Portrait of a Man with Arms Akimbo

Prompt: Focus on Portrait of a Man with Arms Akimbo and explain the abstract.

Portrait of a Man with Arms Akimbo, formerly known as Portrait of a Foreign Admiral or Portrait of a Dutch Admiral, is an oil painting portrait by Rembrandt signed and dated 1658. It is now in the collection of the Agnes Etherington Art Centre at Queen's University in Kingston, Ontario, and measures 107.4 cm by 87.0 cm.The painting was rediscovered in December 2009 after being off public display for around forty years. It was purchased by Steve Wynn at Christie's in December 2009 for £20 million, the highest price ever paid for a painting by Rembrandt. In 2011 it was purchased by Isabel and Alfred Bader. They offered it for sale at the 2011 TEFAF art show in Maastricht for 47 million euros. The Baders donated the painting to the Agnes Etherington Art Centre in December 2015.

The Great Atlantic & Pacific Tea Company


Portrait of a Man with Arms Akimbo

Prompt: Explain the abstract of this artwork, Portrait of a Man with Arms Akimbo.

Portrait of a Man with Arms Akimbo, formerly known as Portrait of a Foreign Admiral or Portrait of a Dutch Admiral, is an oil painting portrait by Rembrandt signed and dated 1658. It is now in the collection of the Agnes Etherington Art Centre at Queen's University in Kingston, Ontario, and measures 107.4 cm by 87.0 cm.The painting was rediscovered in December 2009 after being off public display for around forty years. It was purchased by Steve Wynn at Christie's in December 2009 for £20 million, the highest price ever paid for a painting by Rembrandt. In 2011 it was purchased by Isabel and Alfred Bader. They offered it for sale at the 2011 TEFAF art show in Maastricht for 47 million euros. The Baders donated the painting to the Agnes Etherington Art Centre in December 2015.

The Great Atlantic & Pacific Tea Company


Portrait of a Man with Arms Akimbo

Prompt: How does Portrait of a Man with Arms Akimbo explain its abstract?

Portrait of a Man with Arms Akimbo, formerly known as Portrait of a Foreign Admiral or Portrait of a Dutch Admiral, is an oil painting portrait by Rembrandt signed and dated 1658. It is now in the collection of the Agnes Etherington Art Centre at Queen's University in Kingston, Ontario, and measures 107.4 cm by 87.0 cm.The painting was rediscovered in December 2009 after being off public display for around forty years. It was purchased by Steve Wynn at Christie's in December 2009 for £20 million, the highest price ever paid for a painting by Rembrandt. In 2011 it was purchased by Isabel and Alfred Bader. They offered it for sale at the 2011 TEFAF art show in Maastricht for 47 million euros. The Baders donated the painting to the Agnes Etherington Art Centre in December 2015.

The Great Atlantic & Pacific Tea Company


Portrait of a Man with Arms Akimbo

Prompt: In Portrait of a Man with Arms Akimbo, how is the abstract discussed?

Portrait of a Man with Arms Akimbo, formerly known as Portrait of a Foreign Admiral or Portrait of a Dutch Admiral, is an oil painting portrait by Rembrandt signed and dated 1658. It is now in the collection of the Agnes Etherington Art Centre at Queen's University in Kingston, Ontario, and measures 107.4 cm by 87.0 cm.The painting was rediscovered in December 2009 after being off public display for around forty years. It was purchased by Steve Wynn at Christie's in December 2009 for £20 million, the highest price ever paid for a painting by Rembrandt. In 2011 it was purchased by Isabel and Alfred Bader. They offered it for sale at the 2011 TEFAF art show in Maastricht for 47 million euros. The Baders donated the painting to the Agnes Etherington Art Centre in December 2015.

The Great Atlantic & Pacific Tea Company


Portrait of a Man with Arms Akimbo

Prompt: Focus on Portrait of a Man with Arms Akimbo and explain the Provenance.

This painting was documented by Hofstede de Groot in 1915, who wrote: "827a.  A Dutch Admiral. Exhibited at the British Institution, London, 1847, No. 45. In the collection of George Folliot." It was sold in May 1930 from the Folliot collection, but was in the Columbia University art collection when Horst Gerson cataloged it in 1968. It was purchased for a reputed $185,000 by Huntington Hartford, of A & P supermarket chain wealth, who donated it to the university in 1958.

The Great Atlantic & Pacific Tea Company


Portrait of a Man with Arms Akimbo

Prompt: Explain the Provenance of this artwork, Portrait of a Man with Arms Akimbo.

This painting was documented by Hofstede de Groot in 1915, who wrote: "827a.  A Dutch Admiral. Exhibited at the British Institution, London, 1847, No. 45. In the collection of George Folliot." It was sold in May 1930 from the Folliot collection, but was in the Columbia University art collection when Horst Gerson cataloged it in 1968. It was purchased for a reputed $185,000 by Huntington Hartford, of A & P supermarket chain wealth, who donated it to the university in 1958.

The Great Atlantic & Pacific Tea Company


Portrait of a Man with Arms Akimbo

Prompt: How does Portrait of a Man with Arms Akimbo explain its Provenance?

