Exhibition of Leningrad artists (1961)

Prompt: In Exhibition of Leningrad artists (1961), how is the Contributing Artists discussed?

In the largest Department of Painting were exhibited art works of 298 authors. There were Piotr Alberti, Evgenia Antipova, Taisia Afonina, Vsevolod Bazhenov, Irina Baldina, Nikolai Baskakov, Leonid Baykov, Yuri Belov, Piotr Belousov, Olga Bogaevskaya, Lev Bogomolets, Nikolai Brandt, Piotr Buchkin, Zlata Bizova, Nikolai Galakhov, Ivan Godlevsky, Elena Gorokhova, Abram Grushko, Oleg Eremeev, Alexei Eriomin, Mikhail Kaneev, Maria Kleschar-Samokhvalova, Mikhail Kozell, Engels Kozlov, Marina Kozlovskaya, Maya Kopitseva, Boris Korneev, Alexander Koroviakov, Elena Kostenko, Anna Kostrova, Gevork Kotiantz, Yaroslav Krestovsky, Valeria Larina, Boris Lavrenko, Ivan Lavsky, Anatoli Levitin, Oleg Lomakin, Dmitry Maevsky, Vladimir Malevsky, Gavriil Malish, Eugene Maltsev, Evsey Moiseenko, Alexei Mozhaev, Nikolai Mukho, Vera Nazina, Mikhail Natarevich, Anatoli Nenartovich, Samuil Nevelshtein, Yuri Neprintsev, Dmitry Oboznenko, Sergei Osipov, Vladimir Ovchinnikov, Lia Ostrova, Filaret Pakun, Genrikh Pavlovsky, Varlen Pen, Boris Petrov, Nikolai Pozdneev, Stepan Privedentsev, Alexander Pushnin, Valentina Rakhina, Semion Rotnitsky, Galina Rumiantseva, Lev Russov, Maria Rudnitskaya, Ivan Savenko, Gleb Savinov, Vladimir Sakson, Alexander Samokhvalov, Vladimir Seleznev, Arseny Semionov, Alexander Semionov, Yuri Shablikin, Boris Shamanov, Alexander Shmidt, Nadezhda Shteinmiller, Elena Skuin, Kim Slavin, Galina Smirnova, Alexander Sokolov, Alexander Stolbov, Victor Teterin, Nikolai Timkov, Leonid Tkachenko, Mikhail Trufanov, Yuri Tulin, Boris Ugarov, Ivan Varichev, Anatoli Vasiliev, Piotr Vasiliev, Valery Vatenin, Lazar Yazgur, German Yegoshin, Vecheslav Zagonek, Sergei Zakharov, Elena Zhukova, Maria Zubreeva, and others most prominent painters of the Leningrad School.In the Department of Sculptures were exhibited art works of 154 sculptors. Department of graphics presented a creation of 165 artists.

Samuil Nevelshtein
Anatoli Vasiliev
File:Russian museam.JPG
Ivan Lavsky
Nikolai Mukho
German Yegoshin
Irina Baldina
Olga Bogaevskaya
Victor Teterin
Elena Skuin
Category:1961 in the Soviet Union
Genrikh Pavlovsky
Eugene Maltsev
Vecheslav Zagonek
''State Russian Museum''
Chernaya River
Anatoli Levitin
Bolsheokhtinsky Bridge
Soviet art
Evsey Moiseenko
Nikolai Baskakov (painter)
Gavriil Malish
Valeria Larina
Boris Korneev (painter)
Boris Shamanov
Sergei Zakharov
Neva River
Anatoli Nenartovich
Piotr Vasiliev
Jeti-Oguz
Alexander Ivanovich Sokolov
Leningrad School
Yaroslav Krestovsky
Staraya Ladoga
Alexei Mozhaev
Saint Petersburg
Alexander Stolbov
Arseny Semionov
Mikhail Kaneev
Vsevolod Bazhenov
Elena Zhukova
Neva
Engels Kozlov
Leningrad School of Painting
Donbass
Alexander Koroviakov
Valery Vatenin
Alexander Samokhvalov
Lev Russov
Sergei Yefimovich Zakharov
Category:1961 in art
Alexander Shmidt
Gavriil Malysh
Boris Lavrenko
''Leningrad''
Jeti-Ögüz resort
Maria Kleschar-Samokhvalova
Tian Shan
Vladimir Ovchinnikov (painter)
Boris Petrov
Elena Kostenko
Maya Kopitseva
Elena Gorokhova
Vladimir Seleznev
Boris Stepanovich Petrov
Ivan Godlevsky
Dmitry Oboznenko
Yelena Zhukova
Mikhail Natarevich
Semion Rotnitsky
Nikolai Timkov
Saint Petersburg Union of Artists
Alexander Sokolov
Dmitry Maevsky
Valentina Rakhina
Leonid Tkachenko (artist)
Filaret Pakun
1961 in fine arts of the Soviet Union
Nikolai Baskakov
Donets Basin
Trypillia
Yuri Belov
Oleg Eremeev
Leonid Baykov
Oleg Lomakin
Vladimir Malevsky
Taiga
Sergei Ivanovich Osipov
Mikhail Kozell
Alexander Pushnin
Vladimir Sakson
Sergei Osipov
State Russian Museum
Shozhma (river)
Shozhma River
Chernaya River (Saint Petersburg)
Lev Bogomolets
Nikolai Pozdneev
Universitetskaya Embankment
Yuri Tulin
Alexei Eriomin
Lia Ostrova
Vera Nazina
Hero of Labour
Hero of Socialist Labour (USSR)
Category:Art exhibitions in Russia
Yuri Neprintsev
Fine Art of Leningrad
Volodarsky Bridge
Bakhchysarai
Stepan Privedentsev
Lazar Yazgur
Ivan Varichev
Anna Kostrova
Maria Zubreeva
Samokhvalov Alexander
Socialist realism
Yuri Shablikin
Nikolai Brandt
Zelenogorsk, Saint Petersburg
Gulf of Finland
Nikolai Galakhov
Marina Kozlovskaya
Taisia Afonina
Leonid Tkachenko
Abram Grushko
Alexander Semionov
Finnish Gulf
Boris Korneev
thumb
Piotr Belousov
Piotr Buchkin
Galina Smirnova
Old Ladoga
Yevsey Moiseyenko
Boris Ugarov
Klaipėda
Piotr Alberti
Zelenogorsk
340px
Evgenia Antipova
Ivan Savenko
Vladimir Ovchinnikov
Gevork Kotiantz
Russian Museum
Category:Socialist realism
Zlata Bizova
Nadezhda Shteinmiller
Alexander Mikhailovich Semionov
[[Russian Museum
Kim Slavin
Galina Rumiantseva
Maria Rudnitskaya
Belozersk
Varlen Pen
Gleb Savinov
Mikhail Trufanov


Exhibition of Leningrad artists (1961)

Prompt: Focus on Exhibition of Leningrad artists (1961) and explain the Contributed Artworks.

For the Exhibition were selected art works created in 1960-1961, also some earlier works. All they were exhibited in the first time. Some of them were subsequently found in the collections of Soviet Art museums, as well as domestic and foreign galleries and collectors.Historical painting was presented of "Victory Salute" by Eugene Maltsev, "The Red came" by Evsey Moiseenko, "Lenin with peasants" by Sergei Osipov, "Son of the Party" by Genrikh Pavlovsky, "Happy meeting with Lenin" by Galina Smirnova, "Leningraders in 1941" by Boris Ugarov, and others.Portrait was presented of "Bread seller" by Elena Gorokhova, "A Mother" by Maria Kleschar-Samokhvalova, "Portrait of girl", "Portrait of Academician Mikhail Kostenko", "Portrait of Academician Baranov" by Elena Kostenko, "Girl with Peaches" by Gevork Kotiantz, "Group portrait of workers" by Valeria Larina, "Portrait of Ira Gay" by Anatoli Levitin, "Portrait of noble fancier Nina Hämäläinen", "Milkmaid" by Oleg Lomakin, "Portrait of Gorunov" by Dmitry Maevsky, "Portrait of architect Zhuk with Family", "Portrait of concertmaster Arkin", "Portrait of Kira Izotova" by Lia Ostrova, "Herdboy", "Portrait of Alexei Demitkin, brigadier of installers" by Genrikh Pavlovsky, "Girl on the porch", "Portrait of Academician Nikolai Davidenkov", "Portrait of Mashkovsky" by Varlen Pen, "Portrait of miller Borodulin", "Portrait of Neganov, chief designer of atomic icebreaker Lenin" by Semion Rotnitsky, "Ironshaper of the factory Russian Diesel", "Young Ironshaper" by Lev Russov, "Nina", "Portrait of Old Man" by Vladimir Sakson, "Notable shepherds" by Vladimir Seleznev, "Girl with fruits" by Elena Skuin, "Portrait of Piotr Protasov, Hero of Labour" by Alexander Sokolov, "Portrait of Honored teacher Nikulina", "Portrait of sculptor Kira Suvorova" by Alexander Stolbov, "Girls of Donbass", "Portrait of Girl", "Girl - mainer", "At reading" by Mikhail Trufanov, "Portrait of Zoya Kislakova", "Portrait of builder Kuchumov", "Portrait of Kuznetsova, a farm worker" by Yuri Tulin, "Khanifa", "A Boy", "Portrait of student" by Maria Zubreeva, and others.Genre painting was presented of "Women - workers of the pig farm", "Volunteers in the collective farm" by Nikolai Baskakov, "Dream" by Yuri Belov, "Born seven-year plan" by Nikolai Brandt, "A Song" by Piotr Buchkin, "Builders of Hydro-electric station" by Zlata Bizova, "Karelian Loggers", "Soon timber rafting" by Nikolai Galakhov, "Enthusiasts", "Evening" by Oleg Eremeev, "A Morning" by Alexei Eriomin, "Country needs a metal" by Boris Korneev, "Soon exams" by Engels Kozlov, "Admiralty Shipyard" by Yaroslav Krestovsky, "In Holiday" by Boris Lavrenko, "After the work", "They need Peace" by Anatoli Levitin, "On the collective farm fair" by Oleg Lomakin, "Summer Day" by Vladimir Malevsky, "In Summer", "Spring has come", "Autumn Day", "A Porch" by Nikolai Pozdneev, "Sports festival in kolkhoz" by Stepan Privedentsev, "On the Volga River" by Alexander Pushnin, "In the Morning" by Valentina Rakhina, "On Stadium" by Maria Rudnitskaya, "Geologists in the Urals", "Conquest of the river", "Taiga retreats" by Ivan Savenko, "Emporium Kirovsky", "Narva Triumphal Gate in Leningrad", "Motor Racing in Jukki" by Gleb Savinov,  "Morning gymnastics" by Vladimir Sakson, "Appassionata", "Light-Blue Twilight" by Alexander Samokhvalov, "At the alloy" by Ivan Varichev, "On the Dvina River" by Anatoli Vasiliev, "The First acquaintance" by Piotr Vasiliev, "Children's skating-rink", "Painting of porcelain" by German Yegoshin, and others.Landscape and Cityscape were presented of "A Midday" by Leonid Baykov, "In Yacht-club", "A North" by Lev Bogomolets, "April" by Zlata Bizova, "Autumn in Crimea", "The Seaside Park" by Ivan Godlevsky, "White Night" by Abram Grushko, "Korbozero" by Alexei Eriomin, "Leningrad Circus", "Fontanka River" by Mikhail Kaneev, "Winter Palace", "Pushkin Square" by Alexander Koroviakov, "Towards Spring" by Mikhail Kozell, "A North" by Marina Kozlovskaya, "White Night in Leningrad", "The Canal in the morning", "Winter day in Leningrad" by Yaroslav Krestovsky, "Bolshaya Okhta" by Ivan Lavsky, "Breath of spring" by Dmitry Maevsky, "Native open spaces" by Lia Ostrova, "Haystacks", "In the Old Ladoga", "Wet Snow", "Square at the village Council" by Sergei Osipov, "Dnieper River", "Trypillia" by Filaret Pakun, "Soviet Far East" by Varlen Pen, "Zelenogorsk" by Genrikh Pavlovsky, "Cheget", "Night on the peak Terskol" by Boris Petrov, "Klaipėda" by Valentina Rakhina, "Northern road", "Taiga retreats" by Ivan Savenko, "The house opposite" by Gleb Savinov, "In the Tian Shan Mountains", "A Road to Jeti-Oguz", "Red House", "Blue Gate" by Vladimir Sakson, "Salts town in Leningrad", "Near the Belinsky bridge in Leningrad", "Moyka River" by Alexander Semionov, "Winter motive of the Leningrad", "St Isaak's Square in Leningrad", "Bolsheokhtinsky Bridge in Leningrad", "Universitetskaya Embankment in Leningrad", "Winter in the Old Ladoga", "Country Council in Old Ladoga", "Shipyard. Finnish Gulf" by Arseny Semionov, "Northern landscape", "Shozhma River", "At the small station" by Yuri Shablikin, "Light-Blue Window" by Boris Shamanov, "Bakhchysarai. Etude", "Small street in Bakhchysarai" by Alexander Shmidt, "Factory", "On the Neva River", "Right bank of the Neva River", "Volodarsky Bridge in Leningrad", "Yachts" by Nadezhda Shteinmiller, "A March" by Victor Teterin, "First Snow", "Aspen grove", "Winter crops", "Warm Autumn" by Nikolai Timkov, "The Leningrad" by Leonid Tkachenko, "Chernaya River" by Mikhail Trufanov, "Pskov", "Near Belozersk" by Boris Ugarov, "A Spring", "Ladoga", "Haystacks" by Ivan Varichev, "Boats" by Anatoli Vasiliev, "Winter close to Moscow" by Valery Vatenin, "Winter trail", "Country store in Old Ladoga" by Lazar Yazgur, "Thunderstorm has passed", "Winter Day" by Vecheslav Zagonek, "Tadjikistan. Industrial landscape" by Sergei Zakharov, "Cloudy Day", "Volkhov Distances", "Hot Day" by Elena Zhukova, and others.Still life paintings were presented of "Apples", "Still life", "Snowdrops" by Olga Bogaevskaya, "Still life with Blue table-cloth", "Bananas", "Poppies", "Still life with persimmon", "Lilies" by Maya Kopitseva, "Evening Still life" by Vladimir Sakson, "Autumn Flowers", "Wildflowers" by Boris Shamanov, "Still life with melon", "Still life with Apples" by Elena Skuin, "Silver Still life", "Autumn Still life" by Kim Slavin, "Still life" by Victor Teterin, "Still life with Watermelon", "Still life with Melon" by Sergei Zakharov, and others.

