rome took as a sign of blessing and divinity. The plant was ordered to be planted with great religious care at what is now known as the villa surbana, where it grew into a grove. According to Jane Clark Reeder, when Julio-Claudians experienced military success they would take a laurel branch from the villa."}
{"title": "プリマ・ポルタのアウグストゥス", "srclang_title": "Augustus of Prima Porta", "en_title": "Augustus of Prima Porta", "pageid": 7472520, "page_rank": 33, "page_url": "https://en.wikipedia.org/wiki/Augustus_of_Prima_Porta", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Augustus_of_Prima_Porta_%28inv._2290%29.jpg/270px-Augustus_of_Prima_Porta_%28inv._2290%29.jpg", "section": "発見", "subsection": null, "sub_subsection": null, "prompt": "プリマ・ポルタのアウグストゥスに関して、どのように発見が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Category:Marble sculptures in Italy", "Aurora (mythology)", "Livia Drusilla", "Tiberius", "Gaul", "monochromy", "Janson, H.W.", "Detail of the breastplate", "Category:1st-century Roman sculptures", "Category:Sculptures of Cupid", "Thames & Hudson", "Terra (mythology)", "Apelles", "carnyx", "Parian marble", "Category:Archaeological discoveries in Italy", "Ara Pacis", "File:Augusto di pirma porta, inv. 2290, 02.JPG", "adlocutio", "Carrhae", "Villa of Livia", "Sol (Roman mythology)", "contrapposto", "Luna (goddess)", "Mark Antony", "Roland R. R. Smith's", "The Washington Post", "Achilles", "R. R. R. Smith", "polychrome", "Julian family", "she-wolf", "Sol", "carmen saeculare", "Muscle cuirass", "Roman portraiture", "Category:1863 archaeological discoveries", "Modern painted replica of the statue in Braga, Portugal", "Roman villa", "Genius (mythology)", "Legatus", "legionary standards", "Caelus", "Germania", "Julius Caesar", "Roman elements", "Venus (mythology)", "Augustus of Via Labicana", "Doryphoros", "Marble", "University of St Andrews", "Polykleitos", "hero", "portrait statue", "A close-up view of the [[breastplate", "Category:Sculptures of dolphins", "hero#Antiquity", "paludamentum", "Augustus (title)", "Baton (symbol)", "White marble", "Cupid", "Marcus Licinius Crassus", "Luna", "Parthia", "thorax", "villa", "File:August_Tarraco_Viva.jpg", "gens Julia", "H. W. Janson", "Roman emperor", "Pax Romana", "imperator", "Alexander the Great", "Monochrome painting", "upright", "Prima Porta", "Battle of Carrhae", "Vatican Museums", "painted", "Phraates IV", "legates", "Ceres (Roman mythology)", "Ancient Greek sculpture", "Venus", "Aquila (Roman)", "greave", "cuirass", "breastplate", "Greek", "Livia", "Romulus and Remus", "Roman sculpture", "Hispania", "Mars Ultor", "Crassus", "Ceres", "Painted replica of Augustus of Prima Porta statue prepared for the Tarraco Viva 2014 Festival.", "Parthian", "Via Labicana Augustus", "Museo Nazionale Romano", "genius", "Category:Statues of men", "File:Estátua de César Augusto.jpg", "Category:Augustus in ancient Roman sculpture", "aquila", "baton", "File:Augustus Prima Porta (detail).PNG", "Aurora", "thumb", "Cleopatra", "Parthian Empire", "Horace", "Colossus of Constantine", "Apollo Belvedere", "Category:Sculptures in the Vatican Museums", "Breastplate", "Mars, god of war", "Mars (mythology)", "Tellus", "She-wolf (Roman mythology)", "primus inter pares", "lorica musculata", "Augustus", "John Pollini", "Scotland", "Wilhelm Henzen"], "gold": "The statue of Augustus of Prima Porta was discovered within the Villa of Livia in 1863, however little is known about the discovery itself and its immediate aftermath, as the incomplete archaeological journals leave ambiguous evidence for modern historians. The statue was first publicized by the German archeologist Wilhelm Henzen in 1863 the Bulletino dell'Instituto di Corrispondenza Archaeologica. The exact location of the statue within the villa is unknown. Suggested sites are the underground complex, a placement near a staircase, the villa's atrium, or in a laurel grove on the south-east corner of Prima Porta hill.  Scholars have stated that the last one is relatively unconvincing compared with the first three. The theory that Augustus's statue was found in the underground complex of the villa is based on a hypothesis that Augustus holds a laurel branch instead of a spear in his left hand. Scholars have noted that if this hypothesis is correct, then Villa of Livia must have been decorated with laurel groves and that the reason of the decoration is the omen of the gallina alba.Recent excavations have discovered the remnants of pots used to plant laurel on the edge of the Prima Porta hill in front of the underground complex, which Reeder believes suggests the possibility of the existence of laurel groves in the villa and makes it likely that the statue was located in the underground complex. She rationalized this by stating that per Suetonius, Augustus had a fear of lightning and often hid in 'an underground vaulted room', which she theorizes was likely the underground complex, particularly as during the time of Augustus laurels were thought to provide protection from lightning.Scholars who disagree with the theory have argued that although the pot remnants could have been used to plant laurel, such pots were also used for other plants such as lemons. They also state that according to an 1891 drawing made 25 years after the first excavation, Prima Porta Augustus was found at the bottom of the staircase leading to the underground complex, not the complex itself. Alan Klynne and Peter Liljenstolpe have further noted that the statue could have been brought to the basement from another location such as the atrium, where it would have stood on a rectangular structure that stands right on the axis against the south wall of the atrium. As visitors would enter the atrium from the fauces at the northeastern corner, the statue would be the first thing that they would see and that they would view it from the left, which fits Kähler's idea that it should be seen from this position.  When the visitor walked across the atrium their eyes would meet with Augustus's right hand, thus \"receiving\" the address that Augustus made.The story of gallina alba narrates that after Livia married Octavian an eagle dropped a hen with a laurel branch onto Livia's lap, which the religious authorities of Rome took as a sign of blessing and divinity. The plant was ordered to be planted with great religious care at what is now known as the villa surbana, where it grew into a grove. According to Jane Clark Reeder, when Julio-Claudians experienced military success they would take a laurel branch from the villa."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーに焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The Ecstasy of Saint Teresa (also known as Saint Teresa in Ecstasy; Italian: L'Estasi di Santa Teresa or Santa Teresa in estasi) is a sculptural altarpiece group in white marble set in an elevated aedicule in the Cornaro Chapel of the church of Santa Maria della Vittoria in Rome.  It was designed and carved by Gian Lorenzo Bernini, the leading sculptor of his day, who also designed the setting of the chapel in marble, stucco and paint. The commission was completed in 1652.The ensemble includes at the sides two sets of donor portraits of members of the Cornaro family, who watch the main central group as though in boxes in a theatre.  The group is generally considered to be one of the sculptural masterpieces of the High Roman Baroque. The sculpture over the altar shows Saint Teresa of Ávila, a Spanish Carmelite nun (1515–1582), swooning in a state of religious ecstasy, while an angel holding a spear stands over her, following her own account of a vision she had."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーのabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The Ecstasy of Saint Teresa (also known as Saint Teresa in Ecstasy; Italian: L'Estasi di Santa Teresa or Santa Teresa in estasi) is a sculptural altarpiece group in white marble set in an elevated aedicule in the Cornaro Chapel of the church of Santa Maria della Vittoria in Rome.  It was designed and carved by Gian Lorenzo Bernini, the leading sculptor of his day, who also designed the setting of the chapel in marble, stucco and paint. The commission was completed in 1652.The ensemble includes at the sides two sets of donor portraits of members of the Cornaro family, who watch the main central group as though in boxes in a theatre.  The group is generally considered to be one of the sculptural masterpieces of the High Roman Baroque. The sculpture over the altar shows Saint Teresa of Ávila, a Spanish Carmelite nun (1515–1582), swooning in a state of religious ecstasy, while an angel holding a spear stands over her, following her own account of a vision she had."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーはどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The Ecstasy of Saint Teresa (also known as Saint Teresa in Ecstasy; Italian: L'Estasi di Santa Teresa or Santa Teresa in estasi) is a sculptural altarpiece group in white marble set in an elevated aedicule in the Cornaro Chapel of the church of Santa Maria della Vittoria in Rome.  It was designed and carved by Gian Lorenzo Bernini, the leading sculptor of his day, who also designed the setting of the chapel in marble, stucco and paint. The commission was completed in 1652.The ensemble includes at the sides two sets of donor portraits of members of the Cornaro family, who watch the main central group as though in boxes in a theatre.  The group is generally considered to be one of the sculptural masterpieces of the High Roman Baroque. The sculpture over the altar shows Saint Teresa of Ávila, a Spanish Carmelite nun (1515–1582), swooning in a state of religious ecstasy, while an angel holding a spear stands over her, following her own account of a vision she had."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーに関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The Ecstasy of Saint Teresa (also known as Saint Teresa in Ecstasy; Italian: L'Estasi di Santa Teresa or Santa Teresa in estasi) is a sculptural altarpiece group in white marble set in an elevated aedicule in the Cornaro Chapel of the church of Santa Maria della Vittoria in Rome.  It was designed and carved by Gian Lorenzo Bernini, the leading sculptor of his day, who also designed the setting of the chapel in marble, stucco and paint. The commission was completed in 1652.The ensemble includes at the sides two sets of donor portraits of members of the Cornaro family, who watch the main central group as though in boxes in a theatre.  The group is generally considered to be one of the sculptural masterpieces of the High Roman Baroque. The sculpture over the altar shows Saint Teresa of Ávila, a Spanish Carmelite nun (1515–1582), swooning in a state of religious ecstasy, while an angel holding a spear stands over her, following her own account of a vision she had."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "委員会", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーに焦点を当てて、その委員会を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The entire ensemble was overseen and completed by a mature Bernini during the Pamphili papacy of Innocent X. When Innocent acceded to the papal throne, he shunned Bernini's artistic services; the sculptor had been the favourite artist of the previous and profligate Barberini pope, Urban VIII. Without papal patronage, the services of Bernini's studio were therefore available to a patron such as the Venetian Cardinal Federico Cornaro (1579–1653).Cornaro had chosen the hitherto unremarkable church of the Discalced Carmelites for his burial chapel. The selected site for the chapel was the left transept that had previously held an image of 'St. Paul in Ecstasy', which was replaced by Bernini's dramatization of a religious experience undergone and related by the first Discalced Carmelite saint, who had been canonised not long before, in 1622. It was completed in 1652 for the then princely sum of 12,000 scudi.A small format terracotta model of about 47 cm (19 in) was created between 1644 and 1647. The sculpture represents the first embodiment of the project, with traces of Bernini's fingerprints still visible. The model belongs to the Hermitage Museum's collection."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "委員会", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーの委員会を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The entire ensemble was overseen and completed by a mature Bernini during the Pamphili papacy of Innocent X. When Innocent acceded to the papal throne, he shunned Bernini's artistic services; the sculptor had been the favourite artist of the previous and profligate Barberini pope, Urban VIII. Without papal patronage, the services of Bernini's studio were therefore available to a patron such as the Venetian Cardinal Federico Cornaro (1579–1653).Cornaro had chosen the hitherto unremarkable church of the Discalced Carmelites for his burial chapel. The selected site for the chapel was the left transept that had previously held an image of 'St. Paul in Ecstasy', which was replaced by Bernini's dramatization of a religious experience undergone and related by the first Discalced Carmelite saint, who had been canonised not long before, in 1622. It was completed in 1652 for the then princely sum of 12,000 scudi.A small format terracotta model of about 47 cm (19 in) was created between 1644 and 1647. The sculpture represents the first embodiment of the project, with traces of Bernini's fingerprints still visible. The model belongs to the Hermitage Museum's collection."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "委員会", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーはどのように委員会を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The entire ensemble was overseen and completed by a mature Bernini during the Pamphili papacy of Innocent X. When Innocent acceded to the papal throne, he shunned Bernini's artistic services; the sculptor had been the favourite artist of the previous and profligate Barberini pope, Urban VIII. Without papal patronage, the services of Bernini's studio were therefore available to a patron such as the Venetian Cardinal Federico Cornaro (1579–1653).Cornaro had chosen the hitherto unremarkable church of the Discalced Carmelites for his burial chapel. The selected site for the chapel was the left transept that had previously held an image of 'St. Paul in Ecstasy', which was replaced by Bernini's dramatization of a religious experience undergone and related by the first Discalced Carmelite saint, who had been canonised not long before, in 1622. It was completed in 1652 for the then princely sum of 12,000 scudi.A small format terracotta model of about 47 cm (19 in) was created between 1644 and 1647. The sculpture represents the first embodiment of the project, with traces of Bernini's fingerprints still visible. The model belongs to the Hermitage Museum's collection."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "委員会", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーに関して、どのように委員会が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The entire ensemble was overseen and completed by a mature Bernini during the Pamphili papacy of Innocent X. When Innocent acceded to the papal throne, he shunned Bernini's artistic services; the sculptor had been the favourite artist of the previous and profligate Barberini pope, Urban VIII. Without papal patronage, the services of Bernini's studio were therefore available to a patron such as the Venetian Cardinal Federico Cornaro (1579–1653).Cornaro had chosen the hitherto unremarkable church of the Discalced Carmelites for his burial chapel. The selected site for the chapel was the left transept that had previously held an image of 'St. Paul in Ecstasy', which was replaced by Bernini's dramatization of a religious experience undergone and related by the first Discalced Carmelite saint, who had been canonised not long before, in 1622. It was completed in 1652 for the then princely sum of 12,000 scudi.A small format terracotta model of about 47 cm (19 in) was created between 1644 and 1647. The sculpture represents the first embodiment of the project, with traces of Bernini's fingerprints still visible. The model belongs to the Hermitage Museum's collection."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "彫刻群とその設定", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーに焦点を当てて、その彫刻群とその設定を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": " The two central sculptural figures of the swooning nun and the angel with the spear derive from an episode described by Teresa of Avila, a mystical cloistered Discalced Carmelite reformer and nun, in her autobiography, The Life of Teresa of Jesus. Her experience of religious ecstasy in her encounter with the angel is described as follows:I saw in his hand a long spear of gold, and at the iron's point there seemed to be a little fire. He appeared to me to be thrusting it at times into my heart, and to pierce my very entrails; when he drew it out, he seemed to draw them out also, and to leave me all on fire with a great love of God. The pain was so great, that it made me moan; and yet so surpassing was the sweetness of this excessive pain, that I could not wish to be rid of it. The soul is satisfied now with nothing less than God. The pain is not bodily, but spiritual; though the body has its share in it. It is a caressing of love so sweet which now takes place between the soul and God, that I pray God of His goodness to make him experience it who may think that I am lying.The group is illuminated by natural light which filters through a hidden window in the dome of the surrounding aedicule, and underscored by gilded stucco rays. Teresa is shown lying on a cloud indicating that this is intended to be a divine apparition we are witnessing. Other witnesses appear on the side walls; life-size high-relief donor portraits of male members of the Cornaro family, e.g. Cardinal Federico Cornaro and Doge Giovanni I Cornaro, are present and shown discussing the event in boxes as if at the theatre. Although the figures are executed in white marble, the aedicule, wall panels and theatre boxes are made from coloured marbles. Above, the vault of the Chapel is frescoed with an illusionistic cherub-filled sky with the descending light of the Holy Ghost allegorized as a dove.The art historian Rudolf Wittkower wrote:In spite of the pictorial character of the design as a whole, Bernini differentiated between various degrees of reality, the members of the Cornaro Chapel seem to be alive like ourselves. They belong to our space and our world. The supernatural event of Teresa's vision is raised to a sphere of its own, removed from that of the beholder mainly by virtue of the isolating canopy and the heavenly light.Gallery"}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "彫刻群とその設定", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーの彫刻群とその設定を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": " The two central sculptural figures of the swooning nun and the angel with the spear derive from an episode described by Teresa of Avila, a mystical cloistered Discalced Carmelite reformer and nun, in her autobiography, The Life of Teresa of Jesus. Her experience of religious ecstasy in her encounter with the angel is described as follows:I saw in his hand a long spear of gold, and at the iron's point there seemed to be a little fire. He appeared to me to be thrusting it at times into my heart, and to pierce my very entrails; when he drew it out, he seemed to draw them out also, and to leave me all on fire with a great love of God. The pain was so great, that it made me moan; and yet so surpassing was the sweetness of this excessive pain, that I could not wish to be rid of it. The soul is satisfied now with nothing less than God. The pain is not bodily, but spiritual; though the body has its share in it. It is a caressing of love so sweet which now takes place between the soul and God, that I pray God of His goodness to make him experience it who may think that I am lying.The group is illuminated by natural light which filters through a hidden window in the dome of the surrounding aedicule, and underscored by gilded stucco rays. Teresa is shown lying on a cloud indicating that this is intended to be a divine apparition we are witnessing. Other witnesses appear on the side walls; life-size high-relief donor portraits of male members of the Cornaro family, e.g. Cardinal Federico Cornaro and Doge Giovanni I Cornaro, are present and shown discussing the event in boxes as if at the theatre. Although the figures are executed in white marble, the aedicule, wall panels and theatre boxes are made from coloured marbles. Above, the vault of the Chapel is frescoed with an illusionistic cherub-filled sky with the descending light of the Holy Ghost allegorized as a dove.The art historian Rudolf Wittkower wrote:In spite of the pictorial character of the design as a whole, Bernini differentiated between various degrees of reality, the members of the Cornaro Chapel seem to be alive like ourselves. They belong to our space and our world. The supernatural event of Teresa's vision is raised to a sphere of its own, removed from that of the beholder mainly by virtue of the isolating canopy and the heavenly light.Gallery"}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "彫刻群とその設定", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーはどのように彫刻群とその設定を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": " The two central sculptural figures of the swooning nun and the angel with the spear derive from an episode described by Teresa of Avila, a mystical cloistered Discalced Carmelite reformer and nun, in her autobiography, The Life of Teresa of Jesus. Her experience of religious ecstasy in her encounter with the angel is described as follows:I saw in his hand a long spear of gold, and at the iron's point there seemed to be a little fire. He appeared to me to be thrusting it at times into my heart, and to pierce my very entrails; when he drew it out, he seemed to draw them out also, and to leave me all on fire with a great love of God. The pain was so great, that it made me moan; and yet so surpassing was the sweetness of this excessive pain, that I could not wish to be rid of it. The soul is satisfied now with nothing less than God. The pain is not bodily, but spiritual; though the body has its share in it. It is a caressing of love so sweet which now takes place between the soul and God, that I pray God of His goodness to make him experience it who may think that I am lying.The group is illuminated by natural light which filters through a hidden window in the dome of the surrounding aedicule, and underscored by gilded stucco rays. Teresa is shown lying on a cloud indicating that this is intended to be a divine apparition we are witnessing. Other witnesses appear on the side walls; life-size high-relief donor portraits of male members of the Cornaro family, e.g. Cardinal Federico Cornaro and Doge Giovanni I Cornaro, are present and shown discussing the event in boxes as if at the theatre. Although the figures are executed in white marble, the aedicule, wall panels and theatre boxes are made from coloured marbles. Above, the vault of the Chapel is frescoed with an illusionistic cherub-filled sky with the descending light of the Holy Ghost allegorized as a dove.The art historian Rudolf Wittkower wrote:In spite of the pictorial character of the design as a whole, Bernini differentiated between various degrees of reality, the members of the Cornaro Chapel seem to be alive like ourselves. They belong to our space and our world. The supernatural event of Teresa's vision is raised to a sphere of its own, removed from that of the beholder mainly by virtue of the isolating canopy and the heavenly light.Gallery"}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "彫刻群とその設定", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーに関して、どのように彫刻群とその設定が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": " The two central sculptural figures of the swooning nun and the angel with the spear derive from an episode described by Teresa of Avila, a mystical cloistered Discalced Carmelite reformer and nun, in her autobiography, The Life of Teresa of Jesus. Her experience of religious ecstasy in her encounter with the angel is described as follows:I saw in his hand a long spear of gold, and at the iron's point there seemed to be a little fire. He appeared to me to be thrusting it at times into my heart, and to pierce my very entrails; when he drew it out, he seemed to draw them out also, and to leave me all on fire with a great love of God. The pain was so great, that it made me moan; and yet so surpassing was the sweetness of this excessive pain, that I could not wish to be rid of it. The soul is satisfied now with nothing less than God. The pain is not bodily, but spiritual; though the body has its share in it. It is a caressing of love so sweet which now takes place between the soul and God, that I pray God of His goodness to make him experience it who may think that I am lying.The group is illuminated by natural light which filters through a hidden window in the dome of the surrounding aedicule, and underscored by gilded stucco rays. Teresa is shown lying on a cloud indicating that this is intended to be a divine apparition we are witnessing. Other witnesses appear on the side walls; life-size high-relief donor portraits of male members of the Cornaro family, e.g. Cardinal Federico Cornaro and Doge Giovanni I Cornaro, are present and shown discussing the event in boxes as if at the theatre. Although the figures are executed in white marble, the aedicule, wall panels and theatre boxes are made from coloured marbles. Above, the vault of the Chapel is frescoed with an illusionistic cherub-filled sky with the descending light of the Holy Ghost allegorized as a dove.The art historian Rudolf Wittkower wrote:In spite of the pictorial character of the design as a whole, Bernini differentiated between various degrees of reality, the members of the Cornaro Chapel seem to be alive like ourselves. They belong to our space and our world. The supernatural event of Teresa's vision is raised to a sphere of its own, removed from that of the beholder mainly by virtue of the isolating canopy and the heavenly light.Gallery"}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "解釈", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーに焦点を当てて、その解釈を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The effects are theatrical, the Cornaro family seeming to observe the scene from their boxes, and the chapel illustrates a moment where divinity intrudes on an earthly body. Caroline Babcock speaks of Bernini's melding of sensual and spiritual pleasure as both intentional and influential on artists and writers of the day. Irving Lavin said \"the transverberation becomes a point of contact between earth and heaven, between matter and spirit\". As Bernini biographer Franco Mormando points out, although Bernini's point of departure for his depiction of Teresa's mystical experience was her own description, there were many details about the experience that she never specifies (e.g., the position of her body) and that Bernini simply supplied from his own artistic imagination, all with an aim of increasing the nearly transgressively sensual charge of the episode: \"Certainly no other artist, in rendering the scene, before or after Bernini, dared as much in transforming the saint's appearance.\""}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "解釈", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーの解釈を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The effects are theatrical, the Cornaro family seeming to observe the scene from their boxes, and the chapel illustrates a moment where divinity intrudes on an earthly body. Caroline Babcock speaks of Bernini's melding of sensual and spiritual pleasure as both intentional and influential on artists and writers of the day. Irving Lavin said \"the transverberation becomes a point of contact between earth and heaven, between matter and spirit\". As Bernini biographer Franco Mormando points out, although Bernini's point of departure for his depiction of Teresa's mystical experience was her own description, there were many details about the experience that she never specifies (e.g., the position of her body) and that Bernini simply supplied from his own artistic imagination, all with an aim of increasing the nearly transgressively sensual charge of the episode: \"Certainly no other artist, in rendering the scene, before or after Bernini, dared as much in transforming the saint's appearance.\""}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "解釈", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーはどのように解釈を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The effects are theatrical, the Cornaro family seeming to observe the scene from their boxes, and the chapel illustrates a moment where divinity intrudes on an earthly body. Caroline Babcock speaks of Bernini's melding of sensual and spiritual pleasure as both intentional and influential on artists and writers of the day. Irving Lavin said \"the transverberation becomes a point of contact between earth and heaven, between matter and spirit\". As Bernini biographer Franco Mormando points out, although Bernini's point of departure for his depiction of Teresa's mystical experience was her own description, there were many details about the experience that she never specifies (e.g., the position of her body) and that Bernini simply supplied from his own artistic imagination, all with an aim of increasing the nearly transgressively sensual charge of the episode: \"Certainly no other artist, in rendering the scene, before or after Bernini, dared as much in transforming the saint's appearance.\""}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "解釈", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーに関して、どのように解釈が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The effects are theatrical, the Cornaro family seeming to observe the scene from their boxes, and the chapel illustrates a moment where divinity intrudes on an earthly body. Caroline Babcock speaks of Bernini's melding of sensual and spiritual pleasure as both intentional and influential on artists and writers of the day. Irving Lavin said \"the transverberation becomes a point of contact between earth and heaven, between matter and spirit\". As Bernini biographer Franco Mormando points out, although Bernini's point of departure for his depiction of Teresa's mystical experience was her own description, there were many details about the experience that she never specifies (e.g., the position of her body) and that Bernini simply supplied from his own artistic imagination, all with an aim of increasing the nearly transgressively sensual charge of the episode: \"Certainly no other artist, in rendering the scene, before or after Bernini, dared as much in transforming the saint's appearance.\""}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "批評", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーに焦点を当てて、その批評を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The sexual implications of the work have not gone unnoticed. It is considered \"decidely risqué\"; \"the most astounding peep show in art\"; and \"the grossest and most offensive example of Baroque art.\" The reason for its popularity \"has a lot to do with sex.\" And by placing the sculpture in a theatrical setting, Bernini is accused of turning \"a private moment into a very publicspectacle.\" Victorian art critic Anna Jameson wanted it destroyed: \"even those least prudish in matters of art, would here willingly throw the first stone.\"Scholars who defend it against such criticism take one of three approaches, saying:Bernini faithfully followed Teresa’s description of the experience.The Church accepted that mystical union often involved erotic elements.There is no nudity in the statue.But Franco Mormando says \"none of these defenses are completely accurate.\" Simon Schama agrees: \"Critics and scholars tie themselves in knots, trying to avoid stating the obvious.\""}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "批評", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーの批評を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The sexual implications of the work have not gone unnoticed. It is considered \"decidely risqué\"; \"the most astounding peep show in art\"; and \"the grossest and most offensive example of Baroque art.\" The reason for its popularity \"has a lot to do with sex.\" And by placing the sculpture in a theatrical setting, Bernini is accused of turning \"a private moment into a very publicspectacle.\" Victorian art critic Anna Jameson wanted it destroyed: \"even those least prudish in matters of art, would here willingly throw the first stone.\"Scholars who defend it against such criticism take one of three approaches, saying:Bernini faithfully followed Teresa’s description of the experience.The Church accepted that mystical union often involved erotic elements.There is no nudity in the statue.But Franco Mormando says \"none of these defenses are completely accurate.\" Simon Schama agrees: \"Critics and scholars tie themselves in knots, trying to avoid stating the obvious.\""}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "批評", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーはどのように批評を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The sexual implications of the work have not gone unnoticed. It is considered \"decidely risqué\"; \"the most astounding peep show in art\"; and \"the grossest and most offensive example of Baroque art.\" The reason for its popularity \"has a lot to do with sex.\" And by placing the sculpture in a theatrical setting, Bernini is accused of turning \"a private moment into a very publicspectacle.\" Victorian art critic Anna Jameson wanted it destroyed: \"even those least prudish in matters of art, would here willingly throw the first stone.\"Scholars who defend it against such criticism take one of three approaches, saying:Bernini faithfully followed Teresa’s description of the experience.The Church accepted that mystical union often involved erotic elements.There is no nudity in the statue.But Franco Mormando says \"none of these defenses are completely accurate.\" Simon Schama agrees: \"Critics and scholars tie themselves in knots, trying to avoid stating the obvious.\""}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "批評", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーに関して、どのように批評が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "The sexual implications of the work have not gone unnoticed. It is considered \"decidely risqué\"; \"the most astounding peep show in art\"; and \"the grossest and most offensive example of Baroque art.\" The reason for its popularity \"has a lot to do with sex.\" And by placing the sculpture in a theatrical setting, Bernini is accused of turning \"a private moment into a very publicspectacle.\" Victorian art critic Anna Jameson wanted it destroyed: \"even those least prudish in matters of art, would here willingly throw the first stone.\"Scholars who defend it against such criticism take one of three approaches, saying:Bernini faithfully followed Teresa’s description of the experience.The Church accepted that mystical union often involved erotic elements.There is no nudity in the statue.But Franco Mormando says \"none of these defenses are completely accurate.\" Simon Schama agrees: \"Critics and scholars tie themselves in knots, trying to avoid stating the obvious.\""}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "ベルニーニの類似作品", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーに焦点を当てて、そのベルニーニの類似作品を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "See also entry titled Bernini's Cornaro chapel found in the Baroque section.Death of the Blessed Ludovica Albertoni (1671–1674)—San Francesco a Ripa, Rome.Martyrdom of Saint Lawrence (1614–15)Truth Unveiled by Time (1646–1652) – Galleria Borghese, Rome."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "ベルニーニの類似作品", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーのベルニーニの類似作品を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "See also entry titled Bernini's Cornaro chapel found in the Baroque section.Death of the Blessed Ludovica Albertoni (1671–1674)—San Francesco a Ripa, Rome.Martyrdom of Saint Lawrence (1614–15)Truth Unveiled by Time (1646–1652) – Galleria Borghese, Rome."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "ベルニーニの類似作品", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーはどのようにベルニーニの類似作品を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "See also entry titled Bernini's Cornaro chapel found in the Baroque section.Death of the Blessed Ludovica Albertoni (1671–1674)—San Francesco a Ripa, Rome.Martyrdom of Saint Lawrence (1614–15)Truth Unveiled by Time (1646–1652) – Galleria Borghese, Rome."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "ベルニーニの類似作品", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーに関して、どのようにベルニーニの類似作品が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "See also entry titled Bernini's Cornaro chapel found in the Baroque section.Death of the Blessed Ludovica Albertoni (1671–1674)—San Francesco a Ripa, Rome.Martyrdom of Saint Lawrence (1614–15)Truth Unveiled by Time (1646–1652) – Galleria Borghese, Rome."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "影響を与える作品または影響を受けた作品", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーに焦点を当てて、その影響を与える作品または影響を受けた作品を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "Stefano Maderno's sculpture of St Cecilia in namesake church (1600).Melchiorre Caffà's Santa Rose of Lima (1665) and his Assumption of St Catherine.Francisco Aprile and Ercole Ferrata's Sant'Anastasia in her namesake church in Rome.The most internationally successful Czech underground group the Ecstasy of Saint Theresa named themselves after the sculpture.Angels & Demons, the novel by Dan Brown which lists the sculpture as the third \"Altar of Science\" of the fictionalized Illuminati. Brown's book incorrectly states that the sculpture was moved from the Vatican to its current location, and that Pope Urban VIII (who was already deceased when Bernini worked on the sculpture) found the statue too sexually explicit.The sculpture is the subject of the song \"The Lie\" from Peter Hammill's album The Silent Corner and the Empty Stage.In Infinite Jest by David Foster Wallace, the sculpture plays a role in the filmography of James O. Incandenza, Jr. Wallace also alludes to it in three additional scenes involving Joelle.Street artist Banksy used the image of Saint Teresa in one of his works, though he removed the angelic figure and added a fast food meal.The sculpture and its image are frequently referred to in the novel Cutting for Stone by Abraham Verghese.In the psychoanalytic theories of Jacques Lacan, the statue plays an important role due to a central reference in his book Seminar XX: Encore. Lacan believes the statue helps convey his theory of the possibility of a female enjoyment that is infinite and unknowable, while masculine enjoyment is defined by finitude and failure. Some book covers of Seminar XX have a picture of the statue on the front."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "影響を与える作品または影響を受けた作品", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーの影響を与える作品または影響を受けた作品を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "Stefano Maderno's sculpture of St Cecilia in namesake church (1600).Melchiorre Caffà's Santa Rose of Lima (1665) and his Assumption of St Catherine.Francisco Aprile and Ercole Ferrata's Sant'Anastasia in her namesake church in Rome.The most internationally successful Czech underground group the Ecstasy of Saint Theresa named themselves after the sculpture.Angels & Demons, the novel by Dan Brown which lists the sculpture as the third \"Altar of Science\" of the fictionalized Illuminati. Brown's book incorrectly states that the sculpture was moved from the Vatican to its current location, and that Pope Urban VIII (who was already deceased when Bernini worked on the sculpture) found the statue too sexually explicit.The sculpture is the subject of the song \"The Lie\" from Peter Hammill's album The Silent Corner and the Empty Stage.In Infinite Jest by David Foster Wallace, the sculpture plays a role in the filmography of James O. Incandenza, Jr. Wallace also alludes to it in three additional scenes involving Joelle.Street artist Banksy used the image of Saint Teresa in one of his works, though he removed the angelic figure and added a fast food meal.The sculpture and its image are frequently referred to in the novel Cutting for Stone by Abraham Verghese.In the psychoanalytic theories of Jacques Lacan, the statue plays an important role due to a central reference in his book Seminar XX: Encore. Lacan believes the statue helps convey his theory of the possibility of a female enjoyment that is infinite and unknowable, while masculine enjoyment is defined by finitude and failure. Some book covers of Seminar XX have a picture of the statue on the front."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "影響を与える作品または影響を受けた作品", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーはどのように影響を与える作品または影響を受けた作品を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "Stefano Maderno's sculpture of St Cecilia in namesake church (1600).Melchiorre Caffà's Santa Rose of Lima (1665) and his Assumption of St Catherine.Francisco Aprile and Ercole Ferrata's Sant'Anastasia in her namesake church in Rome.The most internationally successful Czech underground group the Ecstasy of Saint Theresa named themselves after the sculpture.Angels & Demons, the novel by Dan Brown which lists the sculpture as the third \"Altar of Science\" of the fictionalized Illuminati. Brown's book incorrectly states that the sculpture was moved from the Vatican to its current location, and that Pope Urban VIII (who was already deceased when Bernini worked on the sculpture) found the statue too sexually explicit.The sculpture is the subject of the song \"The Lie\" from Peter Hammill's album The Silent Corner and the Empty Stage.In Infinite Jest by David Foster Wallace, the sculpture plays a role in the filmography of James O. Incandenza, Jr. Wallace also alludes to it in three additional scenes involving Joelle.Street artist Banksy used the image of Saint Teresa in one of his works, though he removed the angelic figure and added a fast food meal.The sculpture and its image are frequently referred to in the novel Cutting for Stone by Abraham Verghese.In the psychoanalytic theories of Jacques Lacan, the statue plays an important role due to a central reference in his book Seminar XX: Encore. Lacan believes the statue helps convey his theory of the possibility of a female enjoyment that is infinite and unknowable, while masculine enjoyment is defined by finitude and failure. Some book covers of Seminar XX have a picture of the statue on the front."}
{"title": "聖テレサのエクスタシー", "srclang_title": "Ecstasy of Saint Teresa", "en_title": "Ecstasy of Saint Teresa", "pageid": 1816924, "page_rank": 36, "page_url": "https://en.wikipedia.org/wiki/Ecstasy_of_Saint_Teresa", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Ecstasy_of_Saint_Teresa_September_2015-2a.jpg/220px-Ecstasy_of_Saint_Teresa_September_2015-2a.jpg", "section": "影響を与える作品または影響を受けた作品", "subsection": null, "sub_subsection": null, "prompt": "聖テレサのエクスタシーに関して、どのように影響を与える作品または影響を受けた作品が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Category:Marble sculptures in Italy", "Bernini's Cornaro chapel", "Rudolf Wittkower", "Peter Hammill", "Angels & Demons", "Street art", "religious ecstasy", "Giovanni", "Basilica di Sant'Anastasia al Palatino", "Category:Teresa of Ávila", "Teresa of Ávila", "Melchiorre Cafà", "Ercole Ferrata", "List of works by Gian Lorenzo Bernini", "Category:1652 sculptures", "Illuminati", "Italian scudo", "Pope Urban VIII", "altarpiece", "Carmelite", "Galleria Borghese", "Baroque#Bernini's Cornaro chapel", "Pamphili family", "Pope Innocent X", "Infinite Jest", "San Francesco a Ripa", "Simon Schama", "Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel.", "Carmelites", "Category:Sculptures of saints", "Jacques Lacan", "Category:Sculptures of angels", "Holy Ghost", "Truth Unveiled by Time", "Death of the Blessed Ludovica Albertoni", "Rome", "transverberation", "Hermitage Museum's", "namesake church", "Holy Spirit in Christianity", "Giovanni I Cornaro", "scudi", "Truth Unveiled by Time (Bernini)", "Dan Brown", "Martyrdom of Saint Lawrence", "The Silent Corner and the Empty Stage", "Baroque", "Urban VIII", "Raimondi Chapel", "Beata Ludovica Albertoni", "Gian Lorenzo Bernini", "OED", "David Foster Wallace", "Cardinal Federico Cornaro", "Barberini", "Discalced Carmelites", "Anna Jameson", "high-relief", "St Cecilia", "File:Cornaro chapel in Santa Maria della Vittoria in Rome HDR.jpg", "Franco Mormando", "Innocent X", "Santa Maria della Vittoria", "donor portrait", "Category:Sculptures of women in Italy", "Blessed Ludovica Albertoni", "aedicule", "Anna Brownell Jameson", "Santa Cecilia in Trastevere", "Martyrdom of St. Lawrence (Bernini)", "Federico Baldissera Bartolomeo Cornaro", "Abraham Verghese", "Saint Cecilia", "Cornaro family", "Teresa of Avila", "thumb", "Cutting for Stone", "Barberini family", "Hermitage Museum", "Ludovisi Battle sarcophagus", "Category:Sculptures by Gian Lorenzo Bernini", "Melchiorre Caffà", "Raphael Rooms", "Santa Maria della Vittoria, Rome", "Banksy", "Pamphili", "Stefano Maderno"], "gold": "Stefano Maderno's sculpture of St Cecilia in namesake church (1600).Melchiorre Caffà's Santa Rose of Lima (1665) and his Assumption of St Catherine.Francisco Aprile and Ercole Ferrata's Sant'Anastasia in her namesake church in Rome.The most internationally successful Czech underground group the Ecstasy of Saint Theresa named themselves after the sculpture.Angels & Demons, the novel by Dan Brown which lists the sculpture as the third \"Altar of Science\" of the fictionalized Illuminati. Brown's book incorrectly states that the sculpture was moved from the Vatican to its current location, and that Pope Urban VIII (who was already deceased when Bernini worked on the sculpture) found the statue too sexually explicit.The sculpture is the subject of the song \"The Lie\" from Peter Hammill's album The Silent Corner and the Empty Stage.In Infinite Jest by David Foster Wallace, the sculpture plays a role in the filmography of James O. Incandenza, Jr. Wallace also alludes to it in three additional scenes involving Joelle.Street artist Banksy used the image of Saint Teresa in one of his works, though he removed the angelic figure and added a fast food meal.The sculpture and its image are frequently referred to in the novel Cutting for Stone by Abraham Verghese.In the psychoanalytic theories of Jacques Lacan, the statue plays an important role due to a central reference in his book Seminar XX: Encore. Lacan believes the statue helps convey his theory of the possibility of a female enjoyment that is infinite and unknowable, while masculine enjoyment is defined by finitude and failure. Some book covers of Seminar XX have a picture of the statue on the front."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "The Burghers of Calais (French: Les Bourgeois de Calais) is a sculpture by Auguste Rodin in twelve original castings and numerous copies. It commemorates an event during the Hundred Years' War, when Calais, a French port on the English Channel, surrendered to the English after an eleven-month siege. The city commissioned Rodin to create the sculpture in 1884 and the work was completed in 1889."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "The Burghers of Calais (French: Les Bourgeois de Calais) is a sculpture by Auguste Rodin in twelve original castings and numerous copies. It commemorates an event during the Hundred Years' War, when Calais, a French port on the English Channel, surrendered to the English after an eleven-month siege. The city commissioned Rodin to create the sculpture in 1884 and the work was completed in 1889."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "The Burghers of Calais (French: Les Bourgeois de Calais) is a sculpture by Auguste Rodin in twelve original castings and numerous copies. It commemorates an event during the Hundred Years' War, when Calais, a French port on the English Channel, surrendered to the English after an eleven-month siege. The city commissioned Rodin to create the sculpture in 1884 and the work was completed in 1889."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "The Burghers of Calais (French: Les Bourgeois de Calais) is a sculpture by Auguste Rodin in twelve original castings and numerous copies. It commemorates an event during the Hundred Years' War, when Calais, a French port on the English Channel, surrendered to the English after an eleven-month siege. The city commissioned Rodin to create the sculpture in 1884 and the work was completed in 1889."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民に焦点を当てて、その歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "In 1346, England's Edward III, after victory in the Battle of Crécy, laid siege to Calais, while Philip VI of France ordered the city to hold out at all costs. Philip failed to lift the siege, and starvation eventually forced the city to parley for surrender.The contemporary chronicler Jean Froissart (c. 1337 – c. 1405) tells a story of what happened next: Edward offered to spare the people of the city if six of its leaders would surrender themselves to him, presumably to be executed.  Edward demanded they walk out wearing nooses around their necks, and carrying the keys to the city and castle. One of the wealthiest of the town leaders, Eustache de Saint Pierre, volunteered first, and five other burghers joined with him. Saint Pierre led this envoy of volunteers to the city gates.  It was this moment, and this poignant mix of defeat, heroic self-sacrifice, and willingness to face imminent death which Rodin captured in his sculpture, scaled somewhat larger than life.According to Froissart's story, the burghers expected to be executed, but their lives were spared by the intervention of England's queen, Philippa of Hainault, who persuaded her husband to exercise mercy by claiming their deaths would be a bad omen for her unborn child."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民の歴史を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "In 1346, England's Edward III, after victory in the Battle of Crécy, laid siege to Calais, while Philip VI of France ordered the city to hold out at all costs. Philip failed to lift the siege, and starvation eventually forced the city to parley for surrender.The contemporary chronicler Jean Froissart (c. 1337 – c. 1405) tells a story of what happened next: Edward offered to spare the people of the city if six of its leaders would surrender themselves to him, presumably to be executed.  Edward demanded they walk out wearing nooses around their necks, and carrying the keys to the city and castle. One of the wealthiest of the town leaders, Eustache de Saint Pierre, volunteered first, and five other burghers joined with him. Saint Pierre led this envoy of volunteers to the city gates.  It was this moment, and this poignant mix of defeat, heroic self-sacrifice, and willingness to face imminent death which Rodin captured in his sculpture, scaled somewhat larger than life.According to Froissart's story, the burghers expected to be executed, but their lives were spared by the intervention of England's queen, Philippa of Hainault, who persuaded her husband to exercise mercy by claiming their deaths would be a bad omen for her unborn child."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民はどのように歴史を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "In 1346, England's Edward III, after victory in the Battle of Crécy, laid siege to Calais, while Philip VI of France ordered the city to hold out at all costs. Philip failed to lift the siege, and starvation eventually forced the city to parley for surrender.The contemporary chronicler Jean Froissart (c. 1337 – c. 1405) tells a story of what happened next: Edward offered to spare the people of the city if six of its leaders would surrender themselves to him, presumably to be executed.  Edward demanded they walk out wearing nooses around their necks, and carrying the keys to the city and castle. One of the wealthiest of the town leaders, Eustache de Saint Pierre, volunteered first, and five other burghers joined with him. Saint Pierre led this envoy of volunteers to the city gates.  It was this moment, and this poignant mix of defeat, heroic self-sacrifice, and willingness to face imminent death which Rodin captured in his sculpture, scaled somewhat larger than life.According to Froissart's story, the burghers expected to be executed, but their lives were spared by the intervention of England's queen, Philippa of Hainault, who persuaded her husband to exercise mercy by claiming their deaths would be a bad omen for her unborn child."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民に関して、どのように歴史が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "In 1346, England's Edward III, after victory in the Battle of Crécy, laid siege to Calais, while Philip VI of France ordered the city to hold out at all costs. Philip failed to lift the siege, and starvation eventually forced the city to parley for surrender.The contemporary chronicler Jean Froissart (c. 1337 – c. 1405) tells a story of what happened next: Edward offered to spare the people of the city if six of its leaders would surrender themselves to him, presumably to be executed.  Edward demanded they walk out wearing nooses around their necks, and carrying the keys to the city and castle. One of the wealthiest of the town leaders, Eustache de Saint Pierre, volunteered first, and five other burghers joined with him. Saint Pierre led this envoy of volunteers to the city gates.  It was this moment, and this poignant mix of defeat, heroic self-sacrifice, and willingness to face imminent death which Rodin captured in his sculpture, scaled somewhat larger than life.According to Froissart's story, the burghers expected to be executed, but their lives were spared by the intervention of England's queen, Philippa of Hainault, who persuaded her husband to exercise mercy by claiming their deaths would be a bad omen for her unborn child."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "構成", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民に焦点を当てて、その構成を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "The City of Calais had attempted to erect a statue of Eustache de Saint Pierre, eldest of the burghers, since 1845.  Two prior artists were prevented from creating the sculpture: David d'Angers by his death, and Auguste Clésinger by the Franco-Prussian War. In 1884 the municipal corporation of the city invited several artists, Rodin amongst them, to submit proposals for the project.Rodin's design, which included all six figures rather than just de Saint Pierre, was controversial. The public felt that it lacked \"overtly heroic antique references\" which were considered integral to public sculpture. It was not a pyramidal arrangement and contained no allegorical figures.  It was intended to be placed at ground level, rather than on a pedestal.  The burghers were not presented in a positive image of glory; instead, they display \"pain, anguish and fatalism\".  To Rodin, this was nevertheless heroic, the heroism of self-sacrifice.In 1895 the monument was installed in Calais on a large pedestal in front of Parc Richelieu, a public park, contrary to the sculptor's wishes, who wanted contemporary townsfolk to \"almost bump into\" the figures and feel solidarity with them.  Only later was his vision realised, when the sculpture was moved in front of the newly completed town hall of Calais, where it now rests on a much lower base."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "構成", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民の構成を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "The City of Calais had attempted to erect a statue of Eustache de Saint Pierre, eldest of the burghers, since 1845.  Two prior artists were prevented from creating the sculpture: David d'Angers by his death, and Auguste Clésinger by the Franco-Prussian War. In 1884 the municipal corporation of the city invited several artists, Rodin amongst them, to submit proposals for the project.Rodin's design, which included all six figures rather than just de Saint Pierre, was controversial. The public felt that it lacked \"overtly heroic antique references\" which were considered integral to public sculpture. It was not a pyramidal arrangement and contained no allegorical figures.  It was intended to be placed at ground level, rather than on a pedestal.  The burghers were not presented in a positive image of glory; instead, they display \"pain, anguish and fatalism\".  To Rodin, this was nevertheless heroic, the heroism of self-sacrifice.In 1895 the monument was installed in Calais on a large pedestal in front of Parc Richelieu, a public park, contrary to the sculptor's wishes, who wanted contemporary townsfolk to \"almost bump into\" the figures and feel solidarity with them.  Only later was his vision realised, when the sculpture was moved in front of the newly completed town hall of Calais, where it now rests on a much lower base."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "構成", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民はどのように構成を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "The City of Calais had attempted to erect a statue of Eustache de Saint Pierre, eldest of the burghers, since 1845.  Two prior artists were prevented from creating the sculpture: David d'Angers by his death, and Auguste Clésinger by the Franco-Prussian War. In 1884 the municipal corporation of the city invited several artists, Rodin amongst them, to submit proposals for the project.Rodin's design, which included all six figures rather than just de Saint Pierre, was controversial. The public felt that it lacked \"overtly heroic antique references\" which were considered integral to public sculpture. It was not a pyramidal arrangement and contained no allegorical figures.  It was intended to be placed at ground level, rather than on a pedestal.  The burghers were not presented in a positive image of glory; instead, they display \"pain, anguish and fatalism\".  To Rodin, this was nevertheless heroic, the heroism of self-sacrifice.In 1895 the monument was installed in Calais on a large pedestal in front of Parc Richelieu, a public park, contrary to the sculptor's wishes, who wanted contemporary townsfolk to \"almost bump into\" the figures and feel solidarity with them.  Only later was his vision realised, when the sculpture was moved in front of the newly completed town hall of Calais, where it now rests on a much lower base."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "構成", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民に関して、どのように構成が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "The City of Calais had attempted to erect a statue of Eustache de Saint Pierre, eldest of the burghers, since 1845.  Two prior artists were prevented from creating the sculpture: David d'Angers by his death, and Auguste Clésinger by the Franco-Prussian War. In 1884 the municipal corporation of the city invited several artists, Rodin amongst them, to submit proposals for the project.Rodin's design, which included all six figures rather than just de Saint Pierre, was controversial. The public felt that it lacked \"overtly heroic antique references\" which were considered integral to public sculpture. It was not a pyramidal arrangement and contained no allegorical figures.  It was intended to be placed at ground level, rather than on a pedestal.  The burghers were not presented in a positive image of glory; instead, they display \"pain, anguish and fatalism\".  To Rodin, this was nevertheless heroic, the heroism of self-sacrifice.In 1895 the monument was installed in Calais on a large pedestal in front of Parc Richelieu, a public park, contrary to the sculptor's wishes, who wanted contemporary townsfolk to \"almost bump into\" the figures and feel solidarity with them.  Only later was his vision realised, when the sculpture was moved in front of the newly completed town hall of Calais, where it now rests on a much lower base."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "描かれた人物", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民に焦点を当てて、その描かれた人物を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "The six burghers depicted are:Eustache de Saint PierreJacques de WissantPierre de WissantJean de FiennesAndrieu d'AndresJean d'Aire"}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "描かれた人物", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民の描かれた人物を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "The six burghers depicted are:Eustache de Saint PierreJacques de WissantPierre de WissantJean de FiennesAndrieu d'AndresJean d'Aire"}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "描かれた人物", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民はどのように描かれた人物を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "The six burghers depicted are:Eustache de Saint PierreJacques de WissantPierre de WissantJean de FiennesAndrieu d'AndresJean d'Aire"}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "描かれた人物", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民に関して、どのように描かれた人物が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "The six burghers depicted are:Eustache de Saint PierreJacques de WissantPierre de WissantJean de FiennesAndrieu d'AndresJean d'Aire"}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "キャスト", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民に焦点を当てて、そのキャストを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "Under French law no more than twelve original casts of works of Rodin may be made.The 1895 cast of the group of six figures still stands in Calais.  Other original casts stand at:Glyptoteket in Copenhagen, cast 1903;the Musée royal de Mariemont in Morlanwelz, Belgium, cast 1905 (currently on loan to the city of Mons);Victoria Tower Gardens adjacent to the Houses of Parliament in London; cast 1908, installed on this site in 1914 and unveiled 19 July 1915;the Rodin Museum in Philadelphia, cast 1925 and installed in 1929;the gardens of the Musée Rodin in Paris, cast 1926 and given to the museum in 1955;Kunstmuseum in Basel, cast 1943 and installed in 1948;the Smithsonian Hirshhorn Museum and Sculpture Garden in Washington, DC, cast 1943 and installed in 1966;the National Museum of Western Art in Tokyo, cast 1953 and installed in 1959;the Norton Simon Museum in Pasadena, California, cast 1968;the Metropolitan Museum of Art in New York City, cast 1985 and installed in 1989;andPlateau (formerly called Rodin Gallery and closed since 2016) in Seoul. This is the twelfth and final original cast and was cast in 1995.Copies of individual statues are:sculptures of all individual figures on the campus of Stanford University;sculptures of all individual figures (casts from 1984 till 1988) and the First Maquette of the Burghers of Calais, cast 1987, in the Shizuoka Prefectural Museum of Art, Shizuoka City, Japan;sculptures of Jean d'Aire and Jean de Fiennes as well as busts of d'Aire and Pierre de Wissant on display at the Los Angeles County Museum of Art in the Sculpture Garden;a study of Jean d'Aire at Visual Arts Center at Davidson College, cast in 1972;\"The man with the key\" figure (Jean d'Aire), on the Sommerro Park in Oslo, Norway; anda bust of Jean d'Aire, recovered a quarter mile away from Ground Zero, together with other pieces from works by Rodin which were in the corporate offices of Cantor Fitzgerald at the original One World Trade Center."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "キャスト", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民のキャストを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "Under French law no more than twelve original casts of works of Rodin may be made.The 1895 cast of the group of six figures still stands in Calais.  Other original casts stand at:Glyptoteket in Copenhagen, cast 1903;the Musée royal de Mariemont in Morlanwelz, Belgium, cast 1905 (currently on loan to the city of Mons);Victoria Tower Gardens adjacent to the Houses of Parliament in London; cast 1908, installed on this site in 1914 and unveiled 19 July 1915;the Rodin Museum in Philadelphia, cast 1925 and installed in 1929;the gardens of the Musée Rodin in Paris, cast 1926 and given to the museum in 1955;Kunstmuseum in Basel, cast 1943 and installed in 1948;the Smithsonian Hirshhorn Museum and Sculpture Garden in Washington, DC, cast 1943 and installed in 1966;the National Museum of Western Art in Tokyo, cast 1953 and installed in 1959;the Norton Simon Museum in Pasadena, California, cast 1968;the Metropolitan Museum of Art in New York City, cast 1985 and installed in 1989;andPlateau (formerly called Rodin Gallery and closed since 2016) in Seoul. This is the twelfth and final original cast and was cast in 1995.Copies of individual statues are:sculptures of all individual figures on the campus of Stanford University;sculptures of all individual figures (casts from 1984 till 1988) and the First Maquette of the Burghers of Calais, cast 1987, in the Shizuoka Prefectural Museum of Art, Shizuoka City, Japan;sculptures of Jean d'Aire and Jean de Fiennes as well as busts of d'Aire and Pierre de Wissant on display at the Los Angeles County Museum of Art in the Sculpture Garden;a study of Jean d'Aire at Visual Arts Center at Davidson College, cast in 1972;\"The man with the key\" figure (Jean d'Aire), on the Sommerro Park in Oslo, Norway; anda bust of Jean d'Aire, recovered a quarter mile away from Ground Zero, together with other pieces from works by Rodin which were in the corporate offices of Cantor Fitzgerald at the original One World Trade Center."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "キャスト", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民はどのようにキャストを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "Under French law no more than twelve original casts of works of Rodin may be made.The 1895 cast of the group of six figures still stands in Calais.  Other original casts stand at:Glyptoteket in Copenhagen, cast 1903;the Musée royal de Mariemont in Morlanwelz, Belgium, cast 1905 (currently on loan to the city of Mons);Victoria Tower Gardens adjacent to the Houses of Parliament in London; cast 1908, installed on this site in 1914 and unveiled 19 July 1915;the Rodin Museum in Philadelphia, cast 1925 and installed in 1929;the gardens of the Musée Rodin in Paris, cast 1926 and given to the museum in 1955;Kunstmuseum in Basel, cast 1943 and installed in 1948;the Smithsonian Hirshhorn Museum and Sculpture Garden in Washington, DC, cast 1943 and installed in 1966;the National Museum of Western Art in Tokyo, cast 1953 and installed in 1959;the Norton Simon Museum in Pasadena, California, cast 1968;the Metropolitan Museum of Art in New York City, cast 1985 and installed in 1989;andPlateau (formerly called Rodin Gallery and closed since 2016) in Seoul. This is the twelfth and final original cast and was cast in 1995.Copies of individual statues are:sculptures of all individual figures on the campus of Stanford University;sculptures of all individual figures (casts from 1984 till 1988) and the First Maquette of the Burghers of Calais, cast 1987, in the Shizuoka Prefectural Museum of Art, Shizuoka City, Japan;sculptures of Jean d'Aire and Jean de Fiennes as well as busts of d'Aire and Pierre de Wissant on display at the Los Angeles County Museum of Art in the Sculpture Garden;a study of Jean d'Aire at Visual Arts Center at Davidson College, cast in 1972;\"The man with the key\" figure (Jean d'Aire), on the Sommerro Park in Oslo, Norway; anda bust of Jean d'Aire, recovered a quarter mile away from Ground Zero, together with other pieces from works by Rodin which were in the corporate offices of Cantor Fitzgerald at the original One World Trade Center."}
{"title": "カレーの市民", "srclang_title": "The Burghers of Calais", "en_title": "The Burghers of Calais", "pageid": 1003907, "page_rank": 52, "page_url": "https://en.wikipedia.org/wiki/The_Burghers_of_Calais", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Statue_bourgeois_calais_rodin.jpg/220px-Statue_bourgeois_calais_rodin.jpg", "section": "キャスト", "subsection": null, "sub_subsection": null, "prompt": "カレーの市民に関して、どのようにキャストが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Rodin Museum", "338x338px", "Hundred Years' War", "Brooklyn Museum", "Mons", "Category:Bronze sculptures in Japan", "Seoul", "Victoria Tower Gardens", "File:The Burghers of Calais - Hirshhorn Sculpture Garden.JPG", "John Adamson (publisher)", "Jean Froissart", "List of sculptures by Auguste Rodin", "Category:Calais", "Sommerroparken", "Jacques de Wissant", "Jean de Fiennes", "Memorial Court, [[Stanford University", "List_of_tenants_in_1_World_Trade_Center_(1971–2001)", "Maquette", "Cast in the Hirshhorn Sculpture Garden, Washington, D.C.", "Battle of Crécy", "Ny Carlsberg Glyptotek", "Davidson College", "Auguste Clésinger", "Kunstmuseum Basel", "Mons, Belgium", "Norton Simon Museum", "National Gallery of Australia", "Adamson, John", "Basel", "''The Burghers'' at the [[Metropolitan Museum of Art", "Pierre de Wissant", "English Channel", "The Metropolitan Museum of Art", "Category:Bronze sculptures", "File:Les-bourgeois-de-Calais.jpg", "Category:Bronze sculptures in the United States", "Siege of Calais (1346–1347)", "Philippa of Hainault", "Shizuoka City", "Shizuoka Prefectural Museum of Art", "Category:Bronze sculptures in the City of Westminster", "File:静岡県立美術館-26.JPG", "Philadelphia", "laid siege to Calais", "''Chronicles of England France, Spain, and the adjoining countries''", "Jerusalem", "Ground Zero", "Edward III", "Cantor Fitzgerald", "Froissart's Chronicles", "Category:Sculptures in the Norton Simon Museum", "Category:Outdoor sculptures in France", "Category:Outdoor sculptures in London", "David d'Angers", "Morlanwelz", "burghers", "Hirshhorn Museum and Sculpture Garden", "Category:Statues in France", "One World Trade Center", "Burgher_(title)", "Metropolitan Museum of Art", "Edward III of England", "Franco-Prussian War", "Canberra", "Kunstmuseum", "''The Burghers of Calais'', Rodin Wing, Shizuoka Prefectural Museum of Art", "Plateau (museum)", "Category:Monuments and memorials in the Pas-de-Calais", "National Museum of Western Art", "Parc Richelieu", "Auguste Rodin", "Glyptoteket", "Category:Outdoor sculptures in Paris", "Category:Buildings and structures in Victoria Tower Gardens", "Froissart, Jean", "Bronze", "Los Angeles County Museum of Art", "Pierre de Wiessant", "Pasadena, California", "Category:Grade I listed buildings in the City of Westminster", "Category:Bronze sculptures in Paris", "Israel Museum", "Category:Sculptures in the Musée Rodin", "Jean d'Aire", "Musée royal de Mariemont", "Shizuoka (city)", "thumb", "World Trade Center site", "Category:Sculptures by Auguste Rodin", "File:The Burghers of Calais MET DP221863.jpg", "Stanford University", "Sommerro Park", "Philip VI of France", "Category:Buildings and structures on the River Thames", "Andrieu d'Andres", "Plateau", "Category:Statues in Japan", "Palace of Westminster", "Category:1889 sculptures", "Musée Rodin", "Calais", "Houses of Parliament", "Eustache de Saint Pierre"], "gold": "Under French law no more than twelve original casts of works of Rodin may be made.The 1895 cast of the group of six figures still stands in Calais.  Other original casts stand at:Glyptoteket in Copenhagen, cast 1903;the Musée royal de Mariemont in Morlanwelz, Belgium, cast 1905 (currently on loan to the city of Mons);Victoria Tower Gardens adjacent to the Houses of Parliament in London; cast 1908, installed on this site in 1914 and unveiled 19 July 1915;the Rodin Museum in Philadelphia, cast 1925 and installed in 1929;the gardens of the Musée Rodin in Paris, cast 1926 and given to the museum in 1955;Kunstmuseum in Basel, cast 1943 and installed in 1948;the Smithsonian Hirshhorn Museum and Sculpture Garden in Washington, DC, cast 1943 and installed in 1966;the National Museum of Western Art in Tokyo, cast 1953 and installed in 1959;the Norton Simon Museum in Pasadena, California, cast 1968;the Metropolitan Museum of Art in New York City, cast 1985 and installed in 1989;andPlateau (formerly called Rodin Gallery and closed since 2016) in Seoul. This is the twelfth and final original cast and was cast in 1995.Copies of individual statues are:sculptures of all individual figures on the campus of Stanford University;sculptures of all individual figures (casts from 1984 till 1988) and the First Maquette of the Burghers of Calais, cast 1987, in the Shizuoka Prefectural Museum of Art, Shizuoka City, Japan;sculptures of Jean d'Aire and Jean de Fiennes as well as busts of d'Aire and Pierre de Wissant on display at the Los Angeles County Museum of Art in the Sculpture Garden;a study of Jean d'Aire at Visual Arts Center at Davidson College, cast in 1972;\"The man with the key\" figure (Jean d'Aire), on the Sommerro Park in Oslo, Norway; anda bust of Jean d'Aire, recovered a quarter mile away from Ground Zero, together with other pieces from works by Rodin which were in the corporate offices of Cantor Fitzgerald at the original One World Trade Center."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The four Raphael Rooms (Italian: Stanze di Raffaello) form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome.The Stanze, as they are commonly called, were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, then a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the Stanze are directly above Alexander's Borgia Apartment. They are on the second floor, overlooking the south side of the Belvedere Courtyard.Running from east to west, as a visitor would have entered the apartment, but not following the sequence in which the Stanze were frescoed, the rooms are the Sala di Costantino (\"Hall of Constantine\"), the Stanza di Eliodoro (\"Room of Heliodorus\"), the Stanza della Segnatura (\"Room of the Signatura\"), and the Stanza dell'Incendio del Borgo (\"The Room of the Fire in the Borgo\").After the death of Julius in 1513, with two rooms frescoed, Pope Leo X continued the program. Following Raphael's death in 1520, his assistants Gianfrancesco Penni, Giulio Romano and Raffaellino del Colle finished the project with the frescoes in the Sala di Costantino."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The four Raphael Rooms (Italian: Stanze di Raffaello) form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome.The Stanze, as they are commonly called, were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, then a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the Stanze are directly above Alexander's Borgia Apartment. They are on the second floor, overlooking the south side of the Belvedere Courtyard.Running from east to west, as a visitor would have entered the apartment, but not following the sequence in which the Stanze were frescoed, the rooms are the Sala di Costantino (\"Hall of Constantine\"), the Stanza di Eliodoro (\"Room of Heliodorus\"), the Stanza della Segnatura (\"Room of the Signatura\"), and the Stanza dell'Incendio del Borgo (\"The Room of the Fire in the Borgo\").After the death of Julius in 1513, with two rooms frescoed, Pope Leo X continued the program. Following Raphael's death in 1520, his assistants Gianfrancesco Penni, Giulio Romano and Raffaellino del Colle finished the project with the frescoes in the Sala di Costantino."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The four Raphael Rooms (Italian: Stanze di Raffaello) form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome.The Stanze, as they are commonly called, were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, then a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the Stanze are directly above Alexander's Borgia Apartment. They are on the second floor, overlooking the south side of the Belvedere Courtyard.Running from east to west, as a visitor would have entered the apartment, but not following the sequence in which the Stanze were frescoed, the rooms are the Sala di Costantino (\"Hall of Constantine\"), the Stanza di Eliodoro (\"Room of Heliodorus\"), the Stanza della Segnatura (\"Room of the Signatura\"), and the Stanza dell'Incendio del Borgo (\"The Room of the Fire in the Borgo\").After the death of Julius in 1513, with two rooms frescoed, Pope Leo X continued the program. Following Raphael's death in 1520, his assistants Gianfrancesco Penni, Giulio Romano and Raffaellino del Colle finished the project with the frescoes in the Sala di Costantino."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - 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Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The four Raphael Rooms (Italian: Stanze di Raffaello) form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome.The Stanze, as they are commonly called, were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, then a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the Stanze are directly above Alexander's Borgia Apartment. They are on the second floor, overlooking the south side of the Belvedere Courtyard.Running from east to west, as a visitor would have entered the apartment, but not following the sequence in which the Stanze were frescoed, the rooms are the Sala di Costantino (\"Hall of Constantine\"), the Stanza di Eliodoro (\"Room of Heliodorus\"), the Stanza della Segnatura (\"Room of the Signatura\"), and the Stanza dell'Incendio del Borgo (\"The Room of the Fire in the Borgo\").After the death of Julius in 1513, with two rooms frescoed, Pope Leo X continued the program. Following Raphael's death in 1520, his assistants Gianfrancesco Penni, Giulio Romano and Raffaellino del Colle finished the project with the frescoes in the Sala di Costantino."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "スキーム", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間に焦点を当てて、そのスキームを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - 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Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The scheme of the works is as follows:"}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間に焦点を当てて、そのコスタンティヌスの間を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The largest of the twelve rooms is the Sala di Costantino (\"Hall of Constantine\"). Its paintings were not begun until Pope Julius and, indeed Raphael himself, had died. The room is dedicated to the victory of Christianity over paganism. Its frescoes represent this struggle from the life of the Roman Emperor Constantine, and are the work of Giulio Romano, Gianfrancesco Penni and Raffaellino del Colle. Because they are not by the master himself, the frescos are less famous than works in the neighboring rooms. Continuing a long tradition of flattery, Raphael's assistants gave the features of the current pontiff, Clement VII, to Pope Sylvester in the paintings."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間のコスタンティヌスの間を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The largest of the twelve rooms is the Sala di Costantino (\"Hall of Constantine\"). Its paintings were not begun until Pope Julius and, indeed Raphael himself, had died. The room is dedicated to the victory of Christianity over paganism. Its frescoes represent this struggle from the life of the Roman Emperor Constantine, and are the work of Giulio Romano, Gianfrancesco Penni and Raffaellino del Colle. Because they are not by the master himself, the frescos are less famous than works in the neighboring rooms. Continuing a long tradition of flattery, Raphael's assistants gave the features of the current pontiff, Clement VII, to Pope Sylvester in the paintings."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間はどのようにコスタンティヌスの間を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The largest of the twelve rooms is the Sala di Costantino (\"Hall of Constantine\"). Its paintings were not begun until Pope Julius and, indeed Raphael himself, had died. The room is dedicated to the victory of Christianity over paganism. Its frescoes represent this struggle from the life of the Roman Emperor Constantine, and are the work of Giulio Romano, Gianfrancesco Penni and Raffaellino del Colle. Because they are not by the master himself, the frescos are less famous than works in the neighboring rooms. Continuing a long tradition of flattery, Raphael's assistants gave the features of the current pontiff, Clement VII, to Pope Sylvester in the paintings."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間に関して、どのようにコスタンティヌスの間が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The largest of the twelve rooms is the Sala di Costantino (\"Hall of Constantine\"). Its paintings were not begun until Pope Julius and, indeed Raphael himself, had died. The room is dedicated to the victory of Christianity over paganism. Its frescoes represent this struggle from the life of the Roman Emperor Constantine, and are the work of Giulio Romano, Gianfrancesco Penni and Raffaellino del Colle. Because they are not by the master himself, the frescos are less famous than works in the neighboring rooms. Continuing a long tradition of flattery, Raphael's assistants gave the features of the current pontiff, Clement VII, to Pope Sylvester in the paintings."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": "十字架のビジョン", "sub_subsection": null, "prompt": "ラファエロの間の文脈で、十字架のビジョンとコスタンティヌスの間を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek \"Εν τούτω νίκα\" (\"By this, conquer\", better known as the Latin In hoc signo vinces) written next to it."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": "十字架のビジョン", "sub_subsection": null, "prompt": "ラファエロの間のコスタンティヌスの間に関する十字架のビジョンを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek \"Εν τούτω νίκα\" (\"By this, conquer\", better known as the Latin In hoc signo vinces) written next to it."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": "十字架のビジョン", "sub_subsection": null, "prompt": "ラファエロの間では、どのようにコスタンティヌスの間の十字架のビジョンが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek \"Εν τούτω νίκα\" (\"By this, conquer\", better known as the Latin In hoc signo vinces) written next to it."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": "十字架のビジョン", "sub_subsection": null, "prompt": "ラファエロの間のコスタンティヌスの間における十字架のビジョンの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The fresco of The Vision of the Cross depicts the legendary story of a great cross appearing to Constantine as he marched to confront his rival Maxentius. The vision in the sky is painted with the words in Greek \"Εν τούτω νίκα\" (\"By this, conquer\", better known as the Latin In hoc signo vinces) written next to it."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": "ミルヴィアン橋の戦い", "sub_subsection": null, "prompt": "ラファエロの間の文脈で、ミルヴィアン橋の戦いとコスタンティヌスの間を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": "ミルヴィアン橋の戦い", "sub_subsection": null, "prompt": "ラファエロの間のコスタンティヌスの間に関するミルヴィアン橋の戦いを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": "ミルヴィアン橋の戦い", "sub_subsection": null, "prompt": "ラファエロの間では、どのようにコスタンティヌスの間のミルヴィアン橋の戦いが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": "ミルヴィアン橋の戦い", "sub_subsection": null, "prompt": "ラファエロの間のコスタンティヌスの間におけるミルヴィアン橋の戦いの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": "コンスタンティヌスの洗礼", "sub_subsection": null, "prompt": "ラファエロの間の文脈で、コンスタンティヌスの洗礼とコスタンティヌスの間を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the Lateran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII (1523–1534), who ordered the completion of the Raphael Rooms. "}
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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the Lateran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII (1523–1534), who ordered the completion of the Raphael Rooms. "}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": "コンスタンティヌスの洗礼", "sub_subsection": null, "prompt": "ラファエロの間では、どのようにコスタンティヌスの間のコンスタンティヌスの洗礼が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the Lateran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII (1523–1534), who ordered the completion of the Raphael Rooms. "}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": "コンスタンティヌスの洗礼", "sub_subsection": null, "prompt": "ラファエロの間のコスタンティヌスの間におけるコンスタンティヌスの洗礼の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The third painting in the sequence, The Baptism of Constantine, was most likely painted by Gianfrancesco Penni, and shows the emperor being baptised by Pope Sylvester I in the Lateran Baptistery at Rome. This follows the account of Constantine's baptism given in the Acts of Sylvester and the Liber Pontificalis, rather than the alternate deathbed version recounted in Eusebius's Life of Constantine. In The Baptism of Constantine, Pope Sylvester I has the physical features of Pope Clement VII (1523–1534), who ordered the completion of the Raphael Rooms. "}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": "コンスタンティヌスの寄付", "sub_subsection": null, "prompt": "ラファエロの間の文脈で、コンスタンティヌスの寄付とコスタンティヌスの間を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": "コンスタンティヌスの寄付", "sub_subsection": null, "prompt": "ラファエロの間のコスタンティヌスの間に関するコンスタンティヌスの寄付を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - 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Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": "コンスタンティヌスの寄付", "sub_subsection": null, "prompt": "ラファエロの間では、どのようにコスタンティヌスの間のコンスタンティヌスの寄付が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "コスタンティヌスの間", "subsection": "コンスタンティヌスの寄付", "sub_subsection": null, "prompt": "ラファエロの間のコスタンティヌスの間におけるコンスタンティヌスの寄付の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - 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Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The final painting in the sequence, The Donation of Constantine, records an event that supposedly took place shortly after Constantine's baptism, and was inspired by the famous forged documents, incorporated into Gratian's Decretum, granting the Papacy sovereignty over Rome's territorial dominions."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間に焦点を当てて、そのエリオドーロの詩節を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The next room, going from East to West, is the Stanza di Eliodoro (\"Room of Heliodorus\"). Painted between 1511 and 1514, it takes its name from one of the paintings. The theme of this private chamber – probably an audience room – was the heavenly protection granted by Christ to the Church. The four paintings are: The Expulsion of Heliodorus from the Temple, The Mass at Bolsena, The Meeting of Pope Leo I and Attila, and The Deliverance of Saint Peter from Prison. In the first two of these frescoes, Raphael flatteringly includes his patron, Pope Julius II, as participant or observer; the third, painted after Julius's death, includes a portrait of his successor, Leo X.Raphael's style changed here from the Stanza della Segnatura.  Instead of the static images of the Pope's library, he had dramatic narratives to portray, and his approach was to maximize the frescoes' expressive effects.  He represented fewer, larger figures so that their actions and emotions have more direct impact on the viewers, and he used theatrical lighting effects to spotlight certain figures and heighten tension."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間のエリオドーロの詩節を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The next room, going from East to West, is the Stanza di Eliodoro (\"Room of Heliodorus\"). Painted between 1511 and 1514, it takes its name from one of the paintings. The theme of this private chamber – probably an audience room – was the heavenly protection granted by Christ to the Church. The four paintings are: The Expulsion of Heliodorus from the Temple, The Mass at Bolsena, The Meeting of Pope Leo I and Attila, and The Deliverance of Saint Peter from Prison. In the first two of these frescoes, Raphael flatteringly includes his patron, Pope Julius II, as participant or observer; the third, painted after Julius's death, includes a portrait of his successor, Leo X.Raphael's style changed here from the Stanza della Segnatura.  Instead of the static images of the Pope's library, he had dramatic narratives to portray, and his approach was to maximize the frescoes' expressive effects.  He represented fewer, larger figures so that their actions and emotions have more direct impact on the viewers, and he used theatrical lighting effects to spotlight certain figures and heighten tension."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間はどのようにエリオドーロの詩節を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The next room, going from East to West, is the Stanza di Eliodoro (\"Room of Heliodorus\"). Painted between 1511 and 1514, it takes its name from one of the paintings. The theme of this private chamber – probably an audience room – was the heavenly protection granted by Christ to the Church. The four paintings are: The Expulsion of Heliodorus from the Temple, The Mass at Bolsena, The Meeting of Pope Leo I and Attila, and The Deliverance of Saint Peter from Prison. In the first two of these frescoes, Raphael flatteringly includes his patron, Pope Julius II, as participant or observer; the third, painted after Julius's death, includes a portrait of his successor, Leo X.Raphael's style changed here from the Stanza della Segnatura.  Instead of the static images of the Pope's library, he had dramatic narratives to portray, and his approach was to maximize the frescoes' expressive effects.  He represented fewer, larger figures so that their actions and emotions have more direct impact on the viewers, and he used theatrical lighting effects to spotlight certain figures and heighten tension."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間に関して、どのようにエリオドーロの詩節が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The next room, going from East to West, is the Stanza di Eliodoro (\"Room of Heliodorus\"). Painted between 1511 and 1514, it takes its name from one of the paintings. The theme of this private chamber – probably an audience room – was the heavenly protection granted by Christ to the Church. The four paintings are: The Expulsion of Heliodorus from the Temple, The Mass at Bolsena, The Meeting of Pope Leo I and Attila, and The Deliverance of Saint Peter from Prison. In the first two of these frescoes, Raphael flatteringly includes his patron, Pope Julius II, as participant or observer; the third, painted after Julius's death, includes a portrait of his successor, Leo X.Raphael's style changed here from the Stanza della Segnatura.  Instead of the static images of the Pope's library, he had dramatic narratives to portray, and his approach was to maximize the frescoes' expressive effects.  He represented fewer, larger figures so that their actions and emotions have more direct impact on the viewers, and he used theatrical lighting effects to spotlight certain figures and heighten tension."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "ヘリオドールの神殿からの追放", "sub_subsection": null, "prompt": "ラファエロの間の文脈で、ヘリオドールの神殿からの追放とエリオドーロの詩節を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "In The Expulsion of Heliodorus from the Temple Raphael illustrated the biblical episode from II Maccabees (3:21–28) about Heliodorus, who was sent to seize the treasure preserved in the Temple in Jerusalem, but was stopped when the prayer of the priest of the temple was answered by angels who flogged the intruder and an angelic rider who chased him from the temple. The composition is considerably more dramatic than Raphael's earlier frescoes in the Stanza della Segnatura.  Although the focal point is the still figure of the priest at prayer, Heliodorus and the angels rush forward into space, threatening to spill out of the painting.  At the left Julius II, carried by the Swiss Guard in a chair, witnesses the event.  His inclusion here refers to his battles to prevent secular leaders from usurping papal territories."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "ヘリオドールの神殿からの追放", "sub_subsection": null, "prompt": "ラファエロの間のエリオドーロの詩節に関するヘリオドールの神殿からの追放を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "In The Expulsion of Heliodorus from the Temple Raphael illustrated the biblical episode from II Maccabees (3:21–28) about Heliodorus, who was sent to seize the treasure preserved in the Temple in Jerusalem, but was stopped when the prayer of the priest of the temple was answered by angels who flogged the intruder and an angelic rider who chased him from the temple. The composition is considerably more dramatic than Raphael's earlier frescoes in the Stanza della Segnatura.  Although the focal point is the still figure of the priest at prayer, Heliodorus and the angels rush forward into space, threatening to spill out of the painting.  At the left Julius II, carried by the Swiss Guard in a chair, witnesses the event.  His inclusion here refers to his battles to prevent secular leaders from usurping papal territories."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "ヘリオドールの神殿からの追放", "sub_subsection": null, "prompt": "ラファエロの間では、どのようにエリオドーロの詩節のヘリオドールの神殿からの追放が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - 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Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "In The Expulsion of Heliodorus from the Temple Raphael illustrated the biblical episode from II Maccabees (3:21–28) about Heliodorus, who was sent to seize the treasure preserved in the Temple in Jerusalem, but was stopped when the prayer of the priest of the temple was answered by angels who flogged the intruder and an angelic rider who chased him from the temple. The composition is considerably more dramatic than Raphael's earlier frescoes in the Stanza della Segnatura.  Although the focal point is the still figure of the priest at prayer, Heliodorus and the angels rush forward into space, threatening to spill out of the painting.  At the left Julius II, carried by the Swiss Guard in a chair, witnesses the event.  His inclusion here refers to his battles to prevent secular leaders from usurping papal territories."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "ヘリオドールの神殿からの追放", "sub_subsection": null, "prompt": "ラファエロの間のエリオドーロの詩節におけるヘリオドールの神殿からの追放の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "In The Expulsion of Heliodorus from the Temple Raphael illustrated the biblical episode from II Maccabees (3:21–28) about Heliodorus, who was sent to seize the treasure preserved in the Temple in Jerusalem, but was stopped when the prayer of the priest of the temple was answered by angels who flogged the intruder and an angelic rider who chased him from the temple. The composition is considerably more dramatic than Raphael's earlier frescoes in the Stanza della Segnatura.  Although the focal point is the still figure of the priest at prayer, Heliodorus and the angels rush forward into space, threatening to spill out of the painting.  At the left Julius II, carried by the Swiss Guard in a chair, witnesses the event.  His inclusion here refers to his battles to prevent secular leaders from usurping papal territories."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "ボルセーナでのミサ", "sub_subsection": null, "prompt": "ラファエロの間の文脈で、ボルセーナでのミサとエリオドーロの詩節を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Mass at Bolsena depicts the story of a Bohemian priest who in 1263 ceased to doubt the doctrine of Transubstantiation when he saw the bread begin to bleed during its consecration at Mass. The cloth that was stained by the blood was held as a relic at the nearby town of Orvieto; Julius II had visited Orvieto and prayed over the relic in 1506. The Pope is portrayed as a participant in the Mass and a witness to the miracle; he kneels to the right of the altar, with members of the Curia (also portraits) standing behind him. Raphael distinguishes the \"real\" thirteenth-century witnesses from those who are contemporaries of the pope by their degree of engagement in the event; the latter concentrate calmly on Julius kneeling at his devotions rather than responding to the miracle."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "ボルセーナでのミサ", "sub_subsection": null, "prompt": "ラファエロの間のエリオドーロの詩節に関するボルセーナでのミサを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - 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Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Mass at Bolsena depicts the story of a Bohemian priest who in 1263 ceased to doubt the doctrine of Transubstantiation when he saw the bread begin to bleed during its consecration at Mass. The cloth that was stained by the blood was held as a relic at the nearby town of Orvieto; Julius II had visited Orvieto and prayed over the relic in 1506. The Pope is portrayed as a participant in the Mass and a witness to the miracle; he kneels to the right of the altar, with members of the Curia (also portraits) standing behind him. Raphael distinguishes the \"real\" thirteenth-century witnesses from those who are contemporaries of the pope by their degree of engagement in the event; the latter concentrate calmly on Julius kneeling at his devotions rather than responding to the miracle."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "ボルセーナでのミサ", "sub_subsection": null, "prompt": "ラファエロの間では、どのようにエリオドーロの詩節のボルセーナでのミサが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - 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Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Mass at Bolsena depicts the story of a Bohemian priest who in 1263 ceased to doubt the doctrine of Transubstantiation when he saw the bread begin to bleed during its consecration at Mass. The cloth that was stained by the blood was held as a relic at the nearby town of Orvieto; Julius II had visited Orvieto and prayed over the relic in 1506. The Pope is portrayed as a participant in the Mass and a witness to the miracle; he kneels to the right of the altar, with members of the Curia (also portraits) standing behind him. Raphael distinguishes the \"real\" thirteenth-century witnesses from those who are contemporaries of the pope by their degree of engagement in the event; the latter concentrate calmly on Julius kneeling at his devotions rather than responding to the miracle."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "ボルセーナでのミサ", "sub_subsection": null, "prompt": "ラファエロの間のエリオドーロの詩節におけるボルセーナでのミサの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Mass at Bolsena depicts the story of a Bohemian priest who in 1263 ceased to doubt the doctrine of Transubstantiation when he saw the bread begin to bleed during its consecration at Mass. The cloth that was stained by the blood was held as a relic at the nearby town of Orvieto; Julius II had visited Orvieto and prayed over the relic in 1506. The Pope is portrayed as a participant in the Mass and a witness to the miracle; he kneels to the right of the altar, with members of the Curia (also portraits) standing behind him. Raphael distinguishes the \"real\" thirteenth-century witnesses from those who are contemporaries of the pope by their degree of engagement in the event; the latter concentrate calmly on Julius kneeling at his devotions rather than responding to the miracle."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "レオ大聖人とアッティラの出会い", "sub_subsection": null, "prompt": "ラファエロの間の文脈で、レオ大聖人とアッティラの出会いとエリオドーロの詩節を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": " The Meeting of Leo the Great and Attila depicts the storied parley between the Pope and the Hun conqueror, and includes the legendary images of Saint Peter and Saint Paul in the sky bearing swords. A fully developed drawing by Raphael indicates he planned to place the pope – portrayed with Julius's features – in the background; when Leo X became pope – and just happened to choose the name Leo – he must have encouraged the artist to bring the pope front and center and use his own portrait."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "レオ大聖人とアッティラの出会い", "sub_subsection": null, "prompt": "ラファエロの間のエリオドーロの詩節に関するレオ大聖人とアッティラの出会いを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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A fully developed drawing by Raphael indicates he planned to place the pope – portrayed with Julius's features – in the background; when Leo X became pope – and just happened to choose the name Leo – he must have encouraged the artist to bring the pope front and center and use his own portrait."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "レオ大聖人とアッティラの出会い", "sub_subsection": null, "prompt": "ラファエロの間では、どのようにエリオドーロの詩節のレオ大聖人とアッティラの出会いが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": " The Meeting of Leo the Great and Attila depicts the storied parley between the Pope and the Hun conqueror, and includes the legendary images of Saint Peter and Saint Paul in the sky bearing swords. A fully developed drawing by Raphael indicates he planned to place the pope – portrayed with Julius's features – in the background; when Leo X became pope – and just happened to choose the name Leo – he must have encouraged the artist to bring the pope front and center and use his own portrait."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "レオ大聖人とアッティラの出会い", "sub_subsection": null, "prompt": "ラファエロの間のエリオドーロの詩節におけるレオ大聖人とアッティラの出会いの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": " The Meeting of Leo the Great and Attila depicts the storied parley between the Pope and the Hun conqueror, and includes the legendary images of Saint Peter and Saint Paul in the sky bearing swords. A fully developed drawing by Raphael indicates he planned to place the pope – portrayed with Julius's features – in the background; when Leo X became pope – and just happened to choose the name Leo – he must have encouraged the artist to bring the pope front and center and use his own portrait."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "聖ペトロの解放", "sub_subsection": null, "prompt": "ラファエロの間の文脈で、聖ペトロの解放とエリオドーロの詩節を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Deliverance of Saint Peter shows, in three episodes, how Saint Peter was liberated from prison by an angel, as described in Acts 12.  It symbolizes the power of the Vicar of Christ to escape human restraints. Julius II's titular church as cardinal, before he was elevated to the papacy, had been S. Pietro in Vincoli (St. Peter in Chains), so the painting is at once a general reference to the papacy and a specific reference to Julius.  The fresco is a study in light:  natural moonlight, man-made torchlight, and God-provided angel light.  It is the latter, of course, that outshines the others."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "聖ペトロの解放", "sub_subsection": null, "prompt": "ラファエロの間のエリオドーロの詩節に関する聖ペトロの解放を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Deliverance of Saint Peter shows, in three episodes, how Saint Peter was liberated from prison by an angel, as described in Acts 12.  It symbolizes the power of the Vicar of Christ to escape human restraints. Julius II's titular church as cardinal, before he was elevated to the papacy, had been S. Pietro in Vincoli (St. Peter in Chains), so the painting is at once a general reference to the papacy and a specific reference to Julius.  The fresco is a study in light:  natural moonlight, man-made torchlight, and God-provided angel light.  It is the latter, of course, that outshines the others."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "聖ペトロの解放", "sub_subsection": null, "prompt": "ラファエロの間では、どのようにエリオドーロの詩節の聖ペトロの解放が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Deliverance of Saint Peter shows, in three episodes, how Saint Peter was liberated from prison by an angel, as described in Acts 12.  It symbolizes the power of the Vicar of Christ to escape human restraints. Julius II's titular church as cardinal, before he was elevated to the papacy, had been S. Pietro in Vincoli (St. Peter in Chains), so the painting is at once a general reference to the papacy and a specific reference to Julius.  The fresco is a study in light:  natural moonlight, man-made torchlight, and God-provided angel light.  It is the latter, of course, that outshines the others."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "エリオドーロの詩節", "subsection": "聖ペトロの解放", "sub_subsection": null, "prompt": "ラファエロの間のエリオドーロの詩節における聖ペトロの解放の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Deliverance of Saint Peter shows, in three episodes, how Saint Peter was liberated from prison by an angel, as described in Acts 12.  It symbolizes the power of the Vicar of Christ to escape human restraints. Julius II's titular church as cardinal, before he was elevated to the papacy, had been S. Pietro in Vincoli (St. Peter in Chains), so the painting is at once a general reference to the papacy and a specific reference to Julius.  The fresco is a study in light:  natural moonlight, man-made torchlight, and God-provided angel light.  It is the latter, of course, that outshines the others."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間に焦点を当てて、その署名の間を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Stanza della segnatura (\"Room of the Signatura\") was the first to be decorated by Raphael's frescoes. It was the study housing the library of Julius II, in which the Signatura of Grace tribunal was originally located. The artist's concept brings into harmony the spirits of Antiquity and Christianity and reflects the contents of the pope's library with themes of theology, philosophy, jurisprudence, and the poetic arts, represented in tondi above the lunettes of the walls. The theme of this room is worldly and spiritual wisdom and the harmony which Renaissance humanists perceived between Christian teaching and Greek philosophy. The theme of wisdom is appropriate as this room was the council chamber for the Apostolic Signatura, where most of the important papal documents were signed and sealed."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間の署名の間を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Stanza della segnatura (\"Room of the Signatura\") was the first to be decorated by Raphael's frescoes. It was the study housing the library of Julius II, in which the Signatura of Grace tribunal was originally located. The artist's concept brings into harmony the spirits of Antiquity and Christianity and reflects the contents of the pope's library with themes of theology, philosophy, jurisprudence, and the poetic arts, represented in tondi above the lunettes of the walls. The theme of this room is worldly and spiritual wisdom and the harmony which Renaissance humanists perceived between Christian teaching and Greek philosophy. The theme of wisdom is appropriate as this room was the council chamber for the Apostolic Signatura, where most of the important papal documents were signed and sealed."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間はどのように署名の間を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Stanza della segnatura (\"Room of the Signatura\") was the first to be decorated by Raphael's frescoes. It was the study housing the library of Julius II, in which the Signatura of Grace tribunal was originally located. The artist's concept brings into harmony the spirits of Antiquity and Christianity and reflects the contents of the pope's library with themes of theology, philosophy, jurisprudence, and the poetic arts, represented in tondi above the lunettes of the walls. The theme of this room is worldly and spiritual wisdom and the harmony which Renaissance humanists perceived between Christian teaching and Greek philosophy. The theme of wisdom is appropriate as this room was the council chamber for the Apostolic Signatura, where most of the important papal documents were signed and sealed."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間に関して、どのように署名の間が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Stanza della segnatura (\"Room of the Signatura\") was the first to be decorated by Raphael's frescoes. It was the study housing the library of Julius II, in which the Signatura of Grace tribunal was originally located. The artist's concept brings into harmony the spirits of Antiquity and Christianity and reflects the contents of the pope's library with themes of theology, philosophy, jurisprudence, and the poetic arts, represented in tondi above the lunettes of the walls. The theme of this room is worldly and spiritual wisdom and the harmony which Renaissance humanists perceived between Christian teaching and Greek philosophy. The theme of wisdom is appropriate as this room was the council chamber for the Apostolic Signatura, where most of the important papal documents were signed and sealed."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": "聖なる聖餐の論争", "sub_subsection": null, "prompt": "ラファエロの間の文脈で、聖なる聖餐の論争と署名の間を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": "聖なる聖餐の論争", "sub_subsection": null, "prompt": "ラファエロの間の署名の間に関する聖なる聖餐の論争を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": "聖なる聖餐の論争", "sub_subsection": null, "prompt": "ラファエロの間では、どのように署名の間の聖なる聖餐の論争が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": "聖なる聖餐の論争", "sub_subsection": null, "prompt": "ラファエロの間の署名の間における聖なる聖餐の論争の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The first composition Raphael executed between 1509 and 1510 was the Disputation of the Holy Sacrament, the traditional name for what is really an Adoration of the Sacrament. In the painting, Raphael created an image of the church, which is presented as spanning both heaven and earth."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": "パルナッスス", "sub_subsection": null, "prompt": "ラファエロの間の文脈で、パルナッススと署名の間を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "Raphael completed the second composition between 1509 and 1511. It represents The Parnassus, the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. In the fresco Apollo and the Muses are surrounded by poets from antiquity and Raphael's own time."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": "パルナッスス", "sub_subsection": null, "prompt": "ラファエロの間の署名の間に関するパルナッススを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - 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{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": "パルナッスス", "sub_subsection": null, "prompt": "ラファエロの間では、どのように署名の間のパルナッススが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - 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{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": "パルナッスス", "sub_subsection": null, "prompt": "ラファエロの間の署名の間におけるパルナッススの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - 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Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": "アテネの学堂", "sub_subsection": null, "prompt": "ラファエロの間の署名の間に関するアテネの学堂を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": "アテネの学堂", "sub_subsection": null, "prompt": "ラファエロの間では、どのように署名の間のアテネの学堂が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": "アテネの学堂", "sub_subsection": null, "prompt": "ラファエロの間の署名の間におけるアテネの学堂の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "Between 1509 and 1511, Raphael also completed another work on the wall opposite the Disputa. This third painting, entitled The School of Athens, represents the degrees of knowledge or the truth acquired through reason. The fresco's position as well as the philosophers' walk in direction of the Holy Sacrament on the opposite wall suggested the interpretation of the whole room as the movement from the classical philosophy to the true religion and from the pre-Christian world to Christianity. It was meant to reside over the philosophical section of Pope Julius II's library. It is perhaps Raphael's most famous fresco."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": "四つの基本道徳", "sub_subsection": null, "prompt": "ラファエロの間の文脈で、四つの基本道徳と署名の間を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The two scenes on the fourth wall, executed by the workshop, and the lunette above it, containing the Cardinal Virtues, were painted in 1511. The Cardinal Virtues allegorically presents the virtues of fortitude, prudence and temperance alongside charity, faith, and hope."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": "四つの基本道徳", "sub_subsection": null, "prompt": "ラファエロの間の署名の間に関する四つの基本道徳を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - 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{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": "四つの基本道徳", "sub_subsection": null, "prompt": "ラファエロの間では、どのように署名の間の四つの基本道徳が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - 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{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "署名の間", "subsection": "四つの基本道徳", "sub_subsection": null, "prompt": "ラファエロの間の署名の間における四つの基本道徳の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - 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Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The two scenes on the fourth wall, executed by the workshop, and the lunette above it, containing the Cardinal Virtues, were painted in 1511. The Cardinal Virtues allegorically presents the virtues of fortitude, prudence and temperance alongside charity, faith, and hope."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間に焦点を当てて、そのボルゴの火災のスタンザを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Stanza dell'incendio del Borgo was named for the Fire in the Borgo fresco which depicts Pope Leo IV making the sign of the cross to extinguish a raging fire in the Borgo district of Rome near the Vatican. This room was prepared as a music room for Julius' successor, Leo X. The frescos depict events from the lives of Popes Leo III and Leo IV. The other paintings in the room are The Oath of Leo III, The Coronation of Charlemagne by Leo III, and The Battle of Ostia. Though the Fire in the Borgo was based on Raphael's mature designs it was executed by his assistants, who painted the other three paintings without his guidance."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間のボルゴの火災のスタンザを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Stanza dell'incendio del Borgo was named for the Fire in the Borgo fresco which depicts Pope Leo IV making the sign of the cross to extinguish a raging fire in the Borgo district of Rome near the Vatican. This room was prepared as a music room for Julius' successor, Leo X. The frescos depict events from the lives of Popes Leo III and Leo IV. The other paintings in the room are The Oath of Leo III, The Coronation of Charlemagne by Leo III, and The Battle of Ostia. Though the Fire in the Borgo was based on Raphael's mature designs it was executed by his assistants, who painted the other three paintings without his guidance."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間はどのようにボルゴの火災のスタンザを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Stanza dell'incendio del Borgo was named for the Fire in the Borgo fresco which depicts Pope Leo IV making the sign of the cross to extinguish a raging fire in the Borgo district of Rome near the Vatican. This room was prepared as a music room for Julius' successor, Leo X. The frescos depict events from the lives of Popes Leo III and Leo IV. The other paintings in the room are The Oath of Leo III, The Coronation of Charlemagne by Leo III, and The Battle of Ostia. Though the Fire in the Borgo was based on Raphael's mature designs it was executed by his assistants, who painted the other three paintings without his guidance."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": null, "sub_subsection": null, "prompt": "ラファエロの間に関して、どのようにボルゴの火災のスタンザが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Stanza dell'incendio del Borgo was named for the Fire in the Borgo fresco which depicts Pope Leo IV making the sign of the cross to extinguish a raging fire in the Borgo district of Rome near the Vatican. This room was prepared as a music room for Julius' successor, Leo X. The frescos depict events from the lives of Popes Leo III and Leo IV. The other paintings in the room are The Oath of Leo III, The Coronation of Charlemagne by Leo III, and The Battle of Ostia. Though the Fire in the Borgo was based on Raphael's mature designs it was executed by his assistants, who painted the other three paintings without his guidance."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": "レオ3世の誓い", "sub_subsection": null, "prompt": "ラファエロの間の文脈で、レオ3世の誓いとボルゴの火災のスタンザを説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - Ceiling of Room of Constantine.jpg", "''The Battle of Milvian Bridge'', 1520-1524", "The Fire in the Borgo", "List of paintings by Raphael", "''The Battle of Ostia'', 1514–1515", "Disputation of the Holy Sacrament", "fresco", "Charlemagne", "Raphael, ''The Parnassus'', 1509-1511", "Vatican Museums", "File:9 Estancia de Heliodoro (Vista general II).jpg", "tondi", "Pope Leo IV", "Image:Raphael Baptism Constantine.jpg", "Vatican City", "Saint Paul", "Raphael, ''The Cardinal Virtues'', 1511", "Image:Raphael Heliodorus.jpg", "The Meeting of Leo the Great and Attila", "charity", "File:Raphael - Battle of Ostia.jpg", "The Battle of the Milvian Bridge", "The Baptism of Constantine", "Raphael", "File:Raphael - Oath of Leo III.jpg", "Renaissance", "Mass", "charity (virtue)", "The Parnassus", "Pope Julius II", "Raphael, ''Disputation of the Holy Sacrament'', 1509-1510", "center", "The Expulsion of Heliodorus from the Temple", "Pope Hadrian I", "Transubstantiation", "Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg", "hope", "The Oath of Leo III, 1516–1517", "prudence", "Image:Raffael 072.jpg", "File:Raphael - Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "On December 23, 800 AD, Pope Leo III took an oath of purgation concerning charges brought against him by the nephews of his predecessor Pope Hadrian I. This event is shown in The Oath of Leo III."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": "レオ3世の誓い", "sub_subsection": null, "prompt": "ラファエロの間のボルゴの火災のスタンザに関するレオ3世の誓いを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - Ceiling of the Room of Eliodorus.jpg", "Tondo (art)", "File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg", "upright=.2", "Category:Individual rooms", "Image:Raphael Ostia.jpg", "Eusebius", "Giulio Romano", "naval victory", "centre", "Cardinal and Theological Virtues", "Leo III", "Decretum", "File:8 Estancia de Heliodoro (Vista general I).jpg", "Rome", "AD", "The Vision of the Cross", "The School of Athens", "Imperator Romanorum", "The Oath of Leo III", "Pope Leo I", "Pope Leo X", "''The Meeting of Leo the Great and Attila,'' 1514", "Category:Renaissance art", "Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513", "Deliverance of Saint Peter", "Ostia Antica (archaeological site)", "Attila", "File:\"The School of Athens\" by Raffaello Sanzio da Urbino.jpg", "File:Giulio Romano - The Battle of the Milvian Bridge.jpg", "File:113d Sala de Constantino (Vista, d).jpg", "Pope Alexander VI", "Mass (liturgy)", "fortitude", "Liberation of Saint Peter", "Raffaellino del Colle", "High Renaissance", "File:15 Estancia del Incendio del Borgo (Vista general I).png", "Category:Apostolic Palace", "Acts of Sylvester", "Apostolic Signatura", "Constantine I (emperor)", "Raphael, ''The School of Athens'', 1509-1511", "Vatican", "Image:Leoattila-Raphael.jpg", "Constantine", "Raphael, ''Deliverance of Saint Peter,'' 1514", "Pope Sylvester I", "''The Vision of the Cross'', 1520–1524", "File:Tommaso Laureti - 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Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "On December 23, 800 AD, Pope Leo III took an oath of purgation concerning charges brought against him by the nephews of his predecessor Pope Hadrian I. This event is shown in The Oath of Leo III."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": "レオ3世の誓い", "sub_subsection": null, "prompt": "ラファエロの間では、どのようにボルゴの火災のスタンザのレオ3世の誓いが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": "レオ3世の誓い", "sub_subsection": null, "prompt": "ラファエロの間のボルゴの火災のスタンザにおけるレオ3世の誓いの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": "カール大帝の戴冠式", "sub_subsection": null, "prompt": "ラファエロの間の文脈で、カール大帝の戴冠式とボルゴの火災のスタンザを説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": "カール大帝の戴冠式", "sub_subsection": null, "prompt": "ラファエロの間のボルゴの火災のスタンザに関するカール大帝の戴冠式を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": "ボルゴでの火事", "sub_subsection": null, "prompt": "ラファエロの間では、どのようにボルゴの火災のスタンザのボルゴでの火事が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": "ボルゴでの火事", "sub_subsection": null, "prompt": "ラファエロの間のボルゴの火災のスタンザにおけるボルゴでの火事の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Fire in the Borgo shows an event that is documented in the Liber Pontificalis: a fire that broke out in the Borgo in Rome in 847. According to the Catholic Church, Pope Leo IV contained the fire with his benediction."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": "オスティアの戦い", "sub_subsection": null, "prompt": "ラファエロの間の文脈で、オスティアの戦いとボルゴの火災のスタンザを説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": "オスティアの戦い", "sub_subsection": null, "prompt": "ラファエロの間のボルゴの火災のスタンザに関するオスティアの戦いを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - 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Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": "オスティアの戦い", "sub_subsection": null, "prompt": "ラファエロの間では、どのようにボルゴの火災のスタンザのオスティアの戦いが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - 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Cardinal and Theological Virtues.jpg", "Cortile del Belvedere", "File:Raphael - Ceiling of the Selling Room.jpg", "Michelangelo", "Acts of the Apostles", "Pope", "Image:Deliveranceofstpeter.jpg", "Orvieto", "Life of Constantine", "File:2 Estancia del Sello (Vista general II).jpg", "Belvedere Courtyard", "courage", "In hoc signo vinces", "The Coronation of Charlemagne", "''The Baptism of Constantine'', 1517–1524", "Liber Pontificalis", "angel", "Acts 12", "thumb", "Christian", "Ostia", "Ancient Greek philosophy", "Battle of Ostia (Raphael's painting)", "Catholic Church", "battle", "''The Fire in the Borgo'', 1514–1517", "Marcia B. Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849."}
