Edmonia Lewis

Prompt: Explain the Death of this artwork, Edmonia Lewis.

From 1896 to 1901 Lewis lived in Paris. She then relocated to the Hammersmith area of London, England, before her death on September 17, 1907, in the Hammersmith Borough Infirmary. According to her death certificate, the cause of her death was chronic kidney failure (Bright's disease). She is buried in St. Mary's Catholic Cemetery, in London.There were earlier theories that Lewis died in Rome in 1907 or, alternatively, that she had died in Marin County, California, and was buried in an unmarked grave in San Francisco.In 2017, a GoFundMe by East Greenbush, New York, town historian Bobbie Reno was successful, and Edmonia Lewis's grave was restored. The work was done by the E M Lander Co. in London.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: How does Edmonia Lewis explain its Death?

From 1896 to 1901 Lewis lived in Paris. She then relocated to the Hammersmith area of London, England, before her death on September 17, 1907, in the Hammersmith Borough Infirmary. According to her death certificate, the cause of her death was chronic kidney failure (Bright's disease). She is buried in St. Mary's Catholic Cemetery, in London.There were earlier theories that Lewis died in Rome in 1907 or, alternatively, that she had died in Marin County, California, and was buried in an unmarked grave in San Francisco.In 2017, a GoFundMe by East Greenbush, New York, town historian Bobbie Reno was successful, and Edmonia Lewis's grave was restored. The work was done by the E M Lander Co. in London.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: In Edmonia Lewis, how is the Death discussed?

From 1896 to 1901 Lewis lived in Paris. She then relocated to the Hammersmith area of London, England, before her death on September 17, 1907, in the Hammersmith Borough Infirmary. According to her death certificate, the cause of her death was chronic kidney failure (Bright's disease). She is buried in St. Mary's Catholic Cemetery, in London.There were earlier theories that Lewis died in Rome in 1907 or, alternatively, that she had died in Marin County, California, and was buried in an unmarked grave in San Francisco.In 2017, a GoFundMe by East Greenbush, New York, town historian Bobbie Reno was successful, and Edmonia Lewis's grave was restored. The work was done by the E M Lander Co. in London.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Focus on Edmonia Lewis and explain the Reception.

As a black artist, Edmonia Lewis had to be conscious of her stylistic choices, as her largely white audience often gravely misread her work as self-portraiture. In order to avoid this, her female figures typically possess European features. Lewis had to balance her own personal identity with her artistic, social, and national identity, a tiring activity that affected her art.In her 2007 work, Charmaine Nelson wrote of Lewis:It is hard to overstate the visual incongruity of the black-Native female body, let alone that identity in a sculptor, within the Roman colony. As the first black-Native sculptor of either sex to achieve international recognition within a western sculptural tradition, Lewis was a symbolic and social anomaly within a dominantly white bourgeois and aristocratic community.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Explain the Reception of this artwork, Edmonia Lewis.

As a black artist, Edmonia Lewis had to be conscious of her stylistic choices, as her largely white audience often gravely misread her work as self-portraiture. In order to avoid this, her female figures typically possess European features. Lewis had to balance her own personal identity with her artistic, social, and national identity, a tiring activity that affected her art.In her 2007 work, Charmaine Nelson wrote of Lewis:It is hard to overstate the visual incongruity of the black-Native female body, let alone that identity in a sculptor, within the Roman colony. As the first black-Native sculptor of either sex to achieve international recognition within a western sculptural tradition, Lewis was a symbolic and social anomaly within a dominantly white bourgeois and aristocratic community.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: How does Edmonia Lewis explain its Reception?

As a black artist, Edmonia Lewis had to be conscious of her stylistic choices, as her largely white audience often gravely misread her work as self-portraiture. In order to avoid this, her female figures typically possess European features. Lewis had to balance her own personal identity with her artistic, social, and national identity, a tiring activity that affected her art.In her 2007 work, Charmaine Nelson wrote of Lewis:It is hard to overstate the visual incongruity of the black-Native female body, let alone that identity in a sculptor, within the Roman colony. As the first black-Native sculptor of either sex to achieve international recognition within a western sculptural tradition, Lewis was a symbolic and social anomaly within a dominantly white bourgeois and aristocratic community.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: In Edmonia Lewis, how is the Reception discussed?

As a black artist, Edmonia Lewis had to be conscious of her stylistic choices, as her largely white audience often gravely misread her work as self-portraiture. In order to avoid this, her female figures typically possess European features. Lewis had to balance her own personal identity with her artistic, social, and national identity, a tiring activity that affected her art.In her 2007 work, Charmaine Nelson wrote of Lewis:It is hard to overstate the visual incongruity of the black-Native female body, let alone that identity in a sculptor, within the Roman colony. As the first black-Native sculptor of either sex to achieve international recognition within a western sculptural tradition, Lewis was a symbolic and social anomaly within a dominantly white bourgeois and aristocratic community.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Focus on Edmonia Lewis and explain the Personal life.

Lewis never married and had no known children. According to her biographer, Dr. Marilyn Richardson, there is no definite information about her romantic involvement with anyone. However, in 1873 her engagement was announced,and in 1875, her fiancé's skin color was revealed to be the same as hers, although his name is not given. There is no further reference to this engagement.Her half-brother Samuel became a barber in San Francisco, eventually moving to mining camps in Idaho and Montana. In 1868, he settled in the city of Bozeman, Montana, where he set up a barber shop on Main Street. He prospered, eventually investing in commercial real estate, and subsequently built his own home which still stands at 308 South Bozeman Avenue. In 1999 the Samuel Lewis House was placed on the National Register of Historic Places. In 1884, he married Mrs. Melissa Railey Bruce, a widow with six children. The couple had one son, Samuel E. Lewis (1886–1914), who married but died childless. The elder Lewis died after "a short illness" in 1896 and is buried in Sunset Hills Cemetery in Bozeman. The mayor of Bozeman was a pallbearer.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Explain the Personal life of this artwork, Edmonia Lewis.