Samuil Nevelshtein
Anatoli Vasiliev
File:Russian museam.JPG
Ivan Lavsky
Nikolai Mukho
German Yegoshin
Irina Baldina
Olga Bogaevskaya
Victor Teterin
Elena Skuin
Category:1961 in the Soviet Union
Genrikh Pavlovsky
Eugene Maltsev
Vecheslav Zagonek
''State Russian Museum''
Chernaya River
Anatoli Levitin
Bolsheokhtinsky Bridge
Soviet art
Evsey Moiseenko
Nikolai Baskakov (painter)
Gavriil Malish
Valeria Larina
Boris Korneev (painter)
Boris Shamanov
Sergei Zakharov
Neva River
Anatoli Nenartovich
Piotr Vasiliev
Jeti-Oguz
Alexander Ivanovich Sokolov
Leningrad School
Yaroslav Krestovsky
Staraya Ladoga
Alexei Mozhaev
Saint Petersburg
Alexander Stolbov
Arseny Semionov
Mikhail Kaneev
Vsevolod Bazhenov
Elena Zhukova
Neva
Engels Kozlov
Leningrad School of Painting
Donbass
Alexander Koroviakov
Valery Vatenin
Alexander Samokhvalov
Lev Russov
Sergei Yefimovich Zakharov
Category:1961 in art
Alexander Shmidt
Gavriil Malysh
Boris Lavrenko
''Leningrad''
Jeti-Ögüz resort
Maria Kleschar-Samokhvalova
Tian Shan
Vladimir Ovchinnikov (painter)
Boris Petrov
Elena Kostenko
Maya Kopitseva
Elena Gorokhova
Vladimir Seleznev
Boris Stepanovich Petrov
Ivan Godlevsky
Dmitry Oboznenko
Yelena Zhukova
Mikhail Natarevich
Semion Rotnitsky
Nikolai Timkov
Saint Petersburg Union of Artists
Alexander Sokolov
Dmitry Maevsky
Valentina Rakhina
Leonid Tkachenko (artist)
Filaret Pakun
1961 in fine arts of the Soviet Union
Nikolai Baskakov
Donets Basin
Trypillia
Yuri Belov
Oleg Eremeev
Leonid Baykov
Oleg Lomakin
Vladimir Malevsky
Taiga
Sergei Ivanovich Osipov
Mikhail Kozell
Alexander Pushnin
Vladimir Sakson
Sergei Osipov
State Russian Museum
Shozhma (river)
Shozhma River
Chernaya River (Saint Petersburg)
Lev Bogomolets
Nikolai Pozdneev
Universitetskaya Embankment
Yuri Tulin
Alexei Eriomin
Lia Ostrova
Vera Nazina
Hero of Labour
Hero of Socialist Labour (USSR)
Category:Art exhibitions in Russia
Yuri Neprintsev
Fine Art of Leningrad
Volodarsky Bridge
Bakhchysarai
Stepan Privedentsev
Lazar Yazgur
Ivan Varichev
Anna Kostrova
Maria Zubreeva
Samokhvalov Alexander
Socialist realism
Yuri Shablikin
Nikolai Brandt
Zelenogorsk, Saint Petersburg
Gulf of Finland
Nikolai Galakhov
Marina Kozlovskaya
Taisia Afonina
Leonid Tkachenko
Abram Grushko
Alexander Semionov
Finnish Gulf
Boris Korneev
thumb
Piotr Belousov
Piotr Buchkin
Galina Smirnova
Old Ladoga
Yevsey Moiseyenko
Boris Ugarov
Klaipėda
Piotr Alberti
Zelenogorsk
340px
Evgenia Antipova
Ivan Savenko
Vladimir Ovchinnikov
Gevork Kotiantz
Russian Museum
Category:Socialist realism
Zlata Bizova
Nadezhda Shteinmiller
Alexander Mikhailovich Semionov
[[Russian Museum
Kim Slavin
Galina Rumiantseva
Maria Rudnitskaya
Belozersk
Varlen Pen
Gleb Savinov
Mikhail Trufanov


Exhibition of Leningrad artists (1961)

Prompt: Explain the Contributed Artworks of this artwork, Exhibition of Leningrad artists (1961).

For the Exhibition were selected art works created in 1960-1961, also some earlier works. All they were exhibited in the first time. Some of them were subsequently found in the collections of Soviet Art museums, as well as domestic and foreign galleries and collectors.Historical painting was presented of "Victory Salute" by Eugene Maltsev, "The Red came" by Evsey Moiseenko, "Lenin with peasants" by Sergei Osipov, "Son of the Party" by Genrikh Pavlovsky, "Happy meeting with Lenin" by Galina Smirnova, "Leningraders in 1941" by Boris Ugarov, and others.Portrait was presented of "Bread seller" by Elena Gorokhova, "A Mother" by Maria Kleschar-Samokhvalova, "Portrait of girl", "Portrait of Academician Mikhail Kostenko", "Portrait of Academician Baranov" by Elena Kostenko, "Girl with Peaches" by Gevork Kotiantz, "Group portrait of workers" by Valeria Larina, "Portrait of Ira Gay" by Anatoli Levitin, "Portrait of noble fancier Nina Hämäläinen", "Milkmaid" by Oleg Lomakin, "Portrait of Gorunov" by Dmitry Maevsky, "Portrait of architect Zhuk with Family", "Portrait of concertmaster Arkin", "Portrait of Kira Izotova" by Lia Ostrova, "Herdboy", "Portrait of Alexei Demitkin, brigadier of installers" by Genrikh Pavlovsky, "Girl on the porch", "Portrait of Academician Nikolai Davidenkov", "Portrait of Mashkovsky" by Varlen Pen, "Portrait of miller Borodulin", "Portrait of Neganov, chief designer of atomic icebreaker Lenin" by Semion Rotnitsky, "Ironshaper of the factory Russian Diesel", "Young Ironshaper" by Lev Russov, "Nina", "Portrait of Old Man" by Vladimir Sakson, "Notable shepherds" by Vladimir Seleznev, "Girl with fruits" by Elena Skuin, "Portrait of Piotr Protasov, Hero of Labour" by Alexander Sokolov, "Portrait of Honored teacher Nikulina", "Portrait of sculptor Kira Suvorova" by Alexander Stolbov, "Girls of Donbass", "Portrait of Girl", "Girl - mainer", "At reading" by Mikhail Trufanov, "Portrait of Zoya Kislakova", "Portrait of builder Kuchumov", "Portrait of Kuznetsova, a farm worker" by Yuri Tulin, "Khanifa", "A Boy", "Portrait of student" by Maria Zubreeva, and others.Genre painting was presented of "Women - workers of the pig farm", "Volunteers in the collective farm" by Nikolai Baskakov, "Dream" by Yuri Belov, "Born seven-year plan" by Nikolai Brandt, "A Song" by Piotr Buchkin, "Builders of Hydro-electric station" by Zlata Bizova, "Karelian Loggers", "Soon timber rafting" by Nikolai Galakhov, "Enthusiasts", "Evening" by Oleg Eremeev, "A Morning" by Alexei Eriomin, "Country needs a metal" by Boris Korneev, "Soon exams" by Engels Kozlov, "Admiralty Shipyard" by Yaroslav Krestovsky, "In Holiday" by Boris Lavrenko, "After the work", "They need Peace" by Anatoli Levitin, "On the collective farm fair" by Oleg Lomakin, "Summer Day" by Vladimir Malevsky, "In Summer", "Spring has come", "Autumn Day", "A Porch" by Nikolai Pozdneev, "Sports festival in kolkhoz" by Stepan Privedentsev, "On the Volga River" by Alexander Pushnin, "In the Morning" by Valentina Rakhina, "On Stadium" by Maria Rudnitskaya, "Geologists in the Urals", "Conquest of the river", "Taiga retreats" by Ivan Savenko, "Emporium Kirovsky", "Narva Triumphal Gate in Leningrad", "Motor Racing in Jukki" by Gleb Savinov,  "Morning gymnastics" by Vladimir Sakson, "Appassionata", "Light-Blue Twilight" by Alexander Samokhvalov, "At the alloy" by Ivan Varichev, "On the Dvina River" by Anatoli Vasiliev, "The First acquaintance" by Piotr Vasiliev, "Children's skating-rink", "Painting of porcelain" by German Yegoshin, and others.Landscape and Cityscape were presented of "A Midday" by Leonid Baykov, "In Yacht-club", "A North" by Lev Bogomolets, "April" by Zlata Bizova, "Autumn in Crimea", "The Seaside Park" by Ivan Godlevsky, "White Night" by Abram Grushko, "Korbozero" by Alexei Eriomin, "Leningrad Circus", "Fontanka River" by Mikhail Kaneev, "Winter Palace", "Pushkin Square" by Alexander Koroviakov, "Towards Spring" by Mikhail Kozell, "A North" by Marina Kozlovskaya, "White Night in Leningrad", "The Canal in the morning", "Winter day in Leningrad" by Yaroslav Krestovsky, "Bolshaya Okhta" by Ivan Lavsky, "Breath of spring" by Dmitry Maevsky, "Native open spaces" by Lia Ostrova, "Haystacks", "In the Old Ladoga", "Wet Snow", "Square at the village Council" by Sergei Osipov, "Dnieper River", "Trypillia" by Filaret Pakun, "Soviet Far East" by Varlen Pen, "Zelenogorsk" by Genrikh Pavlovsky, "Cheget", "Night on the peak Terskol" by Boris Petrov, "Klaipėda" by Valentina Rakhina, "Northern road", "Taiga retreats" by Ivan Savenko, "The house opposite" by Gleb Savinov, "In the Tian Shan Mountains", "A Road to Jeti-Oguz", "Red House", "Blue Gate" by Vladimir Sakson, "Salts town in Leningrad", "Near the Belinsky bridge in Leningrad", "Moyka River" by Alexander Semionov, "Winter motive of the Leningrad", "St Isaak's Square in Leningrad", "Bolsheokhtinsky Bridge in Leningrad", "Universitetskaya Embankment in Leningrad", "Winter in the Old Ladoga", "Country Council in Old Ladoga", "Shipyard. Finnish Gulf" by Arseny Semionov, "Northern landscape", "Shozhma River", "At the small station" by Yuri Shablikin, "Light-Blue Window" by Boris Shamanov, "Bakhchysarai. Etude", "Small street in Bakhchysarai" by Alexander Shmidt, "Factory", "On the Neva River", "Right bank of the Neva River", "Volodarsky Bridge in Leningrad", "Yachts" by Nadezhda Shteinmiller, "A March" by Victor Teterin, "First Snow", "Aspen grove", "Winter crops", "Warm Autumn" by Nikolai Timkov, "The Leningrad" by Leonid Tkachenko, "Chernaya River" by Mikhail Trufanov, "Pskov", "Near Belozersk" by Boris Ugarov, "A Spring", "Ladoga", "Haystacks" by Ivan Varichev, "Boats" by Anatoli Vasiliev, "Winter close to Moscow" by Valery Vatenin, "Winter trail", "Country store in Old Ladoga" by Lazar Yazgur, "Thunderstorm has passed", "Winter Day" by Vecheslav Zagonek, "Tadjikistan. Industrial landscape" by Sergei Zakharov, "Cloudy Day", "Volkhov Distances", "Hot Day" by Elena Zhukova, and others.Still life paintings were presented of "Apples", "Still life", "Snowdrops" by Olga Bogaevskaya, "Still life with Blue table-cloth", "Bananas", "Poppies", "Still life with persimmon", "Lilies" by Maya Kopitseva, "Evening Still life" by Vladimir Sakson, "Autumn Flowers", "Wildflowers" by Boris Shamanov, "Still life with melon", "Still life with Apples" by Elena Skuin, "Silver Still life", "Autumn Still life" by Kim Slavin, "Still life" by Victor Teterin, "Still life with Watermelon", "Still life with Melon" by Sergei Zakharov, and others.