{"title": "ラファエロの間", "srclang_title": "Raphael Rooms", "en_title": "Raphael Rooms", "pageid": 1462635, "page_rank": 71, "page_url": "https://en.wikipedia.org/wiki/Raphael_Rooms", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Raffael_Stanza_della_Segnatura.jpg/270px-Raffael_Stanza_della_Segnatura.jpg", "section": "ボルゴの火災のスタンザ", "subsection": "オスティアの戦い", "sub_subsection": null, "prompt": "ラファエロの間のボルゴの火災のスタンザにおけるオスティアの戦いの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Gianfrancesco Penni", "Greek philosophy", "File:Raphael - Coronation of Charlemagne.jpg", "The Mass at Bolsena", "File:Raphael - Deliverance of Saint Peter.jpg", "Index of Vatican City-related articles", "Image:Raphael Charlemagne.jpg", "File:School of Raphael - Donation of Rome.jpg", "Ecstasy of Saint Teresa", "Saracen", "Borgia Apartments", "Image:Massatbolsena.jpg", "''The Coronation of Charlemagne'', 1516–1517", "Index of Vatican City–related articles", "File:Raphael - The Meeting of Leo the Great and Attila.jpg", "Heliodorus (minister)", "Paul of Tarsus", "File:Raphael1a.jpg", "humanists", "Giulio Romano (painter)", "the Hun conqueror", "Borgo (rione of Rome)", "temperance", "Pope Leo III", "Donation of Constantine", "Clement VII", "Decretum Gratiani", "Image:A disputa do Sacramento.jpg", "upright=2.5", "Signatura of Grace", "Raphael, ''The Mass at Bolsena,'' 1512", "Maxentius", "Apollo", "Pope Adrian I", "Pope Clement VII", "Battle of the Milvian Bridge", "File:113e Sala de Constantino (Vista, e).jpg", "Christianity", "File:Raphael - The Mass at Bolsena.jpg", "File:Raphael - Fire in the Borgo.jpg", "liberated", "2 Maccabees", "File:Raphael - The Expulsion of Heliodorus from the Temple.jpg", "Holy Roman Emperor", "Sistine Chapel ceiling", "The Battle of the Milvian Bridge (Giulio Romano)", "Urbino", "Anno Domini", "File:1 Estancia del Sello (Vista general I).jpg", "Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG", "Battle of Ostia", "Leo X", "Apostolic Palace", "Category:Raphael rooms", "Pope Sylvester", "File:Raphael - 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Hall", "forged documents", "File:16 Estancia del Incendio del Borgo (Vista general II).jpg", "temperance (virtue)", "faith", "Borgia Apartment", "Borgo", "Heliodorus", "Saint Peter", "Image:Escola de atenas - vaticano.jpg", "''The Donation of Constantine'', 1520–1524", "File:School of Raphael - Vision of the Cross.jpg", "Temple in Jerusalem", " ", "Lateran Baptistery", "The Donation of Constantine (painting)", "II Maccabees", "The Donation of Constantine", "File:Raphael - The Parnassus.jpg", "File:Giannfrancesco Penni - Baptism of Constantine.jpg"], "gold": "The Battle of Ostia was inspired by the naval victory of Leo IV over the Saracens at Ostia in 849."}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "The Anatomy Lesson of Dr. Nicolaes Tulp is a 1632 oil painting on canvas by Rembrandt housed in the Mauritshuis museum in The Hague, the Netherlands. It was originally created to be displayed by the Surgeons Guild in their meeting room. The painting is regarded as one of Rembrandt's early masterpieces.In the work, Nicolaes Tulp is pictured explaining the musculature of the arm to a group of doctors. Some of the spectators are various doctors who paid commissions to be included in the painting. The painting is signed in the top-left hand corner Rembrant. f[ecit] 1632. This may be the first instance of Rembrandt signing a painting with his forename (in its original form) as opposed to the monogram RHL (Rembrandt Harmenszoon of Leiden), and is thus a sign of his growing artistic confidence."}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "The Anatomy Lesson of Dr. Nicolaes Tulp is a 1632 oil painting on canvas by Rembrandt housed in the Mauritshuis museum in The Hague, the Netherlands. It was originally created to be displayed by the Surgeons Guild in their meeting room. The painting is regarded as one of Rembrandt's early masterpieces.In the work, Nicolaes Tulp is pictured explaining the musculature of the arm to a group of doctors. Some of the spectators are various doctors who paid commissions to be included in the painting. The painting is signed in the top-left hand corner Rembrant. f[ecit] 1632. This may be the first instance of Rembrandt signing a painting with his forename (in its original form) as opposed to the monogram RHL (Rembrandt Harmenszoon of Leiden), and is thus a sign of his growing artistic confidence."}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "The Anatomy Lesson of Dr. Nicolaes Tulp is a 1632 oil painting on canvas by Rembrandt housed in the Mauritshuis museum in The Hague, the Netherlands. It was originally created to be displayed by the Surgeons Guild in their meeting room. The painting is regarded as one of Rembrandt's early masterpieces.In the work, Nicolaes Tulp is pictured explaining the musculature of the arm to a group of doctors. Some of the spectators are various doctors who paid commissions to be included in the painting. The painting is signed in the top-left hand corner Rembrant. f[ecit] 1632. This may be the first instance of Rembrandt signing a painting with his forename (in its original form) as opposed to the monogram RHL (Rembrandt Harmenszoon of Leiden), and is thus a sign of his growing artistic confidence."}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "背景", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業に焦点を当てて、その背景を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "The event can be dated to 31 January 1632: the Amsterdam Guild of Surgeons, of which Tulp was official City Anatomist, permitted only one public dissection a year, and the body would have to be that of an executed criminal.Anatomy lessons were a social event in the 17th century, taking place in lecture rooms that were actual theatres, with students, colleagues and the general public being permitted to attend on payment of an entrance fee. The spectators are appropriately dressed for this social occasion. It is thought that the uppermost (not holding the paper) and farthest left figures were added to the picture later.Every five to ten years, the Surgeon's Guild would commission a portrait by a leading portraitist of the period; Rembrandt was commissioned for this task when he was 25 years old, and newly arrived in Amsterdam. It was his first major commission in Amsterdam. Each of the men included in the portrait would have paid a certain amount of money to be included in the work, and the more central figures (in this case, Tulp) probably paid more, even twice as much. Rembrandt's anatomical portrait radically altered the conventions of the genre, by including a full-length corpse in the center of the image (using Christ-like iconography) and creating not just a portrait but a dramatic mise-en-scène. Rembrandt's image is a fiction; in a typical anatomy lesson, the surgeon would begin by opening the chest cavity and thorax because the internal organs there decay most rapidly.One person is missing: the Preparator, whose task was to prepare the body for the lesson. In the 17th century an important scientist such as Tulp would not be involved in menial and bloody work like dissection, and such tasks would be left to others. It is for this reason that the picture shows no cutting instruments. Instead we see in the lower right corner an enormous open textbook on anatomy, possibly the 1543 De humani corporis fabrica (Fabric of the Human Body) by Andreas Vesalius."}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "背景", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業の背景を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "The event can be dated to 31 January 1632: the Amsterdam Guild of Surgeons, of which Tulp was official City Anatomist, permitted only one public dissection a year, and the body would have to be that of an executed criminal.Anatomy lessons were a social event in the 17th century, taking place in lecture rooms that were actual theatres, with students, colleagues and the general public being permitted to attend on payment of an entrance fee. The spectators are appropriately dressed for this social occasion. It is thought that the uppermost (not holding the paper) and farthest left figures were added to the picture later.Every five to ten years, the Surgeon's Guild would commission a portrait by a leading portraitist of the period; Rembrandt was commissioned for this task when he was 25 years old, and newly arrived in Amsterdam. It was his first major commission in Amsterdam. Each of the men included in the portrait would have paid a certain amount of money to be included in the work, and the more central figures (in this case, Tulp) probably paid more, even twice as much. Rembrandt's anatomical portrait radically altered the conventions of the genre, by including a full-length corpse in the center of the image (using Christ-like iconography) and creating not just a portrait but a dramatic mise-en-scène. Rembrandt's image is a fiction; in a typical anatomy lesson, the surgeon would begin by opening the chest cavity and thorax because the internal organs there decay most rapidly.One person is missing: the Preparator, whose task was to prepare the body for the lesson. In the 17th century an important scientist such as Tulp would not be involved in menial and bloody work like dissection, and such tasks would be left to others. It is for this reason that the picture shows no cutting instruments. Instead we see in the lower right corner an enormous open textbook on anatomy, possibly the 1543 De humani corporis fabrica (Fabric of the Human Body) by Andreas Vesalius."}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "背景", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業はどのように背景を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "The event can be dated to 31 January 1632: the Amsterdam Guild of Surgeons, of which Tulp was official City Anatomist, permitted only one public dissection a year, and the body would have to be that of an executed criminal.Anatomy lessons were a social event in the 17th century, taking place in lecture rooms that were actual theatres, with students, colleagues and the general public being permitted to attend on payment of an entrance fee. The spectators are appropriately dressed for this social occasion. It is thought that the uppermost (not holding the paper) and farthest left figures were added to the picture later.Every five to ten years, the Surgeon's Guild would commission a portrait by a leading portraitist of the period; Rembrandt was commissioned for this task when he was 25 years old, and newly arrived in Amsterdam. It was his first major commission in Amsterdam. Each of the men included in the portrait would have paid a certain amount of money to be included in the work, and the more central figures (in this case, Tulp) probably paid more, even twice as much. Rembrandt's anatomical portrait radically altered the conventions of the genre, by including a full-length corpse in the center of the image (using Christ-like iconography) and creating not just a portrait but a dramatic mise-en-scène. Rembrandt's image is a fiction; in a typical anatomy lesson, the surgeon would begin by opening the chest cavity and thorax because the internal organs there decay most rapidly.One person is missing: the Preparator, whose task was to prepare the body for the lesson. In the 17th century an important scientist such as Tulp would not be involved in menial and bloody work like dissection, and such tasks would be left to others. It is for this reason that the picture shows no cutting instruments. Instead we see in the lower right corner an enormous open textbook on anatomy, possibly the 1543 De humani corporis fabrica (Fabric of the Human Body) by Andreas Vesalius."}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "背景", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業に関して、どのように背景が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "The event can be dated to 31 January 1632: the Amsterdam Guild of Surgeons, of which Tulp was official City Anatomist, permitted only one public dissection a year, and the body would have to be that of an executed criminal.Anatomy lessons were a social event in the 17th century, taking place in lecture rooms that were actual theatres, with students, colleagues and the general public being permitted to attend on payment of an entrance fee. The spectators are appropriately dressed for this social occasion. It is thought that the uppermost (not holding the paper) and farthest left figures were added to the picture later.Every five to ten years, the Surgeon's Guild would commission a portrait by a leading portraitist of the period; Rembrandt was commissioned for this task when he was 25 years old, and newly arrived in Amsterdam. It was his first major commission in Amsterdam. Each of the men included in the portrait would have paid a certain amount of money to be included in the work, and the more central figures (in this case, Tulp) probably paid more, even twice as much. Rembrandt's anatomical portrait radically altered the conventions of the genre, by including a full-length corpse in the center of the image (using Christ-like iconography) and creating not just a portrait but a dramatic mise-en-scène. Rembrandt's image is a fiction; in a typical anatomy lesson, the surgeon would begin by opening the chest cavity and thorax because the internal organs there decay most rapidly.One person is missing: the Preparator, whose task was to prepare the body for the lesson. In the 17th century an important scientist such as Tulp would not be involved in menial and bloody work like dissection, and such tasks would be left to others. It is for this reason that the picture shows no cutting instruments. Instead we see in the lower right corner an enormous open textbook on anatomy, possibly the 1543 De humani corporis fabrica (Fabric of the Human Body) by Andreas Vesalius."}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "死体", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業に焦点を当てて、その死体を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "The corpse is that of the criminal Aris Kindt (alias of Adriaan Adriaanszoon), who was convicted for armed robbery and sentenced to death by hanging. He was executed earlier on the same day of the scene. The face of the corpse is partially shaded, a suggestion of umbra mortis (shadow of death), a technique that Rembrandt was to use frequently.The French art historian Jean-Marie Clarke suggests that the navel of the corpse has the shape of a capital R and connects this observation to the fact that Rembrandt worked intensively on his signatures in 1632, using three types consecutively before settling on the final, first name form in 1633.Kindt was discussed in the 1999 novel The Rings of Saturn by W. G. Sebald, and plays a significant role in Laird Hunt's 2006 novel The Exquisite. In her 2014 historical fiction novel The Anatomy Lesson, author and journalist Nina Siegal tells the life story of Aris Kindt, based on documents about his criminal history that she discovered in the Amsterdam city archives.Medical specialists have commented on the accuracy of muscles and tendons painted by the 26-year-old Rembrandt. It is not known where he obtained such knowledge; it is possible that he copied the details from an anatomical textbook. However, in 2006 Dutch researchers recreated the scene with a male cadaver, revealing several discrepancies of the exposed left forearm compared to that of a real corpse.In a 2007 study, the American artist and anatomist David J. Jackowe and his colleagues demonstrated that the mysterious white cord that courses along the ulnar aspect of the cadaver's carpus and little finger, long thought to be either an ulnar nerve variant or artistic error, is most likely the tendon of a variant forearm muscle, the accessory abductor digiti minimi. "}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "死体", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業の死体を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "The corpse is that of the criminal Aris Kindt (alias of Adriaan Adriaanszoon), who was convicted for armed robbery and sentenced to death by hanging. He was executed earlier on the same day of the scene. The face of the corpse is partially shaded, a suggestion of umbra mortis (shadow of death), a technique that Rembrandt was to use frequently.The French art historian Jean-Marie Clarke suggests that the navel of the corpse has the shape of a capital R and connects this observation to the fact that Rembrandt worked intensively on his signatures in 1632, using three types consecutively before settling on the final, first name form in 1633.Kindt was discussed in the 1999 novel The Rings of Saturn by W. G. Sebald, and plays a significant role in Laird Hunt's 2006 novel The Exquisite. In her 2014 historical fiction novel The Anatomy Lesson, author and journalist Nina Siegal tells the life story of Aris Kindt, based on documents about his criminal history that she discovered in the Amsterdam city archives.Medical specialists have commented on the accuracy of muscles and tendons painted by the 26-year-old Rembrandt. It is not known where he obtained such knowledge; it is possible that he copied the details from an anatomical textbook. However, in 2006 Dutch researchers recreated the scene with a male cadaver, revealing several discrepancies of the exposed left forearm compared to that of a real corpse.In a 2007 study, the American artist and anatomist David J. Jackowe and his colleagues demonstrated that the mysterious white cord that courses along the ulnar aspect of the cadaver's carpus and little finger, long thought to be either an ulnar nerve variant or artistic error, is most likely the tendon of a variant forearm muscle, the accessory abductor digiti minimi. "}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "死体", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業はどのように死体を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "The corpse is that of the criminal Aris Kindt (alias of Adriaan Adriaanszoon), who was convicted for armed robbery and sentenced to death by hanging. He was executed earlier on the same day of the scene. The face of the corpse is partially shaded, a suggestion of umbra mortis (shadow of death), a technique that Rembrandt was to use frequently.The French art historian Jean-Marie Clarke suggests that the navel of the corpse has the shape of a capital R and connects this observation to the fact that Rembrandt worked intensively on his signatures in 1632, using three types consecutively before settling on the final, first name form in 1633.Kindt was discussed in the 1999 novel The Rings of Saturn by W. G. Sebald, and plays a significant role in Laird Hunt's 2006 novel The Exquisite. In her 2014 historical fiction novel The Anatomy Lesson, author and journalist Nina Siegal tells the life story of Aris Kindt, based on documents about his criminal history that she discovered in the Amsterdam city archives.Medical specialists have commented on the accuracy of muscles and tendons painted by the 26-year-old Rembrandt. It is not known where he obtained such knowledge; it is possible that he copied the details from an anatomical textbook. However, in 2006 Dutch researchers recreated the scene with a male cadaver, revealing several discrepancies of the exposed left forearm compared to that of a real corpse.In a 2007 study, the American artist and anatomist David J. Jackowe and his colleagues demonstrated that the mysterious white cord that courses along the ulnar aspect of the cadaver's carpus and little finger, long thought to be either an ulnar nerve variant or artistic error, is most likely the tendon of a variant forearm muscle, the accessory abductor digiti minimi. "}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "死体", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業に関して、どのように死体が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "The corpse is that of the criminal Aris Kindt (alias of Adriaan Adriaanszoon), who was convicted for armed robbery and sentenced to death by hanging. He was executed earlier on the same day of the scene. The face of the corpse is partially shaded, a suggestion of umbra mortis (shadow of death), a technique that Rembrandt was to use frequently.The French art historian Jean-Marie Clarke suggests that the navel of the corpse has the shape of a capital R and connects this observation to the fact that Rembrandt worked intensively on his signatures in 1632, using three types consecutively before settling on the final, first name form in 1633.Kindt was discussed in the 1999 novel The Rings of Saturn by W. G. Sebald, and plays a significant role in Laird Hunt's 2006 novel The Exquisite. In her 2014 historical fiction novel The Anatomy Lesson, author and journalist Nina Siegal tells the life story of Aris Kindt, based on documents about his criminal history that she discovered in the Amsterdam city archives.Medical specialists have commented on the accuracy of muscles and tendons painted by the 26-year-old Rembrandt. It is not known where he obtained such knowledge; it is possible that he copied the details from an anatomical textbook. However, in 2006 Dutch researchers recreated the scene with a male cadaver, revealing several discrepancies of the exposed left forearm compared to that of a real corpse.In a 2007 study, the American artist and anatomist David J. Jackowe and his colleagues demonstrated that the mysterious white cord that courses along the ulnar aspect of the cadaver's carpus and little finger, long thought to be either an ulnar nerve variant or artistic error, is most likely the tendon of a variant forearm muscle, the accessory abductor digiti minimi. "}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "関連作品", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業に焦点を当てて、その関連作品を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "The Anatomy Lesson of Dr. Deijman, painted by Rembrandt in 1656, was intended to be displayed in the Anatomical Hall in Amsterdam alongside The anatomy lesson of Tulp.Deijman was Tulp's immediate successor in the post of praelector chirugic et anatomie. The painting was damaged by fire in 1723, and only a central fragment survives.Around 1856 Édouard Manet visited The Hague and made a small oil on panel copy of The Anatomy Lesson. Broadly painted in a limited palette, Manet gave the painting to his physician, François Siredey.A less detailed copy of The Anatomy Lesson of Dr Nicolaes Tulp by an unknown artist hangs in Edinburgh as part of The University of Edinburgh Fine Art Collection.The Gross Clinic of 1875 and The Agnew Clinic of 1889 are paintings by the American artist Thomas Eakins which treat a similar subject, operations on live patients in the presence of medical students.In 2010, Yiull Damaso created a parody of the painting depicting prominent South Africans. Nelson Mandela was the cadaver, Nkosi Johnson was the instructor, and the students were Desmond Tutu, F. W. de Klerk, Thabo Mbeki, Jacob Zuma, Cyril Ramaphosa, Trevor Manuel, and Helen Zille. The African National Congress condemned the work as disrespectful to Mandela, racist, and culturally insensitive to African taboos on depiction of living people as dead.The 2012 painting The Anatomy Lesson of Dr Freeman by Susan Dorothea White references the Rembrandt composition but renders each of the onlookers as an anatomical prosection and skeleton in a contemporary university laboratory; the enormous book is replaced by a computer screen and the background chart by a projection screen; the tendon orientation in the cadaver's left forearm is corrected."}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "関連作品", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業の関連作品を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "The Anatomy Lesson of Dr. Deijman, painted by Rembrandt in 1656, was intended to be displayed in the Anatomical Hall in Amsterdam alongside The anatomy lesson of Tulp.Deijman was Tulp's immediate successor in the post of praelector chirugic et anatomie. The painting was damaged by fire in 1723, and only a central fragment survives.Around 1856 Édouard Manet visited The Hague and made a small oil on panel copy of The Anatomy Lesson. Broadly painted in a limited palette, Manet gave the painting to his physician, François Siredey.A less detailed copy of The Anatomy Lesson of Dr Nicolaes Tulp by an unknown artist hangs in Edinburgh as part of The University of Edinburgh Fine Art Collection.The Gross Clinic of 1875 and The Agnew Clinic of 1889 are paintings by the American artist Thomas Eakins which treat a similar subject, operations on live patients in the presence of medical students.In 2010, Yiull Damaso created a parody of the painting depicting prominent South Africans. Nelson Mandela was the cadaver, Nkosi Johnson was the instructor, and the students were Desmond Tutu, F. W. de Klerk, Thabo Mbeki, Jacob Zuma, Cyril Ramaphosa, Trevor Manuel, and Helen Zille. The African National Congress condemned the work as disrespectful to Mandela, racist, and culturally insensitive to African taboos on depiction of living people as dead.The 2012 painting The Anatomy Lesson of Dr Freeman by Susan Dorothea White references the Rembrandt composition but renders each of the onlookers as an anatomical prosection and skeleton in a contemporary university laboratory; the enormous book is replaced by a computer screen and the background chart by a projection screen; the tendon orientation in the cadaver's left forearm is corrected."}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "関連作品", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業はどのように関連作品を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "The Anatomy Lesson of Dr. Deijman, painted by Rembrandt in 1656, was intended to be displayed in the Anatomical Hall in Amsterdam alongside The anatomy lesson of Tulp.Deijman was Tulp's immediate successor in the post of praelector chirugic et anatomie. The painting was damaged by fire in 1723, and only a central fragment survives.Around 1856 Édouard Manet visited The Hague and made a small oil on panel copy of The Anatomy Lesson. Broadly painted in a limited palette, Manet gave the painting to his physician, François Siredey.A less detailed copy of The Anatomy Lesson of Dr Nicolaes Tulp by an unknown artist hangs in Edinburgh as part of The University of Edinburgh Fine Art Collection.The Gross Clinic of 1875 and The Agnew Clinic of 1889 are paintings by the American artist Thomas Eakins which treat a similar subject, operations on live patients in the presence of medical students.In 2010, Yiull Damaso created a parody of the painting depicting prominent South Africans. Nelson Mandela was the cadaver, Nkosi Johnson was the instructor, and the students were Desmond Tutu, F. W. de Klerk, Thabo Mbeki, Jacob Zuma, Cyril Ramaphosa, Trevor Manuel, and Helen Zille. The African National Congress condemned the work as disrespectful to Mandela, racist, and culturally insensitive to African taboos on depiction of living people as dead.The 2012 painting The Anatomy Lesson of Dr Freeman by Susan Dorothea White references the Rembrandt composition but renders each of the onlookers as an anatomical prosection and skeleton in a contemporary university laboratory; the enormous book is replaced by a computer screen and the background chart by a projection screen; the tendon orientation in the cadaver's left forearm is corrected."}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "関連作品", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業に関して、どのように関連作品が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "The Anatomy Lesson of Dr. Deijman, painted by Rembrandt in 1656, was intended to be displayed in the Anatomical Hall in Amsterdam alongside The anatomy lesson of Tulp.Deijman was Tulp's immediate successor in the post of praelector chirugic et anatomie. The painting was damaged by fire in 1723, and only a central fragment survives.Around 1856 Édouard Manet visited The Hague and made a small oil on panel copy of The Anatomy Lesson. Broadly painted in a limited palette, Manet gave the painting to his physician, François Siredey.A less detailed copy of The Anatomy Lesson of Dr Nicolaes Tulp by an unknown artist hangs in Edinburgh as part of The University of Edinburgh Fine Art Collection.The Gross Clinic of 1875 and The Agnew Clinic of 1889 are paintings by the American artist Thomas Eakins which treat a similar subject, operations on live patients in the presence of medical students.In 2010, Yiull Damaso created a parody of the painting depicting prominent South Africans. Nelson Mandela was the cadaver, Nkosi Johnson was the instructor, and the students were Desmond Tutu, F. W. de Klerk, Thabo Mbeki, Jacob Zuma, Cyril Ramaphosa, Trevor Manuel, and Helen Zille. The African National Congress condemned the work as disrespectful to Mandela, racist, and culturally insensitive to African taboos on depiction of living people as dead.The 2012 painting The Anatomy Lesson of Dr Freeman by Susan Dorothea White references the Rembrandt composition but renders each of the onlookers as an anatomical prosection and skeleton in a contemporary university laboratory; the enormous book is replaced by a computer screen and the background chart by a projection screen; the tendon orientation in the cadaver's left forearm is corrected."}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "ポピュラー文化において", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業に焦点を当てて、そのポピュラー文化においてを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "In Asterix and the Soothsayer (1972), Uderzo and Goscinny reference the painting at the bottom of page 10, where the characters observe the disembowelment of a fish.The 2011 video game Deus Ex: Human Revolution references the painting in both in-game portraits that can be found on the wall and in a certain cinematic trailer, featuring the main protagonist Adam Jensen as the cadaver as Dr. Nicolaes and his students study his charred and ruined arms, which in the actual story become amputated and replaced with mechanical limbs.In the 2012 German film Barbara, there is a scene in which a doctor offers his interpretation of the painting to a colleague (the protagonist) when she points out the inaccuracy of Aris Kindt's left hand.The painting is discussed by the narrator (a young man) and his mother during a visit to the Met in The Goldfinch, a 2013 novel by Donna Tartt.2014's The Anatomy Lesson by Nina Siegal is a fictionalized account of the painting's creation and backstory, based on six years of historical research and archival documents about Aris Kindt's life.The 2017 video game Observer features an edited version of the painting with the muscles and tendons replaced with sub-dermal cybernetics, in line with the game's themes of transhumanism.Nicoleas Tulp's alma mater Amsterdam University Medical Centers hosts a yearly Anatomy Lesson in tribute. Previous speakers include Anthony Fauci. The anatomist Gunther von Hagens always wears a black fedora in public, even when performing autopsies, in a tribute to Tulp's hat in the painting."}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "ポピュラー文化において", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業のポピュラー文化においてを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "In Asterix and the Soothsayer (1972), Uderzo and Goscinny reference the painting at the bottom of page 10, where the characters observe the disembowelment of a fish.The 2011 video game Deus Ex: Human Revolution references the painting in both in-game portraits that can be found on the wall and in a certain cinematic trailer, featuring the main protagonist Adam Jensen as the cadaver as Dr. Nicolaes and his students study his charred and ruined arms, which in the actual story become amputated and replaced with mechanical limbs.In the 2012 German film Barbara, there is a scene in which a doctor offers his interpretation of the painting to a colleague (the protagonist) when she points out the inaccuracy of Aris Kindt's left hand.The painting is discussed by the narrator (a young man) and his mother during a visit to the Met in The Goldfinch, a 2013 novel by Donna Tartt.2014's The Anatomy Lesson by Nina Siegal is a fictionalized account of the painting's creation and backstory, based on six years of historical research and archival documents about Aris Kindt's life.The 2017 video game Observer features an edited version of the painting with the muscles and tendons replaced with sub-dermal cybernetics, in line with the game's themes of transhumanism.Nicoleas Tulp's alma mater Amsterdam University Medical Centers hosts a yearly Anatomy Lesson in tribute. Previous speakers include Anthony Fauci. The anatomist Gunther von Hagens always wears a black fedora in public, even when performing autopsies, in a tribute to Tulp's hat in the painting."}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "ポピュラー文化において", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業はどのようにポピュラー文化においてを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "In Asterix and the Soothsayer (1972), Uderzo and Goscinny reference the painting at the bottom of page 10, where the characters observe the disembowelment of a fish.The 2011 video game Deus Ex: Human Revolution references the painting in both in-game portraits that can be found on the wall and in a certain cinematic trailer, featuring the main protagonist Adam Jensen as the cadaver as Dr. Nicolaes and his students study his charred and ruined arms, which in the actual story become amputated and replaced with mechanical limbs.In the 2012 German film Barbara, there is a scene in which a doctor offers his interpretation of the painting to a colleague (the protagonist) when she points out the inaccuracy of Aris Kindt's left hand.The painting is discussed by the narrator (a young man) and his mother during a visit to the Met in The Goldfinch, a 2013 novel by Donna Tartt.2014's The Anatomy Lesson by Nina Siegal is a fictionalized account of the painting's creation and backstory, based on six years of historical research and archival documents about Aris Kindt's life.The 2017 video game Observer features an edited version of the painting with the muscles and tendons replaced with sub-dermal cybernetics, in line with the game's themes of transhumanism.Nicoleas Tulp's alma mater Amsterdam University Medical Centers hosts a yearly Anatomy Lesson in tribute. Previous speakers include Anthony Fauci. The anatomist Gunther von Hagens always wears a black fedora in public, even when performing autopsies, in a tribute to Tulp's hat in the painting."}
{"title": "ニコラエス・チュルプ博士の解剖学の授業", "srclang_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "en_title": "The Anatomy Lesson of Dr. Nicolaes Tulp", "pageid": 3146221, "page_rank": 73, "page_url": "https://en.wikipedia.org/wiki/The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg/270px-Rembrandt_-_The_Anatomy_Lesson_of_Dr_Nicolaes_Tulp.jpg", "section": "ポピュラー文化において", "subsection": null, "sub_subsection": null, "prompt": "ニコラエス・チュルプ博士の解剖学の授業に関して、どのようにポピュラー文化においてが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["culturally insensitive", "The corpse's navel is formed from the letter ''R''", "African National Congress", "Category:Cultural depictions of Dutch people", "Thabo Mbeki", "René Goscinny", "The Anatomy Lesson of Dr. Deijman", "Cultural sensitivity", "List of paintings by Rembrandt", "Category:Oil on canvas paintings", "theatre", "Category:Science in art", "scientist", "Albert Uderzo", "Rembrandt", "arm", "Vesalius", "File:Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg", "mise-en-scène", "Baroque painting", "Observer", "Mail & Guardian", "Nelson Mandela", "Uderzo", "The Guardian", "''The Anatomy Lesson of Dr Nicolaes Tulp'' (The University of Edinburgh Fine Art)", "Surgeon", "Category:Paintings about death", "Category:History of anatomy", "Amsterdam University Medical Center", "Andreas Vesalius", "Barbara (2012 film)", "Abductor digiti minimi muscle of hand", "Susan Dorothea White", "De humani corporis fabrica", "Thomas Eakins", "Janina Ramirez", "Deus Ex: Human Revolution", "Dutch Golden Age painting", "Gunther von Hagens", "Anthony Fauci", "''The Goldfinch''", "tendon", "Oil on canvas", "File:EU464 Unknown after Rembrandt - The Anatomy lesson of Dr Tulp.jpg", "The Agnew Clinic", "oil on panel", "Netherlands", "autopsies", "Amsterdam", "musculature", "Mauritshuis", "death", "parody", "The Gross Clinic", "left", "oil sketch", "Adam Rutherford", "doctors", "Category:Cultural depictions of physicians", "The Goldfinch (novel)", "Commission (remuneration)", "Donna Tartt", "Jacob Zuma", "prosection", "200px", "The Hague", "Amsterdam University Medical Centers", "Édouard Manet", "Helen Zille", "Oil painting", "Rembrandt: ''[[The Anatomy Lesson of Dr. Deijman", "File:Rembrandt Harmensz-navel.jpg", "abductor digiti minimi", "De Humani Corporis Fabrica Libri Septem", "Leiden", "commissions", "Category:Biology and natural history in the Dutch Republic", "Asterix and the Soothsayer", "Nicolaes Tulp", "hanging", "fedora", "canvas", "Physician", "Nkosi Johnson", "F. W. de Klerk", "textbook", "''Barbara''", "Goscinny", "Desmond Tutu", "Category:Paintings by Rembrandt", "South Africa", "thumb", "Observer_(video_game)", "muscle", "right", "Capital punishment", "dissection", "Cyril Ramaphosa", "Anatomy", "The Rings of Saturn", "Category:1632 paintings", "Trevor Manuel", "Category:Paintings in the Mauritshuis", "oil painting", "Category:Medicine in art", "W. G. Sebald", "Laird Hunt"], "gold": "In Asterix and the Soothsayer (1972), Uderzo and Goscinny reference the painting at the bottom of page 10, where the characters observe the disembowelment of a fish.The 2011 video game Deus Ex: Human Revolution references the painting in both in-game portraits that can be found on the wall and in a certain cinematic trailer, featuring the main protagonist Adam Jensen as the cadaver as Dr. Nicolaes and his students study his charred and ruined arms, which in the actual story become amputated and replaced with mechanical limbs.In the 2012 German film Barbara, there is a scene in which a doctor offers his interpretation of the painting to a colleague (the protagonist) when she points out the inaccuracy of Aris Kindt's left hand.The painting is discussed by the narrator (a young man) and his mother during a visit to the Met in The Goldfinch, a 2013 novel by Donna Tartt.2014's The Anatomy Lesson by Nina Siegal is a fictionalized account of the painting's creation and backstory, based on six years of historical research and archival documents about Aris Kindt's life.The 2017 video game Observer features an edited version of the painting with the muscles and tendons replaced with sub-dermal cybernetics, in line with the game's themes of transhumanism.Nicoleas Tulp's alma mater Amsterdam University Medical Centers hosts a yearly Anatomy Lesson in tribute. Previous speakers include Anthony Fauci. The anatomist Gunther von Hagens always wears a black fedora in public, even when performing autopsies, in a tribute to Tulp's hat in the painting."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "The Potato Eaters (Dutch: De Aardappeleters) is an oil painting by Dutch artist Vincent van Gogh painted in April 1885 in Nuenen, Netherlands.It is in the Van Gogh Museum in Amsterdam. The original oil sketch is at the Kröller-Müller Museum in Otterlo, and he made lithographs of the image, which are held in collections including the Museum of Modern Art in New York City. The painting is considered to be one of Van Gogh's masterpieces."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "The Potato Eaters (Dutch: De Aardappeleters) is an oil painting by Dutch artist Vincent van Gogh painted in April 1885 in Nuenen, Netherlands.It is in the Van Gogh Museum in Amsterdam. The original oil sketch is at the Kröller-Müller Museum in Otterlo, and he made lithographs of the image, which are held in collections including the Museum of Modern Art in New York City. The painting is considered to be one of Van Gogh's masterpieces."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "The Potato Eaters (Dutch: De Aardappeleters) is an oil painting by Dutch artist Vincent van Gogh painted in April 1885 in Nuenen, Netherlands.It is in the Van Gogh Museum in Amsterdam. The original oil sketch is at the Kröller-Müller Museum in Otterlo, and he made lithographs of the image, which are held in collections including the Museum of Modern Art in New York City. The painting is considered to be one of Van Gogh's masterpieces."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "The Potato Eaters (Dutch: De Aardappeleters) is an oil painting by Dutch artist Vincent van Gogh painted in April 1885 in Nuenen, Netherlands.It is in the Van Gogh Museum in Amsterdam. The original oil sketch is at the Kröller-Müller Museum in Otterlo, and he made lithographs of the image, which are held in collections including the Museum of Modern Art in New York City. The painting is considered to be one of Van Gogh's masterpieces."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "構成", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々に焦点を当てて、その構成を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "During March and the beginning of April 1885, Van Gogh sketched studies for the painting and corresponded with his brother Theo, who was not impressed with his current work nor the sketches Van Gogh sent him in Paris. He began working on The Potato Eaters while living with his parents in Nuenen, a rural town which was home to many farmers, labourers and weavers. He worked on the painting from 13 April until the beginning of May, when it was mostly done except for minor changes that he made with a small brush later the same year.Van Gogh said he wanted to depict peasants as they really were. He deliberately chose coarse and ugly models, thinking that they would be natural and unspoiled in his finished work.Writing to his sister Willemina two years later in Paris, Van Gogh still considered The Potato Eaters his most successful painting: \"What I think about my own work is that the painting of the peasants eating potatoes that I did in Nuenen is after all the best thing I did\". However, the work was criticized by his friend Anthon van Rappard soon after it was painted. This was a blow to Van Gogh's confidence as an emerging artist, and he wrote back to his friend, \"you... had no right to condemn my work in the way you did\" (July 1885), and later, \"I am always doing what I can't do yet in order to learn how to do it.\" (August 1885).Vincent Van Gogh is known to have admired the Belgian painter Charles de Groux and in particular his work The blessing before supper. De Groux's work is a solemn depiction of a peasant family saying grace before supper. The painting was closely linked to Christian representations of the Last Supper. Van Gogh's The Potato Eaters was inspired by this work of de Groux and similar religious connotations can be identified in Van Gogh's work."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "構成", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々の構成を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "During March and the beginning of April 1885, Van Gogh sketched studies for the painting and corresponded with his brother Theo, who was not impressed with his current work nor the sketches Van Gogh sent him in Paris. He began working on The Potato Eaters while living with his parents in Nuenen, a rural town which was home to many farmers, labourers and weavers. He worked on the painting from 13 April until the beginning of May, when it was mostly done except for minor changes that he made with a small brush later the same year.Van Gogh said he wanted to depict peasants as they really were. He deliberately chose coarse and ugly models, thinking that they would be natural and unspoiled in his finished work.Writing to his sister Willemina two years later in Paris, Van Gogh still considered The Potato Eaters his most successful painting: \"What I think about my own work is that the painting of the peasants eating potatoes that I did in Nuenen is after all the best thing I did\". However, the work was criticized by his friend Anthon van Rappard soon after it was painted. This was a blow to Van Gogh's confidence as an emerging artist, and he wrote back to his friend, \"you... had no right to condemn my work in the way you did\" (July 1885), and later, \"I am always doing what I can't do yet in order to learn how to do it.\" (August 1885).Vincent Van Gogh is known to have admired the Belgian painter Charles de Groux and in particular his work The blessing before supper. De Groux's work is a solemn depiction of a peasant family saying grace before supper. The painting was closely linked to Christian representations of the Last Supper. Van Gogh's The Potato Eaters was inspired by this work of de Groux and similar religious connotations can be identified in Van Gogh's work."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "構成", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々はどのように構成を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "During March and the beginning of April 1885, Van Gogh sketched studies for the painting and corresponded with his brother Theo, who was not impressed with his current work nor the sketches Van Gogh sent him in Paris. He began working on The Potato Eaters while living with his parents in Nuenen, a rural town which was home to many farmers, labourers and weavers. He worked on the painting from 13 April until the beginning of May, when it was mostly done except for minor changes that he made with a small brush later the same year.Van Gogh said he wanted to depict peasants as they really were. He deliberately chose coarse and ugly models, thinking that they would be natural and unspoiled in his finished work.Writing to his sister Willemina two years later in Paris, Van Gogh still considered The Potato Eaters his most successful painting: \"What I think about my own work is that the painting of the peasants eating potatoes that I did in Nuenen is after all the best thing I did\". However, the work was criticized by his friend Anthon van Rappard soon after it was painted. This was a blow to Van Gogh's confidence as an emerging artist, and he wrote back to his friend, \"you... had no right to condemn my work in the way you did\" (July 1885), and later, \"I am always doing what I can't do yet in order to learn how to do it.\" (August 1885).Vincent Van Gogh is known to have admired the Belgian painter Charles de Groux and in particular his work The blessing before supper. De Groux's work is a solemn depiction of a peasant family saying grace before supper. The painting was closely linked to Christian representations of the Last Supper. Van Gogh's The Potato Eaters was inspired by this work of de Groux and similar religious connotations can be identified in Van Gogh's work."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "構成", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々に関して、どのように構成が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "During March and the beginning of April 1885, Van Gogh sketched studies for the painting and corresponded with his brother Theo, who was not impressed with his current work nor the sketches Van Gogh sent him in Paris. He began working on The Potato Eaters while living with his parents in Nuenen, a rural town which was home to many farmers, labourers and weavers. He worked on the painting from 13 April until the beginning of May, when it was mostly done except for minor changes that he made with a small brush later the same year.Van Gogh said he wanted to depict peasants as they really were. He deliberately chose coarse and ugly models, thinking that they would be natural and unspoiled in his finished work.Writing to his sister Willemina two years later in Paris, Van Gogh still considered The Potato Eaters his most successful painting: \"What I think about my own work is that the painting of the peasants eating potatoes that I did in Nuenen is after all the best thing I did\". However, the work was criticized by his friend Anthon van Rappard soon after it was painted. This was a blow to Van Gogh's confidence as an emerging artist, and he wrote back to his friend, \"you... had no right to condemn my work in the way you did\" (July 1885), and later, \"I am always doing what I can't do yet in order to learn how to do it.\" (August 1885).Vincent Van Gogh is known to have admired the Belgian painter Charles de Groux and in particular his work The blessing before supper. De Groux's work is a solemn depiction of a peasant family saying grace before supper. The painting was closely linked to Christian representations of the Last Supper. Van Gogh's The Potato Eaters was inspired by this work of de Groux and similar religious connotations can be identified in Van Gogh's work."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "リトグラフ", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々に焦点を当てて、そのリトグラフを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "Van Gogh made a lithograph of the composition The Potato Eaters before embarking on the painting proper. He sent impressions to his brother and, in a letter to a friend, wrote that he made the lithograph from memory in the space of a day.Van Gogh had first experimented with lithography in The Hague in 1882. Though he appreciated small scale graphic work and was an enthusiastic collector of English engravings he worked relatively little in graphic mediums. In a letter dated around 3 December 1882 he remarksI believe, though, that it would be a great mistake to imagine that such things as, for instance, the print The Grace  (a family of woodcutters or peasants at table) were created at a stroke in their final form. No, in most cases the solidity and pith of the small is only obtained through much more serious study than is imagined by those who think lightly of the task of illustrating ...Anyway, some paintings in their huge frames look very substantial, and later one is surprised when they actually leave behind such an empty and dissatisfied feeling. On the other hand, one overlooks many an unpretentious woodcut or lithograph or etching now and then, but comes back to it and becomes more and more attached to it with time, and senses something great in it."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "リトグラフ", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々のリトグラフを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "Van Gogh made a lithograph of the composition The Potato Eaters before embarking on the painting proper. He sent impressions to his brother and, in a letter to a friend, wrote that he made the lithograph from memory in the space of a day.Van Gogh had first experimented with lithography in The Hague in 1882. Though he appreciated small scale graphic work and was an enthusiastic collector of English engravings he worked relatively little in graphic mediums. In a letter dated around 3 December 1882 he remarksI believe, though, that it would be a great mistake to imagine that such things as, for instance, the print The Grace  (a family of woodcutters or peasants at table) were created at a stroke in their final form. No, in most cases the solidity and pith of the small is only obtained through much more serious study than is imagined by those who think lightly of the task of illustrating ...Anyway, some paintings in their huge frames look very substantial, and later one is surprised when they actually leave behind such an empty and dissatisfied feeling. On the other hand, one overlooks many an unpretentious woodcut or lithograph or etching now and then, but comes back to it and becomes more and more attached to it with time, and senses something great in it."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "リトグラフ", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々はどのようにリトグラフを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "Van Gogh made a lithograph of the composition The Potato Eaters before embarking on the painting proper. He sent impressions to his brother and, in a letter to a friend, wrote that he made the lithograph from memory in the space of a day.Van Gogh had first experimented with lithography in The Hague in 1882. Though he appreciated small scale graphic work and was an enthusiastic collector of English engravings he worked relatively little in graphic mediums. In a letter dated around 3 December 1882 he remarksI believe, though, that it would be a great mistake to imagine that such things as, for instance, the print The Grace  (a family of woodcutters or peasants at table) were created at a stroke in their final form. No, in most cases the solidity and pith of the small is only obtained through much more serious study than is imagined by those who think lightly of the task of illustrating ...Anyway, some paintings in their huge frames look very substantial, and later one is surprised when they actually leave behind such an empty and dissatisfied feeling. On the other hand, one overlooks many an unpretentious woodcut or lithograph or etching now and then, but comes back to it and becomes more and more attached to it with time, and senses something great in it."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "リトグラフ", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々に関して、どのようにリトグラフが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "Van Gogh made a lithograph of the composition The Potato Eaters before embarking on the painting proper. He sent impressions to his brother and, in a letter to a friend, wrote that he made the lithograph from memory in the space of a day.Van Gogh had first experimented with lithography in The Hague in 1882. Though he appreciated small scale graphic work and was an enthusiastic collector of English engravings he worked relatively little in graphic mediums. In a letter dated around 3 December 1882 he remarksI believe, though, that it would be a great mistake to imagine that such things as, for instance, the print The Grace  (a family of woodcutters or peasants at table) were created at a stroke in their final form. No, in most cases the solidity and pith of the small is only obtained through much more serious study than is imagined by those who think lightly of the task of illustrating ...Anyway, some paintings in their huge frames look very substantial, and later one is surprised when they actually leave behind such an empty and dissatisfied feeling. On the other hand, one overlooks many an unpretentious woodcut or lithograph or etching now and then, but comes back to it and becomes more and more attached to it with time, and senses something great in it."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "ハーグ派の影響", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々に焦点を当てて、そのハーグ派の影響を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "Van Gogh is often associated in people's minds with the Post-Impressionist movement, but in fact his artistic roots lay much closer to home in the artists of the Hague School such as Anton Mauve and Jozef Israëls.In a letter to his brother Theo written mid-June 1884, Vincent remarks:When I hear you talk about a lot of new names, it's not always possible for me to understand when I've seen absolutely nothing by them. And from what you said about 'Impressionism', I’ve grasped that it's something different from what I thought it was, but it's still not entirely clear to me what one should understand by it.But for my part, I find so tremendously much in Israëls, for instance, that I'm not particularly curious about or eager for something different or newer.Before Vincent painted The Potato Eaters, Israëls had already treated the same subject in his A Peasant Family at the Table and, judging from a comment in a letter to Theo 11 March 1882, Vincent had seen this (or at least a variation of it) and had been inspired to produce his own version of it. Compositionally, the two are very similar: in both paintings the composition of the painting is centered by a figure whose back is turned to the viewer. As well as an interest gained by A Peasant Family at the Table, Vincent had an appreciation for a simpler lifestyle. Vincent was known to disregard the finer things, once writing in a letter to his brother Theo:When I receive money, even if I've fasted, isn't for food, but is even stronger for painting [...] meanwhile the lifeline I cling to is my breakfast with the people where I live, and a cup of coffee and bread in the cremerie in the evening...Van Gogh seemed to emotionally identify with the middle class, although he was from a family who were quite well-off. The subject was that of the harsh reality of life in the working class. He also simply admired the sustainability of the potato, or aardappel in Dutch. Aardappel literally translates to \"earth apple,\" which paints an idea of a simpler, hearty lifestyle."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "ハーグ派の影響", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々のハーグ派の影響を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "Van Gogh is often associated in people's minds with the Post-Impressionist movement, but in fact his artistic roots lay much closer to home in the artists of the Hague School such as Anton Mauve and Jozef Israëls.In a letter to his brother Theo written mid-June 1884, Vincent remarks:When I hear you talk about a lot of new names, it's not always possible for me to understand when I've seen absolutely nothing by them. And from what you said about 'Impressionism', I’ve grasped that it's something different from what I thought it was, but it's still not entirely clear to me what one should understand by it.But for my part, I find so tremendously much in Israëls, for instance, that I'm not particularly curious about or eager for something different or newer.Before Vincent painted The Potato Eaters, Israëls had already treated the same subject in his A Peasant Family at the Table and, judging from a comment in a letter to Theo 11 March 1882, Vincent had seen this (or at least a variation of it) and had been inspired to produce his own version of it. Compositionally, the two are very similar: in both paintings the composition of the painting is centered by a figure whose back is turned to the viewer. As well as an interest gained by A Peasant Family at the Table, Vincent had an appreciation for a simpler lifestyle. Vincent was known to disregard the finer things, once writing in a letter to his brother Theo:When I receive money, even if I've fasted, isn't for food, but is even stronger for painting [...] meanwhile the lifeline I cling to is my breakfast with the people where I live, and a cup of coffee and bread in the cremerie in the evening...Van Gogh seemed to emotionally identify with the middle class, although he was from a family who were quite well-off. The subject was that of the harsh reality of life in the working class. He also simply admired the sustainability of the potato, or aardappel in Dutch. Aardappel literally translates to \"earth apple,\" which paints an idea of a simpler, hearty lifestyle."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "ハーグ派の影響", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々はどのようにハーグ派の影響を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "Van Gogh is often associated in people's minds with the Post-Impressionist movement, but in fact his artistic roots lay much closer to home in the artists of the Hague School such as Anton Mauve and Jozef Israëls.In a letter to his brother Theo written mid-June 1884, Vincent remarks:When I hear you talk about a lot of new names, it's not always possible for me to understand when I've seen absolutely nothing by them. And from what you said about 'Impressionism', I’ve grasped that it's something different from what I thought it was, but it's still not entirely clear to me what one should understand by it.But for my part, I find so tremendously much in Israëls, for instance, that I'm not particularly curious about or eager for something different or newer.Before Vincent painted The Potato Eaters, Israëls had already treated the same subject in his A Peasant Family at the Table and, judging from a comment in a letter to Theo 11 March 1882, Vincent had seen this (or at least a variation of it) and had been inspired to produce his own version of it. Compositionally, the two are very similar: in both paintings the composition of the painting is centered by a figure whose back is turned to the viewer. As well as an interest gained by A Peasant Family at the Table, Vincent had an appreciation for a simpler lifestyle. Vincent was known to disregard the finer things, once writing in a letter to his brother Theo:When I receive money, even if I've fasted, isn't for food, but is even stronger for painting [...] meanwhile the lifeline I cling to is my breakfast with the people where I live, and a cup of coffee and bread in the cremerie in the evening...Van Gogh seemed to emotionally identify with the middle class, although he was from a family who were quite well-off. The subject was that of the harsh reality of life in the working class. He also simply admired the sustainability of the potato, or aardappel in Dutch. Aardappel literally translates to \"earth apple,\" which paints an idea of a simpler, hearty lifestyle."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "ハーグ派の影響", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々に関して、どのようにハーグ派の影響が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "Van Gogh is often associated in people's minds with the Post-Impressionist movement, but in fact his artistic roots lay much closer to home in the artists of the Hague School such as Anton Mauve and Jozef Israëls.In a letter to his brother Theo written mid-June 1884, Vincent remarks:When I hear you talk about a lot of new names, it's not always possible for me to understand when I've seen absolutely nothing by them. And from what you said about 'Impressionism', I’ve grasped that it's something different from what I thought it was, but it's still not entirely clear to me what one should understand by it.But for my part, I find so tremendously much in Israëls, for instance, that I'm not particularly curious about or eager for something different or newer.Before Vincent painted The Potato Eaters, Israëls had already treated the same subject in his A Peasant Family at the Table and, judging from a comment in a letter to Theo 11 March 1882, Vincent had seen this (or at least a variation of it) and had been inspired to produce his own version of it. Compositionally, the two are very similar: in both paintings the composition of the painting is centered by a figure whose back is turned to the viewer. As well as an interest gained by A Peasant Family at the Table, Vincent had an appreciation for a simpler lifestyle. Vincent was known to disregard the finer things, once writing in a letter to his brother Theo:When I receive money, even if I've fasted, isn't for food, but is even stronger for painting [...] meanwhile the lifeline I cling to is my breakfast with the people where I live, and a cup of coffee and bread in the cremerie in the evening...Van Gogh seemed to emotionally identify with the middle class, although he was from a family who were quite well-off. The subject was that of the harsh reality of life in the working class. He also simply admired the sustainability of the potato, or aardappel in Dutch. Aardappel literally translates to \"earth apple,\" which paints an idea of a simpler, hearty lifestyle."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "盗難", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々に焦点を当てて、その盗難を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "Thieves stole the early version of The Potato Eaters, the Weaver's Interior, and Dried Sunflowers from the Kröller-Müller Museum in December 1988. In April 1989, the thieves returned Weaver's Interior in an attempt to gain a $2.5 million ransom. The police recovered the other two on 14 July 1989; no ransom was paid.On 14 April 1991, the Vincent van Gogh National Museum was robbed of twenty major paintings including the final version of The Potato Eaters. However, the getaway car suffered a blown tire, and the thieves were forced to flee, leaving the paintings behind. Thirty-five minutes after the robbery, the paintings were recovered."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "盗難", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々の盗難を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "Thieves stole the early version of The Potato Eaters, the Weaver's Interior, and Dried Sunflowers from the Kröller-Müller Museum in December 1988. In April 1989, the thieves returned Weaver's Interior in an attempt to gain a $2.5 million ransom. The police recovered the other two on 14 July 1989; no ransom was paid.On 14 April 1991, the Vincent van Gogh National Museum was robbed of twenty major paintings including the final version of The Potato Eaters. However, the getaway car suffered a blown tire, and the thieves were forced to flee, leaving the paintings behind. Thirty-five minutes after the robbery, the paintings were recovered."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "盗難", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々はどのように盗難を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "Thieves stole the early version of The Potato Eaters, the Weaver's Interior, and Dried Sunflowers from the Kröller-Müller Museum in December 1988. In April 1989, the thieves returned Weaver's Interior in an attempt to gain a $2.5 million ransom. The police recovered the other two on 14 July 1989; no ransom was paid.On 14 April 1991, the Vincent van Gogh National Museum was robbed of twenty major paintings including the final version of The Potato Eaters. However, the getaway car suffered a blown tire, and the thieves were forced to flee, leaving the paintings behind. Thirty-five minutes after the robbery, the paintings were recovered."}
{"title": "じゃがいもを食べる人々", "srclang_title": "The Potato Eaters", "en_title": "The Potato Eaters", "pageid": 1080185, "page_rank": 84, "page_url": "https://en.wikipedia.org/wiki/The_Potato_Eaters", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg/300px-Van-willem-vincent-gogh-die-kartoffelesser-03850.jpg", "section": "盗難", "subsection": null, "sub_subsection": null, "prompt": "じゃがいもを食べる人々に関して、どのように盗難が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Willemina", "File:The Potato Eaters - Lithography by Vincent van Gogh.jpg", "Hague School", "Lithography", "Category:Paintings of the Netherlands by Vincent van Gogh", "Category:Stolen works of art", "Jacob Baart de la Faille", "Charles de Groux", "Museum of Modern Art", "Post-Impressionist movement", "Nuenen", "Anton Mauve", "lithograph", "Category:Oil on canvas paintings", "Wil van Gogh", "Post-Impressionism", "thumb", "''The blessing before supper''", "Category:Collection of the Kröller-Müller Museum", "Category:Recovered works of art", "Theo van Gogh (art dealer)", "List of works by Vincent van Gogh", "Van Gogh Museum", "Lithograph (April 1885), reversed, [[Rijksmuseum, Amsterdam", "Oil painting", ":File:Charles de Groux - The blessing.jpg", "Jan Hulsker", "Jozef Israëls", "Last Supper", "Category:Paintings by Vincent van Gogh", "Oil on canvas", "Anthon van Rappard", "The New York Times", "Theo", "''The Cottage'', 1885, [[Van Gogh Museum", "JH764", "lithographs", "F82", "Category:Food and drink paintings", "Vincent van Gogh", "File:WLANL - artanonymous - De hut.jpg", "300px", "Category:1885 paintings", "Theo Van Gogh (art dealer)", "Kröller-Müller Museum", "ransom", "Category:Collection of the Van Gogh Museum"], "gold": "Thieves stole the early version of The Potato Eaters, the Weaver's Interior, and Dried Sunflowers from the Kröller-Müller Museum in December 1988. In April 1989, the thieves returned Weaver's Interior in an attempt to gain a $2.5 million ransom. The police recovered the other two on 14 July 1989; no ransom was paid.On 14 April 1991, the Vincent van Gogh National Museum was robbed of twenty major paintings including the final version of The Potato Eaters. However, the getaway car suffered a blown tire, and the thieves were forced to flee, leaving the paintings behind. Thirty-five minutes after the robbery, the paintings were recovered."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iに焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is an oil painting on canvas, with gold leaf, by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer, a Viennese and Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere. The portrait is the final and most fully representative work of Klimt's golden phase. It was the first of two depictions of Adele by Klimt—the second was completed in 1912; these were two of several works by the artist that the family owned.Adele died in 1925; her will asked that the artworks by Klimt be eventually left to the Galerie Belvedere, although these works belonged to Ferdinand, not her. Following the Anschluss of Austria by Nazi Germany, and due to the Nazi persecution of Jews, Ferdinand fled Vienna, and made his way to Switzerland, leaving behind much of his wealth, including his large art collection. The painting was stolen by the Nazis in 1941, along with the remainder of Ferdinand's assets, after a false charge of tax evasion was made against him. The lawyer acting on behalf of the German state gave the portrait to the Galerie Belvedere, claiming he was following the wishes Adele had made in her will. Ferdinand died in 1945; his will stated that his estate should go to his nephew and two nieces.In 1998 the Austrian investigative journalist Hubertus Czernin established that the Galerie Belvedere contained several works stolen from Jewish owners in the war and that the gallery had refused to return the art to their original owners or to acknowledge a theft had taken place. One of Ferdinand's nieces, Maria Altmann, hired the lawyer E. Randol Schoenberg to make a claim against the gallery for the return of five works by Klimt. In 2006 after a seven-year legal claim, which included a hearing in front of the Supreme Court of the United States, an arbitration committee in Vienna agreed that the painting, and others, had been stolen from the family and that it should be returned to Altmann. She sold it the same year for $135 million, at the time a record price for a painting to the businessman and art collector Ronald Lauder to place the work in the Neue Galerie, the public New York–based gallery he co-founded."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iのabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is an oil painting on canvas, with gold leaf, by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer, a Viennese and Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere. The portrait is the final and most fully representative work of Klimt's golden phase. It was the first of two depictions of Adele by Klimt—the second was completed in 1912; these were two of several works by the artist that the family owned.Adele died in 1925; her will asked that the artworks by Klimt be eventually left to the Galerie Belvedere, although these works belonged to Ferdinand, not her. Following the Anschluss of Austria by Nazi Germany, and due to the Nazi persecution of Jews, Ferdinand fled Vienna, and made his way to Switzerland, leaving behind much of his wealth, including his large art collection. The painting was stolen by the Nazis in 1941, along with the remainder of Ferdinand's assets, after a false charge of tax evasion was made against him. The lawyer acting on behalf of the German state gave the portrait to the Galerie Belvedere, claiming he was following the wishes Adele had made in her will. Ferdinand died in 1945; his will stated that his estate should go to his nephew and two nieces.In 1998 the Austrian investigative journalist Hubertus Czernin established that the Galerie Belvedere contained several works stolen from Jewish owners in the war and that the gallery had refused to return the art to their original owners or to acknowledge a theft had taken place. One of Ferdinand's nieces, Maria Altmann, hired the lawyer E. Randol Schoenberg to make a claim against the gallery for the return of five works by Klimt. In 2006 after a seven-year legal claim, which included a hearing in front of the Supreme Court of the United States, an arbitration committee in Vienna agreed that the painting, and others, had been stolen from the family and that it should be returned to Altmann. She sold it the same year for $135 million, at the time a record price for a painting to the businessman and art collector Ronald Lauder to place the work in the Neue Galerie, the public New York–based gallery he co-founded."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iはどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is an oil painting on canvas, with gold leaf, by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer, a Viennese and Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere. The portrait is the final and most fully representative work of Klimt's golden phase. It was the first of two depictions of Adele by Klimt—the second was completed in 1912; these were two of several works by the artist that the family owned.Adele died in 1925; her will asked that the artworks by Klimt be eventually left to the Galerie Belvedere, although these works belonged to Ferdinand, not her. Following the Anschluss of Austria by Nazi Germany, and due to the Nazi persecution of Jews, Ferdinand fled Vienna, and made his way to Switzerland, leaving behind much of his wealth, including his large art collection. The painting was stolen by the Nazis in 1941, along with the remainder of Ferdinand's assets, after a false charge of tax evasion was made against him. The lawyer acting on behalf of the German state gave the portrait to the Galerie Belvedere, claiming he was following the wishes Adele had made in her will. Ferdinand died in 1945; his will stated that his estate should go to his nephew and two nieces.In 1998 the Austrian investigative journalist Hubertus Czernin established that the Galerie Belvedere contained several works stolen from Jewish owners in the war and that the gallery had refused to return the art to their original owners or to acknowledge a theft had taken place. One of Ferdinand's nieces, Maria Altmann, hired the lawyer E. Randol Schoenberg to make a claim against the gallery for the return of five works by Klimt. In 2006 after a seven-year legal claim, which included a hearing in front of the Supreme Court of the United States, an arbitration committee in Vienna agreed that the painting, and others, had been stolen from the family and that it should be returned to Altmann. She sold it the same year for $135 million, at the time a record price for a painting to the businessman and art collector Ronald Lauder to place the work in the Neue Galerie, the public New York–based gallery he co-founded."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iに関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is an oil painting on canvas, with gold leaf, by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer, a Viennese and Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere. The portrait is the final and most fully representative work of Klimt's golden phase. It was the first of two depictions of Adele by Klimt—the second was completed in 1912; these were two of several works by the artist that the family owned.Adele died in 1925; her will asked that the artworks by Klimt be eventually left to the Galerie Belvedere, although these works belonged to Ferdinand, not her. Following the Anschluss of Austria by Nazi Germany, and due to the Nazi persecution of Jews, Ferdinand fled Vienna, and made his way to Switzerland, leaving behind much of his wealth, including his large art collection. The painting was stolen by the Nazis in 1941, along with the remainder of Ferdinand's assets, after a false charge of tax evasion was made against him. The lawyer acting on behalf of the German state gave the portrait to the Galerie Belvedere, claiming he was following the wishes Adele had made in her will. Ferdinand died in 1945; his will stated that his estate should go to his nephew and two nieces.In 1998 the Austrian investigative journalist Hubertus Czernin established that the Galerie Belvedere contained several works stolen from Jewish owners in the war and that the gallery had refused to return the art to their original owners or to acknowledge a theft had taken place. One of Ferdinand's nieces, Maria Altmann, hired the lawyer E. Randol Schoenberg to make a claim against the gallery for the return of five works by Klimt. In 2006 after a seven-year legal claim, which included a hearing in front of the Supreme Court of the United States, an arbitration committee in Vienna agreed that the painting, and others, had been stolen from the family and that it should be returned to Altmann. She sold it the same year for $135 million, at the time a record price for a painting to the businessman and art collector Ronald Lauder to place the work in the Neue Galerie, the public New York–based gallery he co-founded."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "背景", "subsection": "グスタフ・クリムト", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの文脈で、グスタフ・クリムトと背景を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Gustav Klimt was born in 1862 in Baumgarten, near Vienna in Austria-Hungary. He attended the Vienna School of Arts and Crafts (German: Kunstgewerbeschule Wien) before taking on commissions with his brother, Ernst, and a fellow-student Franz von Matsch from 1879. Over the next decade, alongside several private commissions for portraiture, they painted interior murals and ceilings in large public buildings, including the Burgtheater, the Kunsthistorisches Museum and the ceiling of the Great Hall at the University of Vienna.Klimt worked in Vienna during the Belle Époque, during which time the city made \"an extreme and lasting contribution to the history of modern art\". During the 1890s he was influenced by European avant-garde art, including the works of the painters Fernand Khnopff, Jan Toorop and Aubrey Beardsley. In 1897 he was a founding member and president of the Vienna Secession, a group of artists who wanted to break with what they saw as the prevailing conservatism of the Viennese Künstlerhaus. Klimt in particular challenged what he saw as the \"hypocritical boundaries of respectability set by Viennese society\"; according to the art historian Susanna Partsch, he was \"the enfant terrible of the Viennese art scene, [and] was acknowledged to be the painter of beautiful women\". By 1900 he was the preferred portrait painter of the wives of the largely Jewish Viennese bourgeoisie, an emerging class of self-made industrialists who were \"buying the innovative new art that state museums rejected\", according to the journalist Anne-Marie O'Connor.From 1898 Klimt began to experiment with the style in what became known as his Byzantine or Golden period, when his works, stylistically influenced by Art Nouveau and the Arts and Crafts movement, were gilded with gold leaf. Klimt had begun using gold in his 1890 portrait of the pianist Joseph Pembauer, but his first work that included a golden theme was Pallas Athene (1898). The art historian Gilles Néret considers that the use of gold in the painting \"underlines the essential erotic ingredient in ... [Klimt's] view of the world\". Néret also states that Klimt used the gold to give subjects a sacred or magical quality."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "背景", "subsection": "グスタフ・クリムト", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの背景に関するグスタフ・クリムトを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Gustav Klimt was born in 1862 in Baumgarten, near Vienna in Austria-Hungary. He attended the Vienna School of Arts and Crafts (German: Kunstgewerbeschule Wien) before taking on commissions with his brother, Ernst, and a fellow-student Franz von Matsch from 1879. Over the next decade, alongside several private commissions for portraiture, they painted interior murals and ceilings in large public buildings, including the Burgtheater, the Kunsthistorisches Museum and the ceiling of the Great Hall at the University of Vienna.Klimt worked in Vienna during the Belle Époque, during which time the city made \"an extreme and lasting contribution to the history of modern art\". During the 1890s he was influenced by European avant-garde art, including the works of the painters Fernand Khnopff, Jan Toorop and Aubrey Beardsley. In 1897 he was a founding member and president of the Vienna Secession, a group of artists who wanted to break with what they saw as the prevailing conservatism of the Viennese Künstlerhaus. Klimt in particular challenged what he saw as the \"hypocritical boundaries of respectability set by Viennese society\"; according to the art historian Susanna Partsch, he was \"the enfant terrible of the Viennese art scene, [and] was acknowledged to be the painter of beautiful women\". By 1900 he was the preferred portrait painter of the wives of the largely Jewish Viennese bourgeoisie, an emerging class of self-made industrialists who were \"buying the innovative new art that state museums rejected\", according to the journalist Anne-Marie O'Connor.From 1898 Klimt began to experiment with the style in what became known as his Byzantine or Golden period, when his works, stylistically influenced by Art Nouveau and the Arts and Crafts movement, were gilded with gold leaf. Klimt had begun using gold in his 1890 portrait of the pianist Joseph Pembauer, but his first work that included a golden theme was Pallas Athene (1898). The art historian Gilles Néret considers that the use of gold in the painting \"underlines the essential erotic ingredient in ... [Klimt's] view of the world\". Néret also states that Klimt used the gold to give subjects a sacred or magical quality."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "背景", "subsection": "グスタフ・クリムト", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iでは、どのように背景のグスタフ・クリムトが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Gustav Klimt was born in 1862 in Baumgarten, near Vienna in Austria-Hungary. He attended the Vienna School of Arts and Crafts (German: Kunstgewerbeschule Wien) before taking on commissions with his brother, Ernst, and a fellow-student Franz von Matsch from 1879. Over the next decade, alongside several private commissions for portraiture, they painted interior murals and ceilings in large public buildings, including the Burgtheater, the Kunsthistorisches Museum and the ceiling of the Great Hall at the University of Vienna.Klimt worked in Vienna during the Belle Époque, during which time the city made \"an extreme and lasting contribution to the history of modern art\". During the 1890s he was influenced by European avant-garde art, including the works of the painters Fernand Khnopff, Jan Toorop and Aubrey Beardsley. In 1897 he was a founding member and president of the Vienna Secession, a group of artists who wanted to break with what they saw as the prevailing conservatism of the Viennese Künstlerhaus. Klimt in particular challenged what he saw as the \"hypocritical boundaries of respectability set by Viennese society\"; according to the art historian Susanna Partsch, he was \"the enfant terrible of the Viennese art scene, [and] was acknowledged to be the painter of beautiful women\". By 1900 he was the preferred portrait painter of the wives of the largely Jewish Viennese bourgeoisie, an emerging class of self-made industrialists who were \"buying the innovative new art that state museums rejected\", according to the journalist Anne-Marie O'Connor.From 1898 Klimt began to experiment with the style in what became known as his Byzantine or Golden period, when his works, stylistically influenced by Art Nouveau and the Arts and Crafts movement, were gilded with gold leaf. Klimt had begun using gold in his 1890 portrait of the pianist Joseph Pembauer, but his first work that included a golden theme was Pallas Athene (1898). The art historian Gilles Néret considers that the use of gold in the painting \"underlines the essential erotic ingredient in ... [Klimt's] view of the world\". Néret also states that Klimt used the gold to give subjects a sacred or magical quality."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "背景", "subsection": "グスタフ・クリムト", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの背景におけるグスタフ・クリムトの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Gustav Klimt was born in 1862 in Baumgarten, near Vienna in Austria-Hungary. He attended the Vienna School of Arts and Crafts (German: Kunstgewerbeschule Wien) before taking on commissions with his brother, Ernst, and a fellow-student Franz von Matsch from 1879. Over the next decade, alongside several private commissions for portraiture, they painted interior murals and ceilings in large public buildings, including the Burgtheater, the Kunsthistorisches Museum and the ceiling of the Great Hall at the University of Vienna.Klimt worked in Vienna during the Belle Époque, during which time the city made \"an extreme and lasting contribution to the history of modern art\". During the 1890s he was influenced by European avant-garde art, including the works of the painters Fernand Khnopff, Jan Toorop and Aubrey Beardsley. In 1897 he was a founding member and president of the Vienna Secession, a group of artists who wanted to break with what they saw as the prevailing conservatism of the Viennese Künstlerhaus. Klimt in particular challenged what he saw as the \"hypocritical boundaries of respectability set by Viennese society\"; according to the art historian Susanna Partsch, he was \"the enfant terrible of the Viennese art scene, [and] was acknowledged to be the painter of beautiful women\". By 1900 he was the preferred portrait painter of the wives of the largely Jewish Viennese bourgeoisie, an emerging class of self-made industrialists who were \"buying the innovative new art that state museums rejected\", according to the journalist Anne-Marie O'Connor.From 1898 Klimt began to experiment with the style in what became known as his Byzantine or Golden period, when his works, stylistically influenced by Art Nouveau and the Arts and Crafts movement, were gilded with gold leaf. Klimt had begun using gold in his 1890 portrait of the pianist Joseph Pembauer, but his first work that included a golden theme was Pallas Athene (1898). The art historian Gilles Néret considers that the use of gold in the painting \"underlines the essential erotic ingredient in ... [Klimt's] view of the world\". Néret also states that Klimt used the gold to give subjects a sacred or magical quality."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "背景", "subsection": "フェルディナンドとアデレ・ブロッホ＝バウアー", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの文脈で、フェルディナンドとアデレ・ブロッホ＝バウアーと背景を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Adele Bauer was from a wealthy Jewish Viennese family. Her father was a director of the Wiener Bankverein, the seventh largest bank in Austria-Hungary, and the general director of the Oriental Railway. In the late 1890s Adele met Klimt, and may have begun a relationship with him. Opinion is divided on whether Adele and Klimt had an affair. The artist Catherine Dean considered that Adele was \"the only society lady painted by Klimt who is known definitely to be his mistress\", while the journalist Melissa Müller and the academic Monica Tatzkow write that \"no evidence has ever been produced that their relationship was more than a friendship\". The author Frank Whitford observes that some of the preliminary sketches that Klimt made for The Kiss showed a bearded figure which was possibly a self-portrait; the female partner is described by Whitford as an \"idealised portrait of Adele\". Whitford writes that the only evidence put forward to support the theory is the position of the woman's right hand, as Adele had a disfigured finger following a childhood accident.Adele's parents arranged a marriage with Ferdinand Bloch, a banker and sugar manufacturer; Adele's older sister had previously married Ferdinand's older brother. Ferdinand was older than his fiancée and at the time of the marriage in December 1899, she was 18 and he was 35. The couple, who had no children, both changed their surnames to Bloch-Bauer. Socially well-connected, Adele brought together writers, politicians and intellectuals for regular salons at their home.The couple shared a love of art and patronised several artists, collecting primarily nineteenth-century Viennese paintings and modern sculpture. Ferdinand also had a passion for neoclassical porcelain, and by 1934 his collection was over 400 pieces and one of the finest in the world.In 1901 Klimt painted Judith and the Head of Holofernes; the art historian Gottfried Fliedl observes that the painting is \"widely known and interpreted as Salome\". Adele was the model for the work and wore a heavily jewelled deep choker given to her by Ferdinand, in what Whitford describes as \"Klimt's most erotic painting\". Whitford also writes that the painting displays \"apparent evidence of ... cuckoldry\". In 1903 Ferdinand purchased his first Klimt work from the artist, Buchenwald (Beech Forest)."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "背景", "subsection": "フェルディナンドとアデレ・ブロッホ＝バウアー", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの背景に関するフェルディナンドとアデレ・ブロッホ＝バウアーを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Adele Bauer was from a wealthy Jewish Viennese family. Her father was a director of the Wiener Bankverein, the seventh largest bank in Austria-Hungary, and the general director of the Oriental Railway. In the late 1890s Adele met Klimt, and may have begun a relationship with him. Opinion is divided on whether Adele and Klimt had an affair. The artist Catherine Dean considered that Adele was \"the only society lady painted by Klimt who is known definitely to be his mistress\", while the journalist Melissa Müller and the academic Monica Tatzkow write that \"no evidence has ever been produced that their relationship was more than a friendship\". The author Frank Whitford observes that some of the preliminary sketches that Klimt made for The Kiss showed a bearded figure which was possibly a self-portrait; the female partner is described by Whitford as an \"idealised portrait of Adele\". Whitford writes that the only evidence put forward to support the theory is the position of the woman's right hand, as Adele had a disfigured finger following a childhood accident.Adele's parents arranged a marriage with Ferdinand Bloch, a banker and sugar manufacturer; Adele's older sister had previously married Ferdinand's older brother. Ferdinand was older than his fiancée and at the time of the marriage in December 1899, she was 18 and he was 35. The couple, who had no children, both changed their surnames to Bloch-Bauer. Socially well-connected, Adele brought together writers, politicians and intellectuals for regular salons at their home.The couple shared a love of art and patronised several artists, collecting primarily nineteenth-century Viennese paintings and modern sculpture. Ferdinand also had a passion for neoclassical porcelain, and by 1934 his collection was over 400 pieces and one of the finest in the world.In 1901 Klimt painted Judith and the Head of Holofernes; the art historian Gottfried Fliedl observes that the painting is \"widely known and interpreted as Salome\". Adele was the model for the work and wore a heavily jewelled deep choker given to her by Ferdinand, in what Whitford describes as \"Klimt's most erotic painting\". Whitford also writes that the painting displays \"apparent evidence of ... cuckoldry\". In 1903 Ferdinand purchased his first Klimt work from the artist, Buchenwald (Beech Forest)."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "背景", "subsection": "フェルディナンドとアデレ・ブロッホ＝バウアー", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iでは、どのように背景のフェルディナンドとアデレ・ブロッホ＝バウアーが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Adele Bauer was from a wealthy Jewish Viennese family. Her father was a director of the Wiener Bankverein, the seventh largest bank in Austria-Hungary, and the general director of the Oriental Railway. In the late 1890s Adele met Klimt, and may have begun a relationship with him. Opinion is divided on whether Adele and Klimt had an affair. The artist Catherine Dean considered that Adele was \"the only society lady painted by Klimt who is known definitely to be his mistress\", while the journalist Melissa Müller and the academic Monica Tatzkow write that \"no evidence has ever been produced that their relationship was more than a friendship\". The author Frank Whitford observes that some of the preliminary sketches that Klimt made for The Kiss showed a bearded figure which was possibly a self-portrait; the female partner is described by Whitford as an \"idealised portrait of Adele\". Whitford writes that the only evidence put forward to support the theory is the position of the woman's right hand, as Adele had a disfigured finger following a childhood accident.Adele's parents arranged a marriage with Ferdinand Bloch, a banker and sugar manufacturer; Adele's older sister had previously married Ferdinand's older brother. Ferdinand was older than his fiancée and at the time of the marriage in December 1899, she was 18 and he was 35. The couple, who had no children, both changed their surnames to Bloch-Bauer. Socially well-connected, Adele brought together writers, politicians and intellectuals for regular salons at their home.The couple shared a love of art and patronised several artists, collecting primarily nineteenth-century Viennese paintings and modern sculpture. Ferdinand also had a passion for neoclassical porcelain, and by 1934 his collection was over 400 pieces and one of the finest in the world.In 1901 Klimt painted Judith and the Head of Holofernes; the art historian Gottfried Fliedl observes that the painting is \"widely known and interpreted as Salome\". Adele was the model for the work and wore a heavily jewelled deep choker given to her by Ferdinand, in what Whitford describes as \"Klimt's most erotic painting\". Whitford also writes that the painting displays \"apparent evidence of ... cuckoldry\". In 1903 Ferdinand purchased his first Klimt work from the artist, Buchenwald (Beech Forest)."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "背景", "subsection": "フェルディナンドとアデレ・ブロッホ＝バウアー", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの背景におけるフェルディナンドとアデレ・ブロッホ＝バウアーの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Adele Bauer was from a wealthy Jewish Viennese family. Her father was a director of the Wiener Bankverein, the seventh largest bank in Austria-Hungary, and the general director of the Oriental Railway. In the late 1890s Adele met Klimt, and may have begun a relationship with him. Opinion is divided on whether Adele and Klimt had an affair. The artist Catherine Dean considered that Adele was \"the only society lady painted by Klimt who is known definitely to be his mistress\", while the journalist Melissa Müller and the academic Monica Tatzkow write that \"no evidence has ever been produced that their relationship was more than a friendship\". The author Frank Whitford observes that some of the preliminary sketches that Klimt made for The Kiss showed a bearded figure which was possibly a self-portrait; the female partner is described by Whitford as an \"idealised portrait of Adele\". Whitford writes that the only evidence put forward to support the theory is the position of the woman's right hand, as Adele had a disfigured finger following a childhood accident.Adele's parents arranged a marriage with Ferdinand Bloch, a banker and sugar manufacturer; Adele's older sister had previously married Ferdinand's older brother. Ferdinand was older than his fiancée and at the time of the marriage in December 1899, she was 18 and he was 35. The couple, who had no children, both changed their surnames to Bloch-Bauer. Socially well-connected, Adele brought together writers, politicians and intellectuals for regular salons at their home.The couple shared a love of art and patronised several artists, collecting primarily nineteenth-century Viennese paintings and modern sculpture. Ferdinand also had a passion for neoclassical porcelain, and by 1934 his collection was over 400 pieces and one of the finest in the world.In 1901 Klimt painted Judith and the Head of Holofernes; the art historian Gottfried Fliedl observes that the painting is \"widely known and interpreted as Salome\". Adele was the model for the work and wore a heavily jewelled deep choker given to her by Ferdinand, in what Whitford describes as \"Klimt's most erotic painting\". Whitford also writes that the painting displays \"apparent evidence of ... cuckoldry\". In 1903 Ferdinand purchased his first Klimt work from the artist, Buchenwald (Beech Forest)."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "絵画です", "subsection": "準備と実行", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの文脈で、準備と実行と絵画ですを説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "In mid-1903 Ferdinand Bloch-Bauer commissioned Klimt to paint a portrait of his wife; he wished to give the piece to Adele's parents as an anniversary present that October. Klimt drew over a hundred preparatory sketches for the portrait between 1903 and 1904. The Bloch-Bauers purchased some of the sketches he had made of Adele when they obtained 16 Klimt drawings. In December 1903, along with fellow artist Maximilian Lenz, Klimt visited the Basilica of San Vitale in Ravenna where he studied the early-Christian Byzantine gold ground mosaics of Justinian I and his wife, Empress Theodora. Lenz later wrote that \"the mosaics made an immense decisive impression on ... [Klimt]. From this comes the resplendence, the stiff decoration of his art\". Klimt later said that the \"mosaics of unbelievable splendour\" were a \"revelation\" to him. The Ravenna mosaics also attracted the attention of other artists who provided illustrations of the work, including Wassily Kandinsky in 1911 and Clive Bell in 1914.Klimt undertook more extensive preparations for the portrait than any other piece he worked on.  Much of the portrait was undertaken by an elaborate technique of using gold and silver leaf and then adding decorative motifs in bas-relief using gesso, a paint mixture consisting of a binder mixed with chalk or gypsum. The frame for the painting, covered in gold leaf, was made by the architect Josef Hoffmann. Klimt finished the work by 1907."