Ankhhaf (sculpture)

Prompt: In Ankhhaf (sculpture), how is the Site of discovery discussed?

The bust was discovered in his tomb, installed within a small chapel oriented to the east and facing the chapel's doorway. His arms may have been sculpted on the small pedestal on which it sat, though these have been lost. It was evident that it had once been the focus of a funerary cult, as the bust had crushed several small pottery vessels of the type used for offerings when it fell in antiquity from its pedestal.

Category:Sculptures in the Museum of Fine Arts, Boston

Category:Limestone sculptures in the United States


Ankhhaf (sculpture)

Prompt: Focus on Ankhhaf (sculpture) and explain the Method of discovery.

The bust was discovered by a museum expedition funded jointly by the Museum of Fine Arts, Boston and Harvard University, and under the contract of the time, such a fine piece would normally have found a home at the Egyptian Museum in Cairo. However, this piece was awarded as thanks for the extensive work done by this expedition and the discovery of the intact royal tomb of Queen Hetepheres, who was Ankhhaf's aunt, a sister of his father. More recently, Zahi Hawass, the chief of Egypt's Supreme Council of Antiquities, has asked that this piece be repatriated to Egypt, as one of five key items belonging to Egypt's cultural heritage, a list which also includes the iconic bust of Nefertiti in the Egyptian Museum of Berlin, a statue of the Great Pyramid architect Hemiunu in the Roemer-und-Pelizaeus-Museum in Hildesheim, Germany, and the Dendara Temple Zodiac in the Louvre in Paris.

Category:Sculptures in the Museum of Fine Arts, Boston

Category:Limestone sculptures in the United States


Ankhhaf (sculpture)

Prompt: Explain the Method of discovery of this artwork, Ankhhaf (sculpture).

The bust was discovered by a museum expedition funded jointly by the Museum of Fine Arts, Boston and Harvard University, and under the contract of the time, such a fine piece would normally have found a home at the Egyptian Museum in Cairo. However, this piece was awarded as thanks for the extensive work done by this expedition and the discovery of the intact royal tomb of Queen Hetepheres, who was Ankhhaf's aunt, a sister of his father. More recently, Zahi Hawass, the chief of Egypt's Supreme Council of Antiquities, has asked that this piece be repatriated to Egypt, as one of five key items belonging to Egypt's cultural heritage, a list which also includes the iconic bust of Nefertiti in the Egyptian Museum of Berlin, a statue of the Great Pyramid architect Hemiunu in the Roemer-und-Pelizaeus-Museum in Hildesheim, Germany, and the Dendara Temple Zodiac in the Louvre in Paris.

Category:Sculptures in the Museum of Fine Arts, Boston

Category:Limestone sculptures in the United States


Ankhhaf (sculpture)

Prompt: How does Ankhhaf (sculpture) explain its Method of discovery?

The bust was discovered by a museum expedition funded jointly by the Museum of Fine Arts, Boston and Harvard University, and under the contract of the time, such a fine piece would normally have found a home at the Egyptian Museum in Cairo. However, this piece was awarded as thanks for the extensive work done by this expedition and the discovery of the intact royal tomb of Queen Hetepheres, who was Ankhhaf's aunt, a sister of his father. More recently, Zahi Hawass, the chief of Egypt's Supreme Council of Antiquities, has asked that this piece be repatriated to Egypt, as one of five key items belonging to Egypt's cultural heritage, a list which also includes the iconic bust of Nefertiti in the Egyptian Museum of Berlin, a statue of the Great Pyramid architect Hemiunu in the Roemer-und-Pelizaeus-Museum in Hildesheim, Germany, and the Dendara Temple Zodiac in the Louvre in Paris.

Category:Sculptures in the Museum of Fine Arts, Boston

Category:Limestone sculptures in the United States


Ankhhaf (sculpture)

Prompt: In Ankhhaf (sculpture), how is the Method of discovery discussed?

The bust was discovered by a museum expedition funded jointly by the Museum of Fine Arts, Boston and Harvard University, and under the contract of the time, such a fine piece would normally have found a home at the Egyptian Museum in Cairo. However, this piece was awarded as thanks for the extensive work done by this expedition and the discovery of the intact royal tomb of Queen Hetepheres, who was Ankhhaf's aunt, a sister of his father. More recently, Zahi Hawass, the chief of Egypt's Supreme Council of Antiquities, has asked that this piece be repatriated to Egypt, as one of five key items belonging to Egypt's cultural heritage, a list which also includes the iconic bust of Nefertiti in the Egyptian Museum of Berlin, a statue of the Great Pyramid architect Hemiunu in the Roemer-und-Pelizaeus-Museum in Hildesheim, Germany, and the Dendara Temple Zodiac in the Louvre in Paris.

Category:Sculptures in the Museum of Fine Arts, Boston

Category:Limestone sculptures in the United States


The Red Popsicle

Prompt: Focus on The Red Popsicle and explain the abstract.

The Red Popsicle (also known as Giant Red Twin Popsicle or simply Popsicle) is a 2011 sculpture by Catherine Mayer, installed in Seattle's Belltown neighborhood, in the U.S. state of Washington.

Category:2011 establishments in Washington (state)

Category:Steel sculptures in Washington (state)


The Red Popsicle

Prompt: Explain the abstract of this artwork, The Red Popsicle.

The Red Popsicle (also known as Giant Red Twin Popsicle or simply Popsicle) is a 2011 sculpture by Catherine Mayer, installed in Seattle's Belltown neighborhood, in the U.S. state of Washington.

Category:2011 establishments in Washington (state)

Category:Steel sculptures in Washington (state)


The Red Popsicle

Prompt: How does The Red Popsicle explain its abstract?

The Red Popsicle (also known as Giant Red Twin Popsicle or simply Popsicle) is a 2011 sculpture by Catherine Mayer, installed in Seattle's Belltown neighborhood, in the U.S. state of Washington.

Category:2011 establishments in Washington (state)

Category:Steel sculptures in Washington (state)


The Red Popsicle

Prompt: In The Red Popsicle, how is the abstract discussed?

The Red Popsicle (also known as Giant Red Twin Popsicle or simply Popsicle) is a 2011 sculpture by Catherine Mayer, installed in Seattle's Belltown neighborhood, in the U.S. state of Washington.

Category:2011 establishments in Washington (state)

Category:Steel sculptures in Washington (state)


The Red Popsicle

Prompt: Focus on The Red Popsicle and explain the Description and history.

The 17-foot steel and epoxy artwork was installed at the intersection of Fourth and Blanchard outside the building of the same name in early June 2011.

Category:2011 establishments in Washington (state)

Category:Steel sculptures in Washington (state)


The Red Popsicle

Prompt: Explain the Description and history of this artwork, The Red Popsicle.

The 17-foot steel and epoxy artwork was installed at the intersection of Fourth and Blanchard outside the building of the same name in early June 2011.

Category:2011 establishments in Washington (state)

Category:Steel sculptures in Washington (state)


The Red Popsicle

Prompt: How does The Red Popsicle explain its Description and history?

The 17-foot steel and epoxy artwork was installed at the intersection of Fourth and Blanchard outside the building of the same name in early June 2011.

Category:2011 establishments in Washington (state)

Category:Steel sculptures in Washington (state)


The Red Popsicle

Prompt: In The Red Popsicle, how is the Description and history discussed?

The 17-foot steel and epoxy artwork was installed at the intersection of Fourth and Blanchard outside the building of the same name in early June 2011.

Category:2011 establishments in Washington (state)

Category:Steel sculptures in Washington (state)


The Red Popsicle

Prompt: Focus on The Red Popsicle and explain the Reception.

Christina Ausley of the Seattle Post-Intelligencer described the sculpture as "public pop art that looks good enough to eat, but sadly is not". The newspaper also included the artwork in a 2021 list of "24 of Seattle's quirkiest landmarks". Bradley Foster included the sculpture in Thrillist's 2014 list of "10 secret Seattle things you didn't know existed". Sean Keeley and Sarah Anne Lloyd included the work in Curbed Seattle's 2019 list of "30 notable public art spots in Seattle".

Category:2011 establishments in Washington (state)

Category:Steel sculptures in Washington (state)


The Red Popsicle

Prompt: Explain the Reception of this artwork, The Red Popsicle.

Christina Ausley of the Seattle Post-Intelligencer described the sculpture as "public pop art that looks good enough to eat, but sadly is not". The newspaper also included the artwork in a 2021 list of "24 of Seattle's quirkiest landmarks". Bradley Foster included the sculpture in Thrillist's 2014 list of "10 secret Seattle things you didn't know existed". Sean Keeley and Sarah Anne Lloyd included the work in Curbed Seattle's 2019 list of "30 notable public art spots in Seattle".

Category:2011 establishments in Washington (state)

Category:Steel sculptures in Washington (state)


The Red Popsicle

Prompt: How does The Red Popsicle explain its Reception?

Christina Ausley of the Seattle Post-Intelligencer described the sculpture as "public pop art that looks good enough to eat, but sadly is not". The newspaper also included the artwork in a 2021 list of "24 of Seattle's quirkiest landmarks". Bradley Foster included the sculpture in Thrillist's 2014 list of "10 secret Seattle things you didn't know existed". Sean Keeley and Sarah Anne Lloyd included the work in Curbed Seattle's 2019 list of "30 notable public art spots in Seattle".

Category:2011 establishments in Washington (state)

Category:Steel sculptures in Washington (state)


The Red Popsicle

Prompt: In The Red Popsicle, how is the Reception discussed?

Christina Ausley of the Seattle Post-Intelligencer described the sculpture as "public pop art that looks good enough to eat, but sadly is not". The newspaper also included the artwork in a 2021 list of "24 of Seattle's quirkiest landmarks". Bradley Foster included the sculpture in Thrillist's 2014 list of "10 secret Seattle things you didn't know existed". Sean Keeley and Sarah Anne Lloyd included the work in Curbed Seattle's 2019 list of "30 notable public art spots in Seattle".

Category:2011 establishments in Washington (state)

Category:Steel sculptures in Washington (state)


Statue of Kareem Abdul-Jabbar

Prompt: Focus on Statue of Kareem Abdul-Jabbar and explain the abstract.