Lewis never married and had no known children. According to her biographer, Dr. Marilyn Richardson, there is no definite information about her romantic involvement with anyone. However, in 1873 her engagement was announced,and in 1875, her fiancé's skin color was revealed to be the same as hers, although his name is not given. There is no further reference to this engagement.Her half-brother Samuel became a barber in San Francisco, eventually moving to mining camps in Idaho and Montana. In 1868, he settled in the city of Bozeman, Montana, where he set up a barber shop on Main Street. He prospered, eventually investing in commercial real estate, and subsequently built his own home which still stands at 308 South Bozeman Avenue. In 1999 the Samuel Lewis House was placed on the National Register of Historic Places. In 1884, he married Mrs. Melissa Railey Bruce, a widow with six children. The couple had one son, Samuel E. Lewis (1886–1914), who married but died childless. The elder Lewis died after "a short illness" in 1896 and is buried in Sunset Hills Cemetery in Bozeman. The mayor of Bozeman was a pallbearer.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: How does Edmonia Lewis explain its Personal life?

Lewis never married and had no known children. According to her biographer, Dr. Marilyn Richardson, there is no definite information about her romantic involvement with anyone. However, in 1873 her engagement was announced,and in 1875, her fiancé's skin color was revealed to be the same as hers, although his name is not given. There is no further reference to this engagement.Her half-brother Samuel became a barber in San Francisco, eventually moving to mining camps in Idaho and Montana. In 1868, he settled in the city of Bozeman, Montana, where he set up a barber shop on Main Street. He prospered, eventually investing in commercial real estate, and subsequently built his own home which still stands at 308 South Bozeman Avenue. In 1999 the Samuel Lewis House was placed on the National Register of Historic Places. In 1884, he married Mrs. Melissa Railey Bruce, a widow with six children. The couple had one son, Samuel E. Lewis (1886–1914), who married but died childless. The elder Lewis died after "a short illness" in 1896 and is buried in Sunset Hills Cemetery in Bozeman. The mayor of Bozeman was a pallbearer.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: In Edmonia Lewis, how is the Personal life discussed?

Lewis never married and had no known children. According to her biographer, Dr. Marilyn Richardson, there is no definite information about her romantic involvement with anyone. However, in 1873 her engagement was announced,and in 1875, her fiancé's skin color was revealed to be the same as hers, although his name is not given. There is no further reference to this engagement.Her half-brother Samuel became a barber in San Francisco, eventually moving to mining camps in Idaho and Montana. In 1868, he settled in the city of Bozeman, Montana, where he set up a barber shop on Main Street. He prospered, eventually investing in commercial real estate, and subsequently built his own home which still stands at 308 South Bozeman Avenue. In 1999 the Samuel Lewis House was placed on the National Register of Historic Places. In 1884, he married Mrs. Melissa Railey Bruce, a widow with six children. The couple had one son, Samuel E. Lewis (1886–1914), who married but died childless. The elder Lewis died after "a short illness" in 1896 and is buried in Sunset Hills Cemetery in Bozeman. The mayor of Bozeman was a pallbearer.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: In the context of Edmonia Lewis, explain the Old Arrow-Maker and his Daughter (1866) and the Popular works.

This sculpture was inspired by Lewis's Native American heritage. An arrow-maker and his daughter sit on a round base, dressed in traditional Native American clothes. The male figure has recognizable Native American facial features, but not the daughter. As white audiences misread her work as self-portraiture, she often removed all facial features associated with "colored" races in female portrayal. This statue later came to be known as The Wooing of Hiawatha, since it appears to depict a scene from Longfellow's epic poem where Minnehaha and her father are approached by Hiawatha. This interesting perspective of the scene (not of a third-person view of everyone, but rather a first-person view from Hiawatha's perspective) is particularly notable because it seems to come from Lewis's first-person insight into the character of a Native American and thus invites viewers to share this perspective.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Explain the Old Arrow-Maker and his Daughter (1866) about the Popular works of this artwork, Edmonia Lewis.

This sculpture was inspired by Lewis's Native American heritage. An arrow-maker and his daughter sit on a round base, dressed in traditional Native American clothes. The male figure has recognizable Native American facial features, but not the daughter. As white audiences misread her work as self-portraiture, she often removed all facial features associated with "colored" races in female portrayal. This statue later came to be known as The Wooing of Hiawatha, since it appears to depict a scene from Longfellow's epic poem where Minnehaha and her father are approached by Hiawatha. This interesting perspective of the scene (not of a third-person view of everyone, but rather a first-person view from Hiawatha's perspective) is particularly notable because it seems to come from Lewis's first-person insight into the character of a Native American and thus invites viewers to share this perspective.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: In Edmonia Lewis, how is the Old Arrow-Maker and his Daughter (1866) of the Popular works explained?

This sculpture was inspired by Lewis's Native American heritage. An arrow-maker and his daughter sit on a round base, dressed in traditional Native American clothes. The male figure has recognizable Native American facial features, but not the daughter. As white audiences misread her work as self-portraiture, she often removed all facial features associated with "colored" races in female portrayal. This statue later came to be known as The Wooing of Hiawatha, since it appears to depict a scene from Longfellow's epic poem where Minnehaha and her father are approached by Hiawatha. This interesting perspective of the scene (not of a third-person view of everyone, but rather a first-person view from Hiawatha's perspective) is particularly notable because it seems to come from Lewis's first-person insight into the character of a Native American and thus invites viewers to share this perspective.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Describe the characteristics of the Old Arrow-Maker and his Daughter (1866) in Edmonia Lewis's Popular works.

This sculpture was inspired by Lewis's Native American heritage. An arrow-maker and his daughter sit on a round base, dressed in traditional Native American clothes. The male figure has recognizable Native American facial features, but not the daughter. As white audiences misread her work as self-portraiture, she often removed all facial features associated with "colored" races in female portrayal. This statue later came to be known as The Wooing of Hiawatha, since it appears to depict a scene from Longfellow's epic poem where Minnehaha and her father are approached by Hiawatha. This interesting perspective of the scene (not of a third-person view of everyone, but rather a first-person view from Hiawatha's perspective) is particularly notable because it seems to come from Lewis's first-person insight into the character of a Native American and thus invites viewers to share this perspective.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: In the context of Edmonia Lewis, explain the Forever Free (1867) and the Popular works.