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "絵画です", "subsection": "準備と実行", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの絵画ですに関する準備と実行を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "In mid-1903 Ferdinand Bloch-Bauer commissioned Klimt to paint a portrait of his wife; he wished to give the piece to Adele's parents as an anniversary present that October. Klimt drew over a hundred preparatory sketches for the portrait between 1903 and 1904. The Bloch-Bauers purchased some of the sketches he had made of Adele when they obtained 16 Klimt drawings. In December 1903, along with fellow artist Maximilian Lenz, Klimt visited the Basilica of San Vitale in Ravenna where he studied the early-Christian Byzantine gold ground mosaics of Justinian I and his wife, Empress Theodora. Lenz later wrote that \"the mosaics made an immense decisive impression on ... [Klimt]. From this comes the resplendence, the stiff decoration of his art\". Klimt later said that the \"mosaics of unbelievable splendour\" were a \"revelation\" to him. The Ravenna mosaics also attracted the attention of other artists who provided illustrations of the work, including Wassily Kandinsky in 1911 and Clive Bell in 1914.Klimt undertook more extensive preparations for the portrait than any other piece he worked on.  Much of the portrait was undertaken by an elaborate technique of using gold and silver leaf and then adding decorative motifs in bas-relief using gesso, a paint mixture consisting of a binder mixed with chalk or gypsum. The frame for the painting, covered in gold leaf, was made by the architect Josef Hoffmann. Klimt finished the work by 1907."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "絵画です", "subsection": "準備と実行", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iでは、どのように絵画ですの準備と実行が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "In mid-1903 Ferdinand Bloch-Bauer commissioned Klimt to paint a portrait of his wife; he wished to give the piece to Adele's parents as an anniversary present that October. Klimt drew over a hundred preparatory sketches for the portrait between 1903 and 1904. The Bloch-Bauers purchased some of the sketches he had made of Adele when they obtained 16 Klimt drawings. In December 1903, along with fellow artist Maximilian Lenz, Klimt visited the Basilica of San Vitale in Ravenna where he studied the early-Christian Byzantine gold ground mosaics of Justinian I and his wife, Empress Theodora. Lenz later wrote that \"the mosaics made an immense decisive impression on ... [Klimt]. From this comes the resplendence, the stiff decoration of his art\". Klimt later said that the \"mosaics of unbelievable splendour\" were a \"revelation\" to him. The Ravenna mosaics also attracted the attention of other artists who provided illustrations of the work, including Wassily Kandinsky in 1911 and Clive Bell in 1914.Klimt undertook more extensive preparations for the portrait than any other piece he worked on.  Much of the portrait was undertaken by an elaborate technique of using gold and silver leaf and then adding decorative motifs in bas-relief using gesso, a paint mixture consisting of a binder mixed with chalk or gypsum. The frame for the painting, covered in gold leaf, was made by the architect Josef Hoffmann. Klimt finished the work by 1907."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "絵画です", "subsection": "準備と実行", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの絵画ですにおける準備と実行の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "In mid-1903 Ferdinand Bloch-Bauer commissioned Klimt to paint a portrait of his wife; he wished to give the piece to Adele's parents as an anniversary present that October. Klimt drew over a hundred preparatory sketches for the portrait between 1903 and 1904. The Bloch-Bauers purchased some of the sketches he had made of Adele when they obtained 16 Klimt drawings. In December 1903, along with fellow artist Maximilian Lenz, Klimt visited the Basilica of San Vitale in Ravenna where he studied the early-Christian Byzantine gold ground mosaics of Justinian I and his wife, Empress Theodora. Lenz later wrote that \"the mosaics made an immense decisive impression on ... [Klimt]. From this comes the resplendence, the stiff decoration of his art\". Klimt later said that the \"mosaics of unbelievable splendour\" were a \"revelation\" to him. The Ravenna mosaics also attracted the attention of other artists who provided illustrations of the work, including Wassily Kandinsky in 1911 and Clive Bell in 1914.Klimt undertook more extensive preparations for the portrait than any other piece he worked on.  Much of the portrait was undertaken by an elaborate technique of using gold and silver leaf and then adding decorative motifs in bas-relief using gesso, a paint mixture consisting of a binder mixed with chalk or gypsum. The frame for the painting, covered in gold leaf, was made by the architect Josef Hoffmann. Klimt finished the work by 1907."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "絵画です", "subsection": "説明", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの文脈で、説明と絵画ですを説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "The painting measures 138 by 138 cm (54 by 54 in); it is composed of oil paint and silver and gold leaf on canvas. The portrait shows Adele Bloch-Bauer sitting on a golden throne or chair, in front of a golden starry background. Around her neck is the same jewelled choker Klimt included in the Judith painting. She wears a tight golden dress in a triangular shape, made up of rectilinear forms. In places the dress merges into the background so much so that the museum curator Jan Thompson writes that \"one comes across the model almost by accident, so enveloped is she in the thick geometric scheme\". Peter Vergo, writing for Grove Art, considers that the painting \"marks the height of ... [Klimt's] gold-encrusted manner of painting\".Adele's hair, face, décolletage and hands are painted in oil; they make up less than a twelfth of the work and, in Whitford's opinion, convey little about the sitter's character. For Whitford the effect of the gold background is to \"remove Adele Bloch-Bauer from the earthly plane, transform the flesh and blood into an apparition from a dream of sensuality and self-indulgence\"; he, and Thomson, consider the work to look more like a religious icon than a secular portrait. O'Connor writes that the painting \"seem[s] to embody femininity\" and thus likens it to the Mona Lisa, while for Müller and Tatzkow, the gold gives the effect that Adele appears \"melancholy and vulnerable, unapproachably aloof and yet rapt\".Both the current holder of the portrait—the Neue Galerie New York—and the art historian Elana Shapira describe how the background and gown contain symbols suggestive of erotica, including triangles, eggs, shapes of eyes and almonds. Also present are decorative motifs on the theme of the letters A and B, the sitter's initials. Whitford identifies influences of the art of the Byzantine, Egypt, Mycenae and Greece, describing that \"the gold is like that in Byzantine mosaics; the eyes on the dress are Egyptian, the repeated coils and whorls Mycenaean, while other decorative devices, based on the initial letters of the sitter's name, are vaguely Greek\"."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "絵画です", "subsection": "説明", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの絵画ですに関する説明を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "The painting measures 138 by 138 cm (54 by 54 in); it is composed of oil paint and silver and gold leaf on canvas. The portrait shows Adele Bloch-Bauer sitting on a golden throne or chair, in front of a golden starry background. Around her neck is the same jewelled choker Klimt included in the Judith painting. She wears a tight golden dress in a triangular shape, made up of rectilinear forms. In places the dress merges into the background so much so that the museum curator Jan Thompson writes that \"one comes across the model almost by accident, so enveloped is she in the thick geometric scheme\". Peter Vergo, writing for Grove Art, considers that the painting \"marks the height of ... [Klimt's] gold-encrusted manner of painting\".Adele's hair, face, décolletage and hands are painted in oil; they make up less than a twelfth of the work and, in Whitford's opinion, convey little about the sitter's character. For Whitford the effect of the gold background is to \"remove Adele Bloch-Bauer from the earthly plane, transform the flesh and blood into an apparition from a dream of sensuality and self-indulgence\"; he, and Thomson, consider the work to look more like a religious icon than a secular portrait. O'Connor writes that the painting \"seem[s] to embody femininity\" and thus likens it to the Mona Lisa, while for Müller and Tatzkow, the gold gives the effect that Adele appears \"melancholy and vulnerable, unapproachably aloof and yet rapt\".Both the current holder of the portrait—the Neue Galerie New York—and the art historian Elana Shapira describe how the background and gown contain symbols suggestive of erotica, including triangles, eggs, shapes of eyes and almonds. Also present are decorative motifs on the theme of the letters A and B, the sitter's initials. Whitford identifies influences of the art of the Byzantine, Egypt, Mycenae and Greece, describing that \"the gold is like that in Byzantine mosaics; the eyes on the dress are Egyptian, the repeated coils and whorls Mycenaean, while other decorative devices, based on the initial letters of the sitter's name, are vaguely Greek\"."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "絵画です", "subsection": "説明", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iでは、どのように絵画ですの説明が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "The painting measures 138 by 138 cm (54 by 54 in); it is composed of oil paint and silver and gold leaf on canvas. The portrait shows Adele Bloch-Bauer sitting on a golden throne or chair, in front of a golden starry background. Around her neck is the same jewelled choker Klimt included in the Judith painting. She wears a tight golden dress in a triangular shape, made up of rectilinear forms. In places the dress merges into the background so much so that the museum curator Jan Thompson writes that \"one comes across the model almost by accident, so enveloped is she in the thick geometric scheme\". Peter Vergo, writing for Grove Art, considers that the painting \"marks the height of ... [Klimt's] gold-encrusted manner of painting\".Adele's hair, face, décolletage and hands are painted in oil; they make up less than a twelfth of the work and, in Whitford's opinion, convey little about the sitter's character. For Whitford the effect of the gold background is to \"remove Adele Bloch-Bauer from the earthly plane, transform the flesh and blood into an apparition from a dream of sensuality and self-indulgence\"; he, and Thomson, consider the work to look more like a religious icon than a secular portrait. O'Connor writes that the painting \"seem[s] to embody femininity\" and thus likens it to the Mona Lisa, while for Müller and Tatzkow, the gold gives the effect that Adele appears \"melancholy and vulnerable, unapproachably aloof and yet rapt\".Both the current holder of the portrait—the Neue Galerie New York—and the art historian Elana Shapira describe how the background and gown contain symbols suggestive of erotica, including triangles, eggs, shapes of eyes and almonds. Also present are decorative motifs on the theme of the letters A and B, the sitter's initials. Whitford identifies influences of the art of the Byzantine, Egypt, Mycenae and Greece, describing that \"the gold is like that in Byzantine mosaics; the eyes on the dress are Egyptian, the repeated coils and whorls Mycenaean, while other decorative devices, based on the initial letters of the sitter's name, are vaguely Greek\"."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "絵画です", "subsection": "説明", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの絵画ですにおける説明の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "The painting measures 138 by 138 cm (54 by 54 in); it is composed of oil paint and silver and gold leaf on canvas. The portrait shows Adele Bloch-Bauer sitting on a golden throne or chair, in front of a golden starry background. Around her neck is the same jewelled choker Klimt included in the Judith painting. She wears a tight golden dress in a triangular shape, made up of rectilinear forms. In places the dress merges into the background so much so that the museum curator Jan Thompson writes that \"one comes across the model almost by accident, so enveloped is she in the thick geometric scheme\". Peter Vergo, writing for Grove Art, considers that the painting \"marks the height of ... [Klimt's] gold-encrusted manner of painting\".Adele's hair, face, décolletage and hands are painted in oil; they make up less than a twelfth of the work and, in Whitford's opinion, convey little about the sitter's character. For Whitford the effect of the gold background is to \"remove Adele Bloch-Bauer from the earthly plane, transform the flesh and blood into an apparition from a dream of sensuality and self-indulgence\"; he, and Thomson, consider the work to look more like a religious icon than a secular portrait. O'Connor writes that the painting \"seem[s] to embody femininity\" and thus likens it to the Mona Lisa, while for Müller and Tatzkow, the gold gives the effect that Adele appears \"melancholy and vulnerable, unapproachably aloof and yet rapt\".Both the current holder of the portrait—the Neue Galerie New York—and the art historian Elana Shapira describe how the background and gown contain symbols suggestive of erotica, including triangles, eggs, shapes of eyes and almonds. Also present are decorative motifs on the theme of the letters A and B, the sitter's initials. Whitford identifies influences of the art of the Byzantine, Egypt, Mycenae and Greece, describing that \"the gold is like that in Byzantine mosaics; the eyes on the dress are Egyptian, the repeated coils and whorls Mycenaean, while other decorative devices, based on the initial letters of the sitter's name, are vaguely Greek\"."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iに焦点を当てて、その受付を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Klimt exhibited his portrait at the 1907 Mannheim International Art Show, alongside the Portrait of Fritza Riedler (1906). Many of the critics had negative reactions to the two paintings, describing them as \"mosaic-like wall-grotesqueries\", \"bizarre\", \"absurdities\" and \"vulgarities\".In 1908 the portrait was exhibited at the Kunstschau in Vienna where critical reaction was mixed. The unnamed reviewer from the Wiener Allgemeine Zeitung described the painting as \"an idol in a golden shrine\", while the critic Eduard Pötzl described the work as \"mehr Blech als Bloch\" (\"more brass than Bloch\"). According to the art historian Tobias G. Natter, some critics disapproved of the loss of the sitter's individuality, while others \"accused Klimt of endangering the autonomy of art\"."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの受付を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Klimt exhibited his portrait at the 1907 Mannheim International Art Show, alongside the Portrait of Fritza Riedler (1906). Many of the critics had negative reactions to the two paintings, describing them as \"mosaic-like wall-grotesqueries\", \"bizarre\", \"absurdities\" and \"vulgarities\".In 1908 the portrait was exhibited at the Kunstschau in Vienna where critical reaction was mixed. The unnamed reviewer from the Wiener Allgemeine Zeitung described the painting as \"an idol in a golden shrine\", while the critic Eduard Pötzl described the work as \"mehr Blech als Bloch\" (\"more brass than Bloch\"). According to the art historian Tobias G. Natter, some critics disapproved of the loss of the sitter's individuality, while others \"accused Klimt of endangering the autonomy of art\"."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iはどのように受付を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Klimt exhibited his portrait at the 1907 Mannheim International Art Show, alongside the Portrait of Fritza Riedler (1906). Many of the critics had negative reactions to the two paintings, describing them as \"mosaic-like wall-grotesqueries\", \"bizarre\", \"absurdities\" and \"vulgarities\".In 1908 the portrait was exhibited at the Kunstschau in Vienna where critical reaction was mixed. The unnamed reviewer from the Wiener Allgemeine Zeitung described the painting as \"an idol in a golden shrine\", while the critic Eduard Pötzl described the work as \"mehr Blech als Bloch\" (\"more brass than Bloch\"). According to the art historian Tobias G. Natter, some critics disapproved of the loss of the sitter's individuality, while others \"accused Klimt of endangering the autonomy of art\"."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iに関して、どのように受付が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "Klimt exhibited his portrait at the 1907 Mannheim International Art Show, alongside the Portrait of Fritza Riedler (1906). Many of the critics had negative reactions to the two paintings, describing them as \"mosaic-like wall-grotesqueries\", \"bizarre\", \"absurdities\" and \"vulgarities\".In 1908 the portrait was exhibited at the Kunstschau in Vienna where critical reaction was mixed. The unnamed reviewer from the Wiener Allgemeine Zeitung described the painting as \"an idol in a golden shrine\", while the critic Eduard Pötzl described the work as \"mehr Blech als Bloch\" (\"more brass than Bloch\"). According to the art historian Tobias G. Natter, some critics disapproved of the loss of the sitter's individuality, while others \"accused Klimt of endangering the autonomy of art\"."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "歴史と所有権", "subsection": "1912年–1945年", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの文脈で、1912年–1945年と歴史と所有権を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "After exhibition at the Kunstschau, the portrait was hung at the Bloch-Bauer's Vienna residence. In 1912 Ferdinand commissioned a second painting of his wife, in which \"the erotic charge of the likeness of 1907 has been spent\", according to Whitford. In February 1918, Klimt suffered a stroke and was hospitalised; he caught pneumonia due to the worldwide influenza epidemic and died that month.On 19 January 1923 Adele Bloch-Bauer wrote a will. Ferdinand's brother Gustav, a lawyer by training, helped her frame the document and was named as the executor. The will included a reference to the Klimt works owned by the couple, including the two portraits of her:Meine 2 Porträts und die 4 Landschaften von Gustav Klimt, bitte ich meinen Ehegatten nach seinem Tode der österr. Staats-Gallerie in Wien, die mir gehörende Wiener und Jungfer.(Translates from the German as: \"I ask my husband after his death to leave my two portraits and the four landscapes by Gustav Klimt to the Austrian State Gallery in Vienna.\")In February 1925 Adele died of meningitis. Shortly afterwards Gustav filed for probate; he included a document that stated that the clause in the will was precatory, i.e. a request rather than a binding testament. He added that Ferdinand had said he would honour the clause, even though he, not Adele, was the legal owner of the paintings. The works by Klimt which Ferdinand owned, including the two portraits, were moved to Adele's bedroom as a shrine to her. The painting was lent for an exhibition at the Vienna Secession in 1928 to mark the tenth anniversary of Klimt's death; in 1934 it was displayed in London as part of the Austria in London exhibition. In 1936 Ferdinand gave Schloss Kammer am Attersee III to the Österreichische Galerie Belvedere; he later acquired a further Klimt painting, the Portrait of Amalie Zuckerkandl (1917–1918). In 1937 the golden portrait of Adele was lent for display at the Paris Exposition.In December 1937 Gustav's daughter–and Ferdinand's niece–Maria, married the young opera singer Fritz Altman. Ferdinand gave her Adele's jewelled choker, depicted in the painting, as a wedding present. Ferdinand left Vienna for his Czechoslovakian castle in March 1938, following the Anschluss (annexation) of Austria by Nazi Germany. That autumn, following the Munich Agreement allowing the Nazi annexations in Czechoslovakia, he realised he was not safe and left for Paris. In September the following year, he moved to neutral Switzerland where he lived in a hotel. In his absence the Nazi regime falsely accused him of evading taxes of 1.4 million Reichsmarks. His assets were frozen and, in May 1938, a seizure order was issued that allowed the state to dispose of his property as they felt fit. His sugar factory was confiscated and turned over to the state, and went through a process of Aryanisation as Jewish shareholders and managers were replaced. His Viennese residence became an office of Deutsche Reichsbahn, the German railway company, while his castle in Czechoslovakia was taken after the German occupation as the personal residence of the SS-Obergruppenführer Reinhard Heydrich.As part of the process to deal with the purported tax evasion, the Nazi lawyer Friedrich Führer was appointed as the administrator of the estate. In January 1939 he convened a meeting of museum and gallery directors to inspect the works and to give an indication of which they would like to obtain. After the collection was catalogued, Adolf Hitler used the Führervorbehalt decree to obtain part of the collection at a reduced price. Several other Nazi leaders, including Hermann Göring, the Commander-in-Chief of the Luftwaffe, also obtained works from the collection. Göring also used the Führervorbehalt decree to obtain the jewelled choker that had been given to Maria Altmann; it was given as a gift to Emmy, his wife.In December 1941 Führer transferred the paintings Portrait of Adele Bloch-Bauer I and Apfelbaum I to the Galerie Belvedere in return for Schloss Kammer am Attersee III, which he then sold to Gustav Ucicky, an illegitimate son of Klimt. A note accompanying the paintings stated he was acting in accordance with Adele's will. To remove all reference to its Jewish subject matter, the gallery renamed the portrait with the German title Dame in Gold (translates as Lady in Gold)."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "歴史と所有権", "subsection": "1912年–1945年", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの歴史と所有権に関する1912年–1945年を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "After exhibition at the Kunstschau, the portrait was hung at the Bloch-Bauer's Vienna residence. In 1912 Ferdinand commissioned a second painting of his wife, in which \"the erotic charge of the likeness of 1907 has been spent\", according to Whitford. In February 1918, Klimt suffered a stroke and was hospitalised; he caught pneumonia due to the worldwide influenza epidemic and died that month.On 19 January 1923 Adele Bloch-Bauer wrote a will. Ferdinand's brother Gustav, a lawyer by training, helped her frame the document and was named as the executor. The will included a reference to the Klimt works owned by the couple, including the two portraits of her:Meine 2 Porträts und die 4 Landschaften von Gustav Klimt, bitte ich meinen Ehegatten nach seinem Tode der österr. Staats-Gallerie in Wien, die mir gehörende Wiener und Jungfer.(Translates from the German as: \"I ask my husband after his death to leave my two portraits and the four landscapes by Gustav Klimt to the Austrian State Gallery in Vienna.\")In February 1925 Adele died of meningitis. Shortly afterwards Gustav filed for probate; he included a document that stated that the clause in the will was precatory, i.e. a request rather than a binding testament. He added that Ferdinand had said he would honour the clause, even though he, not Adele, was the legal owner of the paintings. The works by Klimt which Ferdinand owned, including the two portraits, were moved to Adele's bedroom as a shrine to her. The painting was lent for an exhibition at the Vienna Secession in 1928 to mark the tenth anniversary of Klimt's death; in 1934 it was displayed in London as part of the Austria in London exhibition. In 1936 Ferdinand gave Schloss Kammer am Attersee III to the Österreichische Galerie Belvedere; he later acquired a further Klimt painting, the Portrait of Amalie Zuckerkandl (1917–1918). In 1937 the golden portrait of Adele was lent for display at the Paris Exposition.In December 1937 Gustav's daughter–and Ferdinand's niece–Maria, married the young opera singer Fritz Altman. Ferdinand gave her Adele's jewelled choker, depicted in the painting, as a wedding present. Ferdinand left Vienna for his Czechoslovakian castle in March 1938, following the Anschluss (annexation) of Austria by Nazi Germany. That autumn, following the Munich Agreement allowing the Nazi annexations in Czechoslovakia, he realised he was not safe and left for Paris. In September the following year, he moved to neutral Switzerland where he lived in a hotel. In his absence the Nazi regime falsely accused him of evading taxes of 1.4 million Reichsmarks. His assets were frozen and, in May 1938, a seizure order was issued that allowed the state to dispose of his property as they felt fit. His sugar factory was confiscated and turned over to the state, and went through a process of Aryanisation as Jewish shareholders and managers were replaced. His Viennese residence became an office of Deutsche Reichsbahn, the German railway company, while his castle in Czechoslovakia was taken after the German occupation as the personal residence of the SS-Obergruppenführer Reinhard Heydrich.As part of the process to deal with the purported tax evasion, the Nazi lawyer Friedrich Führer was appointed as the administrator of the estate. In January 1939 he convened a meeting of museum and gallery directors to inspect the works and to give an indication of which they would like to obtain. After the collection was catalogued, Adolf Hitler used the Führervorbehalt decree to obtain part of the collection at a reduced price. Several other Nazi leaders, including Hermann Göring, the Commander-in-Chief of the Luftwaffe, also obtained works from the collection. Göring also used the Führervorbehalt decree to obtain the jewelled choker that had been given to Maria Altmann; it was given as a gift to Emmy, his wife.In December 1941 Führer transferred the paintings Portrait of Adele Bloch-Bauer I and Apfelbaum I to the Galerie Belvedere in return for Schloss Kammer am Attersee III, which he then sold to Gustav Ucicky, an illegitimate son of Klimt. A note accompanying the paintings stated he was acting in accordance with Adele's will. To remove all reference to its Jewish subject matter, the gallery renamed the portrait with the German title Dame in Gold (translates as Lady in Gold)."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "歴史と所有権", "subsection": "1912年–1945年", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iでは、どのように歴史と所有権の1912年–1945年が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "After exhibition at the Kunstschau, the portrait was hung at the Bloch-Bauer's Vienna residence. In 1912 Ferdinand commissioned a second painting of his wife, in which \"the erotic charge of the likeness of 1907 has been spent\", according to Whitford. In February 1918, Klimt suffered a stroke and was hospitalised; he caught pneumonia due to the worldwide influenza epidemic and died that month.On 19 January 1923 Adele Bloch-Bauer wrote a will. Ferdinand's brother Gustav, a lawyer by training, helped her frame the document and was named as the executor. The will included a reference to the Klimt works owned by the couple, including the two portraits of her:Meine 2 Porträts und die 4 Landschaften von Gustav Klimt, bitte ich meinen Ehegatten nach seinem Tode der österr. Staats-Gallerie in Wien, die mir gehörende Wiener und Jungfer.(Translates from the German as: \"I ask my husband after his death to leave my two portraits and the four landscapes by Gustav Klimt to the Austrian State Gallery in Vienna.\")In February 1925 Adele died of meningitis. Shortly afterwards Gustav filed for probate; he included a document that stated that the clause in the will was precatory, i.e. a request rather than a binding testament. He added that Ferdinand had said he would honour the clause, even though he, not Adele, was the legal owner of the paintings. The works by Klimt which Ferdinand owned, including the two portraits, were moved to Adele's bedroom as a shrine to her. The painting was lent for an exhibition at the Vienna Secession in 1928 to mark the tenth anniversary of Klimt's death; in 1934 it was displayed in London as part of the Austria in London exhibition. In 1936 Ferdinand gave Schloss Kammer am Attersee III to the Österreichische Galerie Belvedere; he later acquired a further Klimt painting, the Portrait of Amalie Zuckerkandl (1917–1918). In 1937 the golden portrait of Adele was lent for display at the Paris Exposition.In December 1937 Gustav's daughter–and Ferdinand's niece–Maria, married the young opera singer Fritz Altman. Ferdinand gave her Adele's jewelled choker, depicted in the painting, as a wedding present. Ferdinand left Vienna for his Czechoslovakian castle in March 1938, following the Anschluss (annexation) of Austria by Nazi Germany. That autumn, following the Munich Agreement allowing the Nazi annexations in Czechoslovakia, he realised he was not safe and left for Paris. In September the following year, he moved to neutral Switzerland where he lived in a hotel. In his absence the Nazi regime falsely accused him of evading taxes of 1.4 million Reichsmarks. His assets were frozen and, in May 1938, a seizure order was issued that allowed the state to dispose of his property as they felt fit. His sugar factory was confiscated and turned over to the state, and went through a process of Aryanisation as Jewish shareholders and managers were replaced. His Viennese residence became an office of Deutsche Reichsbahn, the German railway company, while his castle in Czechoslovakia was taken after the German occupation as the personal residence of the SS-Obergruppenführer Reinhard Heydrich.As part of the process to deal with the purported tax evasion, the Nazi lawyer Friedrich Führer was appointed as the administrator of the estate. In January 1939 he convened a meeting of museum and gallery directors to inspect the works and to give an indication of which they would like to obtain. After the collection was catalogued, Adolf Hitler used the Führervorbehalt decree to obtain part of the collection at a reduced price. Several other Nazi leaders, including Hermann Göring, the Commander-in-Chief of the Luftwaffe, also obtained works from the collection. Göring also used the Führervorbehalt decree to obtain the jewelled choker that had been given to Maria Altmann; it was given as a gift to Emmy, his wife.In December 1941 Führer transferred the paintings Portrait of Adele Bloch-Bauer I and Apfelbaum I to the Galerie Belvedere in return for Schloss Kammer am Attersee III, which he then sold to Gustav Ucicky, an illegitimate son of Klimt. A note accompanying the paintings stated he was acting in accordance with Adele's will. To remove all reference to its Jewish subject matter, the gallery renamed the portrait with the German title Dame in Gold (translates as Lady in Gold)."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "歴史と所有権", "subsection": "1912年–1945年", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの歴史と所有権における1912年–1945年の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "After exhibition at the Kunstschau, the portrait was hung at the Bloch-Bauer's Vienna residence. In 1912 Ferdinand commissioned a second painting of his wife, in which \"the erotic charge of the likeness of 1907 has been spent\", according to Whitford. In February 1918, Klimt suffered a stroke and was hospitalised; he caught pneumonia due to the worldwide influenza epidemic and died that month.On 19 January 1923 Adele Bloch-Bauer wrote a will. Ferdinand's brother Gustav, a lawyer by training, helped her frame the document and was named as the executor. The will included a reference to the Klimt works owned by the couple, including the two portraits of her:Meine 2 Porträts und die 4 Landschaften von Gustav Klimt, bitte ich meinen Ehegatten nach seinem Tode der österr. Staats-Gallerie in Wien, die mir gehörende Wiener und Jungfer.(Translates from the German as: \"I ask my husband after his death to leave my two portraits and the four landscapes by Gustav Klimt to the Austrian State Gallery in Vienna.\")In February 1925 Adele died of meningitis. Shortly afterwards Gustav filed for probate; he included a document that stated that the clause in the will was precatory, i.e. a request rather than a binding testament. He added that Ferdinand had said he would honour the clause, even though he, not Adele, was the legal owner of the paintings. The works by Klimt which Ferdinand owned, including the two portraits, were moved to Adele's bedroom as a shrine to her. The painting was lent for an exhibition at the Vienna Secession in 1928 to mark the tenth anniversary of Klimt's death; in 1934 it was displayed in London as part of the Austria in London exhibition. In 1936 Ferdinand gave Schloss Kammer am Attersee III to the Österreichische Galerie Belvedere; he later acquired a further Klimt painting, the Portrait of Amalie Zuckerkandl (1917–1918). In 1937 the golden portrait of Adele was lent for display at the Paris Exposition.In December 1937 Gustav's daughter–and Ferdinand's niece–Maria, married the young opera singer Fritz Altman. Ferdinand gave her Adele's jewelled choker, depicted in the painting, as a wedding present. Ferdinand left Vienna for his Czechoslovakian castle in March 1938, following the Anschluss (annexation) of Austria by Nazi Germany. That autumn, following the Munich Agreement allowing the Nazi annexations in Czechoslovakia, he realised he was not safe and left for Paris. In September the following year, he moved to neutral Switzerland where he lived in a hotel. In his absence the Nazi regime falsely accused him of evading taxes of 1.4 million Reichsmarks. His assets were frozen and, in May 1938, a seizure order was issued that allowed the state to dispose of his property as they felt fit. His sugar factory was confiscated and turned over to the state, and went through a process of Aryanisation as Jewish shareholders and managers were replaced. His Viennese residence became an office of Deutsche Reichsbahn, the German railway company, while his castle in Czechoslovakia was taken after the German occupation as the personal residence of the SS-Obergruppenführer Reinhard Heydrich.As part of the process to deal with the purported tax evasion, the Nazi lawyer Friedrich Führer was appointed as the administrator of the estate. In January 1939 he convened a meeting of museum and gallery directors to inspect the works and to give an indication of which they would like to obtain. After the collection was catalogued, Adolf Hitler used the Führervorbehalt decree to obtain part of the collection at a reduced price. Several other Nazi leaders, including Hermann Göring, the Commander-in-Chief of the Luftwaffe, also obtained works from the collection. Göring also used the Führervorbehalt decree to obtain the jewelled choker that had been given to Maria Altmann; it was given as a gift to Emmy, his wife.In December 1941 Führer transferred the paintings Portrait of Adele Bloch-Bauer I and Apfelbaum I to the Galerie Belvedere in return for Schloss Kammer am Attersee III, which he then sold to Gustav Ucicky, an illegitimate son of Klimt. A note accompanying the paintings stated he was acting in accordance with Adele's will. To remove all reference to its Jewish subject matter, the gallery renamed the portrait with the German title Dame in Gold (translates as Lady in Gold)."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "歴史と所有権", "subsection": "1945年以降", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの文脈で、1945年以降と歴史と所有権を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "In August 1945 Ferdinand wrote a final will that revoked all previous ones. It made no reference to the pictures, which he thought had been lost forever, but it stated that his entire estate was left to his nephew and two nieces—one of whom was Maria Altmann. Ferdinand died in Switzerland in November that year.In 1946 the Austrian state issued an Annulment Act that declared all transactions motivated by Nazi discrimination were void; any Jews who wanted to remove artwork from Austria were forced to give some of their works to Austrian museums in order to obtain an export permit for others. The Bloch-Bauer family hired Dr Gustav Rinesh, a Viennese lawyer, to reclaim stolen artwork on their behalf. Using the records produced by Führer, he traced most of the works to the Galerie Belvedere, and Häuser in Unterach, to Führer's own private collection. Several works were returned to the Bloch-Bauer estate, but no Klimt paintings; to obtain the necessary export permits, the family were forced to let the Austrian state retain Häuser in Unterach am Attersee, Adele Bloch-Bauer I, Adele Bloch-Bauer II, and Apfelbaum I. They were also forced to relinquish any claims on Buchenwald and Schloss Kammer am Attersee III. The Galerie Belvedere based its claim of retention of the Klimt works on Adele's will.In 1998 the Austrian government introduced the Art Restitution Act, which looked again at the question of art stolen by the Nazis. The government formed a restitution committee to report on which works should be returned; government archives were opened up to research into the provenance of works held by the government. Hubertus Czernin, the Austrian investigative journalist, undertook extensive research in the newly opened archives and published a story about the theft of art by the Nazis; with the subsequent refusal of the Austrian state to return the art or to acknowledge a theft had taken place, Czernin described the situation as \"a double crime\".Altmann, then living in the US, hired E. Randol Schoenberg to act on her behalf. Schoenberg was the son of a woman she had been friends with since they lived in Vienna. They filed a claim with the restitution committee for the return of six paintings: Adele Bloch-Bauer I, Adele Bloch-Bauer II, Apfelbaum I, Buchenwald, Häuser in Unterach am Attersee and Amalie Zuckerkandl. The committee turned down the request, again citing Adele's will as the reason they were retaining the works. The committee's decision recommended that 16 Klimt drawings and 19 pieces of porcelain that had been held by Ferdinand and Adele and which were still at the Galerie Belvedere should be returned, as they fell outside the request of the will.In March 2000 Altmann filed a civil claim against the Austrian government for the return of the paintings. She was informed that the cost of filing (consisting of 1.2% of the amount in question, plus a filing fee), would have meant a fee of €1.75 million. To avoid the prohibitively high costs, Altmann and Schoenberg sued the Galerie Belvedere, and the museums owner, the Austrian government, in the US courts. The Austrian government filed for dismissal, with arguments based on the Foreign Sovereign Immunities Act (1976). The Act granted immunity to sovereign nations except under certain conditions. Schoenberg showed that three of the conditions pertinent to the case were that Altmann's property had been taken in violation of international law; the property was in the possession of the state in question, or one of its agencies; and that the property had been used on a commercial basis in the US. Over four years of litigation followed as to whether the case could be brought against a sovereign state before it was brought before the Supreme Court in Republic of Austria v. Altmann. In June 2004 the Supreme Court determined that the paintings had been stolen and that Austria was not immune from a claim from Altmann; the court made no comment on the current ownership of the paintings.To avoid returning to the courts in what could have been lengthy litigation process, arbitration in Austria was agreed upon by both parties, although the Austrians had turned down such a move in 1999. Three arbitrators formed the panel, Andreas Nödl, Walter Rechberger and Peter Rummel. Schoenberg gave evidence before them in September 2005 and, in January 2006, they delivered their judgement. They stated that five of the six paintings in question should be returned to the Bloch-Bauer estate, as outlined in Ferdinand's will; only the Portrait of Amalie Zuckerkandl was to be retained by the gallery.After the panel's decision was announced, the Galerie Belvedere ran a series of advertisements that appeared in bus stops and on underground railway platforms. The posters said \"Ciao Adele\", advertising the last opportunity before the painting left the country and long queues formed around the block. Although there were calls from some Austrians for the state to purchase the five paintings, the government stated that the price would be too high to justify the expense. The paintings were exported from Austria in March 2006 and exhibited together at the Los Angeles County Museum of Art from April to June that year.When Altmann was asked what she wanted to do with the paintings, she stated \"I would not want any private person to buy these paintings, ... It is very meaningful to me that they are seen by anybody who wants to see them, because that would have been the wish of my aunt.\" In June 2006 the Portrait of Adele Bloch-Bauer I was sold to Ronald Lauder for $135 million for his public art museum, at the time a record price for a painting. Eileen Kinsella, the editor of ARTnews, considered the high price was due to several factors, particularly the painting's provenance, the increasing demand for Austrian Expressionism, rising prices in the art world and \"Lauder's passion for and pursuit of this particular work\". Lauder placed the work in the Neue Galerie, the New York–based gallery he co-founded. The painting has been on display at the location since.Michael Kimmelman, the chief art critic for the New York Times, was critical of the sale, and wrote that \"A story about justice and redemption after the Holocaust has devolved into yet another tale of the crazy, intoxicating art market.\" Altmann said of the sale that it was not practical for her, or her relatives who were also part of the estate, to retain any of the paintings. In November 2006 the remaining four Klimt paintings were sold at Christie's auction house. Adele Bloch-Bauer II sold for $87.9 million, Apfelbaum I for $33 million, Buchenwald for $40.3 million and Häuser in Unterach am Attersee for $31 million. All went to private collections."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "歴史と所有権", "subsection": "1945年以降", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの歴史と所有権に関する1945年以降を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "In August 1945 Ferdinand wrote a final will that revoked all previous ones. It made no reference to the pictures, which he thought had been lost forever, but it stated that his entire estate was left to his nephew and two nieces—one of whom was Maria Altmann. Ferdinand died in Switzerland in November that year.In 1946 the Austrian state issued an Annulment Act that declared all transactions motivated by Nazi discrimination were void; any Jews who wanted to remove artwork from Austria were forced to give some of their works to Austrian museums in order to obtain an export permit for others. The Bloch-Bauer family hired Dr Gustav Rinesh, a Viennese lawyer, to reclaim stolen artwork on their behalf. Using the records produced by Führer, he traced most of the works to the Galerie Belvedere, and Häuser in Unterach, to Führer's own private collection. Several works were returned to the Bloch-Bauer estate, but no Klimt paintings; to obtain the necessary export permits, the family were forced to let the Austrian state retain Häuser in Unterach am Attersee, Adele Bloch-Bauer I, Adele Bloch-Bauer II, and Apfelbaum I. They were also forced to relinquish any claims on Buchenwald and Schloss Kammer am Attersee III. The Galerie Belvedere based its claim of retention of the Klimt works on Adele's will.In 1998 the Austrian government introduced the Art Restitution Act, which looked again at the question of art stolen by the Nazis. The government formed a restitution committee to report on which works should be returned; government archives were opened up to research into the provenance of works held by the government. Hubertus Czernin, the Austrian investigative journalist, undertook extensive research in the newly opened archives and published a story about the theft of art by the Nazis; with the subsequent refusal of the Austrian state to return the art or to acknowledge a theft had taken place, Czernin described the situation as \"a double crime\".Altmann, then living in the US, hired E. Randol Schoenberg to act on her behalf. Schoenberg was the son of a woman she had been friends with since they lived in Vienna. They filed a claim with the restitution committee for the return of six paintings: Adele Bloch-Bauer I, Adele Bloch-Bauer II, Apfelbaum I, Buchenwald, Häuser in Unterach am Attersee and Amalie Zuckerkandl. The committee turned down the request, again citing Adele's will as the reason they were retaining the works. The committee's decision recommended that 16 Klimt drawings and 19 pieces of porcelain that had been held by Ferdinand and Adele and which were still at the Galerie Belvedere should be returned, as they fell outside the request of the will.In March 2000 Altmann filed a civil claim against the Austrian government for the return of the paintings. She was informed that the cost of filing (consisting of 1.2% of the amount in question, plus a filing fee), would have meant a fee of €1.75 million. To avoid the prohibitively high costs, Altmann and Schoenberg sued the Galerie Belvedere, and the museums owner, the Austrian government, in the US courts. The Austrian government filed for dismissal, with arguments based on the Foreign Sovereign Immunities Act (1976). The Act granted immunity to sovereign nations except under certain conditions. Schoenberg showed that three of the conditions pertinent to the case were that Altmann's property had been taken in violation of international law; the property was in the possession of the state in question, or one of its agencies; and that the property had been used on a commercial basis in the US. Over four years of litigation followed as to whether the case could be brought against a sovereign state before it was brought before the Supreme Court in Republic of Austria v. Altmann. In June 2004 the Supreme Court determined that the paintings had been stolen and that Austria was not immune from a claim from Altmann; the court made no comment on the current ownership of the paintings.To avoid returning to the courts in what could have been lengthy litigation process, arbitration in Austria was agreed upon by both parties, although the Austrians had turned down such a move in 1999. Three arbitrators formed the panel, Andreas Nödl, Walter Rechberger and Peter Rummel. Schoenberg gave evidence before them in September 2005 and, in January 2006, they delivered their judgement. They stated that five of the six paintings in question should be returned to the Bloch-Bauer estate, as outlined in Ferdinand's will; only the Portrait of Amalie Zuckerkandl was to be retained by the gallery.After the panel's decision was announced, the Galerie Belvedere ran a series of advertisements that appeared in bus stops and on underground railway platforms. The posters said \"Ciao Adele\", advertising the last opportunity before the painting left the country and long queues formed around the block. Although there were calls from some Austrians for the state to purchase the five paintings, the government stated that the price would be too high to justify the expense. The paintings were exported from Austria in March 2006 and exhibited together at the Los Angeles County Museum of Art from April to June that year.When Altmann was asked what she wanted to do with the paintings, she stated \"I would not want any private person to buy these paintings, ... It is very meaningful to me that they are seen by anybody who wants to see them, because that would have been the wish of my aunt.\" In June 2006 the Portrait of Adele Bloch-Bauer I was sold to Ronald Lauder for $135 million for his public art museum, at the time a record price for a painting. Eileen Kinsella, the editor of ARTnews, considered the high price was due to several factors, particularly the painting's provenance, the increasing demand for Austrian Expressionism, rising prices in the art world and \"Lauder's passion for and pursuit of this particular work\". Lauder placed the work in the Neue Galerie, the New York–based gallery he co-founded. The painting has been on display at the location since.Michael Kimmelman, the chief art critic for the New York Times, was critical of the sale, and wrote that \"A story about justice and redemption after the Holocaust has devolved into yet another tale of the crazy, intoxicating art market.\" Altmann said of the sale that it was not practical for her, or her relatives who were also part of the estate, to retain any of the paintings. In November 2006 the remaining four Klimt paintings were sold at Christie's auction house. Adele Bloch-Bauer II sold for $87.9 million, Apfelbaum I for $33 million, Buchenwald for $40.3 million and Häuser in Unterach am Attersee for $31 million. All went to private collections."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "歴史と所有権", "subsection": "1945年以降", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iでは、どのように歴史と所有権の1945年以降が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "In August 1945 Ferdinand wrote a final will that revoked all previous ones. It made no reference to the pictures, which he thought had been lost forever, but it stated that his entire estate was left to his nephew and two nieces—one of whom was Maria Altmann. Ferdinand died in Switzerland in November that year.In 1946 the Austrian state issued an Annulment Act that declared all transactions motivated by Nazi discrimination were void; any Jews who wanted to remove artwork from Austria were forced to give some of their works to Austrian museums in order to obtain an export permit for others. The Bloch-Bauer family hired Dr Gustav Rinesh, a Viennese lawyer, to reclaim stolen artwork on their behalf. Using the records produced by Führer, he traced most of the works to the Galerie Belvedere, and Häuser in Unterach, to Führer's own private collection. Several works were returned to the Bloch-Bauer estate, but no Klimt paintings; to obtain the necessary export permits, the family were forced to let the Austrian state retain Häuser in Unterach am Attersee, Adele Bloch-Bauer I, Adele Bloch-Bauer II, and Apfelbaum I. They were also forced to relinquish any claims on Buchenwald and Schloss Kammer am Attersee III. The Galerie Belvedere based its claim of retention of the Klimt works on Adele's will.In 1998 the Austrian government introduced the Art Restitution Act, which looked again at the question of art stolen by the Nazis. The government formed a restitution committee to report on which works should be returned; government archives were opened up to research into the provenance of works held by the government. Hubertus Czernin, the Austrian investigative journalist, undertook extensive research in the newly opened archives and published a story about the theft of art by the Nazis; with the subsequent refusal of the Austrian state to return the art or to acknowledge a theft had taken place, Czernin described the situation as \"a double crime\".Altmann, then living in the US, hired E. Randol Schoenberg to act on her behalf. Schoenberg was the son of a woman she had been friends with since they lived in Vienna. They filed a claim with the restitution committee for the return of six paintings: Adele Bloch-Bauer I, Adele Bloch-Bauer II, Apfelbaum I, Buchenwald, Häuser in Unterach am Attersee and Amalie Zuckerkandl. The committee turned down the request, again citing Adele's will as the reason they were retaining the works. The committee's decision recommended that 16 Klimt drawings and 19 pieces of porcelain that had been held by Ferdinand and Adele and which were still at the Galerie Belvedere should be returned, as they fell outside the request of the will.In March 2000 Altmann filed a civil claim against the Austrian government for the return of the paintings. She was informed that the cost of filing (consisting of 1.2% of the amount in question, plus a filing fee), would have meant a fee of €1.75 million. To avoid the prohibitively high costs, Altmann and Schoenberg sued the Galerie Belvedere, and the museums owner, the Austrian government, in the US courts. The Austrian government filed for dismissal, with arguments based on the Foreign Sovereign Immunities Act (1976). The Act granted immunity to sovereign nations except under certain conditions. Schoenberg showed that three of the conditions pertinent to the case were that Altmann's property had been taken in violation of international law; the property was in the possession of the state in question, or one of its agencies; and that the property had been used on a commercial basis in the US. Over four years of litigation followed as to whether the case could be brought against a sovereign state before it was brought before the Supreme Court in Republic of Austria v. Altmann. In June 2004 the Supreme Court determined that the paintings had been stolen and that Austria was not immune from a claim from Altmann; the court made no comment on the current ownership of the paintings.To avoid returning to the courts in what could have been lengthy litigation process, arbitration in Austria was agreed upon by both parties, although the Austrians had turned down such a move in 1999. Three arbitrators formed the panel, Andreas Nödl, Walter Rechberger and Peter Rummel. Schoenberg gave evidence before them in September 2005 and, in January 2006, they delivered their judgement. They stated that five of the six paintings in question should be returned to the Bloch-Bauer estate, as outlined in Ferdinand's will; only the Portrait of Amalie Zuckerkandl was to be retained by the gallery.After the panel's decision was announced, the Galerie Belvedere ran a series of advertisements that appeared in bus stops and on underground railway platforms. The posters said \"Ciao Adele\", advertising the last opportunity before the painting left the country and long queues formed around the block. Although there were calls from some Austrians for the state to purchase the five paintings, the government stated that the price would be too high to justify the expense. The paintings were exported from Austria in March 2006 and exhibited together at the Los Angeles County Museum of Art from April to June that year.When Altmann was asked what she wanted to do with the paintings, she stated \"I would not want any private person to buy these paintings, ... It is very meaningful to me that they are seen by anybody who wants to see them, because that would have been the wish of my aunt.\" In June 2006 the Portrait of Adele Bloch-Bauer I was sold to Ronald Lauder for $135 million for his public art museum, at the time a record price for a painting. Eileen Kinsella, the editor of ARTnews, considered the high price was due to several factors, particularly the painting's provenance, the increasing demand for Austrian Expressionism, rising prices in the art world and \"Lauder's passion for and pursuit of this particular work\". Lauder placed the work in the Neue Galerie, the New York–based gallery he co-founded. The painting has been on display at the location since.Michael Kimmelman, the chief art critic for the New York Times, was critical of the sale, and wrote that \"A story about justice and redemption after the Holocaust has devolved into yet another tale of the crazy, intoxicating art market.\" Altmann said of the sale that it was not practical for her, or her relatives who were also part of the estate, to retain any of the paintings. In November 2006 the remaining four Klimt paintings were sold at Christie's auction house. Adele Bloch-Bauer II sold for $87.9 million, Apfelbaum I for $33 million, Buchenwald for $40.3 million and Häuser in Unterach am Attersee for $31 million. All went to private collections."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "歴史と所有権", "subsection": "1945年以降", "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの歴史と所有権における1945年以降の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "In August 1945 Ferdinand wrote a final will that revoked all previous ones. It made no reference to the pictures, which he thought had been lost forever, but it stated that his entire estate was left to his nephew and two nieces—one of whom was Maria Altmann. Ferdinand died in Switzerland in November that year.In 1946 the Austrian state issued an Annulment Act that declared all transactions motivated by Nazi discrimination were void; any Jews who wanted to remove artwork from Austria were forced to give some of their works to Austrian museums in order to obtain an export permit for others. The Bloch-Bauer family hired Dr Gustav Rinesh, a Viennese lawyer, to reclaim stolen artwork on their behalf. Using the records produced by Führer, he traced most of the works to the Galerie Belvedere, and Häuser in Unterach, to Führer's own private collection. Several works were returned to the Bloch-Bauer estate, but no Klimt paintings; to obtain the necessary export permits, the family were forced to let the Austrian state retain Häuser in Unterach am Attersee, Adele Bloch-Bauer I, Adele Bloch-Bauer II, and Apfelbaum I. They were also forced to relinquish any claims on Buchenwald and Schloss Kammer am Attersee III. The Galerie Belvedere based its claim of retention of the Klimt works on Adele's will.In 1998 the Austrian government introduced the Art Restitution Act, which looked again at the question of art stolen by the Nazis. The government formed a restitution committee to report on which works should be returned; government archives were opened up to research into the provenance of works held by the government. Hubertus Czernin, the Austrian investigative journalist, undertook extensive research in the newly opened archives and published a story about the theft of art by the Nazis; with the subsequent refusal of the Austrian state to return the art or to acknowledge a theft had taken place, Czernin described the situation as \"a double crime\".Altmann, then living in the US, hired E. Randol Schoenberg to act on her behalf. Schoenberg was the son of a woman she had been friends with since they lived in Vienna. They filed a claim with the restitution committee for the return of six paintings: Adele Bloch-Bauer I, Adele Bloch-Bauer II, Apfelbaum I, Buchenwald, Häuser in Unterach am Attersee and Amalie Zuckerkandl. The committee turned down the request, again citing Adele's will as the reason they were retaining the works. The committee's decision recommended that 16 Klimt drawings and 19 pieces of porcelain that had been held by Ferdinand and Adele and which were still at the Galerie Belvedere should be returned, as they fell outside the request of the will.In March 2000 Altmann filed a civil claim against the Austrian government for the return of the paintings. She was informed that the cost of filing (consisting of 1.2% of the amount in question, plus a filing fee), would have meant a fee of €1.75 million. To avoid the prohibitively high costs, Altmann and Schoenberg sued the Galerie Belvedere, and the museums owner, the Austrian government, in the US courts. The Austrian government filed for dismissal, with arguments based on the Foreign Sovereign Immunities Act (1976). The Act granted immunity to sovereign nations except under certain conditions. Schoenberg showed that three of the conditions pertinent to the case were that Altmann's property had been taken in violation of international law; the property was in the possession of the state in question, or one of its agencies; and that the property had been used on a commercial basis in the US. Over four years of litigation followed as to whether the case could be brought against a sovereign state before it was brought before the Supreme Court in Republic of Austria v. Altmann. In June 2004 the Supreme Court determined that the paintings had been stolen and that Austria was not immune from a claim from Altmann; the court made no comment on the current ownership of the paintings.To avoid returning to the courts in what could have been lengthy litigation process, arbitration in Austria was agreed upon by both parties, although the Austrians had turned down such a move in 1999. Three arbitrators formed the panel, Andreas Nödl, Walter Rechberger and Peter Rummel. Schoenberg gave evidence before them in September 2005 and, in January 2006, they delivered their judgement. They stated that five of the six paintings in question should be returned to the Bloch-Bauer estate, as outlined in Ferdinand's will; only the Portrait of Amalie Zuckerkandl was to be retained by the gallery.After the panel's decision was announced, the Galerie Belvedere ran a series of advertisements that appeared in bus stops and on underground railway platforms. The posters said \"Ciao Adele\", advertising the last opportunity before the painting left the country and long queues formed around the block. Although there were calls from some Austrians for the state to purchase the five paintings, the government stated that the price would be too high to justify the expense. The paintings were exported from Austria in March 2006 and exhibited together at the Los Angeles County Museum of Art from April to June that year.When Altmann was asked what she wanted to do with the paintings, she stated \"I would not want any private person to buy these paintings, ... It is very meaningful to me that they are seen by anybody who wants to see them, because that would have been the wish of my aunt.\" In June 2006 the Portrait of Adele Bloch-Bauer I was sold to Ronald Lauder for $135 million for his public art museum, at the time a record price for a painting. Eileen Kinsella, the editor of ARTnews, considered the high price was due to several factors, particularly the painting's provenance, the increasing demand for Austrian Expressionism, rising prices in the art world and \"Lauder's passion for and pursuit of this particular work\". Lauder placed the work in the Neue Galerie, the New York–based gallery he co-founded. The painting has been on display at the location since.Michael Kimmelman, the chief art critic for the New York Times, was critical of the sale, and wrote that \"A story about justice and redemption after the Holocaust has devolved into yet another tale of the crazy, intoxicating art market.\" Altmann said of the sale that it was not practical for her, or her relatives who were also part of the estate, to retain any of the paintings. In November 2006 the remaining four Klimt paintings were sold at Christie's auction house. Adele Bloch-Bauer II sold for $87.9 million, Apfelbaum I for $33 million, Buchenwald for $40.3 million and Häuser in Unterach am Attersee for $31 million. All went to private collections."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "遺産", "subsection": null, "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iに焦点を当てて、その遺産を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "The history of the Portrait of Adele Bloch-Bauer I and the other paintings taken from the Bloch-Bauers has been recounted in three documentary films, Stealing Klimt (2007), The Rape of Europa (2007) and Adele's Wish (2008).The painting's history is described in the 2012 book The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer, by the journalist Anne-Marie O'Connor.The history, as well as other stories of other stolen art, is told by Melissa Müller and Monika Tatzkow in Lost Lives, Lost Art: Jewish Collectors, Nazi Art Theft, and the Quest for Justice, published in 2010.The portrait is featured in the memoir of Gregor Collins, The Accidental Caregiver, about his unusual bond with Adele's niece Maria Altmann, published in August 2012.In 2015 Altmann's story was dramatised for the film Woman in Gold starring Helen Mirren as Maria and Ryan Reynolds as Schoenberg. The painting of Adele - Maria's aunt - was the centerpiece for the story.The story of Adele Bloch-Bauer and Maria Altmann formed the basis for the 2017 novel Stolen Beauty by Laurie Lico Albanese.Altmann died in February 2011, aged 94. Schoenberg, who had worked on a 40 per cent conditional fee throughout, received $54 million for the sale of Portrait of Adele Bloch-Bauer I and $55 million for the sale of the remaining four paintings. After he donated over $7 million for the building of the new premises of the Los Angeles Museum of the Holocaust, he said that he had \"tried to do good things with the money\". He subsequently specialised in the restitution of artwork plundered by the Nazis.Elements of the portrait have been noted by art critics to have influenced the painting First Lady Michelle Obama, by Amy Sherald in 2018."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "遺産", "subsection": null, "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iの遺産を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "The history of the Portrait of Adele Bloch-Bauer I and the other paintings taken from the Bloch-Bauers has been recounted in three documentary films, Stealing Klimt (2007), The Rape of Europa (2007) and Adele's Wish (2008).The painting's history is described in the 2012 book The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer, by the journalist Anne-Marie O'Connor.The history, as well as other stories of other stolen art, is told by Melissa Müller and Monika Tatzkow in Lost Lives, Lost Art: Jewish Collectors, Nazi Art Theft, and the Quest for Justice, published in 2010.The portrait is featured in the memoir of Gregor Collins, The Accidental Caregiver, about his unusual bond with Adele's niece Maria Altmann, published in August 2012.In 2015 Altmann's story was dramatised for the film Woman in Gold starring Helen Mirren as Maria and Ryan Reynolds as Schoenberg. The painting of Adele - Maria's aunt - was the centerpiece for the story.The story of Adele Bloch-Bauer and Maria Altmann formed the basis for the 2017 novel Stolen Beauty by Laurie Lico Albanese.Altmann died in February 2011, aged 94. Schoenberg, who had worked on a 40 per cent conditional fee throughout, received $54 million for the sale of Portrait of Adele Bloch-Bauer I and $55 million for the sale of the remaining four paintings. After he donated over $7 million for the building of the new premises of the Los Angeles Museum of the Holocaust, he said that he had \"tried to do good things with the money\". He subsequently specialised in the restitution of artwork plundered by the Nazis.Elements of the portrait have been noted by art critics to have influenced the painting First Lady Michelle Obama, by Amy Sherald in 2018."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "遺産", "subsection": null, "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iはどのように遺産を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "The history of the Portrait of Adele Bloch-Bauer I and the other paintings taken from the Bloch-Bauers has been recounted in three documentary films, Stealing Klimt (2007), The Rape of Europa (2007) and Adele's Wish (2008).The painting's history is described in the 2012 book The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer, by the journalist Anne-Marie O'Connor.The history, as well as other stories of other stolen art, is told by Melissa Müller and Monika Tatzkow in Lost Lives, Lost Art: Jewish Collectors, Nazi Art Theft, and the Quest for Justice, published in 2010.The portrait is featured in the memoir of Gregor Collins, The Accidental Caregiver, about his unusual bond with Adele's niece Maria Altmann, published in August 2012.In 2015 Altmann's story was dramatised for the film Woman in Gold starring Helen Mirren as Maria and Ryan Reynolds as Schoenberg. The painting of Adele - Maria's aunt - was the centerpiece for the story.The story of Adele Bloch-Bauer and Maria Altmann formed the basis for the 2017 novel Stolen Beauty by Laurie Lico Albanese.Altmann died in February 2011, aged 94. Schoenberg, who had worked on a 40 per cent conditional fee throughout, received $54 million for the sale of Portrait of Adele Bloch-Bauer I and $55 million for the sale of the remaining four paintings. After he donated over $7 million for the building of the new premises of the Los Angeles Museum of the Holocaust, he said that he had \"tried to do good things with the money\". He subsequently specialised in the restitution of artwork plundered by the Nazis.Elements of the portrait have been noted by art critics to have influenced the painting First Lady Michelle Obama, by Amy Sherald in 2018."}
{"title": "アデーレ・ブロッホ＝バウアーの肖像 I", "srclang_title": "Portrait of Adele Bloch-Bauer I", "en_title": "Portrait of Adele Bloch-Bauer I", "pageid": 5631982, "page_rank": 96, "page_url": "https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Gustav_Klimt_046.jpg/350px-Gustav_Klimt_046.jpg", "section": "遺産", "subsection": null, "sub_subsection": null, "prompt": "アデーレ・ブロッホ＝バウアーの肖像 Iに関して、どのように遺産が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Neue Galerie New York", "Nazi plunder", "worldwide influenza epidemic", "Fernand Khnopff", "E. Randol Schoenberg", "Judith and the Head of Holofernes", "bourgeoisie", "Adele Bloch-Bauer", "Anne-Marie O'Connor", "Civil law (legal system)", "Melissa Müller", "golden phase", "persecution of Jews", "Alma Mahler", "United States District Court for the Central District of California", "Category:Oil on canvas paintings", "stolen by the Nazis", "Amy Sherald", "Gregor Collins", "Woman in Gold", "pneumonia", "Mona Lisa", "Reinhard Heydrich", "Ernst", "Category:Jews and Judaism in Vienna", "Reichsmark", "Anschluss", "icon", "Österreichische Galerie Belvedere", "Gustav Klimt#Golden phase and critical success", "''Portrait of Fritza Riedler'' (1906), exhibited and criticised alongside the ''Portrait of Adele Bloch-Bauer'' in 1907", "Public poster concerning the departure of the painting from Austria", "Austria-Hungary", "Category:1907 paintings", "Vienna Künstlerhaus", "Maria", "Stealing Klimt", "Künstlerhaus", "Arts and Crafts movement", "The decorative motifs: symbols suggestive of [[erotica", "Josef Hoffmann", "Ferdinand Bloch-Bauer", "Kunsthistorisches Museum", "arbitration", "Sketch (drawing)", "Adolf Hitler", "Karl Kraus (writer)", "Aubrey Beardsley", "Wassily Kandinsky", "File:Altmann in 2010.jpg", "Deutsche Reichsbahn", "portraiture", "Aryanisation", "Los Angeles Museum of the Holocaust", "File:Gustav Klimt 065.jpg", "salon", "Expressionism", "Portrait of Wally", "Museum of Modern Art", "The Kiss", "Burgtheater", "Emmy Göring", "Empress Theodora", "File:Gustav Klimt 047.jpg", "Detail showing the jewelled choker given to [[Maria Altmann", "meningitis", "Emmy", "Justinian I", "Tobias G. Natter", "gypsum", "Adele Bloch-Bauer I", "Wiener Bankverein", "First Lady Michelle Obama", "Grove Art", "Belle Époque", "Leopold Museum", "Michael Kimmelman", "Karl Renner", "New York Times", "Category:Paintings by Gustav Klimt", "conditional fee", "Maria Altmann", "Republic of Austria v. Altmann", "Vienna Secession", "Supreme Court of the United States", "Friedrich Führer", "Gustav Ucicky", "avant-garde", "Richard Strauss", "File:Adele Bloch-Bauer (detail of motifs).jpg", "Salon (gathering)", "chalk", "The New York Times", "Exposition Internationale des Arts et Techniques dans la Vie Moderne", "evading taxes", "First Lady Michelle Obama (painting)", "Ninth Circuit Court of Appeals", "Hubertus Czernin", "tax evasion", "Gustav Mahler", "Byzantine art", "File:Klimt - Bildnis Fritza Riedler - 1906.jpeg", "Holocaust Museum LA", "stroke", "neoclassical", "Luftwaffe", "Ryan Reynolds", "Art Nouveau", "The Burlington Magazine", "cuckold", "Category:Portraits of women", "Category:Arts set in Austria", "upright=1.2", "[[Maria Altmann", "Christie's", "left", "Category:Gold ground paintings", "Adele", "Neue Galerie", "Catherine Dean (artist)", "ARTnews", "Ferdinand Georg Waldmüller", "Portrait of Adele Bloch-Bauer I", "Oriental Railway", "Ernst Klimt", "upright", "Führervorbehalt", "probate", "1918 flu pandemic", "Portrait of Adele Bloch-Bauer II", "Jakob Wassermann", "Grove Art Online", "Vienna U-Bahn", "Karl Kraus", "Category:Portraits by Austrian artists", "University of Vienna", "gilded", "Julius Tandler", "File:Klimt Ciao Adele - Cropped.jpg", "Stefan Zweig", "gesso", "Investigative journalism", "underground railway", "Kunstgewerbeschule", "Ronald Lauder", "Vienna", "erotica", "The Accidental Caregiver", "The Holocaust in Austria", "Category:Nazi-looted art", "second painting of his wife", "Theodora (wife of Justinian I)", "Woman in Gold (film)", "Byzantine", "record price for a painting", "The Rape of Europa (book)", "Jan Toorop", "Category:Paintings in the Neue Galerie New York", "Helen Mirren", "Los Angeles County Museum of Art", "List of most expensive paintings", "Neoclassicism", "Clive Bell", "Repatriation (cultural heritage)", "investigative journalist", "Judith I", "The Kiss (Klimt)", "second commissioned portrait", "Obergruppenführer", "File:Adele Bloch-Bauer (detail of face).jpg", "Rudolf von Alt", "Foreign Sovereign Immunities Act", "Baumgarten", "Category:20th-century portraits", "oil paint", "Arnold Schoenberg", "choker", "thumb", "Aryanization (Nazism)", "Hermann Göring", "Gustav Klimt", "Catherine Dean", "the second", "bas-relief", "Maximilian Lenz", "Gilding", "Paris Exposition", "Baumgarten, Vienna", "gold ground", "The Rape of Europa", "should be returned", "SS-Obergruppenführer", "Basilica of San Vitale", "Munich Agreement", "civil law", "Klimt's ''Schloss Kammer am Attersee III'' (1910), which was swapped for the ''Portrait of Adele Bloch-Bauer I''", "''[[Portrait of Adele Bloch-Bauer II", "Franz von Matsch", "gold leaf", "Chemins de fer Orientaux", "Supreme Court", "preparatory sketches", "contingent fee"], "gold": "The history of the Portrait of Adele Bloch-Bauer I and the other paintings taken from the Bloch-Bauers has been recounted in three documentary films, Stealing Klimt (2007), The Rape of Europa (2007) and Adele's Wish (2008).The painting's history is described in the 2012 book The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer, by the journalist Anne-Marie O'Connor.The history, as well as other stories of other stolen art, is told by Melissa Müller and Monika Tatzkow in Lost Lives, Lost Art: Jewish Collectors, Nazi Art Theft, and the Quest for Justice, published in 2010.The portrait is featured in the memoir of Gregor Collins, The Accidental Caregiver, about his unusual bond with Adele's niece Maria Altmann, published in August 2012.In 2015 Altmann's story was dramatised for the film Woman in Gold starring Helen Mirren as Maria and Ryan Reynolds as Schoenberg. The painting of Adele - Maria's aunt - was the centerpiece for the story.The story of Adele Bloch-Bauer and Maria Altmann formed the basis for the 2017 novel Stolen Beauty by Laurie Lico Albanese.Altmann died in February 2011, aged 94. Schoenberg, who had worked on a 40 per cent conditional fee throughout, received $54 million for the sale of Portrait of Adele Bloch-Bauer I and $55 million for the sale of the remaining four paintings. After he donated over $7 million for the building of the new premises of the Los Angeles Museum of the Holocaust, he said that he had \"tried to do good things with the money\". He subsequently specialised in the restitution of artwork plundered by the Nazis.Elements of the portrait have been noted by art critics to have influenced the painting First Lady Michelle Obama, by Amy Sherald in 2018."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ウルビーノのヴィーナスに焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "The Venus of Urbino (also known as Reclining Venus) is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace. Work on the painting seems to have begun anywhere from 1532 or 1534, and was perhaps completed in 1534, but not sold until 1538. It is currently held in the Galleria degli Uffizi in Florence.The figure's pose is based on the Dresden Venus, traditionally attributed to Giorgione but for which Titian completed at least the landscape. In his own painting, Titian has moved Venus to an indoor setting, engaged her with the viewer, and made her sensuality explicit; some even believe the figure is engaging in masturbation.Interpretations of the painting fall into two groups; both agree that the painting has a powerful erotic charge, but beyond that, it is seen either as a portrait of a courtesan, perhaps Zaffetta, or as a painting celebrating the marriage of its first owner (who according to some may not have commissioned it). This disagreement forms part of a wider debate on the meaning of the mainly Venetian tradition of the reclining female nude, which Titian had created, or helped to create, some 25 years before with the Dresden Venus of around 1510–11. For Charles Hope, \"It has yet to be shown that the most famous example of this genre, Titian's Venus of Urbino, is anything other than a representation of a beautiful nude woman on a bed, devoid of classical or even allegorical content.\" Even the indefatigable finder of allegories drawing on Renaissance Neoplatonism, Edgar Wind, had to admit that in this case \"an undisguised hedonism had at last dispelled the Platonic metaphors\"."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ウルビーノのヴィーナスのabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "The Venus of Urbino (also known as Reclining Venus) is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace. Work on the painting seems to have begun anywhere from 1532 or 1534, and was perhaps completed in 1534, but not sold until 1538. It is currently held in the Galleria degli Uffizi in Florence.The figure's pose is based on the Dresden Venus, traditionally attributed to Giorgione but for which Titian completed at least the landscape. In his own painting, Titian has moved Venus to an indoor setting, engaged her with the viewer, and made her sensuality explicit; some even believe the figure is engaging in masturbation.Interpretations of the painting fall into two groups; both agree that the painting has a powerful erotic charge, but beyond that, it is seen either as a portrait of a courtesan, perhaps Zaffetta, or as a painting celebrating the marriage of its first owner (who according to some may not have commissioned it). This disagreement forms part of a wider debate on the meaning of the mainly Venetian tradition of the reclining female nude, which Titian had created, or helped to create, some 25 years before with the Dresden Venus of around 1510–11. For Charles Hope, \"It has yet to be shown that the most famous example of this genre, Titian's Venus of Urbino, is anything other than a representation of a beautiful nude woman on a bed, devoid of classical or even allegorical content.\" Even the indefatigable finder of allegories drawing on Renaissance Neoplatonism, Edgar Wind, had to admit that in this case \"an undisguised hedonism had at last dispelled the Platonic metaphors\"."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ウルビーノのヴィーナスはどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "The Venus of Urbino (also known as Reclining Venus) is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace. Work on the painting seems to have begun anywhere from 1532 or 1534, and was perhaps completed in 1534, but not sold until 1538. It is currently held in the Galleria degli Uffizi in Florence.The figure's pose is based on the Dresden Venus, traditionally attributed to Giorgione but for which Titian completed at least the landscape. In his own painting, Titian has moved Venus to an indoor setting, engaged her with the viewer, and made her sensuality explicit; some even believe the figure is engaging in masturbation.Interpretations of the painting fall into two groups; both agree that the painting has a powerful erotic charge, but beyond that, it is seen either as a portrait of a courtesan, perhaps Zaffetta, or as a painting celebrating the marriage of its first owner (who according to some may not have commissioned it). This disagreement forms part of a wider debate on the meaning of the mainly Venetian tradition of the reclining female nude, which Titian had created, or helped to create, some 25 years before with the Dresden Venus of around 1510–11. For Charles Hope, \"It has yet to be shown that the most famous example of this genre, Titian's Venus of Urbino, is anything other than a representation of a beautiful nude woman on a bed, devoid of classical or even allegorical content.\" Even the indefatigable finder of allegories drawing on Renaissance Neoplatonism, Edgar Wind, had to admit that in this case \"an undisguised hedonism had at last dispelled the Platonic metaphors\"."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ウルビーノのヴィーナスに関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "The Venus of Urbino (also known as Reclining Venus) is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace. Work on the painting seems to have begun anywhere from 1532 or 1534, and was perhaps completed in 1534, but not sold until 1538. It is currently held in the Galleria degli Uffizi in Florence.The figure's pose is based on the Dresden Venus, traditionally attributed to Giorgione but for which Titian completed at least the landscape. In his own painting, Titian has moved Venus to an indoor setting, engaged her with the viewer, and made her sensuality explicit; some even believe the figure is engaging in masturbation.Interpretations of the painting fall into two groups; both agree that the painting has a powerful erotic charge, but beyond that, it is seen either as a portrait of a courtesan, perhaps Zaffetta, or as a painting celebrating the marriage of its first owner (who according to some may not have commissioned it). This disagreement forms part of a wider debate on the meaning of the mainly Venetian tradition of the reclining female nude, which Titian had created, or helped to create, some 25 years before with the Dresden Venus of around 1510–11. For Charles Hope, \"It has yet to be shown that the most famous example of this genre, Titian's Venus of Urbino, is anything other than a representation of a beautiful nude woman on a bed, devoid of classical or even allegorical content.\" Even the indefatigable finder of allegories drawing on Renaissance Neoplatonism, Edgar Wind, had to admit that in this case \"an undisguised hedonism had at last dispelled the Platonic metaphors\"."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "ウルビーノのヴィーナスに焦点を当てて、その説明を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "The painting's subject stares straight at the viewer, not embarrassed by her nudity. In her right hand, she holds a posy of roses, while she holds her other hand over her genitals. In the near background is a dog, often a symbol of fidelity. In a different space in the background two maids are shown rummaging through a cassone chest, where clothes were often kept.The detailed depiction of the interior setting is unusual, perhaps unique, for a Titian painting. Titian did work for the 21-year-old Ippolito de' Medici, reluctantly made a cardinal (though not a priest) by his uncle, Pope Clement VII. He was trying to pursue a military career, and was a papal diplomat. On 20 October 1532, he spent the night in Venice with Angela del Moro, or Angela Zaffetta, a leading courtesan in Venice and occasional dining companion of Titian and Aretino, the latter a friend of the cardinal. Titian painted Ippolito's portrait, and it seems likely that he was asked to add a nude portrait of Angela Zaffetta, or that Titian decided to paint one in the hope he would like it.On 20 December 1534, Titian wrote to Ippolito's chamberlain in Rome saying that he had been working on a painting of a woman for the cardinal. Ippolito died in August 1535, and apparently never saw the painting, which was still in Titian's studio when Guidobaldo II della Rovere, the 24-year-old son of the Duke of Urbino came in January 1538 to sit for a portrait. As letters from him and his mother show, he was extremely keen to buy it, and did so some months later; he referred to it simply as \"the nude woman\", and was worried Titian would sell it to someone else. Later that year he inherited the Duchy of Urbino on the death of his father, hence the painting acquired the name by which it is most commonly known, although it seems it was mostly kept in Pesaro.Alternatively, the painting may have been commissioned by Guidobaldo, possibly to celebrate his marriage in 1534 to the 10-year-old Giulia Varano, which made him Duke of Camerino, or its consummation, which was probably a few years later. Some critics have seen references to marriage in details such as the maids at the cassone, where the corredo or trousseau of clothes generally given to the bride by her husband's family were stored. Rona Goffen sees Venus's hand \"caressing\" her genitals as such a reference, as it was believed at the time that a female \"emission\" or orgasm was necessary for conception to take place, and female masturbation was therefore allowed only in cases where the male had ejaculated and withdrawn. The production of heirs was of great concern in elite marriages. Even the little dog on the bed has been brought into the argument; an identical dog is shown in Titian's portrait of the duke's mother Eleonora Gonzaga, the reasoning being that the dog identifies the house as a della Rovere home, and that it remains quiet indicates that the viewer is the husband of the woman.  A recent theory by Józef Grabski suggests that the painting represents an allegory of marital love between the famous Italian poet Vittoria Colonna and her deceased husband, Fernando d'Ávalos. Grabski supports his theory through analyzing various visual clues and symbols, the most prominent being the classic column in front of the trees in the window in the right half, a small detail on the painting that imitates the Colonna Family coat of arms."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "ウルビーノのヴィーナスの説明を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "The painting's subject stares straight at the viewer, not embarrassed by her nudity. In her right hand, she holds a posy of roses, while she holds her other hand over her genitals. In the near background is a dog, often a symbol of fidelity. In a different space in the background two maids are shown rummaging through a cassone chest, where clothes were often kept.The detailed depiction of the interior setting is unusual, perhaps unique, for a Titian painting. Titian did work for the 21-year-old Ippolito de' Medici, reluctantly made a cardinal (though not a priest) by his uncle, Pope Clement VII. He was trying to pursue a military career, and was a papal diplomat. On 20 October 1532, he spent the night in Venice with Angela del Moro, or Angela Zaffetta, a leading courtesan in Venice and occasional dining companion of Titian and Aretino, the latter a friend of the cardinal. Titian painted Ippolito's portrait, and it seems likely that he was asked to add a nude portrait of Angela Zaffetta, or that Titian decided to paint one in the hope he would like it.On 20 December 1534, Titian wrote to Ippolito's chamberlain in Rome saying that he had been working on a painting of a woman for the cardinal. Ippolito died in August 1535, and apparently never saw the painting, which was still in Titian's studio when Guidobaldo II della Rovere, the 24-year-old son of the Duke of Urbino came in January 1538 to sit for a portrait. As letters from him and his mother show, he was extremely keen to buy it, and did so some months later; he referred to it simply as \"the nude woman\", and was worried Titian would sell it to someone else. Later that year he inherited the Duchy of Urbino on the death of his father, hence the painting acquired the name by which it is most commonly known, although it seems it was mostly kept in Pesaro.Alternatively, the painting may have been commissioned by Guidobaldo, possibly to celebrate his marriage in 1534 to the 10-year-old Giulia Varano, which made him Duke of Camerino, or its consummation, which was probably a few years later. Some critics have seen references to marriage in details such as the maids at the cassone, where the corredo or trousseau of clothes generally given to the bride by her husband's family were stored. Rona Goffen sees Venus's hand \"caressing\" her genitals as such a reference, as it was believed at the time that a female \"emission\" or orgasm was necessary for conception to take place, and female masturbation was therefore allowed only in cases where the male had ejaculated and withdrawn. The production of heirs was of great concern in elite marriages. Even the little dog on the bed has been brought into the argument; an identical dog is shown in Titian's portrait of the duke's mother Eleonora Gonzaga, the reasoning being that the dog identifies the house as a della Rovere home, and that it remains quiet indicates that the viewer is the husband of the woman.  A recent theory by Józef Grabski suggests that the painting represents an allegory of marital love between the famous Italian poet Vittoria Colonna and her deceased husband, Fernando d'Ávalos. Grabski supports his theory through analyzing various visual clues and symbols, the most prominent being the classic column in front of the trees in the window in the right half, a small detail on the painting that imitates the Colonna Family coat of arms."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "ウルビーノのヴィーナスはどのように説明を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "The painting's subject stares straight at the viewer, not embarrassed by her nudity. In her right hand, she holds a posy of roses, while she holds her other hand over her genitals. In the near background is a dog, often a symbol of fidelity. In a different space in the background two maids are shown rummaging through a cassone chest, where clothes were often kept.The detailed depiction of the interior setting is unusual, perhaps unique, for a Titian painting. Titian did work for the 21-year-old Ippolito de' Medici, reluctantly made a cardinal (though not a priest) by his uncle, Pope Clement VII. He was trying to pursue a military career, and was a papal diplomat. On 20 October 1532, he spent the night in Venice with Angela del Moro, or Angela Zaffetta, a leading courtesan in Venice and occasional dining companion of Titian and Aretino, the latter a friend of the cardinal. Titian painted Ippolito's portrait, and it seems likely that he was asked to add a nude portrait of Angela Zaffetta, or that Titian decided to paint one in the hope he would like it.On 20 December 1534, Titian wrote to Ippolito's chamberlain in Rome saying that he had been working on a painting of a woman for the cardinal. Ippolito died in August 1535, and apparently never saw the painting, which was still in Titian's studio when Guidobaldo II della Rovere, the 24-year-old son of the Duke of Urbino came in January 1538 to sit for a portrait. As letters from him and his mother show, he was extremely keen to buy it, and did so some months later; he referred to it simply as \"the nude woman\", and was worried Titian would sell it to someone else. Later that year he inherited the Duchy of Urbino on the death of his father, hence the painting acquired the name by which it is most commonly known, although it seems it was mostly kept in Pesaro.Alternatively, the painting may have been commissioned by Guidobaldo, possibly to celebrate his marriage in 1534 to the 10-year-old Giulia Varano, which made him Duke of Camerino, or its consummation, which was probably a few years later. Some critics have seen references to marriage in details such as the maids at the cassone, where the corredo or trousseau of clothes generally given to the bride by her husband's family were stored. Rona Goffen sees Venus's hand \"caressing\" her genitals as such a reference, as it was believed at the time that a female \"emission\" or orgasm was necessary for conception to take place, and female masturbation was therefore allowed only in cases where the male had ejaculated and withdrawn. The production of heirs was of great concern in elite marriages. Even the little dog on the bed has been brought into the argument; an identical dog is shown in Titian's portrait of the duke's mother Eleonora Gonzaga, the reasoning being that the dog identifies the house as a della Rovere home, and that it remains quiet indicates that the viewer is the husband of the woman.  A recent theory by Józef Grabski suggests that the painting represents an allegory of marital love between the famous Italian poet Vittoria Colonna and her deceased husband, Fernando d'Ávalos. Grabski supports his theory through analyzing various visual clues and symbols, the most prominent being the classic column in front of the trees in the window in the right half, a small detail on the painting that imitates the Colonna Family coat of arms."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "ウルビーノのヴィーナスに関して、どのように説明が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "The painting's subject stares straight at the viewer, not embarrassed by her nudity. In her right hand, she holds a posy of roses, while she holds her other hand over her genitals. In the near background is a dog, often a symbol of fidelity. In a different space in the background two maids are shown rummaging through a cassone chest, where clothes were often kept.The detailed depiction of the interior setting is unusual, perhaps unique, for a Titian painting. Titian did work for the 21-year-old Ippolito de' Medici, reluctantly made a cardinal (though not a priest) by his uncle, Pope Clement VII. He was trying to pursue a military career, and was a papal diplomat. On 20 October 1532, he spent the night in Venice with Angela del Moro, or Angela Zaffetta, a leading courtesan in Venice and occasional dining companion of Titian and Aretino, the latter a friend of the cardinal. Titian painted Ippolito's portrait, and it seems likely that he was asked to add a nude portrait of Angela Zaffetta, or that Titian decided to paint one in the hope he would like it.On 20 December 1534, Titian wrote to Ippolito's chamberlain in Rome saying that he had been working on a painting of a woman for the cardinal. Ippolito died in August 1535, and apparently never saw the painting, which was still in Titian's studio when Guidobaldo II della Rovere, the 24-year-old son of the Duke of Urbino came in January 1538 to sit for a portrait. As letters from him and his mother show, he was extremely keen to buy it, and did so some months later; he referred to it simply as \"the nude woman\", and was worried Titian would sell it to someone else. Later that year he inherited the Duchy of Urbino on the death of his father, hence the painting acquired the name by which it is most commonly known, although it seems it was mostly kept in Pesaro.Alternatively, the painting may have been commissioned by Guidobaldo, possibly to celebrate his marriage in 1534 to the 10-year-old Giulia Varano, which made him Duke of Camerino, or its consummation, which was probably a few years later. Some critics have seen references to marriage in details such as the maids at the cassone, where the corredo or trousseau of clothes generally given to the bride by her husband's family were stored. Rona Goffen sees Venus's hand \"caressing\" her genitals as such a reference, as it was believed at the time that a female \"emission\" or orgasm was necessary for conception to take place, and female masturbation was therefore allowed only in cases where the male had ejaculated and withdrawn. The production of heirs was of great concern in elite marriages. Even the little dog on the bed has been brought into the argument; an identical dog is shown in Titian's portrait of the duke's mother Eleonora Gonzaga, the reasoning being that the dog identifies the house as a della Rovere home, and that it remains quiet indicates that the viewer is the husband of the woman.  A recent theory by Józef Grabski suggests that the painting represents an allegory of marital love between the famous Italian poet Vittoria Colonna and her deceased husband, Fernando d'Ávalos. Grabski supports his theory through analyzing various visual clues and symbols, the most prominent being the classic column in front of the trees in the window in the right half, a small detail on the painting that imitates the Colonna Family coat of arms."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "説明", "subsection": "後の歴史", "sub_subsection": null, "prompt": "ウルビーノのヴィーナスの文脈で、後の歴史と説明を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "In 1624, as the Papacy moved to fully annex the duchy to the Papal States, the della Rovere court moved to Pesaro, where the painting hung in the Villa Imperiale. It joined the Medici family collections in 1633 when the last della Rovere, Vittoria della Rovere, married Ferdinando II de' Medici, Grand Duke of Tuscany. It was moved to the Uffizi in 1736, and has remained there ever since, apart from visits to exhibitions which in the 21st century have included Madrid, Brussels, Tokyo, Venice, and Urbino. It has long been famous, as is shown by its prominent placing at the front of the gallery group portrait by Johan Zoffany of the Tribuna of the Uffizi of the 1770s.In his 1880 travelogue A Tramp Abroad, Mark Twain called the Venus of Urbino \"the foulest, the vilest, the obscenest picture the world possesses.\" He proposed that \"it was painted for a bagnio [brothel], and it was probably refused because it was a trifle too strong\", adding humorously that \"in truth, it is a trifle too strong for any place but a public art gallery\". Twain does this to juxtapose the artistic license (for nudity, for example) allowed in painting, as opposed to the restrictions and Victorian morality imposed on literature in the \"last eighty or ninety years\". In the same passage, Twain also mocks the fig leaves placed in the 19th century on nude statues in Rome, which had \"stood in innocent nakedness for ages.\"The Venus of Urbino was one of the inspirations for Édouard Manet's 1863 Olympia, in which the figure of Venus is replaced with the model Victorine Meurent."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "説明", "subsection": "後の歴史", "sub_subsection": null, "prompt": "ウルビーノのヴィーナスの説明に関する後の歴史を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "In 1624, as the Papacy moved to fully annex the duchy to the Papal States, the della Rovere court moved to Pesaro, where the painting hung in the Villa Imperiale. It joined the Medici family collections in 1633 when the last della Rovere, Vittoria della Rovere, married Ferdinando II de' Medici, Grand Duke of Tuscany. It was moved to the Uffizi in 1736, and has remained there ever since, apart from visits to exhibitions which in the 21st century have included Madrid, Brussels, Tokyo, Venice, and Urbino. It has long been famous, as is shown by its prominent placing at the front of the gallery group portrait by Johan Zoffany of the Tribuna of the Uffizi of the 1770s.In his 1880 travelogue A Tramp Abroad, Mark Twain called the Venus of Urbino \"the foulest, the vilest, the obscenest picture the world possesses.\" He proposed that \"it was painted for a bagnio [brothel], and it was probably refused because it was a trifle too strong\", adding humorously that \"in truth, it is a trifle too strong for any place but a public art gallery\". Twain does this to juxtapose the artistic license (for nudity, for example) allowed in painting, as opposed to the restrictions and Victorian morality imposed on literature in the \"last eighty or ninety years\". In the same passage, Twain also mocks the fig leaves placed in the 19th century on nude statues in Rome, which had \"stood in innocent nakedness for ages.\"The Venus of Urbino was one of the inspirations for Édouard Manet's 1863 Olympia, in which the figure of Venus is replaced with the model Victorine Meurent."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "説明", "subsection": "後の歴史", "sub_subsection": null, "prompt": "ウルビーノのヴィーナスでは、どのように説明の後の歴史が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "In 1624, as the Papacy moved to fully annex the duchy to the Papal States, the della Rovere court moved to Pesaro, where the painting hung in the Villa Imperiale. It joined the Medici family collections in 1633 when the last della Rovere, Vittoria della Rovere, married Ferdinando II de' Medici, Grand Duke of Tuscany. It was moved to the Uffizi in 1736, and has remained there ever since, apart from visits to exhibitions which in the 21st century have included Madrid, Brussels, Tokyo, Venice, and Urbino. It has long been famous, as is shown by its prominent placing at the front of the gallery group portrait by Johan Zoffany of the Tribuna of the Uffizi of the 1770s.In his 1880 travelogue A Tramp Abroad, Mark Twain called the Venus of Urbino \"the foulest, the vilest, the obscenest picture the world possesses.\" He proposed that \"it was painted for a bagnio [brothel], and it was probably refused because it was a trifle too strong\", adding humorously that \"in truth, it is a trifle too strong for any place but a public art gallery\". Twain does this to juxtapose the artistic license (for nudity, for example) allowed in painting, as opposed to the restrictions and Victorian morality imposed on literature in the \"last eighty or ninety years\". In the same passage, Twain also mocks the fig leaves placed in the 19th century on nude statues in Rome, which had \"stood in innocent nakedness for ages.\"The Venus of Urbino was one of the inspirations for Édouard Manet's 1863 Olympia, in which the figure of Venus is replaced with the model Victorine Meurent."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "説明", "subsection": "後の歴史", "sub_subsection": null, "prompt": "ウルビーノのヴィーナスの説明における後の歴史の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "In 1624, as the Papacy moved to fully annex the duchy to the Papal States, the della Rovere court moved to Pesaro, where the painting hung in the Villa Imperiale. It joined the Medici family collections in 1633 when the last della Rovere, Vittoria della Rovere, married Ferdinando II de' Medici, Grand Duke of Tuscany. It was moved to the Uffizi in 1736, and has remained there ever since, apart from visits to exhibitions which in the 21st century have included Madrid, Brussels, Tokyo, Venice, and Urbino. It has long been famous, as is shown by its prominent placing at the front of the gallery group portrait by Johan Zoffany of the Tribuna of the Uffizi of the 1770s.In his 1880 travelogue A Tramp Abroad, Mark Twain called the Venus of Urbino \"the foulest, the vilest, the obscenest picture the world possesses.\" He proposed that \"it was painted for a bagnio [brothel], and it was probably refused because it was a trifle too strong\", adding humorously that \"in truth, it is a trifle too strong for any place but a public art gallery\". Twain does this to juxtapose the artistic license (for nudity, for example) allowed in painting, as opposed to the restrictions and Victorian morality imposed on literature in the \"last eighty or ninety years\". In the same passage, Twain also mocks the fig leaves placed in the 19th century on nude statues in Rome, which had \"stood in innocent nakedness for ages.\"The Venus of Urbino was one of the inspirations for Édouard Manet's 1863 Olympia, in which the figure of Venus is replaced with the model Victorine Meurent."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "彫刻", "subsection": null, "sub_subsection": null, "prompt": "ウルビーノのヴィーナスに焦点を当てて、その彫刻を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "Lorenzo Bartolini developed the same theme in sculpture with his Venus (about 1830), based on the painting that his friend J.A.D. Ingres copied for him from the Titian version. The original sculpture is located at the Musée Fabre in Montpellier; a copy is at the Lady Lever Art Gallery, Port Sunlight, near Liverpool."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "彫刻", "subsection": null, "sub_subsection": null, "prompt": "ウルビーノのヴィーナスの彫刻を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "Lorenzo Bartolini developed the same theme in sculpture with his Venus (about 1830), based on the painting that his friend J.A.D. Ingres copied for him from the Titian version. The original sculpture is located at the Musée Fabre in Montpellier; a copy is at the Lady Lever Art Gallery, Port Sunlight, near Liverpool."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "彫刻", "subsection": null, "sub_subsection": null, "prompt": "ウルビーノのヴィーナスはどのように彫刻を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "Lorenzo Bartolini developed the same theme in sculpture with his Venus (about 1830), based on the painting that his friend J.A.D. Ingres copied for him from the Titian version. The original sculpture is located at the Musée Fabre in Montpellier; a copy is at the Lady Lever Art Gallery, Port Sunlight, near Liverpool."}