A statue of basketball player Kareem Abdul-Jabbar by artists Julie Rotblatt-Amrany and Omri Amrany is installed outside Los Angeles' Crypto.com Arena, in the U.S. state of California. The bronze sculpture was unveiled in 2012. It depicts Abdul-Jabbar shooting his patent skyhook shot. Abdul-Jabbar was a member of the Los Angeles Lakers of the National Basketball Association from 1975 to 1989.

Category:Outdoor sculptures in Greater Los Angeles

Category:Sculptures of African Americans

Category:South Park (Downtown Los Angeles)

Category:Bronze sculptures in California

Category:Monuments and memorials in Los Angeles

Category:2012 establishments in California

Category:Statues of sportspeople in California

Category:Sculptures of men in California


Statue of Kareem Abdul-Jabbar

Prompt: Explain the abstract of this artwork, Statue of Kareem Abdul-Jabbar.

A statue of basketball player Kareem Abdul-Jabbar by artists Julie Rotblatt-Amrany and Omri Amrany is installed outside Los Angeles' Crypto.com Arena, in the U.S. state of California. The bronze sculpture was unveiled in 2012. It depicts Abdul-Jabbar shooting his patent skyhook shot. Abdul-Jabbar was a member of the Los Angeles Lakers of the National Basketball Association from 1975 to 1989.

Category:Outdoor sculptures in Greater Los Angeles

Category:Sculptures of African Americans

Category:South Park (Downtown Los Angeles)

Category:Bronze sculptures in California

Category:Monuments and memorials in Los Angeles

Category:2012 establishments in California

Category:Statues of sportspeople in California

Category:Sculptures of men in California


Statue of Kareem Abdul-Jabbar

Prompt: How does Statue of Kareem Abdul-Jabbar explain its abstract?

A statue of basketball player Kareem Abdul-Jabbar by artists Julie Rotblatt-Amrany and Omri Amrany is installed outside Los Angeles' Crypto.com Arena, in the U.S. state of California. The bronze sculpture was unveiled in 2012. It depicts Abdul-Jabbar shooting his patent skyhook shot. Abdul-Jabbar was a member of the Los Angeles Lakers of the National Basketball Association from 1975 to 1989.

Category:Outdoor sculptures in Greater Los Angeles

Category:Sculptures of African Americans

Category:South Park (Downtown Los Angeles)

Category:Bronze sculptures in California

Category:Monuments and memorials in Los Angeles

Category:2012 establishments in California

Category:Statues of sportspeople in California

Category:Sculptures of men in California


Statue of Kareem Abdul-Jabbar

Prompt: In Statue of Kareem Abdul-Jabbar, how is the abstract discussed?

A statue of basketball player Kareem Abdul-Jabbar by artists Julie Rotblatt-Amrany and Omri Amrany is installed outside Los Angeles' Crypto.com Arena, in the U.S. state of California. The bronze sculpture was unveiled in 2012. It depicts Abdul-Jabbar shooting his patent skyhook shot. Abdul-Jabbar was a member of the Los Angeles Lakers of the National Basketball Association from 1975 to 1989.

Category:Outdoor sculptures in Greater Los Angeles

Category:Sculptures of African Americans

Category:South Park (Downtown Los Angeles)

Category:Bronze sculptures in California

Category:Monuments and memorials in Los Angeles

Category:2012 establishments in California

Category:Statues of sportspeople in California

Category:Sculptures of men in California


Three Bathers

Prompt: Focus on Three Bathers and explain the abstract.

Three Bathers (French: Trois Baigneuses) is an 1879-1882 oil-on-canvas painting by Paul Cézanne, which is housed in the Petit Palais in Paris. It shows three bathing female nudes framed in an arch formed by two trees. Executed in a typically Impressionist style with short heavy brushstrokes and strong colours, the painting displays notable pictorial composition and form.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Three Bathers

Prompt: Explain the abstract of this artwork, Three Bathers.

Three Bathers (French: Trois Baigneuses) is an 1879-1882 oil-on-canvas painting by Paul Cézanne, which is housed in the Petit Palais in Paris. It shows three bathing female nudes framed in an arch formed by two trees. Executed in a typically Impressionist style with short heavy brushstrokes and strong colours, the painting displays notable pictorial composition and form.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Three Bathers

Prompt: How does Three Bathers explain its abstract?

Three Bathers (French: Trois Baigneuses) is an 1879-1882 oil-on-canvas painting by Paul Cézanne, which is housed in the Petit Palais in Paris. It shows three bathing female nudes framed in an arch formed by two trees. Executed in a typically Impressionist style with short heavy brushstrokes and strong colours, the painting displays notable pictorial composition and form.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Three Bathers

Prompt: In Three Bathers, how is the abstract discussed?

Three Bathers (French: Trois Baigneuses) is an 1879-1882 oil-on-canvas painting by Paul Cézanne, which is housed in the Petit Palais in Paris. It shows three bathing female nudes framed in an arch formed by two trees. Executed in a typically Impressionist style with short heavy brushstrokes and strong colours, the painting displays notable pictorial composition and form.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Three Bathers

Prompt: Focus on Three Bathers and explain the Background.

Bathers were a prominent theme in Cézanne’s work and preoccupied him throughout his lifetime. Over the course of his career, he created about 200 works that were devoted to male and female bathers, which he depicted in paintings, watercolours and drawings. The portrayal of nude women in an idealised setting is reminiscent of classical scenes of semi-nude figures, such as those portrayed in Venetian Renaissance art.The artist Henri Matisse was a great admirer of Three Bathers and considered it to be a work of great importance. He stated, "I have drawn from it my faith and my perseverance". He acquired it at great financial cost from the influential art dealer Ambroise Vollard in 1899 and owned it for more than 30 years. He would often use the painting as an example when teaching his students at the Académie Matisse. Eventually he donated it to the Petit Palais in 1936.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Three Bathers

Prompt: Explain the Background of this artwork, Three Bathers.

Bathers were a prominent theme in Cézanne’s work and preoccupied him throughout his lifetime. Over the course of his career, he created about 200 works that were devoted to male and female bathers, which he depicted in paintings, watercolours and drawings. The portrayal of nude women in an idealised setting is reminiscent of classical scenes of semi-nude figures, such as those portrayed in Venetian Renaissance art.The artist Henri Matisse was a great admirer of Three Bathers and considered it to be a work of great importance. He stated, "I have drawn from it my faith and my perseverance". He acquired it at great financial cost from the influential art dealer Ambroise Vollard in 1899 and owned it for more than 30 years. He would often use the painting as an example when teaching his students at the Académie Matisse. Eventually he donated it to the Petit Palais in 1936.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Three Bathers

Prompt: How does Three Bathers explain its Background?

Bathers were a prominent theme in Cézanne’s work and preoccupied him throughout his lifetime. Over the course of his career, he created about 200 works that were devoted to male and female bathers, which he depicted in paintings, watercolours and drawings. The portrayal of nude women in an idealised setting is reminiscent of classical scenes of semi-nude figures, such as those portrayed in Venetian Renaissance art.The artist Henri Matisse was a great admirer of Three Bathers and considered it to be a work of great importance. He stated, "I have drawn from it my faith and my perseverance". He acquired it at great financial cost from the influential art dealer Ambroise Vollard in 1899 and owned it for more than 30 years. He would often use the painting as an example when teaching his students at the Académie Matisse. Eventually he donated it to the Petit Palais in 1936.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Three Bathers

Prompt: In Three Bathers, how is the Background discussed?

Bathers were a prominent theme in Cézanne’s work and preoccupied him throughout his lifetime. Over the course of his career, he created about 200 works that were devoted to male and female bathers, which he depicted in paintings, watercolours and drawings. The portrayal of nude women in an idealised setting is reminiscent of classical scenes of semi-nude figures, such as those portrayed in Venetian Renaissance art.The artist Henri Matisse was a great admirer of Three Bathers and considered it to be a work of great importance. He stated, "I have drawn from it my faith and my perseverance". He acquired it at great financial cost from the influential art dealer Ambroise Vollard in 1899 and owned it for more than 30 years. He would often use the painting as an example when teaching his students at the Académie Matisse. Eventually he donated it to the Petit Palais in 1936.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Three Bathers

Prompt: Focus on Three Bathers and explain the Description.

In Three Bathers, structural form and pictorial composition are the artist's main concerns. The painting depicts three nude bathers, whose figures are stocky, rather than represented as figures of beauty. The painting's composition takes a pyramidal formation, with the three figures, who are blonde, dark and red-haired, having been framed by the two trees on either side of the painting. Light enters the wooded area from various angles, illuminating the bodies of the bathers and reflecting in the water. Cézanne used oblique, regular brushstrokes to create the structure of the image. He also used a canvas of almost square proportions to convey a sense of density and abundance within the composition.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Three Bathers

Prompt: Explain the Description of this artwork, Three Bathers.

In Three Bathers, structural form and pictorial composition are the artist's main concerns. The painting depicts three nude bathers, whose figures are stocky, rather than represented as figures of beauty. The painting's composition takes a pyramidal formation, with the three figures, who are blonde, dark and red-haired, having been framed by the two trees on either side of the painting. Light enters the wooded area from various angles, illuminating the bodies of the bathers and reflecting in the water. Cézanne used oblique, regular brushstrokes to create the structure of the image. He also used a canvas of almost square proportions to convey a sense of density and abundance within the composition.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Three Bathers

Prompt: How does Three Bathers explain its Description?

In Three Bathers, structural form and pictorial composition are the artist's main concerns. The painting depicts three nude bathers, whose figures are stocky, rather than represented as figures of beauty. The painting's composition takes a pyramidal formation, with the three figures, who are blonde, dark and red-haired, having been framed by the two trees on either side of the painting. Light enters the wooded area from various angles, illuminating the bodies of the bathers and reflecting in the water. Cézanne used oblique, regular brushstrokes to create the structure of the image. He also used a canvas of almost square proportions to convey a sense of density and abundance within the composition.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Three Bathers

Prompt: In Three Bathers, how is the Description discussed?

In Three Bathers, structural form and pictorial composition are the artist's main concerns. The painting depicts three nude bathers, whose figures are stocky, rather than represented as figures of beauty. The painting's composition takes a pyramidal formation, with the three figures, who are blonde, dark and red-haired, having been framed by the two trees on either side of the painting. Light enters the wooded area from various angles, illuminating the bodies of the bathers and reflecting in the water. Cézanne used oblique, regular brushstrokes to create the structure of the image. He also used a canvas of almost square proportions to convey a sense of density and abundance within the composition.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Three Bathers

Prompt: Focus on Three Bathers and explain the Other versions.