Forever Free is a sculpture by the American artist Edmonia Lewis. Created in 1867, it commemorates the abolition of slavery in the United States two years earlier and takes its title from President Lincoln's Emancipation Proclamation. The white marble sculpture shows a man standing, staring up, and raising his left arm into the air.Wrapped around his left wrist is a chain; however, this chain is not restraining him. To his right is a woman kneeling with her hands held in a position of prayer, the man's right hand gently placed on her right shoulder. The work differs from many other depictions of abolition from the period by showing the Black man standing and unshackled rather than bound or kneeling. Scholars have frequently puzzled over Lewis's decision to Europeanize the features of the female figure. At least one scholar has suggested that the choice may have been an acknowledgment of the varied appearance and heritage of African Americans such as Lewis herself, who was of both African and Native American descent.This piece is held by Howard University Gallery of Art in Washington, D.C.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Explain the Forever Free (1867) about the Popular works of this artwork, Edmonia Lewis.

Forever Free is a sculpture by the American artist Edmonia Lewis. Created in 1867, it commemorates the abolition of slavery in the United States two years earlier and takes its title from President Lincoln's Emancipation Proclamation. The white marble sculpture shows a man standing, staring up, and raising his left arm into the air.Wrapped around his left wrist is a chain; however, this chain is not restraining him. To his right is a woman kneeling with her hands held in a position of prayer, the man's right hand gently placed on her right shoulder. The work differs from many other depictions of abolition from the period by showing the Black man standing and unshackled rather than bound or kneeling. Scholars have frequently puzzled over Lewis's decision to Europeanize the features of the female figure. At least one scholar has suggested that the choice may have been an acknowledgment of the varied appearance and heritage of African Americans such as Lewis herself, who was of both African and Native American descent.This piece is held by Howard University Gallery of Art in Washington, D.C.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: In Edmonia Lewis, how is the Forever Free (1867) of the Popular works explained?

Forever Free is a sculpture by the American artist Edmonia Lewis. Created in 1867, it commemorates the abolition of slavery in the United States two years earlier and takes its title from President Lincoln's Emancipation Proclamation. The white marble sculpture shows a man standing, staring up, and raising his left arm into the air.Wrapped around his left wrist is a chain; however, this chain is not restraining him. To his right is a woman kneeling with her hands held in a position of prayer, the man's right hand gently placed on her right shoulder. The work differs from many other depictions of abolition from the period by showing the Black man standing and unshackled rather than bound or kneeling. Scholars have frequently puzzled over Lewis's decision to Europeanize the features of the female figure. At least one scholar has suggested that the choice may have been an acknowledgment of the varied appearance and heritage of African Americans such as Lewis herself, who was of both African and Native American descent.This piece is held by Howard University Gallery of Art in Washington, D.C.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Describe the characteristics of the Forever Free (1867) in Edmonia Lewis's Popular works.

Forever Free is a sculpture by the American artist Edmonia Lewis. Created in 1867, it commemorates the abolition of slavery in the United States two years earlier and takes its title from President Lincoln's Emancipation Proclamation. The white marble sculpture shows a man standing, staring up, and raising his left arm into the air.Wrapped around his left wrist is a chain; however, this chain is not restraining him. To his right is a woman kneeling with her hands held in a position of prayer, the man's right hand gently placed on her right shoulder. The work differs from many other depictions of abolition from the period by showing the Black man standing and unshackled rather than bound or kneeling. Scholars have frequently puzzled over Lewis's decision to Europeanize the features of the female figure. At least one scholar has suggested that the choice may have been an acknowledgment of the varied appearance and heritage of African Americans such as Lewis herself, who was of both African and Native American descent.This piece is held by Howard University Gallery of Art in Washington, D.C.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: In the context of Edmonia Lewis, explain the Hagar (1875) and the Popular works.

Lewis had a tendency to sculpt historically strong women, as demonstrated not just in Hagar but also in Lewis's Cleopatra piece. Lewis also depicted ordinary women in extreme situations, emphasizing their strength. Hagar is inspired by a character from the Old Testament, the handmaid or slave of Abraham's wife Sarah. Being unable to conceive a child, Sarah gave Hagar to Abraham, in order to bear him a son. Hagar gave birth to Abraham's firstborn son Ishmael, and after Sarah gave birth to her own son Isaac, she resented Hagar and made Abraham "cast her into the wilderness". The piece was made of white marble, and Hagar is standing as if about to walk on, with her hands clasped in prayer and staring slightly up but not straight across. Lewis uses Hagar to symbolize the African mother in the United States, and the frequent sexual abuse of African women by white men.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Explain the Hagar (1875) about the Popular works of this artwork, Edmonia Lewis.

Lewis had a tendency to sculpt historically strong women, as demonstrated not just in Hagar but also in Lewis's Cleopatra piece. Lewis also depicted ordinary women in extreme situations, emphasizing their strength. Hagar is inspired by a character from the Old Testament, the handmaid or slave of Abraham's wife Sarah. Being unable to conceive a child, Sarah gave Hagar to Abraham, in order to bear him a son. Hagar gave birth to Abraham's firstborn son Ishmael, and after Sarah gave birth to her own son Isaac, she resented Hagar and made Abraham "cast her into the wilderness". The piece was made of white marble, and Hagar is standing as if about to walk on, with her hands clasped in prayer and staring slightly up but not straight across. Lewis uses Hagar to symbolize the African mother in the United States, and the frequent sexual abuse of African women by white men.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: In Edmonia Lewis, how is the Hagar (1875) of the Popular works explained?