Samuil Nevelshtein
Anatoli Vasiliev
File:Russian museam.JPG
Ivan Lavsky
Nikolai Mukho
German Yegoshin
Irina Baldina
Olga Bogaevskaya
Victor Teterin
Elena Skuin
Category:1961 in the Soviet Union
Genrikh Pavlovsky
Eugene Maltsev
Vecheslav Zagonek
''State Russian Museum''
Chernaya River
Anatoli Levitin
Bolsheokhtinsky Bridge
Soviet art
Evsey Moiseenko
Nikolai Baskakov (painter)
Gavriil Malish
Valeria Larina
Boris Korneev (painter)
Boris Shamanov
Sergei Zakharov
Neva River
Anatoli Nenartovich
Piotr Vasiliev
Jeti-Oguz
Alexander Ivanovich Sokolov
Leningrad School
Yaroslav Krestovsky
Staraya Ladoga
Alexei Mozhaev
Saint Petersburg
Alexander Stolbov
Arseny Semionov
Mikhail Kaneev
Vsevolod Bazhenov
Elena Zhukova
Neva
Engels Kozlov
Leningrad School of Painting
Donbass
Alexander Koroviakov
Valery Vatenin
Alexander Samokhvalov
Lev Russov
Sergei Yefimovich Zakharov
Category:1961 in art
Alexander Shmidt
Gavriil Malysh
Boris Lavrenko
''Leningrad''
Jeti-Ögüz resort
Maria Kleschar-Samokhvalova
Tian Shan
Vladimir Ovchinnikov (painter)
Boris Petrov
Elena Kostenko
Maya Kopitseva
Elena Gorokhova
Vladimir Seleznev
Boris Stepanovich Petrov
Ivan Godlevsky
Dmitry Oboznenko
Yelena Zhukova
Mikhail Natarevich
Semion Rotnitsky
Nikolai Timkov
Saint Petersburg Union of Artists
Alexander Sokolov
Dmitry Maevsky
Valentina Rakhina
Leonid Tkachenko (artist)
Filaret Pakun
1961 in fine arts of the Soviet Union
Nikolai Baskakov
Donets Basin
Trypillia
Yuri Belov
Oleg Eremeev
Leonid Baykov
Oleg Lomakin
Vladimir Malevsky
Taiga
Sergei Ivanovich Osipov
Mikhail Kozell
Alexander Pushnin
Vladimir Sakson
Sergei Osipov
State Russian Museum
Shozhma (river)
Shozhma River
Chernaya River (Saint Petersburg)
Lev Bogomolets
Nikolai Pozdneev
Universitetskaya Embankment
Yuri Tulin
Alexei Eriomin
Lia Ostrova
Vera Nazina
Hero of Labour
Hero of Socialist Labour (USSR)
Category:Art exhibitions in Russia
Yuri Neprintsev
Fine Art of Leningrad
Volodarsky Bridge
Bakhchysarai
Stepan Privedentsev
Lazar Yazgur
Ivan Varichev
Anna Kostrova
Maria Zubreeva
Samokhvalov Alexander
Socialist realism
Yuri Shablikin
Nikolai Brandt
Zelenogorsk, Saint Petersburg
Gulf of Finland
Nikolai Galakhov
Marina Kozlovskaya
Taisia Afonina
Leonid Tkachenko
Abram Grushko
Alexander Semionov
Finnish Gulf
Boris Korneev
thumb
Piotr Belousov
Piotr Buchkin
Galina Smirnova
Old Ladoga
Yevsey Moiseyenko
Boris Ugarov
Klaipėda
Piotr Alberti
Zelenogorsk
340px
Evgenia Antipova
Ivan Savenko
Vladimir Ovchinnikov
Gevork Kotiantz
Russian Museum
Category:Socialist realism
Zlata Bizova
Nadezhda Shteinmiller
Alexander Mikhailovich Semionov
[[Russian Museum
Kim Slavin
Galina Rumiantseva
Maria Rudnitskaya
Belozersk
Varlen Pen
Gleb Savinov
Mikhail Trufanov


Exhibition of Leningrad artists (1961)

Prompt: How does Exhibition of Leningrad artists (1961) explain its Contributed Artworks?

For the Exhibition were selected art works created in 1960-1961, also some earlier works. All they were exhibited in the first time. Some of them were subsequently found in the collections of Soviet Art museums, as well as domestic and foreign galleries and collectors.Historical painting was presented of "Victory Salute" by Eugene Maltsev, "The Red came" by Evsey Moiseenko, "Lenin with peasants" by Sergei Osipov, "Son of the Party" by Genrikh Pavlovsky, "Happy meeting with Lenin" by Galina Smirnova, "Leningraders in 1941" by Boris Ugarov, and others.Portrait was presented of "Bread seller" by Elena Gorokhova, "A Mother" by Maria Kleschar-Samokhvalova, "Portrait of girl", "Portrait of Academician Mikhail Kostenko", "Portrait of Academician Baranov" by Elena Kostenko, "Girl with Peaches" by Gevork Kotiantz, "Group portrait of workers" by Valeria Larina, "Portrait of Ira Gay" by Anatoli Levitin, "Portrait of noble fancier Nina Hämäläinen", "Milkmaid" by Oleg Lomakin, "Portrait of Gorunov" by Dmitry Maevsky, "Portrait of architect Zhuk with Family", "Portrait of concertmaster Arkin", "Portrait of Kira Izotova" by Lia Ostrova, "Herdboy", "Portrait of Alexei Demitkin, brigadier of installers" by Genrikh Pavlovsky, "Girl on the porch", "Portrait of Academician Nikolai Davidenkov", "Portrait of Mashkovsky" by Varlen Pen, "Portrait of miller Borodulin", "Portrait of Neganov, chief designer of atomic icebreaker Lenin" by Semion Rotnitsky, "Ironshaper of the factory Russian Diesel", "Young Ironshaper" by Lev Russov, "Nina", "Portrait of Old Man" by Vladimir Sakson, "Notable shepherds" by Vladimir Seleznev, "Girl with fruits" by Elena Skuin, "Portrait of Piotr Protasov, Hero of Labour" by Alexander Sokolov, "Portrait of Honored teacher Nikulina", "Portrait of sculptor Kira Suvorova" by Alexander Stolbov, "Girls of Donbass", "Portrait of Girl", "Girl - mainer", "At reading" by Mikhail Trufanov, "Portrait of Zoya Kislakova", "Portrait of builder Kuchumov", "Portrait of Kuznetsova, a farm worker" by Yuri Tulin, "Khanifa", "A Boy", "Portrait of student" by Maria Zubreeva, and others.Genre painting was presented of "Women - workers of the pig farm", "Volunteers in the collective farm" by Nikolai Baskakov, "Dream" by Yuri Belov, "Born seven-year plan" by Nikolai Brandt, "A Song" by Piotr Buchkin, "Builders of Hydro-electric station" by Zlata Bizova, "Karelian Loggers", "Soon timber rafting" by Nikolai Galakhov, "Enthusiasts", "Evening" by Oleg Eremeev, "A Morning" by Alexei Eriomin, "Country needs a metal" by Boris Korneev, "Soon exams" by Engels Kozlov, "Admiralty Shipyard" by Yaroslav Krestovsky, "In Holiday" by Boris Lavrenko, "After the work", "They need Peace" by Anatoli Levitin, "On the collective farm fair" by Oleg Lomakin, "Summer Day" by Vladimir Malevsky, "In Summer", "Spring has come", "Autumn Day", "A Porch" by Nikolai Pozdneev, "Sports festival in kolkhoz" by Stepan Privedentsev, "On the Volga River" by Alexander Pushnin, "In the Morning" by Valentina Rakhina, "On Stadium" by Maria Rudnitskaya, "Geologists in the Urals", "Conquest of the river", "Taiga retreats" by Ivan Savenko, "Emporium Kirovsky", "Narva Triumphal Gate in Leningrad", "Motor Racing in Jukki" by Gleb Savinov,  "Morning gymnastics" by Vladimir Sakson, "Appassionata", "Light-Blue Twilight" by Alexander Samokhvalov, "At the alloy" by Ivan Varichev, "On the Dvina River" by Anatoli Vasiliev, "The First acquaintance" by Piotr Vasiliev, "Children's skating-rink", "Painting of porcelain" by German Yegoshin, and others.Landscape and Cityscape were presented of "A Midday" by Leonid Baykov, "In Yacht-club", "A North" by Lev Bogomolets, "April" by Zlata Bizova, "Autumn in Crimea", "The Seaside Park" by Ivan Godlevsky, "White Night" by Abram Grushko, "Korbozero" by Alexei Eriomin, "Leningrad Circus", "Fontanka River" by Mikhail Kaneev, "Winter Palace", "Pushkin Square" by Alexander Koroviakov, "Towards Spring" by Mikhail Kozell, "A North" by Marina Kozlovskaya, "White Night in Leningrad", "The Canal in the morning", "Winter day in Leningrad" by Yaroslav Krestovsky, "Bolshaya Okhta" by Ivan Lavsky, "Breath of spring" by Dmitry Maevsky, "Native open spaces" by Lia Ostrova, "Haystacks", "In the Old Ladoga", "Wet Snow", "Square at the village Council" by Sergei Osipov, "Dnieper River", "Trypillia" by Filaret Pakun, "Soviet Far East" by Varlen Pen, "Zelenogorsk" by Genrikh Pavlovsky, "Cheget", "Night on the peak Terskol" by Boris Petrov, "Klaipėda" by Valentina Rakhina, "Northern road", "Taiga retreats" by Ivan Savenko, "The house opposite" by Gleb Savinov, "In the Tian Shan Mountains", "A Road to Jeti-Oguz", "Red House", "Blue Gate" by Vladimir Sakson, "Salts town in Leningrad", "Near the Belinsky bridge in Leningrad", "Moyka River" by Alexander Semionov, "Winter motive of the Leningrad", "St Isaak's Square in Leningrad", "Bolsheokhtinsky Bridge in Leningrad", "Universitetskaya Embankment in Leningrad", "Winter in the Old Ladoga", "Country Council in Old Ladoga", "Shipyard. Finnish Gulf" by Arseny Semionov, "Northern landscape", "Shozhma River", "At the small station" by Yuri Shablikin, "Light-Blue Window" by Boris Shamanov, "Bakhchysarai. Etude", "Small street in Bakhchysarai" by Alexander Shmidt, "Factory", "On the Neva River", "Right bank of the Neva River", "Volodarsky Bridge in Leningrad", "Yachts" by Nadezhda Shteinmiller, "A March" by Victor Teterin, "First Snow", "Aspen grove", "Winter crops", "Warm Autumn" by Nikolai Timkov, "The Leningrad" by Leonid Tkachenko, "Chernaya River" by Mikhail Trufanov, "Pskov", "Near Belozersk" by Boris Ugarov, "A Spring", "Ladoga", "Haystacks" by Ivan Varichev, "Boats" by Anatoli Vasiliev, "Winter close to Moscow" by Valery Vatenin, "Winter trail", "Country store in Old Ladoga" by Lazar Yazgur, "Thunderstorm has passed", "Winter Day" by Vecheslav Zagonek, "Tadjikistan. Industrial landscape" by Sergei Zakharov, "Cloudy Day", "Volkhov Distances", "Hot Day" by Elena Zhukova, and others.Still life paintings were presented of "Apples", "Still life", "Snowdrops" by Olga Bogaevskaya, "Still life with Blue table-cloth", "Bananas", "Poppies", "Still life with persimmon", "Lilies" by Maya Kopitseva, "Evening Still life" by Vladimir Sakson, "Autumn Flowers", "Wildflowers" by Boris Shamanov, "Still life with melon", "Still life with Apples" by Elena Skuin, "Silver Still life", "Autumn Still life" by Kim Slavin, "Still life" by Victor Teterin, "Still life with Watermelon", "Still life with Melon" by Sergei Zakharov, and others.

Samuil Nevelshtein
Anatoli Vasiliev
File:Russian museam.JPG
Ivan Lavsky
Nikolai Mukho
German Yegoshin
Irina Baldina
Olga Bogaevskaya
Victor Teterin
Elena Skuin
Category:1961 in the Soviet Union
Genrikh Pavlovsky
Eugene Maltsev
Vecheslav Zagonek
''State Russian Museum''
Chernaya River
Anatoli Levitin
Bolsheokhtinsky Bridge
Soviet art
Evsey Moiseenko
Nikolai Baskakov (painter)
Gavriil Malish
Valeria Larina
Boris Korneev (painter)
Boris Shamanov
Sergei Zakharov
Neva River
Anatoli Nenartovich
Piotr Vasiliev
Jeti-Oguz
Alexander Ivanovich Sokolov
Leningrad School
Yaroslav Krestovsky
Staraya Ladoga
Alexei Mozhaev
Saint Petersburg
Alexander Stolbov
Arseny Semionov
Mikhail Kaneev
Vsevolod Bazhenov
Elena Zhukova
Neva
Engels Kozlov
Leningrad School of Painting
Donbass
Alexander Koroviakov
Valery Vatenin
Alexander Samokhvalov
Lev Russov
Sergei Yefimovich Zakharov
Category:1961 in art
Alexander Shmidt
Gavriil Malysh
Boris Lavrenko
''Leningrad''
Jeti-Ögüz resort
Maria Kleschar-Samokhvalova
Tian Shan
Vladimir Ovchinnikov (painter)
Boris Petrov
Elena Kostenko
Maya Kopitseva
Elena Gorokhova
Vladimir Seleznev
Boris Stepanovich Petrov
Ivan Godlevsky
Dmitry Oboznenko
Yelena Zhukova
Mikhail Natarevich
Semion Rotnitsky
Nikolai Timkov
Saint Petersburg Union of Artists
Alexander Sokolov
Dmitry Maevsky
Valentina Rakhina
Leonid Tkachenko (artist)
Filaret Pakun
1961 in fine arts of the Soviet Union
Nikolai Baskakov
Donets Basin
Trypillia
Yuri Belov
Oleg Eremeev
Leonid Baykov
Oleg Lomakin
Vladimir Malevsky
Taiga
Sergei Ivanovich Osipov
Mikhail Kozell
Alexander Pushnin
Vladimir Sakson
Sergei Osipov
State Russian Museum
Shozhma (river)
Shozhma River
Chernaya River (Saint Petersburg)
Lev Bogomolets
Nikolai Pozdneev
Universitetskaya Embankment
Yuri Tulin
Alexei Eriomin
Lia Ostrova
Vera Nazina
Hero of Labour
Hero of Socialist Labour (USSR)
Category:Art exhibitions in Russia
Yuri Neprintsev
Fine Art of Leningrad
Volodarsky Bridge
Bakhchysarai
Stepan Privedentsev
Lazar Yazgur
Ivan Varichev
Anna Kostrova
Maria Zubreeva
Samokhvalov Alexander
Socialist realism
Yuri Shablikin
Nikolai Brandt
Zelenogorsk, Saint Petersburg
Gulf of Finland
Nikolai Galakhov
Marina Kozlovskaya
Taisia Afonina
Leonid Tkachenko
Abram Grushko
Alexander Semionov
Finnish Gulf
Boris Korneev
thumb
Piotr Belousov
Piotr Buchkin
Galina Smirnova
Old Ladoga
Yevsey Moiseyenko
Boris Ugarov
Klaipėda
Piotr Alberti
Zelenogorsk
340px
Evgenia Antipova
Ivan Savenko
Vladimir Ovchinnikov
Gevork Kotiantz
Russian Museum
Category:Socialist realism
Zlata Bizova
Nadezhda Shteinmiller
Alexander Mikhailovich Semionov
[[Russian Museum
Kim Slavin
Galina Rumiantseva
Maria Rudnitskaya
Belozersk
Varlen Pen
Gleb Savinov
Mikhail Trufanov


Exhibition of Leningrad artists (1961)

Prompt: In Exhibition of Leningrad artists (1961), how is the Contributed Artworks discussed?