Cézanne painted many scenes of bathers in his life, including Three Bathers c.1875 (private collection) and another version of the Three Bathers (1876-1877), which is on view at the Barnes Foundation in Philadelphia.The artist Henry Moore was inspired to recreate Three Bathers as a bronze sculpture in 1978. He also created a charcoal drawing titled Cézanne's 'Bathers' from the Front, which is owned by The Henry Moore Foundation.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Three Bathers

Prompt: Explain the Other versions of this artwork, Three Bathers.

Cézanne painted many scenes of bathers in his life, including Three Bathers c.1875 (private collection) and another version of the Three Bathers (1876-1877), which is on view at the Barnes Foundation in Philadelphia.The artist Henry Moore was inspired to recreate Three Bathers as a bronze sculpture in 1978. He also created a charcoal drawing titled Cézanne's 'Bathers' from the Front, which is owned by The Henry Moore Foundation.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Three Bathers

Prompt: How does Three Bathers explain its Other versions?

Cézanne painted many scenes of bathers in his life, including Three Bathers c.1875 (private collection) and another version of the Three Bathers (1876-1877), which is on view at the Barnes Foundation in Philadelphia.The artist Henry Moore was inspired to recreate Three Bathers as a bronze sculpture in 1978. He also created a charcoal drawing titled Cézanne's 'Bathers' from the Front, which is owned by The Henry Moore Foundation.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Three Bathers

Prompt: In Three Bathers, how is the Other versions discussed?

Cézanne painted many scenes of bathers in his life, including Three Bathers c.1875 (private collection) and another version of the Three Bathers (1876-1877), which is on view at the Barnes Foundation in Philadelphia.The artist Henry Moore was inspired to recreate Three Bathers as a bronze sculpture in 1978. He also created a charcoal drawing titled Cézanne's 'Bathers' from the Front, which is owned by The Henry Moore Foundation.

Henri Matisse
Impressionist
Paul Cézanne
Petit Palais
Paris
Ambroise Vollard
Category:Paintings by Paul Cézanne
Category:Nude art
Category:1882 paintings
Category:Bathing in art
Oil painting
Venetian Renaissance
Category:Paintings in the Petit Palais
The Henry Moore Foundation
Henry Moore
Henry Moore Foundation
List of paintings by Paul Cézanne
oil-on-canvas
Barnes Foundation
Impressionism


Saint Matthew and the Angel (Rembrandt)

Prompt: Focus on Saint Matthew and the Angel (Rembrandt) and explain the abstract.

Saint Matthew and the Angel (c. 1661) is an oil painting on canvas  by the Dutch master Rembrandt. It is an example of Dutch Golden Age painting and is now in the collection of the Louvre.This painting was documented by Hofstede de Groot in 1914, who wrote:173. ST. MATTHEW THE EVANGELIST. Sm. 136; Bode 270; Dut. 102; Wb. 276; B.-HdG. 521. He sits behind a table with a book open before him, and gazes thoughtfully into the distance. He is turned three-quarters right, and wears a coloured cap. His left hand is at his untrimmed and tangled beard; his right hand, holding a pen, rests on the book. He wears a loose chestnut-brown robe. An angel with rich fair curls at the back to the left lays his right hand on the evangelist's right shoulder and speaks to him. Half-length, life size. Cf. 172 and 174–5. Signed in the right centre, "Rembrandt f. 1661"; canvas, 38 inches by 32 inches. Mentioned by Vosmaer, pp. 361, 562; by Bode, pp. 523, 594; by Dutuit, p. 35; by Michel, pp. 463, 562 [361–2, 434]. Etched by Claessens in the Musée Francais; by Oortman in the Musée Napoléon, in Filhol, viii. 509, and Landon, ii. 57. In the Louvre, Paris, 1907 catalogue, No. 2538.Rembrandt was influenced in his arrangement with the angel acting as an assistant by an earlier work by Frans Hals:

Category:Paintings in the Louvre by Dutch artists

Category:Paintings of Matthew the Apostle


Saint Matthew and the Angel (Rembrandt)

Prompt: Explain the abstract of this artwork, Saint Matthew and the Angel (Rembrandt).

Saint Matthew and the Angel (c. 1661) is an oil painting on canvas  by the Dutch master Rembrandt. It is an example of Dutch Golden Age painting and is now in the collection of the Louvre.This painting was documented by Hofstede de Groot in 1914, who wrote:173. ST. MATTHEW THE EVANGELIST. Sm. 136; Bode 270; Dut. 102; Wb. 276; B.-HdG. 521. He sits behind a table with a book open before him, and gazes thoughtfully into the distance. He is turned three-quarters right, and wears a coloured cap. His left hand is at his untrimmed and tangled beard; his right hand, holding a pen, rests on the book. He wears a loose chestnut-brown robe. An angel with rich fair curls at the back to the left lays his right hand on the evangelist's right shoulder and speaks to him. Half-length, life size. Cf. 172 and 174–5. Signed in the right centre, "Rembrandt f. 1661"; canvas, 38 inches by 32 inches. Mentioned by Vosmaer, pp. 361, 562; by Bode, pp. 523, 594; by Dutuit, p. 35; by Michel, pp. 463, 562 [361–2, 434]. Etched by Claessens in the Musée Francais; by Oortman in the Musée Napoléon, in Filhol, viii. 509, and Landon, ii. 57. In the Louvre, Paris, 1907 catalogue, No. 2538.Rembrandt was influenced in his arrangement with the angel acting as an assistant by an earlier work by Frans Hals:

Category:Paintings in the Louvre by Dutch artists

Category:Paintings of Matthew the Apostle


Saint Matthew and the Angel (Rembrandt)

Prompt: How does Saint Matthew and the Angel (Rembrandt) explain its abstract?

Saint Matthew and the Angel (c. 1661) is an oil painting on canvas  by the Dutch master Rembrandt. It is an example of Dutch Golden Age painting and is now in the collection of the Louvre.This painting was documented by Hofstede de Groot in 1914, who wrote:173. ST. MATTHEW THE EVANGELIST. Sm. 136; Bode 270; Dut. 102; Wb. 276; B.-HdG. 521. He sits behind a table with a book open before him, and gazes thoughtfully into the distance. He is turned three-quarters right, and wears a coloured cap. His left hand is at his untrimmed and tangled beard; his right hand, holding a pen, rests on the book. He wears a loose chestnut-brown robe. An angel with rich fair curls at the back to the left lays his right hand on the evangelist's right shoulder and speaks to him. Half-length, life size. Cf. 172 and 174–5. Signed in the right centre, "Rembrandt f. 1661"; canvas, 38 inches by 32 inches. Mentioned by Vosmaer, pp. 361, 562; by Bode, pp. 523, 594; by Dutuit, p. 35; by Michel, pp. 463, 562 [361–2, 434]. Etched by Claessens in the Musée Francais; by Oortman in the Musée Napoléon, in Filhol, viii. 509, and Landon, ii. 57. In the Louvre, Paris, 1907 catalogue, No. 2538.Rembrandt was influenced in his arrangement with the angel acting as an assistant by an earlier work by Frans Hals:

Category:Paintings in the Louvre by Dutch artists

Category:Paintings of Matthew the Apostle


Saint Matthew and the Angel (Rembrandt)

Prompt: In Saint Matthew and the Angel (Rembrandt), how is the abstract discussed?

Saint Matthew and the Angel (c. 1661) is an oil painting on canvas  by the Dutch master Rembrandt. It is an example of Dutch Golden Age painting and is now in the collection of the Louvre.This painting was documented by Hofstede de Groot in 1914, who wrote:173. ST. MATTHEW THE EVANGELIST. Sm. 136; Bode 270; Dut. 102; Wb. 276; B.-HdG. 521. He sits behind a table with a book open before him, and gazes thoughtfully into the distance. He is turned three-quarters right, and wears a coloured cap. His left hand is at his untrimmed and tangled beard; his right hand, holding a pen, rests on the book. He wears a loose chestnut-brown robe. An angel with rich fair curls at the back to the left lays his right hand on the evangelist's right shoulder and speaks to him. Half-length, life size. Cf. 172 and 174–5. Signed in the right centre, "Rembrandt f. 1661"; canvas, 38 inches by 32 inches. Mentioned by Vosmaer, pp. 361, 562; by Bode, pp. 523, 594; by Dutuit, p. 35; by Michel, pp. 463, 562 [361–2, 434]. Etched by Claessens in the Musée Francais; by Oortman in the Musée Napoléon, in Filhol, viii. 509, and Landon, ii. 57. In the Louvre, Paris, 1907 catalogue, No. 2538.Rembrandt was influenced in his arrangement with the angel acting as an assistant by an earlier work by Frans Hals:

Category:Paintings in the Louvre by Dutch artists

Category:Paintings of Matthew the Apostle


Oregon History (mural)

Prompt: Focus on Oregon History (mural) and explain the abstract.

Oregon History, sometimes called the Oregon Historical Society mural, is a pair of eight-story-tall 1989–1990 trompe-l'œil murals by Richard Haas, installed outside the Oregon Historical Society, on two sides of the Sovereign Hotel building in Portland, Oregon, in the United States.

Category:Cultural depictions of Meriwether Lewis and William Clark

Category:Cultural depictions of Sacagawea

File:Mural on south side of Sovereign Hotel in Portland (2017).jpg

Category:Monuments and memorials to explorers

The mural on the building's south side features a wagon train and scenes from the [[fur trade


Oregon History (mural)

Prompt: Explain the abstract of this artwork, Oregon History (mural).

Oregon History, sometimes called the Oregon Historical Society mural, is a pair of eight-story-tall 1989–1990 trompe-l'œil murals by Richard Haas, installed outside the Oregon Historical Society, on two sides of the Sovereign Hotel building in Portland, Oregon, in the United States.

Category:Cultural depictions of Meriwether Lewis and William Clark

Category:Cultural depictions of Sacagawea

File:Mural on south side of Sovereign Hotel in Portland (2017).jpg

Category:Monuments and memorials to explorers

The mural on the building's south side features a wagon train and scenes from the [[fur trade


Oregon History (mural)

Prompt: How does Oregon History (mural) explain its abstract?