Lewis had a tendency to sculpt historically strong women, as demonstrated not just in Hagar but also in Lewis's Cleopatra piece. Lewis also depicted ordinary women in extreme situations, emphasizing their strength. Hagar is inspired by a character from the Old Testament, the handmaid or slave of Abraham's wife Sarah. Being unable to conceive a child, Sarah gave Hagar to Abraham, in order to bear him a son. Hagar gave birth to Abraham's firstborn son Ishmael, and after Sarah gave birth to her own son Isaac, she resented Hagar and made Abraham "cast her into the wilderness". The piece was made of white marble, and Hagar is standing as if about to walk on, with her hands clasped in prayer and staring slightly up but not straight across. Lewis uses Hagar to symbolize the African mother in the United States, and the frequent sexual abuse of African women by white men.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Describe the characteristics of the Hagar (1875) in Edmonia Lewis's Popular works.

Lewis had a tendency to sculpt historically strong women, as demonstrated not just in Hagar but also in Lewis's Cleopatra piece. Lewis also depicted ordinary women in extreme situations, emphasizing their strength. Hagar is inspired by a character from the Old Testament, the handmaid or slave of Abraham's wife Sarah. Being unable to conceive a child, Sarah gave Hagar to Abraham, in order to bear him a son. Hagar gave birth to Abraham's firstborn son Ishmael, and after Sarah gave birth to her own son Isaac, she resented Hagar and made Abraham "cast her into the wilderness". The piece was made of white marble, and Hagar is standing as if about to walk on, with her hands clasped in prayer and staring slightly up but not straight across. Lewis uses Hagar to symbolize the African mother in the United States, and the frequent sexual abuse of African women by white men.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: In the context of Edmonia Lewis, explain the The Death of Cleopatra (1876) and the Popular works.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Explain the The Death of Cleopatra (1876) about the Popular works of this artwork, Edmonia Lewis.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: In Edmonia Lewis, how is the The Death of Cleopatra (1876) of the Popular works explained?

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Describe the characteristics of the The Death of Cleopatra (1876) in Edmonia Lewis's Popular works.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Focus on Edmonia Lewis and explain the In popular media.

Namesake of the Edmonia Lewis Center for Women and Transgender People at Oberlin College.Written about in Olio, which is a book of poetry written by Tyehimba Jess that was released in 2016. That book won the 2017 Pulitzer Prize for Poetry.Honored with a Google Doodle on February 1, 2017.Stone Mirrors: The Sculpture and Silence of Edmonia Lewis, by Jeannine Atkins (2017), is a juvenile biographical novel in verse.A belated obituary was published in The New York Times in 2018 as part of their Overlooked series.The best-selling novel, La linea del colori: Il Grand Tour di Lafanu Brown, by Somalian Igiaba Scelgo (Florence: Giunti, 2020), in Italian, combines the characters of Edmonia Lewis and Sarah Parker Remond and is dedicated to Rome and to these two figures.She features as a "Great Artist" in the video game Civilization VI.Lewis is the subject of a stage play entitled "Edmonia" by Barry M. Putt, Jr., presented by Beacon Theatre Productions in Philadelphia, PA in 2021. "Edmonia" stage play. Archived February 7, 2022, at the Wayback MachineLewis had a U.S. postal stamp unveiled in her honor on January 26, 2022.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Explain the In popular media of this artwork, Edmonia Lewis.

Namesake of the Edmonia Lewis Center for Women and Transgender People at Oberlin College.Written about in Olio, which is a book of poetry written by Tyehimba Jess that was released in 2016. That book won the 2017 Pulitzer Prize for Poetry.Honored with a Google Doodle on February 1, 2017.Stone Mirrors: The Sculpture and Silence of Edmonia Lewis, by Jeannine Atkins (2017), is a juvenile biographical novel in verse.A belated obituary was published in The New York Times in 2018 as part of their Overlooked series.The best-selling novel, La linea del colori: Il Grand Tour di Lafanu Brown, by Somalian Igiaba Scelgo (Florence: Giunti, 2020), in Italian, combines the characters of Edmonia Lewis and Sarah Parker Remond and is dedicated to Rome and to these two figures.She features as a "Great Artist" in the video game Civilization VI.Lewis is the subject of a stage play entitled "Edmonia" by Barry M. Putt, Jr., presented by Beacon Theatre Productions in Philadelphia, PA in 2021. "Edmonia" stage play. Archived February 7, 2022, at the Wayback MachineLewis had a U.S. postal stamp unveiled in her honor on January 26, 2022.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: How does Edmonia Lewis explain its In popular media?

Namesake of the Edmonia Lewis Center for Women and Transgender People at Oberlin College.Written about in Olio, which is a book of poetry written by Tyehimba Jess that was released in 2016. That book won the 2017 Pulitzer Prize for Poetry.Honored with a Google Doodle on February 1, 2017.Stone Mirrors: The Sculpture and Silence of Edmonia Lewis, by Jeannine Atkins (2017), is a juvenile biographical novel in verse.A belated obituary was published in The New York Times in 2018 as part of their Overlooked series.The best-selling novel, La linea del colori: Il Grand Tour di Lafanu Brown, by Somalian Igiaba Scelgo (Florence: Giunti, 2020), in Italian, combines the characters of Edmonia Lewis and Sarah Parker Remond and is dedicated to Rome and to these two figures.She features as a "Great Artist" in the video game Civilization VI.Lewis is the subject of a stage play entitled "Edmonia" by Barry M. Putt, Jr., presented by Beacon Theatre Productions in Philadelphia, PA in 2021. "Edmonia" stage play. Archived February 7, 2022, at the Wayback MachineLewis had a U.S. postal stamp unveiled in her honor on January 26, 2022.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: In Edmonia Lewis, how is the In popular media discussed?