For the Exhibition were selected art works created in 1960-1961, also some earlier works. All they were exhibited in the first time. Some of them were subsequently found in the collections of Soviet Art museums, as well as domestic and foreign galleries and collectors.Historical painting was presented of "Victory Salute" by Eugene Maltsev, "The Red came" by Evsey Moiseenko, "Lenin with peasants" by Sergei Osipov, "Son of the Party" by Genrikh Pavlovsky, "Happy meeting with Lenin" by Galina Smirnova, "Leningraders in 1941" by Boris Ugarov, and others.Portrait was presented of "Bread seller" by Elena Gorokhova, "A Mother" by Maria Kleschar-Samokhvalova, "Portrait of girl", "Portrait of Academician Mikhail Kostenko", "Portrait of Academician Baranov" by Elena Kostenko, "Girl with Peaches" by Gevork Kotiantz, "Group portrait of workers" by Valeria Larina, "Portrait of Ira Gay" by Anatoli Levitin, "Portrait of noble fancier Nina Hämäläinen", "Milkmaid" by Oleg Lomakin, "Portrait of Gorunov" by Dmitry Maevsky, "Portrait of architect Zhuk with Family", "Portrait of concertmaster Arkin", "Portrait of Kira Izotova" by Lia Ostrova, "Herdboy", "Portrait of Alexei Demitkin, brigadier of installers" by Genrikh Pavlovsky, "Girl on the porch", "Portrait of Academician Nikolai Davidenkov", "Portrait of Mashkovsky" by Varlen Pen, "Portrait of miller Borodulin", "Portrait of Neganov, chief designer of atomic icebreaker Lenin" by Semion Rotnitsky, "Ironshaper of the factory Russian Diesel", "Young Ironshaper" by Lev Russov, "Nina", "Portrait of Old Man" by Vladimir Sakson, "Notable shepherds" by Vladimir Seleznev, "Girl with fruits" by Elena Skuin, "Portrait of Piotr Protasov, Hero of Labour" by Alexander Sokolov, "Portrait of Honored teacher Nikulina", "Portrait of sculptor Kira Suvorova" by Alexander Stolbov, "Girls of Donbass", "Portrait of Girl", "Girl - mainer", "At reading" by Mikhail Trufanov, "Portrait of Zoya Kislakova", "Portrait of builder Kuchumov", "Portrait of Kuznetsova, a farm worker" by Yuri Tulin, "Khanifa", "A Boy", "Portrait of student" by Maria Zubreeva, and others.Genre painting was presented of "Women - workers of the pig farm", "Volunteers in the collective farm" by Nikolai Baskakov, "Dream" by Yuri Belov, "Born seven-year plan" by Nikolai Brandt, "A Song" by Piotr Buchkin, "Builders of Hydro-electric station" by Zlata Bizova, "Karelian Loggers", "Soon timber rafting" by Nikolai Galakhov, "Enthusiasts", "Evening" by Oleg Eremeev, "A Morning" by Alexei Eriomin, "Country needs a metal" by Boris Korneev, "Soon exams" by Engels Kozlov, "Admiralty Shipyard" by Yaroslav Krestovsky, "In Holiday" by Boris Lavrenko, "After the work", "They need Peace" by Anatoli Levitin, "On the collective farm fair" by Oleg Lomakin, "Summer Day" by Vladimir Malevsky, "In Summer", "Spring has come", "Autumn Day", "A Porch" by Nikolai Pozdneev, "Sports festival in kolkhoz" by Stepan Privedentsev, "On the Volga River" by Alexander Pushnin, "In the Morning" by Valentina Rakhina, "On Stadium" by Maria Rudnitskaya, "Geologists in the Urals", "Conquest of the river", "Taiga retreats" by Ivan Savenko, "Emporium Kirovsky", "Narva Triumphal Gate in Leningrad", "Motor Racing in Jukki" by Gleb Savinov,  "Morning gymnastics" by Vladimir Sakson, "Appassionata", "Light-Blue Twilight" by Alexander Samokhvalov, "At the alloy" by Ivan Varichev, "On the Dvina River" by Anatoli Vasiliev, "The First acquaintance" by Piotr Vasiliev, "Children's skating-rink", "Painting of porcelain" by German Yegoshin, and others.Landscape and Cityscape were presented of "A Midday" by Leonid Baykov, "In Yacht-club", "A North" by Lev Bogomolets, "April" by Zlata Bizova, "Autumn in Crimea", "The Seaside Park" by Ivan Godlevsky, "White Night" by Abram Grushko, "Korbozero" by Alexei Eriomin, "Leningrad Circus", "Fontanka River" by Mikhail Kaneev, "Winter Palace", "Pushkin Square" by Alexander Koroviakov, "Towards Spring" by Mikhail Kozell, "A North" by Marina Kozlovskaya, "White Night in Leningrad", "The Canal in the morning", "Winter day in Leningrad" by Yaroslav Krestovsky, "Bolshaya Okhta" by Ivan Lavsky, "Breath of spring" by Dmitry Maevsky, "Native open spaces" by Lia Ostrova, "Haystacks", "In the Old Ladoga", "Wet Snow", "Square at the village Council" by Sergei Osipov, "Dnieper River", "Trypillia" by Filaret Pakun, "Soviet Far East" by Varlen Pen, "Zelenogorsk" by Genrikh Pavlovsky, "Cheget", "Night on the peak Terskol" by Boris Petrov, "Klaipėda" by Valentina Rakhina, "Northern road", "Taiga retreats" by Ivan Savenko, "The house opposite" by Gleb Savinov, "In the Tian Shan Mountains", "A Road to Jeti-Oguz", "Red House", "Blue Gate" by Vladimir Sakson, "Salts town in Leningrad", "Near the Belinsky bridge in Leningrad", "Moyka River" by Alexander Semionov, "Winter motive of the Leningrad", "St Isaak's Square in Leningrad", "Bolsheokhtinsky Bridge in Leningrad", "Universitetskaya Embankment in Leningrad", "Winter in the Old Ladoga", "Country Council in Old Ladoga", "Shipyard. Finnish Gulf" by Arseny Semionov, "Northern landscape", "Shozhma River", "At the small station" by Yuri Shablikin, "Light-Blue Window" by Boris Shamanov, "Bakhchysarai. Etude", "Small street in Bakhchysarai" by Alexander Shmidt, "Factory", "On the Neva River", "Right bank of the Neva River", "Volodarsky Bridge in Leningrad", "Yachts" by Nadezhda Shteinmiller, "A March" by Victor Teterin, "First Snow", "Aspen grove", "Winter crops", "Warm Autumn" by Nikolai Timkov, "The Leningrad" by Leonid Tkachenko, "Chernaya River" by Mikhail Trufanov, "Pskov", "Near Belozersk" by Boris Ugarov, "A Spring", "Ladoga", "Haystacks" by Ivan Varichev, "Boats" by Anatoli Vasiliev, "Winter close to Moscow" by Valery Vatenin, "Winter trail", "Country store in Old Ladoga" by Lazar Yazgur, "Thunderstorm has passed", "Winter Day" by Vecheslav Zagonek, "Tadjikistan. Industrial landscape" by Sergei Zakharov, "Cloudy Day", "Volkhov Distances", "Hot Day" by Elena Zhukova, and others.Still life paintings were presented of "Apples", "Still life", "Snowdrops" by Olga Bogaevskaya, "Still life with Blue table-cloth", "Bananas", "Poppies", "Still life with persimmon", "Lilies" by Maya Kopitseva, "Evening Still life" by Vladimir Sakson, "Autumn Flowers", "Wildflowers" by Boris Shamanov, "Still life with melon", "Still life with Apples" by Elena Skuin, "Silver Still life", "Autumn Still life" by Kim Slavin, "Still life" by Victor Teterin, "Still life with Watermelon", "Still life with Melon" by Sergei Zakharov, and others.

Samuil Nevelshtein
Anatoli Vasiliev
File:Russian museam.JPG
Ivan Lavsky
Nikolai Mukho
German Yegoshin
Irina Baldina
Olga Bogaevskaya
Victor Teterin
Elena Skuin
Category:1961 in the Soviet Union
Genrikh Pavlovsky
Eugene Maltsev
Vecheslav Zagonek
''State Russian Museum''
Chernaya River
Anatoli Levitin
Bolsheokhtinsky Bridge
Soviet art
Evsey Moiseenko
Nikolai Baskakov (painter)
Gavriil Malish
Valeria Larina
Boris Korneev (painter)
Boris Shamanov
Sergei Zakharov
Neva River
Anatoli Nenartovich
Piotr Vasiliev
Jeti-Oguz
Alexander Ivanovich Sokolov
Leningrad School
Yaroslav Krestovsky
Staraya Ladoga
Alexei Mozhaev
Saint Petersburg
Alexander Stolbov
Arseny Semionov
Mikhail Kaneev
Vsevolod Bazhenov
Elena Zhukova
Neva
Engels Kozlov
Leningrad School of Painting
Donbass
Alexander Koroviakov
Valery Vatenin
Alexander Samokhvalov
Lev Russov
Sergei Yefimovich Zakharov
Category:1961 in art
Alexander Shmidt
Gavriil Malysh
Boris Lavrenko
''Leningrad''
Jeti-Ögüz resort
Maria Kleschar-Samokhvalova
Tian Shan
Vladimir Ovchinnikov (painter)
Boris Petrov
Elena Kostenko
Maya Kopitseva
Elena Gorokhova
Vladimir Seleznev
Boris Stepanovich Petrov
Ivan Godlevsky
Dmitry Oboznenko
Yelena Zhukova
Mikhail Natarevich
Semion Rotnitsky
Nikolai Timkov
Saint Petersburg Union of Artists
Alexander Sokolov
Dmitry Maevsky
Valentina Rakhina
Leonid Tkachenko (artist)
Filaret Pakun
1961 in fine arts of the Soviet Union
Nikolai Baskakov
Donets Basin
Trypillia
Yuri Belov
Oleg Eremeev
Leonid Baykov
Oleg Lomakin
Vladimir Malevsky
Taiga
Sergei Ivanovich Osipov
Mikhail Kozell
Alexander Pushnin
Vladimir Sakson
Sergei Osipov
State Russian Museum
Shozhma (river)
Shozhma River
Chernaya River (Saint Petersburg)
Lev Bogomolets
Nikolai Pozdneev
Universitetskaya Embankment
Yuri Tulin
Alexei Eriomin
Lia Ostrova
Vera Nazina
Hero of Labour
Hero of Socialist Labour (USSR)
Category:Art exhibitions in Russia
Yuri Neprintsev
Fine Art of Leningrad
Volodarsky Bridge
Bakhchysarai
Stepan Privedentsev
Lazar Yazgur
Ivan Varichev
Anna Kostrova
Maria Zubreeva
Samokhvalov Alexander
Socialist realism
Yuri Shablikin
Nikolai Brandt
Zelenogorsk, Saint Petersburg
Gulf of Finland
Nikolai Galakhov
Marina Kozlovskaya
Taisia Afonina
Leonid Tkachenko
Abram Grushko
Alexander Semionov
Finnish Gulf
Boris Korneev
thumb
Piotr Belousov
Piotr Buchkin
Galina Smirnova
Old Ladoga
Yevsey Moiseyenko
Boris Ugarov
Klaipėda
Piotr Alberti
Zelenogorsk
340px
Evgenia Antipova
Ivan Savenko
Vladimir Ovchinnikov
Gevork Kotiantz
Russian Museum
Category:Socialist realism
Zlata Bizova
Nadezhda Shteinmiller
Alexander Mikhailovich Semionov
[[Russian Museum
Kim Slavin
Galina Rumiantseva
Maria Rudnitskaya
Belozersk
Varlen Pen
Gleb Savinov
Mikhail Trufanov


Exhibition of Leningrad artists (1961)

Prompt: Focus on Exhibition of Leningrad artists (1961) and explain the Acknowledgment.

Exhibition of the Leningrad artists of 1961 was widely covered in press and in literature on Soviet fine art.