Oregon History, sometimes called the Oregon Historical Society mural, is a pair of eight-story-tall 1989–1990 trompe-l'œil murals by Richard Haas, installed outside the Oregon Historical Society, on two sides of the Sovereign Hotel building in Portland, Oregon, in the United States.

Category:Cultural depictions of Meriwether Lewis and William Clark

Category:Cultural depictions of Sacagawea

File:Mural on south side of Sovereign Hotel in Portland (2017).jpg

Category:Monuments and memorials to explorers

The mural on the building's south side features a wagon train and scenes from the [[fur trade


Oregon History (mural)

Prompt: In Oregon History (mural), how is the abstract discussed?

Oregon History, sometimes called the Oregon Historical Society mural, is a pair of eight-story-tall 1989–1990 trompe-l'œil murals by Richard Haas, installed outside the Oregon Historical Society, on two sides of the Sovereign Hotel building in Portland, Oregon, in the United States.

Category:Cultural depictions of Meriwether Lewis and William Clark

Category:Cultural depictions of Sacagawea

File:Mural on south side of Sovereign Hotel in Portland (2017).jpg

Category:Monuments and memorials to explorers

The mural on the building's south side features a wagon train and scenes from the [[fur trade


Oregon History (mural)

Prompt: Focus on Oregon History (mural) and explain the Description.

The murals depict people and scenes from Oregon's history, including John Jacob Astor, wagons trains, and figures associated with the Lewis and Clark Expedition, including Meriwether Lewis, William Clark, Sacagawea and her child, the African slave York, and the Newfoundland dog Seaman.

Category:Cultural depictions of Meriwether Lewis and William Clark

Category:Cultural depictions of Sacagawea

File:Mural on south side of Sovereign Hotel in Portland (2017).jpg

Category:Monuments and memorials to explorers

The mural on the building's south side features a wagon train and scenes from the [[fur trade


Oregon History (mural)

Prompt: Explain the Description of this artwork, Oregon History (mural).

The murals depict people and scenes from Oregon's history, including John Jacob Astor, wagons trains, and figures associated with the Lewis and Clark Expedition, including Meriwether Lewis, William Clark, Sacagawea and her child, the African slave York, and the Newfoundland dog Seaman.

Category:Cultural depictions of Meriwether Lewis and William Clark

Category:Cultural depictions of Sacagawea

File:Mural on south side of Sovereign Hotel in Portland (2017).jpg

Category:Monuments and memorials to explorers

The mural on the building's south side features a wagon train and scenes from the [[fur trade


Oregon History (mural)

Prompt: How does Oregon History (mural) explain its Description?

The murals depict people and scenes from Oregon's history, including John Jacob Astor, wagons trains, and figures associated with the Lewis and Clark Expedition, including Meriwether Lewis, William Clark, Sacagawea and her child, the African slave York, and the Newfoundland dog Seaman.

Category:Cultural depictions of Meriwether Lewis and William Clark

Category:Cultural depictions of Sacagawea

File:Mural on south side of Sovereign Hotel in Portland (2017).jpg

Category:Monuments and memorials to explorers

The mural on the building's south side features a wagon train and scenes from the [[fur trade


Oregon History (mural)

Prompt: In Oregon History (mural), how is the Description discussed?

The murals depict people and scenes from Oregon's history, including John Jacob Astor, wagons trains, and figures associated with the Lewis and Clark Expedition, including Meriwether Lewis, William Clark, Sacagawea and her child, the African slave York, and the Newfoundland dog Seaman.

Category:Cultural depictions of Meriwether Lewis and William Clark

Category:Cultural depictions of Sacagawea

File:Mural on south side of Sovereign Hotel in Portland (2017).jpg

Category:Monuments and memorials to explorers

The mural on the building's south side features a wagon train and scenes from the [[fur trade


Oregon History (mural)

Prompt: Focus on Oregon History (mural) and explain the History.

The historical society commissioned the artwork in 1989 for $225,000.The Oregon Historical Society sold the Sovereign Hotel in 2014. In 2016, the hotel building underwent major renovations. The sales agreement required restoration of the murals to their original condition following building renovations. The murals were painted-out at that time, but in summer 2016 they were newly repainted, replicating the originals. The new copies were officially dedicated in May 2017.

Category:Cultural depictions of Meriwether Lewis and William Clark

Category:Cultural depictions of Sacagawea

File:Mural on south side of Sovereign Hotel in Portland (2017).jpg

Category:Monuments and memorials to explorers

The mural on the building's south side features a wagon train and scenes from the [[fur trade


Oregon History (mural)

Prompt: Explain the History of this artwork, Oregon History (mural).

The historical society commissioned the artwork in 1989 for $225,000.The Oregon Historical Society sold the Sovereign Hotel in 2014. In 2016, the hotel building underwent major renovations. The sales agreement required restoration of the murals to their original condition following building renovations. The murals were painted-out at that time, but in summer 2016 they were newly repainted, replicating the originals. The new copies were officially dedicated in May 2017.

Category:Cultural depictions of Meriwether Lewis and William Clark

Category:Cultural depictions of Sacagawea

File:Mural on south side of Sovereign Hotel in Portland (2017).jpg

Category:Monuments and memorials to explorers

The mural on the building's south side features a wagon train and scenes from the [[fur trade


Oregon History (mural)

Prompt: How does Oregon History (mural) explain its History?

The historical society commissioned the artwork in 1989 for $225,000.The Oregon Historical Society sold the Sovereign Hotel in 2014. In 2016, the hotel building underwent major renovations. The sales agreement required restoration of the murals to their original condition following building renovations. The murals were painted-out at that time, but in summer 2016 they were newly repainted, replicating the originals. The new copies were officially dedicated in May 2017.

Category:Cultural depictions of Meriwether Lewis and William Clark

Category:Cultural depictions of Sacagawea

File:Mural on south side of Sovereign Hotel in Portland (2017).jpg

Category:Monuments and memorials to explorers

The mural on the building's south side features a wagon train and scenes from the [[fur trade


Oregon History (mural)

Prompt: In Oregon History (mural), how is the History discussed?

The historical society commissioned the artwork in 1989 for $225,000.The Oregon Historical Society sold the Sovereign Hotel in 2014. In 2016, the hotel building underwent major renovations. The sales agreement required restoration of the murals to their original condition following building renovations. The murals were painted-out at that time, but in summer 2016 they were newly repainted, replicating the originals. The new copies were officially dedicated in May 2017.

Category:Cultural depictions of Meriwether Lewis and William Clark

Category:Cultural depictions of Sacagawea

File:Mural on south side of Sovereign Hotel in Portland (2017).jpg

Category:Monuments and memorials to explorers

The mural on the building's south side features a wagon train and scenes from the [[fur trade


Modena Triptych

Prompt: Focus on Modena Triptych and explain the abstract.

The Modena Triptych is 1568 triptych (three panel painting) by the artist El Greco, who was also known as Doménikos Theotokópoulos.This portable altarpiece is painted on both sides and has an Italian Renaissance frame. The front depicts the Adoration of the Shepherds, a Christian knight being crowned by Christ in glory, and the Baptism of Jesus. The back panels show the Annunciation to Mary, Mount Sinai, and Adam and Eve. The back panel shows pilgrims on the way to the Saint Catherine's Monastery in Egypt as if on their way to Heaven.

Category:Paintings in the Galleria Estense

Category:Paintings of the Baptism of Christ


Modena Triptych

Prompt: Explain the abstract of this artwork, Modena Triptych.

The Modena Triptych is 1568 triptych (three panel painting) by the artist El Greco, who was also known as Doménikos Theotokópoulos.This portable altarpiece is painted on both sides and has an Italian Renaissance frame. The front depicts the Adoration of the Shepherds, a Christian knight being crowned by Christ in glory, and the Baptism of Jesus. The back panels show the Annunciation to Mary, Mount Sinai, and Adam and Eve. The back panel shows pilgrims on the way to the Saint Catherine's Monastery in Egypt as if on their way to Heaven.

Category:Paintings in the Galleria Estense

Category:Paintings of the Baptism of Christ


Modena Triptych

Prompt: How does Modena Triptych explain its abstract?

The Modena Triptych is 1568 triptych (three panel painting) by the artist El Greco, who was also known as Doménikos Theotokópoulos.This portable altarpiece is painted on both sides and has an Italian Renaissance frame. The front depicts the Adoration of the Shepherds, a Christian knight being crowned by Christ in glory, and the Baptism of Jesus. The back panels show the Annunciation to Mary, Mount Sinai, and Adam and Eve. The back panel shows pilgrims on the way to the Saint Catherine's Monastery in Egypt as if on their way to Heaven.

Category:Paintings in the Galleria Estense

Category:Paintings of the Baptism of Christ


Modena Triptych

Prompt: In Modena Triptych, how is the abstract discussed?

The Modena Triptych is 1568 triptych (three panel painting) by the artist El Greco, who was also known as Doménikos Theotokópoulos.This portable altarpiece is painted on both sides and has an Italian Renaissance frame. The front depicts the Adoration of the Shepherds, a Christian knight being crowned by Christ in glory, and the Baptism of Jesus. The back panels show the Annunciation to Mary, Mount Sinai, and Adam and Eve. The back panel shows pilgrims on the way to the Saint Catherine's Monastery in Egypt as if on their way to Heaven.

Category:Paintings in the Galleria Estense

Category:Paintings of the Baptism of Christ


Cloudy Mountains

Prompt: Focus on Cloudy Mountains and explain the abstract.

Cloudy Mountains (Chinese: 雲山圖) are a set of two paintings of the same name created by Chinese Song dynasty artist, Mi Youren (1072–1151), son of painter Mi Fu.Utilizing a technique called "ink play" or "Mi dots" (Mi Dian), Mi Youren adapted the style of his father, which involved blots of wet ink blots, moist brushes, and horizontal strokes to lay out a blurry, yet simplified mountain landscape, which represented the rainy climate of Henan Province.The subsequent techniques of Chinese landscape paintings, would have substantial influence in the Ming dynasty, as well as Muromachi period art in Japan, including artists like Sesshū.One painting is currently held by the Metropolitan Museum of Art, and the other is held by the Cleveland Museum of Art, the latter being Cleveland's oldest dated Chinese painting.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: Explain the abstract of this artwork, Cloudy Mountains.