Namesake of the Edmonia Lewis Center for Women and Transgender People at Oberlin College.Written about in Olio, which is a book of poetry written by Tyehimba Jess that was released in 2016. That book won the 2017 Pulitzer Prize for Poetry.Honored with a Google Doodle on February 1, 2017.Stone Mirrors: The Sculpture and Silence of Edmonia Lewis, by Jeannine Atkins (2017), is a juvenile biographical novel in verse.A belated obituary was published in The New York Times in 2018 as part of their Overlooked series.The best-selling novel, La linea del colori: Il Grand Tour di Lafanu Brown, by Somalian Igiaba Scelgo (Florence: Giunti, 2020), in Italian, combines the characters of Edmonia Lewis and Sarah Parker Remond and is dedicated to Rome and to these two figures.She features as a "Great Artist" in the video game Civilization VI.Lewis is the subject of a stage play entitled "Edmonia" by Barry M. Putt, Jr., presented by Beacon Theatre Productions in Philadelphia, PA in 2021. "Edmonia" stage play. Archived February 7, 2022, at the Wayback MachineLewis had a U.S. postal stamp unveiled in her honor on January 26, 2022.

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Focus on Edmonia Lewis and explain the Posthumous exhibitions.

Art of the American Negro Exhibition, American Negro Exposition, Chicago, Illinois, 1940.Howard University, Washington, D.C., 1967.“The White, Marmorean Flock”: Nineteenth-Century Women Neoclassical Sculptors," Vassar College, New York, 1972.Michael Rosenfeld Gallery, New York, 2008.Edmonia Lewis and Henry Wadsworth Longfellow: Images and Identities at the Fogg Art Museum, Cambridge, Massachusetts, February 18 –May 3, 1995.Smithsonian American Art Museum, Washington, D.C., June 7, 1996 – April 14, 1997.Wildfire Test Pit, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, August 30, 2016 – June 12, 2017.Hearts of Our People: Native Women Artists, (2019), Minneapolis Institute of Art, Minneapolis, Minnesota, United States.Edmonia Lewis' Bust of Christ, Mount Stuart, UK

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: Explain the Posthumous exhibitions of this artwork, Edmonia Lewis.

Art of the American Negro Exhibition, American Negro Exposition, Chicago, Illinois, 1940.Howard University, Washington, D.C., 1967.“The White, Marmorean Flock”: Nineteenth-Century Women Neoclassical Sculptors," Vassar College, New York, 1972.Michael Rosenfeld Gallery, New York, 2008.Edmonia Lewis and Henry Wadsworth Longfellow: Images and Identities at the Fogg Art Museum, Cambridge, Massachusetts, February 18 –May 3, 1995.Smithsonian American Art Museum, Washington, D.C., June 7, 1996 – April 14, 1997.Wildfire Test Pit, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, August 30, 2016 – June 12, 2017.Hearts of Our People: Native Women Artists, (2019), Minneapolis Institute of Art, Minneapolis, Minnesota, United States.Edmonia Lewis' Bust of Christ, Mount Stuart, UK

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: How does Edmonia Lewis explain its Posthumous exhibitions?

Art of the American Negro Exhibition, American Negro Exposition, Chicago, Illinois, 1940.Howard University, Washington, D.C., 1967.“The White, Marmorean Flock”: Nineteenth-Century Women Neoclassical Sculptors," Vassar College, New York, 1972.Michael Rosenfeld Gallery, New York, 2008.Edmonia Lewis and Henry Wadsworth Longfellow: Images and Identities at the Fogg Art Museum, Cambridge, Massachusetts, February 18 –May 3, 1995.Smithsonian American Art Museum, Washington, D.C., June 7, 1996 – April 14, 1997.Wildfire Test Pit, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, August 30, 2016 – June 12, 2017.Hearts of Our People: Native Women Artists, (2019), Minneapolis Institute of Art, Minneapolis, Minnesota, United States.Edmonia Lewis' Bust of Christ, Mount Stuart, UK

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Edmonia Lewis

Prompt: In Edmonia Lewis, how is the Posthumous exhibitions discussed?

Art of the American Negro Exhibition, American Negro Exposition, Chicago, Illinois, 1940.Howard University, Washington, D.C., 1967.“The White, Marmorean Flock”: Nineteenth-Century Women Neoclassical Sculptors," Vassar College, New York, 1972.Michael Rosenfeld Gallery, New York, 2008.Edmonia Lewis and Henry Wadsworth Longfellow: Images and Identities at the Fogg Art Museum, Cambridge, Massachusetts, February 18 –May 3, 1995.Smithsonian American Art Museum, Washington, D.C., June 7, 1996 – April 14, 1997.Wildfire Test Pit, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, August 30, 2016 – June 12, 2017.Hearts of Our People: Native Women Artists, (2019), Minneapolis Institute of Art, Minneapolis, Minnesota, United States.Edmonia Lewis' Bust of Christ, Mount Stuart, UK

Category:19th-century Native American women

File:Forever Free by Edmonia Lewis - The Met, 2022.jpg

File:Edmonia Lewis, hands of Gerrit Smith and his wife Ann Carroll Fitzhugh.jpg

Category:People acquitted of manslaughter

Category:20th-century Native American artists

Category:Burials at St Mary's Catholic Cemetery, Kensal Green

Category:American people of Haitian descent

Category:American people of Ojibwe descent

Category:20th-century American women sculptors

Category:New York Central College alumni

''Hiawatha'', 1868, by Edmonia Lewis, inspired by [[Henry Wadsworth Longfellow

While in Rome, Lewis adopted the neoclassical style of sculpture, as seen in ''Bust of Dr. Dio Lewis'' (1868).<ref>{{cite web

Category:19th-century American women sculptors

Cotton States and International Exposition

Category:Native American Roman Catholics

Category:19th-century Native American artists

Category:Alumni of Bedford College, London

File:Forever Free by Edmonia Lewis (1867).png

Category:20th-century Native American women

Category:Sculptors from New York (state)

Lewis's grave in [[St. Mary's Roman Catholic Cemetery

Image:Edmonia Lewis - Bust of Dr Dio Lewis - Walters 27605.jpg

Category:American expatriates in the United Kingdom

The Times-Picayune/The New Orleans Advocate

Category:Native American women sculptors


Raphael Rooms

Prompt: Focus on Raphael Rooms and explain the abstract.