Samuil Nevelshtein
Anatoli Vasiliev
File:Russian museam.JPG
Ivan Lavsky
Nikolai Mukho
German Yegoshin
Irina Baldina
Olga Bogaevskaya
Victor Teterin
Elena Skuin
Category:1961 in the Soviet Union
Genrikh Pavlovsky
Eugene Maltsev
Vecheslav Zagonek
''State Russian Museum''
Chernaya River
Anatoli Levitin
Bolsheokhtinsky Bridge
Soviet art
Evsey Moiseenko
Nikolai Baskakov (painter)
Gavriil Malish
Valeria Larina
Boris Korneev (painter)
Boris Shamanov
Sergei Zakharov
Neva River
Anatoli Nenartovich
Piotr Vasiliev
Jeti-Oguz
Alexander Ivanovich Sokolov
Leningrad School
Yaroslav Krestovsky
Staraya Ladoga
Alexei Mozhaev
Saint Petersburg
Alexander Stolbov
Arseny Semionov
Mikhail Kaneev
Vsevolod Bazhenov
Elena Zhukova
Neva
Engels Kozlov
Leningrad School of Painting
Donbass
Alexander Koroviakov
Valery Vatenin
Alexander Samokhvalov
Lev Russov
Sergei Yefimovich Zakharov
Category:1961 in art
Alexander Shmidt
Gavriil Malysh
Boris Lavrenko
''Leningrad''
Jeti-Ögüz resort
Maria Kleschar-Samokhvalova
Tian Shan
Vladimir Ovchinnikov (painter)
Boris Petrov
Elena Kostenko
Maya Kopitseva
Elena Gorokhova
Vladimir Seleznev
Boris Stepanovich Petrov
Ivan Godlevsky
Dmitry Oboznenko
Yelena Zhukova
Mikhail Natarevich
Semion Rotnitsky
Nikolai Timkov
Saint Petersburg Union of Artists
Alexander Sokolov
Dmitry Maevsky
Valentina Rakhina
Leonid Tkachenko (artist)
Filaret Pakun
1961 in fine arts of the Soviet Union
Nikolai Baskakov
Donets Basin
Trypillia
Yuri Belov
Oleg Eremeev
Leonid Baykov
Oleg Lomakin
Vladimir Malevsky
Taiga
Sergei Ivanovich Osipov
Mikhail Kozell
Alexander Pushnin
Vladimir Sakson
Sergei Osipov
State Russian Museum
Shozhma (river)
Shozhma River
Chernaya River (Saint Petersburg)
Lev Bogomolets
Nikolai Pozdneev
Universitetskaya Embankment
Yuri Tulin
Alexei Eriomin
Lia Ostrova
Vera Nazina
Hero of Labour
Hero of Socialist Labour (USSR)
Category:Art exhibitions in Russia
Yuri Neprintsev
Fine Art of Leningrad
Volodarsky Bridge
Bakhchysarai
Stepan Privedentsev
Lazar Yazgur
Ivan Varichev
Anna Kostrova
Maria Zubreeva
Samokhvalov Alexander
Socialist realism
Yuri Shablikin
Nikolai Brandt
Zelenogorsk, Saint Petersburg
Gulf of Finland
Nikolai Galakhov
Marina Kozlovskaya
Taisia Afonina
Leonid Tkachenko
Abram Grushko
Alexander Semionov
Finnish Gulf
Boris Korneev
thumb
Piotr Belousov
Piotr Buchkin
Galina Smirnova
Old Ladoga
Yevsey Moiseyenko
Boris Ugarov
Klaipėda
Piotr Alberti
Zelenogorsk
340px
Evgenia Antipova
Ivan Savenko
Vladimir Ovchinnikov
Gevork Kotiantz
Russian Museum
Category:Socialist realism
Zlata Bizova
Nadezhda Shteinmiller
Alexander Mikhailovich Semionov
[[Russian Museum
Kim Slavin
Galina Rumiantseva
Maria Rudnitskaya
Belozersk
Varlen Pen
Gleb Savinov
Mikhail Trufanov


Exhibition of Leningrad artists (1961)

Prompt: Explain the Acknowledgment of this artwork, Exhibition of Leningrad artists (1961).

Exhibition of the Leningrad artists of 1961 was widely covered in press and in literature on Soviet fine art.

Samuil Nevelshtein
Anatoli Vasiliev
File:Russian museam.JPG
Ivan Lavsky
Nikolai Mukho
German Yegoshin
Irina Baldina
Olga Bogaevskaya
Victor Teterin
Elena Skuin
Category:1961 in the Soviet Union
Genrikh Pavlovsky
Eugene Maltsev
Vecheslav Zagonek
''State Russian Museum''
Chernaya River
Anatoli Levitin
Bolsheokhtinsky Bridge
Soviet art
Evsey Moiseenko
Nikolai Baskakov (painter)
Gavriil Malish
Valeria Larina
Boris Korneev (painter)
Boris Shamanov
Sergei Zakharov
Neva River
Anatoli Nenartovich
Piotr Vasiliev
Jeti-Oguz
Alexander Ivanovich Sokolov
Leningrad School
Yaroslav Krestovsky
Staraya Ladoga
Alexei Mozhaev
Saint Petersburg
Alexander Stolbov
Arseny Semionov
Mikhail Kaneev
Vsevolod Bazhenov
Elena Zhukova
Neva
Engels Kozlov
Leningrad School of Painting
Donbass
Alexander Koroviakov
Valery Vatenin
Alexander Samokhvalov
Lev Russov
Sergei Yefimovich Zakharov
Category:1961 in art
Alexander Shmidt
Gavriil Malysh
Boris Lavrenko
''Leningrad''
Jeti-Ögüz resort
Maria Kleschar-Samokhvalova
Tian Shan
Vladimir Ovchinnikov (painter)
Boris Petrov
Elena Kostenko
Maya Kopitseva
Elena Gorokhova
Vladimir Seleznev
Boris Stepanovich Petrov
Ivan Godlevsky
Dmitry Oboznenko
Yelena Zhukova
Mikhail Natarevich
Semion Rotnitsky
Nikolai Timkov
Saint Petersburg Union of Artists
Alexander Sokolov
Dmitry Maevsky
Valentina Rakhina
Leonid Tkachenko (artist)
Filaret Pakun
1961 in fine arts of the Soviet Union
Nikolai Baskakov
Donets Basin
Trypillia
Yuri Belov
Oleg Eremeev
Leonid Baykov
Oleg Lomakin
Vladimir Malevsky
Taiga
Sergei Ivanovich Osipov
Mikhail Kozell
Alexander Pushnin
Vladimir Sakson
Sergei Osipov
State Russian Museum
Shozhma (river)
Shozhma River
Chernaya River (Saint Petersburg)
Lev Bogomolets
Nikolai Pozdneev
Universitetskaya Embankment
Yuri Tulin
Alexei Eriomin
Lia Ostrova
Vera Nazina
Hero of Labour
Hero of Socialist Labour (USSR)
Category:Art exhibitions in Russia
Yuri Neprintsev
Fine Art of Leningrad
Volodarsky Bridge
Bakhchysarai
Stepan Privedentsev
Lazar Yazgur
Ivan Varichev
Anna Kostrova
Maria Zubreeva
Samokhvalov Alexander
Socialist realism
Yuri Shablikin
Nikolai Brandt
Zelenogorsk, Saint Petersburg
Gulf of Finland
Nikolai Galakhov
Marina Kozlovskaya
Taisia Afonina
Leonid Tkachenko
Abram Grushko
Alexander Semionov
Finnish Gulf
Boris Korneev
thumb
Piotr Belousov
Piotr Buchkin
Galina Smirnova
Old Ladoga
Yevsey Moiseyenko
Boris Ugarov
Klaipėda
Piotr Alberti
Zelenogorsk
340px
Evgenia Antipova
Ivan Savenko
Vladimir Ovchinnikov
Gevork Kotiantz
Russian Museum
Category:Socialist realism
Zlata Bizova
Nadezhda Shteinmiller
Alexander Mikhailovich Semionov
[[Russian Museum
Kim Slavin
Galina Rumiantseva
Maria Rudnitskaya
Belozersk
Varlen Pen
Gleb Savinov
Mikhail Trufanov


Exhibition of Leningrad artists (1961)

Prompt: How does Exhibition of Leningrad artists (1961) explain its Acknowledgment?

Exhibition of the Leningrad artists of 1961 was widely covered in press and in literature on Soviet fine art.

Samuil Nevelshtein
Anatoli Vasiliev
File:Russian museam.JPG
Ivan Lavsky
Nikolai Mukho
German Yegoshin
Irina Baldina
Olga Bogaevskaya
Victor Teterin
Elena Skuin
Category:1961 in the Soviet Union
Genrikh Pavlovsky
Eugene Maltsev
Vecheslav Zagonek
''State Russian Museum''
Chernaya River
Anatoli Levitin
Bolsheokhtinsky Bridge
Soviet art
Evsey Moiseenko
Nikolai Baskakov (painter)
Gavriil Malish
Valeria Larina
Boris Korneev (painter)
Boris Shamanov
Sergei Zakharov
Neva River
Anatoli Nenartovich
Piotr Vasiliev
Jeti-Oguz
Alexander Ivanovich Sokolov
Leningrad School
Yaroslav Krestovsky
Staraya Ladoga
Alexei Mozhaev
Saint Petersburg
Alexander Stolbov
Arseny Semionov
Mikhail Kaneev
Vsevolod Bazhenov
Elena Zhukova
Neva
Engels Kozlov
Leningrad School of Painting
Donbass
Alexander Koroviakov
Valery Vatenin
Alexander Samokhvalov
Lev Russov
Sergei Yefimovich Zakharov
Category:1961 in art
Alexander Shmidt
Gavriil Malysh
Boris Lavrenko
''Leningrad''
Jeti-Ögüz resort
Maria Kleschar-Samokhvalova
Tian Shan
Vladimir Ovchinnikov (painter)
Boris Petrov
Elena Kostenko
Maya Kopitseva
Elena Gorokhova
Vladimir Seleznev
Boris Stepanovich Petrov
Ivan Godlevsky
Dmitry Oboznenko
Yelena Zhukova
Mikhail Natarevich
Semion Rotnitsky
Nikolai Timkov
Saint Petersburg Union of Artists
Alexander Sokolov
Dmitry Maevsky
Valentina Rakhina
Leonid Tkachenko (artist)
Filaret Pakun
1961 in fine arts of the Soviet Union
Nikolai Baskakov
Donets Basin
Trypillia
Yuri Belov
Oleg Eremeev
Leonid Baykov
Oleg Lomakin
Vladimir Malevsky
Taiga
Sergei Ivanovich Osipov
Mikhail Kozell
Alexander Pushnin
Vladimir Sakson
Sergei Osipov
State Russian Museum
Shozhma (river)
Shozhma River
Chernaya River (Saint Petersburg)
Lev Bogomolets
Nikolai Pozdneev
Universitetskaya Embankment
Yuri Tulin
Alexei Eriomin
Lia Ostrova
Vera Nazina
Hero of Labour
Hero of Socialist Labour (USSR)
Category:Art exhibitions in Russia
Yuri Neprintsev
Fine Art of Leningrad
Volodarsky Bridge
Bakhchysarai
Stepan Privedentsev
Lazar Yazgur
Ivan Varichev
Anna Kostrova
Maria Zubreeva
Samokhvalov Alexander
Socialist realism
Yuri Shablikin
Nikolai Brandt
Zelenogorsk, Saint Petersburg
Gulf of Finland
Nikolai Galakhov
Marina Kozlovskaya
Taisia Afonina
Leonid Tkachenko
Abram Grushko
Alexander Semionov
Finnish Gulf
Boris Korneev
thumb
Piotr Belousov
Piotr Buchkin
Galina Smirnova
Old Ladoga
Yevsey Moiseyenko
Boris Ugarov
Klaipėda
Piotr Alberti
Zelenogorsk
340px
Evgenia Antipova
Ivan Savenko
Vladimir Ovchinnikov
Gevork Kotiantz
Russian Museum
Category:Socialist realism
Zlata Bizova
Nadezhda Shteinmiller
Alexander Mikhailovich Semionov
[[Russian Museum
Kim Slavin
Galina Rumiantseva
Maria Rudnitskaya
Belozersk
Varlen Pen
Gleb Savinov
Mikhail Trufanov


Exhibition of Leningrad artists (1961)

Prompt: In Exhibition of Leningrad artists (1961), how is the Acknowledgment discussed?

Exhibition of the Leningrad artists of 1961 was widely covered in press and in literature on Soviet fine art.