{"title": "ウルビーノのヴィーナス", "srclang_title": "Venus of Urbino", "en_title": "Venus of Urbino", "pageid": 2607094, "page_rank": 106, "page_url": "https://en.wikipedia.org/wiki/Venus_of_Urbino", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg/380px-Tiziano_-_Venere_di_Urbino_-_Google_Art_Project.jpg", "section": "彫刻", "subsection": null, "sub_subsection": null, "prompt": "ウルビーノのヴィーナスに関して、どのように彫刻が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Victorine Meurent", "Édouard Manet's", "Ferdinando II de' Medici", "Lorenzo Bartolini", "bagnio", "Duke of Camerino", "Giorgione", "Fernando d'Ávalos", "The Tribuna of the Uffizi", "Vittoria della Rovere", "Travel literature", "Pope Clement VII", "Musée Fabre", "File:Uffizi Venus of Urbino August 2022.jpg", "Florence", "Category:Paintings of Venus", "Category:Mythological paintings by Titian", "Duke of Urbino", "[[Johan Zoffany", "fidelity", "Eleonora Gonzaga, Duchess of Urbino", "Eleonora Gonzaga", "BBC Two", "Mark Twain", "Venus (mythology)", "Edgar Wind", "masturbation", "Hope, Charles (1994)", "Colonna family", "House of Medici", "Oil on canvas", "Hugh Honour", "cassone", "Papal States", "Image:Edouard Manet - Olympia - Google Art ProjectFXD.jpg", "papal diplomat", "Charles Hope", "travelogue", "Pietro Aretino", "Dukes of Urbino", "Olympia (painting)", "trousseau", "Charles Hope (art historian)", "left", "Category:Erotic art", "Titian", "Category:Dogs in paintings by Titian", "Renaissance in Urbino", "[[Guidobaldo II della Rovere, Duke of Urbino", "Category:Nude art", "File:Giorgione - Sleeping Venus - Google Art Project 2.jpg", "Aretino", "Édouard Manet", "Dresden Venus", "Venus", "Galleria degli Uffizi", "Oil painting", "Nuncio", "''[[Sleeping Venus (Giorgione)", "''Venus of Urbino'' displayed at the [[Uffizi", "Pesaro", "Colonna Family", "Renaissance", "File:Angelo Bronzino - Portrait of Guidobaldo della Rovere.jpg", "Tribuna of the Uffizi", "Renaissance Neoplatonism", "Uffizi", "Masturbation#Female", "Category:1534 paintings", "Category:Paintings in the Uffizi", "Józef Grabski", "Sleeping Venus (Giorgione)", "Guidobaldo II della Rovere", "thumb", "Port Sunlight", "Lady Lever Art Gallery", "A Tramp Abroad", "Honour, H.", "Medici family", "Tribuna of the Uffizi (painting)", "Platonism in the Renaissance", "[[Édouard Manet", "Hope chest", "right", "Venice", "J.A.D. Ingres", "female masturbation", "Johan Zoffany", "Jean-Auguste-Dominique Ingres", "Wind, Edgar", "File:Johan_Zoffany_-_Tribuna_of_the_Uffizi_-_Google_Art_Project.jpg", "List of works by Titian", "Duchy of Urbino", "Olympia", "Ippolito de' Medici", "Florence, Italy", "Vittoria Colonna"], "gold": "Lorenzo Bartolini developed the same theme in sculpture with his Venus (about 1830), based on the painting that his friend J.A.D. Ingres copied for him from the Titian version. The original sculpture is located at the Musée Fabre in Montpellier; a copy is at the Lady Lever Art Gallery, Port Sunlight, near Liverpool."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The Prague astronomical clock or Prague Orloj (Czech: Pražský orloj [praʃskiː orloj]) is a medieval astronomical clock attached to the Old Town Hall in Prague, the capital of the Czech Republic.The clock was first installed in 1410, making it the third-oldest astronomical clock in the world and the oldest clock still in operation."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The Prague astronomical clock or Prague Orloj (Czech: Pražský orloj [praʃskiː orloj]) is a medieval astronomical clock attached to the Old Town Hall in Prague, the capital of the Czech Republic.The clock was first installed in 1410, making it the third-oldest astronomical clock in the world and the oldest clock still in operation."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The Prague astronomical clock or Prague Orloj (Czech: Pražský orloj [praʃskiː orloj]) is a medieval astronomical clock attached to the Old Town Hall in Prague, the capital of the Czech Republic.The clock was first installed in 1410, making it the third-oldest astronomical clock in the world and the oldest clock still in operation."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The Prague astronomical clock or Prague Orloj (Czech: Pražský orloj [praʃskiː orloj]) is a medieval astronomical clock attached to the Old Town Hall in Prague, the capital of the Czech Republic.The clock was first installed in 1410, making it the third-oldest astronomical clock in the world and the oldest clock still in operation."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計に焦点を当てて、その説明を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The Orloj is mounted on the southern wall of Old Town Hall in the Old Town Square. The clock mechanism has three main components – the astronomical dial, representing the position of the Sun and Moon in the sky and displaying various astronomical details; statues of various Catholic saints stand on either side of the clock; \"The Walk of the Apostles\", an hourly show of moving Apostle figures and other sculptures, notably a figure of a skeleton that represents Death, striking the time; and a calendar dial with medallions representing the months. According to local legend, the city will suffer if the clock is neglected and its good operation is placed in jeopardy; a ghost, mounted on the clock, was supposed to nod its head in confirmation. According to the legend, the only hope was represented by a boy born on New Year's night."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計の説明を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The Orloj is mounted on the southern wall of Old Town Hall in the Old Town Square. The clock mechanism has three main components – the astronomical dial, representing the position of the Sun and Moon in the sky and displaying various astronomical details; statues of various Catholic saints stand on either side of the clock; \"The Walk of the Apostles\", an hourly show of moving Apostle figures and other sculptures, notably a figure of a skeleton that represents Death, striking the time; and a calendar dial with medallions representing the months. According to local legend, the city will suffer if the clock is neglected and its good operation is placed in jeopardy; a ghost, mounted on the clock, was supposed to nod its head in confirmation. According to the legend, the only hope was represented by a boy born on New Year's night."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計はどのように説明を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The Orloj is mounted on the southern wall of Old Town Hall in the Old Town Square. The clock mechanism has three main components – the astronomical dial, representing the position of the Sun and Moon in the sky and displaying various astronomical details; statues of various Catholic saints stand on either side of the clock; \"The Walk of the Apostles\", an hourly show of moving Apostle figures and other sculptures, notably a figure of a skeleton that represents Death, striking the time; and a calendar dial with medallions representing the months. According to local legend, the city will suffer if the clock is neglected and its good operation is placed in jeopardy; a ghost, mounted on the clock, was supposed to nod its head in confirmation. According to the legend, the only hope was represented by a boy born on New Year's night."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計に関して、どのように説明が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The Orloj is mounted on the southern wall of Old Town Hall in the Old Town Square. The clock mechanism has three main components – the astronomical dial, representing the position of the Sun and Moon in the sky and displaying various astronomical details; statues of various Catholic saints stand on either side of the clock; \"The Walk of the Apostles\", an hourly show of moving Apostle figures and other sculptures, notably a figure of a skeleton that represents Death, striking the time; and a calendar dial with medallions representing the months. According to local legend, the city will suffer if the clock is neglected and its good operation is placed in jeopardy; a ghost, mounted on the clock, was supposed to nod its head in confirmation. According to the legend, the only hope was represented by a boy born on New Year's night."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計に焦点を当てて、その歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The oldest part of the Orloj, the mechanical clock and astronomical dial, dates back to 1410, when it was created by clockmaker Mikuláš of Kadaň and Charles University professor of mathematics and astronomy Jan Šindel. The first recorded mention of the clock was on 9 October 1410. Later, presumably around 1490, the calendar dial was added and the clock facade was decorated with gothic sculptures.Formerly, it was believed that the Orloj was constructed in 1490 by clockmaster Jan Růže (also called Hanuš); this is now known to be a historical mistake. A legend, recounted by Alois Jirásek, has it that the clockmaker Hanuš was blinded on the order of the Prague Councillors so that he could not repeat his work; in turn, he disabled the clock, and no one was able to repair it for the next hundred years.In 1552 it was repaired by Jan Táborský (1500–1572), master clockmaker of Klokotská Hora, who also wrote a report of the clock where he mentioned Hanuš as the maker of this clock. This mistake, corrected by Zdeněk Horský, was due to an incorrect interpretation of records from the period. The mistaken assumption that Hanuš was the maker is probably connected with his reconstruction of the Old Town Hall in the years 1470–1473. The clock stopped working many times in the centuries after 1552, and was repaired many times. The legend was used as the main plot in the 2008 animated film Goat story – The Old Prague Legends.In 1629 or 1659 wooden statues were added, and figures of the Apostles were added after a major repair in 1787–1791. During the next major repair in the years 1865–1866 the golden figure of a crowing rooster was added.The Orloj suffered heavy damage on 7 and especially 8 May 1945, during the Prague uprising, when the Nazis fired on the south-west side of the Old Town Square from several armoured vehicles in an unsuccessful attempt to destroy one of the centers of the uprising. The hall and nearby buildings burned, along with the wooden sculptures on the clock and the calendar dial face made by Josef Mánes. After significant effort, the machinery was repaired, the wooden Apostles restored by Vojtěch Sucharda, and the Orloj started working again in 1948.The Orloj was renovated in autumn 2005, when the statues and the lower calendar ring were restored. The wooden statues were covered with a net to keep pigeons away.The last renovation of the astronomical clock was carried out from January to September 2018, following a reconstruction of the Old Town Tower. During the renovation, an electric clock mechanism that had been in operation since 1948 was replaced by an original mechanism from the 1860s."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計の歴史を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The oldest part of the Orloj, the mechanical clock and astronomical dial, dates back to 1410, when it was created by clockmaker Mikuláš of Kadaň and Charles University professor of mathematics and astronomy Jan Šindel. The first recorded mention of the clock was on 9 October 1410. Later, presumably around 1490, the calendar dial was added and the clock facade was decorated with gothic sculptures.Formerly, it was believed that the Orloj was constructed in 1490 by clockmaster Jan Růže (also called Hanuš); this is now known to be a historical mistake. A legend, recounted by Alois Jirásek, has it that the clockmaker Hanuš was blinded on the order of the Prague Councillors so that he could not repeat his work; in turn, he disabled the clock, and no one was able to repair it for the next hundred years.In 1552 it was repaired by Jan Táborský (1500–1572), master clockmaker of Klokotská Hora, who also wrote a report of the clock where he mentioned Hanuš as the maker of this clock. This mistake, corrected by Zdeněk Horský, was due to an incorrect interpretation of records from the period. The mistaken assumption that Hanuš was the maker is probably connected with his reconstruction of the Old Town Hall in the years 1470–1473. The clock stopped working many times in the centuries after 1552, and was repaired many times. The legend was used as the main plot in the 2008 animated film Goat story – The Old Prague Legends.In 1629 or 1659 wooden statues were added, and figures of the Apostles were added after a major repair in 1787–1791. During the next major repair in the years 1865–1866 the golden figure of a crowing rooster was added.The Orloj suffered heavy damage on 7 and especially 8 May 1945, during the Prague uprising, when the Nazis fired on the south-west side of the Old Town Square from several armoured vehicles in an unsuccessful attempt to destroy one of the centers of the uprising. The hall and nearby buildings burned, along with the wooden sculptures on the clock and the calendar dial face made by Josef Mánes. After significant effort, the machinery was repaired, the wooden Apostles restored by Vojtěch Sucharda, and the Orloj started working again in 1948.The Orloj was renovated in autumn 2005, when the statues and the lower calendar ring were restored. The wooden statues were covered with a net to keep pigeons away.The last renovation of the astronomical clock was carried out from January to September 2018, following a reconstruction of the Old Town Tower. During the renovation, an electric clock mechanism that had been in operation since 1948 was replaced by an original mechanism from the 1860s."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計はどのように歴史を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The oldest part of the Orloj, the mechanical clock and astronomical dial, dates back to 1410, when it was created by clockmaker Mikuláš of Kadaň and Charles University professor of mathematics and astronomy Jan Šindel. The first recorded mention of the clock was on 9 October 1410. Later, presumably around 1490, the calendar dial was added and the clock facade was decorated with gothic sculptures.Formerly, it was believed that the Orloj was constructed in 1490 by clockmaster Jan Růže (also called Hanuš); this is now known to be a historical mistake. A legend, recounted by Alois Jirásek, has it that the clockmaker Hanuš was blinded on the order of the Prague Councillors so that he could not repeat his work; in turn, he disabled the clock, and no one was able to repair it for the next hundred years.In 1552 it was repaired by Jan Táborský (1500–1572), master clockmaker of Klokotská Hora, who also wrote a report of the clock where he mentioned Hanuš as the maker of this clock. This mistake, corrected by Zdeněk Horský, was due to an incorrect interpretation of records from the period. The mistaken assumption that Hanuš was the maker is probably connected with his reconstruction of the Old Town Hall in the years 1470–1473. The clock stopped working many times in the centuries after 1552, and was repaired many times. The legend was used as the main plot in the 2008 animated film Goat story – The Old Prague Legends.In 1629 or 1659 wooden statues were added, and figures of the Apostles were added after a major repair in 1787–1791. During the next major repair in the years 1865–1866 the golden figure of a crowing rooster was added.The Orloj suffered heavy damage on 7 and especially 8 May 1945, during the Prague uprising, when the Nazis fired on the south-west side of the Old Town Square from several armoured vehicles in an unsuccessful attempt to destroy one of the centers of the uprising. The hall and nearby buildings burned, along with the wooden sculptures on the clock and the calendar dial face made by Josef Mánes. After significant effort, the machinery was repaired, the wooden Apostles restored by Vojtěch Sucharda, and the Orloj started working again in 1948.The Orloj was renovated in autumn 2005, when the statues and the lower calendar ring were restored. The wooden statues were covered with a net to keep pigeons away.The last renovation of the astronomical clock was carried out from January to September 2018, following a reconstruction of the Old Town Tower. During the renovation, an electric clock mechanism that had been in operation since 1948 was replaced by an original mechanism from the 1860s."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計に関して、どのように歴史が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The oldest part of the Orloj, the mechanical clock and astronomical dial, dates back to 1410, when it was created by clockmaker Mikuláš of Kadaň and Charles University professor of mathematics and astronomy Jan Šindel. The first recorded mention of the clock was on 9 October 1410. Later, presumably around 1490, the calendar dial was added and the clock facade was decorated with gothic sculptures.Formerly, it was believed that the Orloj was constructed in 1490 by clockmaster Jan Růže (also called Hanuš); this is now known to be a historical mistake. A legend, recounted by Alois Jirásek, has it that the clockmaker Hanuš was blinded on the order of the Prague Councillors so that he could not repeat his work; in turn, he disabled the clock, and no one was able to repair it for the next hundred years.In 1552 it was repaired by Jan Táborský (1500–1572), master clockmaker of Klokotská Hora, who also wrote a report of the clock where he mentioned Hanuš as the maker of this clock. This mistake, corrected by Zdeněk Horský, was due to an incorrect interpretation of records from the period. The mistaken assumption that Hanuš was the maker is probably connected with his reconstruction of the Old Town Hall in the years 1470–1473. The clock stopped working many times in the centuries after 1552, and was repaired many times. The legend was used as the main plot in the 2008 animated film Goat story – The Old Prague Legends.In 1629 or 1659 wooden statues were added, and figures of the Apostles were added after a major repair in 1787–1791. During the next major repair in the years 1865–1866 the golden figure of a crowing rooster was added.The Orloj suffered heavy damage on 7 and especially 8 May 1945, during the Prague uprising, when the Nazis fired on the south-west side of the Old Town Square from several armoured vehicles in an unsuccessful attempt to destroy one of the centers of the uprising. The hall and nearby buildings burned, along with the wooden sculptures on the clock and the calendar dial face made by Josef Mánes. After significant effort, the machinery was repaired, the wooden Apostles restored by Vojtěch Sucharda, and the Orloj started working again in 1948.The Orloj was renovated in autumn 2005, when the statues and the lower calendar ring were restored. The wooden statues were covered with a net to keep pigeons away.The last renovation of the astronomical clock was carried out from January to September 2018, following a reconstruction of the Old Town Tower. During the renovation, an electric clock mechanism that had been in operation since 1948 was replaced by an original mechanism from the 1860s."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "600周年", "sub_subsection": null, "prompt": "プラハ天文時計の文脈で、600周年と歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "On 9 October 2010, the Orloj's 600th anniversary was celebrated with a light show on the face of the clock tower. Two projectors were used to project several animated videos on the clock. The videos showed it being built, torn down, rebuilt, and peeled away to show its internal mechanisms and the famous animated figures, as well as various events in the clock's history. The video interacted with the tower's architecture, such as rain rolling off the arch, and showing the passage of time with moving shadows."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "600周年", "sub_subsection": null, "prompt": "プラハ天文時計の歴史に関する600周年を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "On 9 October 2010, the Orloj's 600th anniversary was celebrated with a light show on the face of the clock tower. Two projectors were used to project several animated videos on the clock. The videos showed it being built, torn down, rebuilt, and peeled away to show its internal mechanisms and the famous animated figures, as well as various events in the clock's history. The video interacted with the tower's architecture, such as rain rolling off the arch, and showing the passage of time with moving shadows."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "600周年", "sub_subsection": null, "prompt": "プラハ天文時計では、どのように歴史の600周年が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "On 9 October 2010, the Orloj's 600th anniversary was celebrated with a light show on the face of the clock tower. Two projectors were used to project several animated videos on the clock. The videos showed it being built, torn down, rebuilt, and peeled away to show its internal mechanisms and the famous animated figures, as well as various events in the clock's history. The video interacted with the tower's architecture, such as rain rolling off the arch, and showing the passage of time with moving shadows."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "600周年", "sub_subsection": null, "prompt": "プラハ天文時計の歴史における600周年の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "On 9 October 2010, the Orloj's 600th anniversary was celebrated with a light show on the face of the clock tower. Two projectors were used to project several animated videos on the clock. The videos showed it being built, torn down, rebuilt, and peeled away to show its internal mechanisms and the famous animated figures, as well as various events in the clock's history. The video interacted with the tower's architecture, such as rain rolling off the arch, and showing the passage of time with moving shadows."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "605周年", "sub_subsection": null, "prompt": "プラハ天文時計の文脈で、605周年と歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "On its 605th anniversary, 9 October 2015, the Orloj appeared on the Google home page as a Google Doodle."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "605周年", "sub_subsection": null, "prompt": "プラハ天文時計の歴史に関する605周年を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "On its 605th anniversary, 9 October 2015, the Orloj appeared on the Google home page as a Google Doodle."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "605周年", "sub_subsection": null, "prompt": "プラハ天文時計では、どのように歴史の605周年が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "On its 605th anniversary, 9 October 2015, the Orloj appeared on the Google home page as a Google Doodle."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "605周年", "sub_subsection": null, "prompt": "プラハ天文時計の歴史における605周年の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "On its 605th anniversary, 9 October 2015, the Orloj appeared on the Google home page as a Google Doodle."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "2018年の再構築", "sub_subsection": null, "prompt": "プラハ天文時計の文脈で、2018年の再構築と歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The Orloj was taken down for reconstruction and replaced by a LED screen in early 2018, with the restoration works scheduled to last for the whole summer tourist season of 2018 and the restored actual Orloj eventually being back in service soon enough to commemorate the 100th anniversary of Czechoslovakia at the end of October 2018. With the reconstruction and restoration work completed, it resumed operations at 6 p.m. local time on 28 September 2018."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "2018年の再構築", "sub_subsection": null, "prompt": "プラハ天文時計の歴史に関する2018年の再構築を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The Orloj was taken down for reconstruction and replaced by a LED screen in early 2018, with the restoration works scheduled to last for the whole summer tourist season of 2018 and the restored actual Orloj eventually being back in service soon enough to commemorate the 100th anniversary of Czechoslovakia at the end of October 2018. With the reconstruction and restoration work completed, it resumed operations at 6 p.m. local time on 28 September 2018."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "2018年の再構築", "sub_subsection": null, "prompt": "プラハ天文時計では、どのように歴史の2018年の再構築が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The Orloj was taken down for reconstruction and replaced by a LED screen in early 2018, with the restoration works scheduled to last for the whole summer tourist season of 2018 and the restored actual Orloj eventually being back in service soon enough to commemorate the 100th anniversary of Czechoslovakia at the end of October 2018. With the reconstruction and restoration work completed, it resumed operations at 6 p.m. local time on 28 September 2018."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "2018年の再構築", "sub_subsection": null, "prompt": "プラハ天文時計の歴史における2018年の再構築の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The Orloj was taken down for reconstruction and replaced by a LED screen in early 2018, with the restoration works scheduled to last for the whole summer tourist season of 2018 and the restored actual Orloj eventually being back in service soon enough to commemorate the 100th anniversary of Czechoslovakia at the end of October 2018. With the reconstruction and restoration work completed, it resumed operations at 6 p.m. local time on 28 September 2018."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "2022年の再建論争", "sub_subsection": null, "prompt": "プラハ天文時計の文脈で、2022年の再建論争と歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The artwork on the Orloj became the center of controversy after a local heritage group noticed the reproduction had \"radically changed the appearance, ages, skin tone, dress and even genders of the figures\" illustrated by Mánes in 1866. A member of the Club for Old Prague, Milan Patka, registered a complaint with the Ministry of Culture, alleging that in the restoration, painter Stanislav Jirčík had deviated from the \"spirit and detail\" of the original. The National Heritage Inspectorate began investigations into the allegations.The Guardian reported that the artist may have put the likenesses of his friends and acquaintances into the work, \"possibly as a joke.\" Upon this discovery, the Prague city council's deputy mayor for transport and heritage criticized the botched restoration as \"banal and done by an amateur\" and suggested the city might need to commission a replacement. It is not yet known how the restoration's discrepancy with the original had escaped detection when the work was installed in 2018."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "2022年の再建論争", "sub_subsection": null, "prompt": "プラハ天文時計の歴史に関する2022年の再建論争を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The artwork on the Orloj became the center of controversy after a local heritage group noticed the reproduction had \"radically changed the appearance, ages, skin tone, dress and even genders of the figures\" illustrated by Mánes in 1866. A member of the Club for Old Prague, Milan Patka, registered a complaint with the Ministry of Culture, alleging that in the restoration, painter Stanislav Jirčík had deviated from the \"spirit and detail\" of the original. The National Heritage Inspectorate began investigations into the allegations.The Guardian reported that the artist may have put the likenesses of his friends and acquaintances into the work, \"possibly as a joke.\" Upon this discovery, the Prague city council's deputy mayor for transport and heritage criticized the botched restoration as \"banal and done by an amateur\" and suggested the city might need to commission a replacement. It is not yet known how the restoration's discrepancy with the original had escaped detection when the work was installed in 2018."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "2022年の再建論争", "sub_subsection": null, "prompt": "プラハ天文時計では、どのように歴史の2022年の再建論争が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The artwork on the Orloj became the center of controversy after a local heritage group noticed the reproduction had \"radically changed the appearance, ages, skin tone, dress and even genders of the figures\" illustrated by Mánes in 1866. A member of the Club for Old Prague, Milan Patka, registered a complaint with the Ministry of Culture, alleging that in the restoration, painter Stanislav Jirčík had deviated from the \"spirit and detail\" of the original. The National Heritage Inspectorate began investigations into the allegations.The Guardian reported that the artist may have put the likenesses of his friends and acquaintances into the work, \"possibly as a joke.\" Upon this discovery, the Prague city council's deputy mayor for transport and heritage criticized the botched restoration as \"banal and done by an amateur\" and suggested the city might need to commission a replacement. It is not yet known how the restoration's discrepancy with the original had escaped detection when the work was installed in 2018."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "歴史", "subsection": "2022年の再建論争", "sub_subsection": null, "prompt": "プラハ天文時計の歴史における2022年の再建論争の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The artwork on the Orloj became the center of controversy after a local heritage group noticed the reproduction had \"radically changed the appearance, ages, skin tone, dress and even genders of the figures\" illustrated by Mánes in 1866. A member of the Club for Old Prague, Milan Patka, registered a complaint with the Ministry of Culture, alleging that in the restoration, painter Stanislav Jirčík had deviated from the \"spirit and detail\" of the original. The National Heritage Inspectorate began investigations into the allegations.The Guardian reported that the artist may have put the likenesses of his friends and acquaintances into the work, \"possibly as a joke.\" Upon this discovery, the Prague city council's deputy mayor for transport and heritage criticized the botched restoration as \"banal and done by an amateur\" and suggested the city might need to commission a replacement. It is not yet known how the restoration's discrepancy with the original had escaped detection when the work was installed in 2018."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計に焦点を当てて、その天文時計を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The astronomical dial is a form of mechanical astrolabe, a device used in medieval astronomy. Alternatively, one may consider the Orloj to be a primitive planetarium, displaying the current orientation of the universe relative to the Earth.The astronomical dial has a background that represents the standing Earth and sky, and surrounding it operate four main moving components: the zodiacal ring, an outer rotating ring, an icon representing the Sun, and an icon representing the Moon."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計の天文時計を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The astronomical dial is a form of mechanical astrolabe, a device used in medieval astronomy. Alternatively, one may consider the Orloj to be a primitive planetarium, displaying the current orientation of the universe relative to the Earth.The astronomical dial has a background that represents the standing Earth and sky, and surrounding it operate four main moving components: the zodiacal ring, an outer rotating ring, an icon representing the Sun, and an icon representing the Moon."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計はどのように天文時計を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The astronomical dial is a form of mechanical astrolabe, a device used in medieval astronomy. Alternatively, one may consider the Orloj to be a primitive planetarium, displaying the current orientation of the universe relative to the Earth.The astronomical dial has a background that represents the standing Earth and sky, and surrounding it operate four main moving components: the zodiacal ring, an outer rotating ring, an icon representing the Sun, and an icon representing the Moon."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計に関して、どのように天文時計が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The astronomical dial is a form of mechanical astrolabe, a device used in medieval astronomy. Alternatively, one may consider the Orloj to be a primitive planetarium, displaying the current orientation of the universe relative to the Earth.The astronomical dial has a background that represents the standing Earth and sky, and surrounding it operate four main moving components: the zodiacal ring, an outer rotating ring, an icon representing the Sun, and an icon representing the Moon."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "静的背景", "sub_subsection": null, "prompt": "プラハ天文時計の文脈で、静的背景と天文時計を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The background represents the Earth and the local view of the sky. The blue circle directly in the centre represents the Earth, and the upper blue is the portion of the sky which is above the horizon. The red and black areas indicate portions of the sky below the horizon. During the daytime, the Sun sits over the blue part of the background and at night it sits over the black. During dawn or dusk, the mechanical sun is positioned over the red part of the background.Written on the eastern (left) part of the horizon is aurora (dawn in Latin) and ortus (rising). On the western (right) part is occasus (sunset), and crepusculum (twilight).Golden Roman numerals at the outer edge of blue circle are the timescale of a normal 24-hour day and indicate time in local Prague time, or Central European Time. Curved golden lines dividing the blue part of dial into 12 parts are marks for unequal \"hours\". These hours are defined as 1/12 of the time between sunrise and sunset, and vary as the days grow longer or shorter during the year."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "静的背景", "sub_subsection": null, "prompt": "プラハ天文時計の天文時計に関する静的背景を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The background represents the Earth and the local view of the sky. The blue circle directly in the centre represents the Earth, and the upper blue is the portion of the sky which is above the horizon. The red and black areas indicate portions of the sky below the horizon. During the daytime, the Sun sits over the blue part of the background and at night it sits over the black. During dawn or dusk, the mechanical sun is positioned over the red part of the background.Written on the eastern (left) part of the horizon is aurora (dawn in Latin) and ortus (rising). On the western (right) part is occasus (sunset), and crepusculum (twilight).Golden Roman numerals at the outer edge of blue circle are the timescale of a normal 24-hour day and indicate time in local Prague time, or Central European Time. Curved golden lines dividing the blue part of dial into 12 parts are marks for unequal \"hours\". These hours are defined as 1/12 of the time between sunrise and sunset, and vary as the days grow longer or shorter during the year."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "静的背景", "sub_subsection": null, "prompt": "プラハ天文時計では、どのように天文時計の静的背景が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The background represents the Earth and the local view of the sky. The blue circle directly in the centre represents the Earth, and the upper blue is the portion of the sky which is above the horizon. The red and black areas indicate portions of the sky below the horizon. During the daytime, the Sun sits over the blue part of the background and at night it sits over the black. During dawn or dusk, the mechanical sun is positioned over the red part of the background.Written on the eastern (left) part of the horizon is aurora (dawn in Latin) and ortus (rising). On the western (right) part is occasus (sunset), and crepusculum (twilight).Golden Roman numerals at the outer edge of blue circle are the timescale of a normal 24-hour day and indicate time in local Prague time, or Central European Time. Curved golden lines dividing the blue part of dial into 12 parts are marks for unequal \"hours\". These hours are defined as 1/12 of the time between sunrise and sunset, and vary as the days grow longer or shorter during the year."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "静的背景", "sub_subsection": null, "prompt": "プラハ天文時計の天文時計における静的背景の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The background represents the Earth and the local view of the sky. The blue circle directly in the centre represents the Earth, and the upper blue is the portion of the sky which is above the horizon. The red and black areas indicate portions of the sky below the horizon. During the daytime, the Sun sits over the blue part of the background and at night it sits over the black. During dawn or dusk, the mechanical sun is positioned over the red part of the background.Written on the eastern (left) part of the horizon is aurora (dawn in Latin) and ortus (rising). On the western (right) part is occasus (sunset), and crepusculum (twilight).Golden Roman numerals at the outer edge of blue circle are the timescale of a normal 24-hour day and indicate time in local Prague time, or Central European Time. Curved golden lines dividing the blue part of dial into 12 parts are marks for unequal \"hours\". These hours are defined as 1/12 of the time between sunrise and sunset, and vary as the days grow longer or shorter during the year."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "十二星座の環", "sub_subsection": null, "prompt": "プラハ天文時計の文脈で、十二星座の環と天文時計を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "Inside the large black outer circle lies another movable circle marked with the signs of the zodiac which indicates the location of the Sun on the ecliptic. The signs are shown in anticlockwise order. In the photograph accompanying this section, the Sun is currently moving anticlockwise from Cancer into Leo.The displacement of the zodiac circle results from the use of a stereographic projection of the ecliptic plane using the North pole as the basis of the projection. This is commonly seen in astronomical clocks of the period.The small golden star shows the position of the vernal equinox, and sidereal time can be read on the scale with golden Roman numerals. The zodiac is on the 365-tooth gear inside the machine. This gear is connected to the Sun gear and the Moon gear by a 24-tooth gear."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "十二星座の環", "sub_subsection": null, "prompt": "プラハ天文時計の天文時計に関する十二星座の環を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "Inside the large black outer circle lies another movable circle marked with the signs of the zodiac which indicates the location of the Sun on the ecliptic. The signs are shown in anticlockwise order. In the photograph accompanying this section, the Sun is currently moving anticlockwise from Cancer into Leo.The displacement of the zodiac circle results from the use of a stereographic projection of the ecliptic plane using the North pole as the basis of the projection. This is commonly seen in astronomical clocks of the period.The small golden star shows the position of the vernal equinox, and sidereal time can be read on the scale with golden Roman numerals. The zodiac is on the 365-tooth gear inside the machine. This gear is connected to the Sun gear and the Moon gear by a 24-tooth gear."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "十二星座の環", "sub_subsection": null, "prompt": "プラハ天文時計では、どのように天文時計の十二星座の環が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "Inside the large black outer circle lies another movable circle marked with the signs of the zodiac which indicates the location of the Sun on the ecliptic. The signs are shown in anticlockwise order. In the photograph accompanying this section, the Sun is currently moving anticlockwise from Cancer into Leo.The displacement of the zodiac circle results from the use of a stereographic projection of the ecliptic plane using the North pole as the basis of the projection. This is commonly seen in astronomical clocks of the period.The small golden star shows the position of the vernal equinox, and sidereal time can be read on the scale with golden Roman numerals. The zodiac is on the 365-tooth gear inside the machine. This gear is connected to the Sun gear and the Moon gear by a 24-tooth gear."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "十二星座の環", "sub_subsection": null, "prompt": "プラハ天文時計の天文時計における十二星座の環の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "Inside the large black outer circle lies another movable circle marked with the signs of the zodiac which indicates the location of the Sun on the ecliptic. The signs are shown in anticlockwise order. In the photograph accompanying this section, the Sun is currently moving anticlockwise from Cancer into Leo.The displacement of the zodiac circle results from the use of a stereographic projection of the ecliptic plane using the North pole as the basis of the projection. This is commonly seen in astronomical clocks of the period.The small golden star shows the position of the vernal equinox, and sidereal time can be read on the scale with golden Roman numerals. The zodiac is on the 365-tooth gear inside the machine. This gear is connected to the Sun gear and the Moon gear by a 24-tooth gear."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "古チェコ時間尺度", "sub_subsection": null, "prompt": "プラハ天文時計の文脈で、古チェコ時間尺度と天文時計を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time (or Italian hours), with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm (9.8ft)."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "古チェコ時間尺度", "sub_subsection": null, "prompt": "プラハ天文時計の天文時計に関する古チェコ時間尺度を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time (or Italian hours), with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm (9.8ft)."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "古チェコ時間尺度", "sub_subsection": null, "prompt": "プラハ天文時計では、どのように天文時計の古チェコ時間尺度が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time (or Italian hours), with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm (9.8ft)."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "古チェコ時間尺度", "sub_subsection": null, "prompt": "プラハ天文時計の天文時計における古チェコ時間尺度の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "At the outer edge of the clock, golden Schwabacher numerals are set on a black background. These numbers indicate Old Czech Time (or Italian hours), with 24 indicating the time of sunset, which varies during the year from as early as 16:00 in winter to 20:16 in summer. This ring moves back and forth during the year to coincide with the time of sunset. The outermost diameter of the ring is approximately 300cm (9.8ft)."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "太陽", "sub_subsection": null, "prompt": "プラハ天文時計の文脈で、太陽と天文時計を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.The position of the Sun over the curved golden lines indicates the time in unequal hours.The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "太陽", "sub_subsection": null, "prompt": "プラハ天文時計の天文時計に関する太陽を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.The position of the Sun over the curved golden lines indicates the time in unequal hours.The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "太陽", "sub_subsection": null, "prompt": "プラハ天文時計では、どのように天文時計の太陽が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.The position of the Sun over the curved golden lines indicates the time in unequal hours.The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "太陽", "sub_subsection": null, "prompt": "プラハ天文時計の天文時計における太陽の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The golden Sun moves around the zodiacal circle, thus showing its position on the ecliptic. The Sun is attached to an arm with a golden hand, and together they show the time in three different ways:The position of the golden hand over the Roman numerals on the background indicates the time in local Prague time.The position of the Sun over the curved golden lines indicates the time in unequal hours.The position of the golden hand over the outer ring indicates the hours passed after sunset in Old Czech Time.Additionally, the distance of the Sun from the center of the dial shows the time of sunrise and sunset. The Sun and its hand are on the 366-tooth gear inside the machine."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "月", "sub_subsection": null, "prompt": "プラハ天文時計の文脈で、月と天文時計を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "月", "sub_subsection": null, "prompt": "プラハ天文時計の天文時計に関する月を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "月", "sub_subsection": null, "prompt": "プラハ天文時計では、どのように天文時計の月が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "天文時計", "subsection": "月", "sub_subsection": null, "prompt": "プラハ天文時計の天文時計における月の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The movement of the Moon on the ecliptic is shown similarly to that of the Sun, although the speed is much faster, due to the Moon's orbit around the Earth. The Moon's arm is on the 379-tooth gear inside the clock machine.The half-silvered, half-black sphere of the Moon also shows the Lunar phase. The Moon has a 57-tooth gear inside its sphere, and is slowly rotated by a screw-thread attached to a weight, advancing two teeth per day. This movement, powered only by gravity, makes the Orloj unique in the world among astronomical clocks showing the phases of the Moon. The mechanism was created by an unknown maker, probably in the mid-17th century. Unlike the original device, the construction of which was described in a report from 1570, this mechanism produces much smaller deviation from the actual lunar phase of about one day in five years."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "アニメーションのフィギュア", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計に焦点を当てて、そのアニメーションのフィギュアを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The four figures flanking the clock are set in motion on the hour, and represent four things that were despised at the time of the clock's making. From left to right in the photographs, the first is Vanity, represented by a figure admiring himself in a mirror. Next, the miser holding a bag of gold represents greed or usury. Across the clock stands Death, a skeleton that strikes the time upon the hour. Finally, there is a Turkish figure representing lust and earthly pleasures. On the hour, the skeleton rings the bell and immediately all other figures shake their heads side to side, signifying their unreadiness \"to go\".Every hour of the day, statues of the Twelve Apostles with their attributes appear at the doorways above the clock. The left and right windows above the astronomical clock slide aside to reveal the Apostles as viewed from the square in this order: James the Less and Peter, Andrew and Matthias, Thaddeus and Philip, Thomas and Paul, John and Simon, Barnabas and Bartholomew. Unlike the list of the Twelve Apostles mentioned in the canonical gospels, James the Great and Matthew are missing, replaced by Paul and Barnabas."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "アニメーションのフィギュア", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計のアニメーションのフィギュアを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The four figures flanking the clock are set in motion on the hour, and represent four things that were despised at the time of the clock's making. From left to right in the photographs, the first is Vanity, represented by a figure admiring himself in a mirror. Next, the miser holding a bag of gold represents greed or usury. Across the clock stands Death, a skeleton that strikes the time upon the hour. Finally, there is a Turkish figure representing lust and earthly pleasures. On the hour, the skeleton rings the bell and immediately all other figures shake their heads side to side, signifying their unreadiness \"to go\".Every hour of the day, statues of the Twelve Apostles with their attributes appear at the doorways above the clock. The left and right windows above the astronomical clock slide aside to reveal the Apostles as viewed from the square in this order: James the Less and Peter, Andrew and Matthias, Thaddeus and Philip, Thomas and Paul, John and Simon, Barnabas and Bartholomew. Unlike the list of the Twelve Apostles mentioned in the canonical gospels, James the Great and Matthew are missing, replaced by Paul and Barnabas."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "アニメーションのフィギュア", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計はどのようにアニメーションのフィギュアを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The four figures flanking the clock are set in motion on the hour, and represent four things that were despised at the time of the clock's making. From left to right in the photographs, the first is Vanity, represented by a figure admiring himself in a mirror. Next, the miser holding a bag of gold represents greed or usury. Across the clock stands Death, a skeleton that strikes the time upon the hour. Finally, there is a Turkish figure representing lust and earthly pleasures. On the hour, the skeleton rings the bell and immediately all other figures shake their heads side to side, signifying their unreadiness \"to go\".Every hour of the day, statues of the Twelve Apostles with their attributes appear at the doorways above the clock. The left and right windows above the astronomical clock slide aside to reveal the Apostles as viewed from the square in this order: James the Less and Peter, Andrew and Matthias, Thaddeus and Philip, Thomas and Paul, John and Simon, Barnabas and Bartholomew. Unlike the list of the Twelve Apostles mentioned in the canonical gospels, James the Great and Matthew are missing, replaced by Paul and Barnabas."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "アニメーションのフィギュア", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計に関して、どのようにアニメーションのフィギュアが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The four figures flanking the clock are set in motion on the hour, and represent four things that were despised at the time of the clock's making. From left to right in the photographs, the first is Vanity, represented by a figure admiring himself in a mirror. Next, the miser holding a bag of gold represents greed or usury. Across the clock stands Death, a skeleton that strikes the time upon the hour. Finally, there is a Turkish figure representing lust and earthly pleasures. On the hour, the skeleton rings the bell and immediately all other figures shake their heads side to side, signifying their unreadiness \"to go\".Every hour of the day, statues of the Twelve Apostles with their attributes appear at the doorways above the clock. The left and right windows above the astronomical clock slide aside to reveal the Apostles as viewed from the square in this order: James the Less and Peter, Andrew and Matthias, Thaddeus and Philip, Thomas and Paul, John and Simon, Barnabas and Bartholomew. Unlike the list of the Twelve Apostles mentioned in the canonical gospels, James the Great and Matthew are missing, replaced by Paul and Barnabas."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "カレンダー", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計に焦点を当てて、そのカレンダーを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The calendar plate below the clock was replaced by a copy in 1880. The original made by Josef Mánes is stored in the Prague City Museum. On the edge of the circle is a church calendar with fixed holidays and the names of 365 saints. The board displays allegories of the months. Smaller images represent zodiac signs.Next to the calendar stands a philosopher, archangel Michael pointing at the top of the dial, an astronomer and a chronicler."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "カレンダー", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計のカレンダーを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The calendar plate below the clock was replaced by a copy in 1880. The original made by Josef Mánes is stored in the Prague City Museum. On the edge of the circle is a church calendar with fixed holidays and the names of 365 saints. The board displays allegories of the months. Smaller images represent zodiac signs.Next to the calendar stands a philosopher, archangel Michael pointing at the top of the dial, an astronomer and a chronicler."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "カレンダー", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計はどのようにカレンダーを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The calendar plate below the clock was replaced by a copy in 1880. The original made by Josef Mánes is stored in the Prague City Museum. On the edge of the circle is a church calendar with fixed holidays and the names of 365 saints. The board displays allegories of the months. Smaller images represent zodiac signs.Next to the calendar stands a philosopher, archangel Michael pointing at the top of the dial, an astronomer and a chronicler."}
{"title": "プラハ天文時計", "srclang_title": "Prague astronomical clock", "en_title": "Prague astronomical clock", "pageid": 684873, "page_rank": 132, "page_url": "https://en.wikipedia.org/wiki/Prague_astronomical_clock", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Astronomical_Clock_%288341899828%29.jpg/270px-Astronomical_Clock_%288341899828%29.jpg", "section": "カレンダー", "subsection": null, "sub_subsection": null, "prompt": "プラハ天文時計に関して、どのようにカレンダーが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["The clock tower on a Christmas night", "lust", "Matthew the Apostle", "Vanity", "Horology", "275px", "Prague", "Alois Jirásek", "Stanislav Jirčík", "Sun", "sidereal time", "Armillary sphere", "File:Prague Astronomical Clock Detail.jpg <!-- replacing Image:Prazsky orloj kalendar detail.jpg -->", "astronomer", "vernal equinox", "Functions noted", "Seoul", "Geocentric model", "Cancer (astrology)", "File:Rekonstrukce Staroměstské radnice 1AAB1356.jpg", "File:La lunaire de Tour horloge.jpg", "Thaddeus", "Matthew", "Mikuláš of Kadaň", "horizon", "Leo (astrology)", "miser", "Paul the Apostle", "Italian hours", "Bartholomew the Apostle", "zodiac signs", "Category:Astronomical clocks in the Czech Republic", "Category:Towers completed in the 15th century", "Category:History of astrology", "Category:Clock towers in the Czech Republic", "gravity", "Roman numerals", "month", "Philip the Apostle", "John the Evangelist", "Peter", "280px", "Category:Buildings and structures completed in 1410", "Moon", "Thomas", "Charles University", "armoured vehicles", "Goat story&nbsp;– The Old Prague Legends", "Bartholomew", "bag of gold", "Matthias", "Death (personification)", "medieval", "Armoured fighting vehicle", "Old Town Square", "Old Town Hall", "Death", "astronomical clock", "anniversary of Czechoslovakia", "LED display", "stereographic projection", "Apostles in the New Testament", "Old Czech Time", "Origins of Czechoslovakia", "Hour#Counting hours", "File:Prazsky orloj sochy apostolove.jpg", "Category:1410s in Europe", "usury", "Category:Old Town (Prague)", "The Moon sphere is seen showing approximately a quarter moon", "The clock tower", "Schwabacher", "Barnabas", "unequal hours", "James the Less", "Vojtěch Sucharda", "planetarium", "Apostles", "File:Prague Astronomical Clock.png", "chronicle", "left", "Antikythera mechanism", "Category:Buildings and structures in Prague", "Old Town Hall (Prague)", "Prague uprising", "File:Prague Clock Tower.jpg", "Jude the Apostle", "Orrery", "upright", "File:PACMoon.png", "Lunar phase", "Mapo District", "Andrew the Apostle", "Google Doodle", "National Heritage Inspectorate (Czech Republic)", "Middle Ages", "Wayback Machine", "Saint Matthias", "Jan Šindel", "archangel Michael", "astrolabe", "Catholic saints", "The Daily Telegraph", "File:Schema Orloj en.png", "Ministry of Culture", "astronomy", "greed", "Czech Republic", "Andrew", "Chronometry", "Gothic architecture", "Šindel sequence", "Prague 1", "File:Czech-2013-Prague-Astronomical clock face.jpg", "Paul", "March equinox", "Simon", "Ministry of Culture (Czech Republic)", "gothic", "Goat Story", "Central European Time", "The unique mechanism inside the Moon", "Josef Mánes", "Hour#Counting from sunset", "Category:Tourist attractions in Prague", "Thomas the Apostle", "Equation of time", "Simon the Zealot", "philosopher", "LED screen", "Vanitas", "thumb", "Cancer", "Michael (archangel)", "National Heritage Inspectorate", "Apostles in the New Testament#Lists of the Twelve Apostles in the New Testament", "Saint#Catholic Church", "Astrological sign", "right", "Latin", "ecliptic", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 3.jpg", "Zodiac", "Leo", "Twelve Apostles", "Saint Peter", "Astronomical dial", "holiday", "Philip", "Torquetum", "zodiac", "John", "James the Great", "File:Statues on Prague Astronomical Clock 2014-01 (landscape mode) 4.jpg", "hour", "Money bag"], "gold": "The calendar plate below the clock was replaced by a copy in 1880. The original made by Josef Mánes is stored in the Prague City Museum. On the edge of the circle is a church calendar with fixed holidays and the names of 365 saints. The board displays allegories of the months. Smaller images represent zodiac signs.Next to the calendar stands a philosopher, archangel Michael pointing at the top of the dial, an astronomer and a chronicler."}
{"title": "ウィキペディアの記念碑", "srclang_title": "Wikipedia Monument", "en_title": "Wikipedia Monument", "pageid": 44067769, "page_rank": 147, "page_url": "https://en.wikipedia.org/wiki/Wikipedia_Monument", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/270px-Wikipedia_Monument_2.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ウィキペディアの記念碑に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Collegium Polonicum", "Słubice", "Wikimedia chapter", "Category:2014 establishments in Poland", "Polish złoty", "Wikipedia community", "Mihran Hakobyan", "Wikimedia Commons", "Krzysztof Wojciechowski", "Wikipedia", "Nude (art)", "Logo of Wikipedia", "Category:Słubice County", "Monument", "Mihran Hakobyan's original [[maquette", "thumb", "Category:Monuments and memorials in Poland", "Category:Statues in Poland", "Common Knowledge?", "File:Wikipedia sculpture Poland Slubice.jpg", "List of Wikimedia chapters", "resin", "Gmina Słubice, Lubusz Voivodeship", "fiber", "Polish Wikipedia", "Category:Nude sculptures", "Fiberglass", "The Daily Telegraph", "Wikimedia Deutschland", "Wikipedia contributors", "Dariusz Jemielniak", "Wikipedia logo", "Category:Sculptures of men in Poland", "Category:Articles containing video clips", "nude", "Poland", "złotys", "Common Knowledge? An Ethnography of Wikipedia", "Category:Sculptures by Mihran Hakobyan", "Plac Frankfurcki", "Category:Wikipedia", "Category:2014 sculptures", "Category:Outdoor sculptures in Poland", "Wikimedia Foundation", "Słubice regional", "Jimmy Wales", "Wiki Loves Monuments", "Category:Fiberglass sculptures", "Wikimedia Polska", "Category:Sculptures of women in Poland"], "gold": "The Wikipedia Monument (Polish: Pomnik Wikipedii), located in Słubice, Poland, is a statue designed by Armenian sculptor Mihran Hakobyan honoring Wikipedia contributors. It was unveiled in Frankfurt Square (Plac Frankfurcki) on 22 October 2014 in a ceremony that included representatives from both local Wikimedia chapters and the Wikimedia Foundation."}
{"title": "ウィキペディアの記念碑", "srclang_title": "Wikipedia Monument", "en_title": "Wikipedia Monument", "pageid": 44067769, "page_rank": 147, "page_url": "https://en.wikipedia.org/wiki/Wikipedia_Monument", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/270px-Wikipedia_Monument_2.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ウィキペディアの記念碑のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Collegium Polonicum", "Słubice", "Wikimedia chapter", "Category:2014 establishments in Poland", "Polish złoty", "Wikipedia community", "Mihran Hakobyan", "Wikimedia Commons", "Krzysztof Wojciechowski", "Wikipedia", "Nude (art)", "Logo of Wikipedia", "Category:Słubice County", "Monument", "Mihran Hakobyan's original [[maquette", "thumb", "Category:Monuments and memorials in Poland", "Category:Statues in Poland", "Common Knowledge?", "File:Wikipedia sculpture Poland Slubice.jpg", "List of Wikimedia chapters", "resin", "Gmina Słubice, Lubusz Voivodeship", "fiber", "Polish Wikipedia", "Category:Nude sculptures", "Fiberglass", "The Daily Telegraph", "Wikimedia Deutschland", "Wikipedia contributors", "Dariusz Jemielniak", "Wikipedia logo", "Category:Sculptures of men in Poland", "Category:Articles containing video clips", "nude", "Poland", "złotys", "Common Knowledge? An Ethnography of Wikipedia", "Category:Sculptures by Mihran Hakobyan", "Plac Frankfurcki", "Category:Wikipedia", "Category:2014 sculptures", "Category:Outdoor sculptures in Poland", "Wikimedia Foundation", "Słubice regional", "Jimmy Wales", "Wiki Loves Monuments", "Category:Fiberglass sculptures", "Wikimedia Polska", "Category:Sculptures of women in Poland"], "gold": "The Wikipedia Monument (Polish: Pomnik Wikipedii), located in Słubice, Poland, is a statue designed by Armenian sculptor Mihran Hakobyan honoring Wikipedia contributors. It was unveiled in Frankfurt Square (Plac Frankfurcki) on 22 October 2014 in a ceremony that included representatives from both local Wikimedia chapters and the Wikimedia Foundation."}
{"title": "ウィキペディアの記念碑", "srclang_title": "Wikipedia Monument", "en_title": "Wikipedia Monument", "pageid": 44067769, "page_rank": 147, "page_url": "https://en.wikipedia.org/wiki/Wikipedia_Monument", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/270px-Wikipedia_Monument_2.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ウィキペディアの記念碑はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Collegium Polonicum", "Słubice", "Wikimedia chapter", "Category:2014 establishments in Poland", "Polish złoty", "Wikipedia community", "Mihran Hakobyan", "Wikimedia Commons", "Krzysztof Wojciechowski", "Wikipedia", "Nude (art)", "Logo of Wikipedia", "Category:Słubice County", "Monument", "Mihran Hakobyan's original [[maquette", "thumb", "Category:Monuments and memorials in Poland", "Category:Statues in Poland", "Common Knowledge?", "File:Wikipedia sculpture Poland Slubice.jpg", "List of Wikimedia chapters", "resin", "Gmina Słubice, Lubusz Voivodeship", "fiber", "Polish Wikipedia", "Category:Nude sculptures", "Fiberglass", "The Daily Telegraph", "Wikimedia Deutschland", "Wikipedia contributors", "Dariusz Jemielniak", "Wikipedia logo", "Category:Sculptures of men in Poland", "Category:Articles containing video clips", "nude", "Poland", "złotys", "Common Knowledge? An Ethnography of Wikipedia", "Category:Sculptures by Mihran Hakobyan", "Plac Frankfurcki", "Category:Wikipedia", "Category:2014 sculptures", "Category:Outdoor sculptures in Poland", "Wikimedia Foundation", "Słubice regional", "Jimmy Wales", "Wiki Loves Monuments", "Category:Fiberglass sculptures", "Wikimedia Polska", "Category:Sculptures of women in Poland"], "gold": "The Wikipedia Monument (Polish: Pomnik Wikipedii), located in Słubice, Poland, is a statue designed by Armenian sculptor Mihran Hakobyan honoring Wikipedia contributors. It was unveiled in Frankfurt Square (Plac Frankfurcki) on 22 October 2014 in a ceremony that included representatives from both local Wikimedia chapters and the Wikimedia Foundation."}
{"title": "ウィキペディアの記念碑", "srclang_title": "Wikipedia Monument", "en_title": "Wikipedia Monument", "pageid": 44067769, "page_rank": 147, "page_url": "https://en.wikipedia.org/wiki/Wikipedia_Monument", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/270px-Wikipedia_Monument_2.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ウィキペディアの記念碑に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Collegium Polonicum", "Słubice", "Wikimedia chapter", "Category:2014 establishments in Poland", "Polish złoty", "Wikipedia community", "Mihran Hakobyan", "Wikimedia Commons", "Krzysztof Wojciechowski", "Wikipedia", "Nude (art)", "Logo of Wikipedia", "Category:Słubice County", "Monument", "Mihran Hakobyan's original [[maquette", "thumb", "Category:Monuments and memorials in Poland", "Category:Statues in Poland", "Common Knowledge?", "File:Wikipedia sculpture Poland Slubice.jpg", "List of Wikimedia chapters", "resin", "Gmina Słubice, Lubusz Voivodeship", "fiber", "Polish Wikipedia", "Category:Nude sculptures", "Fiberglass", "The Daily Telegraph", "Wikimedia Deutschland", "Wikipedia contributors", "Dariusz Jemielniak", "Wikipedia logo", "Category:Sculptures of men in Poland", "Category:Articles containing video clips", "nude", "Poland", "złotys", "Common Knowledge? An Ethnography of Wikipedia", "Category:Sculptures by Mihran Hakobyan", "Plac Frankfurcki", "Category:Wikipedia", "Category:2014 sculptures", "Category:Outdoor sculptures in Poland", "Wikimedia Foundation", "Słubice regional", "Jimmy Wales", "Wiki Loves Monuments", "Category:Fiberglass sculptures", "Wikimedia Polska", "Category:Sculptures of women in Poland"], "gold": "The Wikipedia Monument (Polish: Pomnik Wikipedii), located in Słubice, Poland, is a statue designed by Armenian sculptor Mihran Hakobyan honoring Wikipedia contributors. It was unveiled in Frankfurt Square (Plac Frankfurcki) on 22 October 2014 in a ceremony that included representatives from both local Wikimedia chapters and the Wikimedia Foundation."}
{"title": "ウィキペディアの記念碑", "srclang_title": "Wikipedia Monument", "en_title": "Wikipedia Monument", "pageid": 44067769, "page_rank": 147, "page_url": "https://en.wikipedia.org/wiki/Wikipedia_Monument", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/270px-Wikipedia_Monument_2.JPG", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "ウィキペディアの記念碑に焦点を当てて、その説明を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Collegium Polonicum", "Słubice", "Wikimedia chapter", "Category:2014 establishments in Poland", "Polish złoty", "Wikipedia community", "Mihran Hakobyan", "Wikimedia Commons", "Krzysztof Wojciechowski", "Wikipedia", "Nude (art)", "Logo of Wikipedia", "Category:Słubice County", "Monument", "Mihran Hakobyan's original [[maquette", "thumb", "Category:Monuments and memorials in Poland", "Category:Statues in Poland", "Common Knowledge?", "File:Wikipedia sculpture Poland Slubice.jpg", "List of Wikimedia chapters", "resin", "Gmina Słubice, Lubusz Voivodeship", "fiber", "Polish Wikipedia", "Category:Nude sculptures", "Fiberglass", "The Daily Telegraph", "Wikimedia Deutschland", "Wikipedia contributors", "Dariusz Jemielniak", "Wikipedia logo", "Category:Sculptures of men in Poland", "Category:Articles containing video clips", "nude", "Poland", "złotys", "Common Knowledge? An Ethnography of Wikipedia", "Category:Sculptures by Mihran Hakobyan", "Plac Frankfurcki", "Category:Wikipedia", "Category:2014 sculptures", "Category:Outdoor sculptures in Poland", "Wikimedia Foundation", "Słubice regional", "Jimmy Wales", "Wiki Loves Monuments", "Category:Fiberglass sculptures", "Wikimedia Polska", "Category:Sculptures of women in Poland"], "gold": "The monument depicts four nude figures holding aloft a globe based on the Wikipedia logo, reaching over two metres (6 ft 7 in) up. The fiber-and-resin statue was designed by Armenian-born artist Mihran Hakobyan, who graduated from Collegium Polonicum. It cost about 50,000 złotys (approximately $13,500; €11,700) and was funded by Słubice regional authorities. The monument has the following inscription:With this monument the citizens of Słubice would like to pay homage to thousands of anonymous editors all over the world, who have contributed voluntarily to the creation of Wikipedia, the greatest project co-created by people regardless of political, religious or cultural borders. In the year this monument is unveiled Wikipedia is available in more than 280 languages and contains about 30 million articles. The benefactors behind this monument feel certain that with Wikipedia as one of its pillars the knowledge society will be able to contribute to the sustainable development of our civilization, social justice and peace among nations."}
{"title": "ウィキペディアの記念碑", "srclang_title": "Wikipedia Monument", "en_title": "Wikipedia Monument", "pageid": 44067769, "page_rank": 147, "page_url": "https://en.wikipedia.org/wiki/Wikipedia_Monument", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/270px-Wikipedia_Monument_2.JPG", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "ウィキペディアの記念碑の説明を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Collegium Polonicum", "Słubice", "Wikimedia chapter", "Category:2014 establishments in Poland", "Polish złoty", "Wikipedia community", "Mihran Hakobyan", "Wikimedia Commons", "Krzysztof Wojciechowski", "Wikipedia", "Nude (art)", "Logo of Wikipedia", "Category:Słubice County", "Monument", "Mihran Hakobyan's original [[maquette", "thumb", "Category:Monuments and memorials in Poland", "Category:Statues in Poland", "Common Knowledge?", "File:Wikipedia sculpture Poland Slubice.jpg", "List of Wikimedia chapters", "resin", "Gmina Słubice, Lubusz Voivodeship", "fiber", "Polish Wikipedia", "Category:Nude sculptures", "Fiberglass", "The Daily Telegraph", "Wikimedia Deutschland", "Wikipedia contributors", "Dariusz Jemielniak", "Wikipedia logo", "Category:Sculptures of men in Poland", "Category:Articles containing video clips", "nude", "Poland", "złotys", "Common Knowledge? An Ethnography of Wikipedia", "Category:Sculptures by Mihran Hakobyan", "Plac Frankfurcki", "Category:Wikipedia", "Category:2014 sculptures", "Category:Outdoor sculptures in Poland", "Wikimedia Foundation", "Słubice regional", "Jimmy Wales", "Wiki Loves Monuments", "Category:Fiberglass sculptures", "Wikimedia Polska", "Category:Sculptures of women in Poland"], "gold": "The monument depicts four nude figures holding aloft a globe based on the Wikipedia logo, reaching over two metres (6 ft 7 in) up. The fiber-and-resin statue was designed by Armenian-born artist Mihran Hakobyan, who graduated from Collegium Polonicum. It cost about 50,000 złotys (approximately $13,500; €11,700) and was funded by Słubice regional authorities. The monument has the following inscription:With this monument the citizens of Słubice would like to pay homage to thousands of anonymous editors all over the world, who have contributed voluntarily to the creation of Wikipedia, the greatest project co-created by people regardless of political, religious or cultural borders. In the year this monument is unveiled Wikipedia is available in more than 280 languages and contains about 30 million articles. The benefactors behind this monument feel certain that with Wikipedia as one of its pillars the knowledge society will be able to contribute to the sustainable development of our civilization, social justice and peace among nations."}
{"title": "ウィキペディアの記念碑", "srclang_title": "Wikipedia Monument", "en_title": "Wikipedia Monument", "pageid": 44067769, "page_rank": 147, "page_url": "https://en.wikipedia.org/wiki/Wikipedia_Monument", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/270px-Wikipedia_Monument_2.JPG", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "ウィキペディアの記念碑はどのように説明を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Collegium Polonicum", "Słubice", "Wikimedia chapter", "Category:2014 establishments in Poland", "Polish złoty", "Wikipedia community", "Mihran Hakobyan", "Wikimedia Commons", "Krzysztof Wojciechowski", "Wikipedia", "Nude (art)", "Logo of Wikipedia", "Category:Słubice County", "Monument", "Mihran Hakobyan's original [[maquette", "thumb", "Category:Monuments and memorials in Poland", "Category:Statues in Poland", "Common Knowledge?", "File:Wikipedia sculpture Poland Slubice.jpg", "List of Wikimedia chapters", "resin", "Gmina Słubice, Lubusz Voivodeship", "fiber", "Polish Wikipedia", "Category:Nude sculptures", "Fiberglass", "The Daily Telegraph", "Wikimedia Deutschland", "Wikipedia contributors", "Dariusz Jemielniak", "Wikipedia logo", "Category:Sculptures of men in Poland", "Category:Articles containing video clips", "nude", "Poland", "złotys", "Common Knowledge? An Ethnography of Wikipedia", "Category:Sculptures by Mihran Hakobyan", "Plac Frankfurcki", "Category:Wikipedia", "Category:2014 sculptures", "Category:Outdoor sculptures in Poland", "Wikimedia Foundation", "Słubice regional", "Jimmy Wales", "Wiki Loves Monuments", "Category:Fiberglass sculptures", "Wikimedia Polska", "Category:Sculptures of women in Poland"], "gold": "The monument depicts four nude figures holding aloft a globe based on the Wikipedia logo, reaching over two metres (6 ft 7 in) up. The fiber-and-resin statue was designed by Armenian-born artist Mihran Hakobyan, who graduated from Collegium Polonicum. It cost about 50,000 złotys (approximately $13,500; €11,700) and was funded by Słubice regional authorities. The monument has the following inscription:With this monument the citizens of Słubice would like to pay homage to thousands of anonymous editors all over the world, who have contributed voluntarily to the creation of Wikipedia, the greatest project co-created by people regardless of political, religious or cultural borders. In the year this monument is unveiled Wikipedia is available in more than 280 languages and contains about 30 million articles. The benefactors behind this monument feel certain that with Wikipedia as one of its pillars the knowledge society will be able to contribute to the sustainable development of our civilization, social justice and peace among nations."}
{"title": "ウィキペディアの記念碑", "srclang_title": "Wikipedia Monument", "en_title": "Wikipedia Monument", "pageid": 44067769, "page_rank": 147, "page_url": "https://en.wikipedia.org/wiki/Wikipedia_Monument", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/270px-Wikipedia_Monument_2.JPG", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "ウィキペディアの記念碑に関して、どのように説明が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Collegium Polonicum", "Słubice", "Wikimedia chapter", "Category:2014 establishments in Poland", "Polish złoty", "Wikipedia community", "Mihran Hakobyan", "Wikimedia Commons", "Krzysztof Wojciechowski", "Wikipedia", "Nude (art)", "Logo of Wikipedia", "Category:Słubice County", "Monument", "Mihran Hakobyan's original [[maquette", "thumb", "Category:Monuments and memorials in Poland", "Category:Statues in Poland", "Common Knowledge?", "File:Wikipedia sculpture Poland Slubice.jpg", "List of Wikimedia chapters", "resin", "Gmina Słubice, Lubusz Voivodeship", "fiber", "Polish Wikipedia", "Category:Nude sculptures", "Fiberglass", "The Daily Telegraph", "Wikimedia Deutschland", "Wikipedia contributors", "Dariusz Jemielniak", "Wikipedia logo", "Category:Sculptures of men in Poland", "Category:Articles containing video clips", "nude", "Poland", "złotys", "Common Knowledge? An Ethnography of Wikipedia", "Category:Sculptures by Mihran Hakobyan", "Plac Frankfurcki", "Category:Wikipedia", "Category:2014 sculptures", "Category:Outdoor sculptures in Poland", "Wikimedia Foundation", "Słubice regional", "Jimmy Wales", "Wiki Loves Monuments", "Category:Fiberglass sculptures", "Wikimedia Polska", "Category:Sculptures of women in Poland"], "gold": "The monument depicts four nude figures holding aloft a globe based on the Wikipedia logo, reaching over two metres (6 ft 7 in) up. The fiber-and-resin statue was designed by Armenian-born artist Mihran Hakobyan, who graduated from Collegium Polonicum. It cost about 50,000 złotys (approximately $13,500; €11,700) and was funded by Słubice regional authorities. The monument has the following inscription:With this monument the citizens of Słubice would like to pay homage to thousands of anonymous editors all over the world, who have contributed voluntarily to the creation of Wikipedia, the greatest project co-created by people regardless of political, religious or cultural borders. In the year this monument is unveiled Wikipedia is available in more than 280 languages and contains about 30 million articles. The benefactors behind this monument feel certain that with Wikipedia as one of its pillars the knowledge society will be able to contribute to the sustainable development of our civilization, social justice and peace among nations."}
{"title": "ウィキペディアの記念碑", "srclang_title": "Wikipedia Monument", "en_title": "Wikipedia Monument", "pageid": 44067769, "page_rank": 147, "page_url": "https://en.wikipedia.org/wiki/Wikipedia_Monument", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/270px-Wikipedia_Monument_2.JPG", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "ウィキペディアの記念碑に焦点を当てて、その歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Collegium Polonicum", "Słubice", "Wikimedia chapter", "Category:2014 establishments in Poland", "Polish złoty", "Wikipedia community", "Mihran Hakobyan", "Wikimedia Commons", "Krzysztof Wojciechowski", "Wikipedia", "Nude (art)", "Logo of Wikipedia", "Category:Słubice County", "Monument", "Mihran Hakobyan's original [[maquette", "thumb", "Category:Monuments and memorials in Poland", "Category:Statues in Poland", "Common Knowledge?", "File:Wikipedia sculpture Poland Slubice.jpg", "List of Wikimedia chapters", "resin", "Gmina Słubice, Lubusz Voivodeship", "fiber", "Polish Wikipedia", "Category:Nude sculptures", "Fiberglass", "The Daily Telegraph", "Wikimedia Deutschland", "Wikipedia contributors", "Dariusz Jemielniak", "Wikipedia logo", "Category:Sculptures of men in Poland", "Category:Articles containing video clips", "nude", "Poland", "złotys", "Common Knowledge? An Ethnography of Wikipedia", "Category:Sculptures by Mihran Hakobyan", "Plac Frankfurcki", "Category:Wikipedia", "Category:2014 sculptures", "Category:Outdoor sculptures in Poland", "Wikimedia Foundation", "Słubice regional", "Jimmy Wales", "Wiki Loves Monuments", "Category:Fiberglass sculptures", "Wikimedia Polska", "Category:Sculptures of women in Poland"], "gold": "The monument was suggested around 2010 by Krzysztof Wojciechowski, a university professor and director of the Collegium Polonicum in Słubice. Polish Wikipedia is a popular website in Poland and, with over a million articles, the 10th-largest Wikipedia in the world. According to Piotr Łuczyński, deputy mayor, the memorial \"will highlight the town's importance as an academic centre\". A Wikimedia Polska representative stated that the organization hopes that this project will \"raise awareness of the website and encourage people to contribute.\"It was unveiled on 22 October 2014, on the Plac Frankfurcki, becoming the world's first monument to the online encyclopedia. Representatives from the Wikimedia Foundation as well as from the Wikimedia chapters for Poland and Germany (Wikimedia Polska and Wikimedia Deutschland, respectively) attended the dedication ceremony. Dariusz Jemielniak, a professor of management, Wikimedia activist, and an author of the 2014 book Common Knowledge? An Ethnography of Wikipedia, delivered an opening ceremony address.When Wikipedia started back in 2001 I have to say that I never imagined a day when Wikipedia would be honored with a monument – we write about them, we photograph them with our Wiki Loves Monuments competition, and now we have a monument of our own. It is a truly special and exciting day, and one that I hope shines the spotlight on the thousands of Wikimedians who edit Wikipedia and make it the source of free knowledge it has come to be. I look forward to visiting Słubice one day to see the monument for myself and perhaps meeting some of those involved in the project."}
{"title": "ウィキペディアの記念碑", "srclang_title": "Wikipedia Monument", "en_title": "Wikipedia Monument", "pageid": 44067769, "page_rank": 147, "page_url": "https://en.wikipedia.org/wiki/Wikipedia_Monument", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/270px-Wikipedia_Monument_2.JPG", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "ウィキペディアの記念碑の歴史を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Collegium Polonicum", "Słubice", "Wikimedia chapter", "Category:2014 establishments in Poland", "Polish złoty", "Wikipedia community", "Mihran Hakobyan", "Wikimedia Commons", "Krzysztof Wojciechowski", "Wikipedia", "Nude (art)", "Logo of Wikipedia", "Category:Słubice County", "Monument", "Mihran Hakobyan's original [[maquette", "thumb", "Category:Monuments and memorials in Poland", "Category:Statues in Poland", "Common Knowledge?", "File:Wikipedia sculpture Poland Slubice.jpg", "List of Wikimedia chapters", "resin", "Gmina Słubice, Lubusz Voivodeship", "fiber", "Polish Wikipedia", "Category:Nude sculptures", "Fiberglass", "The Daily Telegraph", "Wikimedia Deutschland", "Wikipedia contributors", "Dariusz Jemielniak", "Wikipedia logo", "Category:Sculptures of men in Poland", "Category:Articles containing video clips", "nude", "Poland", "złotys", "Common Knowledge? An Ethnography of Wikipedia", "Category:Sculptures by Mihran Hakobyan", "Plac Frankfurcki", "Category:Wikipedia", "Category:2014 sculptures", "Category:Outdoor sculptures in Poland", "Wikimedia Foundation", "Słubice regional", "Jimmy Wales", "Wiki Loves Monuments", "Category:Fiberglass sculptures", "Wikimedia Polska", "Category:Sculptures of women in Poland"], "gold": "The monument was suggested around 2010 by Krzysztof Wojciechowski, a university professor and director of the Collegium Polonicum in Słubice. Polish Wikipedia is a popular website in Poland and, with over a million articles, the 10th-largest Wikipedia in the world. According to Piotr Łuczyński, deputy mayor, the memorial \"will highlight the town's importance as an academic centre\". A Wikimedia Polska representative stated that the organization hopes that this project will \"raise awareness of the website and encourage people to contribute.\"It was unveiled on 22 October 2014, on the Plac Frankfurcki, becoming the world's first monument to the online encyclopedia. Representatives from the Wikimedia Foundation as well as from the Wikimedia chapters for Poland and Germany (Wikimedia Polska and Wikimedia Deutschland, respectively) attended the dedication ceremony. Dariusz Jemielniak, a professor of management, Wikimedia activist, and an author of the 2014 book Common Knowledge? An Ethnography of Wikipedia, delivered an opening ceremony address.When Wikipedia started back in 2001 I have to say that I never imagined a day when Wikipedia would be honored with a monument – we write about them, we photograph them with our Wiki Loves Monuments competition, and now we have a monument of our own. It is a truly special and exciting day, and one that I hope shines the spotlight on the thousands of Wikimedians who edit Wikipedia and make it the source of free knowledge it has come to be. I look forward to visiting Słubice one day to see the monument for myself and perhaps meeting some of those involved in the project."}
{"title": "ウィキペディアの記念碑", "srclang_title": "Wikipedia Monument", "en_title": "Wikipedia Monument", "pageid": 44067769, "page_rank": 147, "page_url": "https://en.wikipedia.org/wiki/Wikipedia_Monument", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/270px-Wikipedia_Monument_2.JPG", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "ウィキペディアの記念碑はどのように歴史を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Collegium Polonicum", "Słubice", "Wikimedia chapter", "Category:2014 establishments in Poland", "Polish złoty", "Wikipedia community", "Mihran Hakobyan", "Wikimedia Commons", "Krzysztof Wojciechowski", "Wikipedia", "Nude (art)", "Logo of Wikipedia", "Category:Słubice County", "Monument", "Mihran Hakobyan's original [[maquette", "thumb", "Category:Monuments and memorials in Poland", "Category:Statues in Poland", "Common Knowledge?", "File:Wikipedia sculpture Poland Slubice.jpg", "List of Wikimedia chapters", "resin", "Gmina Słubice, Lubusz Voivodeship", "fiber", "Polish Wikipedia", "Category:Nude sculptures", "Fiberglass", "The Daily Telegraph", "Wikimedia Deutschland", "Wikipedia contributors", "Dariusz Jemielniak", "Wikipedia logo", "Category:Sculptures of men in Poland", "Category:Articles containing video clips", "nude", "Poland", "złotys", "Common Knowledge? An Ethnography of Wikipedia", "Category:Sculptures by Mihran Hakobyan", "Plac Frankfurcki", "Category:Wikipedia", "Category:2014 sculptures", "Category:Outdoor sculptures in Poland", "Wikimedia Foundation", "Słubice regional", "Jimmy Wales", "Wiki Loves Monuments", "Category:Fiberglass sculptures", "Wikimedia Polska", "Category:Sculptures of women in Poland"], "gold": "The monument was suggested around 2010 by Krzysztof Wojciechowski, a university professor and director of the Collegium Polonicum in Słubice. Polish Wikipedia is a popular website in Poland and, with over a million articles, the 10th-largest Wikipedia in the world. According to Piotr Łuczyński, deputy mayor, the memorial \"will highlight the town's importance as an academic centre\". A Wikimedia Polska representative stated that the organization hopes that this project will \"raise awareness of the website and encourage people to contribute.\"It was unveiled on 22 October 2014, on the Plac Frankfurcki, becoming the world's first monument to the online encyclopedia. Representatives from the Wikimedia Foundation as well as from the Wikimedia chapters for Poland and Germany (Wikimedia Polska and Wikimedia Deutschland, respectively) attended the dedication ceremony. Dariusz Jemielniak, a professor of management, Wikimedia activist, and an author of the 2014 book Common Knowledge? An Ethnography of Wikipedia, delivered an opening ceremony address.When Wikipedia started back in 2001 I have to say that I never imagined a day when Wikipedia would be honored with a monument – we write about them, we photograph them with our Wiki Loves Monuments competition, and now we have a monument of our own. It is a truly special and exciting day, and one that I hope shines the spotlight on the thousands of Wikimedians who edit Wikipedia and make it the source of free knowledge it has come to be. I look forward to visiting Słubice one day to see the monument for myself and perhaps meeting some of those involved in the project."}
{"title": "ウィキペディアの記念碑", "srclang_title": "Wikipedia Monument", "en_title": "Wikipedia Monument", "pageid": 44067769, "page_rank": 147, "page_url": "https://en.wikipedia.org/wiki/Wikipedia_Monument", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Wikipedia_Monument_2.JPG/270px-Wikipedia_Monument_2.JPG", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "ウィキペディアの記念碑に関して、どのように歴史が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Collegium Polonicum", "Słubice", "Wikimedia chapter", "Category:2014 establishments in Poland", "Polish złoty", "Wikipedia community", "Mihran Hakobyan", "Wikimedia Commons", "Krzysztof Wojciechowski", "Wikipedia", "Nude (art)", "Logo of Wikipedia", "Category:Słubice County", "Monument", "Mihran Hakobyan's original [[maquette", "thumb", "Category:Monuments and memorials in Poland", "Category:Statues in Poland", "Common Knowledge?", "File:Wikipedia sculpture Poland Slubice.jpg", "List of Wikimedia chapters", "resin", "Gmina Słubice, Lubusz Voivodeship", "fiber", "Polish Wikipedia", "Category:Nude sculptures", "Fiberglass", "The Daily Telegraph", "Wikimedia Deutschland", "Wikipedia contributors", "Dariusz Jemielniak", "Wikipedia logo", "Category:Sculptures of men in Poland", "Category:Articles containing video clips", "nude", "Poland", "złotys", "Common Knowledge? An Ethnography of Wikipedia", "Category:Sculptures by Mihran Hakobyan", "Plac Frankfurcki", "Category:Wikipedia", "Category:2014 sculptures", "Category:Outdoor sculptures in Poland", "Wikimedia Foundation", "Słubice regional", "Jimmy Wales", "Wiki Loves Monuments", "Category:Fiberglass sculptures", "Wikimedia Polska", "Category:Sculptures of women in Poland"], "gold": "The monument was suggested around 2010 by Krzysztof Wojciechowski, a university professor and director of the Collegium Polonicum in Słubice. Polish Wikipedia is a popular website in Poland and, with over a million articles, the 10th-largest Wikipedia in the world. According to Piotr Łuczyński, deputy mayor, the memorial \"will highlight the town's importance as an academic centre\". A Wikimedia Polska representative stated that the organization hopes that this project will \"raise awareness of the website and encourage people to contribute.\"It was unveiled on 22 October 2014, on the Plac Frankfurcki, becoming the world's first monument to the online encyclopedia. Representatives from the Wikimedia Foundation as well as from the Wikimedia chapters for Poland and Germany (Wikimedia Polska and Wikimedia Deutschland, respectively) attended the dedication ceremony. Dariusz Jemielniak, a professor of management, Wikimedia activist, and an author of the 2014 book Common Knowledge? An Ethnography of Wikipedia, delivered an opening ceremony address.When Wikipedia started back in 2001 I have to say that I never imagined a day when Wikipedia would be honored with a monument – we write about them, we photograph them with our Wiki Loves Monuments competition, and now we have a monument of our own. It is a truly special and exciting day, and one that I hope shines the spotlight on the thousands of Wikimedians who edit Wikipedia and make it the source of free knowledge it has come to be. I look forward to visiting Słubice one day to see the monument for myself and perhaps meeting some of those involved in the project."}
{"title": "ジネヴラ・デ・ベンチ", "srclang_title": "Ginevra de' Benci", "en_title": "Ginevra de' Benci", "pageid": 808517, "page_rank": 233, "page_url": "https://en.wikipedia.org/wiki/Ginevra_de%27_Benci", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/270px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ジネヴラ・デ・ベンチに焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Pietro Bembo", "File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg", "Category:15th-century portraits", "Renaissance Italy", "Reverse of the portrait", "Category:Portraits of women", "golden ratio", "Italian Renaissance", "Panel painting", "Domenico Ghirlandaio", "Susan Dorothea White", "Franz Joseph II, Prince of Liechtenstein", "Florentine", "thumb", "File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg", "Category:Portraits by Italian artists", "Category:Paintings by Leonardo da Vinci", "Category:Oil paintings", "Palm tree", "Cristoforo Landino", "Internet Archive", "Americas", "List of works by Leonardo da Vinci", "Lorenzo de' Medici", "laurel", "Category:1476 paintings", "Luigi di Bernardo Niccolini", "juniper", "betrothal", "Bay laurel", "Oil on panel", "palm", "Ginevra de' Benci", "Category:Paintings in the National Gallery of Art", "Engagement", "Giorgio Vasari", "Ginevra de' Benci (aristocrat)", "Bernardo Bembo", "Washington, D.C.", "record price for a painting", "Lives", "Santa Maria Novella", "Leonardo da Vinci", "Lives of the Most Excellent Painters, Sculptors, and Architects", "List of most expensive paintings", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Adoration of the Magi", "Florence", "Leonardo da Vinci, ''Study of a Woman's Hands'', 1490"], "gold": "Ginevra de' Benci is a portrait painting by Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458). It was acquired by the National Gallery of Art in Washington, D.C. US from Franz Joseph II, Prince of Liechtenstein in February 1967 for a record price for a painting of between $5 and $6 million. It is the only painting by Leonardo on public view in the Americas."}
{"title": "ジネヴラ・デ・ベンチ", "srclang_title": "Ginevra de' Benci", "en_title": "Ginevra de' Benci", "pageid": 808517, "page_rank": 233, "page_url": "https://en.wikipedia.org/wiki/Ginevra_de%27_Benci", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/270px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ジネヴラ・デ・ベンチのabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Pietro Bembo", "File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg", "Category:15th-century portraits", "Renaissance Italy", "Reverse of the portrait", "Category:Portraits of women", "golden ratio", "Italian Renaissance", "Panel painting", "Domenico Ghirlandaio", "Susan Dorothea White", "Franz Joseph II, Prince of Liechtenstein", "Florentine", "thumb", "File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg", "Category:Portraits by Italian artists", "Category:Paintings by Leonardo da Vinci", "Category:Oil paintings", "Palm tree", "Cristoforo Landino", "Internet Archive", "Americas", "List of works by Leonardo da Vinci", "Lorenzo de' Medici", "laurel", "Category:1476 paintings", "Luigi di Bernardo Niccolini", "juniper", "betrothal", "Bay laurel", "Oil on panel", "palm", "Ginevra de' Benci", "Category:Paintings in the National Gallery of Art", "Engagement", "Giorgio Vasari", "Ginevra de' Benci (aristocrat)", "Bernardo Bembo", "Washington, D.C.", "record price for a painting", "Lives", "Santa Maria Novella", "Leonardo da Vinci", "Lives of the Most Excellent Painters, Sculptors, and Architects", "List of most expensive paintings", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Adoration of the Magi", "Florence", "Leonardo da Vinci, ''Study of a Woman's Hands'', 1490"], "gold": "Ginevra de' Benci is a portrait painting by Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458). It was acquired by the National Gallery of Art in Washington, D.C. US from Franz Joseph II, Prince of Liechtenstein in February 1967 for a record price for a painting of between $5 and $6 million. It is the only painting by Leonardo on public view in the Americas."}
{"title": "ジネヴラ・デ・ベンチ", "srclang_title": "Ginevra de' Benci", "en_title": "Ginevra de' Benci", "pageid": 808517, "page_rank": 233, "page_url": "https://en.wikipedia.org/wiki/Ginevra_de%27_Benci", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/270px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ジネヴラ・デ・ベンチはどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Pietro Bembo", "File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg", "Category:15th-century portraits", "Renaissance Italy", "Reverse of the portrait", "Category:Portraits of women", "golden ratio", "Italian Renaissance", "Panel painting", "Domenico Ghirlandaio", "Susan Dorothea White", "Franz Joseph II, Prince of Liechtenstein", "Florentine", "thumb", "File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg", "Category:Portraits by Italian artists", "Category:Paintings by Leonardo da Vinci", "Category:Oil paintings", "Palm tree", "Cristoforo Landino", "Internet Archive", "Americas", "List of works by Leonardo da Vinci", "Lorenzo de' Medici", "laurel", "Category:1476 paintings", "Luigi di Bernardo Niccolini", "juniper", "betrothal", "Bay laurel", "Oil on panel", "palm", "Ginevra de' Benci", "Category:Paintings in the National Gallery of Art", "Engagement", "Giorgio Vasari", "Ginevra de' Benci (aristocrat)", "Bernardo Bembo", "Washington, D.C.", "record price for a painting", "Lives", "Santa Maria Novella", "Leonardo da Vinci", "Lives of the Most Excellent Painters, Sculptors, and Architects", "List of most expensive paintings", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Adoration of the Magi", "Florence", "Leonardo da Vinci, ''Study of a Woman's Hands'', 1490"], "gold": "Ginevra de' Benci is a portrait painting by Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458). It was acquired by the National Gallery of Art in Washington, D.C. US from Franz Joseph II, Prince of Liechtenstein in February 1967 for a record price for a painting of between $5 and $6 million. It is the only painting by Leonardo on public view in the Americas."}
{"title": "ジネヴラ・デ・ベンチ", "srclang_title": "Ginevra de' Benci", "en_title": "Ginevra de' Benci", "pageid": 808517, "page_rank": 233, "page_url": "https://en.wikipedia.org/wiki/Ginevra_de%27_Benci", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/270px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ジネヴラ・デ・ベンチに関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Pietro Bembo", "File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg", "Category:15th-century portraits", "Renaissance Italy", "Reverse of the portrait", "Category:Portraits of women", "golden ratio", "Italian Renaissance", "Panel painting", "Domenico Ghirlandaio", "Susan Dorothea White", "Franz Joseph II, Prince of Liechtenstein", "Florentine", "thumb", "File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg", "Category:Portraits by Italian artists", "Category:Paintings by Leonardo da Vinci", "Category:Oil paintings", "Palm tree", "Cristoforo Landino", "Internet Archive", "Americas", "List of works by Leonardo da Vinci", "Lorenzo de' Medici", "laurel", "Category:1476 paintings", "Luigi di Bernardo Niccolini", "juniper", "betrothal", "Bay laurel", "Oil on panel", "palm", "Ginevra de' Benci", "Category:Paintings in the National Gallery of Art", "Engagement", "Giorgio Vasari", "Ginevra de' Benci (aristocrat)", "Bernardo Bembo", "Washington, D.C.", "record price for a painting", "Lives", "Santa Maria Novella", "Leonardo da Vinci", "Lives of the Most Excellent Painters, Sculptors, and Architects", "List of most expensive paintings", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Adoration of the Magi", "Florence", "Leonardo da Vinci, ''Study of a Woman's Hands'', 1490"], "gold": "Ginevra de' Benci is a portrait painting by Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458). It was acquired by the National Gallery of Art in Washington, D.C. US from Franz Joseph II, Prince of Liechtenstein in February 1967 for a record price for a painting of between $5 and $6 million. It is the only painting by Leonardo on public view in the Americas."}
{"title": "ジネヴラ・デ・ベンチ", "srclang_title": "Ginevra de' Benci", "en_title": "Ginevra de' Benci", "pageid": 808517, "page_rank": 233, "page_url": "https://en.wikipedia.org/wiki/Ginevra_de%27_Benci", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/270px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "件名", "subsection": null, "sub_subsection": null, "prompt": "ジネヴラ・デ・ベンチに焦点を当てて、その件名を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Pietro Bembo", "File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg", "Category:15th-century portraits", "Renaissance Italy", "Reverse of the portrait", "Category:Portraits of women", "golden ratio", "Italian Renaissance", "Panel painting", "Domenico Ghirlandaio", "Susan Dorothea White", "Franz Joseph II, Prince of Liechtenstein", "Florentine", "thumb", "File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg", "Category:Portraits by Italian artists", "Category:Paintings by Leonardo da Vinci", "Category:Oil paintings", "Palm tree", "Cristoforo Landino", "Internet Archive", "Americas", "List of works by Leonardo da Vinci", "Lorenzo de' Medici", "laurel", "Category:1476 paintings", "Luigi di Bernardo Niccolini", "juniper", "betrothal", "Bay laurel", "Oil on panel", "palm", "Ginevra de' Benci", "Category:Paintings in the National Gallery of Art", "Engagement", "Giorgio Vasari", "Ginevra de' Benci (aristocrat)", "Bernardo Bembo", "Washington, D.C.", "record price for a painting", "Lives", "Santa Maria Novella", "Leonardo da Vinci", "Lives of the Most Excellent Painters, Sculptors, and Architects", "List of most expensive paintings", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Adoration of the Magi", "Florence", "Leonardo da Vinci, ''Study of a Woman's Hands'', 1490"], "gold": "Ginevra de' Benci, a well-known young Florentine woman, is universally considered to be the portrait's sitter. Leonardo painted the portrait in Florence between 1474 and 1478, possibly to commemorate Ginevra's marriage to Luigi di Bernardo Niccolini at the age of 16. More likely, it commemorates the engagement. Commonly, contemporary portraits of females were commissioned for either of two occasions: betrothal or marriage.  Wedding portraits traditionally were created in pairs, with the woman on the right, facing left; since this portrait faces right, it more likely represents betrothal.The juniper bush that surrounds Ginevra's head and fills much of the background, serves more than mere decorative purposes. In Renaissance Italy, the juniper was regarded a symbol of female virtue, while the Italian word for juniper, ginepro, also makes a play on Ginevra's name.The imagery and text on the reverse of the panel—a juniper sprig encircled by a wreath of laurel and palm, memorialized by the Latin motto Virtvtem Forma Decorat (\"Beauty adorns virtue\")—further support the identification of the portrait. The phrase is understood as symbolizing the intricate relationship between Ginevra's intellectual and moral virtue on the one hand, and her physical beauty on the other. The sprig of juniper, encircled by laurel and palm, suggests her name. The laurel and palm are in the personal emblem of Bernardo Bembo, a Venetian ambassador to Florence whose platonic relationship with Ginevra is revealed in poems exchanged between them. Infrared examination has revealed Bembo's motto \"Virtue and Honor\" beneath Ginevra's, making it likely that Bembo was somehow involved in the commission of the portrait.The portrait is one of the highlights of the National Gallery of Art, and is admired by many for its portrayal of Ginevra's temperament. Ginevra is beautiful, but austere; she has no hint of a smile and her gaze, although forward, seems indifferent to the viewer.At some point, the bottom of the painting was removed, presumably owing to damage, and Ginevra's arms and hands are thought to have been lost. Using the golden ratio, Susan Dorothea White has drawn an interpretation of how her arms and hands may have been positioned in the original. The adaptation is based on drawings of hands by Leonardo thought to be studies for this painting."}
{"title": "ジネヴラ・デ・ベンチ", "srclang_title": "Ginevra de' Benci", "en_title": "Ginevra de' Benci", "pageid": 808517, "page_rank": 233, "page_url": "https://en.wikipedia.org/wiki/Ginevra_de%27_Benci", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/270px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "件名", "subsection": null, "sub_subsection": null, "prompt": "ジネヴラ・デ・ベンチの件名を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Pietro Bembo", "File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg", "Category:15th-century portraits", "Renaissance Italy", "Reverse of the portrait", "Category:Portraits of women", "golden ratio", "Italian Renaissance", "Panel painting", "Domenico Ghirlandaio", "Susan Dorothea White", "Franz Joseph II, Prince of Liechtenstein", "Florentine", "thumb", "File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg", "Category:Portraits by Italian artists", "Category:Paintings by Leonardo da Vinci", "Category:Oil paintings", "Palm tree", "Cristoforo Landino", "Internet Archive", "Americas", "List of works by Leonardo da Vinci", "Lorenzo de' Medici", "laurel", "Category:1476 paintings", "Luigi di Bernardo Niccolini", "juniper", "betrothal", "Bay laurel", "Oil on panel", "palm", "Ginevra de' Benci", "Category:Paintings in the National Gallery of Art", "Engagement", "Giorgio Vasari", "Ginevra de' Benci (aristocrat)", "Bernardo Bembo", "Washington, D.C.", "record price for a painting", "Lives", "Santa Maria Novella", "Leonardo da Vinci", "Lives of the Most Excellent Painters, Sculptors, and Architects", "List of most expensive paintings", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Adoration of the Magi", "Florence", "Leonardo da Vinci, ''Study of a Woman's Hands'', 1490"], "gold": "Ginevra de' Benci, a well-known young Florentine woman, is universally considered to be the portrait's sitter. Leonardo painted the portrait in Florence between 1474 and 1478, possibly to commemorate Ginevra's marriage to Luigi di Bernardo Niccolini at the age of 16. More likely, it commemorates the engagement. Commonly, contemporary portraits of females were commissioned for either of two occasions: betrothal or marriage.  Wedding portraits traditionally were created in pairs, with the woman on the right, facing left; since this portrait faces right, it more likely represents betrothal.The juniper bush that surrounds Ginevra's head and fills much of the background, serves more than mere decorative purposes. In Renaissance Italy, the juniper was regarded a symbol of female virtue, while the Italian word for juniper, ginepro, also makes a play on Ginevra's name.The imagery and text on the reverse of the panel—a juniper sprig encircled by a wreath of laurel and palm, memorialized by the Latin motto Virtvtem Forma Decorat (\"Beauty adorns virtue\")—further support the identification of the portrait. The phrase is understood as symbolizing the intricate relationship between Ginevra's intellectual and moral virtue on the one hand, and her physical beauty on the other. The sprig of juniper, encircled by laurel and palm, suggests her name. The laurel and palm are in the personal emblem of Bernardo Bembo, a Venetian ambassador to Florence whose platonic relationship with Ginevra is revealed in poems exchanged between them. Infrared examination has revealed Bembo's motto \"Virtue and Honor\" beneath Ginevra's, making it likely that Bembo was somehow involved in the commission of the portrait.The portrait is one of the highlights of the National Gallery of Art, and is admired by many for its portrayal of Ginevra's temperament. Ginevra is beautiful, but austere; she has no hint of a smile and her gaze, although forward, seems indifferent to the viewer.At some point, the bottom of the painting was removed, presumably owing to damage, and Ginevra's arms and hands are thought to have been lost. Using the golden ratio, Susan Dorothea White has drawn an interpretation of how her arms and hands may have been positioned in the original. The adaptation is based on drawings of hands by Leonardo thought to be studies for this painting."}
{"title": "ジネヴラ・デ・ベンチ", "srclang_title": "Ginevra de' Benci", "en_title": "Ginevra de' Benci", "pageid": 808517, "page_rank": 233, "page_url": "https://en.wikipedia.org/wiki/Ginevra_de%27_Benci", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/270px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "件名", "subsection": null, "sub_subsection": null, "prompt": "ジネヴラ・デ・ベンチはどのように件名を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Pietro Bembo", "File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg", "Category:15th-century portraits", "Renaissance Italy", "Reverse of the portrait", "Category:Portraits of women", "golden ratio", "Italian Renaissance", "Panel painting", "Domenico Ghirlandaio", "Susan Dorothea White", "Franz Joseph II, Prince of Liechtenstein", "Florentine", "thumb", "File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg", "Category:Portraits by Italian artists", "Category:Paintings by Leonardo da Vinci", "Category:Oil paintings", "Palm tree", "Cristoforo Landino", "Internet Archive", "Americas", "List of works by Leonardo da Vinci", "Lorenzo de' Medici", "laurel", "Category:1476 paintings", "Luigi di Bernardo Niccolini", "juniper", "betrothal", "Bay laurel", "Oil on panel", "palm", "Ginevra de' Benci", "Category:Paintings in the National Gallery of Art", "Engagement", "Giorgio Vasari", "Ginevra de' Benci (aristocrat)", "Bernardo Bembo", "Washington, D.C.", "record price for a painting", "Lives", "Santa Maria Novella", "Leonardo da Vinci", "Lives of the Most Excellent Painters, Sculptors, and Architects", "List of most expensive paintings", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Adoration of the Magi", "Florence", "Leonardo da Vinci, ''Study of a Woman's Hands'', 1490"], "gold": "Ginevra de' Benci, a well-known young Florentine woman, is universally considered to be the portrait's sitter. Leonardo painted the portrait in Florence between 1474 and 1478, possibly to commemorate Ginevra's marriage to Luigi di Bernardo Niccolini at the age of 16. More likely, it commemorates the engagement. Commonly, contemporary portraits of females were commissioned for either of two occasions: betrothal or marriage.  Wedding portraits traditionally were created in pairs, with the woman on the right, facing left; since this portrait faces right, it more likely represents betrothal.The juniper bush that surrounds Ginevra's head and fills much of the background, serves more than mere decorative purposes. In Renaissance Italy, the juniper was regarded a symbol of female virtue, while the Italian word for juniper, ginepro, also makes a play on Ginevra's name.The imagery and text on the reverse of the panel—a juniper sprig encircled by a wreath of laurel and palm, memorialized by the Latin motto Virtvtem Forma Decorat (\"Beauty adorns virtue\")—further support the identification of the portrait. The phrase is understood as symbolizing the intricate relationship between Ginevra's intellectual and moral virtue on the one hand, and her physical beauty on the other. The sprig of juniper, encircled by laurel and palm, suggests her name. The laurel and palm are in the personal emblem of Bernardo Bembo, a Venetian ambassador to Florence whose platonic relationship with Ginevra is revealed in poems exchanged between them. Infrared examination has revealed Bembo's motto \"Virtue and Honor\" beneath Ginevra's, making it likely that Bembo was somehow involved in the commission of the portrait.The portrait is one of the highlights of the National Gallery of Art, and is admired by many for its portrayal of Ginevra's temperament. Ginevra is beautiful, but austere; she has no hint of a smile and her gaze, although forward, seems indifferent to the viewer.At some point, the bottom of the painting was removed, presumably owing to damage, and Ginevra's arms and hands are thought to have been lost. Using the golden ratio, Susan Dorothea White has drawn an interpretation of how her arms and hands may have been positioned in the original. The adaptation is based on drawings of hands by Leonardo thought to be studies for this painting."}
{"title": "ジネヴラ・デ・ベンチ", "srclang_title": "Ginevra de' Benci", "en_title": "Ginevra de' Benci", "pageid": 808517, "page_rank": 233, "page_url": "https://en.wikipedia.org/wiki/Ginevra_de%27_Benci", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/270px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "件名", "subsection": null, "sub_subsection": null, "prompt": "ジネヴラ・デ・ベンチに関して、どのように件名が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Pietro Bembo", "File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg", "Category:15th-century portraits", "Renaissance Italy", "Reverse of the portrait", "Category:Portraits of women", "golden ratio", "Italian Renaissance", "Panel painting", "Domenico Ghirlandaio", "Susan Dorothea White", "Franz Joseph II, Prince of Liechtenstein", "Florentine", "thumb", "File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg", "Category:Portraits by Italian artists", "Category:Paintings by Leonardo da Vinci", "Category:Oil paintings", "Palm tree", "Cristoforo Landino", "Internet Archive", "Americas", "List of works by Leonardo da Vinci", "Lorenzo de' Medici", "laurel", "Category:1476 paintings", "Luigi di Bernardo Niccolini", "juniper", "betrothal", "Bay laurel", "Oil on panel", "palm", "Ginevra de' Benci", "Category:Paintings in the National Gallery of Art", "Engagement", "Giorgio Vasari", "Ginevra de' Benci (aristocrat)", "Bernardo Bembo", "Washington, D.C.", "record price for a painting", "Lives", "Santa Maria Novella", "Leonardo da Vinci", "Lives of the Most Excellent Painters, Sculptors, and Architects", "List of most expensive paintings", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Adoration of the Magi", "Florence", "Leonardo da Vinci, ''Study of a Woman's Hands'', 1490"], "gold": "Ginevra de' Benci, a well-known young Florentine woman, is universally considered to be the portrait's sitter. Leonardo painted the portrait in Florence between 1474 and 1478, possibly to commemorate Ginevra's marriage to Luigi di Bernardo Niccolini at the age of 16. More likely, it commemorates the engagement. Commonly, contemporary portraits of females were commissioned for either of two occasions: betrothal or marriage.  Wedding portraits traditionally were created in pairs, with the woman on the right, facing left; since this portrait faces right, it more likely represents betrothal.The juniper bush that surrounds Ginevra's head and fills much of the background, serves more than mere decorative purposes. In Renaissance Italy, the juniper was regarded a symbol of female virtue, while the Italian word for juniper, ginepro, also makes a play on Ginevra's name.The imagery and text on the reverse of the panel—a juniper sprig encircled by a wreath of laurel and palm, memorialized by the Latin motto Virtvtem Forma Decorat (\"Beauty adorns virtue\")—further support the identification of the portrait. The phrase is understood as symbolizing the intricate relationship between Ginevra's intellectual and moral virtue on the one hand, and her physical beauty on the other. The sprig of juniper, encircled by laurel and palm, suggests her name. The laurel and palm are in the personal emblem of Bernardo Bembo, a Venetian ambassador to Florence whose platonic relationship with Ginevra is revealed in poems exchanged between them. Infrared examination has revealed Bembo's motto \"Virtue and Honor\" beneath Ginevra's, making it likely that Bembo was somehow involved in the commission of the portrait.The portrait is one of the highlights of the National Gallery of Art, and is admired by many for its portrayal of Ginevra's temperament. Ginevra is beautiful, but austere; she has no hint of a smile and her gaze, although forward, seems indifferent to the viewer.At some point, the bottom of the painting was removed, presumably owing to damage, and Ginevra's arms and hands are thought to have been lost. Using the golden ratio, Susan Dorothea White has drawn an interpretation of how her arms and hands may have been positioned in the original. The adaptation is based on drawings of hands by Leonardo thought to be studies for this painting."}
{"title": "ジネヴラ・デ・ベンチ", "srclang_title": "Ginevra de' Benci", "en_title": "Ginevra de' Benci", "pageid": 808517, "page_rank": 233, "page_url": "https://en.wikipedia.org/wiki/Ginevra_de%27_Benci", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/270px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "雑学", "subsection": null, "sub_subsection": null, "prompt": "ジネヴラ・デ・ベンチに焦点を当てて、その雑学を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Pietro Bembo", "File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg", "Category:15th-century portraits", "Renaissance Italy", "Reverse of the portrait", "Category:Portraits of women", "golden ratio", "Italian Renaissance", "Panel painting", "Domenico Ghirlandaio", "Susan Dorothea White", "Franz Joseph II, Prince of Liechtenstein", "Florentine", "thumb", "File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg", "Category:Portraits by Italian artists", "Category:Paintings by Leonardo da Vinci", "Category:Oil paintings", "Palm tree", "Cristoforo Landino", "Internet Archive", "Americas", "List of works by Leonardo da Vinci", "Lorenzo de' Medici", "laurel", "Category:1476 paintings", "Luigi di Bernardo Niccolini", "juniper", "betrothal", "Bay laurel", "Oil on panel", "palm", "Ginevra de' Benci", "Category:Paintings in the National Gallery of Art", "Engagement", "Giorgio Vasari", "Ginevra de' Benci (aristocrat)", "Bernardo Bembo", "Washington, D.C.", "record price for a painting", "Lives", "Santa Maria Novella", "Leonardo da Vinci", "Lives of the Most Excellent Painters, Sculptors, and Architects", "List of most expensive paintings", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Adoration of the Magi", "Florence", "Leonardo da Vinci, ''Study of a Woman's Hands'', 1490"], "gold": "As a woman of renowned beauty, Ginevra de' Benci was also the subject of ten poems written by members of the Medici circle, Cristoforo Landino and Alessandro Braccesi, and of two sonnets by Lorenzo de' Medici himself.According to Giorgio Vasari, Ginevra de' Benci was also included in the fresco by Domenico Ghirlandaio of the Visitation of Mary and Elizabeth in the church of Santa Maria Novella in Florence, but it is now believed that Vasari made a mistake and that Ghirlandaio painted Giovanna Tornabuoni.Ginevra's brother Giovanni (1456–1523) was a friend of Leonardo. When Vasari wrote his Lives, Leonardo's unfinished Adoration of the Magi was in the house of Amerigo Benci, Giovanni's son.In 2017, the researcher and cryptographer Carla Glori anagrammatized fifty Latin sentences signed VINCI, formed with the very same alphabetical letters of the motto VIRTVTEM FORMA DECORAT when supplemented with the Latin word iuniperus (juniper [sprig]). Glori argues that the anagrams form a coherent text and have a meaning that unequivocally refers to the portrait and to the biography of Ginevra Benci."}