Cloudy Mountains (Chinese: 雲山圖) are a set of two paintings of the same name created by Chinese Song dynasty artist, Mi Youren (1072–1151), son of painter Mi Fu.Utilizing a technique called "ink play" or "Mi dots" (Mi Dian), Mi Youren adapted the style of his father, which involved blots of wet ink blots, moist brushes, and horizontal strokes to lay out a blurry, yet simplified mountain landscape, which represented the rainy climate of Henan Province.The subsequent techniques of Chinese landscape paintings, would have substantial influence in the Ming dynasty, as well as Muromachi period art in Japan, including artists like Sesshū.One painting is currently held by the Metropolitan Museum of Art, and the other is held by the Cleveland Museum of Art, the latter being Cleveland's oldest dated Chinese painting.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: How does Cloudy Mountains explain its abstract?

Cloudy Mountains (Chinese: 雲山圖) are a set of two paintings of the same name created by Chinese Song dynasty artist, Mi Youren (1072–1151), son of painter Mi Fu.Utilizing a technique called "ink play" or "Mi dots" (Mi Dian), Mi Youren adapted the style of his father, which involved blots of wet ink blots, moist brushes, and horizontal strokes to lay out a blurry, yet simplified mountain landscape, which represented the rainy climate of Henan Province.The subsequent techniques of Chinese landscape paintings, would have substantial influence in the Ming dynasty, as well as Muromachi period art in Japan, including artists like Sesshū.One painting is currently held by the Metropolitan Museum of Art, and the other is held by the Cleveland Museum of Art, the latter being Cleveland's oldest dated Chinese painting.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: In Cloudy Mountains, how is the abstract discussed?

Cloudy Mountains (Chinese: 雲山圖) are a set of two paintings of the same name created by Chinese Song dynasty artist, Mi Youren (1072–1151), son of painter Mi Fu.Utilizing a technique called "ink play" or "Mi dots" (Mi Dian), Mi Youren adapted the style of his father, which involved blots of wet ink blots, moist brushes, and horizontal strokes to lay out a blurry, yet simplified mountain landscape, which represented the rainy climate of Henan Province.The subsequent techniques of Chinese landscape paintings, would have substantial influence in the Ming dynasty, as well as Muromachi period art in Japan, including artists like Sesshū.One painting is currently held by the Metropolitan Museum of Art, and the other is held by the Cleveland Museum of Art, the latter being Cleveland's oldest dated Chinese painting.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: Focus on Cloudy Mountains and explain the Background.

Mi Youren, whose grandmother was the wet nurse of Song dynasty emperor Yingzong, was involved in the imperial administrations like his father Mi Fu, who took on the position of military governor in Wuwei as well as secretary for the Ministry of Rites. He is likely either of Xianbei descent, through the Kumo Xi tribe and/or of Sogdian descent, as the surname Mi (米) is considered a Sogdian surname.In addition to being a scholar and an artist, Mi Youren authenticated ancient paintings under Emperor Huizong, and also served as a vice president for the Ministry of War. He also has combat experience in the Jin–Song Wars.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: Explain the Background of this artwork, Cloudy Mountains.

Mi Youren, whose grandmother was the wet nurse of Song dynasty emperor Yingzong, was involved in the imperial administrations like his father Mi Fu, who took on the position of military governor in Wuwei as well as secretary for the Ministry of Rites. He is likely either of Xianbei descent, through the Kumo Xi tribe and/or of Sogdian descent, as the surname Mi (米) is considered a Sogdian surname.In addition to being a scholar and an artist, Mi Youren authenticated ancient paintings under Emperor Huizong, and also served as a vice president for the Ministry of War. He also has combat experience in the Jin–Song Wars.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: How does Cloudy Mountains explain its Background?

Mi Youren, whose grandmother was the wet nurse of Song dynasty emperor Yingzong, was involved in the imperial administrations like his father Mi Fu, who took on the position of military governor in Wuwei as well as secretary for the Ministry of Rites. He is likely either of Xianbei descent, through the Kumo Xi tribe and/or of Sogdian descent, as the surname Mi (米) is considered a Sogdian surname.In addition to being a scholar and an artist, Mi Youren authenticated ancient paintings under Emperor Huizong, and also served as a vice president for the Ministry of War. He also has combat experience in the Jin–Song Wars.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: In Cloudy Mountains, how is the Background discussed?

Mi Youren, whose grandmother was the wet nurse of Song dynasty emperor Yingzong, was involved in the imperial administrations like his father Mi Fu, who took on the position of military governor in Wuwei as well as secretary for the Ministry of Rites. He is likely either of Xianbei descent, through the Kumo Xi tribe and/or of Sogdian descent, as the surname Mi (米) is considered a Sogdian surname.In addition to being a scholar and an artist, Mi Youren authenticated ancient paintings under Emperor Huizong, and also served as a vice president for the Ministry of War. He also has combat experience in the Jin–Song Wars.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: Focus on Cloudy Mountains and explain the The Metropolitan Museum Painting.

The MET specimen (1973.121.1) is representative of the divergence between the simplified Southern Song style that Mi Fu innovated versus Northern Song styles, which placed emphasis on detailed landscape. Painted in the 1140s, while under the service of Emperor Gaozong, the "cloudy mountain" motif became his artistic interpretation of what good governance is.Subsequent colophons annotating the painting, one piece written by Wang Jie (王介) in 1200 would describe how Mi Youren would produce the paintings for Gaozong, who would then gift it to his courtiers.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: Explain the The Metropolitan Museum Painting of this artwork, Cloudy Mountains.

The MET specimen (1973.121.1) is representative of the divergence between the simplified Southern Song style that Mi Fu innovated versus Northern Song styles, which placed emphasis on detailed landscape. Painted in the 1140s, while under the service of Emperor Gaozong, the "cloudy mountain" motif became his artistic interpretation of what good governance is.Subsequent colophons annotating the painting, one piece written by Wang Jie (王介) in 1200 would describe how Mi Youren would produce the paintings for Gaozong, who would then gift it to his courtiers.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: How does Cloudy Mountains explain its The Metropolitan Museum Painting?

The MET specimen (1973.121.1) is representative of the divergence between the simplified Southern Song style that Mi Fu innovated versus Northern Song styles, which placed emphasis on detailed landscape. Painted in the 1140s, while under the service of Emperor Gaozong, the "cloudy mountain" motif became his artistic interpretation of what good governance is.Subsequent colophons annotating the painting, one piece written by Wang Jie (王介) in 1200 would describe how Mi Youren would produce the paintings for Gaozong, who would then gift it to his courtiers.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: In Cloudy Mountains, how is the The Metropolitan Museum Painting discussed?

The MET specimen (1973.121.1) is representative of the divergence between the simplified Southern Song style that Mi Fu innovated versus Northern Song styles, which placed emphasis on detailed landscape. Painted in the 1140s, while under the service of Emperor Gaozong, the "cloudy mountain" motif became his artistic interpretation of what good governance is.Subsequent colophons annotating the painting, one piece written by Wang Jie (王介) in 1200 would describe how Mi Youren would produce the paintings for Gaozong, who would then gift it to his courtiers.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: In the context of Cloudy Mountains, explain the Provenance and the The Metropolitan Museum Painting.

The MET painting enjoyed extensive provenance history, as though the image itself only occupied 57 cm in length, subsequent mountings and annotations extended the scroll to 747.2 cm in length. The painting was passed through the Qing dynasty emperors up til the end of the dynasty.Wang Jie, 王介 dated 1200Lu You, 陸友 (1280–1340)Xianyu Shu, 鮮于樞 (1257–1302), annotation dated 1290Guo Tianxi, 郭天錫 (1227–1392)Fang Mian, 方勉 (15th century), annotation dated 1437Song Zheng, 宋拯 (15th century), annotation dated 1438Liang Qingbiao, 梁清標  (1620–1691)Emperor Qianlong (reign 1736–1795)Emperor Jiaqing (reign 1796–1820)Emperor Xuantong, Puyi (reign 1909–1911)Xu Bangda, 徐邦達 (1911‒2012)Wang Jiqian 王季遷 (C. C. Wang, 1907‒2003)Purchased by the MET through the family of C.C. Wang in 1973

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: Explain the Provenance about the The Metropolitan Museum Painting of this artwork, Cloudy Mountains.

The MET painting enjoyed extensive provenance history, as though the image itself only occupied 57 cm in length, subsequent mountings and annotations extended the scroll to 747.2 cm in length. The painting was passed through the Qing dynasty emperors up til the end of the dynasty.Wang Jie, 王介 dated 1200Lu You, 陸友 (1280–1340)Xianyu Shu, 鮮于樞 (1257–1302), annotation dated 1290Guo Tianxi, 郭天錫 (1227–1392)Fang Mian, 方勉 (15th century), annotation dated 1437Song Zheng, 宋拯 (15th century), annotation dated 1438Liang Qingbiao, 梁清標  (1620–1691)Emperor Qianlong (reign 1736–1795)Emperor Jiaqing (reign 1796–1820)Emperor Xuantong, Puyi (reign 1909–1911)Xu Bangda, 徐邦達 (1911‒2012)Wang Jiqian 王季遷 (C. C. Wang, 1907‒2003)Purchased by the MET through the family of C.C. Wang in 1973

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: In Cloudy Mountains, how is the Provenance of the The Metropolitan Museum Painting explained?

The MET painting enjoyed extensive provenance history, as though the image itself only occupied 57 cm in length, subsequent mountings and annotations extended the scroll to 747.2 cm in length. The painting was passed through the Qing dynasty emperors up til the end of the dynasty.Wang Jie, 王介 dated 1200Lu You, 陸友 (1280–1340)Xianyu Shu, 鮮于樞 (1257–1302), annotation dated 1290Guo Tianxi, 郭天錫 (1227–1392)Fang Mian, 方勉 (15th century), annotation dated 1437Song Zheng, 宋拯 (15th century), annotation dated 1438Liang Qingbiao, 梁清標  (1620–1691)Emperor Qianlong (reign 1736–1795)Emperor Jiaqing (reign 1796–1820)Emperor Xuantong, Puyi (reign 1909–1911)Xu Bangda, 徐邦達 (1911‒2012)Wang Jiqian 王季遷 (C. C. Wang, 1907‒2003)Purchased by the MET through the family of C.C. Wang in 1973

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: Describe the characteristics of the Provenance in Cloudy Mountains's The Metropolitan Museum Painting.