The four Raphael Rooms (Italian: Stanze di Raffaello) form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome.The Stanze, as they are commonly called, were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, then a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the Stanze are directly above Alexander's Borgia Apartment. They are on the second floor, overlooking the south side of the Belvedere Courtyard.Running from east to west, as a visitor would have entered the apartment, but not following the sequence in which the Stanze were frescoed, the rooms are the Sala di Costantino ("Hall of Constantine"), the Stanza di Eliodoro ("Room of Heliodorus"), the Stanza della Segnatura ("Room of the Signatura"), and the Stanza dell'Incendio del Borgo ("The Room of the Fire in the Borgo").After the death of Julius in 1513, with two rooms frescoed, Pope Leo X continued the program. Following Raphael's death in 1520, his assistants Gianfrancesco Penni, Giulio Romano and Raffaellino del Colle finished the project with the frescoes in the Sala di Costantino.

File:Raphael - Coronation of Charlemagne.jpg

File:Raphael - Deliverance of Saint Peter.jpg

File:School of Raphael - Donation of Rome.jpg

''The Coronation of Charlemagne'', 1516–1517

File:Raphael - The Meeting of Leo the Great and Attila.jpg

File:113e Sala de Constantino (Vista, e).jpg

File:Raphael - The Expulsion of Heliodorus from the Temple.jpg

The Battle of the Milvian Bridge (Giulio Romano)

File:1 Estancia del Sello (Vista general I).jpg

Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG

File:Raphael - Ceiling of the Room of Eliodorus.jpg

File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg

File:8 Estancia de Heliodoro (Vista general I).jpg

''The Meeting of Leo the Great and Attila,'' 1514

Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513

File:"The School of Athens" by Raffaello Sanzio da Urbino.jpg

File:Giulio Romano - The Battle of the Milvian Bridge.jpg

File:113d Sala de Constantino (Vista, d).jpg

File:15 Estancia del Incendio del Borgo (Vista general I).png

Raphael, ''The School of Athens'', 1509-1511

Raphael, ''Deliverance of Saint Peter,'' 1514

File:Tommaso Laureti - Ceiling of Room of Constantine.jpg

''The Battle of Milvian Bridge'', 1520-1524

File:9 Estancia de Heliodoro (Vista general II).jpg

Raphael, ''Disputation of the Holy Sacrament'', 1509-1510

Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg

File:Raphael - Cardinal and Theological Virtues.jpg

File:Raphael - Ceiling of the Selling Room.jpg

File:2 Estancia del Sello (Vista general II).jpg

''The Baptism of Constantine'', 1517–1524

File:16 Estancia del Incendio del Borgo (Vista general II).jpg

''The Donation of Constantine'', 1520–1524

File:School of Raphael - Vision of the Cross.jpg

File:Giannfrancesco Penni - Baptism of Constantine.jpg


Raphael Rooms

Prompt: Explain the abstract of this artwork, Raphael Rooms.

The four Raphael Rooms (Italian: Stanze di Raffaello) form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome.The Stanze, as they are commonly called, were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, then a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the Stanze are directly above Alexander's Borgia Apartment. They are on the second floor, overlooking the south side of the Belvedere Courtyard.Running from east to west, as a visitor would have entered the apartment, but not following the sequence in which the Stanze were frescoed, the rooms are the Sala di Costantino ("Hall of Constantine"), the Stanza di Eliodoro ("Room of Heliodorus"), the Stanza della Segnatura ("Room of the Signatura"), and the Stanza dell'Incendio del Borgo ("The Room of the Fire in the Borgo").After the death of Julius in 1513, with two rooms frescoed, Pope Leo X continued the program. Following Raphael's death in 1520, his assistants Gianfrancesco Penni, Giulio Romano and Raffaellino del Colle finished the project with the frescoes in the Sala di Costantino.

File:Raphael - Coronation of Charlemagne.jpg

File:Raphael - Deliverance of Saint Peter.jpg

File:School of Raphael - Donation of Rome.jpg

''The Coronation of Charlemagne'', 1516–1517

File:Raphael - The Meeting of Leo the Great and Attila.jpg

File:113e Sala de Constantino (Vista, e).jpg

File:Raphael - The Expulsion of Heliodorus from the Temple.jpg

The Battle of the Milvian Bridge (Giulio Romano)

File:1 Estancia del Sello (Vista general I).jpg

Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG

File:Raphael - Ceiling of the Room of Eliodorus.jpg

File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg

File:8 Estancia de Heliodoro (Vista general I).jpg

''The Meeting of Leo the Great and Attila,'' 1514

Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513

File:"The School of Athens" by Raffaello Sanzio da Urbino.jpg

File:Giulio Romano - The Battle of the Milvian Bridge.jpg

File:113d Sala de Constantino (Vista, d).jpg

File:15 Estancia del Incendio del Borgo (Vista general I).png

Raphael, ''The School of Athens'', 1509-1511

Raphael, ''Deliverance of Saint Peter,'' 1514

File:Tommaso Laureti - Ceiling of Room of Constantine.jpg

''The Battle of Milvian Bridge'', 1520-1524

File:9 Estancia de Heliodoro (Vista general II).jpg

Raphael, ''Disputation of the Holy Sacrament'', 1509-1510

Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg

File:Raphael - Cardinal and Theological Virtues.jpg

File:Raphael - Ceiling of the Selling Room.jpg

File:2 Estancia del Sello (Vista general II).jpg

''The Baptism of Constantine'', 1517–1524

File:16 Estancia del Incendio del Borgo (Vista general II).jpg

''The Donation of Constantine'', 1520–1524

File:School of Raphael - Vision of the Cross.jpg

File:Giannfrancesco Penni - Baptism of Constantine.jpg


Raphael Rooms

Prompt: How does Raphael Rooms explain its abstract?