{"title": "ジネヴラ・デ・ベンチ", "srclang_title": "Ginevra de' Benci", "en_title": "Ginevra de' Benci", "pageid": 808517, "page_rank": 233, "page_url": "https://en.wikipedia.org/wiki/Ginevra_de%27_Benci", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/270px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "雑学", "subsection": null, "sub_subsection": null, "prompt": "ジネヴラ・デ・ベンチの雑学を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Pietro Bembo", "File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg", "Category:15th-century portraits", "Renaissance Italy", "Reverse of the portrait", "Category:Portraits of women", "golden ratio", "Italian Renaissance", "Panel painting", "Domenico Ghirlandaio", "Susan Dorothea White", "Franz Joseph II, Prince of Liechtenstein", "Florentine", "thumb", "File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg", "Category:Portraits by Italian artists", "Category:Paintings by Leonardo da Vinci", "Category:Oil paintings", "Palm tree", "Cristoforo Landino", "Internet Archive", "Americas", "List of works by Leonardo da Vinci", "Lorenzo de' Medici", "laurel", "Category:1476 paintings", "Luigi di Bernardo Niccolini", "juniper", "betrothal", "Bay laurel", "Oil on panel", "palm", "Ginevra de' Benci", "Category:Paintings in the National Gallery of Art", "Engagement", "Giorgio Vasari", "Ginevra de' Benci (aristocrat)", "Bernardo Bembo", "Washington, D.C.", "record price for a painting", "Lives", "Santa Maria Novella", "Leonardo da Vinci", "Lives of the Most Excellent Painters, Sculptors, and Architects", "List of most expensive paintings", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Adoration of the Magi", "Florence", "Leonardo da Vinci, ''Study of a Woman's Hands'', 1490"], "gold": "As a woman of renowned beauty, Ginevra de' Benci was also the subject of ten poems written by members of the Medici circle, Cristoforo Landino and Alessandro Braccesi, and of two sonnets by Lorenzo de' Medici himself.According to Giorgio Vasari, Ginevra de' Benci was also included in the fresco by Domenico Ghirlandaio of the Visitation of Mary and Elizabeth in the church of Santa Maria Novella in Florence, but it is now believed that Vasari made a mistake and that Ghirlandaio painted Giovanna Tornabuoni.Ginevra's brother Giovanni (1456–1523) was a friend of Leonardo. When Vasari wrote his Lives, Leonardo's unfinished Adoration of the Magi was in the house of Amerigo Benci, Giovanni's son.In 2017, the researcher and cryptographer Carla Glori anagrammatized fifty Latin sentences signed VINCI, formed with the very same alphabetical letters of the motto VIRTVTEM FORMA DECORAT when supplemented with the Latin word iuniperus (juniper [sprig]). Glori argues that the anagrams form a coherent text and have a meaning that unequivocally refers to the portrait and to the biography of Ginevra Benci."}
{"title": "ジネヴラ・デ・ベンチ", "srclang_title": "Ginevra de' Benci", "en_title": "Ginevra de' Benci", "pageid": 808517, "page_rank": 233, "page_url": "https://en.wikipedia.org/wiki/Ginevra_de%27_Benci", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/270px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "雑学", "subsection": null, "sub_subsection": null, "prompt": "ジネヴラ・デ・ベンチはどのように雑学を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Pietro Bembo", "File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg", "Category:15th-century portraits", "Renaissance Italy", "Reverse of the portrait", "Category:Portraits of women", "golden ratio", "Italian Renaissance", "Panel painting", "Domenico Ghirlandaio", "Susan Dorothea White", "Franz Joseph II, Prince of Liechtenstein", "Florentine", "thumb", "File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg", "Category:Portraits by Italian artists", "Category:Paintings by Leonardo da Vinci", "Category:Oil paintings", "Palm tree", "Cristoforo Landino", "Internet Archive", "Americas", "List of works by Leonardo da Vinci", "Lorenzo de' Medici", "laurel", "Category:1476 paintings", "Luigi di Bernardo Niccolini", "juniper", "betrothal", "Bay laurel", "Oil on panel", "palm", "Ginevra de' Benci", "Category:Paintings in the National Gallery of Art", "Engagement", "Giorgio Vasari", "Ginevra de' Benci (aristocrat)", "Bernardo Bembo", "Washington, D.C.", "record price for a painting", "Lives", "Santa Maria Novella", "Leonardo da Vinci", "Lives of the Most Excellent Painters, Sculptors, and Architects", "List of most expensive paintings", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Adoration of the Magi", "Florence", "Leonardo da Vinci, ''Study of a Woman's Hands'', 1490"], "gold": "As a woman of renowned beauty, Ginevra de' Benci was also the subject of ten poems written by members of the Medici circle, Cristoforo Landino and Alessandro Braccesi, and of two sonnets by Lorenzo de' Medici himself.According to Giorgio Vasari, Ginevra de' Benci was also included in the fresco by Domenico Ghirlandaio of the Visitation of Mary and Elizabeth in the church of Santa Maria Novella in Florence, but it is now believed that Vasari made a mistake and that Ghirlandaio painted Giovanna Tornabuoni.Ginevra's brother Giovanni (1456–1523) was a friend of Leonardo. When Vasari wrote his Lives, Leonardo's unfinished Adoration of the Magi was in the house of Amerigo Benci, Giovanni's son.In 2017, the researcher and cryptographer Carla Glori anagrammatized fifty Latin sentences signed VINCI, formed with the very same alphabetical letters of the motto VIRTVTEM FORMA DECORAT when supplemented with the Latin word iuniperus (juniper [sprig]). Glori argues that the anagrams form a coherent text and have a meaning that unequivocally refers to the portrait and to the biography of Ginevra Benci."}
{"title": "ジネヴラ・デ・ベンチ", "srclang_title": "Ginevra de' Benci", "en_title": "Ginevra de' Benci", "pageid": 808517, "page_rank": 233, "page_url": "https://en.wikipedia.org/wiki/Ginevra_de%27_Benci", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/39/Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg/270px-Leonardo_da_Vinci_-_Ginevra_de%27_Benci_-_Google_Art_Project.jpg", "section": "雑学", "subsection": null, "sub_subsection": null, "prompt": "ジネヴラ・デ・ベンチに関して、どのように雑学が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Pietro Bembo", "File:Leonardo da Vinci - RCIN 912558, A study of a woman's hands c.1490.jpg", "Category:15th-century portraits", "Renaissance Italy", "Reverse of the portrait", "Category:Portraits of women", "golden ratio", "Italian Renaissance", "Panel painting", "Domenico Ghirlandaio", "Susan Dorothea White", "Franz Joseph II, Prince of Liechtenstein", "Florentine", "thumb", "File:Leonardo da Vinci - Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forum Decorat (reverse) - Google Art Project.jpg", "Category:Portraits by Italian artists", "Category:Paintings by Leonardo da Vinci", "Category:Oil paintings", "Palm tree", "Cristoforo Landino", "Internet Archive", "Americas", "List of works by Leonardo da Vinci", "Lorenzo de' Medici", "laurel", "Category:1476 paintings", "Luigi di Bernardo Niccolini", "juniper", "betrothal", "Bay laurel", "Oil on panel", "palm", "Ginevra de' Benci", "Category:Paintings in the National Gallery of Art", "Engagement", "Giorgio Vasari", "Ginevra de' Benci (aristocrat)", "Bernardo Bembo", "Washington, D.C.", "record price for a painting", "Lives", "Santa Maria Novella", "Leonardo da Vinci", "Lives of the Most Excellent Painters, Sculptors, and Architects", "List of most expensive paintings", "Adoration of the Magi (Leonardo)", "National Gallery of Art", "Adoration of the Magi", "Florence", "Leonardo da Vinci, ''Study of a Woman's Hands'', 1490"], "gold": "As a woman of renowned beauty, Ginevra de' Benci was also the subject of ten poems written by members of the Medici circle, Cristoforo Landino and Alessandro Braccesi, and of two sonnets by Lorenzo de' Medici himself.According to Giorgio Vasari, Ginevra de' Benci was also included in the fresco by Domenico Ghirlandaio of the Visitation of Mary and Elizabeth in the church of Santa Maria Novella in Florence, but it is now believed that Vasari made a mistake and that Ghirlandaio painted Giovanna Tornabuoni.Ginevra's brother Giovanni (1456–1523) was a friend of Leonardo. When Vasari wrote his Lives, Leonardo's unfinished Adoration of the Magi was in the house of Amerigo Benci, Giovanni's son.In 2017, the researcher and cryptographer Carla Glori anagrammatized fifty Latin sentences signed VINCI, formed with the very same alphabetical letters of the motto VIRTVTEM FORMA DECORAT when supplemented with the Latin word iuniperus (juniper [sprig]). Glori argues that the anagrams form a coherent text and have a meaning that unequivocally refers to the portrait and to the biography of Ginevra Benci."}
{"title": "ベノワ・マドンナ", "srclang_title": "Benois Madonna", "en_title": "Benois Madonna", "pageid": 1670518, "page_rank": 402, "page_url": "https://en.wikipedia.org/wiki/Benois_Madonna", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/270px-Leonardo%2C_Madonna_Benois.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ベノワ・マドンナに焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["overpainting", "Emission theory (vision)", "Crown of thorns", "October Revolution", "Alexander I of Russia", "Madonna", "File:Orest Kiprensky 034.jpg", "Italian Renaissance", "Joseph Duveen, 1st Baron Duveen", "[[Leonardo da Vinci", "Russian Academy of Arts", "left", "European goldfinch#Christian symbolism", "crucifix", "Leon Benois", "Category:Paintings in the Hermitage Museum", "Madonna, Benois", "overpainted", "A. I. Korsakov, 1808, by [[Orest Kiprensky", "Christ Child", "Novgorod", "Christ’s thorns", "Benois Madonna, The", "Child", "objet d'art", "thumb", "emitted rays to cause vision", "File:Vasily Tropinin 37.jpg", "Category:Paintings by Leonardo da Vinci", "Hermitage Museum", "Category:Nude art", "Aleksei Ivanovich Korsakov", "Internet Archive", "Veliky Novgorod", "Crucifix", "Joseph Duveen", "Crucifixion of Jesus", "Bernard Berenson", "List of works by Leonardo da Vinci", "upright=.7", "Penguin Books", "Study for the Madonna of the Cat", "Marian art in the Catholic Church", "Rowman & Littlefield", "Cambridge University Press", "Karl Eduard von Liphart", "A. A. Sapozhnikov, 1852, by [[Vasily Tropinin", "Mary, mother of Jesus", "Munich", "Raphael", "Ernst Friedrich von Liphart", "Madonna (art)", "Category:1478 paintings", "Paul I", "Alexander I", "File:British Museum Leonardo study for Virgin and Child.jpg", "Virgin", "Saint Petersburg", "upright=1", "Crucifixion", "record amount", "Andrea del Verrocchio", "Benois", "Leonardo da Vinci", "Category:Paintings of the Madonna and Child by Leonardo da Vinci", "Italy", "Madonna of the Pinks", "National Gallery", "goldfinch", "Astrakhan", "List of most expensive paintings", "''objets d'art''", "Paul I of Russia", "Madonna of the Carnation", "British Museum", "Alte Pinakothek"], "gold": "The Benois Madonna, otherwise known as the Madonna and Child with Flowers, is a painting by the Italian Renaissance master Leonardo da Vinci in the Hermitage Museum, Saint Petersburg. One of two Madonnas begun by Leonardo in October 1478, it was completed c. 1478–1480; the other was the Madonna of the Carnation, now in the Alte Pinakothek, Munich."}
{"title": "ベノワ・マドンナ", "srclang_title": "Benois Madonna", "en_title": "Benois Madonna", "pageid": 1670518, "page_rank": 402, "page_url": "https://en.wikipedia.org/wiki/Benois_Madonna", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/270px-Leonardo%2C_Madonna_Benois.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ベノワ・マドンナのabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["overpainting", "Emission theory (vision)", "Crown of thorns", "October Revolution", "Alexander I of Russia", "Madonna", "File:Orest Kiprensky 034.jpg", "Italian Renaissance", "Joseph Duveen, 1st Baron Duveen", "[[Leonardo da Vinci", "Russian Academy of Arts", "left", "European goldfinch#Christian symbolism", "crucifix", "Leon Benois", "Category:Paintings in the Hermitage Museum", "Madonna, Benois", "overpainted", "A. I. Korsakov, 1808, by [[Orest Kiprensky", "Christ Child", "Novgorod", "Christ’s thorns", "Benois Madonna, The", "Child", "objet d'art", "thumb", "emitted rays to cause vision", "File:Vasily Tropinin 37.jpg", "Category:Paintings by Leonardo da Vinci", "Hermitage Museum", "Category:Nude art", "Aleksei Ivanovich Korsakov", "Internet Archive", "Veliky Novgorod", "Crucifix", "Joseph Duveen", "Crucifixion of Jesus", "Bernard Berenson", "List of works by Leonardo da Vinci", "upright=.7", "Penguin Books", "Study for the Madonna of the Cat", "Marian art in the Catholic Church", "Rowman & Littlefield", "Cambridge University Press", "Karl Eduard von Liphart", "A. A. Sapozhnikov, 1852, by [[Vasily Tropinin", "Mary, mother of Jesus", "Munich", "Raphael", "Ernst Friedrich von Liphart", "Madonna (art)", "Category:1478 paintings", "Paul I", "Alexander I", "File:British Museum Leonardo study for Virgin and Child.jpg", "Virgin", "Saint Petersburg", "upright=1", "Crucifixion", "record amount", "Andrea del Verrocchio", "Benois", "Leonardo da Vinci", "Category:Paintings of the Madonna and Child by Leonardo da Vinci", "Italy", "Madonna of the Pinks", "National Gallery", "goldfinch", "Astrakhan", "List of most expensive paintings", "''objets d'art''", "Paul I of Russia", "Madonna of the Carnation", "British Museum", "Alte Pinakothek"], "gold": "The Benois Madonna, otherwise known as the Madonna and Child with Flowers, is a painting by the Italian Renaissance master Leonardo da Vinci in the Hermitage Museum, Saint Petersburg. One of two Madonnas begun by Leonardo in October 1478, it was completed c. 1478–1480; the other was the Madonna of the Carnation, now in the Alte Pinakothek, Munich."}
{"title": "ベノワ・マドンナ", "srclang_title": "Benois Madonna", "en_title": "Benois Madonna", "pageid": 1670518, "page_rank": 402, "page_url": "https://en.wikipedia.org/wiki/Benois_Madonna", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/270px-Leonardo%2C_Madonna_Benois.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ベノワ・マドンナはどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["overpainting", "Emission theory (vision)", "Crown of thorns", "October Revolution", "Alexander I of Russia", "Madonna", "File:Orest Kiprensky 034.jpg", "Italian Renaissance", "Joseph Duveen, 1st Baron Duveen", "[[Leonardo da Vinci", "Russian Academy of Arts", "left", "European goldfinch#Christian symbolism", "crucifix", "Leon Benois", "Category:Paintings in the Hermitage Museum", "Madonna, Benois", "overpainted", "A. I. Korsakov, 1808, by [[Orest Kiprensky", "Christ Child", "Novgorod", "Christ’s thorns", "Benois Madonna, The", "Child", "objet d'art", "thumb", "emitted rays to cause vision", "File:Vasily Tropinin 37.jpg", "Category:Paintings by Leonardo da Vinci", "Hermitage Museum", "Category:Nude art", "Aleksei Ivanovich Korsakov", "Internet Archive", "Veliky Novgorod", "Crucifix", "Joseph Duveen", "Crucifixion of Jesus", "Bernard Berenson", "List of works by Leonardo da Vinci", "upright=.7", "Penguin Books", "Study for the Madonna of the Cat", "Marian art in the Catholic Church", "Rowman & Littlefield", "Cambridge University Press", "Karl Eduard von Liphart", "A. A. Sapozhnikov, 1852, by [[Vasily Tropinin", "Mary, mother of Jesus", "Munich", "Raphael", "Ernst Friedrich von Liphart", "Madonna (art)", "Category:1478 paintings", "Paul I", "Alexander I", "File:British Museum Leonardo study for Virgin and Child.jpg", "Virgin", "Saint Petersburg", "upright=1", "Crucifixion", "record amount", "Andrea del Verrocchio", "Benois", "Leonardo da Vinci", "Category:Paintings of the Madonna and Child by Leonardo da Vinci", "Italy", "Madonna of the Pinks", "National Gallery", "goldfinch", "Astrakhan", "List of most expensive paintings", "''objets d'art''", "Paul I of Russia", "Madonna of the Carnation", "British Museum", "Alte Pinakothek"], "gold": "The Benois Madonna, otherwise known as the Madonna and Child with Flowers, is a painting by the Italian Renaissance master Leonardo da Vinci in the Hermitage Museum, Saint Petersburg. One of two Madonnas begun by Leonardo in October 1478, it was completed c. 1478–1480; the other was the Madonna of the Carnation, now in the Alte Pinakothek, Munich."}
{"title": "ベノワ・マドンナ", "srclang_title": "Benois Madonna", "en_title": "Benois Madonna", "pageid": 1670518, "page_rank": 402, "page_url": "https://en.wikipedia.org/wiki/Benois_Madonna", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/270px-Leonardo%2C_Madonna_Benois.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ベノワ・マドンナに関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["overpainting", "Emission theory (vision)", "Crown of thorns", "October Revolution", "Alexander I of Russia", "Madonna", "File:Orest Kiprensky 034.jpg", "Italian Renaissance", "Joseph Duveen, 1st Baron Duveen", "[[Leonardo da Vinci", "Russian Academy of Arts", "left", "European goldfinch#Christian symbolism", "crucifix", "Leon Benois", "Category:Paintings in the Hermitage Museum", "Madonna, Benois", "overpainted", "A. I. Korsakov, 1808, by [[Orest Kiprensky", "Christ Child", "Novgorod", "Christ’s thorns", "Benois Madonna, The", "Child", "objet d'art", "thumb", "emitted rays to cause vision", "File:Vasily Tropinin 37.jpg", "Category:Paintings by Leonardo da Vinci", "Hermitage Museum", "Category:Nude art", "Aleksei Ivanovich Korsakov", "Internet Archive", "Veliky Novgorod", "Crucifix", "Joseph Duveen", "Crucifixion of Jesus", "Bernard Berenson", "List of works by Leonardo da Vinci", "upright=.7", "Penguin Books", "Study for the Madonna of the Cat", "Marian art in the Catholic Church", "Rowman & Littlefield", "Cambridge University Press", "Karl Eduard von Liphart", "A. A. Sapozhnikov, 1852, by [[Vasily Tropinin", "Mary, mother of Jesus", "Munich", "Raphael", "Ernst Friedrich von Liphart", "Madonna (art)", "Category:1478 paintings", "Paul I", "Alexander I", "File:British Museum Leonardo study for Virgin and Child.jpg", "Virgin", "Saint Petersburg", "upright=1", "Crucifixion", "record amount", "Andrea del Verrocchio", "Benois", "Leonardo da Vinci", "Category:Paintings of the Madonna and Child by Leonardo da Vinci", "Italy", "Madonna of the Pinks", "National Gallery", "goldfinch", "Astrakhan", "List of most expensive paintings", "''objets d'art''", "Paul I of Russia", "Madonna of the Carnation", "British Museum", "Alte Pinakothek"], "gold": "The Benois Madonna, otherwise known as the Madonna and Child with Flowers, is a painting by the Italian Renaissance master Leonardo da Vinci in the Hermitage Museum, Saint Petersburg. One of two Madonnas begun by Leonardo in October 1478, it was completed c. 1478–1480; the other was the Madonna of the Carnation, now in the Alte Pinakothek, Munich."}
{"title": "ベノワ・マドンナ", "srclang_title": "Benois Madonna", "en_title": "Benois Madonna", "pageid": 1670518, "page_rank": 402, "page_url": "https://en.wikipedia.org/wiki/Benois_Madonna", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/270px-Leonardo%2C_Madonna_Benois.JPG", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "ベノワ・マドンナに焦点を当てて、その歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["overpainting", "Emission theory (vision)", "Crown of thorns", "October Revolution", "Alexander I of Russia", "Madonna", "File:Orest Kiprensky 034.jpg", "Italian Renaissance", "Joseph Duveen, 1st Baron Duveen", "[[Leonardo da Vinci", "Russian Academy of Arts", "left", "European goldfinch#Christian symbolism", "crucifix", "Leon Benois", "Category:Paintings in the Hermitage Museum", "Madonna, Benois", "overpainted", "A. I. Korsakov, 1808, by [[Orest Kiprensky", "Christ Child", "Novgorod", "Christ’s thorns", "Benois Madonna, The", "Child", "objet d'art", "thumb", "emitted rays to cause vision", "File:Vasily Tropinin 37.jpg", "Category:Paintings by Leonardo da Vinci", "Hermitage Museum", "Category:Nude art", "Aleksei Ivanovich Korsakov", "Internet Archive", "Veliky Novgorod", "Crucifix", "Joseph Duveen", "Crucifixion of Jesus", "Bernard Berenson", "List of works by Leonardo da Vinci", "upright=.7", "Penguin Books", "Study for the Madonna of the Cat", "Marian art in the Catholic Church", "Rowman & Littlefield", "Cambridge University Press", "Karl Eduard von Liphart", "A. A. Sapozhnikov, 1852, by [[Vasily Tropinin", "Mary, mother of Jesus", "Munich", "Raphael", "Ernst Friedrich von Liphart", "Madonna (art)", "Category:1478 paintings", "Paul I", "Alexander I", "File:British Museum Leonardo study for Virgin and Child.jpg", "Virgin", "Saint Petersburg", "upright=1", "Crucifixion", "record amount", "Andrea del Verrocchio", "Benois", "Leonardo da Vinci", "Category:Paintings of the Madonna and Child by Leonardo da Vinci", "Italy", "Madonna of the Pinks", "National Gallery", "goldfinch", "Astrakhan", "List of most expensive paintings", "''objets d'art''", "Paul I of Russia", "Madonna of the Carnation", "British Museum", "Alte Pinakothek"], "gold": "It is likely that the Benois Madonna was the first work painted by Leonardo independently from his master Andrea del Verrocchio. Two of Leonardo's preliminary sketches for this work are in the British Museum, although the painting was probably overpainted by other hands. The preliminary sketches and the painting itself suggest that Leonardo was concentrating on the idea of sight and perspective. The child is thought to be guiding his mother's hands into his central vision.The Benois Madonna has proved to be one of Leonardo's most popular works. It was extensively copied by young painters, including Raphael in his Madonna of the Pinks in the National Gallery, London.For centuries, the painting was presumed to have been lost, then found, then lost, then found, then lost. It had in fact been acquired in Italy by the Russian artillery general and art connoisseur Aleksei Ivanovich Korsakov (1751–1821) in the 1790s. Upon Korsakov's death, his son sold it for the sum of 1,400 roubles to the Astrakhan fishing merchant Alexander Petrovich Sapozhnikov, who had his own art gallery; it was then passed on to his wealthy philanthropist son Alexander Alexendrovich Sapozhnikov (1827–1887). Finally, when his daughter Maria Sapozhnikova (1858–1938) married the architect Leon Benois (1856–1928), the painting became part of the inheritance of the Benois family. In 1909, the painting was sensationally exhibited in Saint Petersburg as part of the Benois collection. In 1912, the Benois family considered selling the painting and requested an appraisal from the London art dealer Joseph Duveen, who gave an evaluation of 500,000 francs. The art historian Bernard Berenson made disparaging comments about the painting, raising doubts about its authenticity:One unhappy day I was called to see the 'Benois Madonna'. I found myself confronted by a young woman with a bald forehead and puffed cheeks, a toothless smile, blear eyes, and a furrowed throat. The uncanny, anile apparition plays with a child who looks like a hollow mask fixed on inflated body and limbs. The hands are wretched, the folds purposeless and fussy, the color like whey. And yet I had to acknowledge that this painful affair was the work of Leonardo da Vinci. It was hard, but the effort freed me, and the indignation I felt gave me the resolution to proclaim my freedom.Despite these wrangles about attribution, however, the Benois Madonna was eventually sold to the Imperial Hermitage Museum in 1914 for a record amount. The purchase was made by Ernst Friedrich von Liphart, then curator of paintings at the Hermitage, who identified da Vinci as the artist. The payments were made in installments, continuing even after the 1917 October Revolution.Since 1914 the painting has been exhibited in the Hermitage Museum, Saint Petersburg."}
{"title": "ベノワ・マドンナ", "srclang_title": "Benois Madonna", "en_title": "Benois Madonna", "pageid": 1670518, "page_rank": 402, "page_url": "https://en.wikipedia.org/wiki/Benois_Madonna", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/270px-Leonardo%2C_Madonna_Benois.JPG", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "ベノワ・マドンナの歴史を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["overpainting", "Emission theory (vision)", "Crown of thorns", "October Revolution", "Alexander I of Russia", "Madonna", "File:Orest Kiprensky 034.jpg", "Italian Renaissance", "Joseph Duveen, 1st Baron Duveen", "[[Leonardo da Vinci", "Russian Academy of Arts", "left", "European goldfinch#Christian symbolism", "crucifix", "Leon Benois", "Category:Paintings in the Hermitage Museum", "Madonna, Benois", "overpainted", "A. I. Korsakov, 1808, by [[Orest Kiprensky", "Christ Child", "Novgorod", "Christ’s thorns", "Benois Madonna, The", "Child", "objet d'art", "thumb", "emitted rays to cause vision", "File:Vasily Tropinin 37.jpg", "Category:Paintings by Leonardo da Vinci", "Hermitage Museum", "Category:Nude art", "Aleksei Ivanovich Korsakov", "Internet Archive", "Veliky Novgorod", "Crucifix", "Joseph Duveen", "Crucifixion of Jesus", "Bernard Berenson", "List of works by Leonardo da Vinci", "upright=.7", "Penguin Books", "Study for the Madonna of the Cat", "Marian art in the Catholic Church", "Rowman & Littlefield", "Cambridge University Press", "Karl Eduard von Liphart", "A. A. Sapozhnikov, 1852, by [[Vasily Tropinin", "Mary, mother of Jesus", "Munich", "Raphael", "Ernst Friedrich von Liphart", "Madonna (art)", "Category:1478 paintings", "Paul I", "Alexander I", "File:British Museum Leonardo study for Virgin and Child.jpg", "Virgin", "Saint Petersburg", "upright=1", "Crucifixion", "record amount", "Andrea del Verrocchio", "Benois", "Leonardo da Vinci", "Category:Paintings of the Madonna and Child by Leonardo da Vinci", "Italy", "Madonna of the Pinks", "National Gallery", "goldfinch", "Astrakhan", "List of most expensive paintings", "''objets d'art''", "Paul I of Russia", "Madonna of the Carnation", "British Museum", "Alte Pinakothek"], "gold": "It is likely that the Benois Madonna was the first work painted by Leonardo independently from his master Andrea del Verrocchio. Two of Leonardo's preliminary sketches for this work are in the British Museum, although the painting was probably overpainted by other hands. The preliminary sketches and the painting itself suggest that Leonardo was concentrating on the idea of sight and perspective. The child is thought to be guiding his mother's hands into his central vision.The Benois Madonna has proved to be one of Leonardo's most popular works. It was extensively copied by young painters, including Raphael in his Madonna of the Pinks in the National Gallery, London.For centuries, the painting was presumed to have been lost, then found, then lost, then found, then lost. It had in fact been acquired in Italy by the Russian artillery general and art connoisseur Aleksei Ivanovich Korsakov (1751–1821) in the 1790s. Upon Korsakov's death, his son sold it for the sum of 1,400 roubles to the Astrakhan fishing merchant Alexander Petrovich Sapozhnikov, who had his own art gallery; it was then passed on to his wealthy philanthropist son Alexander Alexendrovich Sapozhnikov (1827–1887). Finally, when his daughter Maria Sapozhnikova (1858–1938) married the architect Leon Benois (1856–1928), the painting became part of the inheritance of the Benois family. In 1909, the painting was sensationally exhibited in Saint Petersburg as part of the Benois collection. In 1912, the Benois family considered selling the painting and requested an appraisal from the London art dealer Joseph Duveen, who gave an evaluation of 500,000 francs. The art historian Bernard Berenson made disparaging comments about the painting, raising doubts about its authenticity:One unhappy day I was called to see the 'Benois Madonna'. I found myself confronted by a young woman with a bald forehead and puffed cheeks, a toothless smile, blear eyes, and a furrowed throat. The uncanny, anile apparition plays with a child who looks like a hollow mask fixed on inflated body and limbs. The hands are wretched, the folds purposeless and fussy, the color like whey. And yet I had to acknowledge that this painful affair was the work of Leonardo da Vinci. It was hard, but the effort freed me, and the indignation I felt gave me the resolution to proclaim my freedom.Despite these wrangles about attribution, however, the Benois Madonna was eventually sold to the Imperial Hermitage Museum in 1914 for a record amount. The purchase was made by Ernst Friedrich von Liphart, then curator of paintings at the Hermitage, who identified da Vinci as the artist. The payments were made in installments, continuing even after the 1917 October Revolution.Since 1914 the painting has been exhibited in the Hermitage Museum, Saint Petersburg."}
{"title": "ベノワ・マドンナ", "srclang_title": "Benois Madonna", "en_title": "Benois Madonna", "pageid": 1670518, "page_rank": 402, "page_url": "https://en.wikipedia.org/wiki/Benois_Madonna", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/270px-Leonardo%2C_Madonna_Benois.JPG", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "ベノワ・マドンナはどのように歴史を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["overpainting", "Emission theory (vision)", "Crown of thorns", "October Revolution", "Alexander I of Russia", "Madonna", "File:Orest Kiprensky 034.jpg", "Italian Renaissance", "Joseph Duveen, 1st Baron Duveen", "[[Leonardo da Vinci", "Russian Academy of Arts", "left", "European goldfinch#Christian symbolism", "crucifix", "Leon Benois", "Category:Paintings in the Hermitage Museum", "Madonna, Benois", "overpainted", "A. I. Korsakov, 1808, by [[Orest Kiprensky", "Christ Child", "Novgorod", "Christ’s thorns", "Benois Madonna, The", "Child", "objet d'art", "thumb", "emitted rays to cause vision", "File:Vasily Tropinin 37.jpg", "Category:Paintings by Leonardo da Vinci", "Hermitage Museum", "Category:Nude art", "Aleksei Ivanovich Korsakov", "Internet Archive", "Veliky Novgorod", "Crucifix", "Joseph Duveen", "Crucifixion of Jesus", "Bernard Berenson", "List of works by Leonardo da Vinci", "upright=.7", "Penguin Books", "Study for the Madonna of the Cat", "Marian art in the Catholic Church", "Rowman & Littlefield", "Cambridge University Press", "Karl Eduard von Liphart", "A. A. Sapozhnikov, 1852, by [[Vasily Tropinin", "Mary, mother of Jesus", "Munich", "Raphael", "Ernst Friedrich von Liphart", "Madonna (art)", "Category:1478 paintings", "Paul I", "Alexander I", "File:British Museum Leonardo study for Virgin and Child.jpg", "Virgin", "Saint Petersburg", "upright=1", "Crucifixion", "record amount", "Andrea del Verrocchio", "Benois", "Leonardo da Vinci", "Category:Paintings of the Madonna and Child by Leonardo da Vinci", "Italy", "Madonna of the Pinks", "National Gallery", "goldfinch", "Astrakhan", "List of most expensive paintings", "''objets d'art''", "Paul I of Russia", "Madonna of the Carnation", "British Museum", "Alte Pinakothek"], "gold": "It is likely that the Benois Madonna was the first work painted by Leonardo independently from his master Andrea del Verrocchio. Two of Leonardo's preliminary sketches for this work are in the British Museum, although the painting was probably overpainted by other hands. The preliminary sketches and the painting itself suggest that Leonardo was concentrating on the idea of sight and perspective. The child is thought to be guiding his mother's hands into his central vision.The Benois Madonna has proved to be one of Leonardo's most popular works. It was extensively copied by young painters, including Raphael in his Madonna of the Pinks in the National Gallery, London.For centuries, the painting was presumed to have been lost, then found, then lost, then found, then lost. It had in fact been acquired in Italy by the Russian artillery general and art connoisseur Aleksei Ivanovich Korsakov (1751–1821) in the 1790s. Upon Korsakov's death, his son sold it for the sum of 1,400 roubles to the Astrakhan fishing merchant Alexander Petrovich Sapozhnikov, who had his own art gallery; it was then passed on to his wealthy philanthropist son Alexander Alexendrovich Sapozhnikov (1827–1887). Finally, when his daughter Maria Sapozhnikova (1858–1938) married the architect Leon Benois (1856–1928), the painting became part of the inheritance of the Benois family. In 1909, the painting was sensationally exhibited in Saint Petersburg as part of the Benois collection. In 1912, the Benois family considered selling the painting and requested an appraisal from the London art dealer Joseph Duveen, who gave an evaluation of 500,000 francs. The art historian Bernard Berenson made disparaging comments about the painting, raising doubts about its authenticity:One unhappy day I was called to see the 'Benois Madonna'. I found myself confronted by a young woman with a bald forehead and puffed cheeks, a toothless smile, blear eyes, and a furrowed throat. The uncanny, anile apparition plays with a child who looks like a hollow mask fixed on inflated body and limbs. The hands are wretched, the folds purposeless and fussy, the color like whey. And yet I had to acknowledge that this painful affair was the work of Leonardo da Vinci. It was hard, but the effort freed me, and the indignation I felt gave me the resolution to proclaim my freedom.Despite these wrangles about attribution, however, the Benois Madonna was eventually sold to the Imperial Hermitage Museum in 1914 for a record amount. The purchase was made by Ernst Friedrich von Liphart, then curator of paintings at the Hermitage, who identified da Vinci as the artist. The payments were made in installments, continuing even after the 1917 October Revolution.Since 1914 the painting has been exhibited in the Hermitage Museum, Saint Petersburg."}
{"title": "ベノワ・マドンナ", "srclang_title": "Benois Madonna", "en_title": "Benois Madonna", "pageid": 1670518, "page_rank": 402, "page_url": "https://en.wikipedia.org/wiki/Benois_Madonna", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/270px-Leonardo%2C_Madonna_Benois.JPG", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "ベノワ・マドンナに関して、どのように歴史が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["overpainting", "Emission theory (vision)", "Crown of thorns", "October Revolution", "Alexander I of Russia", "Madonna", "File:Orest Kiprensky 034.jpg", "Italian Renaissance", "Joseph Duveen, 1st Baron Duveen", "[[Leonardo da Vinci", "Russian Academy of Arts", "left", "European goldfinch#Christian symbolism", "crucifix", "Leon Benois", "Category:Paintings in the Hermitage Museum", "Madonna, Benois", "overpainted", "A. I. Korsakov, 1808, by [[Orest Kiprensky", "Christ Child", "Novgorod", "Christ’s thorns", "Benois Madonna, The", "Child", "objet d'art", "thumb", "emitted rays to cause vision", "File:Vasily Tropinin 37.jpg", "Category:Paintings by Leonardo da Vinci", "Hermitage Museum", "Category:Nude art", "Aleksei Ivanovich Korsakov", "Internet Archive", "Veliky Novgorod", "Crucifix", "Joseph Duveen", "Crucifixion of Jesus", "Bernard Berenson", "List of works by Leonardo da Vinci", "upright=.7", "Penguin Books", "Study for the Madonna of the Cat", "Marian art in the Catholic Church", "Rowman & Littlefield", "Cambridge University Press", "Karl Eduard von Liphart", "A. A. Sapozhnikov, 1852, by [[Vasily Tropinin", "Mary, mother of Jesus", "Munich", "Raphael", "Ernst Friedrich von Liphart", "Madonna (art)", "Category:1478 paintings", "Paul I", "Alexander I", "File:British Museum Leonardo study for Virgin and Child.jpg", "Virgin", "Saint Petersburg", "upright=1", "Crucifixion", "record amount", "Andrea del Verrocchio", "Benois", "Leonardo da Vinci", "Category:Paintings of the Madonna and Child by Leonardo da Vinci", "Italy", "Madonna of the Pinks", "National Gallery", "goldfinch", "Astrakhan", "List of most expensive paintings", "''objets d'art''", "Paul I of Russia", "Madonna of the Carnation", "British Museum", "Alte Pinakothek"], "gold": "It is likely that the Benois Madonna was the first work painted by Leonardo independently from his master Andrea del Verrocchio. Two of Leonardo's preliminary sketches for this work are in the British Museum, although the painting was probably overpainted by other hands. The preliminary sketches and the painting itself suggest that Leonardo was concentrating on the idea of sight and perspective. The child is thought to be guiding his mother's hands into his central vision.The Benois Madonna has proved to be one of Leonardo's most popular works. It was extensively copied by young painters, including Raphael in his Madonna of the Pinks in the National Gallery, London.For centuries, the painting was presumed to have been lost, then found, then lost, then found, then lost. It had in fact been acquired in Italy by the Russian artillery general and art connoisseur Aleksei Ivanovich Korsakov (1751–1821) in the 1790s. Upon Korsakov's death, his son sold it for the sum of 1,400 roubles to the Astrakhan fishing merchant Alexander Petrovich Sapozhnikov, who had his own art gallery; it was then passed on to his wealthy philanthropist son Alexander Alexendrovich Sapozhnikov (1827–1887). Finally, when his daughter Maria Sapozhnikova (1858–1938) married the architect Leon Benois (1856–1928), the painting became part of the inheritance of the Benois family. In 1909, the painting was sensationally exhibited in Saint Petersburg as part of the Benois collection. In 1912, the Benois family considered selling the painting and requested an appraisal from the London art dealer Joseph Duveen, who gave an evaluation of 500,000 francs. The art historian Bernard Berenson made disparaging comments about the painting, raising doubts about its authenticity:One unhappy day I was called to see the 'Benois Madonna'. I found myself confronted by a young woman with a bald forehead and puffed cheeks, a toothless smile, blear eyes, and a furrowed throat. The uncanny, anile apparition plays with a child who looks like a hollow mask fixed on inflated body and limbs. The hands are wretched, the folds purposeless and fussy, the color like whey. And yet I had to acknowledge that this painful affair was the work of Leonardo da Vinci. It was hard, but the effort freed me, and the indignation I felt gave me the resolution to proclaim my freedom.Despite these wrangles about attribution, however, the Benois Madonna was eventually sold to the Imperial Hermitage Museum in 1914 for a record amount. The purchase was made by Ernst Friedrich von Liphart, then curator of paintings at the Hermitage, who identified da Vinci as the artist. The payments were made in installments, continuing even after the 1917 October Revolution.Since 1914 the painting has been exhibited in the Hermitage Museum, Saint Petersburg."}
{"title": "ベノワ・マドンナ", "srclang_title": "Benois Madonna", "en_title": "Benois Madonna", "pageid": 1670518, "page_rank": 402, "page_url": "https://en.wikipedia.org/wiki/Benois_Madonna", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/270px-Leonardo%2C_Madonna_Benois.JPG", "section": "説明と解釈", "subsection": null, "sub_subsection": null, "prompt": "ベノワ・マドンナに焦点を当てて、その説明と解釈を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["overpainting", "Emission theory (vision)", "Crown of thorns", "October Revolution", "Alexander I of Russia", "Madonna", "File:Orest Kiprensky 034.jpg", "Italian Renaissance", "Joseph Duveen, 1st Baron Duveen", "[[Leonardo da Vinci", "Russian Academy of Arts", "left", "European goldfinch#Christian symbolism", "crucifix", "Leon Benois", "Category:Paintings in the Hermitage Museum", "Madonna, Benois", "overpainted", "A. I. Korsakov, 1808, by [[Orest Kiprensky", "Christ Child", "Novgorod", "Christ’s thorns", "Benois Madonna, The", "Child", "objet d'art", "thumb", "emitted rays to cause vision", "File:Vasily Tropinin 37.jpg", "Category:Paintings by Leonardo da Vinci", "Hermitage Museum", "Category:Nude art", "Aleksei Ivanovich Korsakov", "Internet Archive", "Veliky Novgorod", "Crucifix", "Joseph Duveen", "Crucifixion of Jesus", "Bernard Berenson", "List of works by Leonardo da Vinci", "upright=.7", "Penguin Books", "Study for the Madonna of the Cat", "Marian art in the Catholic Church", "Rowman & Littlefield", "Cambridge University Press", "Karl Eduard von Liphart", "A. A. Sapozhnikov, 1852, by [[Vasily Tropinin", "Mary, mother of Jesus", "Munich", "Raphael", "Ernst Friedrich von Liphart", "Madonna (art)", "Category:1478 paintings", "Paul I", "Alexander I", "File:British Museum Leonardo study for Virgin and Child.jpg", "Virgin", "Saint Petersburg", "upright=1", "Crucifixion", "record amount", "Andrea del Verrocchio", "Benois", "Leonardo da Vinci", "Category:Paintings of the Madonna and Child by Leonardo da Vinci", "Italy", "Madonna of the Pinks", "National Gallery", "goldfinch", "Astrakhan", "List of most expensive paintings", "''objets d'art''", "Paul I of Russia", "Madonna of the Carnation", "British Museum", "Alte Pinakothek"], "gold": "This small painting shows a dark room with the Virgin seated on a bench with her Child outstretched on her lap. Her young rounded face is lively; she is clothed in an olive and brown raiment, with brown and blue underwear covering her knees. The amply proportioned Christ Child grasps a cruciform sprig of flowers which the Virgin is holding. The faces of the vividly coloured figures are crowned with delicately gilded haloes. In an otherwise dark interior, a double-arched aperture gives a glimpse on to pale blue skies.In Renaissance Florence, artistic portrayals of the Madonna often used Christian symbolism to suggest foreknowledge of the Crucifixion — for example, the goldfinch plucking Christ’s thorns from his crown. For the Benois Madonna, the symbol is a flowering sprig, in the form of a crucifix, held by the Virgin. As Feinberg (2011) suggests, in the Benois Madonna Leonardo attempted to rationalize between the mysteries of 'sight' and 'insight': \"The child of the Benois Madonna has still not responded to the distinctly cruciform shape of the flower [...] because he cannot see it clearly. Once that happens, the child's hazy curiosity could [...] lead to foresight of his sacrifice\". Notwithstanding its solemn motif, the painting represents one of the \"most joyous and youthful depiction of Mary in Renaissance art ... she seems to be speaking or laughing, playfully engaged with her child, her radiant vitality accentuated through Leonardo’s deliberate complications of posture and drapery\"."}
{"title": "ベノワ・マドンナ", "srclang_title": "Benois Madonna", "en_title": "Benois Madonna", "pageid": 1670518, "page_rank": 402, "page_url": "https://en.wikipedia.org/wiki/Benois_Madonna", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/270px-Leonardo%2C_Madonna_Benois.JPG", "section": "説明と解釈", "subsection": null, "sub_subsection": null, "prompt": "ベノワ・マドンナの説明と解釈を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["overpainting", "Emission theory (vision)", "Crown of thorns", "October Revolution", "Alexander I of Russia", "Madonna", "File:Orest Kiprensky 034.jpg", "Italian Renaissance", "Joseph Duveen, 1st Baron Duveen", "[[Leonardo da Vinci", "Russian Academy of Arts", "left", "European goldfinch#Christian symbolism", "crucifix", "Leon Benois", "Category:Paintings in the Hermitage Museum", "Madonna, Benois", "overpainted", "A. I. Korsakov, 1808, by [[Orest Kiprensky", "Christ Child", "Novgorod", "Christ’s thorns", "Benois Madonna, The", "Child", "objet d'art", "thumb", "emitted rays to cause vision", "File:Vasily Tropinin 37.jpg", "Category:Paintings by Leonardo da Vinci", "Hermitage Museum", "Category:Nude art", "Aleksei Ivanovich Korsakov", "Internet Archive", "Veliky Novgorod", "Crucifix", "Joseph Duveen", "Crucifixion of Jesus", "Bernard Berenson", "List of works by Leonardo da Vinci", "upright=.7", "Penguin Books", "Study for the Madonna of the Cat", "Marian art in the Catholic Church", "Rowman & Littlefield", "Cambridge University Press", "Karl Eduard von Liphart", "A. A. Sapozhnikov, 1852, by [[Vasily Tropinin", "Mary, mother of Jesus", "Munich", "Raphael", "Ernst Friedrich von Liphart", "Madonna (art)", "Category:1478 paintings", "Paul I", "Alexander I", "File:British Museum Leonardo study for Virgin and Child.jpg", "Virgin", "Saint Petersburg", "upright=1", "Crucifixion", "record amount", "Andrea del Verrocchio", "Benois", "Leonardo da Vinci", "Category:Paintings of the Madonna and Child by Leonardo da Vinci", "Italy", "Madonna of the Pinks", "National Gallery", "goldfinch", "Astrakhan", "List of most expensive paintings", "''objets d'art''", "Paul I of Russia", "Madonna of the Carnation", "British Museum", "Alte Pinakothek"], "gold": "This small painting shows a dark room with the Virgin seated on a bench with her Child outstretched on her lap. Her young rounded face is lively; she is clothed in an olive and brown raiment, with brown and blue underwear covering her knees. The amply proportioned Christ Child grasps a cruciform sprig of flowers which the Virgin is holding. The faces of the vividly coloured figures are crowned with delicately gilded haloes. In an otherwise dark interior, a double-arched aperture gives a glimpse on to pale blue skies.In Renaissance Florence, artistic portrayals of the Madonna often used Christian symbolism to suggest foreknowledge of the Crucifixion — for example, the goldfinch plucking Christ’s thorns from his crown. For the Benois Madonna, the symbol is a flowering sprig, in the form of a crucifix, held by the Virgin. As Feinberg (2011) suggests, in the Benois Madonna Leonardo attempted to rationalize between the mysteries of 'sight' and 'insight': \"The child of the Benois Madonna has still not responded to the distinctly cruciform shape of the flower [...] because he cannot see it clearly. Once that happens, the child's hazy curiosity could [...] lead to foresight of his sacrifice\". Notwithstanding its solemn motif, the painting represents one of the \"most joyous and youthful depiction of Mary in Renaissance art ... she seems to be speaking or laughing, playfully engaged with her child, her radiant vitality accentuated through Leonardo’s deliberate complications of posture and drapery\"."}
{"title": "ベノワ・マドンナ", "srclang_title": "Benois Madonna", "en_title": "Benois Madonna", "pageid": 1670518, "page_rank": 402, "page_url": "https://en.wikipedia.org/wiki/Benois_Madonna", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/270px-Leonardo%2C_Madonna_Benois.JPG", "section": "説明と解釈", "subsection": null, "sub_subsection": null, "prompt": "ベノワ・マドンナはどのように説明と解釈を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["overpainting", "Emission theory (vision)", "Crown of thorns", "October Revolution", "Alexander I of Russia", "Madonna", "File:Orest Kiprensky 034.jpg", "Italian Renaissance", "Joseph Duveen, 1st Baron Duveen", "[[Leonardo da Vinci", "Russian Academy of Arts", "left", "European goldfinch#Christian symbolism", "crucifix", "Leon Benois", "Category:Paintings in the Hermitage Museum", "Madonna, Benois", "overpainted", "A. I. Korsakov, 1808, by [[Orest Kiprensky", "Christ Child", "Novgorod", "Christ’s thorns", "Benois Madonna, The", "Child", "objet d'art", "thumb", "emitted rays to cause vision", "File:Vasily Tropinin 37.jpg", "Category:Paintings by Leonardo da Vinci", "Hermitage Museum", "Category:Nude art", "Aleksei Ivanovich Korsakov", "Internet Archive", "Veliky Novgorod", "Crucifix", "Joseph Duveen", "Crucifixion of Jesus", "Bernard Berenson", "List of works by Leonardo da Vinci", "upright=.7", "Penguin Books", "Study for the Madonna of the Cat", "Marian art in the Catholic Church", "Rowman & Littlefield", "Cambridge University Press", "Karl Eduard von Liphart", "A. A. Sapozhnikov, 1852, by [[Vasily Tropinin", "Mary, mother of Jesus", "Munich", "Raphael", "Ernst Friedrich von Liphart", "Madonna (art)", "Category:1478 paintings", "Paul I", "Alexander I", "File:British Museum Leonardo study for Virgin and Child.jpg", "Virgin", "Saint Petersburg", "upright=1", "Crucifixion", "record amount", "Andrea del Verrocchio", "Benois", "Leonardo da Vinci", "Category:Paintings of the Madonna and Child by Leonardo da Vinci", "Italy", "Madonna of the Pinks", "National Gallery", "goldfinch", "Astrakhan", "List of most expensive paintings", "''objets d'art''", "Paul I of Russia", "Madonna of the Carnation", "British Museum", "Alte Pinakothek"], "gold": "This small painting shows a dark room with the Virgin seated on a bench with her Child outstretched on her lap. Her young rounded face is lively; she is clothed in an olive and brown raiment, with brown and blue underwear covering her knees. The amply proportioned Christ Child grasps a cruciform sprig of flowers which the Virgin is holding. The faces of the vividly coloured figures are crowned with delicately gilded haloes. In an otherwise dark interior, a double-arched aperture gives a glimpse on to pale blue skies.In Renaissance Florence, artistic portrayals of the Madonna often used Christian symbolism to suggest foreknowledge of the Crucifixion — for example, the goldfinch plucking Christ’s thorns from his crown. For the Benois Madonna, the symbol is a flowering sprig, in the form of a crucifix, held by the Virgin. As Feinberg (2011) suggests, in the Benois Madonna Leonardo attempted to rationalize between the mysteries of 'sight' and 'insight': \"The child of the Benois Madonna has still not responded to the distinctly cruciform shape of the flower [...] because he cannot see it clearly. Once that happens, the child's hazy curiosity could [...] lead to foresight of his sacrifice\". Notwithstanding its solemn motif, the painting represents one of the \"most joyous and youthful depiction of Mary in Renaissance art ... she seems to be speaking or laughing, playfully engaged with her child, her radiant vitality accentuated through Leonardo’s deliberate complications of posture and drapery\"."}
{"title": "ベノワ・マドンナ", "srclang_title": "Benois Madonna", "en_title": "Benois Madonna", "pageid": 1670518, "page_rank": 402, "page_url": "https://en.wikipedia.org/wiki/Benois_Madonna", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Leonardo%2C_Madonna_Benois.JPG/270px-Leonardo%2C_Madonna_Benois.JPG", "section": "説明と解釈", "subsection": null, "sub_subsection": null, "prompt": "ベノワ・マドンナに関して、どのように説明と解釈が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["overpainting", "Emission theory (vision)", "Crown of thorns", "October Revolution", "Alexander I of Russia", "Madonna", "File:Orest Kiprensky 034.jpg", "Italian Renaissance", "Joseph Duveen, 1st Baron Duveen", "[[Leonardo da Vinci", "Russian Academy of Arts", "left", "European goldfinch#Christian symbolism", "crucifix", "Leon Benois", "Category:Paintings in the Hermitage Museum", "Madonna, Benois", "overpainted", "A. I. Korsakov, 1808, by [[Orest Kiprensky", "Christ Child", "Novgorod", "Christ’s thorns", "Benois Madonna, The", "Child", "objet d'art", "thumb", "emitted rays to cause vision", "File:Vasily Tropinin 37.jpg", "Category:Paintings by Leonardo da Vinci", "Hermitage Museum", "Category:Nude art", "Aleksei Ivanovich Korsakov", "Internet Archive", "Veliky Novgorod", "Crucifix", "Joseph Duveen", "Crucifixion of Jesus", "Bernard Berenson", "List of works by Leonardo da Vinci", "upright=.7", "Penguin Books", "Study for the Madonna of the Cat", "Marian art in the Catholic Church", "Rowman & Littlefield", "Cambridge University Press", "Karl Eduard von Liphart", "A. A. Sapozhnikov, 1852, by [[Vasily Tropinin", "Mary, mother of Jesus", "Munich", "Raphael", "Ernst Friedrich von Liphart", "Madonna (art)", "Category:1478 paintings", "Paul I", "Alexander I", "File:British Museum Leonardo study for Virgin and Child.jpg", "Virgin", "Saint Petersburg", "upright=1", "Crucifixion", "record amount", "Andrea del Verrocchio", "Benois", "Leonardo da Vinci", "Category:Paintings of the Madonna and Child by Leonardo da Vinci", "Italy", "Madonna of the Pinks", "National Gallery", "goldfinch", "Astrakhan", "List of most expensive paintings", "''objets d'art''", "Paul I of Russia", "Madonna of the Carnation", "British Museum", "Alte Pinakothek"], "gold": "This small painting shows a dark room with the Virgin seated on a bench with her Child outstretched on her lap. Her young rounded face is lively; she is clothed in an olive and brown raiment, with brown and blue underwear covering her knees. The amply proportioned Christ Child grasps a cruciform sprig of flowers which the Virgin is holding. The faces of the vividly coloured figures are crowned with delicately gilded haloes. In an otherwise dark interior, a double-arched aperture gives a glimpse on to pale blue skies.In Renaissance Florence, artistic portrayals of the Madonna often used Christian symbolism to suggest foreknowledge of the Crucifixion — for example, the goldfinch plucking Christ’s thorns from his crown. For the Benois Madonna, the symbol is a flowering sprig, in the form of a crucifix, held by the Virgin. As Feinberg (2011) suggests, in the Benois Madonna Leonardo attempted to rationalize between the mysteries of 'sight' and 'insight': \"The child of the Benois Madonna has still not responded to the distinctly cruciform shape of the flower [...] because he cannot see it clearly. Once that happens, the child's hazy curiosity could [...] lead to foresight of his sacrifice\". Notwithstanding its solemn motif, the painting represents one of the \"most joyous and youthful depiction of Mary in Renaissance art ... she seems to be speaking or laughing, playfully engaged with her child, her radiant vitality accentuated through Leonardo’s deliberate complications of posture and drapery\"."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラに焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "The Chimera of Arezzo is regarded as the best example of ancient Etruscan art. The British art historian David Ekserdjian described the sculpture as \"one of the most arresting of all animal sculptures and the supreme masterpiece of Etruscan bronze-casting\".  Made entirely of bronze and measuring 78.5 cm high with a length of 129 cm, it was found alongside a small collection of other bronze statues in Arezzo, an ancient Etruscan and Roman city in Tuscany. The statue was originally part of a larger sculptural group representing a fight between a chimera and the Greek hero Bellerophon. This sculpture is likely to have been created as a votive offering to the Etruscan god Tinia and is held by the National Archaeological Museum, Florence."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラのabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "The Chimera of Arezzo is regarded as the best example of ancient Etruscan art. The British art historian David Ekserdjian described the sculpture as \"one of the most arresting of all animal sculptures and the supreme masterpiece of Etruscan bronze-casting\".  Made entirely of bronze and measuring 78.5 cm high with a length of 129 cm, it was found alongside a small collection of other bronze statues in Arezzo, an ancient Etruscan and Roman city in Tuscany. The statue was originally part of a larger sculptural group representing a fight between a chimera and the Greek hero Bellerophon. This sculpture is likely to have been created as a votive offering to the Etruscan god Tinia and is held by the National Archaeological Museum, Florence."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラはどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "The Chimera of Arezzo is regarded as the best example of ancient Etruscan art. The British art historian David Ekserdjian described the sculpture as \"one of the most arresting of all animal sculptures and the supreme masterpiece of Etruscan bronze-casting\".  Made entirely of bronze and measuring 78.5 cm high with a length of 129 cm, it was found alongside a small collection of other bronze statues in Arezzo, an ancient Etruscan and Roman city in Tuscany. The statue was originally part of a larger sculptural group representing a fight between a chimera and the Greek hero Bellerophon. This sculpture is likely to have been created as a votive offering to the Etruscan god Tinia and is held by the National Archaeological Museum, Florence."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラに関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "The Chimera of Arezzo is regarded as the best example of ancient Etruscan art. The British art historian David Ekserdjian described the sculpture as \"one of the most arresting of all animal sculptures and the supreme masterpiece of Etruscan bronze-casting\".  Made entirely of bronze and measuring 78.5 cm high with a length of 129 cm, it was found alongside a small collection of other bronze statues in Arezzo, an ancient Etruscan and Roman city in Tuscany. The statue was originally part of a larger sculptural group representing a fight between a chimera and the Greek hero Bellerophon. This sculpture is likely to have been created as a votive offering to the Etruscan god Tinia and is held by the National Archaeological Museum, Florence."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラに焦点を当てて、その歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "According to Greek mythology, the Chimera or \"She-Goat\" was a monstrous, fire-breathing hybrid creature of Lycia in Anatolia created by the binding of multiple animal parts to create a singular unnatural creature. As the offspring of Typhon and Echidna, the Chimera ravaged the lands of Lycia at a disastrous pace.Distressed by the destruction of his lands, Iobates, the king of Lycia, ordered a young warrior named Bellerophon to slay her. This was also a favor to a neighboring king, Proetus, who wanted Bellerophon dead because his wife accused Bellerophon of rape and he assumed that the warrior would perish in the attempt to kill the beast.Bellerophon set out on his winged horse, Pegasus, and emerged victorious from his battle, eventually winning not only the hand of Iobates' daughter but also his kingdom. It is this story that led art historians to believe that the Chimera of Arezzo was originally part of a group sculpture that included Bellerophon and Pegasus. Votive offerings for the gods often depicted mythological stories. A round hole on the left rump of the Chimera might suggest a spot where Bellerophon may have struck the beast with a now-missing spear.The first known literary reference was in Homer's Iliad and the epic poetry of Hesiod of the 8th century BCE also mentions the Chimera.In response to questions of the statue's true meaning, Giorgio Vasari wrote in his Reasonings Over the Inventions He Painted in Florence in the Palace of Their Serene Highnesses:Yes, sir, because there are the medals of the Duke my lord who came from Rome with a goat's head stuck in the neck of this lion, who as he sees VE, also has the serpent's belly, and we found the queue that was broken between those bronze fragments with many metal figurines that you've seen all, and the wounds that she has touched on show it, and yet the pain that is known in the readiness of the head of this animal ...The tail was not restored until 1785 when the Pistoiese sculptor Francesco Carradori (or his teacher, Innocenzo Spinazzi) fashioned a replacement, incorrectly positioning the serpent to bite the goat's horn. It is much more likely that the snake had to strike out against Bellerophon instead since biting the head of the goat meant it was biting itself.Inscribed on its right foreleg is an inscription in the ancient Etruscan language. It has been variously deciphered, but most recently it is thought to read tinscvil \"Offering belonging to Tinia\". The original statue is estimated to have been created around 400 BCE.In 1718, the sculpture was transported to the Uffizi Gallery and later, along with the remaining collection Cosimo I had originally seized, taken to the Palazzo della Crocetta. Court intellectuals of the time considered the Chimera of Arezzo to be a symbol of the Medici domination of the Grand Duchy of Tuscany. Its permanent residence is in the National Archaeological Museum from which it was placed on brief loan to the Getty Villa for an exhibition in 2010.The sculpture was probably commissioned by an aristocratic clan or a prosperous community and erected in a religious sanctuary near the ancient Etruscan town of Arezzo, about 50 miles southeast of Florence. The Chimera was one of a hoard of bronzes that had been carefully buried for safety sometime in classical antiquity. A bronze replica now stands near the spot of its original discovery."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラの歴史を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "According to Greek mythology, the Chimera or \"She-Goat\" was a monstrous, fire-breathing hybrid creature of Lycia in Anatolia created by the binding of multiple animal parts to create a singular unnatural creature. As the offspring of Typhon and Echidna, the Chimera ravaged the lands of Lycia at a disastrous pace.Distressed by the destruction of his lands, Iobates, the king of Lycia, ordered a young warrior named Bellerophon to slay her. This was also a favor to a neighboring king, Proetus, who wanted Bellerophon dead because his wife accused Bellerophon of rape and he assumed that the warrior would perish in the attempt to kill the beast.Bellerophon set out on his winged horse, Pegasus, and emerged victorious from his battle, eventually winning not only the hand of Iobates' daughter but also his kingdom. It is this story that led art historians to believe that the Chimera of Arezzo was originally part of a group sculpture that included Bellerophon and Pegasus. Votive offerings for the gods often depicted mythological stories. A round hole on the left rump of the Chimera might suggest a spot where Bellerophon may have struck the beast with a now-missing spear.The first known literary reference was in Homer's Iliad and the epic poetry of Hesiod of the 8th century BCE also mentions the Chimera.In response to questions of the statue's true meaning, Giorgio Vasari wrote in his Reasonings Over the Inventions He Painted in Florence in the Palace of Their Serene Highnesses:Yes, sir, because there are the medals of the Duke my lord who came from Rome with a goat's head stuck in the neck of this lion, who as he sees VE, also has the serpent's belly, and we found the queue that was broken between those bronze fragments with many metal figurines that you've seen all, and the wounds that she has touched on show it, and yet the pain that is known in the readiness of the head of this animal ...The tail was not restored until 1785 when the Pistoiese sculptor Francesco Carradori (or his teacher, Innocenzo Spinazzi) fashioned a replacement, incorrectly positioning the serpent to bite the goat's horn. It is much more likely that the snake had to strike out against Bellerophon instead since biting the head of the goat meant it was biting itself.Inscribed on its right foreleg is an inscription in the ancient Etruscan language. It has been variously deciphered, but most recently it is thought to read tinscvil \"Offering belonging to Tinia\". The original statue is estimated to have been created around 400 BCE.In 1718, the sculpture was transported to the Uffizi Gallery and later, along with the remaining collection Cosimo I had originally seized, taken to the Palazzo della Crocetta. Court intellectuals of the time considered the Chimera of Arezzo to be a symbol of the Medici domination of the Grand Duchy of Tuscany. Its permanent residence is in the National Archaeological Museum from which it was placed on brief loan to the Getty Villa for an exhibition in 2010.The sculpture was probably commissioned by an aristocratic clan or a prosperous community and erected in a religious sanctuary near the ancient Etruscan town of Arezzo, about 50 miles southeast of Florence. The Chimera was one of a hoard of bronzes that had been carefully buried for safety sometime in classical antiquity. A bronze replica now stands near the spot of its original discovery."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラはどのように歴史を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "According to Greek mythology, the Chimera or \"She-Goat\" was a monstrous, fire-breathing hybrid creature of Lycia in Anatolia created by the binding of multiple animal parts to create a singular unnatural creature. As the offspring of Typhon and Echidna, the Chimera ravaged the lands of Lycia at a disastrous pace.Distressed by the destruction of his lands, Iobates, the king of Lycia, ordered a young warrior named Bellerophon to slay her. This was also a favor to a neighboring king, Proetus, who wanted Bellerophon dead because his wife accused Bellerophon of rape and he assumed that the warrior would perish in the attempt to kill the beast.Bellerophon set out on his winged horse, Pegasus, and emerged victorious from his battle, eventually winning not only the hand of Iobates' daughter but also his kingdom. It is this story that led art historians to believe that the Chimera of Arezzo was originally part of a group sculpture that included Bellerophon and Pegasus. Votive offerings for the gods often depicted mythological stories. A round hole on the left rump of the Chimera might suggest a spot where Bellerophon may have struck the beast with a now-missing spear.The first known literary reference was in Homer's Iliad and the epic poetry of Hesiod of the 8th century BCE also mentions the Chimera.In response to questions of the statue's true meaning, Giorgio Vasari wrote in his Reasonings Over the Inventions He Painted in Florence in the Palace of Their Serene Highnesses:Yes, sir, because there are the medals of the Duke my lord who came from Rome with a goat's head stuck in the neck of this lion, who as he sees VE, also has the serpent's belly, and we found the queue that was broken between those bronze fragments with many metal figurines that you've seen all, and the wounds that she has touched on show it, and yet the pain that is known in the readiness of the head of this animal ...The tail was not restored until 1785 when the Pistoiese sculptor Francesco Carradori (or his teacher, Innocenzo Spinazzi) fashioned a replacement, incorrectly positioning the serpent to bite the goat's horn. It is much more likely that the snake had to strike out against Bellerophon instead since biting the head of the goat meant it was biting itself.Inscribed on its right foreleg is an inscription in the ancient Etruscan language. It has been variously deciphered, but most recently it is thought to read tinscvil \"Offering belonging to Tinia\". The original statue is estimated to have been created around 400 BCE.In 1718, the sculpture was transported to the Uffizi Gallery and later, along with the remaining collection Cosimo I had originally seized, taken to the Palazzo della Crocetta. Court intellectuals of the time considered the Chimera of Arezzo to be a symbol of the Medici domination of the Grand Duchy of Tuscany. Its permanent residence is in the National Archaeological Museum from which it was placed on brief loan to the Getty Villa for an exhibition in 2010.The sculpture was probably commissioned by an aristocratic clan or a prosperous community and erected in a religious sanctuary near the ancient Etruscan town of Arezzo, about 50 miles southeast of Florence. The Chimera was one of a hoard of bronzes that had been carefully buried for safety sometime in classical antiquity. A bronze replica now stands near the spot of its original discovery."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラに関して、どのように歴史が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "According to Greek mythology, the Chimera or \"She-Goat\" was a monstrous, fire-breathing hybrid creature of Lycia in Anatolia created by the binding of multiple animal parts to create a singular unnatural creature. As the offspring of Typhon and Echidna, the Chimera ravaged the lands of Lycia at a disastrous pace.Distressed by the destruction of his lands, Iobates, the king of Lycia, ordered a young warrior named Bellerophon to slay her. This was also a favor to a neighboring king, Proetus, who wanted Bellerophon dead because his wife accused Bellerophon of rape and he assumed that the warrior would perish in the attempt to kill the beast.Bellerophon set out on his winged horse, Pegasus, and emerged victorious from his battle, eventually winning not only the hand of Iobates' daughter but also his kingdom. It is this story that led art historians to believe that the Chimera of Arezzo was originally part of a group sculpture that included Bellerophon and Pegasus. Votive offerings for the gods often depicted mythological stories. A round hole on the left rump of the Chimera might suggest a spot where Bellerophon may have struck the beast with a now-missing spear.The first known literary reference was in Homer's Iliad and the epic poetry of Hesiod of the 8th century BCE also mentions the Chimera.In response to questions of the statue's true meaning, Giorgio Vasari wrote in his Reasonings Over the Inventions He Painted in Florence in the Palace of Their Serene Highnesses:Yes, sir, because there are the medals of the Duke my lord who came from Rome with a goat's head stuck in the neck of this lion, who as he sees VE, also has the serpent's belly, and we found the queue that was broken between those bronze fragments with many metal figurines that you've seen all, and the wounds that she has touched on show it, and yet the pain that is known in the readiness of the head of this animal ...The tail was not restored until 1785 when the Pistoiese sculptor Francesco Carradori (or his teacher, Innocenzo Spinazzi) fashioned a replacement, incorrectly positioning the serpent to bite the goat's horn. It is much more likely that the snake had to strike out against Bellerophon instead since biting the head of the goat meant it was biting itself.Inscribed on its right foreleg is an inscription in the ancient Etruscan language. It has been variously deciphered, but most recently it is thought to read tinscvil \"Offering belonging to Tinia\". The original statue is estimated to have been created around 400 BCE.In 1718, the sculpture was transported to the Uffizi Gallery and later, along with the remaining collection Cosimo I had originally seized, taken to the Palazzo della Crocetta. Court intellectuals of the time considered the Chimera of Arezzo to be a symbol of the Medici domination of the Grand Duchy of Tuscany. Its permanent residence is in the National Archaeological Museum from which it was placed on brief loan to the Getty Villa for an exhibition in 2010.The sculpture was probably commissioned by an aristocratic clan or a prosperous community and erected in a religious sanctuary near the ancient Etruscan town of Arezzo, about 50 miles southeast of Florence. The Chimera was one of a hoard of bronzes that had been carefully buried for safety sometime in classical antiquity. A bronze replica now stands near the spot of its original discovery."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "歴史", "subsection": "エトルリア人", "sub_subsection": null, "prompt": "アレッツォのキメラの文脈で、エトルリア人と歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "The  Etruscan civilization was a wealthy civilization in ancient Italy with roots in the ancient region of Etruria, which existed during the early 8th–6th century BCE and extended over what is now a part of modern Tuscany, western Umbria, and northern Lazio. The region became a part of the Roman Republic after the Roman–Etruscan Wars.Heavily influenced by Ancient Greek culture, Etruscan art is characterized by the use of terracotta, metalworking—especially in bronze—as well as jewelry and engraved gems. Metal and bronze trinkets from the Mediterranean rapidly began to appear around Etruria. It is not clear to historians exactly when trading with the Eastern Mediterranean began; however, it is clear that both Phoenicians and Greeks must have been interested in the metal ores of Etruria, causing a rise in popularity of the art trade in these regions. The Etruscans were well known for their art throughout the Orientalizing Period (700–600 BCE), the Archaic Period (600–480 BCE), and the Hellenistic Period (2nd to 1st century BCE)."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "歴史", "subsection": "エトルリア人", "sub_subsection": null, "prompt": "アレッツォのキメラの歴史に関するエトルリア人を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "The  Etruscan civilization was a wealthy civilization in ancient Italy with roots in the ancient region of Etruria, which existed during the early 8th–6th century BCE and extended over what is now a part of modern Tuscany, western Umbria, and northern Lazio. The region became a part of the Roman Republic after the Roman–Etruscan Wars.Heavily influenced by Ancient Greek culture, Etruscan art is characterized by the use of terracotta, metalworking—especially in bronze—as well as jewelry and engraved gems. Metal and bronze trinkets from the Mediterranean rapidly began to appear around Etruria. It is not clear to historians exactly when trading with the Eastern Mediterranean began; however, it is clear that both Phoenicians and Greeks must have been interested in the metal ores of Etruria, causing a rise in popularity of the art trade in these regions. The Etruscans were well known for their art throughout the Orientalizing Period (700–600 BCE), the Archaic Period (600–480 BCE), and the Hellenistic Period (2nd to 1st century BCE)."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "歴史", "subsection": "エトルリア人", "sub_subsection": null, "prompt": "アレッツォのキメラでは、どのように歴史のエトルリア人が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "The  Etruscan civilization was a wealthy civilization in ancient Italy with roots in the ancient region of Etruria, which existed during the early 8th–6th century BCE and extended over what is now a part of modern Tuscany, western Umbria, and northern Lazio. The region became a part of the Roman Republic after the Roman–Etruscan Wars.Heavily influenced by Ancient Greek culture, Etruscan art is characterized by the use of terracotta, metalworking—especially in bronze—as well as jewelry and engraved gems. Metal and bronze trinkets from the Mediterranean rapidly began to appear around Etruria. It is not clear to historians exactly when trading with the Eastern Mediterranean began; however, it is clear that both Phoenicians and Greeks must have been interested in the metal ores of Etruria, causing a rise in popularity of the art trade in these regions. The Etruscans were well known for their art throughout the Orientalizing Period (700–600 BCE), the Archaic Period (600–480 BCE), and the Hellenistic Period (2nd to 1st century BCE)."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "歴史", "subsection": "エトルリア人", "sub_subsection": null, "prompt": "アレッツォのキメラの歴史におけるエトルリア人の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "The  Etruscan civilization was a wealthy civilization in ancient Italy with roots in the ancient region of Etruria, which existed during the early 8th–6th century BCE and extended over what is now a part of modern Tuscany, western Umbria, and northern Lazio. The region became a part of the Roman Republic after the Roman–Etruscan Wars.Heavily influenced by Ancient Greek culture, Etruscan art is characterized by the use of terracotta, metalworking—especially in bronze—as well as jewelry and engraved gems. Metal and bronze trinkets from the Mediterranean rapidly began to appear around Etruria. It is not clear to historians exactly when trading with the Eastern Mediterranean began; however, it is clear that both Phoenicians and Greeks must have been interested in the metal ores of Etruria, causing a rise in popularity of the art trade in these regions. The Etruscans were well known for their art throughout the Orientalizing Period (700–600 BCE), the Archaic Period (600–480 BCE), and the Hellenistic Period (2nd to 1st century BCE)."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "歴史", "subsection": "発見", "sub_subsection": null, "prompt": "アレッツォのキメラの文脈で、発見と歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "Discovered on November 15, 1553, by construction workers near the San Lorentino gate in Arezzo (ancient Arretium), the sculpture was quickly claimed for the collection of the Medici Grand Duke of Tuscany, Cosimo I, who placed it publicly in the Palazzo Vecchio in the hall of Leo X. Cosimo also placed the smaller bronzes from the trove in his own studiolo at Palazzo Pitti, where \"the Duke took great pleasure in cleaning them by himself, with some goldsmith's tools\", as Benvenuto Cellini reported in his autobiography. On discovery, the statue was missing the snake and its left front and rear paws. Due to its fragmented state upon discovery, the statue was originally regarded as a lion. The Italian painter Giorgio Vasari tracked down the statue motif by studying Ancient Greek and Roman coins, such as a silver stater featuring an image of the Chimera, thus accurately identifying it. Eventually, it was officially identified as being a part of a larger piece illustrating a fight between the Chimera and the Greek hero Bellerophon. The sculpture was found among other small pieces that served as votive offerings to the God Tinia. This sculpture may also have served as an Etruscan religious dedication. After discovery, it began its residence in Florence, where it was moved to the Uffizi Palace in 1718. Since 1870, the Chimera of Arezzo has made its home at the National Archaeological Museum in Florence. As the sculpture made its way through the Florence museums, it increasingly attracted the attention of both artists and historians."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "歴史", "subsection": "発見", "sub_subsection": null, "prompt": "アレッツォのキメラの歴史に関する発見を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "Discovered on November 15, 1553, by construction workers near the San Lorentino gate in Arezzo (ancient Arretium), the sculpture was quickly claimed for the collection of the Medici Grand Duke of Tuscany, Cosimo I, who placed it publicly in the Palazzo Vecchio in the hall of Leo X. Cosimo also placed the smaller bronzes from the trove in his own studiolo at Palazzo Pitti, where \"the Duke took great pleasure in cleaning them by himself, with some goldsmith's tools\", as Benvenuto Cellini reported in his autobiography. On discovery, the statue was missing the snake and its left front and rear paws. Due to its fragmented state upon discovery, the statue was originally regarded as a lion. The Italian painter Giorgio Vasari tracked down the statue motif by studying Ancient Greek and Roman coins, such as a silver stater featuring an image of the Chimera, thus accurately identifying it. Eventually, it was officially identified as being a part of a larger piece illustrating a fight between the Chimera and the Greek hero Bellerophon. The sculpture was found among other small pieces that served as votive offerings to the God Tinia. This sculpture may also have served as an Etruscan religious dedication. After discovery, it began its residence in Florence, where it was moved to the Uffizi Palace in 1718. Since 1870, the Chimera of Arezzo has made its home at the National Archaeological Museum in Florence. As the sculpture made its way through the Florence museums, it increasingly attracted the attention of both artists and historians."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "歴史", "subsection": "発見", "sub_subsection": null, "prompt": "アレッツォのキメラでは、どのように歴史の発見が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "Discovered on November 15, 1553, by construction workers near the San Lorentino gate in Arezzo (ancient Arretium), the sculpture was quickly claimed for the collection of the Medici Grand Duke of Tuscany, Cosimo I, who placed it publicly in the Palazzo Vecchio in the hall of Leo X. Cosimo also placed the smaller bronzes from the trove in his own studiolo at Palazzo Pitti, where \"the Duke took great pleasure in cleaning them by himself, with some goldsmith's tools\", as Benvenuto Cellini reported in his autobiography. On discovery, the statue was missing the snake and its left front and rear paws. Due to its fragmented state upon discovery, the statue was originally regarded as a lion. The Italian painter Giorgio Vasari tracked down the statue motif by studying Ancient Greek and Roman coins, such as a silver stater featuring an image of the Chimera, thus accurately identifying it. Eventually, it was officially identified as being a part of a larger piece illustrating a fight between the Chimera and the Greek hero Bellerophon. The sculpture was found among other small pieces that served as votive offerings to the God Tinia. This sculpture may also have served as an Etruscan religious dedication. After discovery, it began its residence in Florence, where it was moved to the Uffizi Palace in 1718. Since 1870, the Chimera of Arezzo has made its home at the National Archaeological Museum in Florence. As the sculpture made its way through the Florence museums, it increasingly attracted the attention of both artists and historians."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "歴史", "subsection": "発見", "sub_subsection": null, "prompt": "アレッツォのキメラの歴史における発見の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "Discovered on November 15, 1553, by construction workers near the San Lorentino gate in Arezzo (ancient Arretium), the sculpture was quickly claimed for the collection of the Medici Grand Duke of Tuscany, Cosimo I, who placed it publicly in the Palazzo Vecchio in the hall of Leo X. Cosimo also placed the smaller bronzes from the trove in his own studiolo at Palazzo Pitti, where \"the Duke took great pleasure in cleaning them by himself, with some goldsmith's tools\", as Benvenuto Cellini reported in his autobiography. On discovery, the statue was missing the snake and its left front and rear paws. Due to its fragmented state upon discovery, the statue was originally regarded as a lion. The Italian painter Giorgio Vasari tracked down the statue motif by studying Ancient Greek and Roman coins, such as a silver stater featuring an image of the Chimera, thus accurately identifying it. Eventually, it was officially identified as being a part of a larger piece illustrating a fight between the Chimera and the Greek hero Bellerophon. The sculpture was found among other small pieces that served as votive offerings to the God Tinia. This sculpture may also have served as an Etruscan religious dedication. After discovery, it began its residence in Florence, where it was moved to the Uffizi Palace in 1718. Since 1870, the Chimera of Arezzo has made its home at the National Archaeological Museum in Florence. As the sculpture made its way through the Florence museums, it increasingly attracted the attention of both artists and historians."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "イコノグラフィー", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラに焦点を当てて、そのイコノグラフィーを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "Typical iconography of the Chimera myth depicts the warrior Bellerophon as he confronts the Chimera, or rides atop or alongside it. This iconography began to appear upon Greek vessels in 600 BCE. The Chimera of Arezzo presents a very detailed and complex composition that most likely was meant for display and viewing in the round. The Chimera is clearly expressing pain throughout its body. Its form is contorted, its face and mouth open in outrage as it is struck by Bellerophon. Similar to Hellenistic sculpture, the Chimera's form and body language express movement as well as the clear tension and power of the beast's musculature and evoke in the viewer a feeling of deep emotional pain and interest in the contemplation of that movement. Clearly influenced by Mediterranean myth culture, this bronze work is evidence of the mastery that Etruscan sculptors had not only over the medium but of mythological lore. The art historian A. Maggiani gives details of a clear Italiote context by pointing out iconographic comparisons from sites in Magna Graecia such as Metaponto and Kaulonia. (Italiote refers to a pre–Roman Empire Greek-speaking population in southern Italy; Magna Graecia refers to the Greek colonies which were established in southern Italy from the 8th century BCE onwards.) With the Italiote context in mind, these trends are a clear indication of the increasing popularity of Attic (from Attica) or Athens-inspired architecture and sculpture. Ancient Athenians regarded themselves among the highest of society. Their art, religion, and culture was seen as the epitome of Greek achievement. While the ancient Athenians had long since perished by this time, their work and way of life were still regarded with great fascination and there was a desire to emulate it. Historians have generally come to a consensus that the Chimera of Arezzo was produced by Italiote craftsmen in the last decades of the fifth century BCE or in the beginning of the fourth century BCE. The fact that this sculpture was a votive offering to Tinia is a reminder of the wealth and sophistication of Etruscan elites."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "イコノグラフィー", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラのイコノグラフィーを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "Typical iconography of the Chimera myth depicts the warrior Bellerophon as he confronts the Chimera, or rides atop or alongside it. This iconography began to appear upon Greek vessels in 600 BCE. The Chimera of Arezzo presents a very detailed and complex composition that most likely was meant for display and viewing in the round. The Chimera is clearly expressing pain throughout its body. Its form is contorted, its face and mouth open in outrage as it is struck by Bellerophon. Similar to Hellenistic sculpture, the Chimera's form and body language express movement as well as the clear tension and power of the beast's musculature and evoke in the viewer a feeling of deep emotional pain and interest in the contemplation of that movement. Clearly influenced by Mediterranean myth culture, this bronze work is evidence of the mastery that Etruscan sculptors had not only over the medium but of mythological lore. The art historian A. Maggiani gives details of a clear Italiote context by pointing out iconographic comparisons from sites in Magna Graecia such as Metaponto and Kaulonia. (Italiote refers to a pre–Roman Empire Greek-speaking population in southern Italy; Magna Graecia refers to the Greek colonies which were established in southern Italy from the 8th century BCE onwards.) With the Italiote context in mind, these trends are a clear indication of the increasing popularity of Attic (from Attica) or Athens-inspired architecture and sculpture. Ancient Athenians regarded themselves among the highest of society. Their art, religion, and culture was seen as the epitome of Greek achievement. While the ancient Athenians had long since perished by this time, their work and way of life were still regarded with great fascination and there was a desire to emulate it. Historians have generally come to a consensus that the Chimera of Arezzo was produced by Italiote craftsmen in the last decades of the fifth century BCE or in the beginning of the fourth century BCE. The fact that this sculpture was a votive offering to Tinia is a reminder of the wealth and sophistication of Etruscan elites."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "イコノグラフィー", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラはどのようにイコノグラフィーを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "Typical iconography of the Chimera myth depicts the warrior Bellerophon as he confronts the Chimera, or rides atop or alongside it. This iconography began to appear upon Greek vessels in 600 BCE. The Chimera of Arezzo presents a very detailed and complex composition that most likely was meant for display and viewing in the round. The Chimera is clearly expressing pain throughout its body. Its form is contorted, its face and mouth open in outrage as it is struck by Bellerophon. Similar to Hellenistic sculpture, the Chimera's form and body language express movement as well as the clear tension and power of the beast's musculature and evoke in the viewer a feeling of deep emotional pain and interest in the contemplation of that movement. Clearly influenced by Mediterranean myth culture, this bronze work is evidence of the mastery that Etruscan sculptors had not only over the medium but of mythological lore. The art historian A. Maggiani gives details of a clear Italiote context by pointing out iconographic comparisons from sites in Magna Graecia such as Metaponto and Kaulonia. (Italiote refers to a pre–Roman Empire Greek-speaking population in southern Italy; Magna Graecia refers to the Greek colonies which were established in southern Italy from the 8th century BCE onwards.) With the Italiote context in mind, these trends are a clear indication of the increasing popularity of Attic (from Attica) or Athens-inspired architecture and sculpture. Ancient Athenians regarded themselves among the highest of society. Their art, religion, and culture was seen as the epitome of Greek achievement. While the ancient Athenians had long since perished by this time, their work and way of life were still regarded with great fascination and there was a desire to emulate it. Historians have generally come to a consensus that the Chimera of Arezzo was produced by Italiote craftsmen in the last decades of the fifth century BCE or in the beginning of the fourth century BCE. The fact that this sculpture was a votive offering to Tinia is a reminder of the wealth and sophistication of Etruscan elites."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "イコノグラフィー", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラに関して、どのようにイコノグラフィーが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "Typical iconography of the Chimera myth depicts the warrior Bellerophon as he confronts the Chimera, or rides atop or alongside it. This iconography began to appear upon Greek vessels in 600 BCE. The Chimera of Arezzo presents a very detailed and complex composition that most likely was meant for display and viewing in the round. The Chimera is clearly expressing pain throughout its body. Its form is contorted, its face and mouth open in outrage as it is struck by Bellerophon. Similar to Hellenistic sculpture, the Chimera's form and body language express movement as well as the clear tension and power of the beast's musculature and evoke in the viewer a feeling of deep emotional pain and interest in the contemplation of that movement. Clearly influenced by Mediterranean myth culture, this bronze work is evidence of the mastery that Etruscan sculptors had not only over the medium but of mythological lore. The art historian A. Maggiani gives details of a clear Italiote context by pointing out iconographic comparisons from sites in Magna Graecia such as Metaponto and Kaulonia. (Italiote refers to a pre–Roman Empire Greek-speaking population in southern Italy; Magna Graecia refers to the Greek colonies which were established in southern Italy from the 8th century BCE onwards.) With the Italiote context in mind, these trends are a clear indication of the increasing popularity of Attic (from Attica) or Athens-inspired architecture and sculpture. Ancient Athenians regarded themselves among the highest of society. Their art, religion, and culture was seen as the epitome of Greek achievement. While the ancient Athenians had long since perished by this time, their work and way of life were still regarded with great fascination and there was a desire to emulate it. Historians have generally come to a consensus that the Chimera of Arezzo was produced by Italiote craftsmen in the last decades of the fifth century BCE or in the beginning of the fourth century BCE. The fact that this sculpture was a votive offering to Tinia is a reminder of the wealth and sophistication of Etruscan elites."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "方法と材料", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラに焦点を当てて、その方法と材料を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "In the 3rd millennium BCE ancient foundry workers discovered by trial and error that bronze had distinct advantages over pure copper for making artistic statuary. Bronze stays liquid longer when filling a mold due to its lower melting point. Bronze is a superior metal to copper for sculpture casting because of its higher tensile strength. The island of Cyprus supplied most of the bronze used for artistic purposes throughout the ancient Mediterranean region.The earliest forms of Greek bronze sculptures were simple, hand-worked sheets of bronze known as sphyrelaton (literally, \"hammer-driven\"). Like modern clay sculpture, these metal sheets could be embellished by hammering the metal over various wooden shapes made with textures that created a desired look or depth. This was later adapted to become the technique known today as tracing. By the late Archaic period (c. 500–480 BCE) sphyrelaton lost popularity as lost-wax casting became the primary means of producing bronze sculpture. Lost-wax casting of bronze was achieved in three different ways, each with its own desired effects. The first and earliest method was solid casting, which required a model of the sculpture to be fashioned in solid wax and then carved. The second method was hollow lost-wax casting, which was created by a direct process. Finally, the third was hollow lost-wax casting by an indirect process. The model is packed in clay, and then heated in what today would be similar to a kiln to remove the wax and harden the clay. Then, the mold is inverted and metal poured inside it to create a cast. When cooled, the bronze-smith cracks open the clay model to reveal a solid bronze replica.For smaller details, sculptors often made eyes out of glass and painted on body hair, clothing details, and skin color. Lost in antiquity, most historical knowledge of how certain bronze statues would have looked comes from studying surviving Roman marble copies."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "方法と材料", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラの方法と材料を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "In the 3rd millennium BCE ancient foundry workers discovered by trial and error that bronze had distinct advantages over pure copper for making artistic statuary. Bronze stays liquid longer when filling a mold due to its lower melting point. Bronze is a superior metal to copper for sculpture casting because of its higher tensile strength. The island of Cyprus supplied most of the bronze used for artistic purposes throughout the ancient Mediterranean region.The earliest forms of Greek bronze sculptures were simple, hand-worked sheets of bronze known as sphyrelaton (literally, \"hammer-driven\"). Like modern clay sculpture, these metal sheets could be embellished by hammering the metal over various wooden shapes made with textures that created a desired look or depth. This was later adapted to become the technique known today as tracing. By the late Archaic period (c. 500–480 BCE) sphyrelaton lost popularity as lost-wax casting became the primary means of producing bronze sculpture. Lost-wax casting of bronze was achieved in three different ways, each with its own desired effects. The first and earliest method was solid casting, which required a model of the sculpture to be fashioned in solid wax and then carved. The second method was hollow lost-wax casting, which was created by a direct process. Finally, the third was hollow lost-wax casting by an indirect process. The model is packed in clay, and then heated in what today would be similar to a kiln to remove the wax and harden the clay. Then, the mold is inverted and metal poured inside it to create a cast. When cooled, the bronze-smith cracks open the clay model to reveal a solid bronze replica.For smaller details, sculptors often made eyes out of glass and painted on body hair, clothing details, and skin color. Lost in antiquity, most historical knowledge of how certain bronze statues would have looked comes from studying surviving Roman marble copies."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "方法と材料", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラはどのように方法と材料を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "In the 3rd millennium BCE ancient foundry workers discovered by trial and error that bronze had distinct advantages over pure copper for making artistic statuary. Bronze stays liquid longer when filling a mold due to its lower melting point. Bronze is a superior metal to copper for sculpture casting because of its higher tensile strength. The island of Cyprus supplied most of the bronze used for artistic purposes throughout the ancient Mediterranean region.The earliest forms of Greek bronze sculptures were simple, hand-worked sheets of bronze known as sphyrelaton (literally, \"hammer-driven\"). Like modern clay sculpture, these metal sheets could be embellished by hammering the metal over various wooden shapes made with textures that created a desired look or depth. This was later adapted to become the technique known today as tracing. By the late Archaic period (c. 500–480 BCE) sphyrelaton lost popularity as lost-wax casting became the primary means of producing bronze sculpture. Lost-wax casting of bronze was achieved in three different ways, each with its own desired effects. The first and earliest method was solid casting, which required a model of the sculpture to be fashioned in solid wax and then carved. The second method was hollow lost-wax casting, which was created by a direct process. Finally, the third was hollow lost-wax casting by an indirect process. The model is packed in clay, and then heated in what today would be similar to a kiln to remove the wax and harden the clay. Then, the mold is inverted and metal poured inside it to create a cast. When cooled, the bronze-smith cracks open the clay model to reveal a solid bronze replica.For smaller details, sculptors often made eyes out of glass and painted on body hair, clothing details, and skin color. Lost in antiquity, most historical knowledge of how certain bronze statues would have looked comes from studying surviving Roman marble copies."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "方法と材料", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラに関して、どのように方法と材料が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "In the 3rd millennium BCE ancient foundry workers discovered by trial and error that bronze had distinct advantages over pure copper for making artistic statuary. Bronze stays liquid longer when filling a mold due to its lower melting point. Bronze is a superior metal to copper for sculpture casting because of its higher tensile strength. The island of Cyprus supplied most of the bronze used for artistic purposes throughout the ancient Mediterranean region.The earliest forms of Greek bronze sculptures were simple, hand-worked sheets of bronze known as sphyrelaton (literally, \"hammer-driven\"). Like modern clay sculpture, these metal sheets could be embellished by hammering the metal over various wooden shapes made with textures that created a desired look or depth. This was later adapted to become the technique known today as tracing. By the late Archaic period (c. 500–480 BCE) sphyrelaton lost popularity as lost-wax casting became the primary means of producing bronze sculpture. Lost-wax casting of bronze was achieved in three different ways, each with its own desired effects. The first and earliest method was solid casting, which required a model of the sculpture to be fashioned in solid wax and then carved. The second method was hollow lost-wax casting, which was created by a direct process. Finally, the third was hollow lost-wax casting by an indirect process. The model is packed in clay, and then heated in what today would be similar to a kiln to remove the wax and harden the clay. Then, the mold is inverted and metal poured inside it to create a cast. When cooled, the bronze-smith cracks open the clay model to reveal a solid bronze replica.For smaller details, sculptors often made eyes out of glass and painted on body hair, clothing details, and skin color. Lost in antiquity, most historical knowledge of how certain bronze statues would have looked comes from studying surviving Roman marble copies."}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "展示会", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラに焦点を当てて、その展示会を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "September 15, 2012 – December 9, 2012 at the Royal Academy of Arts \"Bronze\"   July 16, 2009 – February 8, 2010 at the Getty Villa"}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "展示会", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラの展示会を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "September 15, 2012 – December 9, 2012 at the Royal Academy of Arts \"Bronze\"   July 16, 2009 – February 8, 2010 at the Getty Villa"}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "展示会", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラはどのように展示会を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "September 15, 2012 – December 9, 2012 at the Royal Academy of Arts \"Bronze\"   July 16, 2009 – February 8, 2010 at the Getty Villa"}