The MET painting enjoyed extensive provenance history, as though the image itself only occupied 57 cm in length, subsequent mountings and annotations extended the scroll to 747.2 cm in length. The painting was passed through the Qing dynasty emperors up til the end of the dynasty.Wang Jie, 王介 dated 1200Lu You, 陸友 (1280–1340)Xianyu Shu, 鮮于樞 (1257–1302), annotation dated 1290Guo Tianxi, 郭天錫 (1227–1392)Fang Mian, 方勉 (15th century), annotation dated 1437Song Zheng, 宋拯 (15th century), annotation dated 1438Liang Qingbiao, 梁清標  (1620–1691)Emperor Qianlong (reign 1736–1795)Emperor Jiaqing (reign 1796–1820)Emperor Xuantong, Puyi (reign 1909–1911)Xu Bangda, 徐邦達 (1911‒2012)Wang Jiqian 王季遷 (C. C. Wang, 1907‒2003)Purchased by the MET through the family of C.C. Wang in 1973

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: Focus on Cloudy Mountains and explain the The Cleveland Museum of Art Painting.

The Cleveland Painting is one of the Cleveland Museum of Art's oldest dated Chinese painting, acquired in 1933. It depicts the misty riverscape of the Yangtze Delta. As a result of the turmoil during the Jin-Song war, Mi Youren fled the scene where upon the encounter of the landscape, he painted this piece on September 11, 1130. Written on the landscape was: 好山無數接天涯，烟靄陰晴日夕佳。 要識先生會到此，故留筆戲在君家。 庚戍歲，辟地新昌作。元暉。 [seal] 元暉戲作Fine hills are endless toward the edges of heaven. So are mist and cloud, rain and shine, days and nights. Had I known that you’d be visiting here. I would have left this playful work in your home. In the year of gengxu [1130], [I painted this] while seeking refuge in Xinchang. Yuanhui. [seal] “Yuan hui xi zuo” (Yuanhui playfully made this).Mi Youren and his family evacuated Runzhou (潤洲) as the Jurchens sieged Kaifeng, to Jintan (金壇,), and subsequently evacuated to the town of Xinchang (新昌村) as bandits and the Jurchens advanced through Jiangnan (江南).

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: Explain the The Cleveland Museum of Art Painting of this artwork, Cloudy Mountains.

The Cleveland Painting is one of the Cleveland Museum of Art's oldest dated Chinese painting, acquired in 1933. It depicts the misty riverscape of the Yangtze Delta. As a result of the turmoil during the Jin-Song war, Mi Youren fled the scene where upon the encounter of the landscape, he painted this piece on September 11, 1130. Written on the landscape was: 好山無數接天涯，烟靄陰晴日夕佳。 要識先生會到此，故留筆戲在君家。 庚戍歲，辟地新昌作。元暉。 [seal] 元暉戲作Fine hills are endless toward the edges of heaven. So are mist and cloud, rain and shine, days and nights. Had I known that you’d be visiting here. I would have left this playful work in your home. In the year of gengxu [1130], [I painted this] while seeking refuge in Xinchang. Yuanhui. [seal] “Yuan hui xi zuo” (Yuanhui playfully made this).Mi Youren and his family evacuated Runzhou (潤洲) as the Jurchens sieged Kaifeng, to Jintan (金壇,), and subsequently evacuated to the town of Xinchang (新昌村) as bandits and the Jurchens advanced through Jiangnan (江南).

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: How does Cloudy Mountains explain its The Cleveland Museum of Art Painting?

The Cleveland Painting is one of the Cleveland Museum of Art's oldest dated Chinese painting, acquired in 1933. It depicts the misty riverscape of the Yangtze Delta. As a result of the turmoil during the Jin-Song war, Mi Youren fled the scene where upon the encounter of the landscape, he painted this piece on September 11, 1130. Written on the landscape was: 好山無數接天涯，烟靄陰晴日夕佳。 要識先生會到此，故留筆戲在君家。 庚戍歲，辟地新昌作。元暉。 [seal] 元暉戲作Fine hills are endless toward the edges of heaven. So are mist and cloud, rain and shine, days and nights. Had I known that you’d be visiting here. I would have left this playful work in your home. In the year of gengxu [1130], [I painted this] while seeking refuge in Xinchang. Yuanhui. [seal] “Yuan hui xi zuo” (Yuanhui playfully made this).Mi Youren and his family evacuated Runzhou (潤洲) as the Jurchens sieged Kaifeng, to Jintan (金壇,), and subsequently evacuated to the town of Xinchang (新昌村) as bandits and the Jurchens advanced through Jiangnan (江南).

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: In Cloudy Mountains, how is the The Cleveland Museum of Art Painting discussed?

The Cleveland Painting is one of the Cleveland Museum of Art's oldest dated Chinese painting, acquired in 1933. It depicts the misty riverscape of the Yangtze Delta. As a result of the turmoil during the Jin-Song war, Mi Youren fled the scene where upon the encounter of the landscape, he painted this piece on September 11, 1130. Written on the landscape was: 好山無數接天涯，烟靄陰晴日夕佳。 要識先生會到此，故留筆戲在君家。 庚戍歲，辟地新昌作。元暉。 [seal] 元暉戲作Fine hills are endless toward the edges of heaven. So are mist and cloud, rain and shine, days and nights. Had I known that you’d be visiting here. I would have left this playful work in your home. In the year of gengxu [1130], [I painted this] while seeking refuge in Xinchang. Yuanhui. [seal] “Yuan hui xi zuo” (Yuanhui playfully made this).Mi Youren and his family evacuated Runzhou (潤洲) as the Jurchens sieged Kaifeng, to Jintan (金壇,), and subsequently evacuated to the town of Xinchang (新昌村) as bandits and the Jurchens advanced through Jiangnan (江南).

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: In the context of Cloudy Mountains, explain the Provenance and the The Cleveland Museum of Art Painting.

Anyang Sun shi (安陽孫氏)Bi Long (畢瀧)Prince Cheng (永瑆)Zigu 子榖; mid-1600sWang To (1592–1652)Chen Kuang (陳爌); jinshi 1646, colophon dated 1650Xisan (錫三); 1800sYangxing Studio (養性齋珍藏書畫印)Zhigai "Li Zaixian 李在銛" (芷陔審定真跡); early 1900sYujian Studio (玉簡齋)Wu Changshuo 吳昌碩 (1844–1927)Luo Zhenyu 振玉 (1866–1940)Naito Torajiro 內藤虎次郎 (1866–1934)Nagao Ko 長尾甲 (1864–1942)Yamamoto Teijiro 山本悌二郞 (1870–1937)Yamanaka & Co. (circa 1933)Cleveland Museum of Art; J. H. Wade Fund 1933.220 Subsequently, after acquisition at Cleveland, it was on special exhibit in the Royal Academy of Arts in the 1935-1936 International Exhibition of Chinese Art.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: Explain the Provenance about the The Cleveland Museum of Art Painting of this artwork, Cloudy Mountains.

Anyang Sun shi (安陽孫氏)Bi Long (畢瀧)Prince Cheng (永瑆)Zigu 子榖; mid-1600sWang To (1592–1652)Chen Kuang (陳爌); jinshi 1646, colophon dated 1650Xisan (錫三); 1800sYangxing Studio (養性齋珍藏書畫印)Zhigai "Li Zaixian 李在銛" (芷陔審定真跡); early 1900sYujian Studio (玉簡齋)Wu Changshuo 吳昌碩 (1844–1927)Luo Zhenyu 振玉 (1866–1940)Naito Torajiro 內藤虎次郎 (1866–1934)Nagao Ko 長尾甲 (1864–1942)Yamamoto Teijiro 山本悌二郞 (1870–1937)Yamanaka & Co. (circa 1933)Cleveland Museum of Art; J. H. Wade Fund 1933.220 Subsequently, after acquisition at Cleveland, it was on special exhibit in the Royal Academy of Arts in the 1935-1936 International Exhibition of Chinese Art.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: In Cloudy Mountains, how is the Provenance of the The Cleveland Museum of Art Painting explained?

Anyang Sun shi (安陽孫氏)Bi Long (畢瀧)Prince Cheng (永瑆)Zigu 子榖; mid-1600sWang To (1592–1652)Chen Kuang (陳爌); jinshi 1646, colophon dated 1650Xisan (錫三); 1800sYangxing Studio (養性齋珍藏書畫印)Zhigai "Li Zaixian 李在銛" (芷陔審定真跡); early 1900sYujian Studio (玉簡齋)Wu Changshuo 吳昌碩 (1844–1927)Luo Zhenyu 振玉 (1866–1940)Naito Torajiro 內藤虎次郎 (1866–1934)Nagao Ko 長尾甲 (1864–1942)Yamamoto Teijiro 山本悌二郞 (1870–1937)Yamanaka & Co. (circa 1933)Cleveland Museum of Art; J. H. Wade Fund 1933.220 Subsequently, after acquisition at Cleveland, it was on special exhibit in the Royal Academy of Arts in the 1935-1936 International Exhibition of Chinese Art.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: Describe the characteristics of the Provenance in Cloudy Mountains's The Cleveland Museum of Art Painting.

Anyang Sun shi (安陽孫氏)Bi Long (畢瀧)Prince Cheng (永瑆)Zigu 子榖; mid-1600sWang To (1592–1652)Chen Kuang (陳爌); jinshi 1646, colophon dated 1650Xisan (錫三); 1800sYangxing Studio (養性齋珍藏書畫印)Zhigai "Li Zaixian 李在銛" (芷陔審定真跡); early 1900sYujian Studio (玉簡齋)Wu Changshuo 吳昌碩 (1844–1927)Luo Zhenyu 振玉 (1866–1940)Naito Torajiro 內藤虎次郎 (1866–1934)Nagao Ko 長尾甲 (1864–1942)Yamamoto Teijiro 山本悌二郞 (1870–1937)Yamanaka & Co. (circa 1933)Cleveland Museum of Art; J. H. Wade Fund 1933.220 Subsequently, after acquisition at Cleveland, it was on special exhibit in the Royal Academy of Arts in the 1935-1936 International Exhibition of Chinese Art.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: Focus on Cloudy Mountains and explain the Research.