The four Raphael Rooms (Italian: Stanze di Raffaello) form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome.The Stanze, as they are commonly called, were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, then a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the Stanze are directly above Alexander's Borgia Apartment. They are on the second floor, overlooking the south side of the Belvedere Courtyard.Running from east to west, as a visitor would have entered the apartment, but not following the sequence in which the Stanze were frescoed, the rooms are the Sala di Costantino ("Hall of Constantine"), the Stanza di Eliodoro ("Room of Heliodorus"), the Stanza della Segnatura ("Room of the Signatura"), and the Stanza dell'Incendio del Borgo ("The Room of the Fire in the Borgo").After the death of Julius in 1513, with two rooms frescoed, Pope Leo X continued the program. Following Raphael's death in 1520, his assistants Gianfrancesco Penni, Giulio Romano and Raffaellino del Colle finished the project with the frescoes in the Sala di Costantino.

File:Raphael - Coronation of Charlemagne.jpg

File:Raphael - Deliverance of Saint Peter.jpg

File:School of Raphael - Donation of Rome.jpg

''The Coronation of Charlemagne'', 1516–1517

File:Raphael - The Meeting of Leo the Great and Attila.jpg

File:113e Sala de Constantino (Vista, e).jpg

File:Raphael - The Expulsion of Heliodorus from the Temple.jpg

The Battle of the Milvian Bridge (Giulio Romano)

File:1 Estancia del Sello (Vista general I).jpg

Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG

File:Raphael - Ceiling of the Room of Eliodorus.jpg

File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg

File:8 Estancia de Heliodoro (Vista general I).jpg

''The Meeting of Leo the Great and Attila,'' 1514

Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513

File:"The School of Athens" by Raffaello Sanzio da Urbino.jpg

File:Giulio Romano - The Battle of the Milvian Bridge.jpg

File:113d Sala de Constantino (Vista, d).jpg

File:15 Estancia del Incendio del Borgo (Vista general I).png

Raphael, ''The School of Athens'', 1509-1511

Raphael, ''Deliverance of Saint Peter,'' 1514

File:Tommaso Laureti - Ceiling of Room of Constantine.jpg

''The Battle of Milvian Bridge'', 1520-1524

File:9 Estancia de Heliodoro (Vista general II).jpg

Raphael, ''Disputation of the Holy Sacrament'', 1509-1510

Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg

File:Raphael - Cardinal and Theological Virtues.jpg

File:Raphael - Ceiling of the Selling Room.jpg

File:2 Estancia del Sello (Vista general II).jpg

''The Baptism of Constantine'', 1517–1524

File:16 Estancia del Incendio del Borgo (Vista general II).jpg

''The Donation of Constantine'', 1520–1524

File:School of Raphael - Vision of the Cross.jpg

File:Giannfrancesco Penni - Baptism of Constantine.jpg


Raphael Rooms

Prompt: In Raphael Rooms, how is the abstract discussed?

The four Raphael Rooms (Italian: Stanze di Raffaello) form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome.The Stanze, as they are commonly called, were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, then a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the Stanze are directly above Alexander's Borgia Apartment. They are on the second floor, overlooking the south side of the Belvedere Courtyard.Running from east to west, as a visitor would have entered the apartment, but not following the sequence in which the Stanze were frescoed, the rooms are the Sala di Costantino ("Hall of Constantine"), the Stanza di Eliodoro ("Room of Heliodorus"), the Stanza della Segnatura ("Room of the Signatura"), and the Stanza dell'Incendio del Borgo ("The Room of the Fire in the Borgo").After the death of Julius in 1513, with two rooms frescoed, Pope Leo X continued the program. Following Raphael's death in 1520, his assistants Gianfrancesco Penni, Giulio Romano and Raffaellino del Colle finished the project with the frescoes in the Sala di Costantino.

File:Raphael - Coronation of Charlemagne.jpg

File:Raphael - Deliverance of Saint Peter.jpg

File:School of Raphael - Donation of Rome.jpg

''The Coronation of Charlemagne'', 1516–1517

File:Raphael - The Meeting of Leo the Great and Attila.jpg

File:113e Sala de Constantino (Vista, e).jpg

File:Raphael - The Expulsion of Heliodorus from the Temple.jpg

The Battle of the Milvian Bridge (Giulio Romano)

File:1 Estancia del Sello (Vista general I).jpg

Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG

File:Raphael - Ceiling of the Room of Eliodorus.jpg

File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg

File:8 Estancia de Heliodoro (Vista general I).jpg

''The Meeting of Leo the Great and Attila,'' 1514

Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513

File:"The School of Athens" by Raffaello Sanzio da Urbino.jpg

File:Giulio Romano - The Battle of the Milvian Bridge.jpg

File:113d Sala de Constantino (Vista, d).jpg

File:15 Estancia del Incendio del Borgo (Vista general I).png

Raphael, ''The School of Athens'', 1509-1511

Raphael, ''Deliverance of Saint Peter,'' 1514

File:Tommaso Laureti - Ceiling of Room of Constantine.jpg

''The Battle of Milvian Bridge'', 1520-1524

File:9 Estancia de Heliodoro (Vista general II).jpg

Raphael, ''Disputation of the Holy Sacrament'', 1509-1510

Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg

File:Raphael - Cardinal and Theological Virtues.jpg

File:Raphael - Ceiling of the Selling Room.jpg

File:2 Estancia del Sello (Vista general II).jpg

''The Baptism of Constantine'', 1517–1524

File:16 Estancia del Incendio del Borgo (Vista general II).jpg

''The Donation of Constantine'', 1520–1524

File:School of Raphael - Vision of the Cross.jpg

File:Giannfrancesco Penni - Baptism of Constantine.jpg


Raphael Rooms

Prompt: Focus on Raphael Rooms and explain the Scheme.