{"title": "アレッツォのキメラ", "srclang_title": "Chimera of Arezzo", "en_title": "Chimera of Arezzo", "pageid": 3952875, "page_rank": 538, "page_url": "https://en.wikipedia.org/wiki/Chimera_of_Arezzo", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Chimera_d%27arezzo%2C_fi%2C_04.JPG/270px-Chimera_d%27arezzo%2C_fi%2C_04.JPG", "section": "展示会", "subsection": null, "sub_subsection": null, "prompt": "アレッツォのキメラに関して、どのように展示会が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Tinia", "Cosimo I", "Getty Villa", "Uffizi Gallery", "copper", "Hellenistic Period", "Etruscan art", "Orientalizing period", "270px", "bronze", "Category:Archaeological discoveries in Italy", "Dobrzynski, Judith H.", "Royal Academy of Arts", "Etruscan language", "Ancient Greek", "Typhon", "Category:National Archaeological Museum, Florence", "Archaic Greece", "Phoenicians", "Iconography", "Benvenuto Cellini", "Phoenicia", "Arretium", "Etruscan civilization", "Proetus", "Hellenistic", "iconography", "Leo X", "lost-wax", "Metalsmith", "Metaponto", "Echidna (mythology)", "studiolo", "Uffizi Palace", "File:Chimera d'arezzo, fi, 04.JPG", "Pistoiese", "File:Chimaira, Nordisk familjebok.png", "Palazzo della Crocetta", "kiln", "Giorgio Vasari", "Palazzo Vecchio", "tracing (art)", "Mediterranean", "Cabinet (room)", "House of Medici", "Pope Leo X", "Lost-wax casting", "Pegasus", "Francesco Carradori", "Cyprus", "Umbria", "Category:Animal sculptures", "hoard", "rape", "8th century BC", "Bellerophon", "Pistoia", "Italiote", "votive offering", "votive", "Category:Treasure troves in Italy", "Orientalizing Period", "Innocenzo Spinazzi", "Cosimo I de' Medici", "Category:5th-century BC sculptures", "Iliad", "World History Encyclopedia", "engraved gems", "Attica", "Roman Republic", "Etruria", "Palazzo Pitti", "Mediterranean Sea", "Anatolia", "Lazio", "solid", "Tuscany", "Capitoline Wolf", "Category:Etruscan mythology", "Italiotes", "Hesiod", "Medici", "Magna Graecia", "Votive offering", "Echidna", "David Ekserdjian", "Judith H. Dobrzynski", "Category:Etruscan sculptures", "Bronze", "Grand Duchy of Tuscany", "Spina", "Uffizi", "8th century BCE", "Hellenistic period", "chimera (mythology)", "Roman–Etruscan Wars", "Arezzo", "Caulonia (ancient city)", "Grand Duke of Tuscany", "smith", "classical antiquity", "Archaic Period", "thumb", "Kaulonia", "List of grand dukes of Tuscany", "metalworking", "Greek mythology", "chimera", "melting point", "Lycia", "Chimera, Nordisk familjebok", "tracing", "National Archaeological Museum, Florence", "marble", "Iobates", "Cosimo I de' Medici, Grand Duke of Tuscany"], "gold": "September 15, 2012 – December 9, 2012 at the Royal Academy of Arts \"Bronze\"   July 16, 2009 – February 8, 2010 at the Getty Villa"}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "The Three Philosophers is an oil painting on canvas attributed to the Italian High Renaissance artist Giorgione.  It shows three philosophers – one young, one middle-aged, and one old.The work may have been commissioned by the Venetian noble Taddeo Contarini, a Venetian merchant with an interest in the occult and alchemy. The Three Philosophers was finished one year before the painter died. One of Giorgione’s last paintings, it is now displayed at the Kunsthistorisches Museum in Vienna. The painting was thought to have been finished by Sebastiano del Piombo, but a \"new infrared reflectogram lends no support to the theory\"."}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "The Three Philosophers is an oil painting on canvas attributed to the Italian High Renaissance artist Giorgione.  It shows three philosophers – one young, one middle-aged, and one old.The work may have been commissioned by the Venetian noble Taddeo Contarini, a Venetian merchant with an interest in the occult and alchemy. The Three Philosophers was finished one year before the painter died. One of Giorgione’s last paintings, it is now displayed at the Kunsthistorisches Museum in Vienna. The painting was thought to have been finished by Sebastiano del Piombo, but a \"new infrared reflectogram lends no support to the theory\"."}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "The Three Philosophers is an oil painting on canvas attributed to the Italian High Renaissance artist Giorgione.  It shows three philosophers – one young, one middle-aged, and one old.The work may have been commissioned by the Venetian noble Taddeo Contarini, a Venetian merchant with an interest in the occult and alchemy. The Three Philosophers was finished one year before the painter died. One of Giorgione’s last paintings, it is now displayed at the Kunsthistorisches Museum in Vienna. The painting was thought to have been finished by Sebastiano del Piombo, but a \"new infrared reflectogram lends no support to the theory\"."}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "The Three Philosophers is an oil painting on canvas attributed to the Italian High Renaissance artist Giorgione.  It shows three philosophers – one young, one middle-aged, and one old.The work may have been commissioned by the Venetian noble Taddeo Contarini, a Venetian merchant with an interest in the occult and alchemy. The Three Philosophers was finished one year before the painter died. One of Giorgione’s last paintings, it is now displayed at the Kunsthistorisches Museum in Vienna. The painting was thought to have been finished by Sebastiano del Piombo, but a \"new infrared reflectogram lends no support to the theory\"."}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者に焦点を当てて、その説明を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "The Three Philosophers was finished around 1509, and the current name of the work derives from a writing of Marcantonio Michiel (1484–1552), who saw it just some years after in a Venetian villa. The three figures portrayed are allegorical: an old bearded man, possibly a Greek philosopher;  a Persian or Arab philosopher; and a sitting young man, enclosed within a natural landscape. In the background is a village with some mountains, the latter marked by a blue area whose meaning is unknown. The young man is observing a cave on the left of the scene, and apparently measuring it with some instruments. Since the end of the 19th century scholars and critics rejected on various grounds the earlier view that it is a representation of the three Magi gathered before Jesus' grotto."}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者の説明を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "The Three Philosophers was finished around 1509, and the current name of the work derives from a writing of Marcantonio Michiel (1484–1552), who saw it just some years after in a Venetian villa. The three figures portrayed are allegorical: an old bearded man, possibly a Greek philosopher;  a Persian or Arab philosopher; and a sitting young man, enclosed within a natural landscape. In the background is a village with some mountains, the latter marked by a blue area whose meaning is unknown. The young man is observing a cave on the left of the scene, and apparently measuring it with some instruments. Since the end of the 19th century scholars and critics rejected on various grounds the earlier view that it is a representation of the three Magi gathered before Jesus' grotto."}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者はどのように説明を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "The Three Philosophers was finished around 1509, and the current name of the work derives from a writing of Marcantonio Michiel (1484–1552), who saw it just some years after in a Venetian villa. The three figures portrayed are allegorical: an old bearded man, possibly a Greek philosopher;  a Persian or Arab philosopher; and a sitting young man, enclosed within a natural landscape. In the background is a village with some mountains, the latter marked by a blue area whose meaning is unknown. The young man is observing a cave on the left of the scene, and apparently measuring it with some instruments. Since the end of the 19th century scholars and critics rejected on various grounds the earlier view that it is a representation of the three Magi gathered before Jesus' grotto."}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者に関して、どのように説明が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "The Three Philosophers was finished around 1509, and the current name of the work derives from a writing of Marcantonio Michiel (1484–1552), who saw it just some years after in a Venetian villa. The three figures portrayed are allegorical: an old bearded man, possibly a Greek philosopher;  a Persian or Arab philosopher; and a sitting young man, enclosed within a natural landscape. In the background is a village with some mountains, the latter marked by a blue area whose meaning is unknown. The young man is observing a cave on the left of the scene, and apparently measuring it with some instruments. Since the end of the 19th century scholars and critics rejected on various grounds the earlier view that it is a representation of the three Magi gathered before Jesus' grotto."}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "解釈", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者に焦点を当てて、その解釈を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "Various interpretations about Giorgione's picture have been proposed. The Three Philosophers — the old man, the Arab figure, and the young man — could depict the transmission of knowledge, the Transmission of the Classics from the ancient Greeks philosophy through the Arab translations, that became actual again around the Italian Renaissance. The old man is representing a Greek philosopher, such as Plato or Aristotle, whose writings have been copied and transmitted through the Arab philosophers to the Italian Renaissance. The Arab philosopher is possibly representing the polyhistor Avicenna or Averroes, both Arab philosophers and Arab scientists from the Islamic Golden Age.The young man could be seen as the new Renaissance science with roots in the past, looking into the empty darkness of the cave, symbolizing the yet undiscovered secrets. The cave might also symbolize the philosophic concept of Plato's Cave. \"The emphasis on light and darkness in relation to philosophy has suggested one of the most credible interpretations of the painting, originally proposed by [Peter] Meller, who argues that it represents the education of philosophers, as described in book 7 of Plato's Republic, whose famous allegory concerns the cave, the sun, and the dividing of the line\".New hypotheses about the figures, their identities and the symbolism are still currently advanced. In a note about the picture G. C. Williamsom, early in the 20th century, stated that \"It represents Evander and his son Pallas showing to Aeneas the future site of Rome\".  The possibility that the three men are King Solomon, Hiram I, King of Tyre, and Hiram Abiff has been advanced by Neil K. MacLennan and Ross S. Kilpatrick.It has been suggested that the figure of the young man can be inscribed neatly in a right-angled triangle for which the Pythagorean theorem applies. Karin Zeleny, relying on a reading of Polydore Vergil has proposed that the philosophers are the teachers of Pythagoras – Pherecydes of Syros and Thales. Thales has been painted as a Jew, while Pherecydes was mistakenly believed to be a Syrian. This interpretation was modified by Frank Keim who claimed that the older philosopher is in fact Aristarchus of SamosOther scholars have asserted that the figures are typical representations for three stages of humanity (youth, middle and old age), three epochs of European civilization (Antiquity, Middle Age, Renaissance), the three Abrahamic religions or some combination of such general conceptions.Augusto Gentili proposed that the picture illustrates the waiting for the Antichrist, based on conjunctionist astrology. On the sheet held by the oldest philosopher the word \"eclipsis\" and an astronomical diagram can be seen. The great conjunction of 1503 and the eclipse the same year were believed to be signs announcing its coming.James Panero writes that, in interpreting The Three Philosophers, he is \"partial to the poetic approach proposed by art historian Tom Nichols in his book Giorgione’s Ambiguity, in which he suggests that our interpretation is meant to remain free-floating and open-ended. Deliberate ambiguities, he writes, are Giorgione’s 'visual traps set to capture the viewer's curiosity and speculation.'\""}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "解釈", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者の解釈を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "Various interpretations about Giorgione's picture have been proposed. The Three Philosophers — the old man, the Arab figure, and the young man — could depict the transmission of knowledge, the Transmission of the Classics from the ancient Greeks philosophy through the Arab translations, that became actual again around the Italian Renaissance. The old man is representing a Greek philosopher, such as Plato or Aristotle, whose writings have been copied and transmitted through the Arab philosophers to the Italian Renaissance. The Arab philosopher is possibly representing the polyhistor Avicenna or Averroes, both Arab philosophers and Arab scientists from the Islamic Golden Age.The young man could be seen as the new Renaissance science with roots in the past, looking into the empty darkness of the cave, symbolizing the yet undiscovered secrets. The cave might also symbolize the philosophic concept of Plato's Cave. \"The emphasis on light and darkness in relation to philosophy has suggested one of the most credible interpretations of the painting, originally proposed by [Peter] Meller, who argues that it represents the education of philosophers, as described in book 7 of Plato's Republic, whose famous allegory concerns the cave, the sun, and the dividing of the line\".New hypotheses about the figures, their identities and the symbolism are still currently advanced. In a note about the picture G. C. Williamsom, early in the 20th century, stated that \"It represents Evander and his son Pallas showing to Aeneas the future site of Rome\".  The possibility that the three men are King Solomon, Hiram I, King of Tyre, and Hiram Abiff has been advanced by Neil K. MacLennan and Ross S. Kilpatrick.It has been suggested that the figure of the young man can be inscribed neatly in a right-angled triangle for which the Pythagorean theorem applies. Karin Zeleny, relying on a reading of Polydore Vergil has proposed that the philosophers are the teachers of Pythagoras – Pherecydes of Syros and Thales. Thales has been painted as a Jew, while Pherecydes was mistakenly believed to be a Syrian. This interpretation was modified by Frank Keim who claimed that the older philosopher is in fact Aristarchus of SamosOther scholars have asserted that the figures are typical representations for three stages of humanity (youth, middle and old age), three epochs of European civilization (Antiquity, Middle Age, Renaissance), the three Abrahamic religions or some combination of such general conceptions.Augusto Gentili proposed that the picture illustrates the waiting for the Antichrist, based on conjunctionist astrology. On the sheet held by the oldest philosopher the word \"eclipsis\" and an astronomical diagram can be seen. The great conjunction of 1503 and the eclipse the same year were believed to be signs announcing its coming.James Panero writes that, in interpreting The Three Philosophers, he is \"partial to the poetic approach proposed by art historian Tom Nichols in his book Giorgione’s Ambiguity, in which he suggests that our interpretation is meant to remain free-floating and open-ended. Deliberate ambiguities, he writes, are Giorgione’s 'visual traps set to capture the viewer's curiosity and speculation.'\""}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "解釈", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者はどのように解釈を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "Various interpretations about Giorgione's picture have been proposed. The Three Philosophers — the old man, the Arab figure, and the young man — could depict the transmission of knowledge, the Transmission of the Classics from the ancient Greeks philosophy through the Arab translations, that became actual again around the Italian Renaissance. The old man is representing a Greek philosopher, such as Plato or Aristotle, whose writings have been copied and transmitted through the Arab philosophers to the Italian Renaissance. The Arab philosopher is possibly representing the polyhistor Avicenna or Averroes, both Arab philosophers and Arab scientists from the Islamic Golden Age.The young man could be seen as the new Renaissance science with roots in the past, looking into the empty darkness of the cave, symbolizing the yet undiscovered secrets. The cave might also symbolize the philosophic concept of Plato's Cave. \"The emphasis on light and darkness in relation to philosophy has suggested one of the most credible interpretations of the painting, originally proposed by [Peter] Meller, who argues that it represents the education of philosophers, as described in book 7 of Plato's Republic, whose famous allegory concerns the cave, the sun, and the dividing of the line\".New hypotheses about the figures, their identities and the symbolism are still currently advanced. In a note about the picture G. C. Williamsom, early in the 20th century, stated that \"It represents Evander and his son Pallas showing to Aeneas the future site of Rome\".  The possibility that the three men are King Solomon, Hiram I, King of Tyre, and Hiram Abiff has been advanced by Neil K. MacLennan and Ross S. Kilpatrick.It has been suggested that the figure of the young man can be inscribed neatly in a right-angled triangle for which the Pythagorean theorem applies. Karin Zeleny, relying on a reading of Polydore Vergil has proposed that the philosophers are the teachers of Pythagoras – Pherecydes of Syros and Thales. Thales has been painted as a Jew, while Pherecydes was mistakenly believed to be a Syrian. This interpretation was modified by Frank Keim who claimed that the older philosopher is in fact Aristarchus of SamosOther scholars have asserted that the figures are typical representations for three stages of humanity (youth, middle and old age), three epochs of European civilization (Antiquity, Middle Age, Renaissance), the three Abrahamic religions or some combination of such general conceptions.Augusto Gentili proposed that the picture illustrates the waiting for the Antichrist, based on conjunctionist astrology. On the sheet held by the oldest philosopher the word \"eclipsis\" and an astronomical diagram can be seen. The great conjunction of 1503 and the eclipse the same year were believed to be signs announcing its coming.James Panero writes that, in interpreting The Three Philosophers, he is \"partial to the poetic approach proposed by art historian Tom Nichols in his book Giorgione’s Ambiguity, in which he suggests that our interpretation is meant to remain free-floating and open-ended. Deliberate ambiguities, he writes, are Giorgione’s 'visual traps set to capture the viewer's curiosity and speculation.'\""}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "解釈", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者に関して、どのように解釈が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "Various interpretations about Giorgione's picture have been proposed. The Three Philosophers — the old man, the Arab figure, and the young man — could depict the transmission of knowledge, the Transmission of the Classics from the ancient Greeks philosophy through the Arab translations, that became actual again around the Italian Renaissance. The old man is representing a Greek philosopher, such as Plato or Aristotle, whose writings have been copied and transmitted through the Arab philosophers to the Italian Renaissance. The Arab philosopher is possibly representing the polyhistor Avicenna or Averroes, both Arab philosophers and Arab scientists from the Islamic Golden Age.The young man could be seen as the new Renaissance science with roots in the past, looking into the empty darkness of the cave, symbolizing the yet undiscovered secrets. The cave might also symbolize the philosophic concept of Plato's Cave. \"The emphasis on light and darkness in relation to philosophy has suggested one of the most credible interpretations of the painting, originally proposed by [Peter] Meller, who argues that it represents the education of philosophers, as described in book 7 of Plato's Republic, whose famous allegory concerns the cave, the sun, and the dividing of the line\".New hypotheses about the figures, their identities and the symbolism are still currently advanced. In a note about the picture G. C. Williamsom, early in the 20th century, stated that \"It represents Evander and his son Pallas showing to Aeneas the future site of Rome\".  The possibility that the three men are King Solomon, Hiram I, King of Tyre, and Hiram Abiff has been advanced by Neil K. MacLennan and Ross S. Kilpatrick.It has been suggested that the figure of the young man can be inscribed neatly in a right-angled triangle for which the Pythagorean theorem applies. Karin Zeleny, relying on a reading of Polydore Vergil has proposed that the philosophers are the teachers of Pythagoras – Pherecydes of Syros and Thales. Thales has been painted as a Jew, while Pherecydes was mistakenly believed to be a Syrian. This interpretation was modified by Frank Keim who claimed that the older philosopher is in fact Aristarchus of SamosOther scholars have asserted that the figures are typical representations for three stages of humanity (youth, middle and old age), three epochs of European civilization (Antiquity, Middle Age, Renaissance), the three Abrahamic religions or some combination of such general conceptions.Augusto Gentili proposed that the picture illustrates the waiting for the Antichrist, based on conjunctionist astrology. On the sheet held by the oldest philosopher the word \"eclipsis\" and an astronomical diagram can be seen. The great conjunction of 1503 and the eclipse the same year were believed to be signs announcing its coming.James Panero writes that, in interpreting The Three Philosophers, he is \"partial to the poetic approach proposed by art historian Tom Nichols in his book Giorgione’s Ambiguity, in which he suggests that our interpretation is meant to remain free-floating and open-ended. Deliberate ambiguities, he writes, are Giorgione’s 'visual traps set to capture the viewer's curiosity and speculation.'\""}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "劇場の絵画", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者に焦点を当てて、その劇場の絵画を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "This painting was documented in David Teniers the Younger's catalog Theatrum Pictorium of the art collection of Archduke Leopold Wilhelm in 1659 and again in 1673, but the portrait had already gained attention from Teniers' portrayals of the Archduke's art collection: Tenier's copies that he made of the exhibits have long been recognised as a valuable historical resource.This painting is displayed at the Kunsthistorisches Museum in Vienna. While working on his picture, David Teniers the Younger made tiny separate copies of each and every picture as a study for the final big painting, depicting the duke's collection. It is a small copy that measures 21.5 x 30.9 cm."}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "劇場の絵画", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者の劇場の絵画を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "This painting was documented in David Teniers the Younger's catalog Theatrum Pictorium of the art collection of Archduke Leopold Wilhelm in 1659 and again in 1673, but the portrait had already gained attention from Teniers' portrayals of the Archduke's art collection: Tenier's copies that he made of the exhibits have long been recognised as a valuable historical resource.This painting is displayed at the Kunsthistorisches Museum in Vienna. While working on his picture, David Teniers the Younger made tiny separate copies of each and every picture as a study for the final big painting, depicting the duke's collection. It is a small copy that measures 21.5 x 30.9 cm."}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "劇場の絵画", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者はどのように劇場の絵画を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "This painting was documented in David Teniers the Younger's catalog Theatrum Pictorium of the art collection of Archduke Leopold Wilhelm in 1659 and again in 1673, but the portrait had already gained attention from Teniers' portrayals of the Archduke's art collection: Tenier's copies that he made of the exhibits have long been recognised as a valuable historical resource.This painting is displayed at the Kunsthistorisches Museum in Vienna. While working on his picture, David Teniers the Younger made tiny separate copies of each and every picture as a study for the final big painting, depicting the duke's collection. It is a small copy that measures 21.5 x 30.9 cm."}
{"title": "三人の哲学者", "srclang_title": "The Three Philosophers", "en_title": "The Three Philosophers", "pageid": 6884063, "page_rank": 565, "page_url": "https://en.wikipedia.org/wiki/The_Three_Philosophers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/a8/Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg/270px-Giorgione_-_Three_Philosophers_-_Google_Art_Project.jpg", "section": "劇場の絵画", "subsection": null, "sub_subsection": null, "prompt": "三人の哲学者に関して、どのように劇場の絵画が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": [":la:Carina Zeleny", "Italian Renaissance", "Gallery of Archduke Leopold Wilhelm in Brussels (Petworth)", "Karin Zeleny", "Category:Paintings by Giorgione", "Allegory of the cave", "Giorgione", "Thales of Miletus", "Thales", "File:Giorgione 033.jpg", "Avicenna", "Aristotle", "polyhistor", "Kunsthistorisches Museum", "Persian", "Solomon", "Category:Paintings of Solomon", "Islamic Golden Age", "Plato", "Evander of Pallene", "study", "Philosophy", "Magi", "Transmission of the Greek Classics", "Pallas (son of Evander)", "Archduke Leopold Wilhelm", "alchemy", "Category:Paintings in the collection of the Archduke Leopold Wilhelm of Austria", "Evander", "Republic (Plato)", "Category:Cultural depictions of philosophers", "Polydore Vergil", "Transmission of the Classics", "Persians", "Jan van Troyen", "David Teniers the Younger", "Archduke Leopold Wilhelm of Austria", "Arab scientist", "Sebastiano del Piombo", "Augusto Gentili", "great conjunction", "Pythagorean theorem", "Category:Paintings in the Kunsthistorisches Museum", "National Gallery of Art", "High Renaissance", "James Panero", "Pallas", "Pythagoras", "Marcantonio Michiel", "Frick Collection", "Titian", "King Solomon", "upright", "St. Francis in the Desert", "Aeneas", "Plato's Cave", "Plato's ''Republic''", "Sheet held by the oldest philosopher", "Arab", "Vienna", "Science in the medieval Islamic world", "Gombrich E.", "Hiram I", "Taddeo Contarini", "Category:1500s paintings", "Smarthistory", "Hiram Abiff", "Ernst Gombrich", "St. Francis in Ecstasy (Bellini)", "210px", "Giovanni Bellini", "philosopher", "thumb", "Category:Hiram I", "study (art)", "Pherecydes of Syros", "Aristarchus of Samos", "Arabs", "Panero, James", "Abrahamic religions", "''Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels''. The painting shows rather faithfully the original painting as displayed in the dukes collection, high up left corner, by [[David Teniers the Younger", "village", "Category:Fictional trios", "354px", "File:David Teniers the Younger - Archduke Leopold William in his Gallery at Brussels - Google Art Project.jpg", "Averroes", "Theatrum Pictorium", "File:Giorgione 030.jpg"], "gold": "This painting was documented in David Teniers the Younger's catalog Theatrum Pictorium of the art collection of Archduke Leopold Wilhelm in 1659 and again in 1673, but the portrait had already gained attention from Teniers' portrayals of the Archduke's art collection: Tenier's copies that he made of the exhibits have long been recognised as a valuable historical resource.This painting is displayed at the Kunsthistorisches Museum in Vienna. While working on his picture, David Teniers the Younger made tiny separate copies of each and every picture as a study for the final big painting, depicting the duke's collection. It is a small copy that measures 21.5 x 30.9 cm."}
{"title": "チュイルリーの音楽", "srclang_title": "Music in the Tuileries", "en_title": "Music in the Tuileries", "pageid": 13160284, "page_rank": 631, "page_url": "https://en.wikipedia.org/wiki/Music_in_the_Tuileries", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg/450px-MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "チュイルリーの音楽に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Scheele's green", "Théophile Gautier", "Jacques Offenbach", "Dublin", "National Gallery, London", "Hugh Lane Gallery", "Category:Paintings by Édouard Manet", "1862 in art", "Diego Velázquez", "Category:1862 paintings", "Eugène Manet", "Category:Cultural depictions of Charles Baudelaire", "List of paintings by Édouard Manet", "Claude Monet", "Frans Hals", "Category:Paintings in the National Gallery, London", "RMS Lusitania", "Bazille", "Renoir", "ivory black", "RMS ''Lusitania''", "Category:Paintings in Ireland", "Henri Fantin-Latour", "Édouard Manet", "Hugh Lane", "Hugh Lane Gallery, Dublin", "Oil painting", "Zacharie Astruc", "Monet", "Tuileries", "Tuileries Palace", "Jean-Baptiste Faure", "Oil on canvas", "Bone char", "Albert de Balleroy", "Lane Bequest", "Ernest Meissonier", "Pierre-Auguste Renoir", "The National Gallery", "Louvre", "National Gallery", "Paul Durand-Ruel", "Frédéric Bazille", "Smarthistory", "Charles Baudelaire"], "gold": "Music in the Tuileries is an 1862 oil-on-canvas painting by Édouard Manet. It is owned by the National Gallery, London and the Hugh Lane Gallery, Dublin as part of the shared Lane Bequest.The work is an early example of Manet's painterly style, inspired by Frans Hals and Diego Velázquez, and it is a harbinger of his lifelong interest in the subject of leisure. The painting influenced Manet's contemporaries – such as Monet, Renoir and Bazille – to paint similar large groups of people.The painting depicts the gatherings of Parisians at weekly concerts in the Tuileries gardens near the Louvre, although no musicians are depicted. While the picture was regarded as unfinished by some, the suggested atmosphere imparts a sense of what the Tuileries gardens were like at the time; one may imagine the music and conversation.The iron chairs in the foreground had just replaced the wooden chairs in the garden in 1862. Manet has included several of his friends, artists, authors, and musicians who take part, and a self-portrait. Manet is depicted on the far left; next to him is another painter Albert de Balleroy. To their right, seated, is sculptor and critic Zacharie Astruc. Manet's brother Eugène Manet is in foreground, right of centre, with white trousers; the composer Jacques Offenbach with glasses and moustache sits against a tree to the right; critic Théophile Gautier stands against a tree in brown suit and full beard, while author Charles Baudelaire is to the left of Gautier. Henri Fantin-Latour is further left, with beard, looking at the viewer. The fair-haired child in the centre is Léon Leenhoff. It has been noted that several of those depicted were prominent French Wagnerians, and speculated that the music being played might be by Wagner himself.The work measures 76.2 × 118.1 centimetres (30.0 × 46.5 in). It was first exhibited in 1863, and Manet sold the painting to opera singer and collector Jean-Baptiste Faure in January of 1883, shortly before Manet's death. It was sold on to dealer Paul Durand-Ruel in 1898, and then to collector Sir Hugh Lane in 1903. After Lane's death, when RMS Lusitania was sunk in 1915, an unwitnessed codicil to his will left the painting to the Dublin City Gallery (now known as The Hugh Lane). The codicil was found to be invalid, and in 1917 a court case decided that his previous will left the work to the National Gallery in London. After intervention from the Irish government, the two galleries reached a compromise in 1959, agreeing to share the paintings, with half of the Lane Bequest lent and shown in Dublin every five years. The agreement was varied in 1993 so that 31 of the 39 paintings would stay in Ireland, and four of the remaining eight would be lent to Dublin for six years at a time."}
{"title": "チュイルリーの音楽", "srclang_title": "Music in the Tuileries", "en_title": "Music in the Tuileries", "pageid": 13160284, "page_rank": 631, "page_url": "https://en.wikipedia.org/wiki/Music_in_the_Tuileries", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg/450px-MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "チュイルリーの音楽のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Scheele's green", "Théophile Gautier", "Jacques Offenbach", "Dublin", "National Gallery, London", "Hugh Lane Gallery", "Category:Paintings by Édouard Manet", "1862 in art", "Diego Velázquez", "Category:1862 paintings", "Eugène Manet", "Category:Cultural depictions of Charles Baudelaire", "List of paintings by Édouard Manet", "Claude Monet", "Frans Hals", "Category:Paintings in the National Gallery, London", "RMS Lusitania", "Bazille", "Renoir", "ivory black", "RMS ''Lusitania''", "Category:Paintings in Ireland", "Henri Fantin-Latour", "Édouard Manet", "Hugh Lane", "Hugh Lane Gallery, Dublin", "Oil painting", "Zacharie Astruc", "Monet", "Tuileries", "Tuileries Palace", "Jean-Baptiste Faure", "Oil on canvas", "Bone char", "Albert de Balleroy", "Lane Bequest", "Ernest Meissonier", "Pierre-Auguste Renoir", "The National Gallery", "Louvre", "National Gallery", "Paul Durand-Ruel", "Frédéric Bazille", "Smarthistory", "Charles Baudelaire"], "gold": "Music in the Tuileries is an 1862 oil-on-canvas painting by Édouard Manet. It is owned by the National Gallery, London and the Hugh Lane Gallery, Dublin as part of the shared Lane Bequest.The work is an early example of Manet's painterly style, inspired by Frans Hals and Diego Velázquez, and it is a harbinger of his lifelong interest in the subject of leisure. The painting influenced Manet's contemporaries – such as Monet, Renoir and Bazille – to paint similar large groups of people.The painting depicts the gatherings of Parisians at weekly concerts in the Tuileries gardens near the Louvre, although no musicians are depicted. While the picture was regarded as unfinished by some, the suggested atmosphere imparts a sense of what the Tuileries gardens were like at the time; one may imagine the music and conversation.The iron chairs in the foreground had just replaced the wooden chairs in the garden in 1862. Manet has included several of his friends, artists, authors, and musicians who take part, and a self-portrait. Manet is depicted on the far left; next to him is another painter Albert de Balleroy. To their right, seated, is sculptor and critic Zacharie Astruc. Manet's brother Eugène Manet is in foreground, right of centre, with white trousers; the composer Jacques Offenbach with glasses and moustache sits against a tree to the right; critic Théophile Gautier stands against a tree in brown suit and full beard, while author Charles Baudelaire is to the left of Gautier. Henri Fantin-Latour is further left, with beard, looking at the viewer. The fair-haired child in the centre is Léon Leenhoff. It has been noted that several of those depicted were prominent French Wagnerians, and speculated that the music being played might be by Wagner himself.The work measures 76.2 × 118.1 centimetres (30.0 × 46.5 in). It was first exhibited in 1863, and Manet sold the painting to opera singer and collector Jean-Baptiste Faure in January of 1883, shortly before Manet's death. It was sold on to dealer Paul Durand-Ruel in 1898, and then to collector Sir Hugh Lane in 1903. After Lane's death, when RMS Lusitania was sunk in 1915, an unwitnessed codicil to his will left the painting to the Dublin City Gallery (now known as The Hugh Lane). The codicil was found to be invalid, and in 1917 a court case decided that his previous will left the work to the National Gallery in London. After intervention from the Irish government, the two galleries reached a compromise in 1959, agreeing to share the paintings, with half of the Lane Bequest lent and shown in Dublin every five years. The agreement was varied in 1993 so that 31 of the 39 paintings would stay in Ireland, and four of the remaining eight would be lent to Dublin for six years at a time."}
{"title": "チュイルリーの音楽", "srclang_title": "Music in the Tuileries", "en_title": "Music in the Tuileries", "pageid": 13160284, "page_rank": 631, "page_url": "https://en.wikipedia.org/wiki/Music_in_the_Tuileries", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg/450px-MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "チュイルリーの音楽はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Scheele's green", "Théophile Gautier", "Jacques Offenbach", "Dublin", "National Gallery, London", "Hugh Lane Gallery", "Category:Paintings by Édouard Manet", "1862 in art", "Diego Velázquez", "Category:1862 paintings", "Eugène Manet", "Category:Cultural depictions of Charles Baudelaire", "List of paintings by Édouard Manet", "Claude Monet", "Frans Hals", "Category:Paintings in the National Gallery, London", "RMS Lusitania", "Bazille", "Renoir", "ivory black", "RMS ''Lusitania''", "Category:Paintings in Ireland", "Henri Fantin-Latour", "Édouard Manet", "Hugh Lane", "Hugh Lane Gallery, Dublin", "Oil painting", "Zacharie Astruc", "Monet", "Tuileries", "Tuileries Palace", "Jean-Baptiste Faure", "Oil on canvas", "Bone char", "Albert de Balleroy", "Lane Bequest", "Ernest Meissonier", "Pierre-Auguste Renoir", "The National Gallery", "Louvre", "National Gallery", "Paul Durand-Ruel", "Frédéric Bazille", "Smarthistory", "Charles Baudelaire"], "gold": "Music in the Tuileries is an 1862 oil-on-canvas painting by Édouard Manet. It is owned by the National Gallery, London and the Hugh Lane Gallery, Dublin as part of the shared Lane Bequest.The work is an early example of Manet's painterly style, inspired by Frans Hals and Diego Velázquez, and it is a harbinger of his lifelong interest in the subject of leisure. The painting influenced Manet's contemporaries – such as Monet, Renoir and Bazille – to paint similar large groups of people.The painting depicts the gatherings of Parisians at weekly concerts in the Tuileries gardens near the Louvre, although no musicians are depicted. While the picture was regarded as unfinished by some, the suggested atmosphere imparts a sense of what the Tuileries gardens were like at the time; one may imagine the music and conversation.The iron chairs in the foreground had just replaced the wooden chairs in the garden in 1862. Manet has included several of his friends, artists, authors, and musicians who take part, and a self-portrait. Manet is depicted on the far left; next to him is another painter Albert de Balleroy. To their right, seated, is sculptor and critic Zacharie Astruc. Manet's brother Eugène Manet is in foreground, right of centre, with white trousers; the composer Jacques Offenbach with glasses and moustache sits against a tree to the right; critic Théophile Gautier stands against a tree in brown suit and full beard, while author Charles Baudelaire is to the left of Gautier. Henri Fantin-Latour is further left, with beard, looking at the viewer. The fair-haired child in the centre is Léon Leenhoff. It has been noted that several of those depicted were prominent French Wagnerians, and speculated that the music being played might be by Wagner himself.The work measures 76.2 × 118.1 centimetres (30.0 × 46.5 in). It was first exhibited in 1863, and Manet sold the painting to opera singer and collector Jean-Baptiste Faure in January of 1883, shortly before Manet's death. It was sold on to dealer Paul Durand-Ruel in 1898, and then to collector Sir Hugh Lane in 1903. After Lane's death, when RMS Lusitania was sunk in 1915, an unwitnessed codicil to his will left the painting to the Dublin City Gallery (now known as The Hugh Lane). The codicil was found to be invalid, and in 1917 a court case decided that his previous will left the work to the National Gallery in London. After intervention from the Irish government, the two galleries reached a compromise in 1959, agreeing to share the paintings, with half of the Lane Bequest lent and shown in Dublin every five years. The agreement was varied in 1993 so that 31 of the 39 paintings would stay in Ireland, and four of the remaining eight would be lent to Dublin for six years at a time."}
{"title": "チュイルリーの音楽", "srclang_title": "Music in the Tuileries", "en_title": "Music in the Tuileries", "pageid": 13160284, "page_rank": 631, "page_url": "https://en.wikipedia.org/wiki/Music_in_the_Tuileries", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg/450px-MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "チュイルリーの音楽に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Scheele's green", "Théophile Gautier", "Jacques Offenbach", "Dublin", "National Gallery, London", "Hugh Lane Gallery", "Category:Paintings by Édouard Manet", "1862 in art", "Diego Velázquez", "Category:1862 paintings", "Eugène Manet", "Category:Cultural depictions of Charles Baudelaire", "List of paintings by Édouard Manet", "Claude Monet", "Frans Hals", "Category:Paintings in the National Gallery, London", "RMS Lusitania", "Bazille", "Renoir", "ivory black", "RMS ''Lusitania''", "Category:Paintings in Ireland", "Henri Fantin-Latour", "Édouard Manet", "Hugh Lane", "Hugh Lane Gallery, Dublin", "Oil painting", "Zacharie Astruc", "Monet", "Tuileries", "Tuileries Palace", "Jean-Baptiste Faure", "Oil on canvas", "Bone char", "Albert de Balleroy", "Lane Bequest", "Ernest Meissonier", "Pierre-Auguste Renoir", "The National Gallery", "Louvre", "National Gallery", "Paul Durand-Ruel", "Frédéric Bazille", "Smarthistory", "Charles Baudelaire"], "gold": "Music in the Tuileries is an 1862 oil-on-canvas painting by Édouard Manet. It is owned by the National Gallery, London and the Hugh Lane Gallery, Dublin as part of the shared Lane Bequest.The work is an early example of Manet's painterly style, inspired by Frans Hals and Diego Velázquez, and it is a harbinger of his lifelong interest in the subject of leisure. The painting influenced Manet's contemporaries – such as Monet, Renoir and Bazille – to paint similar large groups of people.The painting depicts the gatherings of Parisians at weekly concerts in the Tuileries gardens near the Louvre, although no musicians are depicted. While the picture was regarded as unfinished by some, the suggested atmosphere imparts a sense of what the Tuileries gardens were like at the time; one may imagine the music and conversation.The iron chairs in the foreground had just replaced the wooden chairs in the garden in 1862. Manet has included several of his friends, artists, authors, and musicians who take part, and a self-portrait. Manet is depicted on the far left; next to him is another painter Albert de Balleroy. To their right, seated, is sculptor and critic Zacharie Astruc. Manet's brother Eugène Manet is in foreground, right of centre, with white trousers; the composer Jacques Offenbach with glasses and moustache sits against a tree to the right; critic Théophile Gautier stands against a tree in brown suit and full beard, while author Charles Baudelaire is to the left of Gautier. Henri Fantin-Latour is further left, with beard, looking at the viewer. The fair-haired child in the centre is Léon Leenhoff. It has been noted that several of those depicted were prominent French Wagnerians, and speculated that the music being played might be by Wagner himself.The work measures 76.2 × 118.1 centimetres (30.0 × 46.5 in). It was first exhibited in 1863, and Manet sold the painting to opera singer and collector Jean-Baptiste Faure in January of 1883, shortly before Manet's death. It was sold on to dealer Paul Durand-Ruel in 1898, and then to collector Sir Hugh Lane in 1903. After Lane's death, when RMS Lusitania was sunk in 1915, an unwitnessed codicil to his will left the painting to the Dublin City Gallery (now known as The Hugh Lane). The codicil was found to be invalid, and in 1917 a court case decided that his previous will left the work to the National Gallery in London. After intervention from the Irish government, the two galleries reached a compromise in 1959, agreeing to share the paintings, with half of the Lane Bequest lent and shown in Dublin every five years. The agreement was varied in 1993 so that 31 of the 39 paintings would stay in Ireland, and four of the remaining eight would be lent to Dublin for six years at a time."}
{"title": "チュイルリーの音楽", "srclang_title": "Music in the Tuileries", "en_title": "Music in the Tuileries", "pageid": 13160284, "page_rank": 631, "page_url": "https://en.wikipedia.org/wiki/Music_in_the_Tuileries", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg/450px-MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg", "section": "絵画材料", "subsection": null, "sub_subsection": null, "prompt": "チュイルリーの音楽に焦点を当てて、その絵画材料を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Scheele's green", "Théophile Gautier", "Jacques Offenbach", "Dublin", "National Gallery, London", "Hugh Lane Gallery", "Category:Paintings by Édouard Manet", "1862 in art", "Diego Velázquez", "Category:1862 paintings", "Eugène Manet", "Category:Cultural depictions of Charles Baudelaire", "List of paintings by Édouard Manet", "Claude Monet", "Frans Hals", "Category:Paintings in the National Gallery, London", "RMS Lusitania", "Bazille", "Renoir", "ivory black", "RMS ''Lusitania''", "Category:Paintings in Ireland", "Henri Fantin-Latour", "Édouard Manet", "Hugh Lane", "Hugh Lane Gallery, Dublin", "Oil painting", "Zacharie Astruc", "Monet", "Tuileries", "Tuileries Palace", "Jean-Baptiste Faure", "Oil on canvas", "Bone char", "Albert de Balleroy", "Lane Bequest", "Ernest Meissonier", "Pierre-Auguste Renoir", "The National Gallery", "Louvre", "National Gallery", "Paul Durand-Ruel", "Frédéric Bazille", "Smarthistory", "Charles Baudelaire"], "gold": "The colors in greater areas of this painting are generally subdued and executed in ochres or in mixtures of several pigments. The dark green foliage in the upper part contains a glaze of emerald green and Scheele's green mixed with yellow lake with small addition of ivory black and yellow ochre. The strong colourful accents in the bonnets and clothes of the children are painted in almost pure pigments such as cobalt blue, vermilion or chrome orange."}
{"title": "チュイルリーの音楽", "srclang_title": "Music in the Tuileries", "en_title": "Music in the Tuileries", "pageid": 13160284, "page_rank": 631, "page_url": "https://en.wikipedia.org/wiki/Music_in_the_Tuileries", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg/450px-MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg", "section": "絵画材料", "subsection": null, "sub_subsection": null, "prompt": "チュイルリーの音楽の絵画材料を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Scheele's green", "Théophile Gautier", "Jacques Offenbach", "Dublin", "National Gallery, London", "Hugh Lane Gallery", "Category:Paintings by Édouard Manet", "1862 in art", "Diego Velázquez", "Category:1862 paintings", "Eugène Manet", "Category:Cultural depictions of Charles Baudelaire", "List of paintings by Édouard Manet", "Claude Monet", "Frans Hals", "Category:Paintings in the National Gallery, London", "RMS Lusitania", "Bazille", "Renoir", "ivory black", "RMS ''Lusitania''", "Category:Paintings in Ireland", "Henri Fantin-Latour", "Édouard Manet", "Hugh Lane", "Hugh Lane Gallery, Dublin", "Oil painting", "Zacharie Astruc", "Monet", "Tuileries", "Tuileries Palace", "Jean-Baptiste Faure", "Oil on canvas", "Bone char", "Albert de Balleroy", "Lane Bequest", "Ernest Meissonier", "Pierre-Auguste Renoir", "The National Gallery", "Louvre", "National Gallery", "Paul Durand-Ruel", "Frédéric Bazille", "Smarthistory", "Charles Baudelaire"], "gold": "The colors in greater areas of this painting are generally subdued and executed in ochres or in mixtures of several pigments. The dark green foliage in the upper part contains a glaze of emerald green and Scheele's green mixed with yellow lake with small addition of ivory black and yellow ochre. The strong colourful accents in the bonnets and clothes of the children are painted in almost pure pigments such as cobalt blue, vermilion or chrome orange."}
{"title": "チュイルリーの音楽", "srclang_title": "Music in the Tuileries", "en_title": "Music in the Tuileries", "pageid": 13160284, "page_rank": 631, "page_url": "https://en.wikipedia.org/wiki/Music_in_the_Tuileries", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg/450px-MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg", "section": "絵画材料", "subsection": null, "sub_subsection": null, "prompt": "チュイルリーの音楽はどのように絵画材料を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Scheele's green", "Théophile Gautier", "Jacques Offenbach", "Dublin", "National Gallery, London", "Hugh Lane Gallery", "Category:Paintings by Édouard Manet", "1862 in art", "Diego Velázquez", "Category:1862 paintings", "Eugène Manet", "Category:Cultural depictions of Charles Baudelaire", "List of paintings by Édouard Manet", "Claude Monet", "Frans Hals", "Category:Paintings in the National Gallery, London", "RMS Lusitania", "Bazille", "Renoir", "ivory black", "RMS ''Lusitania''", "Category:Paintings in Ireland", "Henri Fantin-Latour", "Édouard Manet", "Hugh Lane", "Hugh Lane Gallery, Dublin", "Oil painting", "Zacharie Astruc", "Monet", "Tuileries", "Tuileries Palace", "Jean-Baptiste Faure", "Oil on canvas", "Bone char", "Albert de Balleroy", "Lane Bequest", "Ernest Meissonier", "Pierre-Auguste Renoir", "The National Gallery", "Louvre", "National Gallery", "Paul Durand-Ruel", "Frédéric Bazille", "Smarthistory", "Charles Baudelaire"], "gold": "The colors in greater areas of this painting are generally subdued and executed in ochres or in mixtures of several pigments. The dark green foliage in the upper part contains a glaze of emerald green and Scheele's green mixed with yellow lake with small addition of ivory black and yellow ochre. The strong colourful accents in the bonnets and clothes of the children are painted in almost pure pigments such as cobalt blue, vermilion or chrome orange."}
{"title": "チュイルリーの音楽", "srclang_title": "Music in the Tuileries", "en_title": "Music in the Tuileries", "pageid": 13160284, "page_rank": 631, "page_url": "https://en.wikipedia.org/wiki/Music_in_the_Tuileries", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg/450px-MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg", "section": "絵画材料", "subsection": null, "sub_subsection": null, "prompt": "チュイルリーの音楽に関して、どのように絵画材料が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Scheele's green", "Théophile Gautier", "Jacques Offenbach", "Dublin", "National Gallery, London", "Hugh Lane Gallery", "Category:Paintings by Édouard Manet", "1862 in art", "Diego Velázquez", "Category:1862 paintings", "Eugène Manet", "Category:Cultural depictions of Charles Baudelaire", "List of paintings by Édouard Manet", "Claude Monet", "Frans Hals", "Category:Paintings in the National Gallery, London", "RMS Lusitania", "Bazille", "Renoir", "ivory black", "RMS ''Lusitania''", "Category:Paintings in Ireland", "Henri Fantin-Latour", "Édouard Manet", "Hugh Lane", "Hugh Lane Gallery, Dublin", "Oil painting", "Zacharie Astruc", "Monet", "Tuileries", "Tuileries Palace", "Jean-Baptiste Faure", "Oil on canvas", "Bone char", "Albert de Balleroy", "Lane Bequest", "Ernest Meissonier", "Pierre-Auguste Renoir", "The National Gallery", "Louvre", "National Gallery", "Paul Durand-Ruel", "Frédéric Bazille", "Smarthistory", "Charles Baudelaire"], "gold": "The colors in greater areas of this painting are generally subdued and executed in ochres or in mixtures of several pigments. The dark green foliage in the upper part contains a glaze of emerald green and Scheele's green mixed with yellow lake with small addition of ivory black and yellow ochre. The strong colourful accents in the bonnets and clothes of the children are painted in almost pure pigments such as cobalt blue, vermilion or chrome orange."}
{"title": "チュイルリーの音楽", "srclang_title": "Music in the Tuileries", "en_title": "Music in the Tuileries", "pageid": 13160284, "page_rank": 631, "page_url": "https://en.wikipedia.org/wiki/Music_in_the_Tuileries", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg/450px-MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "チュイルリーの音楽に焦点を当てて、その受付を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Scheele's green", "Théophile Gautier", "Jacques Offenbach", "Dublin", "National Gallery, London", "Hugh Lane Gallery", "Category:Paintings by Édouard Manet", "1862 in art", "Diego Velázquez", "Category:1862 paintings", "Eugène Manet", "Category:Cultural depictions of Charles Baudelaire", "List of paintings by Édouard Manet", "Claude Monet", "Frans Hals", "Category:Paintings in the National Gallery, London", "RMS Lusitania", "Bazille", "Renoir", "ivory black", "RMS ''Lusitania''", "Category:Paintings in Ireland", "Henri Fantin-Latour", "Édouard Manet", "Hugh Lane", "Hugh Lane Gallery, Dublin", "Oil painting", "Zacharie Astruc", "Monet", "Tuileries", "Tuileries Palace", "Jean-Baptiste Faure", "Oil on canvas", "Bone char", "Albert de Balleroy", "Lane Bequest", "Ernest Meissonier", "Pierre-Auguste Renoir", "The National Gallery", "Louvre", "National Gallery", "Paul Durand-Ruel", "Frédéric Bazille", "Smarthistory", "Charles Baudelaire"], "gold": "Music in the Tuileries received substantial critical and public attention, most of it negative. In the words of one Manet biographer, \"it is difficult for us to imagine the kind of fury Music in the Tuileries provoked when it was exhibited\". By portraying Manet's social circle instead of classical heroes, historical icons, or gods, the painting could be interpreted as challenging the value of those subjects or as an attempt to elevate his contemporaries to the same level. The public, accustomed to the finely detailed brushwork of historical painters such as Ernest Meissonier, thought Manet's thick brushstrokes looked crude and unfinished. Angered by the subject matter and technique, several visitors even threatened to destroy the painting. One of Manet's idols, Eugène Delacroix, was of the painting's few defenders."}
{"title": "チュイルリーの音楽", "srclang_title": "Music in the Tuileries", "en_title": "Music in the Tuileries", "pageid": 13160284, "page_rank": 631, "page_url": "https://en.wikipedia.org/wiki/Music_in_the_Tuileries", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg/450px-MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "チュイルリーの音楽の受付を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Scheele's green", "Théophile Gautier", "Jacques Offenbach", "Dublin", "National Gallery, London", "Hugh Lane Gallery", "Category:Paintings by Édouard Manet", "1862 in art", "Diego Velázquez", "Category:1862 paintings", "Eugène Manet", "Category:Cultural depictions of Charles Baudelaire", "List of paintings by Édouard Manet", "Claude Monet", "Frans Hals", "Category:Paintings in the National Gallery, London", "RMS Lusitania", "Bazille", "Renoir", "ivory black", "RMS ''Lusitania''", "Category:Paintings in Ireland", "Henri Fantin-Latour", "Édouard Manet", "Hugh Lane", "Hugh Lane Gallery, Dublin", "Oil painting", "Zacharie Astruc", "Monet", "Tuileries", "Tuileries Palace", "Jean-Baptiste Faure", "Oil on canvas", "Bone char", "Albert de Balleroy", "Lane Bequest", "Ernest Meissonier", "Pierre-Auguste Renoir", "The National Gallery", "Louvre", "National Gallery", "Paul Durand-Ruel", "Frédéric Bazille", "Smarthistory", "Charles Baudelaire"], "gold": "Music in the Tuileries received substantial critical and public attention, most of it negative. In the words of one Manet biographer, \"it is difficult for us to imagine the kind of fury Music in the Tuileries provoked when it was exhibited\". By portraying Manet's social circle instead of classical heroes, historical icons, or gods, the painting could be interpreted as challenging the value of those subjects or as an attempt to elevate his contemporaries to the same level. The public, accustomed to the finely detailed brushwork of historical painters such as Ernest Meissonier, thought Manet's thick brushstrokes looked crude and unfinished. Angered by the subject matter and technique, several visitors even threatened to destroy the painting. One of Manet's idols, Eugène Delacroix, was of the painting's few defenders."}
{"title": "チュイルリーの音楽", "srclang_title": "Music in the Tuileries", "en_title": "Music in the Tuileries", "pageid": 13160284, "page_rank": 631, "page_url": "https://en.wikipedia.org/wiki/Music_in_the_Tuileries", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg/450px-MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "チュイルリーの音楽はどのように受付を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Scheele's green", "Théophile Gautier", "Jacques Offenbach", "Dublin", "National Gallery, London", "Hugh Lane Gallery", "Category:Paintings by Édouard Manet", "1862 in art", "Diego Velázquez", "Category:1862 paintings", "Eugène Manet", "Category:Cultural depictions of Charles Baudelaire", "List of paintings by Édouard Manet", "Claude Monet", "Frans Hals", "Category:Paintings in the National Gallery, London", "RMS Lusitania", "Bazille", "Renoir", "ivory black", "RMS ''Lusitania''", "Category:Paintings in Ireland", "Henri Fantin-Latour", "Édouard Manet", "Hugh Lane", "Hugh Lane Gallery, Dublin", "Oil painting", "Zacharie Astruc", "Monet", "Tuileries", "Tuileries Palace", "Jean-Baptiste Faure", "Oil on canvas", "Bone char", "Albert de Balleroy", "Lane Bequest", "Ernest Meissonier", "Pierre-Auguste Renoir", "The National Gallery", "Louvre", "National Gallery", "Paul Durand-Ruel", "Frédéric Bazille", "Smarthistory", "Charles Baudelaire"], "gold": "Music in the Tuileries received substantial critical and public attention, most of it negative. In the words of one Manet biographer, \"it is difficult for us to imagine the kind of fury Music in the Tuileries provoked when it was exhibited\". By portraying Manet's social circle instead of classical heroes, historical icons, or gods, the painting could be interpreted as challenging the value of those subjects or as an attempt to elevate his contemporaries to the same level. The public, accustomed to the finely detailed brushwork of historical painters such as Ernest Meissonier, thought Manet's thick brushstrokes looked crude and unfinished. Angered by the subject matter and technique, several visitors even threatened to destroy the painting. One of Manet's idols, Eugène Delacroix, was of the painting's few defenders."}
{"title": "チュイルリーの音楽", "srclang_title": "Music in the Tuileries", "en_title": "Music in the Tuileries", "pageid": 13160284, "page_rank": 631, "page_url": "https://en.wikipedia.org/wiki/Music_in_the_Tuileries", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg/450px-MANET_-_M%C3%BAsica_en_las_Tuller%C3%ADas_%28National_Gallery%2C_Londres%2C_1862%29.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "チュイルリーの音楽に関して、どのように受付が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Scheele's green", "Théophile Gautier", "Jacques Offenbach", "Dublin", "National Gallery, London", "Hugh Lane Gallery", "Category:Paintings by Édouard Manet", "1862 in art", "Diego Velázquez", "Category:1862 paintings", "Eugène Manet", "Category:Cultural depictions of Charles Baudelaire", "List of paintings by Édouard Manet", "Claude Monet", "Frans Hals", "Category:Paintings in the National Gallery, London", "RMS Lusitania", "Bazille", "Renoir", "ivory black", "RMS ''Lusitania''", "Category:Paintings in Ireland", "Henri Fantin-Latour", "Édouard Manet", "Hugh Lane", "Hugh Lane Gallery, Dublin", "Oil painting", "Zacharie Astruc", "Monet", "Tuileries", "Tuileries Palace", "Jean-Baptiste Faure", "Oil on canvas", "Bone char", "Albert de Balleroy", "Lane Bequest", "Ernest Meissonier", "Pierre-Auguste Renoir", "The National Gallery", "Louvre", "National Gallery", "Paul Durand-Ruel", "Frédéric Bazille", "Smarthistory", "Charles Baudelaire"], "gold": "Music in the Tuileries received substantial critical and public attention, most of it negative. In the words of one Manet biographer, \"it is difficult for us to imagine the kind of fury Music in the Tuileries provoked when it was exhibited\". By portraying Manet's social circle instead of classical heroes, historical icons, or gods, the painting could be interpreted as challenging the value of those subjects or as an attempt to elevate his contemporaries to the same level. The public, accustomed to the finely detailed brushwork of historical painters such as Ernest Meissonier, thought Manet's thick brushstrokes looked crude and unfinished. Angered by the subject matter and technique, several visitors even threatened to destroy the painting. One of Manet's idols, Eugène Delacroix, was of the painting's few defenders."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "Woman Holding a Balance (Dutch: Vrouw met weegschaal), also called Woman Testing a Balance, is an oil painting by  Dutch Golden Age painter  Johannes Vermeer, now in the National Gallery of Art in Washington, DC.At one time the painting, completed c. 1662–1663, was known as Woman Weighing Gold, but closer evaluation has determined that the balance in her hand is empty. Opinions on the theme and symbolism of the painting differ, with the woman alternatively viewed as a symbol of holiness or earthliness."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "Woman Holding a Balance (Dutch: Vrouw met weegschaal), also called Woman Testing a Balance, is an oil painting by  Dutch Golden Age painter  Johannes Vermeer, now in the National Gallery of Art in Washington, DC.At one time the painting, completed c. 1662–1663, was known as Woman Weighing Gold, but closer evaluation has determined that the balance in her hand is empty. Opinions on the theme and symbolism of the painting differ, with the woman alternatively viewed as a symbol of holiness or earthliness."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "Woman Holding a Balance (Dutch: Vrouw met weegschaal), also called Woman Testing a Balance, is an oil painting by  Dutch Golden Age painter  Johannes Vermeer, now in the National Gallery of Art in Washington, DC.At one time the painting, completed c. 1662–1663, was known as Woman Weighing Gold, but closer evaluation has determined that the balance in her hand is empty. Opinions on the theme and symbolism of the painting differ, with the woman alternatively viewed as a symbol of holiness or earthliness."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "Woman Holding a Balance (Dutch: Vrouw met weegschaal), also called Woman Testing a Balance, is an oil painting by  Dutch Golden Age painter  Johannes Vermeer, now in the National Gallery of Art in Washington, DC.At one time the painting, completed c. 1662–1663, was known as Woman Weighing Gold, but closer evaluation has determined that the balance in her hand is empty. Opinions on the theme and symbolism of the painting differ, with the woman alternatively viewed as a symbol of holiness or earthliness."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "テーマ", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性に焦点を当てて、そのテーマを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "In the painting, Vermeer has depicted, what discreetly appears to be a young pregnant woman holding an empty balance before a table on which stands an open jewelry box, the pearls and gold within spilling over. A blue cloth rests in the left foreground, beneath a mirror, and a window to the left — unseen save its golden curtain — provides light. Behind the woman is a painting of the Last Judgment featuring Christ with raised, outstretched hands. The woman may have been modeled on Vermeer's wife, Catharina Vermeer.According to Robert Huerta in Vermeer and Plato: Painting the Ideal (2005), the image has been variously \"interpreted as a vanitas painting, as a representation of divine truth or justice, as a religious meditative aid, and as an incitement to lead a balanced, thoughtful life.\" Some viewers have imagined the woman is weighing her valuables, while others compare her actions to Christ's, reading parable into the pearls. Some art critics, including John Michael Montias who describes her as \"symbolically weighing unborn souls\", have seen the woman as a figure of Mary. To some critics who perceive her as measuring her valuables, the juxtaposition with the final judgement suggests that the woman should be focusing on the treasures of Heaven rather than those of Earth, with the mirror on the wall reinforcing the vanity of her pursuits. Other historians have suggested that the balance represents her careful harmonization of worldly possessions and spiritual piety. In this interpretation, the mirror on the wall reflects the woman's self-knowledge."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "テーマ", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性のテーマを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "In the painting, Vermeer has depicted, what discreetly appears to be a young pregnant woman holding an empty balance before a table on which stands an open jewelry box, the pearls and gold within spilling over. A blue cloth rests in the left foreground, beneath a mirror, and a window to the left — unseen save its golden curtain — provides light. Behind the woman is a painting of the Last Judgment featuring Christ with raised, outstretched hands. The woman may have been modeled on Vermeer's wife, Catharina Vermeer.According to Robert Huerta in Vermeer and Plato: Painting the Ideal (2005), the image has been variously \"interpreted as a vanitas painting, as a representation of divine truth or justice, as a religious meditative aid, and as an incitement to lead a balanced, thoughtful life.\" Some viewers have imagined the woman is weighing her valuables, while others compare her actions to Christ's, reading parable into the pearls. Some art critics, including John Michael Montias who describes her as \"symbolically weighing unborn souls\", have seen the woman as a figure of Mary. To some critics who perceive her as measuring her valuables, the juxtaposition with the final judgement suggests that the woman should be focusing on the treasures of Heaven rather than those of Earth, with the mirror on the wall reinforcing the vanity of her pursuits. Other historians have suggested that the balance represents her careful harmonization of worldly possessions and spiritual piety. In this interpretation, the mirror on the wall reflects the woman's self-knowledge."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "テーマ", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性はどのようにテーマを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "In the painting, Vermeer has depicted, what discreetly appears to be a young pregnant woman holding an empty balance before a table on which stands an open jewelry box, the pearls and gold within spilling over. A blue cloth rests in the left foreground, beneath a mirror, and a window to the left — unseen save its golden curtain — provides light. Behind the woman is a painting of the Last Judgment featuring Christ with raised, outstretched hands. The woman may have been modeled on Vermeer's wife, Catharina Vermeer.According to Robert Huerta in Vermeer and Plato: Painting the Ideal (2005), the image has been variously \"interpreted as a vanitas painting, as a representation of divine truth or justice, as a religious meditative aid, and as an incitement to lead a balanced, thoughtful life.\" Some viewers have imagined the woman is weighing her valuables, while others compare her actions to Christ's, reading parable into the pearls. Some art critics, including John Michael Montias who describes her as \"symbolically weighing unborn souls\", have seen the woman as a figure of Mary. To some critics who perceive her as measuring her valuables, the juxtaposition with the final judgement suggests that the woman should be focusing on the treasures of Heaven rather than those of Earth, with the mirror on the wall reinforcing the vanity of her pursuits. Other historians have suggested that the balance represents her careful harmonization of worldly possessions and spiritual piety. In this interpretation, the mirror on the wall reflects the woman's self-knowledge."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "テーマ", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性に関して、どのようにテーマが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "In the painting, Vermeer has depicted, what discreetly appears to be a young pregnant woman holding an empty balance before a table on which stands an open jewelry box, the pearls and gold within spilling over. A blue cloth rests in the left foreground, beneath a mirror, and a window to the left — unseen save its golden curtain — provides light. Behind the woman is a painting of the Last Judgment featuring Christ with raised, outstretched hands. The woman may have been modeled on Vermeer's wife, Catharina Vermeer.According to Robert Huerta in Vermeer and Plato: Painting the Ideal (2005), the image has been variously \"interpreted as a vanitas painting, as a representation of divine truth or justice, as a religious meditative aid, and as an incitement to lead a balanced, thoughtful life.\" Some viewers have imagined the woman is weighing her valuables, while others compare her actions to Christ's, reading parable into the pearls. Some art critics, including John Michael Montias who describes her as \"symbolically weighing unborn souls\", have seen the woman as a figure of Mary. To some critics who perceive her as measuring her valuables, the juxtaposition with the final judgement suggests that the woman should be focusing on the treasures of Heaven rather than those of Earth, with the mirror on the wall reinforcing the vanity of her pursuits. Other historians have suggested that the balance represents her careful harmonization of worldly possessions and spiritual piety. In this interpretation, the mirror on the wall reflects the woman's self-knowledge."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性に焦点を当てて、その歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "Completed in 1662 or 1663, the painting was previously called Woman Weighing Gold before microscopic evaluation confirms that the balance in her hands is empty. The painting was among the large collection of Vermeer works sold on May 16, 1696, in Amsterdam from the estate of Jacob Dissius (1653–1695). It received 155 guilders, considerably above the prices fetched at the time for his Girl Asleep at a Table (62) and The Officer and the Laughing Girl (approximately 44), but somewhat below The Milkmaid (177)."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性の歴史を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "Completed in 1662 or 1663, the painting was previously called Woman Weighing Gold before microscopic evaluation confirms that the balance in her hands is empty. The painting was among the large collection of Vermeer works sold on May 16, 1696, in Amsterdam from the estate of Jacob Dissius (1653–1695). It received 155 guilders, considerably above the prices fetched at the time for his Girl Asleep at a Table (62) and The Officer and the Laughing Girl (approximately 44), but somewhat below The Milkmaid (177)."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性はどのように歴史を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "Completed in 1662 or 1663, the painting was previously called Woman Weighing Gold before microscopic evaluation confirms that the balance in her hands is empty. The painting was among the large collection of Vermeer works sold on May 16, 1696, in Amsterdam from the estate of Jacob Dissius (1653–1695). It received 155 guilders, considerably above the prices fetched at the time for his Girl Asleep at a Table (62) and The Officer and the Laughing Girl (approximately 44), but somewhat below The Milkmaid (177)."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性に関して、どのように歴史が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "Completed in 1662 or 1663, the painting was previously called Woman Weighing Gold before microscopic evaluation confirms that the balance in her hands is empty. The painting was among the large collection of Vermeer works sold on May 16, 1696, in Amsterdam from the estate of Jacob Dissius (1653–1695). It received 155 guilders, considerably above the prices fetched at the time for his Girl Asleep at a Table (62) and The Officer and the Laughing Girl (approximately 44), but somewhat below The Milkmaid (177)."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "絵画材料", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性に焦点を当てて、その絵画材料を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "The first pigment analysis of this painting by Hermann Kühn revealed the use of ultramarine for the blue tablecloth and lead white for the grey wall. The pigment in the bright yellow curtain was identified as Indian yellow. The subsequent technical investigations of the painting by Robert L. Feller (1974) and M.E. Gifford (1994) have shown that the painting had been extended by approximately five centimetres on every side at a much later date. The sample investigated by H. Kühn in 1968 was unfortunately taken from this extension. The proper pigment of the yellow curtain is lead-tin-yellow. The full pigment analysis according to the latest data is illustrated at Colourlex."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "絵画材料", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性の絵画材料を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "The first pigment analysis of this painting by Hermann Kühn revealed the use of ultramarine for the blue tablecloth and lead white for the grey wall. The pigment in the bright yellow curtain was identified as Indian yellow. The subsequent technical investigations of the painting by Robert L. Feller (1974) and M.E. Gifford (1994) have shown that the painting had been extended by approximately five centimetres on every side at a much later date. The sample investigated by H. Kühn in 1968 was unfortunately taken from this extension. The proper pigment of the yellow curtain is lead-tin-yellow. The full pigment analysis according to the latest data is illustrated at Colourlex."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "絵画材料", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性はどのように絵画材料を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "The first pigment analysis of this painting by Hermann Kühn revealed the use of ultramarine for the blue tablecloth and lead white for the grey wall. The pigment in the bright yellow curtain was identified as Indian yellow. The subsequent technical investigations of the painting by Robert L. Feller (1974) and M.E. Gifford (1994) have shown that the painting had been extended by approximately five centimetres on every side at a much later date. The sample investigated by H. Kühn in 1968 was unfortunately taken from this extension. The proper pigment of the yellow curtain is lead-tin-yellow. The full pigment analysis according to the latest data is illustrated at Colourlex."}
{"title": "天秤を持つ女性", "srclang_title": "Woman Holding a Balance", "en_title": "Woman Holding a Balance", "pageid": 27890146, "page_rank": 695, "page_url": "https://en.wikipedia.org/wiki/Woman_Holding_a_Balance", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg/270px-Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg", "section": "絵画材料", "subsection": null, "sub_subsection": null, "prompt": "天秤を持つ女性に関して、どのように絵画材料が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Girl Asleep at a Table", "Indian yellow", "Parable of the Pearl", "balance", "lead-tin-yellow", "guilders", "A Girl Asleep (Vermeer)", "Mary", "Mary (mother of Jesus)", "Dutch Golden Age painting", "John Michael Montias", "Metropolitan Museum of Art", "Dutch Golden Age painter", "Officer and Laughing Girl", "vanity", "The Officer and the Laughing Girl", "The Milkmaid (Vermeer)", "Weighing scale#Balance", "jewelry box", "Oil painting", "List of paintings by Johannes Vermeer", "Category:Paintings in the National Gallery of Art", "Washington, D.C.", "Jacob Dissius", "Oil on canvas", "parable into the pearls", "The Milkmaid", "Last Judgment", "vanitas", "ultramarine", "Category:1660s paintings", "oil painting", "National Gallery of Art", "Category:Genre paintings by Johannes Vermeer", "Johannes Vermeer"], "gold": "The first pigment analysis of this painting by Hermann Kühn revealed the use of ultramarine for the blue tablecloth and lead white for the grey wall. The pigment in the bright yellow curtain was identified as Indian yellow. The subsequent technical investigations of the painting by Robert L. Feller (1974) and M.E. Gifford (1994) have shown that the painting had been extended by approximately five centimetres on every side at a much later date. The sample investigated by H. Kühn in 1968 was unfortunately taken from this extension. The proper pigment of the yellow curtain is lead-tin-yellow. The full pigment analysis according to the latest data is illustrated at Colourlex."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "King Fahd's Fountain (Arabic: نافورة الملك فهد), also known as the Jeddah Fountain, is in Jeddah, Saudi Arabia. It is the tallest fountain of its type in the world. It is named after King Fahd bin Abdulaziz, the ruler of Saudi Arabia from 1982 until 2005."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "King Fahd's Fountain (Arabic: نافورة الملك فهد), also known as the Jeddah Fountain, is in Jeddah, Saudi Arabia. It is the tallest fountain of its type in the world. It is named after King Fahd bin Abdulaziz, the ruler of Saudi Arabia from 1982 until 2005."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "King Fahd's Fountain (Arabic: نافورة الملك فهد), also known as the Jeddah Fountain, is in Jeddah, Saudi Arabia. It is the tallest fountain of its type in the world. It is named after King Fahd bin Abdulaziz, the ruler of Saudi Arabia from 1982 until 2005."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "King Fahd's Fountain (Arabic: نافورة الملك فهد), also known as the Jeddah Fountain, is in Jeddah, Saudi Arabia. It is the tallest fountain of its type in the world. It is named after King Fahd bin Abdulaziz, the ruler of Saudi Arabia from 1982 until 2005."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "概要", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水に焦点を当てて、その概要を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "The fountain was donated to the city of Jeddah by King Fahd, hence its name. It was constructed between 1980 and 1983 and was launched in 1985.Located on the west coast of Saudi Arabia, the fountain jets water to a maximum height of 260 metres (853 ft). The second-tallest is the World Cup Fountain in Seoul, South Korea, with a water height of 202 m (663 ft).King Fahd's Fountain is listed in Guinness World Records as the highest water fountain in the world.The fountain is visible throughout the vicinity of Jeddah. The water ejected can reach a speed of 375 km/h (233 mph) and its airborne mass can exceed 16 tonnes (18 short tons). The fountain uses saltwater taken from the Red Sea instead of freshwater. Over 500 LED spotlights illuminate the fountain at night."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "概要", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水の概要を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "The fountain was donated to the city of Jeddah by King Fahd, hence its name. It was constructed between 1980 and 1983 and was launched in 1985.Located on the west coast of Saudi Arabia, the fountain jets water to a maximum height of 260 metres (853 ft). The second-tallest is the World Cup Fountain in Seoul, South Korea, with a water height of 202 m (663 ft).King Fahd's Fountain is listed in Guinness World Records as the highest water fountain in the world.The fountain is visible throughout the vicinity of Jeddah. The water ejected can reach a speed of 375 km/h (233 mph) and its airborne mass can exceed 16 tonnes (18 short tons). The fountain uses saltwater taken from the Red Sea instead of freshwater. Over 500 LED spotlights illuminate the fountain at night."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "概要", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水はどのように概要を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "The fountain was donated to the city of Jeddah by King Fahd, hence its name. It was constructed between 1980 and 1983 and was launched in 1985.Located on the west coast of Saudi Arabia, the fountain jets water to a maximum height of 260 metres (853 ft). The second-tallest is the World Cup Fountain in Seoul, South Korea, with a water height of 202 m (663 ft).King Fahd's Fountain is listed in Guinness World Records as the highest water fountain in the world.The fountain is visible throughout the vicinity of Jeddah. The water ejected can reach a speed of 375 km/h (233 mph) and its airborne mass can exceed 16 tonnes (18 short tons). The fountain uses saltwater taken from the Red Sea instead of freshwater. Over 500 LED spotlights illuminate the fountain at night."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "概要", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水に関して、どのように概要が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "The fountain was donated to the city of Jeddah by King Fahd, hence its name. It was constructed between 1980 and 1983 and was launched in 1985.Located on the west coast of Saudi Arabia, the fountain jets water to a maximum height of 260 metres (853 ft). The second-tallest is the World Cup Fountain in Seoul, South Korea, with a water height of 202 m (663 ft).King Fahd's Fountain is listed in Guinness World Records as the highest water fountain in the world.The fountain is visible throughout the vicinity of Jeddah. The water ejected can reach a speed of 375 km/h (233 mph) and its airborne mass can exceed 16 tonnes (18 short tons). The fountain uses saltwater taken from the Red Sea instead of freshwater. Over 500 LED spotlights illuminate the fountain at night."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水に焦点を当てて、その歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "The fountain was initially built between 1980 and 1983, and was inspired by the Geneva Fountain (length 140 meters, pumping speed 124 mph), but the planners were not satisfied with the height. The fountain was then operated in its current form in 1985 to pump sea water at a speed of 233 miles per hour to a height of 312 meters (1024 feet).Team Red Bull Air Force base jumper Othar Lawrence set a global record by making a historic jump along the fountain."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水の歴史を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "The fountain was initially built between 1980 and 1983, and was inspired by the Geneva Fountain (length 140 meters, pumping speed 124 mph), but the planners were not satisfied with the height. The fountain was then operated in its current form in 1985 to pump sea water at a speed of 233 miles per hour to a height of 312 meters (1024 feet).Team Red Bull Air Force base jumper Othar Lawrence set a global record by making a historic jump along the fountain."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水はどのように歴史を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "The fountain was initially built between 1980 and 1983, and was inspired by the Geneva Fountain (length 140 meters, pumping speed 124 mph), but the planners were not satisfied with the height. The fountain was then operated in its current form in 1985 to pump sea water at a speed of 233 miles per hour to a height of 312 meters (1024 feet).Team Red Bull Air Force base jumper Othar Lawrence set a global record by making a historic jump along the fountain."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水に関して、どのように歴史が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "The fountain was initially built between 1980 and 1983, and was inspired by the Geneva Fountain (length 140 meters, pumping speed 124 mph), but the planners were not satisfied with the height. The fountain was then operated in its current form in 1985 to pump sea water at a speed of 233 miles per hour to a height of 312 meters (1024 feet).Team Red Bull Air Force base jumper Othar Lawrence set a global record by making a historic jump along the fountain."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "デザイン", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水に焦点を当てて、そのデザインを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "The base of the fountain is in the form of a large mabkhara, an incense burner which symbolizes Arabian culture. Since the fountain pumps sea water, rust and corrosion were the main concerns of those who built it. Before reaching the pump, the water passes through several filters to purify it from dirt, sand and organic matter. The fountain is lit by 500 high-light LEDs."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "デザイン", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水のデザインを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "The base of the fountain is in the form of a large mabkhara, an incense burner which symbolizes Arabian culture. Since the fountain pumps sea water, rust and corrosion were the main concerns of those who built it. Before reaching the pump, the water passes through several filters to purify it from dirt, sand and organic matter. The fountain is lit by 500 high-light LEDs."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "デザイン", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水はどのようにデザインを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "The base of the fountain is in the form of a large mabkhara, an incense burner which symbolizes Arabian culture. Since the fountain pumps sea water, rust and corrosion were the main concerns of those who built it. Before reaching the pump, the water passes through several filters to purify it from dirt, sand and organic matter. The fountain is lit by 500 high-light LEDs."}
{"title": "キングファハドの噴水", "srclang_title": "King Fahd's Fountain", "en_title": "King Fahd's Fountain", "pageid": 15456066, "page_rank": 1074, "page_url": "https://en.wikipedia.org/wiki/King_Fahd%27s_Fountain", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/BSM_2571.jpg/270px-BSM_2571.jpg", "section": "デザイン", "subsection": null, "sub_subsection": null, "prompt": "キングファハドの噴水に関して、どのようにデザインが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Fahd bin Abdulaziz", "List of things named after Saudi kings", "Category:Fountains in Saudi Arabia", "Category:Buildings and structures in Jeddah", "Saudi Arabia", "Jeddah", "Red Sea", "Jet d'Eau", "Category:1985 establishments in Saudi Arabia", "upright", "thumb", "Seoul", "mabkhara", "King Fahd's Fountain at night", "King Fahd", "Geneva Fountain", "Category:Tourist attractions in Jeddah", "South Korea", "File:King Fahd’s Fountain.jpg", "Fahd of Saudi Arabia", "fountain", "Fountain", "World Cup Fountain", "Guinness World Records"], "gold": "The base of the fountain is in the form of a large mabkhara, an incense burner which symbolizes Arabian culture. Since the fountain pumps sea water, rust and corrosion were the main concerns of those who built it. Before reaching the pump, the water passes through several filters to purify it from dirt, sand and organic matter. The fountain is lit by 500 high-light LEDs."}
{"title": "愛と喪失", "srclang_title": "Love & Loss", "en_title": "Love & Loss", "pageid": 51359131, "page_rank": 4361, "page_url": "https://en.wikipedia.org/wiki/Love_%26_Loss", "image_url": "https://upload.wikimedia.org/wikipedia/en/thumb/8/87/Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg/270px-Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "愛と喪失に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Roy McMakin", "Olympic Sculpture Park", "Seattle Post-Intelligencer", "2005 in art", "Category:2005 establishments in Washington (state)", "Crosscut.com", "Category:Olympic Sculpture Park", "The Stranger (newspaper)", "Category:2005 in art", "Seattle", "Seattle Art Museum", "The Stranger", "Category:2005 works", "The Seattle Times"], "gold": "Love & Loss is an outdoor 2005 mixed-media installation by Roy McMakin, installed at Olympic Sculpture Park in Seattle, Washington."}
{"title": "愛と喪失", "srclang_title": "Love & Loss", "en_title": "Love & Loss", "pageid": 51359131, "page_rank": 4361, "page_url": "https://en.wikipedia.org/wiki/Love_%26_Loss", "image_url": "https://upload.wikimedia.org/wikipedia/en/thumb/8/87/Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg/270px-Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "愛と喪失のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Roy McMakin", "Olympic Sculpture Park", "Seattle Post-Intelligencer", "2005 in art", "Category:2005 establishments in Washington (state)", "Crosscut.com", "Category:Olympic Sculpture Park", "The Stranger (newspaper)", "Category:2005 in art", "Seattle", "Seattle Art Museum", "The Stranger", "Category:2005 works", "The Seattle Times"], "gold": "Love & Loss is an outdoor 2005 mixed-media installation by Roy McMakin, installed at Olympic Sculpture Park in Seattle, Washington."}
{"title": "愛と喪失", "srclang_title": "Love & Loss", "en_title": "Love & Loss", "pageid": 51359131, "page_rank": 4361, "page_url": "https://en.wikipedia.org/wiki/Love_%26_Loss", "image_url": "https://upload.wikimedia.org/wikipedia/en/thumb/8/87/Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg/270px-Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "愛と喪失はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Roy McMakin", "Olympic Sculpture Park", "Seattle Post-Intelligencer", "2005 in art", "Category:2005 establishments in Washington (state)", "Crosscut.com", "Category:Olympic Sculpture Park", "The Stranger (newspaper)", "Category:2005 in art", "Seattle", "Seattle Art Museum", "The Stranger", "Category:2005 works", "The Seattle Times"], "gold": "Love & Loss is an outdoor 2005 mixed-media installation by Roy McMakin, installed at Olympic Sculpture Park in Seattle, Washington."}
{"title": "愛と喪失", "srclang_title": "Love & Loss", "en_title": "Love & Loss", "pageid": 51359131, "page_rank": 4361, "page_url": "https://en.wikipedia.org/wiki/Love_%26_Loss", "image_url": "https://upload.wikimedia.org/wikipedia/en/thumb/8/87/Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg/270px-Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "愛と喪失に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Roy McMakin", "Olympic Sculpture Park", "Seattle Post-Intelligencer", "2005 in art", "Category:2005 establishments in Washington (state)", "Crosscut.com", "Category:Olympic Sculpture Park", "The Stranger (newspaper)", "Category:2005 in art", "Seattle", "Seattle Art Museum", "The Stranger", "Category:2005 works", "The Seattle Times"], "gold": "Love & Loss is an outdoor 2005 mixed-media installation by Roy McMakin, installed at Olympic Sculpture Park in Seattle, Washington."}
{"title": "愛と喪失", "srclang_title": "Love & Loss", "en_title": "Love & Loss", "pageid": 51359131, "page_rank": 4361, "page_url": "https://en.wikipedia.org/wiki/Love_%26_Loss", "image_url": "https://upload.wikimedia.org/wikipedia/en/thumb/8/87/Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg/270px-Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "愛と喪失に焦点を当てて、その説明を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Roy McMakin", "Olympic Sculpture Park", "Seattle Post-Intelligencer", "2005 in art", "Category:2005 establishments in Washington (state)", "Crosscut.com", "Category:Olympic Sculpture Park", "The Stranger (newspaper)", "Category:2005 in art", "Seattle", "Seattle Art Museum", "The Stranger", "Category:2005 works", "The Seattle Times"], "gold": "The Seattle Times and the Seattle Post-Intelligencer said the work is multifaceted and interactive, respectively. According to The Stranger, \"The piece consists of cast concrete benches, a sidewalk-like pathway, a small, circular reflecting pool, and a double-trunked crabapple tree that spell out the words 'love' and 'loss.' Jutting up from the middle is a red neon ampersand.\" The ampersand revolves.Brangien Davis of Crosscut.com described the artwork as a \"sculpture slash word puzzle\". "}
{"title": "愛と喪失", "srclang_title": "Love & Loss", "en_title": "Love & Loss", "pageid": 51359131, "page_rank": 4361, "page_url": "https://en.wikipedia.org/wiki/Love_%26_Loss", "image_url": "https://upload.wikimedia.org/wikipedia/en/thumb/8/87/Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg/270px-Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "愛と喪失の説明を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Roy McMakin", "Olympic Sculpture Park", "Seattle Post-Intelligencer", "2005 in art", "Category:2005 establishments in Washington (state)", "Crosscut.com", "Category:Olympic Sculpture Park", "The Stranger (newspaper)", "Category:2005 in art", "Seattle", "Seattle Art Museum", "The Stranger", "Category:2005 works", "The Seattle Times"], "gold": "The Seattle Times and the Seattle Post-Intelligencer said the work is multifaceted and interactive, respectively. According to The Stranger, \"The piece consists of cast concrete benches, a sidewalk-like pathway, a small, circular reflecting pool, and a double-trunked crabapple tree that spell out the words 'love' and 'loss.' Jutting up from the middle is a red neon ampersand.\" The ampersand revolves.Brangien Davis of Crosscut.com described the artwork as a \"sculpture slash word puzzle\". "}
{"title": "愛と喪失", "srclang_title": "Love & Loss", "en_title": "Love & Loss", "pageid": 51359131, "page_rank": 4361, "page_url": "https://en.wikipedia.org/wiki/Love_%26_Loss", "image_url": "https://upload.wikimedia.org/wikipedia/en/thumb/8/87/Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg/270px-Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "愛と喪失はどのように説明を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Roy McMakin", "Olympic Sculpture Park", "Seattle Post-Intelligencer", "2005 in art", "Category:2005 establishments in Washington (state)", "Crosscut.com", "Category:Olympic Sculpture Park", "The Stranger (newspaper)", "Category:2005 in art", "Seattle", "Seattle Art Museum", "The Stranger", "Category:2005 works", "The Seattle Times"], "gold": "The Seattle Times and the Seattle Post-Intelligencer said the work is multifaceted and interactive, respectively. According to The Stranger, \"The piece consists of cast concrete benches, a sidewalk-like pathway, a small, circular reflecting pool, and a double-trunked crabapple tree that spell out the words 'love' and 'loss.' Jutting up from the middle is a red neon ampersand.\" The ampersand revolves.Brangien Davis of Crosscut.com described the artwork as a \"sculpture slash word puzzle\". "}
{"title": "愛と喪失", "srclang_title": "Love & Loss", "en_title": "Love & Loss", "pageid": 51359131, "page_rank": 4361, "page_url": "https://en.wikipedia.org/wiki/Love_%26_Loss", "image_url": "https://upload.wikimedia.org/wikipedia/en/thumb/8/87/Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg/270px-Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg", "section": "説明", "subsection": null, "sub_subsection": null, "prompt": "愛と喪失に関して、どのように説明が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Roy McMakin", "Olympic Sculpture Park", "Seattle Post-Intelligencer", "2005 in art", "Category:2005 establishments in Washington (state)", "Crosscut.com", "Category:Olympic Sculpture Park", "The Stranger (newspaper)", "Category:2005 in art", "Seattle", "Seattle Art Museum", "The Stranger", "Category:2005 works", "The Seattle Times"], "gold": "The Seattle Times and the Seattle Post-Intelligencer said the work is multifaceted and interactive, respectively. According to The Stranger, \"The piece consists of cast concrete benches, a sidewalk-like pathway, a small, circular reflecting pool, and a double-trunked crabapple tree that spell out the words 'love' and 'loss.' Jutting up from the middle is a red neon ampersand.\" The ampersand revolves.Brangien Davis of Crosscut.com described the artwork as a \"sculpture slash word puzzle\". "}
{"title": "愛と喪失", "srclang_title": "Love & Loss", "en_title": "Love & Loss", "pageid": 51359131, "page_rank": 4361, "page_url": "https://en.wikipedia.org/wiki/Love_%26_Loss", "image_url": "https://upload.wikimedia.org/wikipedia/en/thumb/8/87/Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg/270px-Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "愛と喪失に焦点を当てて、その受付を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Roy McMakin", "Olympic Sculpture Park", "Seattle Post-Intelligencer", "2005 in art", "Category:2005 establishments in Washington (state)", "Crosscut.com", "Category:Olympic Sculpture Park", "The Stranger (newspaper)", "Category:2005 in art", "Seattle", "Seattle Art Museum", "The Stranger", "Category:2005 works", "The Seattle Times"], "gold": "Arts Observer called the work \"clever\"."}
{"title": "愛と喪失", "srclang_title": "Love & Loss", "en_title": "Love & Loss", "pageid": 51359131, "page_rank": 4361, "page_url": "https://en.wikipedia.org/wiki/Love_%26_Loss", "image_url": "https://upload.wikimedia.org/wikipedia/en/thumb/8/87/Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg/270px-Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "愛と喪失の受付を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Roy McMakin", "Olympic Sculpture Park", "Seattle Post-Intelligencer", "2005 in art", "Category:2005 establishments in Washington (state)", "Crosscut.com", "Category:Olympic Sculpture Park", "The Stranger (newspaper)", "Category:2005 in art", "Seattle", "Seattle Art Museum", "The Stranger", "Category:2005 works", "The Seattle Times"], "gold": "Arts Observer called the work \"clever\"."}
{"title": "愛と喪失", "srclang_title": "Love & Loss", "en_title": "Love & Loss", "pageid": 51359131, "page_rank": 4361, "page_url": "https://en.wikipedia.org/wiki/Love_%26_Loss", "image_url": "https://upload.wikimedia.org/wikipedia/en/thumb/8/87/Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg/270px-Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "愛と喪失はどのように受付を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Roy McMakin", "Olympic Sculpture Park", "Seattle Post-Intelligencer", "2005 in art", "Category:2005 establishments in Washington (state)", "Crosscut.com", "Category:Olympic Sculpture Park", "The Stranger (newspaper)", "Category:2005 in art", "Seattle", "Seattle Art Museum", "The Stranger", "Category:2005 works", "The Seattle Times"], "gold": "Arts Observer called the work \"clever\"."}
{"title": "愛と喪失", "srclang_title": "Love & Loss", "en_title": "Love & Loss", "pageid": 51359131, "page_rank": 4361, "page_url": "https://en.wikipedia.org/wiki/Love_%26_Loss", "image_url": "https://upload.wikimedia.org/wikipedia/en/thumb/8/87/Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg/270px-Love_%26_Loss_by_Roy_McMakin%2C_Seattle.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "愛と喪失に関して、どのように受付が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Roy McMakin", "Olympic Sculpture Park", "Seattle Post-Intelligencer", "2005 in art", "Category:2005 establishments in Washington (state)", "Crosscut.com", "Category:Olympic Sculpture Park", "The Stranger (newspaper)", "Category:2005 in art", "Seattle", "Seattle Art Museum", "The Stranger", "Category:2005 works", "The Seattle Times"], "gold": "Arts Observer called the work \"clever\"."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Black Square (Russian Чёрный квадрат) is a 1915 oil on linen canvas painting by the artist Kazimir Malevich.  The first of four painted versions, the original was completed in 1915 and described by the artist as his breakthrough work and the inception for the launch of his Suprematist art movement (1915–1919).A leading member of the Russian avant-garde, Malevich was born in 1878 in today's Ukraine. In his manifesto for the Suprematist movement Malevich said the paintings were intended as \"desperate struggle to free art from the ballast of the objective world\" by focusing only on form. He sought to create paintings that all could understand and that would have an emotional impact comparable to religious works. The 1915 Black Square was the turning point in his career and defined the aesthetic he was to follow for the remainder of his career; his other significant paintings include variants such as White on White (1918), Black Circle (c. 1924), and Black Cross (c. 1920–23). Malevich painted three other versions; in 1923, 1929, and between the late 1920s and early 1930s. Each version differs slightly in size and texture.The original painting was first shown at The Last Futurist Exhibition 0,10 in 1915. The last is thought to have been painted during the late 1920s or early 1930s. Malevich described the 1915 painting as the \"zero point of painting\"; since then, it has had a significant influence on minimalist art."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Black Square (Russian Чёрный квадрат) is a 1915 oil on linen canvas painting by the artist Kazimir Malevich.  The first of four painted versions, the original was completed in 1915 and described by the artist as his breakthrough work and the inception for the launch of his Suprematist art movement (1915–1919).A leading member of the Russian avant-garde, Malevich was born in 1878 in today's Ukraine. In his manifesto for the Suprematist movement Malevich said the paintings were intended as \"desperate struggle to free art from the ballast of the objective world\" by focusing only on form. He sought to create paintings that all could understand and that would have an emotional impact comparable to religious works. The 1915 Black Square was the turning point in his career and defined the aesthetic he was to follow for the remainder of his career; his other significant paintings include variants such as White on White (1918), Black Circle (c. 1924), and Black Cross (c. 1920–23). Malevich painted three other versions; in 1923, 1929, and between the late 1920s and early 1930s. Each version differs slightly in size and texture.The original painting was first shown at The Last Futurist Exhibition 0,10 in 1915. The last is thought to have been painted during the late 1920s or early 1930s. Malevich described the 1915 painting as the \"zero point of painting\"; since then, it has had a significant influence on minimalist art."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Black Square (Russian Чёрный квадрат) is a 1915 oil on linen canvas painting by the artist Kazimir Malevich.  The first of four painted versions, the original was completed in 1915 and described by the artist as his breakthrough work and the inception for the launch of his Suprematist art movement (1915–1919).A leading member of the Russian avant-garde, Malevich was born in 1878 in today's Ukraine. In his manifesto for the Suprematist movement Malevich said the paintings were intended as \"desperate struggle to free art from the ballast of the objective world\" by focusing only on form. He sought to create paintings that all could understand and that would have an emotional impact comparable to religious works. The 1915 Black Square was the turning point in his career and defined the aesthetic he was to follow for the remainder of his career; his other significant paintings include variants such as White on White (1918), Black Circle (c. 1924), and Black Cross (c. 1920–23). Malevich painted three other versions; in 1923, 1929, and between the late 1920s and early 1930s. Each version differs slightly in size and texture.The original painting was first shown at The Last Futurist Exhibition 0,10 in 1915. The last is thought to have been painted during the late 1920s or early 1930s. Malevich described the 1915 painting as the \"zero point of painting\"; since then, it has had a significant influence on minimalist art."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Black Square (Russian Чёрный квадрат) is a 1915 oil on linen canvas painting by the artist Kazimir Malevich.  The first of four painted versions, the original was completed in 1915 and described by the artist as his breakthrough work and the inception for the launch of his Suprematist art movement (1915–1919).A leading member of the Russian avant-garde, Malevich was born in 1878 in today's Ukraine. In his manifesto for the Suprematist movement Malevich said the paintings were intended as \"desperate struggle to free art from the ballast of the objective world\" by focusing only on form. He sought to create paintings that all could understand and that would have an emotional impact comparable to religious works. The 1915 Black Square was the turning point in his career and defined the aesthetic he was to follow for the remainder of his career; his other significant paintings include variants such as White on White (1918), Black Circle (c. 1924), and Black Cross (c. 1920–23). Malevich painted three other versions; in 1923, 1929, and between the late 1920s and early 1930s. Each version differs slightly in size and texture.The original painting was first shown at The Last Futurist Exhibition 0,10 in 1915. The last is thought to have been painted during the late 1920s or early 1930s. Malevich described the 1915 painting as the \"zero point of painting\"; since then, it has had a significant influence on minimalist art."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "妊娠", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形に焦点を当てて、その妊娠を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "A self-taught artist, Kazimir Malevich's early works, created while still a teenager, incorporate the style and motifs of Ukrainian and Russian folk art and Eastern Orthodox icons. In the early 1900s, when he was heavily influenced by late 19th-century Impressionism. He moved from his birthplace of Kyiv to Moscow in 1907, where he came into contact with the leading Russian avant-garde artists such as Natalia Goncharova and Mikhail Larionov. He first used the motif of a black square while working as the stage designer for the premiere of the Cubo-Futuristic opera Victory over the Sun by the painter and composer Mikhail Matyushin's (1861–1934), staged at the Luna Park Theater in Saint Petersburg on 3 December, 1913. Although the opera is ostensibly a comedic farce, the plot satirises the religious dogma and Tsarist autocracy then dominating pre-revolution Russia. Its libretto was written by the poet Velimir Khlebnikov (1885–1922), and follows protagonists seeking to \"abolish reason\" by capturing the sun and destroying time. The opera ends with a world in darkness, which Khlebnikov intended to represent the a future after the destruction of Russian tradition. These ideas resonated with Malevich's year zero views on the purpose of contemporary Modernist art. Malevich's sketches for the costumes seem largely influenced by Cubism and Futurism. However, a number, including those known today as Futurist Strongman, Grave Digger and A Certain Evil Intender, are in colour but contain distinct black squares and rectangles. During the pivotal scene depicting the death of the sun, black squares appear eight times: on a curtain and the backdrops, and on the coats and hats of the sun's pall bearers. He was immediately aware of the design's potential, wrote pleading letters to Matyushin to retain it when the composer was planning a 1915 performance of the opera. In the letters, Malevich claimed that the square \"will have great significance in painting\" and is the \"embryo of all possibilities; in its development it acquires a terrible strength.\""}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "妊娠", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形の妊娠を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "A self-taught artist, Kazimir Malevich's early works, created while still a teenager, incorporate the style and motifs of Ukrainian and Russian folk art and Eastern Orthodox icons. In the early 1900s, when he was heavily influenced by late 19th-century Impressionism. He moved from his birthplace of Kyiv to Moscow in 1907, where he came into contact with the leading Russian avant-garde artists such as Natalia Goncharova and Mikhail Larionov. He first used the motif of a black square while working as the stage designer for the premiere of the Cubo-Futuristic opera Victory over the Sun by the painter and composer Mikhail Matyushin's (1861–1934), staged at the Luna Park Theater in Saint Petersburg on 3 December, 1913. Although the opera is ostensibly a comedic farce, the plot satirises the religious dogma and Tsarist autocracy then dominating pre-revolution Russia. Its libretto was written by the poet Velimir Khlebnikov (1885–1922), and follows protagonists seeking to \"abolish reason\" by capturing the sun and destroying time. The opera ends with a world in darkness, which Khlebnikov intended to represent the a future after the destruction of Russian tradition. These ideas resonated with Malevich's year zero views on the purpose of contemporary Modernist art. Malevich's sketches for the costumes seem largely influenced by Cubism and Futurism. However, a number, including those known today as Futurist Strongman, Grave Digger and A Certain Evil Intender, are in colour but contain distinct black squares and rectangles. During the pivotal scene depicting the death of the sun, black squares appear eight times: on a curtain and the backdrops, and on the coats and hats of the sun's pall bearers. He was immediately aware of the design's potential, wrote pleading letters to Matyushin to retain it when the composer was planning a 1915 performance of the opera. In the letters, Malevich claimed that the square \"will have great significance in painting\" and is the \"embryo of all possibilities; in its development it acquires a terrible strength.\""}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "妊娠", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形はどのように妊娠を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "A self-taught artist, Kazimir Malevich's early works, created while still a teenager, incorporate the style and motifs of Ukrainian and Russian folk art and Eastern Orthodox icons. In the early 1900s, when he was heavily influenced by late 19th-century Impressionism. He moved from his birthplace of Kyiv to Moscow in 1907, where he came into contact with the leading Russian avant-garde artists such as Natalia Goncharova and Mikhail Larionov. He first used the motif of a black square while working as the stage designer for the premiere of the Cubo-Futuristic opera Victory over the Sun by the painter and composer Mikhail Matyushin's (1861–1934), staged at the Luna Park Theater in Saint Petersburg on 3 December, 1913. Although the opera is ostensibly a comedic farce, the plot satirises the religious dogma and Tsarist autocracy then dominating pre-revolution Russia. Its libretto was written by the poet Velimir Khlebnikov (1885–1922), and follows protagonists seeking to \"abolish reason\" by capturing the sun and destroying time. The opera ends with a world in darkness, which Khlebnikov intended to represent the a future after the destruction of Russian tradition. These ideas resonated with Malevich's year zero views on the purpose of contemporary Modernist art. Malevich's sketches for the costumes seem largely influenced by Cubism and Futurism. However, a number, including those known today as Futurist Strongman, Grave Digger and A Certain Evil Intender, are in colour but contain distinct black squares and rectangles. During the pivotal scene depicting the death of the sun, black squares appear eight times: on a curtain and the backdrops, and on the coats and hats of the sun's pall bearers. He was immediately aware of the design's potential, wrote pleading letters to Matyushin to retain it when the composer was planning a 1915 performance of the opera. In the letters, Malevich claimed that the square \"will have great significance in painting\" and is the \"embryo of all possibilities; in its development it acquires a terrible strength.\""}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "妊娠", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形に関して、どのように妊娠が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "A self-taught artist, Kazimir Malevich's early works, created while still a teenager, incorporate the style and motifs of Ukrainian and Russian folk art and Eastern Orthodox icons. In the early 1900s, when he was heavily influenced by late 19th-century Impressionism. He moved from his birthplace of Kyiv to Moscow in 1907, where he came into contact with the leading Russian avant-garde artists such as Natalia Goncharova and Mikhail Larionov. He first used the motif of a black square while working as the stage designer for the premiere of the Cubo-Futuristic opera Victory over the Sun by the painter and composer Mikhail Matyushin's (1861–1934), staged at the Luna Park Theater in Saint Petersburg on 3 December, 1913. Although the opera is ostensibly a comedic farce, the plot satirises the religious dogma and Tsarist autocracy then dominating pre-revolution Russia. Its libretto was written by the poet Velimir Khlebnikov (1885–1922), and follows protagonists seeking to \"abolish reason\" by capturing the sun and destroying time. The opera ends with a world in darkness, which Khlebnikov intended to represent the a future after the destruction of Russian tradition. These ideas resonated with Malevich's year zero views on the purpose of contemporary Modernist art. Malevich's sketches for the costumes seem largely influenced by Cubism and Futurism. However, a number, including those known today as Futurist Strongman, Grave Digger and A Certain Evil Intender, are in colour but contain distinct black squares and rectangles. During the pivotal scene depicting the death of the sun, black squares appear eight times: on a curtain and the backdrops, and on the coats and hats of the sun's pall bearers. He was immediately aware of the design's potential, wrote pleading letters to Matyushin to retain it when the composer was planning a 1915 performance of the opera. In the letters, Malevich claimed that the square \"will have great significance in painting\" and is the \"embryo of all possibilities; in its development it acquires a terrible strength.\""}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "構成", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形に焦点を当てて、その構成を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Malevich created the first version in 1915 using broad strokes of thick black oil paint onto a 79.5cm x 79.5cm  linen canvas. The border and edges were applied with various shades of white and grey paint.Malevich was a prolific and talented self-publicist and has been described as both a \"brilliant, grandiose, messianic figure\" and a \"fanatic pamphleteer\". Sensing a breakthrough, he declared the painting as a milestone in both his oeuvre and \"in the history of art\". He later wrote that he was so excited at the breakthrough that he was unable to \"sleep, eat, or drink for an entire week after\". The painting was first shown at the 1915 The Last Futurist Exhibition 0,10 at the Field of Mars square in Saint Petersburg (then Petrograd). Its hanging in the icon corner emphasised the collision between Modernism and traditional Eastern Orthodox culture.Over the following decades, Malevich made three other oil on canvas variants (in 1924, 1929, while the final version is thought to date from the late 1920s or early 1930s). He created numerous lithographs of the image, used it to decorate his signature, and applied it to lapels he gave to his students. The reverse contains the inscription \"1913\", however, this is thought to refer to the year of the design's conception that year for Victory over the Sun. He continued to refer to it as The main Suprematist element. Square. 1913. According to an overview of the work by Tate Modern, Malevich may have given an earlier date to appear more ahead of the curve during the early years of Abstract art."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "構成", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形の構成を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Malevich created the first version in 1915 using broad strokes of thick black oil paint onto a 79.5cm x 79.5cm  linen canvas. The border and edges were applied with various shades of white and grey paint.Malevich was a prolific and talented self-publicist and has been described as both a \"brilliant, grandiose, messianic figure\" and a \"fanatic pamphleteer\". Sensing a breakthrough, he declared the painting as a milestone in both his oeuvre and \"in the history of art\". He later wrote that he was so excited at the breakthrough that he was unable to \"sleep, eat, or drink for an entire week after\". The painting was first shown at the 1915 The Last Futurist Exhibition 0,10 at the Field of Mars square in Saint Petersburg (then Petrograd). Its hanging in the icon corner emphasised the collision between Modernism and traditional Eastern Orthodox culture.Over the following decades, Malevich made three other oil on canvas variants (in 1924, 1929, while the final version is thought to date from the late 1920s or early 1930s). He created numerous lithographs of the image, used it to decorate his signature, and applied it to lapels he gave to his students. The reverse contains the inscription \"1913\", however, this is thought to refer to the year of the design's conception that year for Victory over the Sun. He continued to refer to it as The main Suprematist element. Square. 1913. According to an overview of the work by Tate Modern, Malevich may have given an earlier date to appear more ahead of the curve during the early years of Abstract art."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "構成", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形はどのように構成を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Malevich created the first version in 1915 using broad strokes of thick black oil paint onto a 79.5cm x 79.5cm  linen canvas. The border and edges were applied with various shades of white and grey paint.Malevich was a prolific and talented self-publicist and has been described as both a \"brilliant, grandiose, messianic figure\" and a \"fanatic pamphleteer\". Sensing a breakthrough, he declared the painting as a milestone in both his oeuvre and \"in the history of art\". He later wrote that he was so excited at the breakthrough that he was unable to \"sleep, eat, or drink for an entire week after\". The painting was first shown at the 1915 The Last Futurist Exhibition 0,10 at the Field of Mars square in Saint Petersburg (then Petrograd). Its hanging in the icon corner emphasised the collision between Modernism and traditional Eastern Orthodox culture.Over the following decades, Malevich made three other oil on canvas variants (in 1924, 1929, while the final version is thought to date from the late 1920s or early 1930s). He created numerous lithographs of the image, used it to decorate his signature, and applied it to lapels he gave to his students. The reverse contains the inscription \"1913\", however, this is thought to refer to the year of the design's conception that year for Victory over the Sun. He continued to refer to it as The main Suprematist element. Square. 