In a study conducted by the Beijing University of Technology and Hongik University, the painting's blur and haze was utilized in a study in cognitive neuroscience and neuroesthetics, wherein the visual impressions and sensation of emotions and good feelings are triggered brushstrokes and blurs utilized in the landscape.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: Explain the Research of this artwork, Cloudy Mountains.

In a study conducted by the Beijing University of Technology and Hongik University, the painting's blur and haze was utilized in a study in cognitive neuroscience and neuroesthetics, wherein the visual impressions and sensation of emotions and good feelings are triggered brushstrokes and blurs utilized in the landscape.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: How does Cloudy Mountains explain its Research?

In a study conducted by the Beijing University of Technology and Hongik University, the painting's blur and haze was utilized in a study in cognitive neuroscience and neuroesthetics, wherein the visual impressions and sensation of emotions and good feelings are triggered brushstrokes and blurs utilized in the landscape.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Cloudy Mountains

Prompt: In Cloudy Mountains, how is the Research discussed?

In a study conducted by the Beijing University of Technology and Hongik University, the painting's blur and haze was utilized in a study in cognitive neuroscience and neuroesthetics, wherein the visual impressions and sensation of emotions and good feelings are triggered brushstrokes and blurs utilized in the landscape.

Category:Paintings in the Metropolitan Museum of Art

File:Cleveland Museum of Art - Mi Youren "Cloudy Mountains" 1933.220 alt12 print.jpg

Category:Paintings in the Cleveland Museum of Art

Portion of Cleveland's ''Cloudy Mountains'' with Mi's description of his ordeal in 1130.<ref name=":1"/>


Minerva Protecting Peace from Mars

Prompt: Focus on Minerva Protecting Peace from Mars and explain the abstract.

Minerva protecting Peace from Mars or Peace and War is a painting by Peter Paul Rubens. He produced it in London between 1629 and 1630, during a diplomatic mission from the Spanish Netherlands to Charles I of England. It is now in the National Gallery, London.It shows Minerva (goddess of war, wisdom and crafts) fighting off Mars, with the nude figure of the goddess Pax (commonly known as "Peace" in English) in the centre.

Category:Mythological paintings by Peter Paul Rubens

Category:Paintings by Peter Paul Rubens in the National Gallery, London


Minerva Protecting Peace from Mars

Prompt: Explain the abstract of this artwork, Minerva Protecting Peace from Mars.

Minerva protecting Peace from Mars or Peace and War is a painting by Peter Paul Rubens. He produced it in London between 1629 and 1630, during a diplomatic mission from the Spanish Netherlands to Charles I of England. It is now in the National Gallery, London.It shows Minerva (goddess of war, wisdom and crafts) fighting off Mars, with the nude figure of the goddess Pax (commonly known as "Peace" in English) in the centre.

Category:Mythological paintings by Peter Paul Rubens

Category:Paintings by Peter Paul Rubens in the National Gallery, London


Minerva Protecting Peace from Mars

Prompt: How does Minerva Protecting Peace from Mars explain its abstract?

Minerva protecting Peace from Mars or Peace and War is a painting by Peter Paul Rubens. He produced it in London between 1629 and 1630, during a diplomatic mission from the Spanish Netherlands to Charles I of England. It is now in the National Gallery, London.It shows Minerva (goddess of war, wisdom and crafts) fighting off Mars, with the nude figure of the goddess Pax (commonly known as "Peace" in English) in the centre.

Category:Mythological paintings by Peter Paul Rubens

Category:Paintings by Peter Paul Rubens in the National Gallery, London


Minerva Protecting Peace from Mars

Prompt: In Minerva Protecting Peace from Mars, how is the abstract discussed?

Minerva protecting Peace from Mars or Peace and War is a painting by Peter Paul Rubens. He produced it in London between 1629 and 1630, during a diplomatic mission from the Spanish Netherlands to Charles I of England. It is now in the National Gallery, London.It shows Minerva (goddess of war, wisdom and crafts) fighting off Mars, with the nude figure of the goddess Pax (commonly known as "Peace" in English) in the centre.

Category:Mythological paintings by Peter Paul Rubens

Category:Paintings by Peter Paul Rubens in the National Gallery, London


Equestrian statue of Christian V

Prompt: Focus on Equestrian statue of Christian V and explain the abstract.

The equestrian statue of Christian V, located in the centre of Kongens Nytorv, is the oldest of five equestrian statues of Danish monarchs in Copenhagen, Denmark. The equestrian statue was created by the French sculptor Abraham-César Lamoureux, inspired by French equestrian statues that had themselves been based on the Equestrian Statue of Marcus Aurelius. Dating from 1688, it was originally made in gilded lead but recast in bronze in 1939.

Category:Monuments and memorials in Copenhagen

Category:Cultural depictions of Christian V of Denmark

The statue photographed by [[Frederik Riise

File:Kongens Nytorv. Rytterstatue (Chr. V). To opstalter.png

Category:Equestrian statues in Copenhagen

Category:Bronze sculptures in Copenhagen


Equestrian statue of Christian V

Prompt: Explain the abstract of this artwork, Equestrian statue of Christian V.

The equestrian statue of Christian V, located in the centre of Kongens Nytorv, is the oldest of five equestrian statues of Danish monarchs in Copenhagen, Denmark. The equestrian statue was created by the French sculptor Abraham-César Lamoureux, inspired by French equestrian statues that had themselves been based on the Equestrian Statue of Marcus Aurelius. Dating from 1688, it was originally made in gilded lead but recast in bronze in 1939.

Category:Monuments and memorials in Copenhagen

Category:Cultural depictions of Christian V of Denmark

The statue photographed by [[Frederik Riise

File:Kongens Nytorv. Rytterstatue (Chr. V). To opstalter.png

Category:Equestrian statues in Copenhagen

Category:Bronze sculptures in Copenhagen


Equestrian statue of Christian V

Prompt: How does Equestrian statue of Christian V explain its abstract?

The equestrian statue of Christian V, located in the centre of Kongens Nytorv, is the oldest of five equestrian statues of Danish monarchs in Copenhagen, Denmark. The equestrian statue was created by the French sculptor Abraham-César Lamoureux, inspired by French equestrian statues that had themselves been based on the Equestrian Statue of Marcus Aurelius. Dating from 1688, it was originally made in gilded lead but recast in bronze in 1939.

Category:Monuments and memorials in Copenhagen

Category:Cultural depictions of Christian V of Denmark

The statue photographed by [[Frederik Riise

File:Kongens Nytorv. Rytterstatue (Chr. V). To opstalter.png

Category:Equestrian statues in Copenhagen

Category:Bronze sculptures in Copenhagen


Equestrian statue of Christian V

Prompt: In Equestrian statue of Christian V, how is the abstract discussed?

The equestrian statue of Christian V, located in the centre of Kongens Nytorv, is the oldest of five equestrian statues of Danish monarchs in Copenhagen, Denmark. The equestrian statue was created by the French sculptor Abraham-César Lamoureux, inspired by French equestrian statues that had themselves been based on the Equestrian Statue of Marcus Aurelius. Dating from 1688, it was originally made in gilded lead but recast in bronze in 1939.

Category:Monuments and memorials in Copenhagen

Category:Cultural depictions of Christian V of Denmark

The statue photographed by [[Frederik Riise

File:Kongens Nytorv. Rytterstatue (Chr. V). To opstalter.png

Category:Equestrian statues in Copenhagen

Category:Bronze sculptures in Copenhagen


Equestrian statue of Christian V

Prompt: Focus on Equestrian statue of Christian V and explain the Description.

With direct inspiration from the equestrian statue of Louis XIII at the centre of Place des Vosges, it depicts the king dressed like a Roman imperator with a Laurel wreathed helmet.The plinth is surrounded by four allegorical statues. Facing Charlottenborg Palace stand two figures of Minerva and Herkules, representing prudence and strength, while the opposite side features statues of Alexander the Great and Artemisia, personifications of fortitude and honour.Even though Lamoureux depicted the horse in a trot-like gait, with inspiration from Marcus Aurelius' horse at the Capitoline Hill, the design caused severe problems due to the soft metal used for the casting. The construction therefore had to be strengthened, and Lamoureux introduced a figure of a naked man crouched underneath the horse's hoof, personifying envy but in the same time affording support for the horse's barrel as the weakest point of the statue.

Category:Monuments and memorials in Copenhagen

Category:Cultural depictions of Christian V of Denmark

The statue photographed by [[Frederik Riise

File:Kongens Nytorv. Rytterstatue (Chr. V). To opstalter.png

Category:Equestrian statues in Copenhagen

Category:Bronze sculptures in Copenhagen


Equestrian statue of Christian V

Prompt: Explain the Description of this artwork, Equestrian statue of Christian V.

With direct inspiration from the equestrian statue of Louis XIII at the centre of Place des Vosges, it depicts the king dressed like a Roman imperator with a Laurel wreathed helmet.The plinth is surrounded by four allegorical statues. Facing Charlottenborg Palace stand two figures of Minerva and Herkules, representing prudence and strength, while the opposite side features statues of Alexander the Great and Artemisia, personifications of fortitude and honour.Even though Lamoureux depicted the horse in a trot-like gait, with inspiration from Marcus Aurelius' horse at the Capitoline Hill, the design caused severe problems due to the soft metal used for the casting. The construction therefore had to be strengthened, and Lamoureux introduced a figure of a naked man crouched underneath the horse's hoof, personifying envy but in the same time affording support for the horse's barrel as the weakest point of the statue.

Category:Monuments and memorials in Copenhagen

Category:Cultural depictions of Christian V of Denmark

The statue photographed by [[Frederik Riise

File:Kongens Nytorv. Rytterstatue (Chr. V). To opstalter.png

Category:Equestrian statues in Copenhagen

Category:Bronze sculptures in Copenhagen


Equestrian statue of Christian V

Prompt: How does Equestrian statue of Christian V explain its Description?