File:Raphael - Coronation of Charlemagne.jpg

File:Raphael - Deliverance of Saint Peter.jpg

File:School of Raphael - Donation of Rome.jpg

''The Coronation of Charlemagne'', 1516–1517

File:Raphael - The Meeting of Leo the Great and Attila.jpg

File:113e Sala de Constantino (Vista, e).jpg

File:Raphael - The Expulsion of Heliodorus from the Temple.jpg

The Battle of the Milvian Bridge (Giulio Romano)

File:1 Estancia del Sello (Vista general I).jpg

Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG

File:Raphael - Ceiling of the Room of Eliodorus.jpg

File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg

File:8 Estancia de Heliodoro (Vista general I).jpg

''The Meeting of Leo the Great and Attila,'' 1514

Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513

File:"The School of Athens" by Raffaello Sanzio da Urbino.jpg

File:Giulio Romano - The Battle of the Milvian Bridge.jpg

File:113d Sala de Constantino (Vista, d).jpg

File:15 Estancia del Incendio del Borgo (Vista general I).png

Raphael, ''The School of Athens'', 1509-1511

Raphael, ''Deliverance of Saint Peter,'' 1514

File:Tommaso Laureti - Ceiling of Room of Constantine.jpg

''The Battle of Milvian Bridge'', 1520-1524

File:9 Estancia de Heliodoro (Vista general II).jpg

Raphael, ''Disputation of the Holy Sacrament'', 1509-1510

Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg

File:Raphael - Cardinal and Theological Virtues.jpg

File:Raphael - Ceiling of the Selling Room.jpg

File:2 Estancia del Sello (Vista general II).jpg

''The Baptism of Constantine'', 1517–1524

File:16 Estancia del Incendio del Borgo (Vista general II).jpg

''The Donation of Constantine'', 1520–1524

File:School of Raphael - Vision of the Cross.jpg

File:Giannfrancesco Penni - Baptism of Constantine.jpg


Raphael Rooms

Prompt: Explain the Scheme of this artwork, Raphael Rooms.

File:Raphael - Coronation of Charlemagne.jpg

File:Raphael - Deliverance of Saint Peter.jpg

File:School of Raphael - Donation of Rome.jpg

''The Coronation of Charlemagne'', 1516–1517

File:Raphael - The Meeting of Leo the Great and Attila.jpg

File:113e Sala de Constantino (Vista, e).jpg

File:Raphael - The Expulsion of Heliodorus from the Temple.jpg

The Battle of the Milvian Bridge (Giulio Romano)

File:1 Estancia del Sello (Vista general I).jpg

Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG

File:Raphael - Ceiling of the Room of Eliodorus.jpg

File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg

File:8 Estancia de Heliodoro (Vista general I).jpg

''The Meeting of Leo the Great and Attila,'' 1514

Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513

File:"The School of Athens" by Raffaello Sanzio da Urbino.jpg

File:Giulio Romano - The Battle of the Milvian Bridge.jpg

File:113d Sala de Constantino (Vista, d).jpg

File:15 Estancia del Incendio del Borgo (Vista general I).png

Raphael, ''The School of Athens'', 1509-1511

Raphael, ''Deliverance of Saint Peter,'' 1514

File:Tommaso Laureti - Ceiling of Room of Constantine.jpg

''The Battle of Milvian Bridge'', 1520-1524

File:9 Estancia de Heliodoro (Vista general II).jpg

Raphael, ''Disputation of the Holy Sacrament'', 1509-1510

Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg

File:Raphael - Cardinal and Theological Virtues.jpg

File:Raphael - Ceiling of the Selling Room.jpg

File:2 Estancia del Sello (Vista general II).jpg

''The Baptism of Constantine'', 1517–1524

File:16 Estancia del Incendio del Borgo (Vista general II).jpg

''The Donation of Constantine'', 1520–1524

File:School of Raphael - Vision of the Cross.jpg

File:Giannfrancesco Penni - Baptism of Constantine.jpg


Raphael Rooms

Prompt: How does Raphael Rooms explain its Scheme?

File:Raphael - Coronation of Charlemagne.jpg

File:Raphael - Deliverance of Saint Peter.jpg

File:School of Raphael - Donation of Rome.jpg

''The Coronation of Charlemagne'', 1516–1517

File:Raphael - The Meeting of Leo the Great and Attila.jpg

File:113e Sala de Constantino (Vista, e).jpg

File:Raphael - The Expulsion of Heliodorus from the Temple.jpg

The Battle of the Milvian Bridge (Giulio Romano)

File:1 Estancia del Sello (Vista general I).jpg

Image:0 Chambre de Raphaël - L'Incendie du Borgo (1).JPG

File:Raphael - Ceiling of the Room of Eliodorus.jpg

File:Perugino - Ceiling of the Room of Fire in the Borgo.jpg

File:8 Estancia de Heliodoro (Vista general I).jpg

''The Meeting of Leo the Great and Attila,'' 1514

Raphael, ''The Expulsion of Heliodorus from the Temple,'' 1511–1513

File:"The School of Athens" by Raffaello Sanzio da Urbino.jpg

File:Giulio Romano - The Battle of the Milvian Bridge.jpg

File:113d Sala de Constantino (Vista, d).jpg

File:15 Estancia del Incendio del Borgo (Vista general I).png

Raphael, ''The School of Athens'', 1509-1511

Raphael, ''Deliverance of Saint Peter,'' 1514

File:Tommaso Laureti - Ceiling of Room of Constantine.jpg

''The Battle of Milvian Bridge'', 1520-1524

File:9 Estancia de Heliodoro (Vista general II).jpg

Raphael, ''Disputation of the Holy Sacrament'', 1509-1510

Image:Rafael - Virtudes Teologales y la Ley (Estancia del Sello, Vaticano, 1511).jpg

File:Raphael - Cardinal and Theological Virtues.jpg

File:Raphael - Ceiling of the Selling Room.jpg

File:2 Estancia del Sello (Vista general II).jpg

''The Baptism of Constantine'', 1517–1524

File:16 Estancia del Incendio del Borgo (Vista general II).jpg

''The Donation of Constantine'', 1520–1524

File:School of Raphael - Vision of the Cross.jpg

File:Giannfrancesco Penni - Baptism of Constantine.jpg