Samuil Nevelshtein
Anatoli Vasiliev
File:Russian museam.JPG
Ivan Lavsky
Nikolai Mukho
German Yegoshin
Irina Baldina
Olga Bogaevskaya
Victor Teterin
Elena Skuin
Category:1961 in the Soviet Union
Genrikh Pavlovsky
Eugene Maltsev
Vecheslav Zagonek
''State Russian Museum''
Chernaya River
Anatoli Levitin
Bolsheokhtinsky Bridge
Soviet art
Evsey Moiseenko
Nikolai Baskakov (painter)
Gavriil Malish
Valeria Larina
Boris Korneev (painter)
Boris Shamanov
Sergei Zakharov
Neva River
Anatoli Nenartovich
Piotr Vasiliev
Jeti-Oguz
Alexander Ivanovich Sokolov
Leningrad School
Yaroslav Krestovsky
Staraya Ladoga
Alexei Mozhaev
Saint Petersburg
Alexander Stolbov
Arseny Semionov
Mikhail Kaneev
Vsevolod Bazhenov
Elena Zhukova
Neva
Engels Kozlov
Leningrad School of Painting
Donbass
Alexander Koroviakov
Valery Vatenin
Alexander Samokhvalov
Lev Russov
Sergei Yefimovich Zakharov
Category:1961 in art
Alexander Shmidt
Gavriil Malysh
Boris Lavrenko
''Leningrad''
Jeti-Ögüz resort
Maria Kleschar-Samokhvalova
Tian Shan
Vladimir Ovchinnikov (painter)
Boris Petrov
Elena Kostenko
Maya Kopitseva
Elena Gorokhova
Vladimir Seleznev
Boris Stepanovich Petrov
Ivan Godlevsky
Dmitry Oboznenko
Yelena Zhukova
Mikhail Natarevich
Semion Rotnitsky
Nikolai Timkov
Saint Petersburg Union of Artists
Alexander Sokolov
Dmitry Maevsky
Valentina Rakhina
Leonid Tkachenko (artist)
Filaret Pakun
1961 in fine arts of the Soviet Union
Nikolai Baskakov
Donets Basin
Trypillia
Yuri Belov
Oleg Eremeev
Leonid Baykov
Oleg Lomakin
Vladimir Malevsky
Taiga
Sergei Ivanovich Osipov
Mikhail Kozell
Alexander Pushnin
Vladimir Sakson
Sergei Osipov
State Russian Museum
Shozhma (river)
Shozhma River
Chernaya River (Saint Petersburg)
Lev Bogomolets
Nikolai Pozdneev
Universitetskaya Embankment
Yuri Tulin
Alexei Eriomin
Lia Ostrova
Vera Nazina
Hero of Labour
Hero of Socialist Labour (USSR)
Category:Art exhibitions in Russia
Yuri Neprintsev
Fine Art of Leningrad
Volodarsky Bridge
Bakhchysarai
Stepan Privedentsev
Lazar Yazgur
Ivan Varichev
Anna Kostrova
Maria Zubreeva
Samokhvalov Alexander
Socialist realism
Yuri Shablikin
Nikolai Brandt
Zelenogorsk, Saint Petersburg
Gulf of Finland
Nikolai Galakhov
Marina Kozlovskaya
Taisia Afonina
Leonid Tkachenko
Abram Grushko
Alexander Semionov
Finnish Gulf
Boris Korneev
thumb
Piotr Belousov
Piotr Buchkin
Galina Smirnova
Old Ladoga
Yevsey Moiseyenko
Boris Ugarov
Klaipėda
Piotr Alberti
Zelenogorsk
340px
Evgenia Antipova
Ivan Savenko
Vladimir Ovchinnikov
Gevork Kotiantz
Russian Museum
Category:Socialist realism
Zlata Bizova
Nadezhda Shteinmiller
Alexander Mikhailovich Semionov
[[Russian Museum
Kim Slavin
Galina Rumiantseva
Maria Rudnitskaya
Belozersk
Varlen Pen
Gleb Savinov
Mikhail Trufanov


Discobolus (Harvard University)

Prompt: Focus on Discobolus (Harvard University) and explain the abstract.

A bronze replica of Myron's Discobolus is installed on the Harvard University campus in Cambridge, Massachusetts, United States.

Category:Nude sculptures in the United States

Category:Outdoor sculptures in Cambridge, Massachusetts

Category:Sculptures of men in Massachusetts

Category:Bronze sculptures in Massachusetts


Discobolus (Harvard University)

Prompt: Explain the abstract of this artwork, Discobolus (Harvard University).

A bronze replica of Myron's Discobolus is installed on the Harvard University campus in Cambridge, Massachusetts, United States.

Category:Nude sculptures in the United States

Category:Outdoor sculptures in Cambridge, Massachusetts

Category:Sculptures of men in Massachusetts

Category:Bronze sculptures in Massachusetts


Discobolus (Harvard University)

Prompt: How does Discobolus (Harvard University) explain its abstract?

A bronze replica of Myron's Discobolus is installed on the Harvard University campus in Cambridge, Massachusetts, United States.

Category:Nude sculptures in the United States

Category:Outdoor sculptures in Cambridge, Massachusetts

Category:Sculptures of men in Massachusetts

Category:Bronze sculptures in Massachusetts


Discobolus (Harvard University)

Prompt: In Discobolus (Harvard University), how is the abstract discussed?

A bronze replica of Myron's Discobolus is installed on the Harvard University campus in Cambridge, Massachusetts, United States.

Category:Nude sculptures in the United States

Category:Outdoor sculptures in Cambridge, Massachusetts

Category:Sculptures of men in Massachusetts

Category:Bronze sculptures in Massachusetts


The Fisherman (Puerto Vallarta)

Prompt: Focus on The Fisherman (Puerto Vallarta) and explain the abstract.

The Fisherman (Spanish: "El Pescador") is a sculpture of a bare-footed fisherman named Isidro by Mexican artist Ramiz Barquet. Two copies are installed in Puerto Vallarta, in the Mexican state of Jalisco. The sculpture has been described as "a leading visual symbol" of the city. The bronze sculpture in Centro was completed in 1996, and dedicated on January 12, 1996. Another statue is installed along the Malecón in Zona Romántica.

Category:Outdoor sculptures in Puerto Vallarta

Category:Sculptures of men in Puerto Vallarta


The Fisherman (Puerto Vallarta)

Prompt: Explain the abstract of this artwork, The Fisherman (Puerto Vallarta).

The Fisherman (Spanish: "El Pescador") is a sculpture of a bare-footed fisherman named Isidro by Mexican artist Ramiz Barquet. Two copies are installed in Puerto Vallarta, in the Mexican state of Jalisco. The sculpture has been described as "a leading visual symbol" of the city. The bronze sculpture in Centro was completed in 1996, and dedicated on January 12, 1996. Another statue is installed along the Malecón in Zona Romántica.

Category:Outdoor sculptures in Puerto Vallarta

Category:Sculptures of men in Puerto Vallarta


The Fisherman (Puerto Vallarta)

Prompt: How does The Fisherman (Puerto Vallarta) explain its abstract?

The Fisherman (Spanish: "El Pescador") is a sculpture of a bare-footed fisherman named Isidro by Mexican artist Ramiz Barquet. Two copies are installed in Puerto Vallarta, in the Mexican state of Jalisco. The sculpture has been described as "a leading visual symbol" of the city. The bronze sculpture in Centro was completed in 1996, and dedicated on January 12, 1996. Another statue is installed along the Malecón in Zona Romántica.

Category:Outdoor sculptures in Puerto Vallarta

Category:Sculptures of men in Puerto Vallarta


The Fisherman (Puerto Vallarta)

Prompt: In The Fisherman (Puerto Vallarta), how is the abstract discussed?

The Fisherman (Spanish: "El Pescador") is a sculpture of a bare-footed fisherman named Isidro by Mexican artist Ramiz Barquet. Two copies are installed in Puerto Vallarta, in the Mexican state of Jalisco. The sculpture has been described as "a leading visual symbol" of the city. The bronze sculpture in Centro was completed in 1996, and dedicated on January 12, 1996. Another statue is installed along the Malecón in Zona Romántica.

Category:Outdoor sculptures in Puerto Vallarta

Category:Sculptures of men in Puerto Vallarta


Prompt: Focus on Interior with a Man Reading a Letter and a Woman Sewing and explain the abstract.

Interior with a Man Reading a Letter and a Woman Sewing is an oil painting on canvas executed c. 1670–1674 by the Dutch artist Pieter de Hooch, now in the private Kremer Collection.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: Explain the abstract of this artwork, Interior with a Man Reading a Letter and a Woman Sewing.

Interior with a Man Reading a Letter and a Woman Sewing is an oil painting on canvas executed c. 1670–1674 by the Dutch artist Pieter de Hooch, now in the private Kremer Collection.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: How does Interior with a Man Reading a Letter and a Woman Sewing explain its abstract?

Interior with a Man Reading a Letter and a Woman Sewing is an oil painting on canvas executed c. 1670–1674 by the Dutch artist Pieter de Hooch, now in the private Kremer Collection.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: In Interior with a Man Reading a Letter and a Woman Sewing, how is the abstract discussed?

Interior with a Man Reading a Letter and a Woman Sewing is an oil painting on canvas executed c. 1670–1674 by the Dutch artist Pieter de Hooch, now in the private Kremer Collection.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: Focus on Interior with a Man Reading a Letter and a Woman Sewing and explain the Context.

The theme of men and women reading or writing letters was very popular amongst Dutch artists in the third quarter of the 17th century. The theme recurs amongst the works of Johannes Vermeer, Gabriël Metsu and, in particular, Gerard ter Borch. Due in part to the 'Great age of letter writing', the act of writing and thus reading a letter was increasing in popularity and still quite a significant event.De Hooch began his career with the painting of scenes called "Koortegardje", a bastardization of the French term, "Corps de garde", meaning guard house. These early works were primarily composed of scenes of soldiers and peasants in stables and taverns, in the style of Merry company. These paintings greatly developed his proficiency in light, colour and perspective.After de Hooch moved from Leiden to Amsterdam around 1660, he devoted himself frequently to painting interiors, in which he also regularly included letter-reading figures. In that choice of theme, he was influenced by Ter Borch. Ter Borch's influence can also be recognized in the rendering of delicate textures. "Interior with a man reading a letter and a woman sewing" is a characteristic example in this regard.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: Explain the Context of this artwork, Interior with a Man Reading a Letter and a Woman Sewing.

The theme of men and women reading or writing letters was very popular amongst Dutch artists in the third quarter of the 17th century. The theme recurs amongst the works of Johannes Vermeer, Gabriël Metsu and, in particular, Gerard ter Borch. Due in part to the 'Great age of letter writing', the act of writing and thus reading a letter was increasing in popularity and still quite a significant event.De Hooch began his career with the painting of scenes called "Koortegardje", a bastardization of the French term, "Corps de garde", meaning guard house. These early works were primarily composed of scenes of soldiers and peasants in stables and taverns, in the style of Merry company. These paintings greatly developed his proficiency in light, colour and perspective.After de Hooch moved from Leiden to Amsterdam around 1660, he devoted himself frequently to painting interiors, in which he also regularly included letter-reading figures. In that choice of theme, he was influenced by Ter Borch. Ter Borch's influence can also be recognized in the rendering of delicate textures. "Interior with a man reading a letter and a woman sewing" is a characteristic example in this regard.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: How does Interior with a Man Reading a Letter and a Woman Sewing explain its Context?

The theme of men and women reading or writing letters was very popular amongst Dutch artists in the third quarter of the 17th century. The theme recurs amongst the works of Johannes Vermeer, Gabriël Metsu and, in particular, Gerard ter Borch. Due in part to the 'Great age of letter writing', the act of writing and thus reading a letter was increasing in popularity and still quite a significant event.De Hooch began his career with the painting of scenes called "Koortegardje", a bastardization of the French term, "Corps de garde", meaning guard house. These early works were primarily composed of scenes of soldiers and peasants in stables and taverns, in the style of Merry company. These paintings greatly developed his proficiency in light, colour and perspective.After de Hooch moved from Leiden to Amsterdam around 1660, he devoted himself frequently to painting interiors, in which he also regularly included letter-reading figures. In that choice of theme, he was influenced by Ter Borch. Ter Borch's influence can also be recognized in the rendering of delicate textures. "Interior with a man reading a letter and a woman sewing" is a characteristic example in this regard.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: In Interior with a Man Reading a Letter and a Woman Sewing, how is the Context discussed?

The theme of men and women reading or writing letters was very popular amongst Dutch artists in the third quarter of the 17th century. The theme recurs amongst the works of Johannes Vermeer, Gabriël Metsu and, in particular, Gerard ter Borch. Due in part to the 'Great age of letter writing', the act of writing and thus reading a letter was increasing in popularity and still quite a significant event.De Hooch began his career with the painting of scenes called "Koortegardje", a bastardization of the French term, "Corps de garde", meaning guard house. These early works were primarily composed of scenes of soldiers and peasants in stables and taverns, in the style of Merry company. These paintings greatly developed his proficiency in light, colour and perspective.After de Hooch moved from Leiden to Amsterdam around 1660, he devoted himself frequently to painting interiors, in which he also regularly included letter-reading figures. In that choice of theme, he was influenced by Ter Borch. Ter Borch's influence can also be recognized in the rendering of delicate textures. "Interior with a man reading a letter and a woman sewing" is a characteristic example in this regard.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: Focus on Interior with a Man Reading a Letter and a Woman Sewing and explain the Painting.

'Interior with a Man Reading a Letter and a Woman Sewing' shows pre-eminently De Hooch's fascination of the period for the subtle transitions between light and dark, especially for the contrast between delicate incoming sunlight and shadows. The structure is balanced and soothing, in clearly distinguished planes. In the centre of the composition, a woman is fully illuminated by a brightly entering sunlight, which brilliantly lights up her satin dress and bright red jacket, as well as the wicker basket of linen. Evidently, until shortly before the moment depicted, she was still busy with a sewing job, still on her lap, and stopped for a moment to listen to the entering man who has sat down on a chair to her left. This letter-reading man is emphatically shadowed by De Hooch, optically drawing attention directly to the woman.The couple sits a bit backwards, almost concealed in a corner, but through the marble tiled floor, de Hooch nevertheless creates a certain space and depth. The woman leans back slightly, as if she wants to listen to and watch the man bending forward a bit better. It is also conceivable that she does not want to lean too close to him, thus creating a kind of juxtaposition that emphasises the interaction between them and gives the work a special tension. What the nature of the letter the man is reading remains unclear.It is also unclear what the exact relationship is between the two people. For a servant, the woman is clearly wearing clothes that are too expensive. The narrative interpretation of the scene is clearly left to the viewer.It has been suggested that with this painting, de Hooch – as often in his oeuvre – wanted to pay some kind of homage to the simplicity and intimacy of domestic life, giving the woman a central role, in this work by placing her fully in the light. In this regard, a possible allegorical significance of the painting in the upper right, with Mary, Joseph and the Jesus child, has also been pointed out, referring to inherent tenderness within family life. Interior with a man reading a letter and a woman sewing is widely regarded as one of the best works from De Hooch's later period. It is also often praised for its excellent condition.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: Explain the Painting of this artwork, Interior with a Man Reading a Letter and a Woman Sewing.