With direct inspiration from the equestrian statue of Louis XIII at the centre of Place des Vosges, it depicts the king dressed like a Roman imperator with a Laurel wreathed helmet.The plinth is surrounded by four allegorical statues. Facing Charlottenborg Palace stand two figures of Minerva and Herkules, representing prudence and strength, while the opposite side features statues of Alexander the Great and Artemisia, personifications of fortitude and honour.Even though Lamoureux depicted the horse in a trot-like gait, with inspiration from Marcus Aurelius' horse at the Capitoline Hill, the design caused severe problems due to the soft metal used for the casting. The construction therefore had to be strengthened, and Lamoureux introduced a figure of a naked man crouched underneath the horse's hoof, personifying envy but in the same time affording support for the horse's barrel as the weakest point of the statue.

Category:Monuments and memorials in Copenhagen

Category:Cultural depictions of Christian V of Denmark

The statue photographed by [[Frederik Riise

File:Kongens Nytorv. Rytterstatue (Chr. V). To opstalter.png

Category:Equestrian statues in Copenhagen

Category:Bronze sculptures in Copenhagen


Equestrian statue of Christian V

Prompt: In Equestrian statue of Christian V, how is the Description discussed?

With direct inspiration from the equestrian statue of Louis XIII at the centre of Place des Vosges, it depicts the king dressed like a Roman imperator with a Laurel wreathed helmet.The plinth is surrounded by four allegorical statues. Facing Charlottenborg Palace stand two figures of Minerva and Herkules, representing prudence and strength, while the opposite side features statues of Alexander the Great and Artemisia, personifications of fortitude and honour.Even though Lamoureux depicted the horse in a trot-like gait, with inspiration from Marcus Aurelius' horse at the Capitoline Hill, the design caused severe problems due to the soft metal used for the casting. The construction therefore had to be strengthened, and Lamoureux introduced a figure of a naked man crouched underneath the horse's hoof, personifying envy but in the same time affording support for the horse's barrel as the weakest point of the statue.

Category:Monuments and memorials in Copenhagen

Category:Cultural depictions of Christian V of Denmark

The statue photographed by [[Frederik Riise

File:Kongens Nytorv. Rytterstatue (Chr. V). To opstalter.png

Category:Equestrian statues in Copenhagen

Category:Bronze sculptures in Copenhagen


Equestrian statue of Christian V

Prompt: Focus on Equestrian statue of Christian V and explain the History.

Shortly after Christian V was crowned in 1670, Kongens Nytorv was laid out as a place royale with inspiration from France. Land around the new square was distributed among interested wealthy citizens, including people from the new ranks. Buildings facing the square were required to have at least two stories and meet certain standards. The French sculptor Abraham-César Lamoureux was commissioned to create an equestrian statue of Christian V for the centre of the square.In 1688, a Baroque garden complex with trees around a parterre and the gilded equestrian statue of Christian V in its centre, was inaugurated. In 1747 the entire square was rebuilt by Frederik V as a military drill and ceremony ground for the King's troops, which was used until 1908, when the square was re-shaped to its original design.The equestrian statue was created in gilded lead.  Over the centuries the soft metal used for casting the statue resulted in problems, particularly with the horse's front left leg, and finally Professor Einar Utzon-Frank from the Danish Academy of Fine Arts was commissioned to recast the statue in bronze. This happened from 1939 to 1942 and the new cast was reinaugurated on 22 May 1946.

Category:Monuments and memorials in Copenhagen

Category:Cultural depictions of Christian V of Denmark

The statue photographed by [[Frederik Riise

File:Kongens Nytorv. Rytterstatue (Chr. V). To opstalter.png

Category:Equestrian statues in Copenhagen

Category:Bronze sculptures in Copenhagen


Equestrian statue of Christian V

Prompt: Explain the History of this artwork, Equestrian statue of Christian V.

Shortly after Christian V was crowned in 1670, Kongens Nytorv was laid out as a place royale with inspiration from France. Land around the new square was distributed among interested wealthy citizens, including people from the new ranks. Buildings facing the square were required to have at least two stories and meet certain standards. The French sculptor Abraham-César Lamoureux was commissioned to create an equestrian statue of Christian V for the centre of the square.In 1688, a Baroque garden complex with trees around a parterre and the gilded equestrian statue of Christian V in its centre, was inaugurated. In 1747 the entire square was rebuilt by Frederik V as a military drill and ceremony ground for the King's troops, which was used until 1908, when the square was re-shaped to its original design.The equestrian statue was created in gilded lead.  Over the centuries the soft metal used for casting the statue resulted in problems, particularly with the horse's front left leg, and finally Professor Einar Utzon-Frank from the Danish Academy of Fine Arts was commissioned to recast the statue in bronze. This happened from 1939 to 1942 and the new cast was reinaugurated on 22 May 1946.

Category:Monuments and memorials in Copenhagen

Category:Cultural depictions of Christian V of Denmark

The statue photographed by [[Frederik Riise

File:Kongens Nytorv. Rytterstatue (Chr. V). To opstalter.png

Category:Equestrian statues in Copenhagen

Category:Bronze sculptures in Copenhagen


Equestrian statue of Christian V

Prompt: How does Equestrian statue of Christian V explain its History?

Shortly after Christian V was crowned in 1670, Kongens Nytorv was laid out as a place royale with inspiration from France. Land around the new square was distributed among interested wealthy citizens, including people from the new ranks. Buildings facing the square were required to have at least two stories and meet certain standards. The French sculptor Abraham-César Lamoureux was commissioned to create an equestrian statue of Christian V for the centre of the square.In 1688, a Baroque garden complex with trees around a parterre and the gilded equestrian statue of Christian V in its centre, was inaugurated. In 1747 the entire square was rebuilt by Frederik V as a military drill and ceremony ground for the King's troops, which was used until 1908, when the square was re-shaped to its original design.The equestrian statue was created in gilded lead.  Over the centuries the soft metal used for casting the statue resulted in problems, particularly with the horse's front left leg, and finally Professor Einar Utzon-Frank from the Danish Academy of Fine Arts was commissioned to recast the statue in bronze. This happened from 1939 to 1942 and the new cast was reinaugurated on 22 May 1946.

Category:Monuments and memorials in Copenhagen

Category:Cultural depictions of Christian V of Denmark

The statue photographed by [[Frederik Riise

File:Kongens Nytorv. Rytterstatue (Chr. V). To opstalter.png

Category:Equestrian statues in Copenhagen

Category:Bronze sculptures in Copenhagen


Equestrian statue of Christian V

Prompt: In Equestrian statue of Christian V, how is the History discussed?

Shortly after Christian V was crowned in 1670, Kongens Nytorv was laid out as a place royale with inspiration from France. Land around the new square was distributed among interested wealthy citizens, including people from the new ranks. Buildings facing the square were required to have at least two stories and meet certain standards. The French sculptor Abraham-César Lamoureux was commissioned to create an equestrian statue of Christian V for the centre of the square.In 1688, a Baroque garden complex with trees around a parterre and the gilded equestrian statue of Christian V in its centre, was inaugurated. In 1747 the entire square was rebuilt by Frederik V as a military drill and ceremony ground for the King's troops, which was used until 1908, when the square was re-shaped to its original design.The equestrian statue was created in gilded lead.  Over the centuries the soft metal used for casting the statue resulted in problems, particularly with the horse's front left leg, and finally Professor Einar Utzon-Frank from the Danish Academy of Fine Arts was commissioned to recast the statue in bronze. This happened from 1939 to 1942 and the new cast was reinaugurated on 22 May 1946.

Category:Monuments and memorials in Copenhagen

Category:Cultural depictions of Christian V of Denmark

The statue photographed by [[Frederik Riise

File:Kongens Nytorv. Rytterstatue (Chr. V). To opstalter.png

Category:Equestrian statues in Copenhagen

Category:Bronze sculptures in Copenhagen


1476 Altarpiece

Prompt: Focus on 1476 Altarpiece and explain the abstract.

The 1476 Altarpiece or San Domenico Altarpiece is a 1476 tempera and gold on panel altarpiece by the Italian Renaissance painter Carlo Crivelli. Its central panel of the Pietà is now in the Metropolitan Museum of Art in New York, whilst the other nine are now in the National Gallery, London.

Category:Paintings of Thomas the Apostle

Category:Cultural depictions of John the Baptist

File:Polittico del 1476, s. g. battista.jpg

Category:Paintings in the National Gallery, London

Category:Paintings in the Metropolitan Museum of Art

File:Polittico del 1476, s. domenico.jpg

Category:Paintings of Catherine of Alexandria

Category:Paintings of Andrew the Apostle

File:Polittico del 1476, s. tommaso d'aquino.jpg

File:Polittico del 1476, s. francesco.jpg

File:Polittico del 1476, s. caterina.jpg


1476 Altarpiece

Prompt: Explain the abstract of this artwork, 1476 Altarpiece.

The 1476 Altarpiece or San Domenico Altarpiece is a 1476 tempera and gold on panel altarpiece by the Italian Renaissance painter Carlo Crivelli. Its central panel of the Pietà is now in the Metropolitan Museum of Art in New York, whilst the other nine are now in the National Gallery, London.

Category:Paintings of Thomas the Apostle

Category:Cultural depictions of John the Baptist

File:Polittico del 1476, s. g. battista.jpg

Category:Paintings in the National Gallery, London

Category:Paintings in the Metropolitan Museum of Art

File:Polittico del 1476, s. domenico.jpg

Category:Paintings of Catherine of Alexandria

Category:Paintings of Andrew the Apostle

File:Polittico del 1476, s. tommaso d'aquino.jpg

File:Polittico del 1476, s. francesco.jpg

File:Polittico del 1476, s. caterina.jpg


1476 Altarpiece

Prompt: How does 1476 Altarpiece explain its abstract?

The 1476 Altarpiece or San Domenico Altarpiece is a 1476 tempera and gold on panel altarpiece by the Italian Renaissance painter Carlo Crivelli. Its central panel of the Pietà is now in the Metropolitan Museum of Art in New York, whilst the other nine are now in the National Gallery, London.

Category:Paintings of Thomas the Apostle

Category:Cultural depictions of John the Baptist

File:Polittico del 1476, s. g. battista.jpg

Category:Paintings in the National Gallery, London

Category:Paintings in the Metropolitan Museum of Art

File:Polittico del 1476, s. domenico.jpg

Category:Paintings of Catherine of Alexandria

Category:Paintings of Andrew the Apostle

File:Polittico del 1476, s. tommaso d'aquino.jpg

File:Polittico del 1476, s. francesco.jpg

File:Polittico del 1476, s. caterina.jpg