1913. According to an overview of the work by Tate Modern, Malevich may have given an earlier date to appear more ahead of the curve during the early years of Abstract art."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "構成", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形に関して、どのように構成が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Malevich created the first version in 1915 using broad strokes of thick black oil paint onto a 79.5cm x 79.5cm  linen canvas. The border and edges were applied with various shades of white and grey paint.Malevich was a prolific and talented self-publicist and has been described as both a \"brilliant, grandiose, messianic figure\" and a \"fanatic pamphleteer\". Sensing a breakthrough, he declared the painting as a milestone in both his oeuvre and \"in the history of art\". He later wrote that he was so excited at the breakthrough that he was unable to \"sleep, eat, or drink for an entire week after\". The painting was first shown at the 1915 The Last Futurist Exhibition 0,10 at the Field of Mars square in Saint Petersburg (then Petrograd). Its hanging in the icon corner emphasised the collision between Modernism and traditional Eastern Orthodox culture.Over the following decades, Malevich made three other oil on canvas variants (in 1924, 1929, while the final version is thought to date from the late 1920s or early 1930s). He created numerous lithographs of the image, used it to decorate his signature, and applied it to lapels he gave to his students. The reverse contains the inscription \"1913\", however, this is thought to refer to the year of the design's conception that year for Victory over the Sun. He continued to refer to it as The main Suprematist element. Square. 1913. According to an overview of the work by Tate Modern, Malevich may have given an earlier date to appear more ahead of the curve during the early years of Abstract art."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "解釈", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形に焦点を当てて、その解釈を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Black Square is widely regarded by art historians as foundational in the development of both modern and abstract art. Malevich said the paintings began the Suprematism movement, which emphasised colour and shape. The title \"Suprematism\" is derived from the word supremus (Russian: Супремус), which translates as \"superior\" or \"perfected\", which Malevich said reflected his desire to \"liberate\" painting from mimesis (imitation) and representational art.Although the movement gained many supporters among the Russian avant-garde, it was overshadowed by constructivism, whose manifesto better reflected the ideology of the early Soviet government and which had a larger influence on later 20th century art. Today Suprematism is almost exclusively associated with Malevich and his apprentice El Lissitzky."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "解釈", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形の解釈を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Black Square is widely regarded by art historians as foundational in the development of both modern and abstract art. Malevich said the paintings began the Suprematism movement, which emphasised colour and shape. The title \"Suprematism\" is derived from the word supremus (Russian: Супремус), which translates as \"superior\" or \"perfected\", which Malevich said reflected his desire to \"liberate\" painting from mimesis (imitation) and representational art.Although the movement gained many supporters among the Russian avant-garde, it was overshadowed by constructivism, whose manifesto better reflected the ideology of the early Soviet government and which had a larger influence on later 20th century art. Today Suprematism is almost exclusively associated with Malevich and his apprentice El Lissitzky."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "解釈", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形はどのように解釈を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Black Square is widely regarded by art historians as foundational in the development of both modern and abstract art. Malevich said the paintings began the Suprematism movement, which emphasised colour and shape. The title \"Suprematism\" is derived from the word supremus (Russian: Супремус), which translates as \"superior\" or \"perfected\", which Malevich said reflected his desire to \"liberate\" painting from mimesis (imitation) and representational art.Although the movement gained many supporters among the Russian avant-garde, it was overshadowed by constructivism, whose manifesto better reflected the ideology of the early Soviet government and which had a larger influence on later 20th century art. Today Suprematism is almost exclusively associated with Malevich and his apprentice El Lissitzky."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "解釈", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形に関して、どのように解釈が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Black Square is widely regarded by art historians as foundational in the development of both modern and abstract art. Malevich said the paintings began the Suprematism movement, which emphasised colour and shape. The title \"Suprematism\" is derived from the word supremus (Russian: Супремус), which translates as \"superior\" or \"perfected\", which Malevich said reflected his desire to \"liberate\" painting from mimesis (imitation) and representational art.Although the movement gained many supporters among the Russian avant-garde, it was overshadowed by constructivism, whose manifesto better reflected the ideology of the early Soviet government and which had a larger influence on later 20th century art. Today Suprematism is almost exclusively associated with Malevich and his apprentice El Lissitzky."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "解釈", "subsection": "バージョン", "sub_subsection": null, "prompt": "黒い四角形の文脈で、バージョンと解釈を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Malevich produced three oil on canvas copies of the original painting. The first copy was completed in 1923.The second copy was painted around 1923 in collaboration with his students Anna Leporskaya, Konstantin Rozhdestvensky and Nikolay Suyetin. The third Black Square (also at the Tretyakov Gallery) was painted c. 1929 for Malevich's solo exhibition, perhaps as a stand-in for a solo exhibition as the original was by then in poor condition.The final Black Square is the smallest and may have been intended as a diptych along with the smaller again Red Square for the 1932 exhibition Artists of the RSFSR: 15 Years in Leningrad, where the two squares formed the centerpiece of the show."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "解釈", "subsection": "バージョン", "sub_subsection": null, "prompt": "黒い四角形の解釈に関するバージョンを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Malevich produced three oil on canvas copies of the original painting. The first copy was completed in 1923.The second copy was painted around 1923 in collaboration with his students Anna Leporskaya, Konstantin Rozhdestvensky and Nikolay Suyetin. The third Black Square (also at the Tretyakov Gallery) was painted c. 1929 for Malevich's solo exhibition, perhaps as a stand-in for a solo exhibition as the original was by then in poor condition.The final Black Square is the smallest and may have been intended as a diptych along with the smaller again Red Square for the 1932 exhibition Artists of the RSFSR: 15 Years in Leningrad, where the two squares formed the centerpiece of the show."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "解釈", "subsection": "バージョン", "sub_subsection": null, "prompt": "黒い四角形では、どのように解釈のバージョンが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Malevich produced three oil on canvas copies of the original painting. The first copy was completed in 1923.The second copy was painted around 1923 in collaboration with his students Anna Leporskaya, Konstantin Rozhdestvensky and Nikolay Suyetin. The third Black Square (also at the Tretyakov Gallery) was painted c. 1929 for Malevich's solo exhibition, perhaps as a stand-in for a solo exhibition as the original was by then in poor condition.The final Black Square is the smallest and may have been intended as a diptych along with the smaller again Red Square for the 1932 exhibition Artists of the RSFSR: 15 Years in Leningrad, where the two squares formed the centerpiece of the show."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "解釈", "subsection": "バージョン", "sub_subsection": null, "prompt": "黒い四角形の解釈におけるバージョンの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Malevich produced three oil on canvas copies of the original painting. The first copy was completed in 1923.The second copy was painted around 1923 in collaboration with his students Anna Leporskaya, Konstantin Rozhdestvensky and Nikolay Suyetin. The third Black Square (also at the Tretyakov Gallery) was painted c. 1929 for Malevich's solo exhibition, perhaps as a stand-in for a solo exhibition as the original was by then in poor condition.The final Black Square is the smallest and may have been intended as a diptych along with the smaller again Red Square for the 1932 exhibition Artists of the RSFSR: 15 Years in Leningrad, where the two squares formed the centerpiece of the show."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "影響", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形に焦点を当てて、その影響を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Avant-garde art fell from favour after Joseph Stalin took absolute control of the USSR in the late 1920s. Stalin was notoriously suspicious of people who traveled outside the Soviet Union, and Malevich came to the attention of Stalin's secret police as a possible dissident in early 1927 when he traveled to Berlin to attended the Grosse Kunstausstellung exhibition where around 70 of his paintings and drawings scheduled for display. Malevich was aware that progressive artists were likely to be suppressed in Russia, and made attempts to relocate to Germany, where the Nazi party was already targeting so-called \"degenerate art\", that is art that did not conform to the idealised Aryan way of living, which was based around, according to the historian Tony Wood a dedication to \"family, home and church\", and was \"ironically...a mirror image of the socialist realism of the hated Communists.\"Malevich was arrested for several days in 1930. His work was officially banned in the USSR shortly after his early death in 1935 after Stalin's favoured socialist realism was designated the official art of the union, and many other art forms were suppressed.Although Black Square wasn't exhibited again until the 1980s, today the work is regarded as historically significant in Modern art, and one of the most recognisable 20th century paintings."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "影響", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形の影響を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Avant-garde art fell from favour after Joseph Stalin took absolute control of the USSR in the late 1920s. Stalin was notoriously suspicious of people who traveled outside the Soviet Union, and Malevich came to the attention of Stalin's secret police as a possible dissident in early 1927 when he traveled to Berlin to attended the Grosse Kunstausstellung exhibition where around 70 of his paintings and drawings scheduled for display. Malevich was aware that progressive artists were likely to be suppressed in Russia, and made attempts to relocate to Germany, where the Nazi party was already targeting so-called \"degenerate art\", that is art that did not conform to the idealised Aryan way of living, which was based around, according to the historian Tony Wood a dedication to \"family, home and church\", and was \"ironically...a mirror image of the socialist realism of the hated Communists.\"Malevich was arrested for several days in 1930. His work was officially banned in the USSR shortly after his early death in 1935 after Stalin's favoured socialist realism was designated the official art of the union, and many other art forms were suppressed.Although Black Square wasn't exhibited again until the 1980s, today the work is regarded as historically significant in Modern art, and one of the most recognisable 20th century paintings."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "影響", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形はどのように影響を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Avant-garde art fell from favour after Joseph Stalin took absolute control of the USSR in the late 1920s. Stalin was notoriously suspicious of people who traveled outside the Soviet Union, and Malevich came to the attention of Stalin's secret police as a possible dissident in early 1927 when he traveled to Berlin to attended the Grosse Kunstausstellung exhibition where around 70 of his paintings and drawings scheduled for display. Malevich was aware that progressive artists were likely to be suppressed in Russia, and made attempts to relocate to Germany, where the Nazi party was already targeting so-called \"degenerate art\", that is art that did not conform to the idealised Aryan way of living, which was based around, according to the historian Tony Wood a dedication to \"family, home and church\", and was \"ironically...a mirror image of the socialist realism of the hated Communists.\"Malevich was arrested for several days in 1930. His work was officially banned in the USSR shortly after his early death in 1935 after Stalin's favoured socialist realism was designated the official art of the union, and many other art forms were suppressed.Although Black Square wasn't exhibited again until the 1980s, today the work is regarded as historically significant in Modern art, and one of the most recognisable 20th century paintings."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "影響", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形に関して、どのように影響が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "Avant-garde art fell from favour after Joseph Stalin took absolute control of the USSR in the late 1920s. Stalin was notoriously suspicious of people who traveled outside the Soviet Union, and Malevich came to the attention of Stalin's secret police as a possible dissident in early 1927 when he traveled to Berlin to attended the Grosse Kunstausstellung exhibition where around 70 of his paintings and drawings scheduled for display. Malevich was aware that progressive artists were likely to be suppressed in Russia, and made attempts to relocate to Germany, where the Nazi party was already targeting so-called \"degenerate art\", that is art that did not conform to the idealised Aryan way of living, which was based around, according to the historian Tony Wood a dedication to \"family, home and church\", and was \"ironically...a mirror image of the socialist realism of the hated Communists.\"Malevich was arrested for several days in 1930. His work was officially banned in the USSR shortly after his early death in 1935 after Stalin's favoured socialist realism was designated the official art of the union, and many other art forms were suppressed.Although Black Square wasn't exhibited again until the 1980s, today the work is regarded as historically significant in Modern art, and one of the most recognisable 20th century paintings."}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "条件", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形に焦点を当てて、その条件を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "The painting has degraded considerably since its creation. According to the American art critic Peter Schjeldahl, \"the painting looks terrible: crackled, scuffed, and discolored, as if it had spent the past eighty-eight years patching a broken window. In fact, it passed most of that time deep in the Soviet archives, classed among the lowliest of the state's treasures. Malevich, like other members of the Revolutionary-era Russian avant-garde, was thrown into oblivion under Stalin. The axe fell on him in 1930. Accused of 'formalism', he was interrogated and jailed for two months.\""}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "条件", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形の条件を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "The painting has degraded considerably since its creation. According to the American art critic Peter Schjeldahl, \"the painting looks terrible: crackled, scuffed, and discolored, as if it had spent the past eighty-eight years patching a broken window. In fact, it passed most of that time deep in the Soviet archives, classed among the lowliest of the state's treasures. Malevich, like other members of the Revolutionary-era Russian avant-garde, was thrown into oblivion under Stalin. The axe fell on him in 1930. Accused of 'formalism', he was interrogated and jailed for two months.\""}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "条件", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形はどのように条件を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "The painting has degraded considerably since its creation. According to the American art critic Peter Schjeldahl, \"the painting looks terrible: crackled, scuffed, and discolored, as if it had spent the past eighty-eight years patching a broken window. In fact, it passed most of that time deep in the Soviet archives, classed among the lowliest of the state's treasures. Malevich, like other members of the Revolutionary-era Russian avant-garde, was thrown into oblivion under Stalin. The axe fell on him in 1930. Accused of 'formalism', he was interrogated and jailed for two months.\""}
{"title": "黒い四角形", "srclang_title": "Black Square", "en_title": "Black Square", "pageid": 46708862, "page_rank": 99, "page_url": "https://en.wikipedia.org/wiki/Black_Square", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/d/dc/Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg/270px-Kazimir_Malevich%2C_1915%2C_Black_Suprematic_Square%2C_oil_on_linen_canvas%2C_79.5_x_79.5_cm%2C_Tretyakov_Gallery%2C_Moscow.jpg", "section": "条件", "subsection": null, "sub_subsection": null, "prompt": "黒い四角形に関して、どのように条件が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["farce", "Futurism", "degenerate art", "Eastern Orthodox", "Yale University Press", "Category:1915 paintings", "constructivism", "Tony Wood", "El Lissitzky", "Culture of Ukraine", "Political repression in the Soviet Union", "minimalist art", "Malevich, c. 1900", "Category:Paintings by Kazimir Malevich", "Victory over the Sun", "Nazism", "icon", "oil on linen canvas", "mimesis", "Saint Petersburg", "folk art", "Category:Collection of the Tretyakov Gallery", "modern art", "The Guardian", "USSR", "Suprematist works by Malevich at the [[0,10 Exhibition", "Tate Modern", "Triptych at the Russian Museum, featuring the 1924 version", "pall bearer", "Museum of Modern Art", "Stalin", "Field of Mars (Saint Petersburg)", "Matthew Drutt", "File:Kazimir Malevich, c.1900.jpg", "File:Malevich's black suprematist paintings (GRM) by shakko 01.jpg", "upright=0.8", "White Square", "Russian Soviet Federative Socialist Republic", "icon corner", "Cubism", "Red Square", "New York Times", "Grosse Kunstausstellung", "Guggenheim", "NKVD", "avant-garde", "White on White", "Representation (arts)", "Cubo-Futurism", "Mikhail Matyushin", "Tretyakov Gallery", "socialist realism", "The Last Futurist Exhibition 0,10", "Peter Schjeldahl", "Category:Minimalism", "Impressionism", "Black Cross (painting)", "0,10 Exhibition", "left", "lithograph", "State Russian Museum", "Scenic design", "Drutt, Matthew", "Natalia Goncharova", "Russian Empire", "Ukraine", "formalism", "Wood, Tony", "representational art", "Nazi", "Joseph Stalin", "year zero", "File:0.10 Exhibition.jpg", "Aryan", "Oil painting", "linen", "Black Circle", "upright=1.0", "Abstract art", "Avant-garde", "oil on canvas", "Kyiv", "Suprematism", "Kazimir Malevich", "Eastern Orthodoxy", "Spalding, Frances", "Anna Leporskaya", "Tsar", "Field of Mars square", "Ukrainian", "Moscow", "Modern art", "comedic farce", "constructivism (art)", "Solomon R. Guggenheim Foundation", "modern", "pre-revolution Russia", "Tony Wood (historian)", "abstract art", "stage designer", "thumb", "Frances Spalding", "Russian avant-garde", "Hermitage Museum", "Mikhail Larionov", "Eastern Orthodox Church", "Velimir Khlebnikov", "libretto", "Black Cross", "Suprematist", "Red Square (painting)", "Berlin", "Modernism", "secret police", "Cubo-Futuristic", "Tate", "suppressed", "Russian formalism"], "gold": "The painting has degraded considerably since its creation. According to the American art critic Peter Schjeldahl, \"the painting looks terrible: crackled, scuffed, and discolored, as if it had spent the past eighty-eight years patching a broken window. In fact, it passed most of that time deep in the Soviet archives, classed among the lowliest of the state's treasures. Malevich, like other members of the Revolutionary-era Russian avant-garde, was thrown into oblivion under Stalin. The axe fell on him in 1930. Accused of 'formalism', he was interrogated and jailed for two months.\""}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いに焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "Oath of the Horatii (French: Le Serment des Horaces) is a large painting by the French artist Jacques-Louis David painted in 1784 and 1785 and now on display in the Louvre in Paris. The painting immediately became a huge success with critics and the public and remains one of the best-known paintings in the Neoclassical style.It depicts a scene from a Roman legend about a seventh-century BC dispute between two warring cities, Rome and Alba Longa, and stresses the importance of patriotism and masculine self-sacrifice for one's country. Instead of the two cities sending their armies to war, they agree to choose three men from each city; the victor in that fight will be the victorious city.  From Rome, three brothers from a Roman family, the Horatii, agree to end the war by fighting three brothers from a family of Alba Longa, the Curiatii. The three brothers, all of whom appear willing to sacrifice their lives for the good of Rome, are shown stretching their hands towards their father who holds their swords out of them. Of the three Horatii brothers, only one will survive the confrontation. However, it is the surviving brother who is able to kill the other three fighters from Alba Longa: he allows the three fighters to chase him, causing them to separate from each other, and then, in turn, kills each Curiatii brother. Aside from the three brothers depicted, David also represents, in the bottom right corner, a woman crying while sitting down. She is Camilla, a sister of the Horatii brothers, who is also betrothed to one of the Curiatii fighters, and thus she weeps in the realisation that, whatever happens, she will lose someone she loves. Seeing her weep, the surviving brother, Publius, kills Camilla for weeping over the enemy.The principal sources for the story behind David's Oath are the first book of Livy (sections 24–26) which was elaborated by Dionysius in book 3 of his Roman Antiquities. However, the moment depicted in David's painting is his own invention.It grew to be considered a paragon of neoclassical art. The painting increased David's fame, allowing him to take on his own students."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いのabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "Oath of the Horatii (French: Le Serment des Horaces) is a large painting by the French artist Jacques-Louis David painted in 1784 and 1785 and now on display in the Louvre in Paris. The painting immediately became a huge success with critics and the public and remains one of the best-known paintings in the Neoclassical style.It depicts a scene from a Roman legend about a seventh-century BC dispute between two warring cities, Rome and Alba Longa, and stresses the importance of patriotism and masculine self-sacrifice for one's country. Instead of the two cities sending their armies to war, they agree to choose three men from each city; the victor in that fight will be the victorious city.  From Rome, three brothers from a Roman family, the Horatii, agree to end the war by fighting three brothers from a family of Alba Longa, the Curiatii. The three brothers, all of whom appear willing to sacrifice their lives for the good of Rome, are shown stretching their hands towards their father who holds their swords out of them. Of the three Horatii brothers, only one will survive the confrontation. However, it is the surviving brother who is able to kill the other three fighters from Alba Longa: he allows the three fighters to chase him, causing them to separate from each other, and then, in turn, kills each Curiatii brother. Aside from the three brothers depicted, David also represents, in the bottom right corner, a woman crying while sitting down. She is Camilla, a sister of the Horatii brothers, who is also betrothed to one of the Curiatii fighters, and thus she weeps in the realisation that, whatever happens, she will lose someone she loves. Seeing her weep, the surviving brother, Publius, kills Camilla for weeping over the enemy.The principal sources for the story behind David's Oath are the first book of Livy (sections 24–26) which was elaborated by Dionysius in book 3 of his Roman Antiquities. However, the moment depicted in David's painting is his own invention.It grew to be considered a paragon of neoclassical art. The painting increased David's fame, allowing him to take on his own students."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いはどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "Oath of the Horatii (French: Le Serment des Horaces) is a large painting by the French artist Jacques-Louis David painted in 1784 and 1785 and now on display in the Louvre in Paris. The painting immediately became a huge success with critics and the public and remains one of the best-known paintings in the Neoclassical style.It depicts a scene from a Roman legend about a seventh-century BC dispute between two warring cities, Rome and Alba Longa, and stresses the importance of patriotism and masculine self-sacrifice for one's country. Instead of the two cities sending their armies to war, they agree to choose three men from each city; the victor in that fight will be the victorious city.  From Rome, three brothers from a Roman family, the Horatii, agree to end the war by fighting three brothers from a family of Alba Longa, the Curiatii. The three brothers, all of whom appear willing to sacrifice their lives for the good of Rome, are shown stretching their hands towards their father who holds their swords out of them. Of the three Horatii brothers, only one will survive the confrontation. However, it is the surviving brother who is able to kill the other three fighters from Alba Longa: he allows the three fighters to chase him, causing them to separate from each other, and then, in turn, kills each Curiatii brother. Aside from the three brothers depicted, David also represents, in the bottom right corner, a woman crying while sitting down. She is Camilla, a sister of the Horatii brothers, who is also betrothed to one of the Curiatii fighters, and thus she weeps in the realisation that, whatever happens, she will lose someone she loves. Seeing her weep, the surviving brother, Publius, kills Camilla for weeping over the enemy.The principal sources for the story behind David's Oath are the first book of Livy (sections 24–26) which was elaborated by Dionysius in book 3 of his Roman Antiquities. However, the moment depicted in David's painting is his own invention.It grew to be considered a paragon of neoclassical art. The painting increased David's fame, allowing him to take on his own students."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いに関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "Oath of the Horatii (French: Le Serment des Horaces) is a large painting by the French artist Jacques-Louis David painted in 1784 and 1785 and now on display in the Louvre in Paris. The painting immediately became a huge success with critics and the public and remains one of the best-known paintings in the Neoclassical style.It depicts a scene from a Roman legend about a seventh-century BC dispute between two warring cities, Rome and Alba Longa, and stresses the importance of patriotism and masculine self-sacrifice for one's country. Instead of the two cities sending their armies to war, they agree to choose three men from each city; the victor in that fight will be the victorious city.  From Rome, three brothers from a Roman family, the Horatii, agree to end the war by fighting three brothers from a family of Alba Longa, the Curiatii. The three brothers, all of whom appear willing to sacrifice their lives for the good of Rome, are shown stretching their hands towards their father who holds their swords out of them. Of the three Horatii brothers, only one will survive the confrontation. However, it is the surviving brother who is able to kill the other three fighters from Alba Longa: he allows the three fighters to chase him, causing them to separate from each other, and then, in turn, kills each Curiatii brother. Aside from the three brothers depicted, David also represents, in the bottom right corner, a woman crying while sitting down. She is Camilla, a sister of the Horatii brothers, who is also betrothed to one of the Curiatii fighters, and thus she weeps in the realisation that, whatever happens, she will lose someone she loves. Seeing her weep, the surviving brother, Publius, kills Camilla for weeping over the enemy.The principal sources for the story behind David's Oath are the first book of Livy (sections 24–26) which was elaborated by Dionysius in book 3 of his Roman Antiquities. However, the moment depicted in David's painting is his own invention.It grew to be considered a paragon of neoclassical art. The painting increased David's fame, allowing him to take on his own students."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "作業の発注", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いに焦点を当てて、その作業の発注を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "In 1774, David won the Prix de Rome with his work Érasistrate découvrant la cause de la Maladie d’Antiochius. This allowed him to stay five years (1775–1780) in Rome as a student of the French government. Upon his return to Paris, he exhibited his work, which Diderot greatly admired; the success was so resounding that King Louis XVI of France allowed him to stay in the Louvre, a privilege greatly desired by artists. There he met Pecoul, the contractor for the actual buildings, and Pecoul's daughter, whom he married. The king's assistant, Charles-Claude Flahaut de la Billaderie, commissioned Oath of the Horatii with the intention that it be an allegory about loyalty to the state and therefore to the king. Nevertheless, David departed from the agreed-upon scene, painting this scene instead. Although the painting studies were begun in Paris, it was not painted in Paris, but in Rome, where David was visited by his pupil Jean-Germaine Drouais who had himself recently won the Prix de Rome. Ultimately, David's picture manifests a progressive outlook, deeply influenced by Enlightenment ideas, that eventually contributed to the overthrow of the monarchy. As the French Revolution approached, paintings increasingly referred to loyalty to the state rather than the family or the church. Painted five years before the Revolution, the Oath of the Horatii reflects the political tensions of the period.In 1789, David painted The Lictors Bring to Brutus the Bodies of His Sons, a picture that was also a royal commission. Shortly afterward, the king went up to the scaffold also accused of treason, as the sons of Brutus, and with the vote of the artist in the National Assembly, which supported the execution of Louis XVI."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "作業の発注", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いの作業の発注を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "In 1774, David won the Prix de Rome with his work Érasistrate découvrant la cause de la Maladie d’Antiochius. This allowed him to stay five years (1775–1780) in Rome as a student of the French government. Upon his return to Paris, he exhibited his work, which Diderot greatly admired; the success was so resounding that King Louis XVI of France allowed him to stay in the Louvre, a privilege greatly desired by artists. There he met Pecoul, the contractor for the actual buildings, and Pecoul's daughter, whom he married. The king's assistant, Charles-Claude Flahaut de la Billaderie, commissioned Oath of the Horatii with the intention that it be an allegory about loyalty to the state and therefore to the king. Nevertheless, David departed from the agreed-upon scene, painting this scene instead. Although the painting studies were begun in Paris, it was not painted in Paris, but in Rome, where David was visited by his pupil Jean-Germaine Drouais who had himself recently won the Prix de Rome. Ultimately, David's picture manifests a progressive outlook, deeply influenced by Enlightenment ideas, that eventually contributed to the overthrow of the monarchy. As the French Revolution approached, paintings increasingly referred to loyalty to the state rather than the family or the church. Painted five years before the Revolution, the Oath of the Horatii reflects the political tensions of the period.In 1789, David painted The Lictors Bring to Brutus the Bodies of His Sons, a picture that was also a royal commission. Shortly afterward, the king went up to the scaffold also accused of treason, as the sons of Brutus, and with the vote of the artist in the National Assembly, which supported the execution of Louis XVI."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "作業の発注", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いはどのように作業の発注を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "In 1774, David won the Prix de Rome with his work Érasistrate découvrant la cause de la Maladie d’Antiochius. This allowed him to stay five years (1775–1780) in Rome as a student of the French government. Upon his return to Paris, he exhibited his work, which Diderot greatly admired; the success was so resounding that King Louis XVI of France allowed him to stay in the Louvre, a privilege greatly desired by artists. There he met Pecoul, the contractor for the actual buildings, and Pecoul's daughter, whom he married. The king's assistant, Charles-Claude Flahaut de la Billaderie, commissioned Oath of the Horatii with the intention that it be an allegory about loyalty to the state and therefore to the king. Nevertheless, David departed from the agreed-upon scene, painting this scene instead. Although the painting studies were begun in Paris, it was not painted in Paris, but in Rome, where David was visited by his pupil Jean-Germaine Drouais who had himself recently won the Prix de Rome. Ultimately, David's picture manifests a progressive outlook, deeply influenced by Enlightenment ideas, that eventually contributed to the overthrow of the monarchy. As the French Revolution approached, paintings increasingly referred to loyalty to the state rather than the family or the church. Painted five years before the Revolution, the Oath of the Horatii reflects the political tensions of the period.In 1789, David painted The Lictors Bring to Brutus the Bodies of His Sons, a picture that was also a royal commission. Shortly afterward, the king went up to the scaffold also accused of treason, as the sons of Brutus, and with the vote of the artist in the National Assembly, which supported the execution of Louis XVI."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "作業の発注", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いに関して、どのように作業の発注が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "In 1774, David won the Prix de Rome with his work Érasistrate découvrant la cause de la Maladie d’Antiochius. This allowed him to stay five years (1775–1780) in Rome as a student of the French government. Upon his return to Paris, he exhibited his work, which Diderot greatly admired; the success was so resounding that King Louis XVI of France allowed him to stay in the Louvre, a privilege greatly desired by artists. There he met Pecoul, the contractor for the actual buildings, and Pecoul's daughter, whom he married. The king's assistant, Charles-Claude Flahaut de la Billaderie, commissioned Oath of the Horatii with the intention that it be an allegory about loyalty to the state and therefore to the king. Nevertheless, David departed from the agreed-upon scene, painting this scene instead. Although the painting studies were begun in Paris, it was not painted in Paris, but in Rome, where David was visited by his pupil Jean-Germaine Drouais who had himself recently won the Prix de Rome. Ultimately, David's picture manifests a progressive outlook, deeply influenced by Enlightenment ideas, that eventually contributed to the overthrow of the monarchy. As the French Revolution approached, paintings increasingly referred to loyalty to the state rather than the family or the church. Painted five years before the Revolution, the Oath of the Horatii reflects the political tensions of the period.In 1789, David painted The Lictors Bring to Brutus the Bodies of His Sons, a picture that was also a royal commission. Shortly afterward, the king went up to the scaffold also accused of treason, as the sons of Brutus, and with the vote of the artist in the National Assembly, which supported the execution of Louis XVI."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "象徴的なテーマ", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いに焦点を当てて、その象徴的なテーマを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "The painting depicts the Roman Horatius family, who, according to Titus Livius' Ab Urbe Condita (From the Founding of the City) had been chosen for a ritual duel against three members of the Curiatii, a family from Alba Longa, in order to settle disputes between the Romans and the latter city. As revolution in France loomed, paintings urging loyalty to the state rather than to clan or clergy abounded. Although it was painted nearly four years before the revolution in France, The Oath of the Horatii became one of the defining images of the time. In the painting, the three brothers express their loyalty and solidarity with Rome before battle, wholly supported by their father. These are men willing to lay down their lives out of patriotic duty. With their resolute gaze and taut, outstretched limbs, they are citadels of patriotism. They are symbols of the highest virtues of Rome. Their clarity of purpose, mirrored by David's simple yet powerful use of tonal contrasts, lends the painting, and its message about the nobility of patriotic sacrifice, an electric intensity. This is all in contrast to the tender-hearted women who lie weeping and mourning, awaiting the results of the fighting.The mother and sisters are shown clothed in silken garments seemingly melting into tender expressions of sorrow. Their despair is partly because one sister was engaged to one of the Curiatii and another is a sister of the Curiatii, married to one of the Horatii. Upon the defeat of the Curiatii, the remaining Horatius journeyed home to find his sister cursing Rome over the death of her fiancé. He killed her, horrified that Rome was being cursed. Originally David had intended to depict this episode, and a drawing survives showing the surviving Horatius raising his sword, with his sister lying dead. David later decided that this subject was too gruesome a way of sending the message of public duty overcoming private feeling, but his next major painting, The Lictors Bring to Brutus the Bodies of His Sons depicted a similar scene - Lucius Junius Brutus brooding as the bodies of his sons, whose executions for treason he had ordered, are returned home.  This was a subject the tragedy Brutus by Voltaire had made familiar to the French. The painting shows the three brothers on the left, the Horatii father in the center, and the three women along with two children on the right.  The Horatii brothers are depicted swearing upon (saluting) their swords as they take their oath. The men show no sense of emotion. Even the father, who holds up three swords, shows no emotion. On the right, three women are weeping—one in the back and two up closer. The woman dressed in the white is a Horatius weeping for both her Curiatii fiancé and her brother; the one dressed in brown is a Curiatius who weeps for her Horatii husband and her brother. The background woman in black holds two children—one of whom is the child of a Horatius male and his Curiatii wife. The younger daughter hides her face in her nanny's dress as the son refuses to have his eyes shielded.According to Thomas Le Claire:This painting occupies an extremely important place in the body of David’s work and in the history of French painting. The story was taken from Livy. We are in the period of the wars between Rome and Alba, in 669 B.C. It has been decided that the dispute between the two cities must be settled by an unusual form of combat to be fought by two groups of three champions each. The two groups are the three Horatii brothers and the three Curiatii brothers. The drama lay in the fact that one of the sisters of the Curiatii, Sabina, is married to one of the Horatii, while one of the sisters of the Horatii, Camilla, is betrothed to one of the Curiatii. Despite the ties between the two families, the Horatii's father exhorts his sons to fight the Curiatii and they obey, despite the lamentations of the women."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "象徴的なテーマ", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いの象徴的なテーマを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "The painting depicts the Roman Horatius family, who, according to Titus Livius' Ab Urbe Condita (From the Founding of the City) had been chosen for a ritual duel against three members of the Curiatii, a family from Alba Longa, in order to settle disputes between the Romans and the latter city. As revolution in France loomed, paintings urging loyalty to the state rather than to clan or clergy abounded. Although it was painted nearly four years before the revolution in France, The Oath of the Horatii became one of the defining images of the time. In the painting, the three brothers express their loyalty and solidarity with Rome before battle, wholly supported by their father. These are men willing to lay down their lives out of patriotic duty. With their resolute gaze and taut, outstretched limbs, they are citadels of patriotism. They are symbols of the highest virtues of Rome. Their clarity of purpose, mirrored by David's simple yet powerful use of tonal contrasts, lends the painting, and its message about the nobility of patriotic sacrifice, an electric intensity. This is all in contrast to the tender-hearted women who lie weeping and mourning, awaiting the results of the fighting.The mother and sisters are shown clothed in silken garments seemingly melting into tender expressions of sorrow. Their despair is partly because one sister was engaged to one of the Curiatii and another is a sister of the Curiatii, married to one of the Horatii. Upon the defeat of the Curiatii, the remaining Horatius journeyed home to find his sister cursing Rome over the death of her fiancé. He killed her, horrified that Rome was being cursed. Originally David had intended to depict this episode, and a drawing survives showing the surviving Horatius raising his sword, with his sister lying dead. David later decided that this subject was too gruesome a way of sending the message of public duty overcoming private feeling, but his next major painting, The Lictors Bring to Brutus the Bodies of His Sons depicted a similar scene - Lucius Junius Brutus brooding as the bodies of his sons, whose executions for treason he had ordered, are returned home.  This was a subject the tragedy Brutus by Voltaire had made familiar to the French. The painting shows the three brothers on the left, the Horatii father in the center, and the three women along with two children on the right.  The Horatii brothers are depicted swearing upon (saluting) their swords as they take their oath. The men show no sense of emotion. Even the father, who holds up three swords, shows no emotion. On the right, three women are weeping—one in the back and two up closer. The woman dressed in the white is a Horatius weeping for both her Curiatii fiancé and her brother; the one dressed in brown is a Curiatius who weeps for her Horatii husband and her brother. The background woman in black holds two children—one of whom is the child of a Horatius male and his Curiatii wife. The younger daughter hides her face in her nanny's dress as the son refuses to have his eyes shielded.According to Thomas Le Claire:This painting occupies an extremely important place in the body of David’s work and in the history of French painting. The story was taken from Livy. We are in the period of the wars between Rome and Alba, in 669 B.C. It has been decided that the dispute between the two cities must be settled by an unusual form of combat to be fought by two groups of three champions each. The two groups are the three Horatii brothers and the three Curiatii brothers. The drama lay in the fact that one of the sisters of the Curiatii, Sabina, is married to one of the Horatii, while one of the sisters of the Horatii, Camilla, is betrothed to one of the Curiatii. Despite the ties between the two families, the Horatii's father exhorts his sons to fight the Curiatii and they obey, despite the lamentations of the women."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "象徴的なテーマ", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いはどのように象徴的なテーマを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "The painting depicts the Roman Horatius family, who, according to Titus Livius' Ab Urbe Condita (From the Founding of the City) had been chosen for a ritual duel against three members of the Curiatii, a family from Alba Longa, in order to settle disputes between the Romans and the latter city. As revolution in France loomed, paintings urging loyalty to the state rather than to clan or clergy abounded. Although it was painted nearly four years before the revolution in France, The Oath of the Horatii became one of the defining images of the time. In the painting, the three brothers express their loyalty and solidarity with Rome before battle, wholly supported by their father. These are men willing to lay down their lives out of patriotic duty. With their resolute gaze and taut, outstretched limbs, they are citadels of patriotism. They are symbols of the highest virtues of Rome. Their clarity of purpose, mirrored by David's simple yet powerful use of tonal contrasts, lends the painting, and its message about the nobility of patriotic sacrifice, an electric intensity. This is all in contrast to the tender-hearted women who lie weeping and mourning, awaiting the results of the fighting.The mother and sisters are shown clothed in silken garments seemingly melting into tender expressions of sorrow. Their despair is partly because one sister was engaged to one of the Curiatii and another is a sister of the Curiatii, married to one of the Horatii. Upon the defeat of the Curiatii, the remaining Horatius journeyed home to find his sister cursing Rome over the death of her fiancé. He killed her, horrified that Rome was being cursed. Originally David had intended to depict this episode, and a drawing survives showing the surviving Horatius raising his sword, with his sister lying dead. David later decided that this subject was too gruesome a way of sending the message of public duty overcoming private feeling, but his next major painting, The Lictors Bring to Brutus the Bodies of His Sons depicted a similar scene - Lucius Junius Brutus brooding as the bodies of his sons, whose executions for treason he had ordered, are returned home.  This was a subject the tragedy Brutus by Voltaire had made familiar to the French. The painting shows the three brothers on the left, the Horatii father in the center, and the three women along with two children on the right.  The Horatii brothers are depicted swearing upon (saluting) their swords as they take their oath. The men show no sense of emotion. Even the father, who holds up three swords, shows no emotion. On the right, three women are weeping—one in the back and two up closer. The woman dressed in the white is a Horatius weeping for both her Curiatii fiancé and her brother; the one dressed in brown is a Curiatius who weeps for her Horatii husband and her brother. The background woman in black holds two children—one of whom is the child of a Horatius male and his Curiatii wife. The younger daughter hides her face in her nanny's dress as the son refuses to have his eyes shielded.According to Thomas Le Claire:This painting occupies an extremely important place in the body of David’s work and in the history of French painting. The story was taken from Livy. We are in the period of the wars between Rome and Alba, in 669 B.C. It has been decided that the dispute between the two cities must be settled by an unusual form of combat to be fought by two groups of three champions each. The two groups are the three Horatii brothers and the three Curiatii brothers. The drama lay in the fact that one of the sisters of the Curiatii, Sabina, is married to one of the Horatii, while one of the sisters of the Horatii, Camilla, is betrothed to one of the Curiatii. Despite the ties between the two families, the Horatii's father exhorts his sons to fight the Curiatii and they obey, despite the lamentations of the women."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "象徴的なテーマ", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いに関して、どのように象徴的なテーマが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "The painting depicts the Roman Horatius family, who, according to Titus Livius' Ab Urbe Condita (From the Founding of the City) had been chosen for a ritual duel against three members of the Curiatii, a family from Alba Longa, in order to settle disputes between the Romans and the latter city. As revolution in France loomed, paintings urging loyalty to the state rather than to clan or clergy abounded. Although it was painted nearly four years before the revolution in France, The Oath of the Horatii became one of the defining images of the time. In the painting, the three brothers express their loyalty and solidarity with Rome before battle, wholly supported by their father. These are men willing to lay down their lives out of patriotic duty. With their resolute gaze and taut, outstretched limbs, they are citadels of patriotism. They are symbols of the highest virtues of Rome. Their clarity of purpose, mirrored by David's simple yet powerful use of tonal contrasts, lends the painting, and its message about the nobility of patriotic sacrifice, an electric intensity. This is all in contrast to the tender-hearted women who lie weeping and mourning, awaiting the results of the fighting.The mother and sisters are shown clothed in silken garments seemingly melting into tender expressions of sorrow. Their despair is partly because one sister was engaged to one of the Curiatii and another is a sister of the Curiatii, married to one of the Horatii. Upon the defeat of the Curiatii, the remaining Horatius journeyed home to find his sister cursing Rome over the death of her fiancé. He killed her, horrified that Rome was being cursed. Originally David had intended to depict this episode, and a drawing survives showing the surviving Horatius raising his sword, with his sister lying dead. David later decided that this subject was too gruesome a way of sending the message of public duty overcoming private feeling, but his next major painting, The Lictors Bring to Brutus the Bodies of His Sons depicted a similar scene - Lucius Junius Brutus brooding as the bodies of his sons, whose executions for treason he had ordered, are returned home.  This was a subject the tragedy Brutus by Voltaire had made familiar to the French. The painting shows the three brothers on the left, the Horatii father in the center, and the three women along with two children on the right.  The Horatii brothers are depicted swearing upon (saluting) their swords as they take their oath. The men show no sense of emotion. Even the father, who holds up three swords, shows no emotion. On the right, three women are weeping—one in the back and two up closer. The woman dressed in the white is a Horatius weeping for both her Curiatii fiancé and her brother; the one dressed in brown is a Curiatius who weeps for her Horatii husband and her brother. The background woman in black holds two children—one of whom is the child of a Horatius male and his Curiatii wife. The younger daughter hides her face in her nanny's dress as the son refuses to have his eyes shielded.According to Thomas Le Claire:This painting occupies an extremely important place in the body of David’s work and in the history of French painting. The story was taken from Livy. We are in the period of the wars between Rome and Alba, in 669 B.C. It has been decided that the dispute between the two cities must be settled by an unusual form of combat to be fought by two groups of three champions each. The two groups are the three Horatii brothers and the three Curiatii brothers. The drama lay in the fact that one of the sisters of the Curiatii, Sabina, is married to one of the Horatii, while one of the sisters of the Horatii, Camilla, is betrothed to one of the Curiatii. Despite the ties between the two families, the Horatii's father exhorts his sons to fight the Curiatii and they obey, despite the lamentations of the women."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "構成技法", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いに焦点を当てて、その構成技法を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "This painting shows the neoclassical art style, and employs various techniques that were typical of it:The background is de-emphasized, while the figures in the foreground are emphasized.Overlapping ranks of profile figures are a common motif in classical art, and that of ancient Near Eastern cultures.The central point of the hand clasping the swords is placed in front of the vanishing point of the perspective scheme, which is emphasized by the straight lines of the edges of the wall blocks and floor slabs of the architectural setting leading to it (see schematic).The use of dull colors is to show the importance of the story behind the painting over the painting itself.The picture is organized, depicting the symbolism of the number three and of the moment itself.The focus on clear, hard details and the lack of use of the more wispy brushstrokes preferred by Rococo art.The brushstrokes are invisible, and the painter's technique is not displayed as a distraction from the subjectThe men are all depicted with straight lines mirroring the columns in the background signifying their rigidity and strength while the women are all curved like the arches which are held up by the columns.The use of straight lines to depict strength is also demonstrated in the swords, two of which are curved while one is straight, perhaps foreshadowing that only one brother would survive the encounter.The frozen quality of the painting is also intended to emphasize rationality, unlike the Rococo style.That it depicts a morally uplifting story, promoting civic duty over the personal, reflects the values of the Age of Enlightenment and neoclassical idealism."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "構成技法", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いの構成技法を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "This painting shows the neoclassical art style, and employs various techniques that were typical of it:The background is de-emphasized, while the figures in the foreground are emphasized.Overlapping ranks of profile figures are a common motif in classical art, and that of ancient Near Eastern cultures.The central point of the hand clasping the swords is placed in front of the vanishing point of the perspective scheme, which is emphasized by the straight lines of the edges of the wall blocks and floor slabs of the architectural setting leading to it (see schematic).The use of dull colors is to show the importance of the story behind the painting over the painting itself.The picture is organized, depicting the symbolism of the number three and of the moment itself.The focus on clear, hard details and the lack of use of the more wispy brushstrokes preferred by Rococo art.The brushstrokes are invisible, and the painter's technique is not displayed as a distraction from the subjectThe men are all depicted with straight lines mirroring the columns in the background signifying their rigidity and strength while the women are all curved like the arches which are held up by the columns.The use of straight lines to depict strength is also demonstrated in the swords, two of which are curved while one is straight, perhaps foreshadowing that only one brother would survive the encounter.The frozen quality of the painting is also intended to emphasize rationality, unlike the Rococo style.That it depicts a morally uplifting story, promoting civic duty over the personal, reflects the values of the Age of Enlightenment and neoclassical idealism."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "構成技法", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いはどのように構成技法を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "This painting shows the neoclassical art style, and employs various techniques that were typical of it:The background is de-emphasized, while the figures in the foreground are emphasized.Overlapping ranks of profile figures are a common motif in classical art, and that of ancient Near Eastern cultures.The central point of the hand clasping the swords is placed in front of the vanishing point of the perspective scheme, which is emphasized by the straight lines of the edges of the wall blocks and floor slabs of the architectural setting leading to it (see schematic).The use of dull colors is to show the importance of the story behind the painting over the painting itself.The picture is organized, depicting the symbolism of the number three and of the moment itself.The focus on clear, hard details and the lack of use of the more wispy brushstrokes preferred by Rococo art.The brushstrokes are invisible, and the painter's technique is not displayed as a distraction from the subjectThe men are all depicted with straight lines mirroring the columns in the background signifying their rigidity and strength while the women are all curved like the arches which are held up by the columns.The use of straight lines to depict strength is also demonstrated in the swords, two of which are curved while one is straight, perhaps foreshadowing that only one brother would survive the encounter.The frozen quality of the painting is also intended to emphasize rationality, unlike the Rococo style.That it depicts a morally uplifting story, promoting civic duty over the personal, reflects the values of the Age of Enlightenment and neoclassical idealism."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "構成技法", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いに関して、どのように構成技法が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "This painting shows the neoclassical art style, and employs various techniques that were typical of it:The background is de-emphasized, while the figures in the foreground are emphasized.Overlapping ranks of profile figures are a common motif in classical art, and that of ancient Near Eastern cultures.The central point of the hand clasping the swords is placed in front of the vanishing point of the perspective scheme, which is emphasized by the straight lines of the edges of the wall blocks and floor slabs of the architectural setting leading to it (see schematic).The use of dull colors is to show the importance of the story behind the painting over the painting itself.The picture is organized, depicting the symbolism of the number three and of the moment itself.The focus on clear, hard details and the lack of use of the more wispy brushstrokes preferred by Rococo art.The brushstrokes are invisible, and the painter's technique is not displayed as a distraction from the subjectThe men are all depicted with straight lines mirroring the columns in the background signifying their rigidity and strength while the women are all curved like the arches which are held up by the columns.The use of straight lines to depict strength is also demonstrated in the swords, two of which are curved while one is straight, perhaps foreshadowing that only one brother would survive the encounter.The frozen quality of the painting is also intended to emphasize rationality, unlike the Rococo style.That it depicts a morally uplifting story, promoting civic duty over the personal, reflects the values of the Age of Enlightenment and neoclassical idealism."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いに焦点を当てて、その受付を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "David first exhibited the painting in Rome, where even the Pope requested a viewing.The painting was exhibited in France at the Salon of 1785, but it was delivered late. David's enemies at the Academy took advantage of the delay to exhibit the painting in a poor locale in the gallery. The public's dissatisfaction with the painting's poor viewing conditions obliged the gallery to move it to a more prominent location."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いの受付を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "David first exhibited the painting in Rome, where even the Pope requested a viewing.The painting was exhibited in France at the Salon of 1785, but it was delivered late. David's enemies at the Academy took advantage of the delay to exhibit the painting in a poor locale in the gallery. The public's dissatisfaction with the painting's poor viewing conditions obliged the gallery to move it to a more prominent location."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いはどのように受付を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "David first exhibited the painting in Rome, where even the Pope requested a viewing.The painting was exhibited in France at the Salon of 1785, but it was delivered late. David's enemies at the Academy took advantage of the delay to exhibit the painting in a poor locale in the gallery. The public's dissatisfaction with the painting's poor viewing conditions obliged the gallery to move it to a more prominent location."}
{"title": "ホラティウスの誓い", "srclang_title": "Oath of the Horatii", "en_title": "Oath of the Horatii", "pageid": 1793469, "page_rank": 119, "page_url": "https://en.wikipedia.org/wiki/Oath_of_the_Horatii", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/3/35/Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg/350px-Jacques-Louis_David%2C_Le_Serment_des_Horaces.jpg", "section": "受付", "subsection": null, "sub_subsection": null, "prompt": "ホラティウスの誓いに関して、どのように受付が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Dionysius", "Age of Enlightenment", "Denis Diderot", "Francisco de Goya", "Khan Academy", "left", "Jacques-Louis David", "Parthenon Frieze", "Schematic showing the convergence of many elements in the composition at the central point", "List of paintings by Jacques-Louis David", "3", "Titus Livius", "Gavin Hamilton (artist)", "Dionysius of Halicarnassus", "Roman Kingdom", "Rütlischwur", "Lucius Junius Brutus", "upright", "thumb", "Neoclassical style", "File:Schhoraces5.jpg", "neoclassicism", "Voltaire", "revolution in France", "Ab Urbe Condita", "File:Study for the Oath of the Horatii- Camilla.jpg", "Alba Longa", "The Third of May 1808", "Boston College", "Horatius", "Ab Urbe Condita (book)", "Perspective (graphical)", "Category:Oaths", "Érasistrate découvrant la cause de la Maladie d’Antiochius", "Assyria", "Rococo", "Rome", "Carnavalet Museum", "right", "The Lictors Bring to Brutus the Bodies of His Sons", "oath of Brutus", "Oil painting", "David's ''[[The Lictors Bring to Brutus the Bodies of His Sons", "El Tres de Mayo", "Gavin Hamilton", "Johann Heinrich Füssli", "Prix de Rome", "Oil on canvas", "French Revolution", "Diderot", "File:David Brutus.jpg", "Category:Neoclassical paintings", "Horatii and Curiatii", "Erasistratus Discovering the Cause of Antiochus' Disease", "vanishing point", "Study for Camilla, black chalk and white highlights", "symbolism of the number three", "Toledo, Ohio", "Category:Paintings in the Louvre by French artists", "Louvre", "relief", "''Oath of the Horatii'', a second smaller version painted in 1786 by David and his pupil [[Girodet", "Horatii", "300px", "perspective", "Smarthistory", "Category:1784 paintings", "File:Jacques-Louis David - Oath of the Horatii - Google Art Project.jpg", "Category:Paintings by Jacques-Louis David", "Neoclassicism", "Livy", "Category:Paintings set in ancient Rome", "British Museum", "neoclassical"], "gold": "David first exhibited the painting in Rome, where even the Pope requested a viewing.The painting was exhibited in France at the Salon of 1785, but it was delivered late. David's enemies at the Academy took advantage of the delay to exhibit the painting in a poor locale in the gallery. The public's dissatisfaction with the painting's poor viewing conditions obliged the gallery to move it to a more prominent location."}
{"title": "オーヴェールの教会", "srclang_title": "The Church at Auvers", "en_title": "The Church at Auvers", "pageid": 2018221, "page_rank": 549, "page_url": "https://en.wikipedia.org/wiki/The_Church_at_Auvers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "オーヴェールの教会に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Borinage", "Nuenen period", "The Town Hall at Auvers", "Jacob Baart de la Faille", "Vincent van Gogh#Nuenen and Antwerp .281883.E2.80.931886.29", "Wheatfield with Crows", "memories of the North", "Post Impressionism", "Nuenen", "The church in 2006", "Category:Paintings in the Musée d'Orsay", "Henry IV, Part 1", "Musée d'Orsay", "Category:Oil on canvas paintings", "Paris", "Doctor Who", "upright", "Post-Impressionism", "thumb", "Cuesmes", "Old Church Tower at Nuenen", "William Shakespeare", "Shakespeare's", "Dutch", "old tower", "F789", "List of works by Vincent van Gogh", "File:Eglise Auvers-sur-Oise FRA 001.jpg", "Portrait of Adeline Ravoux", "Category:Churches in art", "Wheat Field with Crows", "Oil painting", "Llandaff Cathedral", "Jan Hulsker", "Category:Paintings by Vincent van Gogh", "Post-Impressionist", "Category:1890 paintings", "Oil on canvas", "Houses at Auvers#.22Reminisces of the North.22", "Category:Paintings of Auvers-sur-Oise by Vincent van Gogh", "Auvers-sur-Oise", "Church at Auvers, The", "Saint-Rémy-de-Provence", "Vincent van Gogh", "Vincent and the Doctor", "Netherlands", "Category:Architecture paintings", "JH2006"], "gold": "The Church at Auvers is an oil painting created by Dutch Post-Impressionist artist Vincent van Gogh in June 1890 which now hangs in the Musée d'Orsay in Paris, France.The painting depicts the Église Notre-Dame-de-l'Assomption in Auvers-sur-Oise, France, 27 kilometres (17 mi) north-west of Paris."}
{"title": "オーヴェールの教会", "srclang_title": "The Church at Auvers", "en_title": "The Church at Auvers", "pageid": 2018221, "page_rank": 549, "page_url": "https://en.wikipedia.org/wiki/The_Church_at_Auvers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "オーヴェールの教会のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Borinage", "Nuenen period", "The Town Hall at Auvers", "Jacob Baart de la Faille", "Vincent van Gogh#Nuenen and Antwerp .281883.E2.80.931886.29", "Wheatfield with Crows", "memories of the North", "Post Impressionism", "Nuenen", "The church in 2006", "Category:Paintings in the Musée d'Orsay", "Henry IV, Part 1", "Musée d'Orsay", "Category:Oil on canvas paintings", "Paris", "Doctor Who", "upright", "Post-Impressionism", "thumb", "Cuesmes", "Old Church Tower at Nuenen", "William Shakespeare", "Shakespeare's", "Dutch", "old tower", "F789", "List of works by Vincent van Gogh", "File:Eglise Auvers-sur-Oise FRA 001.jpg", "Portrait of Adeline Ravoux", "Category:Churches in art", "Wheat Field with Crows", "Oil painting", "Llandaff Cathedral", "Jan Hulsker", "Category:Paintings by Vincent van Gogh", "Post-Impressionist", "Category:1890 paintings", "Oil on canvas", "Houses at Auvers#.22Reminisces of the North.22", "Category:Paintings of Auvers-sur-Oise by Vincent van Gogh", "Auvers-sur-Oise", "Church at Auvers, The", "Saint-Rémy-de-Provence", "Vincent van Gogh", "Vincent and the Doctor", "Netherlands", "Category:Architecture paintings", "JH2006"], "gold": "The Church at Auvers is an oil painting created by Dutch Post-Impressionist artist Vincent van Gogh in June 1890 which now hangs in the Musée d'Orsay in Paris, France.The painting depicts the Église Notre-Dame-de-l'Assomption in Auvers-sur-Oise, France, 27 kilometres (17 mi) north-west of Paris."}
{"title": "オーヴェールの教会", "srclang_title": "The Church at Auvers", "en_title": "The Church at Auvers", "pageid": 2018221, "page_rank": 549, "page_url": "https://en.wikipedia.org/wiki/The_Church_at_Auvers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "オーヴェールの教会はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Borinage", "Nuenen period", "The Town Hall at Auvers", "Jacob Baart de la Faille", "Vincent van Gogh#Nuenen and Antwerp .281883.E2.80.931886.29", "Wheatfield with Crows", "memories of the North", "Post Impressionism", "Nuenen", "The church in 2006", "Category:Paintings in the Musée d'Orsay", "Henry IV, Part 1", "Musée d'Orsay", "Category:Oil on canvas paintings", "Paris", "Doctor Who", "upright", "Post-Impressionism", "thumb", "Cuesmes", "Old Church Tower at Nuenen", "William Shakespeare", "Shakespeare's", "Dutch", "old tower", "F789", "List of works by Vincent van Gogh", "File:Eglise Auvers-sur-Oise FRA 001.jpg", "Portrait of Adeline Ravoux", "Category:Churches in art", "Wheat Field with Crows", "Oil painting", "Llandaff Cathedral", "Jan Hulsker", "Category:Paintings by Vincent van Gogh", "Post-Impressionist", "Category:1890 paintings", "Oil on canvas", "Houses at Auvers#.22Reminisces of the North.22", "Category:Paintings of Auvers-sur-Oise by Vincent van Gogh", "Auvers-sur-Oise", "Church at Auvers, The", "Saint-Rémy-de-Provence", "Vincent van Gogh", "Vincent and the Doctor", "Netherlands", "Category:Architecture paintings", "JH2006"], "gold": "The Church at Auvers is an oil painting created by Dutch Post-Impressionist artist Vincent van Gogh in June 1890 which now hangs in the Musée d'Orsay in Paris, France.The painting depicts the Église Notre-Dame-de-l'Assomption in Auvers-sur-Oise, France, 27 kilometres (17 mi) north-west of Paris."}
{"title": "オーヴェールの教会", "srclang_title": "The Church at Auvers", "en_title": "The Church at Auvers", "pageid": 2018221, "page_rank": 549, "page_url": "https://en.wikipedia.org/wiki/The_Church_at_Auvers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "オーヴェールの教会に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Borinage", "Nuenen period", "The Town Hall at Auvers", "Jacob Baart de la Faille", "Vincent van Gogh#Nuenen and Antwerp .281883.E2.80.931886.29", "Wheatfield with Crows", "memories of the North", "Post Impressionism", "Nuenen", "The church in 2006", "Category:Paintings in the Musée d'Orsay", "Henry IV, Part 1", "Musée d'Orsay", "Category:Oil on canvas paintings", "Paris", "Doctor Who", "upright", "Post-Impressionism", "thumb", "Cuesmes", "Old Church Tower at Nuenen", "William Shakespeare", "Shakespeare's", "Dutch", "old tower", "F789", "List of works by Vincent van Gogh", "File:Eglise Auvers-sur-Oise FRA 001.jpg", "Portrait of Adeline Ravoux", "Category:Churches in art", "Wheat Field with Crows", "Oil painting", "Llandaff Cathedral", "Jan Hulsker", "Category:Paintings by Vincent van Gogh", "Post-Impressionist", "Category:1890 paintings", "Oil on canvas", "Houses at Auvers#.22Reminisces of the North.22", "Category:Paintings of Auvers-sur-Oise by Vincent van Gogh", "Auvers-sur-Oise", "Church at Auvers, The", "Saint-Rémy-de-Provence", "Vincent van Gogh", "Vincent and the Doctor", "Netherlands", "Category:Architecture paintings", "JH2006"], "gold": "The Church at Auvers is an oil painting created by Dutch Post-Impressionist artist Vincent van Gogh in June 1890 which now hangs in the Musée d'Orsay in Paris, France.The painting depicts the Église Notre-Dame-de-l'Assomption in Auvers-sur-Oise, France, 27 kilometres (17 mi) north-west of Paris."}
{"title": "オーヴェールの教会", "srclang_title": "The Church at Auvers", "en_title": "The Church at Auvers", "pageid": 2018221, "page_rank": 549, "page_url": "https://en.wikipedia.org/wiki/The_Church_at_Auvers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "オーヴェールの教会に焦点を当てて、その歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Borinage", "Nuenen period", "The Town Hall at Auvers", "Jacob Baart de la Faille", "Vincent van Gogh#Nuenen and Antwerp .281883.E2.80.931886.29", "Wheatfield with Crows", "memories of the North", "Post Impressionism", "Nuenen", "The church in 2006", "Category:Paintings in the Musée d'Orsay", "Henry IV, Part 1", "Musée d'Orsay", "Category:Oil on canvas paintings", "Paris", "Doctor Who", "upright", "Post-Impressionism", "thumb", "Cuesmes", "Old Church Tower at Nuenen", "William Shakespeare", "Shakespeare's", "Dutch", "old tower", "F789", "List of works by Vincent van Gogh", "File:Eglise Auvers-sur-Oise FRA 001.jpg", "Portrait of Adeline Ravoux", "Category:Churches in art", "Wheat Field with Crows", "Oil painting", "Llandaff Cathedral", "Jan Hulsker", "Category:Paintings by Vincent van Gogh", "Post-Impressionist", "Category:1890 paintings", "Oil on canvas", "Houses at Auvers#.22Reminisces of the North.22", "Category:Paintings of Auvers-sur-Oise by Vincent van Gogh", "Auvers-sur-Oise", "Church at Auvers, The", "Saint-Rémy-de-Provence", "Vincent van Gogh", "Vincent and the Doctor", "Netherlands", "Category:Architecture paintings", "JH2006"], "gold": "The Church at Auvers — along with other canvases such as The Town Hall at Auvers and several drawings of small houses with thatched roofs — is reminiscent of scenes from his Nuenen period.  A certain nostalgia for the north had already been apparent in his last weeks in Saint-Rémy-de-Provence: in a letter written a couple of weeks before his departure, he wrote \"While I was ill I nevertheless did some little canvases from memory which you will see later, memories of the North.\"He specifically refers to similar work done back at Nuenen when he describes this painting in a letter to his sister Wilhelmina on 5 June 1890:I have a larger picture of the village church — an effect in which the building appears to be violet-hued against a sky of simple deep blue colour, pure cobalt; the stained-glass windows appear as ultramarine blotches, the roof is violet and partly orange. In the foreground some green plants in bloom, and sand with the pink flow of sunshine in it. And once again it is nearly the same thing as the studies I did in Nuenen of the old tower and the cemetery, only it is probably that now the colour is more expressive, more sumptuous.The \"simple deep blue\" was also used in Portrait of Adeline Ravoux, painted in the same short period in Auvers-sur-Oise.The foreground of The Church at Auvers is brightly lit by the sun, but the church itself sits in its own shadow, and \"neither reflects nor emanates any light of its own.\" After Van Gogh had been dismissed from the evangelical career he had hoped to continue in the Borinage, Belgium, he wrote to his brother Theo from Cuesmes in July 1880, and quoted Shakespeare's image from Henry IV, Part 1 of the dark emptiness inside a church to symbolize \"empty and unenlightened preaching\": \"Their God is like the God of Shakespeare's drunken Falstaff, 'the inside of a church'\"The motif of diverging paths also appears in his painting Wheat Field with Crows."}
{"title": "オーヴェールの教会", "srclang_title": "The Church at Auvers", "en_title": "The Church at Auvers", "pageid": 2018221, "page_rank": 549, "page_url": "https://en.wikipedia.org/wiki/The_Church_at_Auvers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "オーヴェールの教会の歴史を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Borinage", "Nuenen period", "The Town Hall at Auvers", "Jacob Baart de la Faille", "Vincent van Gogh#Nuenen and Antwerp .281883.E2.80.931886.29", "Wheatfield with Crows", "memories of the North", "Post Impressionism", "Nuenen", "The church in 2006", "Category:Paintings in the Musée d'Orsay", "Henry IV, Part 1", "Musée d'Orsay", "Category:Oil on canvas paintings", "Paris", "Doctor Who", "upright", "Post-Impressionism", "thumb", "Cuesmes", "Old Church Tower at Nuenen", "William Shakespeare", "Shakespeare's", "Dutch", "old tower", "F789", "List of works by Vincent van Gogh", "File:Eglise Auvers-sur-Oise FRA 001.jpg", "Portrait of Adeline Ravoux", "Category:Churches in art", "Wheat Field with Crows", "Oil painting", "Llandaff Cathedral", "Jan Hulsker", "Category:Paintings by Vincent van Gogh", "Post-Impressionist", "Category:1890 paintings", "Oil on canvas", "Houses at Auvers#.22Reminisces of the North.22", "Category:Paintings of Auvers-sur-Oise by Vincent van Gogh", "Auvers-sur-Oise", "Church at Auvers, The", "Saint-Rémy-de-Provence", "Vincent van Gogh", "Vincent and the Doctor", "Netherlands", "Category:Architecture paintings", "JH2006"], "gold": "The Church at Auvers — along with other canvases such as The Town Hall at Auvers and several drawings of small houses with thatched roofs — is reminiscent of scenes from his Nuenen period.  A certain nostalgia for the north had already been apparent in his last weeks in Saint-Rémy-de-Provence: in a letter written a couple of weeks before his departure, he wrote \"While I was ill I nevertheless did some little canvases from memory which you will see later, memories of the North.\"He specifically refers to similar work done back at Nuenen when he describes this painting in a letter to his sister Wilhelmina on 5 June 1890:I have a larger picture of the village church — an effect in which the building appears to be violet-hued against a sky of simple deep blue colour, pure cobalt; the stained-glass windows appear as ultramarine blotches, the roof is violet and partly orange. In the foreground some green plants in bloom, and sand with the pink flow of sunshine in it. And once again it is nearly the same thing as the studies I did in Nuenen of the old tower and the cemetery, only it is probably that now the colour is more expressive, more sumptuous.The \"simple deep blue\" was also used in Portrait of Adeline Ravoux, painted in the same short period in Auvers-sur-Oise.The foreground of The Church at Auvers is brightly lit by the sun, but the church itself sits in its own shadow, and \"neither reflects nor emanates any light of its own.\" After Van Gogh had been dismissed from the evangelical career he had hoped to continue in the Borinage, Belgium, he wrote to his brother Theo from Cuesmes in July 1880, and quoted Shakespeare's image from Henry IV, Part 1 of the dark emptiness inside a church to symbolize \"empty and unenlightened preaching\": \"Their God is like the God of Shakespeare's drunken Falstaff, 'the inside of a church'\"The motif of diverging paths also appears in his painting Wheat Field with Crows."}
{"title": "オーヴェールの教会", "srclang_title": "The Church at Auvers", "en_title": "The Church at Auvers", "pageid": 2018221, "page_rank": 549, "page_url": "https://en.wikipedia.org/wiki/The_Church_at_Auvers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "オーヴェールの教会はどのように歴史を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Borinage", "Nuenen period", "The Town Hall at Auvers", "Jacob Baart de la Faille", "Vincent van Gogh#Nuenen and Antwerp .281883.E2.80.931886.29", "Wheatfield with Crows", "memories of the North", "Post Impressionism", "Nuenen", "The church in 2006", "Category:Paintings in the Musée d'Orsay", "Henry IV, Part 1", "Musée d'Orsay", "Category:Oil on canvas paintings", "Paris", "Doctor Who", "upright", "Post-Impressionism", "thumb", "Cuesmes", "Old Church Tower at Nuenen", "William Shakespeare", "Shakespeare's", "Dutch", "old tower", "F789", "List of works by Vincent van Gogh", "File:Eglise Auvers-sur-Oise FRA 001.jpg", "Portrait of Adeline Ravoux", "Category:Churches in art", "Wheat Field with Crows", "Oil painting", "Llandaff Cathedral", "Jan Hulsker", "Category:Paintings by Vincent van Gogh", "Post-Impressionist", "Category:1890 paintings", "Oil on canvas", "Houses at Auvers#.22Reminisces of the North.22", "Category:Paintings of Auvers-sur-Oise by Vincent van Gogh", "Auvers-sur-Oise", "Church at Auvers, The", "Saint-Rémy-de-Provence", "Vincent van Gogh", "Vincent and the Doctor", "Netherlands", "Category:Architecture paintings", "JH2006"], "gold": "The Church at Auvers — along with other canvases such as The Town Hall at Auvers and several drawings of small houses with thatched roofs — is reminiscent of scenes from his Nuenen period.  A certain nostalgia for the north had already been apparent in his last weeks in Saint-Rémy-de-Provence: in a letter written a couple of weeks before his departure, he wrote \"While I was ill I nevertheless did some little canvases from memory which you will see later, memories of the North.\"He specifically refers to similar work done back at Nuenen when he describes this painting in a letter to his sister Wilhelmina on 5 June 1890:I have a larger picture of the village church — an effect in which the building appears to be violet-hued against a sky of simple deep blue colour, pure cobalt; the stained-glass windows appear as ultramarine blotches, the roof is violet and partly orange. In the foreground some green plants in bloom, and sand with the pink flow of sunshine in it. And once again it is nearly the same thing as the studies I did in Nuenen of the old tower and the cemetery, only it is probably that now the colour is more expressive, more sumptuous.The \"simple deep blue\" was also used in Portrait of Adeline Ravoux, painted in the same short period in Auvers-sur-Oise.The foreground of The Church at Auvers is brightly lit by the sun, but the church itself sits in its own shadow, and \"neither reflects nor emanates any light of its own.\" After Van Gogh had been dismissed from the evangelical career he had hoped to continue in the Borinage, Belgium, he wrote to his brother Theo from Cuesmes in July 1880, and quoted Shakespeare's image from Henry IV, Part 1 of the dark emptiness inside a church to symbolize \"empty and unenlightened preaching\": \"Their God is like the God of Shakespeare's drunken Falstaff, 'the inside of a church'\"The motif of diverging paths also appears in his painting Wheat Field with Crows."}
{"title": "オーヴェールの教会", "srclang_title": "The Church at Auvers", "en_title": "The Church at Auvers", "pageid": 2018221, "page_rank": 549, "page_url": "https://en.wikipedia.org/wiki/The_Church_at_Auvers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "歴史", "subsection": null, "sub_subsection": null, "prompt": "オーヴェールの教会に関して、どのように歴史が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Borinage", "Nuenen period", "The Town Hall at Auvers", "Jacob Baart de la Faille", "Vincent van Gogh#Nuenen and Antwerp .281883.E2.80.931886.29", "Wheatfield with Crows", "memories of the North", "Post Impressionism", "Nuenen", "The church in 2006", "Category:Paintings in the Musée d'Orsay", "Henry IV, Part 1", "Musée d'Orsay", "Category:Oil on canvas paintings", "Paris", "Doctor Who", "upright", "Post-Impressionism", "thumb", "Cuesmes", "Old Church Tower at Nuenen", "William Shakespeare", "Shakespeare's", "Dutch", "old tower", "F789", "List of works by Vincent van Gogh", "File:Eglise Auvers-sur-Oise FRA 001.jpg", "Portrait of Adeline Ravoux", "Category:Churches in art", "Wheat Field with Crows", "Oil painting", "Llandaff Cathedral", "Jan Hulsker", "Category:Paintings by Vincent van Gogh", "Post-Impressionist", "Category:1890 paintings", "Oil on canvas", "Houses at Auvers#.22Reminisces of the North.22", "Category:Paintings of Auvers-sur-Oise by Vincent van Gogh", "Auvers-sur-Oise", "Church at Auvers, The", "Saint-Rémy-de-Provence", "Vincent van Gogh", "Vincent and the Doctor", "Netherlands", "Category:Architecture paintings", "JH2006"], "gold": "The Church at Auvers — along with other canvases such as The Town Hall at Auvers and several drawings of small houses with thatched roofs — is reminiscent of scenes from his Nuenen period.  A certain nostalgia for the north had already been apparent in his last weeks in Saint-Rémy-de-Provence: in a letter written a couple of weeks before his departure, he wrote \"While I was ill I nevertheless did some little canvases from memory which you will see later, memories of the North.\"He specifically refers to similar work done back at Nuenen when he describes this painting in a letter to his sister Wilhelmina on 5 June 1890:I have a larger picture of the village church — an effect in which the building appears to be violet-hued against a sky of simple deep blue colour, pure cobalt; the stained-glass windows appear as ultramarine blotches, the roof is violet and partly orange. In the foreground some green plants in bloom, and sand with the pink flow of sunshine in it. And once again it is nearly the same thing as the studies I did in Nuenen of the old tower and the cemetery, only it is probably that now the colour is more expressive, more sumptuous.The \"simple deep blue\" was also used in Portrait of Adeline Ravoux, painted in the same short period in Auvers-sur-Oise.The foreground of The Church at Auvers is brightly lit by the sun, but the church itself sits in its own shadow, and \"neither reflects nor emanates any light of its own.\" After Van Gogh had been dismissed from the evangelical career he had hoped to continue in the Borinage, Belgium, he wrote to his brother Theo from Cuesmes in July 1880, and quoted Shakespeare's image from Henry IV, Part 1 of the dark emptiness inside a church to symbolize \"empty and unenlightened preaching\": \"Their God is like the God of Shakespeare's drunken Falstaff, 'the inside of a church'\"The motif of diverging paths also appears in his painting Wheat Field with Crows."}
{"title": "オーヴェールの教会", "srclang_title": "The Church at Auvers", "en_title": "The Church at Auvers", "pageid": 2018221, "page_rank": 549, "page_url": "https://en.wikipedia.org/wiki/The_Church_at_Auvers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "ポピュラー文化において", "subsection": null, "sub_subsection": null, "prompt": "オーヴェールの教会に焦点を当てて、そのポピュラー文化においてを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Borinage", "Nuenen period", "The Town Hall at Auvers", "Jacob Baart de la Faille", "Vincent van Gogh#Nuenen and Antwerp .281883.E2.80.931886.29", "Wheatfield with Crows", "memories of the North", "Post Impressionism", "Nuenen", "The church in 2006", "Category:Paintings in the Musée d'Orsay", "Henry IV, Part 1", "Musée d'Orsay", "Category:Oil on canvas paintings", "Paris", "Doctor Who", "upright", "Post-Impressionism", "thumb", "Cuesmes", "Old Church Tower at Nuenen", "William Shakespeare", "Shakespeare's", "Dutch", "old tower", "F789", "List of works by Vincent van Gogh", "File:Eglise Auvers-sur-Oise FRA 001.jpg", "Portrait of Adeline Ravoux", "Category:Churches in art", "Wheat Field with Crows", "Oil painting", "Llandaff Cathedral", "Jan Hulsker", "Category:Paintings by Vincent van Gogh", "Post-Impressionist", "Category:1890 paintings", "Oil on canvas", "Houses at Auvers#.22Reminisces of the North.22", "Category:Paintings of Auvers-sur-Oise by Vincent van Gogh", "Auvers-sur-Oise", "Church at Auvers, The", "Saint-Rémy-de-Provence", "Vincent van Gogh", "Vincent and the Doctor", "Netherlands", "Category:Architecture paintings", "JH2006"], "gold": "The Church at Auvers plays a prominent role in \"Vincent and the Doctor\", a 2010 episode of the British science-fiction television programme Doctor Who, although the scenes at the church were filmed at Llandaff Cathedral in Wales."}
{"title": "オーヴェールの教会", "srclang_title": "The Church at Auvers", "en_title": "The Church at Auvers", "pageid": 2018221, "page_rank": 549, "page_url": "https://en.wikipedia.org/wiki/The_Church_at_Auvers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "ポピュラー文化において", "subsection": null, "sub_subsection": null, "prompt": "オーヴェールの教会のポピュラー文化においてを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Borinage", "Nuenen period", "The Town Hall at Auvers", "Jacob Baart de la Faille", "Vincent van Gogh#Nuenen and Antwerp .281883.E2.80.931886.29", "Wheatfield with Crows", "memories of the North", "Post Impressionism", "Nuenen", "The church in 2006", "Category:Paintings in the Musée d'Orsay", "Henry IV, Part 1", "Musée d'Orsay", "Category:Oil on canvas paintings", "Paris", "Doctor Who", "upright", "Post-Impressionism", "thumb", "Cuesmes", "Old Church Tower at Nuenen", "William Shakespeare", "Shakespeare's", "Dutch", "old tower", "F789", "List of works by Vincent van Gogh", "File:Eglise Auvers-sur-Oise FRA 001.jpg", "Portrait of Adeline Ravoux", "Category:Churches in art", "Wheat Field with Crows", "Oil painting", "Llandaff Cathedral", "Jan Hulsker", "Category:Paintings by Vincent van Gogh", "Post-Impressionist", "Category:1890 paintings", "Oil on canvas", "Houses at Auvers#.22Reminisces of the North.22", "Category:Paintings of Auvers-sur-Oise by Vincent van Gogh", "Auvers-sur-Oise", "Church at Auvers, The", "Saint-Rémy-de-Provence", "Vincent van Gogh", "Vincent and the Doctor", "Netherlands", "Category:Architecture paintings", "JH2006"], "gold": "The Church at Auvers plays a prominent role in \"Vincent and the Doctor\", a 2010 episode of the British science-fiction television programme Doctor Who, although the scenes at the church were filmed at Llandaff Cathedral in Wales."}
{"title": "オーヴェールの教会", "srclang_title": "The Church at Auvers", "en_title": "The Church at Auvers", "pageid": 2018221, "page_rank": 549, "page_url": "https://en.wikipedia.org/wiki/The_Church_at_Auvers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "ポピュラー文化において", "subsection": null, "sub_subsection": null, "prompt": "オーヴェールの教会はどのようにポピュラー文化においてを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Borinage", "Nuenen period", "The Town Hall at Auvers", "Jacob Baart de la Faille", "Vincent van Gogh#Nuenen and Antwerp .281883.E2.80.931886.29", "Wheatfield with Crows", "memories of the North", "Post Impressionism", "Nuenen", "The church in 2006", "Category:Paintings in the Musée d'Orsay", "Henry IV, Part 1", "Musée d'Orsay", "Category:Oil on canvas paintings", "Paris", "Doctor Who", "upright", "Post-Impressionism", "thumb", "Cuesmes", "Old Church Tower at Nuenen", "William Shakespeare", "Shakespeare's", "Dutch", "old tower", "F789", "List of works by Vincent van Gogh", "File:Eglise Auvers-sur-Oise FRA 001.jpg", "Portrait of Adeline Ravoux", "Category:Churches in art", "Wheat Field with Crows", "Oil painting", "Llandaff Cathedral", "Jan Hulsker", "Category:Paintings by Vincent van Gogh", "Post-Impressionist", "Category:1890 paintings", "Oil on canvas", "Houses at Auvers#.22Reminisces of the North.22", "Category:Paintings of Auvers-sur-Oise by Vincent van Gogh", "Auvers-sur-Oise", "Church at Auvers, The", "Saint-Rémy-de-Provence", "Vincent van Gogh", "Vincent and the Doctor", "Netherlands", "Category:Architecture paintings", "JH2006"], "gold": "The Church at Auvers plays a prominent role in \"Vincent and the Doctor\", a 2010 episode of the British science-fiction television programme Doctor Who, although the scenes at the church were filmed at Llandaff Cathedral in Wales."}
{"title": "オーヴェールの教会", "srclang_title": "The Church at Auvers", "en_title": "The Church at Auvers", "pageid": 2018221, "page_rank": 549, "page_url": "https://en.wikipedia.org/wiki/The_Church_at_Auvers", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg/220px-Vincent_van_Gogh_-_The_Church_in_Auvers-sur-Oise%2C_View_from_the_Chevet_-_Google_Art_Project.jpg", "section": "ポピュラー文化において", "subsection": null, "sub_subsection": null, "prompt": "オーヴェールの教会に関して、どのようにポピュラー文化においてが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Borinage", "Nuenen period", "The Town Hall at Auvers", "Jacob Baart de la Faille", "Vincent van Gogh#Nuenen and Antwerp .281883.E2.80.931886.29", "Wheatfield with Crows", "memories of the North", "Post Impressionism", "Nuenen", "The church in 2006", "Category:Paintings in the Musée d'Orsay", "Henry IV, Part 1", "Musée d'Orsay", "Category:Oil on canvas paintings", "Paris", "Doctor Who", "upright", "Post-Impressionism", "thumb", "Cuesmes", "Old Church Tower at Nuenen", "William Shakespeare", "Shakespeare's", "Dutch", "old tower", "F789", "List of works by Vincent van Gogh", "File:Eglise Auvers-sur-Oise FRA 001.jpg", "Portrait of Adeline Ravoux", "Category:Churches in art", "Wheat Field with Crows", "Oil painting", "Llandaff Cathedral", "Jan Hulsker", "Category:Paintings by Vincent van Gogh", "Post-Impressionist", "Category:1890 paintings", "Oil on canvas", "Houses at Auvers#.22Reminisces of the North.22", "Category:Paintings of Auvers-sur-Oise by Vincent van Gogh", "Auvers-sur-Oise", "Church at Auvers, The", "Saint-Rémy-de-Provence", "Vincent van Gogh", "Vincent and the Doctor", "Netherlands", "Category:Architecture paintings", "JH2006"], "gold": "The Church at Auvers plays a prominent role in \"Vincent and the Doctor\", a 2010 episode of the British science-fiction television programme Doctor Who, although the scenes at the church were filmed at Llandaff Cathedral in Wales."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "球体に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "The Sphere (officially Große Kugelkaryatide N.Y., also known as Sphere at Plaza Fountain, WTC Sphere or Koenig Sphere) is a monumental cast bronze sculpture by German artist Fritz Koenig (1924–2017).The world's largest bronze sculpture of modern times stood between the Twin Towers on the Austin J. Tobin Plaza of the World Trade Center in New York City from 1972 until the September 11 attacks. The work, weighing more than 20 tons, was the only remaining work of art to be recovered largely intact from the ruins of the collapsed Twin Towers. After being dismantled and stored near a hangar at John F. Kennedy International Airport, the sculpture was the subject of the 2001 documentary Koenig's Sphere. Since then, the bronze sphere has become a memorial for the attacks.The sculpture was installed in Battery Park between 2002 and 2017, when the Port Authority of New York and New Jersey moved it to Liberty Park, overlooking the September 11 Memorial and its original location. The sculpture, rededicated at its permanent location on August 16, 2017, has been kept in the badly damaged condition it was found in after the September 11 attacks."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "球体のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "The Sphere (officially Große Kugelkaryatide N.Y., also known as Sphere at Plaza Fountain, WTC Sphere or Koenig Sphere) is a monumental cast bronze sculpture by German artist Fritz Koenig (1924–2017).The world's largest bronze sculpture of modern times stood between the Twin Towers on the Austin J. Tobin Plaza of the World Trade Center in New York City from 1972 until the September 11 attacks. The work, weighing more than 20 tons, was the only remaining work of art to be recovered largely intact from the ruins of the collapsed Twin Towers. After being dismantled and stored near a hangar at John F. Kennedy International Airport, the sculpture was the subject of the 2001 documentary Koenig's Sphere. Since then, the bronze sphere has become a memorial for the attacks.The sculpture was installed in Battery Park between 2002 and 2017, when the Port Authority of New York and New Jersey moved it to Liberty Park, overlooking the September 11 Memorial and its original location. The sculpture, rededicated at its permanent location on August 16, 2017, has been kept in the badly damaged condition it was found in after the September 11 attacks."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "球体はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "The Sphere (officially Große Kugelkaryatide N.Y., also known as Sphere at Plaza Fountain, WTC Sphere or Koenig Sphere) is a monumental cast bronze sculpture by German artist Fritz Koenig (1924–2017).The world's largest bronze sculpture of modern times stood between the Twin Towers on the Austin J. Tobin Plaza of the World Trade Center in New York City from 1972 until the September 11 attacks. The work, weighing more than 20 tons, was the only remaining work of art to be recovered largely intact from the ruins of the collapsed Twin Towers. After being dismantled and stored near a hangar at John F. Kennedy International Airport, the sculpture was the subject of the 2001 documentary Koenig's Sphere. Since then, the bronze sphere has become a memorial for the attacks.The sculpture was installed in Battery Park between 2002 and 2017, when the Port Authority of New York and New Jersey moved it to Liberty Park, overlooking the September 11 Memorial and its original location. The sculpture, rededicated at its permanent location on August 16, 2017, has been kept in the badly damaged condition it was found in after the September 11 attacks."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "球体に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "The Sphere (officially Große Kugelkaryatide N.Y., also known as Sphere at Plaza Fountain, WTC Sphere or Koenig Sphere) is a monumental cast bronze sculpture by German artist Fritz Koenig (1924–2017).The world's largest bronze sculpture of modern times stood between the Twin Towers on the Austin J. Tobin Plaza of the World Trade Center in New York City from 1972 until the September 11 attacks. The work, weighing more than 20 tons, was the only remaining work of art to be recovered largely intact from the ruins of the collapsed Twin Towers. After being dismantled and stored near a hangar at John F. Kennedy International Airport, the sculpture was the subject of the 2001 documentary Koenig's Sphere. Since then, the bronze sphere has become a memorial for the attacks.The sculpture was installed in Battery Park between 2002 and 2017, when the Port Authority of New York and New Jersey moved it to Liberty Park, overlooking the September 11 Memorial and its original location. The sculpture, rededicated at its permanent location on August 16, 2017, has been kept in the badly damaged condition it was found in after the September 11 attacks."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "アートワーク", "subsection": null, "sub_subsection": null, "prompt": "球体に焦点を当てて、そのアートワークを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "The creation of the originally titled Große Kugelkaryatide N.Y. / Great  Caryatid  Sphere  N.Y. (catalogue raisonné Sk 416)  dates to the 1960s and early 1970s. At that time Fritz Koenig was established as an artist in the United States.After the World Trade Center's architect Minoru Yamasaki had seen the work of the German sculptor in the George W. Staempfli Gallery in New York, he asked Koenig to create a sculpture including a fountain for the space between the World Trade Center's twin towers, which were then under construction. In 1967, Koenig was awarded the contract by the Port Authority of New York and New Jersey as the client and property owner of the development.The Sphere falls into Koenig's creative phase of various caryatids, in which Koenig stages a struggle with constricting or burdensome geometrizing masses. With his sculpture Koenig wanted to mark a formal contrast to the skyscrapers. Mounted on a porphyry disk measuring 3.3 feet (1.0 m) high, with a diameter of 82 feet (25 m), the sphere rotated once around its axis within 15 minutes. One hundred and sixty gallons of water (600 liters) per second flowed out of the nozzles of the associated Plaza Fountain. The well water was sprayed in a ring running around the sphere onto a flat surface adjacent to the sphere. This should give the impression that the spherical caryatid rises out of the water. The highly complex technology of the system was designed at the Institute for Hydrology and River Basin Management at the Technical University of Munich, where Koenig had been a lecturer since 1964. The largest bronze sculpture of modern times weighs over twenty tons, is 25 feet (7.6 m) high and has a diameter of 17 feet (5.2 m). Koenig called it his \"biggest child\".The sculpture was made between late 1968/early 1969 to the end of 1971 in Ganslberg near Landshut, where Fritz Koenig lived. The work on the plaster model in its original size required the construction of a new workshop hall near Koenig's homestead and actual studio. Koenig was supported in the production of his work of art by his long-time assistant Hugo Jahn and the South Tyrolean sculptor Josef Plankensteiner. From 1969 the plaster elements of the sphere, dismantled into 67 individual parts, were cast in bronze in the Munich art foundry Hans Mayr. Then the individual bronze segments with a total combined weight of seventeen tons were brought to the workshop in Ganslberg and assembled there. After four years of planning and manufacturing, the finished sculpture was dismantled again and transported to the port of Bremen with low loaders and trucks. The bronze elements of the sphere and the base were put together again on site so that Koenig's sculpture as a whole could set off by sea across the Atlantic to New York in a specially made, oversized wooden transport box. In 1971, The Sphere was finally installed on the World Trade Center's plaza and ceremoniously unveiled a little later. The sculpture, including the fountain, marked the center of the development and was a popular meeting place for New Yorkers. The work of art was dedicated to \"world peace through trade\". The original name \"Große Kugelkaryatide N.Y.\" did not catch on with the New Yorkers. They called the spherical sculpture \"Koenig Sphere\" or simply \"The Sphere\"."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "アートワーク", "subsection": null, "sub_subsection": null, "prompt": "球体のアートワークを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "The creation of the originally titled Große Kugelkaryatide N.Y. / Great  Caryatid  Sphere  N.Y. (catalogue raisonné Sk 416)  dates to the 1960s and early 1970s. At that time Fritz Koenig was established as an artist in the United States.After the World Trade Center's architect Minoru Yamasaki had seen the work of the German sculptor in the George W. Staempfli Gallery in New York, he asked Koenig to create a sculpture including a fountain for the space between the World Trade Center's twin towers, which were then under construction. In 1967, Koenig was awarded the contract by the Port Authority of New York and New Jersey as the client and property owner of the development.The Sphere falls into Koenig's creative phase of various caryatids, in which Koenig stages a struggle with constricting or burdensome geometrizing masses. With his sculpture Koenig wanted to mark a formal contrast to the skyscrapers. Mounted on a porphyry disk measuring 3.3 feet (1.0 m) high, with a diameter of 82 feet (25 m), the sphere rotated once around its axis within 15 minutes. One hundred and sixty gallons of water (600 liters) per second flowed out of the nozzles of the associated Plaza Fountain. The well water was sprayed in a ring running around the sphere onto a flat surface adjacent to the sphere. This should give the impression that the spherical caryatid rises out of the water. The highly complex technology of the system was designed at the Institute for Hydrology and River Basin Management at the Technical University of Munich, where Koenig had been a lecturer since 1964. The largest bronze sculpture of modern times weighs over twenty tons, is 25 feet (7.6 m) high and has a diameter of 17 feet (5.2 m). Koenig called it his \"biggest child\".The sculpture was made between late 1968/early 1969 to the end of 1971 in Ganslberg near Landshut, where Fritz Koenig lived. The work on the plaster model in its original size required the construction of a new workshop hall near Koenig's homestead and actual studio. Koenig was supported in the production of his work of art by his long-time assistant Hugo Jahn and the South Tyrolean sculptor Josef Plankensteiner. From 1969 the plaster elements of the sphere, dismantled into 67 individual parts, were cast in bronze in the Munich art foundry Hans Mayr. Then the individual bronze segments with a total combined weight of seventeen tons were brought to the workshop in Ganslberg and assembled there. After four years of planning and manufacturing, the finished sculpture was dismantled again and transported to the port of Bremen with low loaders and trucks. The bronze elements of the sphere and the base were put together again on site so that Koenig's sculpture as a whole could set off by sea across the Atlantic to New York in a specially made, oversized wooden transport box. In 1971, The Sphere was finally installed on the World Trade Center's plaza and ceremoniously unveiled a little later. The sculpture, including the fountain, marked the center of the development and was a popular meeting place for New Yorkers. The work of art was dedicated to \"world peace through trade\". The original name \"Große Kugelkaryatide N.Y.\" did not catch on with the New Yorkers. They called the spherical sculpture \"Koenig Sphere\" or simply \"The Sphere\"."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "アートワーク", "subsection": null, "sub_subsection": null, "prompt": "球体はどのようにアートワークを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "The creation of the originally titled Große Kugelkaryatide N.Y. / Great  Caryatid  Sphere  N.Y. (catalogue raisonné Sk 416)  dates to the 1960s and early 1970s. At that time Fritz Koenig was established as an artist in the United States.After the World Trade Center's architect Minoru Yamasaki had seen the work of the German sculptor in the George W. Staempfli Gallery in New York, he asked Koenig to create a sculpture including a fountain for the space between the World Trade Center's twin towers, which were then under construction. In 1967, Koenig was awarded the contract by the Port Authority of New York and New Jersey as the client and property owner of the development.The Sphere falls into Koenig's creative phase of various caryatids, in which Koenig stages a struggle with constricting or burdensome geometrizing masses. With his sculpture Koenig wanted to mark a formal contrast to the skyscrapers. Mounted on a porphyry disk measuring 3.3 feet (1.0 m) high, with a diameter of 82 feet (25 m), the sphere rotated once around its axis within 15 minutes. One hundred and sixty gallons of water (600 liters) per second flowed out of the nozzles of the associated Plaza Fountain. The well water was sprayed in a ring running around the sphere onto a flat surface adjacent to the sphere. This should give the impression that the spherical caryatid rises out of the water. The highly complex technology of the system was designed at the Institute for Hydrology and River Basin Management at the Technical University of Munich, where Koenig had been a lecturer since 1964. The largest bronze sculpture of modern times weighs over twenty tons, is 25 feet (7.6 m) high and has a diameter of 17 feet (5.2 m). Koenig called it his \"biggest child\".The sculpture was made between late 1968/early 1969 to the end of 1971 in Ganslberg near Landshut, where Fritz Koenig lived. The work on the plaster model in its original size required the construction of a new workshop hall near Koenig's homestead and actual studio. Koenig was supported in the production of his work of art by his long-time assistant Hugo Jahn and the South Tyrolean sculptor Josef Plankensteiner. From 1969 the plaster elements of the sphere, dismantled into 67 individual parts, were cast in bronze in the Munich art foundry Hans Mayr. Then the individual bronze segments with a total combined weight of seventeen tons were brought to the workshop in Ganslberg and assembled there. After four years of planning and manufacturing, the finished sculpture was dismantled again and transported to the port of Bremen with low loaders and trucks. The bronze elements of the sphere and the base were put together again on site so that Koenig's sculpture as a whole could set off by sea across the Atlantic to New York in a specially made, oversized wooden transport box. In 1971, The Sphere was finally installed on the World Trade Center's plaza and ceremoniously unveiled a little later. The sculpture, including the fountain, marked the center of the development and was a popular meeting place for New Yorkers. The work of art was dedicated to \"world peace through trade\". The original name \"Große Kugelkaryatide N.Y.\" did not catch on with the New Yorkers. They called the spherical sculpture \"Koenig Sphere\" or simply \"The Sphere\"."