'Interior with a Man Reading a Letter and a Woman Sewing' shows pre-eminently De Hooch's fascination of the period for the subtle transitions between light and dark, especially for the contrast between delicate incoming sunlight and shadows. The structure is balanced and soothing, in clearly distinguished planes. In the centre of the composition, a woman is fully illuminated by a brightly entering sunlight, which brilliantly lights up her satin dress and bright red jacket, as well as the wicker basket of linen. Evidently, until shortly before the moment depicted, she was still busy with a sewing job, still on her lap, and stopped for a moment to listen to the entering man who has sat down on a chair to her left. This letter-reading man is emphatically shadowed by De Hooch, optically drawing attention directly to the woman.The couple sits a bit backwards, almost concealed in a corner, but through the marble tiled floor, de Hooch nevertheless creates a certain space and depth. The woman leans back slightly, as if she wants to listen to and watch the man bending forward a bit better. It is also conceivable that she does not want to lean too close to him, thus creating a kind of juxtaposition that emphasises the interaction between them and gives the work a special tension. What the nature of the letter the man is reading remains unclear.It is also unclear what the exact relationship is between the two people. For a servant, the woman is clearly wearing clothes that are too expensive. The narrative interpretation of the scene is clearly left to the viewer.It has been suggested that with this painting, de Hooch – as often in his oeuvre – wanted to pay some kind of homage to the simplicity and intimacy of domestic life, giving the woman a central role, in this work by placing her fully in the light. In this regard, a possible allegorical significance of the painting in the upper right, with Mary, Joseph and the Jesus child, has also been pointed out, referring to inherent tenderness within family life. Interior with a man reading a letter and a woman sewing is widely regarded as one of the best works from De Hooch's later period. It is also often praised for its excellent condition.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: How does Interior with a Man Reading a Letter and a Woman Sewing explain its Painting?

'Interior with a Man Reading a Letter and a Woman Sewing' shows pre-eminently De Hooch's fascination of the period for the subtle transitions between light and dark, especially for the contrast between delicate incoming sunlight and shadows. The structure is balanced and soothing, in clearly distinguished planes. In the centre of the composition, a woman is fully illuminated by a brightly entering sunlight, which brilliantly lights up her satin dress and bright red jacket, as well as the wicker basket of linen. Evidently, until shortly before the moment depicted, she was still busy with a sewing job, still on her lap, and stopped for a moment to listen to the entering man who has sat down on a chair to her left. This letter-reading man is emphatically shadowed by De Hooch, optically drawing attention directly to the woman.The couple sits a bit backwards, almost concealed in a corner, but through the marble tiled floor, de Hooch nevertheless creates a certain space and depth. The woman leans back slightly, as if she wants to listen to and watch the man bending forward a bit better. It is also conceivable that she does not want to lean too close to him, thus creating a kind of juxtaposition that emphasises the interaction between them and gives the work a special tension. What the nature of the letter the man is reading remains unclear.It is also unclear what the exact relationship is between the two people. For a servant, the woman is clearly wearing clothes that are too expensive. The narrative interpretation of the scene is clearly left to the viewer.It has been suggested that with this painting, de Hooch – as often in his oeuvre – wanted to pay some kind of homage to the simplicity and intimacy of domestic life, giving the woman a central role, in this work by placing her fully in the light. In this regard, a possible allegorical significance of the painting in the upper right, with Mary, Joseph and the Jesus child, has also been pointed out, referring to inherent tenderness within family life. Interior with a man reading a letter and a woman sewing is widely regarded as one of the best works from De Hooch's later period. It is also often praised for its excellent condition.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: In Interior with a Man Reading a Letter and a Woman Sewing, how is the Painting discussed?

'Interior with a Man Reading a Letter and a Woman Sewing' shows pre-eminently De Hooch's fascination of the period for the subtle transitions between light and dark, especially for the contrast between delicate incoming sunlight and shadows. The structure is balanced and soothing, in clearly distinguished planes. In the centre of the composition, a woman is fully illuminated by a brightly entering sunlight, which brilliantly lights up her satin dress and bright red jacket, as well as the wicker basket of linen. Evidently, until shortly before the moment depicted, she was still busy with a sewing job, still on her lap, and stopped for a moment to listen to the entering man who has sat down on a chair to her left. This letter-reading man is emphatically shadowed by De Hooch, optically drawing attention directly to the woman.The couple sits a bit backwards, almost concealed in a corner, but through the marble tiled floor, de Hooch nevertheless creates a certain space and depth. The woman leans back slightly, as if she wants to listen to and watch the man bending forward a bit better. It is also conceivable that she does not want to lean too close to him, thus creating a kind of juxtaposition that emphasises the interaction between them and gives the work a special tension. What the nature of the letter the man is reading remains unclear.It is also unclear what the exact relationship is between the two people. For a servant, the woman is clearly wearing clothes that are too expensive. The narrative interpretation of the scene is clearly left to the viewer.It has been suggested that with this painting, de Hooch – as often in his oeuvre – wanted to pay some kind of homage to the simplicity and intimacy of domestic life, giving the woman a central role, in this work by placing her fully in the light. In this regard, a possible allegorical significance of the painting in the upper right, with Mary, Joseph and the Jesus child, has also been pointed out, referring to inherent tenderness within family life. Interior with a man reading a letter and a woman sewing is widely regarded as one of the best works from De Hooch's later period. It is also often praised for its excellent condition.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: Focus on Interior with a Man Reading a Letter and a Woman Sewing and explain the History.

Around 1800, Interior with a Man Reading a Letter and a Woman Sewing was bought on the London art market by Willem Joseph van Brienen van de Groote Lindt, who hung it in his mansion on the Herengracht in Amsterdam. The work remained in his family for two generations. It is not known what happened to it in the 20th century. In 1997, art collectors George and Ilone Kremer bought it for £675,000 at a Christie's auction for their private art collection. The painting is regularly loaned for exhibitions.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: Explain the History of this artwork, Interior with a Man Reading a Letter and a Woman Sewing.

Around 1800, Interior with a Man Reading a Letter and a Woman Sewing was bought on the London art market by Willem Joseph van Brienen van de Groote Lindt, who hung it in his mansion on the Herengracht in Amsterdam. The work remained in his family for two generations. It is not known what happened to it in the 20th century. In 1997, art collectors George and Ilone Kremer bought it for £675,000 at a Christie's auction for their private art collection. The painting is regularly loaned for exhibitions.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: How does Interior with a Man Reading a Letter and a Woman Sewing explain its History?

Around 1800, Interior with a Man Reading a Letter and a Woman Sewing was bought on the London art market by Willem Joseph van Brienen van de Groote Lindt, who hung it in his mansion on the Herengracht in Amsterdam. The work remained in his family for two generations. It is not known what happened to it in the 20th century. In 1997, art collectors George and Ilone Kremer bought it for £675,000 at a Christie's auction for their private art collection. The painting is regularly loaned for exhibitions.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: In Interior with a Man Reading a Letter and a Woman Sewing, how is the History discussed?

Around 1800, Interior with a Man Reading a Letter and a Woman Sewing was bought on the London art market by Willem Joseph van Brienen van de Groote Lindt, who hung it in his mansion on the Herengracht in Amsterdam. The work remained in his family for two generations. It is not known what happened to it in the 20th century. In 1997, art collectors George and Ilone Kremer bought it for £675,000 at a Christie's auction for their private art collection. The painting is regularly loaned for exhibitions.

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: Focus on Interior with a Man Reading a Letter and a Woman Sewing and explain the Literature.

Michiel Kersten, Daniëlle Lokin: Delftse Meesters. Tijdgenoten van Vermeer. Waanders Uitgevers, Zwolle, 1996, blz. 144-170. ISBN 90-400-9827-1

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: Explain the Literature of this artwork, Interior with a Man Reading a Letter and a Woman Sewing.

Michiel Kersten, Daniëlle Lokin: Delftse Meesters. Tijdgenoten van Vermeer. Waanders Uitgevers, Zwolle, 1996, blz. 144-170. ISBN 90-400-9827-1

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: How does Interior with a Man Reading a Letter and a Woman Sewing explain its Literature?

Michiel Kersten, Daniëlle Lokin: Delftse Meesters. Tijdgenoten van Vermeer. Waanders Uitgevers, Zwolle, 1996, blz. 144-170. ISBN 90-400-9827-1

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Prompt: In Interior with a Man Reading a Letter and a Woman Sewing, how is the Literature discussed?

Michiel Kersten, Daniëlle Lokin: Delftse Meesters. Tijdgenoten van Vermeer. Waanders Uitgevers, Zwolle, 1996, blz. 144-170. ISBN 90-400-9827-1

File:Pieter de Hooch - Teaching a Child to Walk.jpg

Two women teaching a child with a drop hat to walk, similar composition, same period


Rejected (painting)

Prompt: Focus on Rejected (painting) and explain the abstract.

Rejected is an 1883 painting by the Australian artist Tom Roberts. The painting depicts an early self portrait of Tom Roberts.The painting was featured in an episode of the BBC show Fake or Fortune?

Category:1883 paintings
London
Category:Self-portraits
Fake or Fortune?
Category:Paintings by Tom Roberts
Tom Roberts


Rejected (painting)

Prompt: Explain the abstract of this artwork, Rejected (painting).

Rejected is an 1883 painting by the Australian artist Tom Roberts. The painting depicts an early self portrait of Tom Roberts.The painting was featured in an episode of the BBC show Fake or Fortune?

Category:1883 paintings
London
Category:Self-portraits
Fake or Fortune?
Category:Paintings by Tom Roberts
Tom Roberts


Rejected (painting)

Prompt: How does Rejected (painting) explain its abstract?

Rejected is an 1883 painting by the Australian artist Tom Roberts. The painting depicts an early self portrait of Tom Roberts.The painting was featured in an episode of the BBC show Fake or Fortune?

Category:1883 paintings
London
Category:Self-portraits
Fake or Fortune?
Category:Paintings by Tom Roberts
Tom Roberts


Rejected (painting)

Prompt: In Rejected (painting), how is the abstract discussed?

Rejected is an 1883 painting by the Australian artist Tom Roberts. The painting depicts an early self portrait of Tom Roberts.The painting was featured in an episode of the BBC show Fake or Fortune?

Category:1883 paintings
London
Category:Self-portraits
Fake or Fortune?
Category:Paintings by Tom Roberts
Tom Roberts


Prompt: Focus on The Introduction of the Cult of Cybele at Rome and explain the abstract.

The Introduction of the Cult of Cybele at Rome is a painting in glue tempera on canvas by Andrea Mantegna. Measuring 73.5 cm by 268 cm, It was produced in 1505–1506 and is now in the National Gallery in London. Like much of Mantegna's output after 1495 it is in monochrome, linked to contemporary sculpture and also part of the trend for illusion and trompe-l'œil favoured by the Mantuan court and especially by Isabella d'Este.

Publius Cornelius Scipio (consul 218 BC)

Category:Paintings in the National Gallery, London

Publius Licinius Crassus Dives (consul 205 BC)

Publius Cornelius Scipio Nasica (consul 191 BC)


Prompt: Explain the abstract of this artwork, The Introduction of the Cult of Cybele at Rome.

The Introduction of the Cult of Cybele at Rome is a painting in glue tempera on canvas by Andrea Mantegna. Measuring 73.5 cm by 268 cm, It was produced in 1505–1506 and is now in the National Gallery in London. Like much of Mantegna's output after 1495 it is in monochrome, linked to contemporary sculpture and also part of the trend for illusion and trompe-l'œil favoured by the Mantuan court and especially by Isabella d'Este.

Publius Cornelius Scipio (consul 218 BC)

Category:Paintings in the National Gallery, London

Publius Licinius Crassus Dives (consul 205 BC)

Publius Cornelius Scipio Nasica (consul 191 BC)


Prompt: How does The Introduction of the Cult of Cybele at Rome explain its abstract?

The Introduction of the Cult of Cybele at Rome is a painting in glue tempera on canvas by Andrea Mantegna. Measuring 73.5 cm by 268 cm, It was produced in 1505–1506 and is now in the National Gallery in London. Like much of Mantegna's output after 1495 it is in monochrome, linked to contemporary sculpture and also part of the trend for illusion and trompe-l'œil favoured by the Mantuan court and especially by Isabella d'Este.

Publius Cornelius Scipio (consul 218 BC)

Category:Paintings in the National Gallery, London

Publius Licinius Crassus Dives (consul 205 BC)

Publius Cornelius Scipio Nasica (consul 191 BC)


Prompt: In The Introduction of the Cult of Cybele at Rome, how is the abstract discussed?

The Introduction of the Cult of Cybele at Rome is a painting in glue tempera on canvas by Andrea Mantegna. Measuring 73.5 cm by 268 cm, It was produced in 1505–1506 and is now in the National Gallery in London. Like much of Mantegna's output after 1495 it is in monochrome, linked to contemporary sculpture and also part of the trend for illusion and trompe-l'œil favoured by the Mantuan court and especially by Isabella d'Este.

Publius Cornelius Scipio (consul 218 BC)

Category:Paintings in the National Gallery, London

Publius Licinius Crassus Dives (consul 205 BC)

Publius Cornelius Scipio Nasica (consul 191 BC)


Prompt: Focus on The Introduction of the Cult of Cybele at Rome and explain the History.

It was commissioned in 1505 by cardinal Marco Cornaro for the study of his brother Francesco, a patrician of Venice. The Cornaro family was said to be descended from the Cornelia gens of ancient Rome; the same cardinal signed himself "Marcus Cardinalis Cornelius" in a letter asking Francesco II Gonzaga for a work from Mantegna, who was the latter's court painter at the time.The chosen subject was from the history of the Cornelii, specifically the arrival of the goddess Cybele's image in Rome during the Second Punic War, as told in Ovid, Appian and Livy. Scipio Africanus had consulted the Sibylline Books and ordered that the image be brought from Mount Ida. The Delphic Oracle requested that the most worthy Roman be sent to collect it and so the senate had chosen Africanus's cousin Scipio Nasica for the role. The ship carrying the image back got stuck in the shallows of the River Tiber, but the Vestal Virgin Claudia Quinta proved her virginity by helping to free it.Mantegna showed a scene after the image had been brought ashore, just as it arrives at the temple built in Rome for it. He based it on ancient Roman sarcophagi, then starting to be rediscovered and entering collections such as that of the Gonzaga in Mantua. He painted the scene as if it were carved into a piece of marble with two differently mottled layers, one forming the scene and the other the background. Two pyramid tombs to the left bear the names of Nasica's father Gnaeus Cornelius Scipio Calvus and Africanus's father Publius Cornelius Scipio, both brothers. The two bearers in front of the image are turbaned like Moors, and the bearded pair at the back wear tiara-like hats. One of the two rear bearers also holds a laurel branch, as used in a Roman triumph, as does a young slave crouching in front of the bust. The bust wears a corona turrita and stands on a sphere on a precious carpet, with the sphere representing universality. Behind it is a ritual torch, whilst Nasica is shown as a young man kneeling before the bust; his words welcoming it are shown on the lower border. Behind him is another senator, probably Africanus, who is speaking to another man, possibly his fellow-consul Publius Licinius Crassus Dives. The furthest right figure is a shepherd, wearing a Phrygian cap, playing a flute and drum and standing on the steps of the temple to which the image is being brought; a trumpet protrudes from the temple doors.Giovanni Bellini's Continence of Scipio (National Gallery of Art, Washington) was painted as a pendant for it, but two other intended paintings were never produced. Garavaglia cites a spoken assertion by Roberto Longhi that the painting could have been accompanied by the two smaller monochrome works Sophonisba and Tuccia. They are certainly the same height as The Introduction, but they are on panel not canvas and no documents support the theory.Pietro Bembo wrote a letter to Isabella Gonzaga in 1505, referring to arguments about payment between the commissioner and the painter, which meant it was still mentioned in the inventory of Mantegna's studio contents after his death in 1506, which refers to it as "principiata" (i.e., begun but incomplete). It was completed by Mantegna's son Francesco, by Bellini or another painter. Like other works in Mantegna's studio upon his death, it was acquired by cardinal Sigismondo Gonzaga, who in 1507 finally delivered it to Francesco Cornaro.

Publius Cornelius Scipio (consul 218 BC)

Category:Paintings in the National Gallery, London

Publius Licinius Crassus Dives (consul 205 BC)

Publius Cornelius Scipio Nasica (consul 191 BC)


Prompt: Explain the History of this artwork, The Introduction of the Cult of Cybele at Rome.

It was commissioned in 1505 by cardinal Marco Cornaro for the study of his brother Francesco, a patrician of Venice. The Cornaro family was said to be descended from the Cornelia gens of ancient Rome; the same cardinal signed himself "Marcus Cardinalis Cornelius" in a letter asking Francesco II Gonzaga for a work from Mantegna, who was the latter's court painter at the time.The chosen subject was from the history of the Cornelii, specifically the arrival of the goddess Cybele's image in Rome during the Second Punic War, as told in Ovid, Appian and Livy. Scipio Africanus had consulted the Sibylline Books and ordered that the image be brought from Mount Ida. The Delphic Oracle requested that the most worthy Roman be sent to collect it and so the senate had chosen Africanus's cousin Scipio Nasica for the role. The ship carrying the image back got stuck in the shallows of the River Tiber, but the Vestal Virgin Claudia Quinta proved her virginity by helping to free it.Mantegna showed a scene after the image had been brought ashore, just as it arrives at the temple built in Rome for it. He based it on ancient Roman sarcophagi, then starting to be rediscovered and entering collections such as that of the Gonzaga in Mantua. He painted the scene as if it were carved into a piece of marble with two differently mottled layers, one forming the scene and the other the background. Two pyramid tombs to the left bear the names of Nasica's father Gnaeus Cornelius Scipio Calvus and Africanus's father Publius Cornelius Scipio, both brothers. The two bearers in front of the image are turbaned like Moors, and the bearded pair at the back wear tiara-like hats. One of the two rear bearers also holds a laurel branch, as used in a Roman triumph, as does a young slave crouching in front of the bust. The bust wears a corona turrita and stands on a sphere on a precious carpet, with the sphere representing universality. Behind it is a ritual torch, whilst Nasica is shown as a young man kneeling before the bust; his words welcoming it are shown on the lower border. Behind him is another senator, probably Africanus, who is speaking to another man, possibly his fellow-consul Publius Licinius Crassus Dives. The furthest right figure is a shepherd, wearing a Phrygian cap, playing a flute and drum and standing on the steps of the temple to which the image is being brought; a trumpet protrudes from the temple doors.Giovanni Bellini's Continence of Scipio (National Gallery of Art, Washington) was painted as a pendant for it, but two other intended paintings were never produced. Garavaglia cites a spoken assertion by Roberto Longhi that the painting could have been accompanied by the two smaller monochrome works Sophonisba and Tuccia. They are certainly the same height as The Introduction, but they are on panel not canvas and no documents support the theory.Pietro Bembo wrote a letter to Isabella Gonzaga in 1505, referring to arguments about payment between the commissioner and the painter, which meant it was still mentioned in the inventory of Mantegna's studio contents after his death in 1506, which refers to it as "principiata" (i.e., begun but incomplete). It was completed by Mantegna's son Francesco, by Bellini or another painter. Like other works in Mantegna's studio upon his death, it was acquired by cardinal Sigismondo Gonzaga, who in 1507 finally delivered it to Francesco Cornaro.

Publius Cornelius Scipio (consul 218 BC)

Category:Paintings in the National Gallery, London

Publius Licinius Crassus Dives (consul 205 BC)

Publius Cornelius Scipio Nasica (consul 191 BC)


Prompt: How does The Introduction of the Cult of Cybele at Rome explain its History?

It was commissioned in 1505 by cardinal Marco Cornaro for the study of his brother Francesco, a patrician of Venice. The Cornaro family was said to be descended from the Cornelia gens of ancient Rome; the same cardinal signed himself "Marcus Cardinalis Cornelius" in a letter asking Francesco II Gonzaga for a work from Mantegna, who was the latter's court painter at the time.The chosen subject was from the history of the Cornelii, specifically the arrival of the goddess Cybele's image in Rome during the Second Punic War, as told in Ovid, Appian and Livy. Scipio Africanus had consulted the Sibylline Books and ordered that the image be brought from Mount Ida. The Delphic Oracle requested that the most worthy Roman be sent to collect it and so the senate had chosen Africanus's cousin Scipio Nasica for the role. The ship carrying the image back got stuck in the shallows of the River Tiber, but the Vestal Virgin Claudia Quinta proved her virginity by helping to free it.Mantegna showed a scene after the image had been brought ashore, just as it arrives at the temple built in Rome for it. He based it on ancient Roman sarcophagi, then starting to be rediscovered and entering collections such as that of the Gonzaga in Mantua. He painted the scene as if it were carved into a piece of marble with two differently mottled layers, one forming the scene and the other the background. Two pyramid tombs to the left bear the names of Nasica's father Gnaeus Cornelius Scipio Calvus and Africanus's father Publius Cornelius Scipio, both brothers. The two bearers in front of the image are turbaned like Moors, and the bearded pair at the back wear tiara-like hats. One of the two rear bearers also holds a laurel branch, as used in a Roman triumph, as does a young slave crouching in front of the bust. The bust wears a corona turrita and stands on a sphere on a precious carpet, with the sphere representing universality. Behind it is a ritual torch, whilst Nasica is shown as a young man kneeling before the bust; his words welcoming it are shown on the lower border. Behind him is another senator, probably Africanus, who is speaking to another man, possibly his fellow-consul Publius Licinius Crassus Dives. The furthest right figure is a shepherd, wearing a Phrygian cap, playing a flute and drum and standing on the steps of the temple to which the image is being brought; a trumpet protrudes from the temple doors.Giovanni Bellini's Continence of Scipio (National Gallery of Art, Washington) was painted as a pendant for it, but two other intended paintings were never produced. Garavaglia cites a spoken assertion by Roberto Longhi that the painting could have been accompanied by the two smaller monochrome works Sophonisba and Tuccia. They are certainly the same height as The Introduction, but they are on panel not canvas and no documents support the theory.Pietro Bembo wrote a letter to Isabella Gonzaga in 1505, referring to arguments about payment between the commissioner and the painter, which meant it was still mentioned in the inventory of Mantegna's studio contents after his death in 1506, which refers to it as "principiata" (i.e., begun but incomplete). It was completed by Mantegna's son Francesco, by Bellini or another painter. Like other works in Mantegna's studio upon his death, it was acquired by cardinal Sigismondo Gonzaga, who in 1507 finally delivered it to Francesco Cornaro.

Publius Cornelius Scipio (consul 218 BC)

Category:Paintings in the National Gallery, London

Publius Licinius Crassus Dives (consul 205 BC)

Publius Cornelius Scipio Nasica (consul 191 BC)


Prompt: In The Introduction of the Cult of Cybele at Rome, how is the History discussed?

It was commissioned in 1505 by cardinal Marco Cornaro for the study of his brother Francesco, a patrician of Venice. The Cornaro family was said to be descended from the Cornelia gens of ancient Rome; the same cardinal signed himself "Marcus Cardinalis Cornelius" in a letter asking Francesco II Gonzaga for a work from Mantegna, who was the latter's court painter at the time.The chosen subject was from the history of the Cornelii, specifically the arrival of the goddess Cybele's image in Rome during the Second Punic War, as told in Ovid, Appian and Livy. Scipio Africanus had consulted the Sibylline Books and ordered that the image be brought from Mount Ida. The Delphic Oracle requested that the most worthy Roman be sent to collect it and so the senate had chosen Africanus's cousin Scipio Nasica for the role. The ship carrying the image back got stuck in the shallows of the River Tiber, but the Vestal Virgin Claudia Quinta proved her virginity by helping to free it.Mantegna showed a scene after the image had been brought ashore, just as it arrives at the temple built in Rome for it. He based it on ancient Roman sarcophagi, then starting to be rediscovered and entering collections such as that of the Gonzaga in Mantua. He painted the scene as if it were carved into a piece of marble with two differently mottled layers, one forming the scene and the other the background. Two pyramid tombs to the left bear the names of Nasica's father Gnaeus Cornelius Scipio Calvus and Africanus's father Publius Cornelius Scipio, both brothers. The two bearers in front of the image are turbaned like Moors, and the bearded pair at the back wear tiara-like hats. One of the two rear bearers also holds a laurel branch, as used in a Roman triumph, as does a young slave crouching in front of the bust. The bust wears a corona turrita and stands on a sphere on a precious carpet, with the sphere representing universality. Behind it is a ritual torch, whilst Nasica is shown as a young man kneeling before the bust; his words welcoming it are shown on the lower border. Behind him is another senator, probably Africanus, who is speaking to another man, possibly his fellow-consul Publius Licinius Crassus Dives. The furthest right figure is a shepherd, wearing a Phrygian cap, playing a flute and drum and standing on the steps of the temple to which the image is being brought; a trumpet protrudes from the temple doors.Giovanni Bellini's Continence of Scipio (National Gallery of Art, Washington) was painted as a pendant for it, but two other intended paintings were never produced. Garavaglia cites a spoken assertion by Roberto Longhi that the painting could have been accompanied by the two smaller monochrome works Sophonisba and Tuccia. They are certainly the same height as The Introduction, but they are on panel not canvas and no documents support the theory.Pietro Bembo wrote a letter to Isabella Gonzaga in 1505, referring to arguments about payment between the commissioner and the painter, which meant it was still mentioned in the inventory of Mantegna's studio contents after his death in 1506, which refers to it as "principiata" (i.e., begun but incomplete). It was completed by Mantegna's son Francesco, by Bellini or another painter. Like other works in Mantegna's studio upon his death, it was acquired by cardinal Sigismondo Gonzaga, who in 1507 finally delivered it to Francesco Cornaro.

Publius Cornelius Scipio (consul 218 BC)

Category:Paintings in the National Gallery, London

Publius Licinius Crassus Dives (consul 205 BC)

Publius Cornelius Scipio Nasica (consul 191 BC)


Coming South

Prompt: Focus on Coming South and explain the abstract.

Coming South is a 1886 painting by the Australian artist Tom Roberts. The painting depicts migrants coming to Australia from Europe aboard a steamship. Roberts based the painting on sketches he had made when returning to Australia aboard the SS Lusitania in 1885 after four years abroad in Europe.Historian Humphrey McQueen describes Coming South as one of Roberts' seven best-known paintings. The National Gallery of Victoria describes it as "a definitive image of the migrant experience" and "Roberts's first exploration of one of the great themes of Australian life".The painting was acquired by the National Gallery of Victoria in 1967.

Category:Paintings in the National Gallery of Victoria