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "アートワーク", "subsection": null, "sub_subsection": null, "prompt": "球体に関して、どのようにアートワークが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "The creation of the originally titled Große Kugelkaryatide N.Y. / Great  Caryatid  Sphere  N.Y. (catalogue raisonné Sk 416)  dates to the 1960s and early 1970s. At that time Fritz Koenig was established as an artist in the United States.After the World Trade Center's architect Minoru Yamasaki had seen the work of the German sculptor in the George W. Staempfli Gallery in New York, he asked Koenig to create a sculpture including a fountain for the space between the World Trade Center's twin towers, which were then under construction. In 1967, Koenig was awarded the contract by the Port Authority of New York and New Jersey as the client and property owner of the development.The Sphere falls into Koenig's creative phase of various caryatids, in which Koenig stages a struggle with constricting or burdensome geometrizing masses. With his sculpture Koenig wanted to mark a formal contrast to the skyscrapers. Mounted on a porphyry disk measuring 3.3 feet (1.0 m) high, with a diameter of 82 feet (25 m), the sphere rotated once around its axis within 15 minutes. One hundred and sixty gallons of water (600 liters) per second flowed out of the nozzles of the associated Plaza Fountain. The well water was sprayed in a ring running around the sphere onto a flat surface adjacent to the sphere. This should give the impression that the spherical caryatid rises out of the water. The highly complex technology of the system was designed at the Institute for Hydrology and River Basin Management at the Technical University of Munich, where Koenig had been a lecturer since 1964. The largest bronze sculpture of modern times weighs over twenty tons, is 25 feet (7.6 m) high and has a diameter of 17 feet (5.2 m). Koenig called it his \"biggest child\".The sculpture was made between late 1968/early 1969 to the end of 1971 in Ganslberg near Landshut, where Fritz Koenig lived. The work on the plaster model in its original size required the construction of a new workshop hall near Koenig's homestead and actual studio. Koenig was supported in the production of his work of art by his long-time assistant Hugo Jahn and the South Tyrolean sculptor Josef Plankensteiner. From 1969 the plaster elements of the sphere, dismantled into 67 individual parts, were cast in bronze in the Munich art foundry Hans Mayr. Then the individual bronze segments with a total combined weight of seventeen tons were brought to the workshop in Ganslberg and assembled there. After four years of planning and manufacturing, the finished sculpture was dismantled again and transported to the port of Bremen with low loaders and trucks. The bronze elements of the sphere and the base were put together again on site so that Koenig's sculpture as a whole could set off by sea across the Atlantic to New York in a specially made, oversized wooden transport box. In 1971, The Sphere was finally installed on the World Trade Center's plaza and ceremoniously unveiled a little later. The sculpture, including the fountain, marked the center of the development and was a popular meeting place for New Yorkers. The work of art was dedicated to \"world peace through trade\". The original name \"Große Kugelkaryatide N.Y.\" did not catch on with the New Yorkers. They called the spherical sculpture \"Koenig Sphere\" or simply \"The Sphere\"."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "9/11後の移転", "subsection": "攻撃直後", "sub_subsection": null, "prompt": "球体の文脈で、攻撃直後と9/11後の移転を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "After the September 11 attacks, upon recovery from the rubble pile, the sculpture was dismantled and sent to storage near John F. Kennedy International Airport. Its extraction had been widely covered in local news media in the New York metropolitan area. As it was a memorable feature of the Twin Towers site, there was much discussion about using it in a memorial, especially since it seemed to have survived the attacks relatively intact.German film director Percy Adlon, who had twice previously devoted films to Koenig, made Koenigs Kugel (Koenig's Sphere) at a time when the sculpture's fate was still uncertain. In the film, the artist and the director visit Ground Zero five weeks after the attacks as the former retells the story of its creation. At first, Koenig opposed reinstalling The Sphere, considering it \"a beautiful corpse\"."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "9/11後の移転", "subsection": "攻撃直後", "sub_subsection": null, "prompt": "球体の9/11後の移転に関する攻撃直後を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "After the September 11 attacks, upon recovery from the rubble pile, the sculpture was dismantled and sent to storage near John F. Kennedy International Airport. Its extraction had been widely covered in local news media in the New York metropolitan area. As it was a memorable feature of the Twin Towers site, there was much discussion about using it in a memorial, especially since it seemed to have survived the attacks relatively intact.German film director Percy Adlon, who had twice previously devoted films to Koenig, made Koenigs Kugel (Koenig's Sphere) at a time when the sculpture's fate was still uncertain. In the film, the artist and the director visit Ground Zero five weeks after the attacks as the former retells the story of its creation. At first, Koenig opposed reinstalling The Sphere, considering it \"a beautiful corpse\"."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "9/11後の移転", "subsection": "攻撃直後", "sub_subsection": null, "prompt": "球体では、どのように9/11後の移転の攻撃直後が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "After the September 11 attacks, upon recovery from the rubble pile, the sculpture was dismantled and sent to storage near John F. Kennedy International Airport. Its extraction had been widely covered in local news media in the New York metropolitan area. As it was a memorable feature of the Twin Towers site, there was much discussion about using it in a memorial, especially since it seemed to have survived the attacks relatively intact.German film director Percy Adlon, who had twice previously devoted films to Koenig, made Koenigs Kugel (Koenig's Sphere) at a time when the sculpture's fate was still uncertain. In the film, the artist and the director visit Ground Zero five weeks after the attacks as the former retells the story of its creation. At first, Koenig opposed reinstalling The Sphere, considering it \"a beautiful corpse\"."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "9/11後の移転", "subsection": "攻撃直後", "sub_subsection": null, "prompt": "球体の9/11後の移転における攻撃直後の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "After the September 11 attacks, upon recovery from the rubble pile, the sculpture was dismantled and sent to storage near John F. Kennedy International Airport. Its extraction had been widely covered in local news media in the New York metropolitan area. As it was a memorable feature of the Twin Towers site, there was much discussion about using it in a memorial, especially since it seemed to have survived the attacks relatively intact.German film director Percy Adlon, who had twice previously devoted films to Koenig, made Koenigs Kugel (Koenig's Sphere) at a time when the sculpture's fate was still uncertain. In the film, the artist and the director visit Ground Zero five weeks after the attacks as the former retells the story of its creation. At first, Koenig opposed reinstalling The Sphere, considering it \"a beautiful corpse\"."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "9/11後の移転", "subsection": "バッテリーパークへの移転", "sub_subsection": null, "prompt": "球体の文脈で、バッテリーパークへの移転と9/11後の移転を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "The sculpture was eventually returned to Manhattan, and on March 11, 2002, six months to the day after the attacks, it was re-erected in Battery Park, near the Hope Garden, several blocks away from where it once stood. Koenig himself supervised the work; it took four engineers and 15 ironworkers to create a new base. Mayor Michael Bloomberg, his predecessor Rudy Giuliani and other local officials spoke at a ceremony rededicating it as a memorial to the victims. \"It was a sculpture, now it's a monument\", Koenig said, noting how the relatively fragile metal globe had mostly survived the cataclysm. \"It now has a different beauty, one I could never imagine. It has its own life – different from the one I gave to it.\"A plaque alongside The Sphere read as follows:For three decades, this sculpture stood in the plaza of the World Trade Center. Entitled The Sphere, it was conceived by artist Fritz Koenig as a symbol of world peace. It was damaged during the tragic events of September 11, 2001, but endures as an icon of hope and the indestructible spirit of this country. The Sphere was placed here on March 11, 2002 as a temporary memorial to all who lost their lives in the terrorist attacks at the World Trade Center.This eternal flame was ignited on September 11, 2002, in honor of all those who were lost. Their spirit and sacrifice will never be forgotten."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "9/11後の移転", "subsection": "バッテリーパークへの移転", "sub_subsection": null, "prompt": "球体の9/11後の移転に関するバッテリーパークへの移転を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "The sculpture was eventually returned to Manhattan, and on March 11, 2002, six months to the day after the attacks, it was re-erected in Battery Park, near the Hope Garden, several blocks away from where it once stood. Koenig himself supervised the work; it took four engineers and 15 ironworkers to create a new base. Mayor Michael Bloomberg, his predecessor Rudy Giuliani and other local officials spoke at a ceremony rededicating it as a memorial to the victims. \"It was a sculpture, now it's a monument\", Koenig said, noting how the relatively fragile metal globe had mostly survived the cataclysm. \"It now has a different beauty, one I could never imagine. It has its own life – different from the one I gave to it.\"A plaque alongside The Sphere read as follows:For three decades, this sculpture stood in the plaza of the World Trade Center. Entitled The Sphere, it was conceived by artist Fritz Koenig as a symbol of world peace. It was damaged during the tragic events of September 11, 2001, but endures as an icon of hope and the indestructible spirit of this country. The Sphere was placed here on March 11, 2002 as a temporary memorial to all who lost their lives in the terrorist attacks at the World Trade Center.This eternal flame was ignited on September 11, 2002, in honor of all those who were lost. Their spirit and sacrifice will never be forgotten."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "9/11後の移転", "subsection": "バッテリーパークへの移転", "sub_subsection": null, "prompt": "球体では、どのように9/11後の移転のバッテリーパークへの移転が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "The sculpture was eventually returned to Manhattan, and on March 11, 2002, six months to the day after the attacks, it was re-erected in Battery Park, near the Hope Garden, several blocks away from where it once stood. Koenig himself supervised the work; it took four engineers and 15 ironworkers to create a new base. Mayor Michael Bloomberg, his predecessor Rudy Giuliani and other local officials spoke at a ceremony rededicating it as a memorial to the victims. \"It was a sculpture, now it's a monument\", Koenig said, noting how the relatively fragile metal globe had mostly survived the cataclysm. \"It now has a different beauty, one I could never imagine. It has its own life – different from the one I gave to it.\"A plaque alongside The Sphere read as follows:For three decades, this sculpture stood in the plaza of the World Trade Center. Entitled The Sphere, it was conceived by artist Fritz Koenig as a symbol of world peace. It was damaged during the tragic events of September 11, 2001, but endures as an icon of hope and the indestructible spirit of this country. The Sphere was placed here on March 11, 2002 as a temporary memorial to all who lost their lives in the terrorist attacks at the World Trade Center.This eternal flame was ignited on September 11, 2002, in honor of all those who were lost. Their spirit and sacrifice will never be forgotten."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "9/11後の移転", "subsection": "バッテリーパークへの移転", "sub_subsection": null, "prompt": "球体の9/11後の移転におけるバッテリーパークへの移転の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "The sculpture was eventually returned to Manhattan, and on March 11, 2002, six months to the day after the attacks, it was re-erected in Battery Park, near the Hope Garden, several blocks away from where it once stood. Koenig himself supervised the work; it took four engineers and 15 ironworkers to create a new base. Mayor Michael Bloomberg, his predecessor Rudy Giuliani and other local officials spoke at a ceremony rededicating it as a memorial to the victims. \"It was a sculpture, now it's a monument\", Koenig said, noting how the relatively fragile metal globe had mostly survived the cataclysm. \"It now has a different beauty, one I could never imagine. It has its own life – different from the one I gave to it.\"A plaque alongside The Sphere read as follows:For three decades, this sculpture stood in the plaza of the World Trade Center. Entitled The Sphere, it was conceived by artist Fritz Koenig as a symbol of world peace. It was damaged during the tragic events of September 11, 2001, but endures as an icon of hope and the indestructible spirit of this country. The Sphere was placed here on March 11, 2002 as a temporary memorial to all who lost their lives in the terrorist attacks at the World Trade Center.This eternal flame was ignited on September 11, 2002, in honor of all those who were lost. Their spirit and sacrifice will never be forgotten."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "9/11後の移転", "subsection": "リバティパークへの移転", "sub_subsection": null, "prompt": "球体の文脈で、リバティパークへの移転と9/11後の移転を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "According to NYC Parks spokeswoman Vickie Karp, the city was looking to relocate The Sphere in summer 2012, when construction began to restore Battery Park's lawn, requiring the sculpture to be moved. The Port Authority of New York and New Jersey (PANYNJ), which owns The Sphere, considered placing the sculpture in Liberty Park, located between the 90 West Street building and the World Trade Center Memorial site. Liberty Park would not be constructed until at least 2014, so a temporary location was needed to place The Sphere. By February 2011, PANYNJ had not made an official final decision on where to place the sculpture once Battery Park construction commenced, requiring the sculpture to be moved, possibly into storage.An online petition created by 9/11 families demanding the return of The Sphere to the 9/11 Memorial gained more than 7,123 signatures as of March 23, 2011. Officials from the 9/11 Memorial stated that they did not want any 9/11 artifacts cluttering the 8-acre memorial plaza. On June 28, 2012, PANYNJ expressed support for the effort to move The Sphere to the plaza of the National September 11 Memorial & Museum. After a public comment by Michael Burke during a meeting of the Board of Commissioners, Executive Director Patrick J. Foye stated:The point that Mr. Burke made resonates with many people in New York and New Jersey and many people here at the Port Authority, especially given the fact that 84 members of the Port Authority family were killed on 9/11. This is an artifact that survived and was affected by the horrors of 9/11, and placing it on the memorial plaza, we think, is entirely appropriate.When Liberty Park opened in June 2016, the question had not been resolved. On July 22, 2016, the Port Authority voted to move the sculpture to Liberty Park, and in August 2017, PANYNJ relocated the sculpture to Liberty Park. On September 6, 2017, the Sphere was unveiled in its permanent home in Liberty Park, overlooking the World Trade Center site. The Port Authority of New York and New Jersey held a ceremony at Liberty Park on November 29, 2017, to mark its return to the World Trade Center site."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "9/11後の移転", "subsection": "リバティパークへの移転", "sub_subsection": null, "prompt": "球体の9/11後の移転に関するリバティパークへの移転を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "According to NYC Parks spokeswoman Vickie Karp, the city was looking to relocate The Sphere in summer 2012, when construction began to restore Battery Park's lawn, requiring the sculpture to be moved. The Port Authority of New York and New Jersey (PANYNJ), which owns The Sphere, considered placing the sculpture in Liberty Park, located between the 90 West Street building and the World Trade Center Memorial site. Liberty Park would not be constructed until at least 2014, so a temporary location was needed to place The Sphere. By February 2011, PANYNJ had not made an official final decision on where to place the sculpture once Battery Park construction commenced, requiring the sculpture to be moved, possibly into storage.An online petition created by 9/11 families demanding the return of The Sphere to the 9/11 Memorial gained more than 7,123 signatures as of March 23, 2011. Officials from the 9/11 Memorial stated that they did not want any 9/11 artifacts cluttering the 8-acre memorial plaza. On June 28, 2012, PANYNJ expressed support for the effort to move The Sphere to the plaza of the National September 11 Memorial & Museum. After a public comment by Michael Burke during a meeting of the Board of Commissioners, Executive Director Patrick J. Foye stated:The point that Mr. Burke made resonates with many people in New York and New Jersey and many people here at the Port Authority, especially given the fact that 84 members of the Port Authority family were killed on 9/11. This is an artifact that survived and was affected by the horrors of 9/11, and placing it on the memorial plaza, we think, is entirely appropriate.When Liberty Park opened in June 2016, the question had not been resolved. On July 22, 2016, the Port Authority voted to move the sculpture to Liberty Park, and in August 2017, PANYNJ relocated the sculpture to Liberty Park. On September 6, 2017, the Sphere was unveiled in its permanent home in Liberty Park, overlooking the World Trade Center site. The Port Authority of New York and New Jersey held a ceremony at Liberty Park on November 29, 2017, to mark its return to the World Trade Center site."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "9/11後の移転", "subsection": "リバティパークへの移転", "sub_subsection": null, "prompt": "球体では、どのように9/11後の移転のリバティパークへの移転が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "According to NYC Parks spokeswoman Vickie Karp, the city was looking to relocate The Sphere in summer 2012, when construction began to restore Battery Park's lawn, requiring the sculpture to be moved. The Port Authority of New York and New Jersey (PANYNJ), which owns The Sphere, considered placing the sculpture in Liberty Park, located between the 90 West Street building and the World Trade Center Memorial site. Liberty Park would not be constructed until at least 2014, so a temporary location was needed to place The Sphere. By February 2011, PANYNJ had not made an official final decision on where to place the sculpture once Battery Park construction commenced, requiring the sculpture to be moved, possibly into storage.An online petition created by 9/11 families demanding the return of The Sphere to the 9/11 Memorial gained more than 7,123 signatures as of March 23, 2011. Officials from the 9/11 Memorial stated that they did not want any 9/11 artifacts cluttering the 8-acre memorial plaza. On June 28, 2012, PANYNJ expressed support for the effort to move The Sphere to the plaza of the National September 11 Memorial & Museum. After a public comment by Michael Burke during a meeting of the Board of Commissioners, Executive Director Patrick J. Foye stated:The point that Mr. Burke made resonates with many people in New York and New Jersey and many people here at the Port Authority, especially given the fact that 84 members of the Port Authority family were killed on 9/11. This is an artifact that survived and was affected by the horrors of 9/11, and placing it on the memorial plaza, we think, is entirely appropriate.When Liberty Park opened in June 2016, the question had not been resolved. On July 22, 2016, the Port Authority voted to move the sculpture to Liberty Park, and in August 2017, PANYNJ relocated the sculpture to Liberty Park. On September 6, 2017, the Sphere was unveiled in its permanent home in Liberty Park, overlooking the World Trade Center site. The Port Authority of New York and New Jersey held a ceremony at Liberty Park on November 29, 2017, to mark its return to the World Trade Center site."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "9/11後の移転", "subsection": "リバティパークへの移転", "sub_subsection": null, "prompt": "球体の9/11後の移転におけるリバティパークへの移転の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "According to NYC Parks spokeswoman Vickie Karp, the city was looking to relocate The Sphere in summer 2012, when construction began to restore Battery Park's lawn, requiring the sculpture to be moved. The Port Authority of New York and New Jersey (PANYNJ), which owns The Sphere, considered placing the sculpture in Liberty Park, located between the 90 West Street building and the World Trade Center Memorial site. Liberty Park would not be constructed until at least 2014, so a temporary location was needed to place The Sphere. By February 2011, PANYNJ had not made an official final decision on where to place the sculpture once Battery Park construction commenced, requiring the sculpture to be moved, possibly into storage.An online petition created by 9/11 families demanding the return of The Sphere to the 9/11 Memorial gained more than 7,123 signatures as of March 23, 2011. Officials from the 9/11 Memorial stated that they did not want any 9/11 artifacts cluttering the 8-acre memorial plaza. On June 28, 2012, PANYNJ expressed support for the effort to move The Sphere to the plaza of the National September 11 Memorial & Museum. After a public comment by Michael Burke during a meeting of the Board of Commissioners, Executive Director Patrick J. Foye stated:The point that Mr. Burke made resonates with many people in New York and New Jersey and many people here at the Port Authority, especially given the fact that 84 members of the Port Authority family were killed on 9/11. This is an artifact that survived and was affected by the horrors of 9/11, and placing it on the memorial plaza, we think, is entirely appropriate.When Liberty Park opened in June 2016, the question had not been resolved. On July 22, 2016, the Port Authority voted to move the sculpture to Liberty Park, and in August 2017, PANYNJ relocated the sculpture to Liberty Park. On September 6, 2017, the Sphere was unveiled in its permanent home in Liberty Park, overlooking the World Trade Center site. The Port Authority of New York and New Jersey held a ceremony at Liberty Park on November 29, 2017, to mark its return to the World Trade Center site."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "メディア", "subsection": "ドキュメンタリー", "sub_subsection": null, "prompt": "球体の文脈で、ドキュメンタリーとメディアを説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "In his documentary Koenigs Kugel – der deutsche Bildhauer Fritz Koenig im Trümmerfeld von Ground Zero (\"Koenig's Sphere\"), the German director Percy Adlon shows Koenig's encounter with his badly damaged work of art a few days after the September 11 attacks and its subsequent conversion to a memorial. In it, Koenig recalls The Sphere's origin and talks about transience and the transformation of art following the attacks."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "メディア", "subsection": "ドキュメンタリー", "sub_subsection": null, "prompt": "球体のメディアに関するドキュメンタリーを説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "In his documentary Koenigs Kugel – der deutsche Bildhauer Fritz Koenig im Trümmerfeld von Ground Zero (\"Koenig's Sphere\"), the German director Percy Adlon shows Koenig's encounter with his badly damaged work of art a few days after the September 11 attacks and its subsequent conversion to a memorial. In it, Koenig recalls The Sphere's origin and talks about transience and the transformation of art following the attacks."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "メディア", "subsection": "ドキュメンタリー", "sub_subsection": null, "prompt": "球体では、どのようにメディアのドキュメンタリーが説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "In his documentary Koenigs Kugel – der deutsche Bildhauer Fritz Koenig im Trümmerfeld von Ground Zero (\"Koenig's Sphere\"), the German director Percy Adlon shows Koenig's encounter with his badly damaged work of art a few days after the September 11 attacks and its subsequent conversion to a memorial. In it, Koenig recalls The Sphere's origin and talks about transience and the transformation of art following the attacks."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "メディア", "subsection": "ドキュメンタリー", "sub_subsection": null, "prompt": "球体のメディアにおけるドキュメンタリーの特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "In his documentary Koenigs Kugel – der deutsche Bildhauer Fritz Koenig im Trümmerfeld von Ground Zero (\"Koenig's Sphere\"), the German director Percy Adlon shows Koenig's encounter with his badly damaged work of art a few days after the September 11 attacks and its subsequent conversion to a memorial. In it, Koenig recalls The Sphere's origin and talks about transience and the transformation of art following the attacks."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "メディア", "subsection": "本", "sub_subsection": null, "prompt": "球体の文脈で、本とメディアを説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "A limited edition of the book THE SPHERE – Vom Kunstwerk zum Mahnmal / THE SPHERE – From Artwork to Memorial was published in June 2021, the 50th anniversary of the sculpture's installation."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "メディア", "subsection": "本", "sub_subsection": null, "prompt": "球体のメディアに関する本を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "A limited edition of the book THE SPHERE – Vom Kunstwerk zum Mahnmal / THE SPHERE – From Artwork to Memorial was published in June 2021, the 50th anniversary of the sculpture's installation."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "メディア", "subsection": "本", "sub_subsection": null, "prompt": "球体では、どのようにメディアの本が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "A limited edition of the book THE SPHERE – Vom Kunstwerk zum Mahnmal / THE SPHERE – From Artwork to Memorial was published in June 2021, the 50th anniversary of the sculpture's installation."}
{"title": "球体", "srclang_title": "The Sphere", "en_title": "The Sphere", "pageid": 2270794, "page_rank": 40, "page_url": "https://en.wikipedia.org/wiki/The_Sphere", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/The_sphere.jpg/270px-The_sphere.jpg", "section": "メディア", "subsection": "本", "sub_subsection": null, "prompt": "球体のメディアにおける本の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["Bremen", "The Battery (Manhattan)#Hope Garden", "Landshut", "Category:Memorials for the September 11 attacks", "World Trade Center", "bronze sculpture", "Technical University of Munich", "Category:Artworks in the World Trade Center", "National September 11 Memorial & Museum#Memorial", "John F. Kennedy International Airport", "New York metropolitan area", "Rudy Giuliani", "porphyry (geology)", "Category:1971 sculptures", "Category:Bronze sculptures in Manhattan", "9/11", "Category:Monuments and memorials in Manhattan", "September 11 Memorial", "Artwork damaged or destroyed in the September 11 attacks", "Michael Bloomberg", "under construction", "Caryatid", "Battery Park", "Category:Relocated buildings and structures in New York City", "Minoru Yamasaki", "September 11 attacks", "Bronze sculpture", "badly damaged condition it was found in", "Damaged since 2001", "Liberty Park", "World Trade Center site", "Category:Outdoor sculptures in Manhattan", "Austin J. Tobin Plaza", "Port Authority of New York & New Jersey", "Percy Adlon", "catalogue raisonné", "bronze", "Associated Press", "New York City Department of Parks and Recreation", "Plop art", "Ganslberg", "The Battery (Manhattan)", "World Trade Center Memorial", "Austin J. Tobin", "ceremony", "Category:1971 establishments in New York City", "Fritz Koenig", "World Trade Center (1973–2001)", "Construction of the World Trade Center", "caryatid", "New York City", "eternal flame", "The New York Times", "NYC Parks", "Altdorf, Lower Bavaria", "Hypocenter", "Liberty Park (Manhattan)", "90 West Street", "Ground Zero", "National September 11 Memorial & Museum", "porphyry disk", "Port Authority of New York and New Jersey#Governance", "Board of Commissioners", "Hope Garden", "Port Authority of New York and New Jersey", "ironworker"], "gold": "A limited edition of the book THE SPHERE – Vom Kunstwerk zum Mahnmal / THE SPHERE – From Artwork to Memorial was published in June 2021, the 50th anniversary of the sculpture's installation."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "マラートの死に焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "The Death of Marat (French: La Mort de Marat or Marat Assassiné) is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. One of the most famous images from the era of the French Revolution, it was painted when David was the leading French Neoclassical painter, a Montagnard, and a member of the revolutionary Committee of General Security. Created in the months after Marat's death, the painting shows Marat lying dead in his bath after his assassination by Charlotte Corday on 13 July 1793. In 2001, art historian T. J. Clark called David's painting the first modernist work for \"the way it took the stuff of politics as its material, and did not transmute it\".The painting is in the collection of the Royal Museum of Fine Arts of Belgium. A replica, created by the artist's studio, is on display at the Louvre."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "マラートの死のabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "The Death of Marat (French: La Mort de Marat or Marat Assassiné) is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. One of the most famous images from the era of the French Revolution, it was painted when David was the leading French Neoclassical painter, a Montagnard, and a member of the revolutionary Committee of General Security. Created in the months after Marat's death, the painting shows Marat lying dead in his bath after his assassination by Charlotte Corday on 13 July 1793. In 2001, art historian T. J. Clark called David's painting the first modernist work for \"the way it took the stuff of politics as its material, and did not transmute it\".The painting is in the collection of the Royal Museum of Fine Arts of Belgium. A replica, created by the artist's studio, is on display at the Louvre."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "マラートの死はどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "The Death of Marat (French: La Mort de Marat or Marat Assassiné) is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. One of the most famous images from the era of the French Revolution, it was painted when David was the leading French Neoclassical painter, a Montagnard, and a member of the revolutionary Committee of General Security. Created in the months after Marat's death, the painting shows Marat lying dead in his bath after his assassination by Charlotte Corday on 13 July 1793. In 2001, art historian T. J. Clark called David's painting the first modernist work for \"the way it took the stuff of politics as its material, and did not transmute it\".The painting is in the collection of the Royal Museum of Fine Arts of Belgium. A replica, created by the artist's studio, is on display at the Louvre."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "マラートの死に関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "The Death of Marat (French: La Mort de Marat or Marat Assassiné) is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. One of the most famous images from the era of the French Revolution, it was painted when David was the leading French Neoclassical painter, a Montagnard, and a member of the revolutionary Committee of General Security. Created in the months after Marat's death, the painting shows Marat lying dead in his bath after his assassination by Charlotte Corday on 13 July 1793. In 2001, art historian T. J. Clark called David's painting the first modernist work for \"the way it took the stuff of politics as its material, and did not transmute it\".The painting is in the collection of the Royal Museum of Fine Arts of Belgium. A replica, created by the artist's studio, is on display at the Louvre."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "マラートの暗殺", "subsection": null, "sub_subsection": null, "prompt": "マラートの死のマラートの暗殺を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "Jean-Paul Marat (24 May 1743 – 13 July 1793) was one of the leaders of the Montagnards, a radical faction active during the French Revolution from the Reign of Terror to the Thermidorian Reaction. Marat was stabbed to death by Charlotte Corday, a Girondin and political enemy of Marat who blamed Marat for the September Massacre. Corday gained entrance to Marat's dwelling promising either to divulge the names of traitors of the Revolution or to plead for the lives of her Girondin acquaintances (historical records disagree on her ostensible reason for meeting with Marat).Marat suffered from a skin condition that caused him to spend much of his time in his bathtub; he would often work there. Corday fatally stabbed Marat, but she did not attempt to flee. She was later tried and executed for the murder.When he was murdered, Marat was correcting a proof of his newspaper L'Ami du peuple. The blood-stained page is preserved.  In the painting, the note Marat is holding is not an actual quotation of Corday, but a fictional expression based on what Corday might have said."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "マラートの暗殺", "subsection": null, "sub_subsection": null, "prompt": "マラートの死はどのようにマラートの暗殺を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "Jean-Paul Marat (24 May 1743 – 13 July 1793) was one of the leaders of the Montagnards, a radical faction active during the French Revolution from the Reign of Terror to the Thermidorian Reaction. Marat was stabbed to death by Charlotte Corday, a Girondin and political enemy of Marat who blamed Marat for the September Massacre. Corday gained entrance to Marat's dwelling promising either to divulge the names of traitors of the Revolution or to plead for the lives of her Girondin acquaintances (historical records disagree on her ostensible reason for meeting with Marat).Marat suffered from a skin condition that caused him to spend much of his time in his bathtub; he would often work there. Corday fatally stabbed Marat, but she did not attempt to flee. She was later tried and executed for the murder.When he was murdered, Marat was correcting a proof of his newspaper L'Ami du peuple. The blood-stained page is preserved.  In the painting, the note Marat is holding is not an actual quotation of Corday, but a fictional expression based on what Corday might have said."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "マラートの暗殺", "subsection": null, "sub_subsection": null, "prompt": "マラートの死に関して、どのようにマラートの暗殺が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "Jean-Paul Marat (24 May 1743 – 13 July 1793) was one of the leaders of the Montagnards, a radical faction active during the French Revolution from the Reign of Terror to the Thermidorian Reaction. Marat was stabbed to death by Charlotte Corday, a Girondin and political enemy of Marat who blamed Marat for the September Massacre. Corday gained entrance to Marat's dwelling promising either to divulge the names of traitors of the Revolution or to plead for the lives of her Girondin acquaintances (historical records disagree on her ostensible reason for meeting with Marat).Marat suffered from a skin condition that caused him to spend much of his time in his bathtub; he would often work there. Corday fatally stabbed Marat, but she did not attempt to flee. She was later tried and executed for the murder.When he was murdered, Marat was correcting a proof of his newspaper L'Ami du peuple. The blood-stained page is preserved.  In the painting, the note Marat is holding is not an actual quotation of Corday, but a fictional expression based on what Corday might have said."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "デビッドの政治", "subsection": null, "sub_subsection": null, "prompt": "マラートの死に焦点を当てて、そのデビッドの政治を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "The leading French painter of his generation, David was a prominent Montagnard and a Jacobin, aligned with Marat and Maximilian Robespierre.  As a deputy of the museum section at the National Convention, David voted for the death of French king Louis XVI and served on the Committee of General Security, where he actively participated in sentencings and imprisonment, eventually presiding over the \"section des interrogatoires\". David was also on the Committee of Public Instruction."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "デビッドの政治", "subsection": null, "sub_subsection": null, "prompt": "マラートの死のデビッドの政治を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "The leading French painter of his generation, David was a prominent Montagnard and a Jacobin, aligned with Marat and Maximilian Robespierre.  As a deputy of the museum section at the National Convention, David voted for the death of French king Louis XVI and served on the Committee of General Security, where he actively participated in sentencings and imprisonment, eventually presiding over the \"section des interrogatoires\". David was also on the Committee of Public Instruction."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "デビッドの政治", "subsection": null, "sub_subsection": null, "prompt": "マラートの死はどのようにデビッドの政治を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "The leading French painter of his generation, David was a prominent Montagnard and a Jacobin, aligned with Marat and Maximilian Robespierre.  As a deputy of the museum section at the National Convention, David voted for the death of French king Louis XVI and served on the Committee of General Security, where he actively participated in sentencings and imprisonment, eventually presiding over the \"section des interrogatoires\". David was also on the Committee of Public Instruction."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "デビッドの政治", "subsection": null, "sub_subsection": null, "prompt": "マラートの死に関して、どのようにデビッドの政治が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "The leading French painter of his generation, David was a prominent Montagnard and a Jacobin, aligned with Marat and Maximilian Robespierre.  As a deputy of the museum section at the National Convention, David voted for the death of French king Louis XVI and served on the Committee of General Security, where he actively participated in sentencings and imprisonment, eventually presiding over the \"section des interrogatoires\". David was also on the Committee of Public Instruction."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "スタイル", "subsection": null, "sub_subsection": null, "prompt": "マラートの死に焦点を当てて、そのスタイルを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "The Death of Marat has often been compared to Michelangelo's Pietà, a major similarity being the elongated arm hanging down in both works. David admired Caravaggio's works, especially Entombment of Christ, which mirrors The Death of Marat's drama and light.David sought to transfer the sacred qualities long associated with the monarchy and the Catholic Church to the new French Republic. He painted Marat, martyr of the Revolution, in a style reminiscent of a Christian martyr, with the face and body bathed in a soft, glowing light."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "スタイル", "subsection": null, "sub_subsection": null, "prompt": "マラートの死のスタイルを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "The Death of Marat has often been compared to Michelangelo's Pietà, a major similarity being the elongated arm hanging down in both works. David admired Caravaggio's works, especially Entombment of Christ, which mirrors The Death of Marat's drama and light.David sought to transfer the sacred qualities long associated with the monarchy and the Catholic Church to the new French Republic. He painted Marat, martyr of the Revolution, in a style reminiscent of a Christian martyr, with the face and body bathed in a soft, glowing light."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "スタイル", "subsection": null, "sub_subsection": null, "prompt": "マラートの死はどのようにスタイルを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "The Death of Marat has often been compared to Michelangelo's Pietà, a major similarity being the elongated arm hanging down in both works. David admired Caravaggio's works, especially Entombment of Christ, which mirrors The Death of Marat's drama and light.David sought to transfer the sacred qualities long associated with the monarchy and the Catholic Church to the new French Republic. He painted Marat, martyr of the Revolution, in a style reminiscent of a Christian martyr, with the face and body bathed in a soft, glowing light."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "スタイル", "subsection": null, "sub_subsection": null, "prompt": "マラートの死に関して、どのようにスタイルが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "The Death of Marat has often been compared to Michelangelo's Pietà, a major similarity being the elongated arm hanging down in both works. David admired Caravaggio's works, especially Entombment of Christ, which mirrors The Death of Marat's drama and light.David sought to transfer the sacred qualities long associated with the monarchy and the Catholic Church to the new French Republic. He painted Marat, martyr of the Revolution, in a style reminiscent of a Christian martyr, with the face and body bathed in a soft, glowing light."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "後の歴史", "subsection": null, "sub_subsection": null, "prompt": "マラートの死に焦点を当てて、その後の歴史を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "Several copies of the painting were made by David's pupils in 1793–1794, when the image was a popular symbol of martyrdom amid the Reign of Terror.   From 1795 to David's death, the painting languished in obscurity.  During David's exile in Belgium, it was hidden, somewhere in France, by Antoine Gros, David's most famous pupil. There was renewed interest in the painting after Pierre-Joseph Proudhon and Charles Baudelaire praised the work after seeing it at the Bazar Bonne-Nouvelle in 1845. Nineteenth-century paintings inspired by David's work include Paul Jacques Aimé Baudry's Charlotte Corday. In the 20th century, David's painting inspired artists such as Pablo Picasso and Edvard Munch, poets (Alessandro Mozzambani) and writers (Peter Weiss' play Marat/Sade).  Brazilian artist Vik Muniz created a version composed of contents from a city landfill as part of his \"Pictures of Garbage\" series.The letter that appears in the painting, with blood-stains and bath water marks still visible, has survived and was owned by Robert Lindsay, 29th Earl of Crawford."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "後の歴史", "subsection": null, "sub_subsection": null, "prompt": "マラートの死の後の歴史を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "Several copies of the painting were made by David's pupils in 1793–1794, when the image was a popular symbol of martyrdom amid the Reign of Terror.   From 1795 to David's death, the painting languished in obscurity.  During David's exile in Belgium, it was hidden, somewhere in France, by Antoine Gros, David's most famous pupil. There was renewed interest in the painting after Pierre-Joseph Proudhon and Charles Baudelaire praised the work after seeing it at the Bazar Bonne-Nouvelle in 1845. Nineteenth-century paintings inspired by David's work include Paul Jacques Aimé Baudry's Charlotte Corday. In the 20th century, David's painting inspired artists such as Pablo Picasso and Edvard Munch, poets (Alessandro Mozzambani) and writers (Peter Weiss' play Marat/Sade).  Brazilian artist Vik Muniz created a version composed of contents from a city landfill as part of his \"Pictures of Garbage\" series.The letter that appears in the painting, with blood-stains and bath water marks still visible, has survived and was owned by Robert Lindsay, 29th Earl of Crawford."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "後の歴史", "subsection": null, "sub_subsection": null, "prompt": "マラートの死はどのように後の歴史を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "Several copies of the painting were made by David's pupils in 1793–1794, when the image was a popular symbol of martyrdom amid the Reign of Terror.   From 1795 to David's death, the painting languished in obscurity.  During David's exile in Belgium, it was hidden, somewhere in France, by Antoine Gros, David's most famous pupil. There was renewed interest in the painting after Pierre-Joseph Proudhon and Charles Baudelaire praised the work after seeing it at the Bazar Bonne-Nouvelle in 1845. Nineteenth-century paintings inspired by David's work include Paul Jacques Aimé Baudry's Charlotte Corday. In the 20th century, David's painting inspired artists such as Pablo Picasso and Edvard Munch, poets (Alessandro Mozzambani) and writers (Peter Weiss' play Marat/Sade).  Brazilian artist Vik Muniz created a version composed of contents from a city landfill as part of his \"Pictures of Garbage\" series.The letter that appears in the painting, with blood-stains and bath water marks still visible, has survived and was owned by Robert Lindsay, 29th Earl of Crawford."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "後の歴史", "subsection": null, "sub_subsection": null, "prompt": "マラートの死に関して、どのように後の歴史が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "Several copies of the painting were made by David's pupils in 1793–1794, when the image was a popular symbol of martyrdom amid the Reign of Terror.   From 1795 to David's death, the painting languished in obscurity.  During David's exile in Belgium, it was hidden, somewhere in France, by Antoine Gros, David's most famous pupil. There was renewed interest in the painting after Pierre-Joseph Proudhon and Charles Baudelaire praised the work after seeing it at the Bazar Bonne-Nouvelle in 1845. Nineteenth-century paintings inspired by David's work include Paul Jacques Aimé Baudry's Charlotte Corday. In the 20th century, David's painting inspired artists such as Pablo Picasso and Edvard Munch, poets (Alessandro Mozzambani) and writers (Peter Weiss' play Marat/Sade).  Brazilian artist Vik Muniz created a version composed of contents from a city landfill as part of his \"Pictures of Garbage\" series.The letter that appears in the painting, with blood-stains and bath water marks still visible, has survived and was owned by Robert Lindsay, 29th Earl of Crawford."}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "ポピュラー文化において", "subsection": null, "sub_subsection": null, "prompt": "マラートの死に焦点を当てて、そのポピュラー文化においてを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "In 1897, the French director Georges Hatot made a movie entitled La Mort de Marat. This early silent film made for the Lumière Company is a brief single-shot scene of the assassination of the revolutionary.The composition influenced one of the scenes in Stanley Kubrick's 1975 adaptation of Barry Lyndon.The cover art of the 1980 album East by Australian pub rock band Cold Chisel, was inspired by the painting.Andrzej Wajda's 1983 film Danton includes several scenes in David's atelier, including one showing the painting of Marat's portrait.Derek Jarman's 1986 film Caravaggio imitates the painting in a scene where the chronicler, head bound in a towel (but writing here with a typewriter), slouches back in his tub, one arm extended outside the tub.Vik Muniz recreated the Death of Marat with waste from a massive landfill near Rio de Janeiro in his 2010 documentary Waste Land. The picture is prominently featured on the DVD cover.Steve Goodman re-created the painting (with himself in place of Marat) for the cover of his 1977 album Say It in Private.The painting is recreated in The Red Violin (1998), in the scene when Jason Flemyng, playing violinist Frederick Pope, leans back in a bathtub with a letter from his lover in his hand.In the 2002 movie, About Schmidt, Jack Nicholson's character Warren falls asleep in the bath whilst composing a letter, recreating David's painting.The painting was used as the album art for American band Have a Nice Life's 2008 album Deathconsciousness.The painting was used as the album art for American band The New Regime’s 2008 album  Coup.In the 23 October 2008, episode of CSI: Crime Scene Investigation (Season 9, Episode 3 - \"Art Imitates Life\") a serial killer poses his victims peculiarly, one such victim's posture being an homage to David's painting.In 2013, it was gender-swapped with Lady Gaga in Marat's spot for ARTPOP. MTVThe painting was mentioned as a favorite of the narrator in the novel My Year of Rest and Relaxation by Ottessa MoshfeghThe painting is referenced by US alternative rock band R.E.M. in the lyrics of their song \"We Walk\" and in the video to their song \"Drive\".The cover art to singer-songwriter Andrew Bird's 2019 album My Finest Work Yet features a recreation of the painting with Bird in place of Marat.Death of Marat is one of many paintings animated in the video for the song Alpha Zulu by the french alternative rock band Phoenix (band). YouTube"}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "ポピュラー文化において", "subsection": null, "sub_subsection": null, "prompt": "マラートの死のポピュラー文化においてを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "In 1897, the French director Georges Hatot made a movie entitled La Mort de Marat. This early silent film made for the Lumière Company is a brief single-shot scene of the assassination of the revolutionary.The composition influenced one of the scenes in Stanley Kubrick's 1975 adaptation of Barry Lyndon.The cover art of the 1980 album East by Australian pub rock band Cold Chisel, was inspired by the painting.Andrzej Wajda's 1983 film Danton includes several scenes in David's atelier, including one showing the painting of Marat's portrait.Derek Jarman's 1986 film Caravaggio imitates the painting in a scene where the chronicler, head bound in a towel (but writing here with a typewriter), slouches back in his tub, one arm extended outside the tub.Vik Muniz recreated the Death of Marat with waste from a massive landfill near Rio de Janeiro in his 2010 documentary Waste Land. The picture is prominently featured on the DVD cover.Steve Goodman re-created the painting (with himself in place of Marat) for the cover of his 1977 album Say It in Private.The painting is recreated in The Red Violin (1998), in the scene when Jason Flemyng, playing violinist Frederick Pope, leans back in a bathtub with a letter from his lover in his hand.In the 2002 movie, About Schmidt, Jack Nicholson's character Warren falls asleep in the bath whilst composing a letter, recreating David's painting.The painting was used as the album art for American band Have a Nice Life's 2008 album Deathconsciousness.The painting was used as the album art for American band The New Regime’s 2008 album  Coup.In the 23 October 2008, episode of CSI: Crime Scene Investigation (Season 9, Episode 3 - \"Art Imitates Life\") a serial killer poses his victims peculiarly, one such victim's posture being an homage to David's painting.In 2013, it was gender-swapped with Lady Gaga in Marat's spot for ARTPOP. MTVThe painting was mentioned as a favorite of the narrator in the novel My Year of Rest and Relaxation by Ottessa MoshfeghThe painting is referenced by US alternative rock band R.E.M. in the lyrics of their song \"We Walk\" and in the video to their song \"Drive\".The cover art to singer-songwriter Andrew Bird's 2019 album My Finest Work Yet features a recreation of the painting with Bird in place of Marat.Death of Marat is one of many paintings animated in the video for the song Alpha Zulu by the french alternative rock band Phoenix (band). YouTube"}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "ポピュラー文化において", "subsection": null, "sub_subsection": null, "prompt": "マラートの死はどのようにポピュラー文化においてを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "In 1897, the French director Georges Hatot made a movie entitled La Mort de Marat. This early silent film made for the Lumière Company is a brief single-shot scene of the assassination of the revolutionary.The composition influenced one of the scenes in Stanley Kubrick's 1975 adaptation of Barry Lyndon.The cover art of the 1980 album East by Australian pub rock band Cold Chisel, was inspired by the painting.Andrzej Wajda's 1983 film Danton includes several scenes in David's atelier, including one showing the painting of Marat's portrait.Derek Jarman's 1986 film Caravaggio imitates the painting in a scene where the chronicler, head bound in a towel (but writing here with a typewriter), slouches back in his tub, one arm extended outside the tub.Vik Muniz recreated the Death of Marat with waste from a massive landfill near Rio de Janeiro in his 2010 documentary Waste Land. The picture is prominently featured on the DVD cover.Steve Goodman re-created the painting (with himself in place of Marat) for the cover of his 1977 album Say It in Private.The painting is recreated in The Red Violin (1998), in the scene when Jason Flemyng, playing violinist Frederick Pope, leans back in a bathtub with a letter from his lover in his hand.In the 2002 movie, About Schmidt, Jack Nicholson's character Warren falls asleep in the bath whilst composing a letter, recreating David's painting.The painting was used as the album art for American band Have a Nice Life's 2008 album Deathconsciousness.The painting was used as the album art for American band The New Regime’s 2008 album  Coup.In the 23 October 2008, episode of CSI: Crime Scene Investigation (Season 9, Episode 3 - \"Art Imitates Life\") a serial killer poses his victims peculiarly, one such victim's posture being an homage to David's painting.In 2013, it was gender-swapped with Lady Gaga in Marat's spot for ARTPOP. MTVThe painting was mentioned as a favorite of the narrator in the novel My Year of Rest and Relaxation by Ottessa MoshfeghThe painting is referenced by US alternative rock band R.E.M. in the lyrics of their song \"We Walk\" and in the video to their song \"Drive\".The cover art to singer-songwriter Andrew Bird's 2019 album My Finest Work Yet features a recreation of the painting with Bird in place of Marat.Death of Marat is one of many paintings animated in the video for the song Alpha Zulu by the french alternative rock band Phoenix (band). YouTube"}
{"title": "マラートの死", "srclang_title": "The Death of Marat", "en_title": "The Death of Marat", "pageid": 5257799, "page_rank": 50, "page_url": "https://en.wikipedia.org/wiki/The_Death_of_Marat", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Death_of_Marat_by_David.jpg/270px-Death_of_Marat_by_David.jpg", "section": "ポピュラー文化において", "subsection": null, "sub_subsection": null, "prompt": "マラートの死に関して、どのようにポピュラー文化においてが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["Waste Land (film)", "T. J. Clark", "Pierre-Joseph Proudhon", "Reign of Terror", "Antoine Gros", "Category:Paintings in the Musée Oldmasters", "Caravaggio", "East (Cold Chisel album)", "Murmur (album)", "Derek Jarman", "Danton", "Deathconsciousness", "Committee of General Security", "fr", "Vik Muniz", "Montagnard", "L'Ami du peuple", "Caravaggio (1986 film)", "Barry Lyndon", "September Massacres", "Paul-Jacques-Aimé Baudry", "Coup (album)", "The Mountain", "Royal Museums of Fine Arts of Belgium", "Category:Paintings about death", "Committee of Public Instruction", "The New Regime", "Louis XVI", "Montagnards", "Stanley Kubrick", "Maximilian Robespierre", "Jason Flemyng", "Alpha Zulu", "Charlotte Corday", "Andrew Bird", "File:MunchDerToddesMarat1907.JPG", "We Walk", "One of two versions of ''Death of Marat'' made by [[Edvard Munch", "Thermidorian Reaction", "File:Death of Marat by David (detail).jpg", "Category:1793 paintings", "Cold Chisel", "East", "Barry Lyndon (film)", "September Massacre", "Danton (1983 film)", "French Revolution", "Girondins", "National Convention", "Jacobins", "The New Regime (Ilan Rubin)", "Louvre", "Category:Paintings by Jacques-Louis David", "Pietà (Michelangelo)", "Lumière Company", "Il suffit que je sois bien malheureuse pour avoir droit a votre bienveillance}}\" which translates to \"''It is enough that I am very unhappy to be entitled to your benevolence''\"", "''Charlotte Corday'' by [[Paul Jacques Aimé Baudry", "Jacques-Louis David", "R.E.M.", "List of paintings by Jacques-Louis David", "Phoenix (band)", "Category:1793 events of the French Revolution", "Jean-Paul Marat", "Michelangelo's Pietà", "T. J. Clark (art historian)", "Auguste and Louis Lumière", "Maximilien Robespierre", "Mélanges de l'École française de Rome", "My Finest Work Yet", "Royal Museum of Fine Arts of Belgium", "The Entombment of Christ (Caravaggio)", "My Year of Rest and Relaxation", "Wildenstein", "Georges Hatot", "Category:Cultural depictions of Jean-Paul Marat", "Entombment of Christ", "A copy of ''L’Ami du peuple'' stained with the blood of Marat", "Paul Jacques Aimé Baudry", "Charles Baudelaire", "Coup", "Ottessa Moshfegh", "Girondin", "The Wall Street Journal", "File:L'Ami du peuple 1.jpg", "Have a Nice Life", "thumb", "Andrzej Wajda", "Robert Lindsay, 29th Earl of Crawford", "Marat/Sade", "Drive", "File:Charlotte Corday.jpg", "Edvard Munch", "Detail of ''The Death of Marat'' showing the paper held in Marat's left hand. The letter reads \"{{lang", "Drive (R.E.M. song)", "Steve Goodman", "The Red Violin", "Pablo Picasso", "Jacobin", "Waste Land", "Antoine-Jean Gros"], "gold": "In 1897, the French director Georges Hatot made a movie entitled La Mort de Marat. This early silent film made for the Lumière Company is a brief single-shot scene of the assassination of the revolutionary.The composition influenced one of the scenes in Stanley Kubrick's 1975 adaptation of Barry Lyndon.The cover art of the 1980 album East by Australian pub rock band Cold Chisel, was inspired by the painting.Andrzej Wajda's 1983 film Danton includes several scenes in David's atelier, including one showing the painting of Marat's portrait.Derek Jarman's 1986 film Caravaggio imitates the painting in a scene where the chronicler, head bound in a towel (but writing here with a typewriter), slouches back in his tub, one arm extended outside the tub.Vik Muniz recreated the Death of Marat with waste from a massive landfill near Rio de Janeiro in his 2010 documentary Waste Land. The picture is prominently featured on the DVD cover.Steve Goodman re-created the painting (with himself in place of Marat) for the cover of his 1977 album Say It in Private.The painting is recreated in The Red Violin (1998), in the scene when Jason Flemyng, playing violinist Frederick Pope, leans back in a bathtub with a letter from his lover in his hand.In the 2002 movie, About Schmidt, Jack Nicholson's character Warren falls asleep in the bath whilst composing a letter, recreating David's painting.The painting was used as the album art for American band Have a Nice Life's 2008 album Deathconsciousness.The painting was used as the album art for American band The New Regime’s 2008 album  Coup.In the 23 October 2008, episode of CSI: Crime Scene Investigation (Season 9, Episode 3 - \"Art Imitates Life\") a serial killer poses his victims peculiarly, one such victim's posture being an homage to David's painting.In 2013, it was gender-swapped with Lady Gaga in Marat's spot for ARTPOP. MTVThe painting was mentioned as a favorite of the narrator in the novel My Year of Rest and Relaxation by Ottessa MoshfeghThe painting is referenced by US alternative rock band R.E.M. in the lyrics of their song \"We Walk\" and in the video to their song \"Drive\".The cover art to singer-songwriter Andrew Bird's 2019 album My Finest Work Yet features a recreation of the painting with Bird in place of Marat.Death of Marat is one of many paintings animated in the video for the song Alpha Zulu by the french alternative rock band Phoenix (band). YouTube"}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "サロン・デ・ルフュゼに焦点を当てて、そのabstractを説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "The Salon des Refusés, French for \"exhibition of rejects\" (French pronunciation: [salɔ̃ de ʁəfyze]), is generally known as an exhibition of works rejected by the jury of the official Paris Salon, but the term is most famously used to refer to the Salon des Refusés of 1863.Today, by extension, salon des refusés refers to any exhibition of works rejected from a juried art show."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "サロン・デ・ルフュゼのabstractを説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "The Salon des Refusés, French for \"exhibition of rejects\" (French pronunciation: [salɔ̃ de ʁəfyze]), is generally known as an exhibition of works rejected by the jury of the official Paris Salon, but the term is most famously used to refer to the Salon des Refusés of 1863.Today, by extension, salon des refusés refers to any exhibition of works rejected from a juried art show."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "サロン・デ・ルフュゼはどのようにabstractを説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "The Salon des Refusés, French for \"exhibition of rejects\" (French pronunciation: [salɔ̃ de ʁəfyze]), is generally known as an exhibition of works rejected by the jury of the official Paris Salon, but the term is most famously used to refer to the Salon des Refusés of 1863.Today, by extension, salon des refusés refers to any exhibition of works rejected from a juried art show."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "abstract", "subsection": null, "sub_subsection": null, "prompt": "サロン・デ・ルフュゼに関して、どのようにabstractが議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "The Salon des Refusés, French for \"exhibition of rejects\" (French pronunciation: [salɔ̃ de ʁəfyze]), is generally known as an exhibition of works rejected by the jury of the official Paris Salon, but the term is most famously used to refer to the Salon des Refusés of 1863.Today, by extension, salon des refusés refers to any exhibition of works rejected from a juried art show."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "1863年のサロンの背景", "subsection": null, "sub_subsection": null, "prompt": "サロン・デ・ルフュゼに焦点を当てて、その1863年のサロンの背景を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "The Paris Salon, sponsored by the French government and the Academy of Fine Arts, took place annually, and was an exhibition of the best academic art.  A medal from the Salon was assurance of a successful artistic career; winners were given official commissions by the French government and were sought after for portraits and private commissions.  Since the 18th century, the paintings were classified by genre, following a hierarchy;  history paintings were ranked first, followed by the portrait, the landscape, the \"genre scene\" and the still life.  The jury, headed by the Comte de Nieuwerkerke, the head of the Academy of Fine Arts, was very conservative; near-photographic but idealized realism was expected.Much intrigue often went on to get acceptance, and to be given a good place in the galleries.  In 1851, Gustave Courbet managed to get one painting into the Salon, Enterrement à Ornans, and in 1852 his Baigneuses was accepted, scandalizing critics and the public, who expected romanticized nudes in classical settings, but in 1855 the Salon refused all of Courbet's paintings.  As early as the 1830s, Paris art galleries mounted small, private exhibitions of works rejected by the Salon jurors.  Courbet was obliged to organize his own exhibit, called The Pavillon of Realism, at a private gallery.  Private exhibits attracted far less attention from the press and patrons, and limited the access of the artists to a small public.In 1863 the Salon jury refused two thirds of the paintings presented, including the works of Gustave Courbet,  Édouard Manet, Camille Pissarro, Antoine Chintreuil, and Johan Jongkind. The rejected artists and their friends protested, and the protests reached Emperor Napoleon III. The Emperor's tastes in art were traditional; he commissioned and bought works by artists such as Alexandre Cabanel and Franz Xaver Winterhalter, but he was also sensitive to public opinion. His office issued a statement: \"Numerous complaints have come to the Emperor on the subject of the works of art which were refused by the jury of the Exposition.  His Majesty, wishing to let the public judge the legitimacy of these complaints, has decided that the works of art which were refused should be displayed in another part of the Palace of Industry.\"More than a thousand visitors a day visited the Salon des Refusés. The journalist Émile Zola reported that visitors pushed to get into the crowded galleries where the refused paintings were hung, and the rooms were full of the laughter of the spectators. Critics and the public ridiculed the refusés, which included such famous paintings as Édouard Manet's Déjeuner sur l'herbe and James McNeill Whistler's Symphony in White, No. 1: The White Girl. The critical attention also legitimized the emerging avant-garde in painting. The Impressionists exhibited their works outside the traditional Salon beginning in 1874. Subsequent Salons des Refusés were mounted in Paris in 1874, 1875, and 1886, by which time the popularity of the Paris Salon had declined for those who were more interested in Impressionism."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "1863年のサロンの背景", "subsection": null, "sub_subsection": null, "prompt": "サロン・デ・ルフュゼの1863年のサロンの背景を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "The Paris Salon, sponsored by the French government and the Academy of Fine Arts, took place annually, and was an exhibition of the best academic art.  A medal from the Salon was assurance of a successful artistic career; winners were given official commissions by the French government and were sought after for portraits and private commissions.  Since the 18th century, the paintings were classified by genre, following a hierarchy;  history paintings were ranked first, followed by the portrait, the landscape, the \"genre scene\" and the still life.  The jury, headed by the Comte de Nieuwerkerke, the head of the Academy of Fine Arts, was very conservative; near-photographic but idealized realism was expected.Much intrigue often went on to get acceptance, and to be given a good place in the galleries.  In 1851, Gustave Courbet managed to get one painting into the Salon, Enterrement à Ornans, and in 1852 his Baigneuses was accepted, scandalizing critics and the public, who expected romanticized nudes in classical settings, but in 1855 the Salon refused all of Courbet's paintings.  As early as the 1830s, Paris art galleries mounted small, private exhibitions of works rejected by the Salon jurors.  Courbet was obliged to organize his own exhibit, called The Pavillon of Realism, at a private gallery.  Private exhibits attracted far less attention from the press and patrons, and limited the access of the artists to a small public.In 1863 the Salon jury refused two thirds of the paintings presented, including the works of Gustave Courbet,  Édouard Manet, Camille Pissarro, Antoine Chintreuil, and Johan Jongkind. The rejected artists and their friends protested, and the protests reached Emperor Napoleon III. The Emperor's tastes in art were traditional; he commissioned and bought works by artists such as Alexandre Cabanel and Franz Xaver Winterhalter, but he was also sensitive to public opinion. His office issued a statement: \"Numerous complaints have come to the Emperor on the subject of the works of art which were refused by the jury of the Exposition.  His Majesty, wishing to let the public judge the legitimacy of these complaints, has decided that the works of art which were refused should be displayed in another part of the Palace of Industry.\"More than a thousand visitors a day visited the Salon des Refusés. The journalist Émile Zola reported that visitors pushed to get into the crowded galleries where the refused paintings were hung, and the rooms were full of the laughter of the spectators. Critics and the public ridiculed the refusés, which included such famous paintings as Édouard Manet's Déjeuner sur l'herbe and James McNeill Whistler's Symphony in White, No. 1: The White Girl. The critical attention also legitimized the emerging avant-garde in painting. The Impressionists exhibited their works outside the traditional Salon beginning in 1874. Subsequent Salons des Refusés were mounted in Paris in 1874, 1875, and 1886, by which time the popularity of the Paris Salon had declined for those who were more interested in Impressionism."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "1863年のサロンの背景", "subsection": null, "sub_subsection": null, "prompt": "サロン・デ・ルフュゼはどのように1863年のサロンの背景を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "The Paris Salon, sponsored by the French government and the Academy of Fine Arts, took place annually, and was an exhibition of the best academic art.  A medal from the Salon was assurance of a successful artistic career; winners were given official commissions by the French government and were sought after for portraits and private commissions.  Since the 18th century, the paintings were classified by genre, following a hierarchy;  history paintings were ranked first, followed by the portrait, the landscape, the \"genre scene\" and the still life.  The jury, headed by the Comte de Nieuwerkerke, the head of the Academy of Fine Arts, was very conservative; near-photographic but idealized realism was expected.Much intrigue often went on to get acceptance, and to be given a good place in the galleries.  In 1851, Gustave Courbet managed to get one painting into the Salon, Enterrement à Ornans, and in 1852 his Baigneuses was accepted, scandalizing critics and the public, who expected romanticized nudes in classical settings, but in 1855 the Salon refused all of Courbet's paintings.  As early as the 1830s, Paris art galleries mounted small, private exhibitions of works rejected by the Salon jurors.  Courbet was obliged to organize his own exhibit, called The Pavillon of Realism, at a private gallery.  Private exhibits attracted far less attention from the press and patrons, and limited the access of the artists to a small public.In 1863 the Salon jury refused two thirds of the paintings presented, including the works of Gustave Courbet,  Édouard Manet, Camille Pissarro, Antoine Chintreuil, and Johan Jongkind. The rejected artists and their friends protested, and the protests reached Emperor Napoleon III. The Emperor's tastes in art were traditional; he commissioned and bought works by artists such as Alexandre Cabanel and Franz Xaver Winterhalter, but he was also sensitive to public opinion. His office issued a statement: \"Numerous complaints have come to the Emperor on the subject of the works of art which were refused by the jury of the Exposition.  His Majesty, wishing to let the public judge the legitimacy of these complaints, has decided that the works of art which were refused should be displayed in another part of the Palace of Industry.\"More than a thousand visitors a day visited the Salon des Refusés. The journalist Émile Zola reported that visitors pushed to get into the crowded galleries where the refused paintings were hung, and the rooms were full of the laughter of the spectators. Critics and the public ridiculed the refusés, which included such famous paintings as Édouard Manet's Déjeuner sur l'herbe and James McNeill Whistler's Symphony in White, No. 1: The White Girl. The critical attention also legitimized the emerging avant-garde in painting. The Impressionists exhibited their works outside the traditional Salon beginning in 1874. Subsequent Salons des Refusés were mounted in Paris in 1874, 1875, and 1886, by which time the popularity of the Paris Salon had declined for those who were more interested in Impressionism."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "1863年のサロンの背景", "subsection": null, "sub_subsection": null, "prompt": "サロン・デ・ルフュゼに関して、どのように1863年のサロンの背景が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "The Paris Salon, sponsored by the French government and the Academy of Fine Arts, took place annually, and was an exhibition of the best academic art.  A medal from the Salon was assurance of a successful artistic career; winners were given official commissions by the French government and were sought after for portraits and private commissions.  Since the 18th century, the paintings were classified by genre, following a hierarchy;  history paintings were ranked first, followed by the portrait, the landscape, the \"genre scene\" and the still life.  The jury, headed by the Comte de Nieuwerkerke, the head of the Academy of Fine Arts, was very conservative; near-photographic but idealized realism was expected.Much intrigue often went on to get acceptance, and to be given a good place in the galleries.  In 1851, Gustave Courbet managed to get one painting into the Salon, Enterrement à Ornans, and in 1852 his Baigneuses was accepted, scandalizing critics and the public, who expected romanticized nudes in classical settings, but in 1855 the Salon refused all of Courbet's paintings.  As early as the 1830s, Paris art galleries mounted small, private exhibitions of works rejected by the Salon jurors.  Courbet was obliged to organize his own exhibit, called The Pavillon of Realism, at a private gallery.  Private exhibits attracted far less attention from the press and patrons, and limited the access of the artists to a small public.In 1863 the Salon jury refused two thirds of the paintings presented, including the works of Gustave Courbet,  Édouard Manet, Camille Pissarro, Antoine Chintreuil, and Johan Jongkind. The rejected artists and their friends protested, and the protests reached Emperor Napoleon III. The Emperor's tastes in art were traditional; he commissioned and bought works by artists such as Alexandre Cabanel and Franz Xaver Winterhalter, but he was also sensitive to public opinion. His office issued a statement: \"Numerous complaints have come to the Emperor on the subject of the works of art which were refused by the jury of the Exposition.  His Majesty, wishing to let the public judge the legitimacy of these complaints, has decided that the works of art which were refused should be displayed in another part of the Palace of Industry.\"More than a thousand visitors a day visited the Salon des Refusés. The journalist Émile Zola reported that visitors pushed to get into the crowded galleries where the refused paintings were hung, and the rooms were full of the laughter of the spectators. Critics and the public ridiculed the refusés, which included such famous paintings as Édouard Manet's Déjeuner sur l'herbe and James McNeill Whistler's Symphony in White, No. 1: The White Girl. The critical attention also legitimized the emerging avant-garde in painting. The Impressionists exhibited their works outside the traditional Salon beginning in 1874. Subsequent Salons des Refusés were mounted in Paris in 1874, 1875, and 1886, by which time the popularity of the Paris Salon had declined for those who were more interested in Impressionism."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "展覧会の作品", "subsection": "草の上の昼食", "sub_subsection": null, "prompt": "サロン・デ・ルフュゼの文脈で、草の上の昼食と展覧会の作品を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit Déjeuner sur l'herbe and two other paintings in the 1863 Salon des Refusés. Déjeuner sur l'herbe depicts the juxtaposition of a female nude and a scantily dressed female bather in the background, on a picnic with two fully dressed men in a rural setting. The painting sparked public notoriety and stirred up controversy and has remained controversial, even to this day. There is a discussion of it, from this point of view, in Proust's Remembrance of Things Past.One interpretation of the work is that it depicts the rampant prostitution in the Bois de Boulogne, a large park at the western outskirts of Paris, at the time. This prostitution was common knowledge in Paris, but was considered a taboo subject unsuitable for a painting.Émile Zola comments about Déjeuner sur l'herbe:The Luncheon on the Grass is the greatest work of Édouard Manet, one in which he realizes the dream of all painters: to place figures of natural grandeur in a landscape.  We know the power with which he vanquished this difficulty.  There are some leaves, some tree trunks, and, in the background, a river in which a chemise-wearing woman bathes; in the foreground, two young men are seated across from a second woman who has just exited the water and who dries her naked skin in the open air.  This nude woman has scandalized the public, who see only her in the canvas.  My God!  What indecency: a woman without the slightest covering between two clothed men!  That has never been seen.  And this belief is a gross error, for in the Louvre there are more than fifty paintings in which are found mixes of persons clothed and nude.  But no one goes to the Louvre to be scandalized.  The crowd has kept itself moreover from judging The Luncheon on the Grass like a veritable work of art should be judged; they see in it only some people who are having a picnic, finishing bathing, and they believed that the artist had placed an obscene intent in the disposition of the subject, while the artist had simply sought to obtain vibrant oppositions and a straightforward audience.  Painters, especially Édouard Manet, who is an analytic painter, do not have this preoccupation with the subject which torments the crowd above all; the subject, for them, is merely a pretext to paint, while for the crowd, the subject alone exists.  Thus, assuredly, the nude woman of The Luncheon on the Grass is only there to furnish the artist the occasion to paint a bit of flesh.  That which must be seen in the painting is not a luncheon on the grass; it is the entire landscape, with its vigors and its finesses, with its foregrounds so large, so solid, and its backgrounds of a light delicateness; it is this firm modeled flesh under great spots of light, these tissues supple and strong, and particularly this delicious silhouette of a woman wearing a chemise who makes, in the background, an adorable dapple of white in the milieu of green leaves.  It is, in short, this vast ensemble, full of atmosphere, this corner of nature rendered with a simplicity so just, all of this admirable page in which an artist has placed all the particular and rare elements which are in him.Émile Zola incorporated a fictionalized account of the 1863 scandal in his novel L'Œuvre (The Masterpiece) (1886)."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "展覧会の作品", "subsection": "草の上の昼食", "sub_subsection": null, "prompt": "サロン・デ・ルフュゼの展覧会の作品に関する草の上の昼食を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit Déjeuner sur l'herbe and two other paintings in the 1863 Salon des Refusés. Déjeuner sur l'herbe depicts the juxtaposition of a female nude and a scantily dressed female bather in the background, on a picnic with two fully dressed men in a rural setting. The painting sparked public notoriety and stirred up controversy and has remained controversial, even to this day. There is a discussion of it, from this point of view, in Proust's Remembrance of Things Past.One interpretation of the work is that it depicts the rampant prostitution in the Bois de Boulogne, a large park at the western outskirts of Paris, at the time. This prostitution was common knowledge in Paris, but was considered a taboo subject unsuitable for a painting.Émile Zola comments about Déjeuner sur l'herbe:The Luncheon on the Grass is the greatest work of Édouard Manet, one in which he realizes the dream of all painters: to place figures of natural grandeur in a landscape.  We know the power with which he vanquished this difficulty.  There are some leaves, some tree trunks, and, in the background, a river in which a chemise-wearing woman bathes; in the foreground, two young men are seated across from a second woman who has just exited the water and who dries her naked skin in the open air.  This nude woman has scandalized the public, who see only her in the canvas.  My God!  What indecency: a woman without the slightest covering between two clothed men!  That has never been seen.  And this belief is a gross error, for in the Louvre there are more than fifty paintings in which are found mixes of persons clothed and nude.  But no one goes to the Louvre to be scandalized.  The crowd has kept itself moreover from judging The Luncheon on the Grass like a veritable work of art should be judged; they see in it only some people who are having a picnic, finishing bathing, and they believed that the artist had placed an obscene intent in the disposition of the subject, while the artist had simply sought to obtain vibrant oppositions and a straightforward audience.  Painters, especially Édouard Manet, who is an analytic painter, do not have this preoccupation with the subject which torments the crowd above all; the subject, for them, is merely a pretext to paint, while for the crowd, the subject alone exists.  Thus, assuredly, the nude woman of The Luncheon on the Grass is only there to furnish the artist the occasion to paint a bit of flesh.  That which must be seen in the painting is not a luncheon on the grass; it is the entire landscape, with its vigors and its finesses, with its foregrounds so large, so solid, and its backgrounds of a light delicateness; it is this firm modeled flesh under great spots of light, these tissues supple and strong, and particularly this delicious silhouette of a woman wearing a chemise who makes, in the background, an adorable dapple of white in the milieu of green leaves.  It is, in short, this vast ensemble, full of atmosphere, this corner of nature rendered with a simplicity so just, all of this admirable page in which an artist has placed all the particular and rare elements which are in him.Émile Zola incorporated a fictionalized account of the 1863 scandal in his novel L'Œuvre (The Masterpiece) (1886)."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "展覧会の作品", "subsection": "草の上の昼食", "sub_subsection": null, "prompt": "サロン・デ・ルフュゼでは、どのように展覧会の作品の草の上の昼食が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit Déjeuner sur l'herbe and two other paintings in the 1863 Salon des Refusés. Déjeuner sur l'herbe depicts the juxtaposition of a female nude and a scantily dressed female bather in the background, on a picnic with two fully dressed men in a rural setting. The painting sparked public notoriety and stirred up controversy and has remained controversial, even to this day. There is a discussion of it, from this point of view, in Proust's Remembrance of Things Past.One interpretation of the work is that it depicts the rampant prostitution in the Bois de Boulogne, a large park at the western outskirts of Paris, at the time. This prostitution was common knowledge in Paris, but was considered a taboo subject unsuitable for a painting.Émile Zola comments about Déjeuner sur l'herbe:The Luncheon on the Grass is the greatest work of Édouard Manet, one in which he realizes the dream of all painters: to place figures of natural grandeur in a landscape.  We know the power with which he vanquished this difficulty.  There are some leaves, some tree trunks, and, in the background, a river in which a chemise-wearing woman bathes; in the foreground, two young men are seated across from a second woman who has just exited the water and who dries her naked skin in the open air.  This nude woman has scandalized the public, who see only her in the canvas.  My God!  What indecency: a woman without the slightest covering between two clothed men!  That has never been seen.  And this belief is a gross error, for in the Louvre there are more than fifty paintings in which are found mixes of persons clothed and nude.  But no one goes to the Louvre to be scandalized.  The crowd has kept itself moreover from judging The Luncheon on the Grass like a veritable work of art should be judged; they see in it only some people who are having a picnic, finishing bathing, and they believed that the artist had placed an obscene intent in the disposition of the subject, while the artist had simply sought to obtain vibrant oppositions and a straightforward audience.  Painters, especially Édouard Manet, who is an analytic painter, do not have this preoccupation with the subject which torments the crowd above all; the subject, for them, is merely a pretext to paint, while for the crowd, the subject alone exists.  Thus, assuredly, the nude woman of The Luncheon on the Grass is only there to furnish the artist the occasion to paint a bit of flesh.  That which must be seen in the painting is not a luncheon on the grass; it is the entire landscape, with its vigors and its finesses, with its foregrounds so large, so solid, and its backgrounds of a light delicateness; it is this firm modeled flesh under great spots of light, these tissues supple and strong, and particularly this delicious silhouette of a woman wearing a chemise who makes, in the background, an adorable dapple of white in the milieu of green leaves.  It is, in short, this vast ensemble, full of atmosphere, this corner of nature rendered with a simplicity so just, all of this admirable page in which an artist has placed all the particular and rare elements which are in him.Émile Zola incorporated a fictionalized account of the 1863 scandal in his novel L'Œuvre (The Masterpiece) (1886)."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "展覧会の作品", "subsection": "草の上の昼食", "sub_subsection": null, "prompt": "サロン・デ・ルフュゼの展覧会の作品における草の上の昼食の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit Déjeuner sur l'herbe and two other paintings in the 1863 Salon des Refusés. Déjeuner sur l'herbe depicts the juxtaposition of a female nude and a scantily dressed female bather in the background, on a picnic with two fully dressed men in a rural setting. The painting sparked public notoriety and stirred up controversy and has remained controversial, even to this day. There is a discussion of it, from this point of view, in Proust's Remembrance of Things Past.One interpretation of the work is that it depicts the rampant prostitution in the Bois de Boulogne, a large park at the western outskirts of Paris, at the time. This prostitution was common knowledge in Paris, but was considered a taboo subject unsuitable for a painting.Émile Zola comments about Déjeuner sur l'herbe:The Luncheon on the Grass is the greatest work of Édouard Manet, one in which he realizes the dream of all painters: to place figures of natural grandeur in a landscape.  We know the power with which he vanquished this difficulty.  There are some leaves, some tree trunks, and, in the background, a river in which a chemise-wearing woman bathes; in the foreground, two young men are seated across from a second woman who has just exited the water and who dries her naked skin in the open air.  This nude woman has scandalized the public, who see only her in the canvas.  My God!  What indecency: a woman without the slightest covering between two clothed men!  That has never been seen.  And this belief is a gross error, for in the Louvre there are more than fifty paintings in which are found mixes of persons clothed and nude.  But no one goes to the Louvre to be scandalized.  The crowd has kept itself moreover from judging The Luncheon on the Grass like a veritable work of art should be judged; they see in it only some people who are having a picnic, finishing bathing, and they believed that the artist had placed an obscene intent in the disposition of the subject, while the artist had simply sought to obtain vibrant oppositions and a straightforward audience.  Painters, especially Édouard Manet, who is an analytic painter, do not have this preoccupation with the subject which torments the crowd above all; the subject, for them, is merely a pretext to paint, while for the crowd, the subject alone exists.  Thus, assuredly, the nude woman of The Luncheon on the Grass is only there to furnish the artist the occasion to paint a bit of flesh.  That which must be seen in the painting is not a luncheon on the grass; it is the entire landscape, with its vigors and its finesses, with its foregrounds so large, so solid, and its backgrounds of a light delicateness; it is this firm modeled flesh under great spots of light, these tissues supple and strong, and particularly this delicious silhouette of a woman wearing a chemise who makes, in the background, an adorable dapple of white in the milieu of green leaves.  It is, in short, this vast ensemble, full of atmosphere, this corner of nature rendered with a simplicity so just, all of this admirable page in which an artist has placed all the particular and rare elements which are in him.Émile Zola incorporated a fictionalized account of the 1863 scandal in his novel L'Œuvre (The Masterpiece) (1886)."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "展覧会の作品", "subsection": "白の交響曲第1番", "sub_subsection": null, "prompt": "サロン・デ・ルフュゼの文脈で、白の交響曲第1番と展覧会の作品を説明してください。英語で出力して下さい。", "template": "ja_template1_subsection", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "In 1861, after returning to Paris for a time, James Abbott McNeill Whistler painted his first famous work, Symphony in White, No. 1: The White Girl. This portrait of his mistress and business manager Joanna Hiffernan was created as a simple study in white; however, others saw it differently. The critic Jules-Antoine Castagnary thought the painting an allegory of a new bride's lost innocence. Others linked it to Wilkie Collins's The Woman in White, a popular novel of the time, or various other literary sources. In England, some considered it a painting in the Pre-Raphaelite manner. In the painting, Hiffernan holds a lily in her left hand and stands upon a wolf skin rug (interpreted by some to represent masculinity and lust) with the wolf's head staring menacingly at the viewer.Countering criticism by traditionalists, Whistler's supporters insisted that the painting was \"an apparition with a spiritual content\" and that it epitomized his theory that art should be concerned essentially with the arrangement of colors in harmony, not with a literal portrayal of the natural world.Whistler started working on The White Girl shortly after December 3, 1861, with the intention of submitting it to the prestigious annual exhibition of the Royal Academy. In spite of bouts of illness, he finished the painting by April. The white paint Whistler used contained lead, and his work on the seven-foot-high canvas had given the artist a dose of lead poisoning. The portrait was refused for exhibition at the conservative Royal Academy in London.  Whistler then submitted the painting to the Paris Salon of 1863, where it was also rejected. The public was able to see the painting exhibited with other rejected works, in the Salon des Refusés.  The Salon des Refusés was an event sanctioned by Emperor Napoleon III, to appease the large number of artists who joined forces to protest the harsh jury decisions in 1863 Of the over 5,000 paintings submitted in 1863, 2,217 were rejected.  In a letter to George du Maurier in early 1862 Whistler wrote of the painting:... a woman in a beautiful white cambric dress, standing against a window which filters the light through a transparent white muslin curtain – but the figure receives a strong light from the right and therefore the picture, barring the red hair, is one gorgeous mass of brilliant white.Whistler submitted the painting to the Academy, but according to Joanna Hiffernan, he expected it to be rejected. The previous year, in 1861, another painting had caused a minor scandal. Edwin Henry Landseer's The Shrew Tamed showed a horse with a woman resting on the ground nearby. The model was named as Ann Gilbert, a noted equestrienne of the period, however it was soon rumored that it was actually Catherine Walters, the notorious London courtesan. Whistler's painting was reminiscent enough of Landseer's that the judges were wary of admitting it. White Girl was submitted to the Academy along with three etchings, all three of which were accepted, while the painting was not. Whistler exhibited it at the small Berners Street Gallery in London instead. The next year, Whistler tried to have the painting exhibited at the Salon in Paris – the official art exhibition of the Académie des Beaux-Arts – but it was rejected there as well. Instead, it was accepted at the alternative Salon des Refusés – the \"exhibition of rejects\" that opened on May 15, two weeks after the official Salon.Although Whistler's painting was widely noticed, he was upstaged by Manet's more shocking painting Le déjeuner sur l'herbe. The controversy surrounding the paintings was described in Émile Zola's novel L'Œuvre (1886). The reception Whistler's painting received was mostly favourable, however, and largely vindicated him after the rejection he had experienced both in London and in Paris. The painting was greatly admired by his colleagues and friends Manet, the painter Gustave Courbet and the poet Charles Baudelaire. The art critic Théophile Thoré-Bürger saw it in the tradition of Goya and Velázquez. There were, however, those who were less favourable; certain French critics saw the English Pre-Raphaelite trend as somewhat eccentric."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "展覧会の作品", "subsection": "白の交響曲第1番", "sub_subsection": null, "prompt": "サロン・デ・ルフュゼの展覧会の作品に関する白の交響曲第1番を説明してください。英語で出力して下さい。", "template": "ja_template2_subsection", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "In 1861, after returning to Paris for a time, James Abbott McNeill Whistler painted his first famous work, Symphony in White, No. 1: The White Girl. This portrait of his mistress and business manager Joanna Hiffernan was created as a simple study in white; however, others saw it differently. The critic Jules-Antoine Castagnary thought the painting an allegory of a new bride's lost innocence. Others linked it to Wilkie Collins's The Woman in White, a popular novel of the time, or various other literary sources. In England, some considered it a painting in the Pre-Raphaelite manner. In the painting, Hiffernan holds a lily in her left hand and stands upon a wolf skin rug (interpreted by some to represent masculinity and lust) with the wolf's head staring menacingly at the viewer.Countering criticism by traditionalists, Whistler's supporters insisted that the painting was \"an apparition with a spiritual content\" and that it epitomized his theory that art should be concerned essentially with the arrangement of colors in harmony, not with a literal portrayal of the natural world.Whistler started working on The White Girl shortly after December 3, 1861, with the intention of submitting it to the prestigious annual exhibition of the Royal Academy. In spite of bouts of illness, he finished the painting by April. The white paint Whistler used contained lead, and his work on the seven-foot-high canvas had given the artist a dose of lead poisoning. The portrait was refused for exhibition at the conservative Royal Academy in London.  Whistler then submitted the painting to the Paris Salon of 1863, where it was also rejected. The public was able to see the painting exhibited with other rejected works, in the Salon des Refusés.  The Salon des Refusés was an event sanctioned by Emperor Napoleon III, to appease the large number of artists who joined forces to protest the harsh jury decisions in 1863 Of the over 5,000 paintings submitted in 1863, 2,217 were rejected.  In a letter to George du Maurier in early 1862 Whistler wrote of the painting:... a woman in a beautiful white cambric dress, standing against a window which filters the light through a transparent white muslin curtain – but the figure receives a strong light from the right and therefore the picture, barring the red hair, is one gorgeous mass of brilliant white.Whistler submitted the painting to the Academy, but according to Joanna Hiffernan, he expected it to be rejected. The previous year, in 1861, another painting had caused a minor scandal. Edwin Henry Landseer's The Shrew Tamed showed a horse with a woman resting on the ground nearby. The model was named as Ann Gilbert, a noted equestrienne of the period, however it was soon rumored that it was actually Catherine Walters, the notorious London courtesan. Whistler's painting was reminiscent enough of Landseer's that the judges were wary of admitting it. White Girl was submitted to the Academy along with three etchings, all three of which were accepted, while the painting was not. Whistler exhibited it at the small Berners Street Gallery in London instead. The next year, Whistler tried to have the painting exhibited at the Salon in Paris – the official art exhibition of the Académie des Beaux-Arts – but it was rejected there as well. Instead, it was accepted at the alternative Salon des Refusés – the \"exhibition of rejects\" that opened on May 15, two weeks after the official Salon.Although Whistler's painting was widely noticed, he was upstaged by Manet's more shocking painting Le déjeuner sur l'herbe. The controversy surrounding the paintings was described in Émile Zola's novel L'Œuvre (1886). The reception Whistler's painting received was mostly favourable, however, and largely vindicated him after the rejection he had experienced both in London and in Paris. The painting was greatly admired by his colleagues and friends Manet, the painter Gustave Courbet and the poet Charles Baudelaire. The art critic Théophile Thoré-Bürger saw it in the tradition of Goya and Velázquez. There were, however, those who were less favourable; certain French critics saw the English Pre-Raphaelite trend as somewhat eccentric."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "展覧会の作品", "subsection": "白の交響曲第1番", "sub_subsection": null, "prompt": "サロン・デ・ルフュゼでは、どのように展覧会の作品の白の交響曲第1番が説明されていますか？英語で出力して下さい。", "template": "ja_template3_subsection", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "In 1861, after returning to Paris for a time, James Abbott McNeill Whistler painted his first famous work, Symphony in White, No. 1: The White Girl. This portrait of his mistress and business manager Joanna Hiffernan was created as a simple study in white; however, others saw it differently. The critic Jules-Antoine Castagnary thought the painting an allegory of a new bride's lost innocence. Others linked it to Wilkie Collins's The Woman in White, a popular novel of the time, or various other literary sources. In England, some considered it a painting in the Pre-Raphaelite manner. In the painting, Hiffernan holds a lily in her left hand and stands upon a wolf skin rug (interpreted by some to represent masculinity and lust) with the wolf's head staring menacingly at the viewer.Countering criticism by traditionalists, Whistler's supporters insisted that the painting was \"an apparition with a spiritual content\" and that it epitomized his theory that art should be concerned essentially with the arrangement of colors in harmony, not with a literal portrayal of the natural world.Whistler started working on The White Girl shortly after December 3, 1861, with the intention of submitting it to the prestigious annual exhibition of the Royal Academy. In spite of bouts of illness, he finished the painting by April. The white paint Whistler used contained lead, and his work on the seven-foot-high canvas had given the artist a dose of lead poisoning. The portrait was refused for exhibition at the conservative Royal Academy in London.  Whistler then submitted the painting to the Paris Salon of 1863, where it was also rejected. The public was able to see the painting exhibited with other rejected works, in the Salon des Refusés.  The Salon des Refusés was an event sanctioned by Emperor Napoleon III, to appease the large number of artists who joined forces to protest the harsh jury decisions in 1863 Of the over 5,000 paintings submitted in 1863, 2,217 were rejected.  In a letter to George du Maurier in early 1862 Whistler wrote of the painting:... a woman in a beautiful white cambric dress, standing against a window which filters the light through a transparent white muslin curtain – but the figure receives a strong light from the right and therefore the picture, barring the red hair, is one gorgeous mass of brilliant white.Whistler submitted the painting to the Academy, but according to Joanna Hiffernan, he expected it to be rejected. The previous year, in 1861, another painting had caused a minor scandal. Edwin Henry Landseer's The Shrew Tamed showed a horse with a woman resting on the ground nearby. The model was named as Ann Gilbert, a noted equestrienne of the period, however it was soon rumored that it was actually Catherine Walters, the notorious London courtesan. Whistler's painting was reminiscent enough of Landseer's that the judges were wary of admitting it. White Girl was submitted to the Academy along with three etchings, all three of which were accepted, while the painting was not. Whistler exhibited it at the small Berners Street Gallery in London instead. The next year, Whistler tried to have the painting exhibited at the Salon in Paris – the official art exhibition of the Académie des Beaux-Arts – but it was rejected there as well. Instead, it was accepted at the alternative Salon des Refusés – the \"exhibition of rejects\" that opened on May 15, two weeks after the official Salon.Although Whistler's painting was widely noticed, he was upstaged by Manet's more shocking painting Le déjeuner sur l'herbe. The controversy surrounding the paintings was described in Émile Zola's novel L'Œuvre (1886). The reception Whistler's painting received was mostly favourable, however, and largely vindicated him after the rejection he had experienced both in London and in Paris. The painting was greatly admired by his colleagues and friends Manet, the painter Gustave Courbet and the poet Charles Baudelaire. The art critic Théophile Thoré-Bürger saw it in the tradition of Goya and Velázquez. There were, however, those who were less favourable; certain French critics saw the English Pre-Raphaelite trend as somewhat eccentric."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "展覧会の作品", "subsection": "白の交響曲第1番", "sub_subsection": null, "prompt": "サロン・デ・ルフュゼの展覧会の作品における白の交響曲第1番の特徴を説明してください。英語で出力して下さい。", "template": "ja_template4_subsection", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "In 1861, after returning to Paris for a time, James Abbott McNeill Whistler painted his first famous work, Symphony in White, No. 1: The White Girl. This portrait of his mistress and business manager Joanna Hiffernan was created as a simple study in white; however, others saw it differently. The critic Jules-Antoine Castagnary thought the painting an allegory of a new bride's lost innocence. Others linked it to Wilkie Collins's The Woman in White, a popular novel of the time, or various other literary sources. In England, some considered it a painting in the Pre-Raphaelite manner. In the painting, Hiffernan holds a lily in her left hand and stands upon a wolf skin rug (interpreted by some to represent masculinity and lust) with the wolf's head staring menacingly at the viewer.Countering criticism by traditionalists, Whistler's supporters insisted that the painting was \"an apparition with a spiritual content\" and that it epitomized his theory that art should be concerned essentially with the arrangement of colors in harmony, not with a literal portrayal of the natural world.Whistler started working on The White Girl shortly after December 3, 1861, with the intention of submitting it to the prestigious annual exhibition of the Royal Academy. In spite of bouts of illness, he finished the painting by April. The white paint Whistler used contained lead, and his work on the seven-foot-high canvas had given the artist a dose of lead poisoning. The portrait was refused for exhibition at the conservative Royal Academy in London.  Whistler then submitted the painting to the Paris Salon of 1863, where it was also rejected. The public was able to see the painting exhibited with other rejected works, in the Salon des Refusés.  The Salon des Refusés was an event sanctioned by Emperor Napoleon III, to appease the large number of artists who joined forces to protest the harsh jury decisions in 1863 Of the over 5,000 paintings submitted in 1863, 2,217 were rejected.  In a letter to George du Maurier in early 1862 Whistler wrote of the painting:... a woman in a beautiful white cambric dress, standing against a window which filters the light through a transparent white muslin curtain – but the figure receives a strong light from the right and therefore the picture, barring the red hair, is one gorgeous mass of brilliant white.Whistler submitted the painting to the Academy, but according to Joanna Hiffernan, he expected it to be rejected. The previous year, in 1861, another painting had caused a minor scandal. Edwin Henry Landseer's The Shrew Tamed showed a horse with a woman resting on the ground nearby. The model was named as Ann Gilbert, a noted equestrienne of the period, however it was soon rumored that it was actually Catherine Walters, the notorious London courtesan. Whistler's painting was reminiscent enough of Landseer's that the judges were wary of admitting it. White Girl was submitted to the Academy along with three etchings, all three of which were accepted, while the painting was not. Whistler exhibited it at the small Berners Street Gallery in London instead. The next year, Whistler tried to have the painting exhibited at the Salon in Paris – the official art exhibition of the Académie des Beaux-Arts – but it was rejected there as well. Instead, it was accepted at the alternative Salon des Refusés – the \"exhibition of rejects\" that opened on May 15, two weeks after the official Salon.Although Whistler's painting was widely noticed, he was upstaged by Manet's more shocking painting Le déjeuner sur l'herbe. The controversy surrounding the paintings was described in Émile Zola's novel L'Œuvre (1886). The reception Whistler's painting received was mostly favourable, however, and largely vindicated him after the rejection he had experienced both in London and in Paris. The painting was greatly admired by his colleagues and friends Manet, the painter Gustave Courbet and the poet Charles Baudelaire. The art critic Théophile Thoré-Bürger saw it in the tradition of Goya and Velázquez. There were, however, those who were less favourable; certain French critics saw the English Pre-Raphaelite trend as somewhat eccentric."}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "遺産", "subsection": null, "sub_subsection": null, "prompt": "サロン・デ・ルフュゼに焦点を当てて、その遺産を説明してください。英語で出力して下さい。", "template": "ja_template1_section", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "Art historian Albert Boime wrote: \"The Salon des Refusés introduced the democratic concept of a multi-style system (much like a multi-party system) subject to the review of the general jury of the public.\""}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "遺産", "subsection": null, "sub_subsection": null, "prompt": "サロン・デ・ルフュゼの遺産を説明してください。英語で出力して下さい。", "template": "ja_template2_section", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "Art historian Albert Boime wrote: \"The Salon des Refusés introduced the democratic concept of a multi-style system (much like a multi-party system) subject to the review of the general jury of the public.\""}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "遺産", "subsection": null, "sub_subsection": null, "prompt": "サロン・デ・ルフュゼはどのように遺産を説明していますか？英語で出力して下さい。", "template": "ja_template3_section", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "Art historian Albert Boime wrote: \"The Salon des Refusés introduced the democratic concept of a multi-style system (much like a multi-party system) subject to the review of the general jury of the public.\""}
{"title": "サロン・デ・ルフュゼ", "srclang_title": "Salon des Refusés", "en_title": "Salon des Refusés", "pageid": 104540, "page_rank": 350, "page_url": "https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s", "image_url": "https://upload.wikimedia.org/wikipedia/commons/thumb/9/90/Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg/270px-Edouard_Manet_-_Luncheon_on_the_Grass_-_Google_Art_Project.jpg", "section": "遺産", "subsection": null, "sub_subsection": null, "prompt": "サロン・デ・ルフュゼに関して、どのように遺産が議論されていますか？英語で出力して下さい。", "template": "ja_template4_section", "entities": ["The Bathers (Courbet)", "Édouard Baldus", "Alexandre Cabanel", "Unjuried", "Edwin Henry Landseer", "Goya", "Théophile Thoré-Bürger", "Gustave Courbet", "Symphony in White, No. 1: The White Girl", "Edwin Landseer", "Paris Salon", "Royal Academy of Arts", "Proust", "history painting", "300px", "The [[Palais de l'Industrie", "Bois de Boulogne", "Academy of Fine Arts", "Category:Impressionism", "James McNeill Whistler", "Genre art", "Category:1863 in France", " Salon", "Le Déjeuner sur l'herbe", "genre scene", "Pre-Raphaelite Brotherhood", "Salon (gathering)", "Oil on canvas", "Royal Academy summer exhibition", "Catherine Walters", "Louvre", "''Baigneuses''", "Antoine Chintreuil", "National Gallery of Art", "annual exhibition", "Impressionism", "female nude", "Impressionists", "L'Œuvre", "Diego Velázquez", "Déjeuner sur l'herbe", "Musée d'Orsay", "French art salons and academies", "Émile Zola", "Salon (Paris)", "Édouard Manet", "Remembrance of Things Past", "File:Palais de l'Industrie - Édouard Baldus.jpg", "Oil painting", "George du Maurier", "Category:19th century in art", "Charles Baudelaire", "James Abbott McNeill Whistler", "courtesan", "A Burial At Ornans", "Category:Art exhibitions in France", "Paris", "Velázquez", "Wilkie Collins", "thumb", "Category:Avant-garde art", "The Woman in White", "Société des Artistes Indépendants", "Francisco Goya", "Camille Pissarro", "Johan Jongkind", "Royal Academy", "Albert Boime", "Category:Arts in Paris", "Jules-Antoine Castagnary", "Joanna Hiffernan", "Marcel Proust", "Franz Xaver Winterhalter", "Napoleon III", "Pre-Raphaelite", "Académie des Beaux-Arts", "In Search of Lost Time", "''Enterrement à Ornans''", "The Woman in White (novel)"], "gold": "Art historian Albert Boime wrote: \"The Salon des Refusés introduced the democratic concept of a multi-style system (much like a multi-party system) subject to the review of the general jury of the public.\""}