This painting was documented by Hofstede de Groot in 1915, who wrote: "827a.  A Dutch Admiral. Exhibited at the British Institution, London, 1847, No. 45. In the collection of George Folliot." It was sold in May 1930 from the Folliot collection, but was in the Columbia University art collection when Horst Gerson cataloged it in 1968. It was purchased for a reputed $185,000 by Huntington Hartford, of A & P supermarket chain wealth, who donated it to the university in 1958.

The Great Atlantic & Pacific Tea Company


Portrait of a Man with Arms Akimbo

Prompt: In Portrait of a Man with Arms Akimbo, how is the Provenance discussed?

This painting was documented by Hofstede de Groot in 1915, who wrote: "827a.  A Dutch Admiral. Exhibited at the British Institution, London, 1847, No. 45. In the collection of George Folliot." It was sold in May 1930 from the Folliot collection, but was in the Columbia University art collection when Horst Gerson cataloged it in 1968. It was purchased for a reputed $185,000 by Huntington Hartford, of A & P supermarket chain wealth, who donated it to the university in 1958.

The Great Atlantic & Pacific Tea Company


Nike (Kougioumtzis)

Prompt: Focus on Nike (Kougioumtzis) and explain the abstract.

Nike is an abstract sculpture depicting Nike, the Greek goddess of victory, designed by Greek artist Pavlos Angelos Kougioumtzis. Versions of the statue have been donated to every host city of the Olympics since 1996.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: Explain the abstract of this artwork, Nike (Kougioumtzis).

Nike is an abstract sculpture depicting Nike, the Greek goddess of victory, designed by Greek artist Pavlos Angelos Kougioumtzis. Versions of the statue have been donated to every host city of the Olympics since 1996.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: How does Nike (Kougioumtzis) explain its abstract?

Nike is an abstract sculpture depicting Nike, the Greek goddess of victory, designed by Greek artist Pavlos Angelos Kougioumtzis. Versions of the statue have been donated to every host city of the Olympics since 1996.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: In Nike (Kougioumtzis), how is the abstract discussed?

Nike is an abstract sculpture depicting Nike, the Greek goddess of victory, designed by Greek artist Pavlos Angelos Kougioumtzis. Versions of the statue have been donated to every host city of the Olympics since 1996.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: Focus on Nike (Kougioumtzis) and explain the Olympia, Greece.

A bronze, 3 metres (9.8 ft) tall version of the sculpture was installed at the International Olympic Academy in Olympia, Greece, in 1995.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: Explain the Olympia, Greece of this artwork, Nike (Kougioumtzis).

A bronze, 3 metres (9.8 ft) tall version of the sculpture was installed at the International Olympic Academy in Olympia, Greece, in 1995.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: How does Nike (Kougioumtzis) explain its Olympia, Greece?

A bronze, 3 metres (9.8 ft) tall version of the sculpture was installed at the International Olympic Academy in Olympia, Greece, in 1995.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: In Nike (Kougioumtzis), how is the Olympia, Greece discussed?

A bronze, 3 metres (9.8 ft) tall version of the sculpture was installed at the International Olympic Academy in Olympia, Greece, in 1995.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: Focus on Nike (Kougioumtzis) and explain the Atlanta.

A bronze, 3.5 metres (11 ft) tall version of the statue was installed outside Atlanta City Hall in Atlanta, Georgia, in 1996.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: Explain the Atlanta of this artwork, Nike (Kougioumtzis).

A bronze, 3.5 metres (11 ft) tall version of the statue was installed outside Atlanta City Hall in Atlanta, Georgia, in 1996.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: How does Nike (Kougioumtzis) explain its Atlanta?

A bronze, 3.5 metres (11 ft) tall version of the statue was installed outside Atlanta City Hall in Atlanta, Georgia, in 1996.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: In Nike (Kougioumtzis), how is the Atlanta discussed?

A bronze, 3.5 metres (11 ft) tall version of the statue was installed outside Atlanta City Hall in Atlanta, Georgia, in 1996.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: Focus on Nike (Kougioumtzis) and explain the Beijing.

A bronze, 4 metres (13 ft) tall version of the sculpture was installed in Beijing, China, in 2008.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: Explain the Beijing of this artwork, Nike (Kougioumtzis).

A bronze, 4 metres (13 ft) tall version of the sculpture was installed in Beijing, China, in 2008.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: How does Nike (Kougioumtzis) explain its Beijing?

A bronze, 4 metres (13 ft) tall version of the sculpture was installed in Beijing, China, in 2008.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: In Nike (Kougioumtzis), how is the Beijing discussed?

A bronze, 4 metres (13 ft) tall version of the sculpture was installed in Beijing, China, in 2008.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: Focus on Nike (Kougioumtzis) and explain the Vancouver.

The Vancouver statue was donated by the city of Olympia to commemorate the 2010 Winter Olympics and Paralympics. It was installed at the Cordova Street median at Thurlow in 2014, after being stored at the city works yard for four years. The bronze sculpture is 4 metres (13 ft) tall.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: Explain the Vancouver of this artwork, Nike (Kougioumtzis).

The Vancouver statue was donated by the city of Olympia to commemorate the 2010 Winter Olympics and Paralympics. It was installed at the Cordova Street median at Thurlow in 2014, after being stored at the city works yard for four years. The bronze sculpture is 4 metres (13 ft) tall.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: How does Nike (Kougioumtzis) explain its Vancouver?

The Vancouver statue was donated by the city of Olympia to commemorate the 2010 Winter Olympics and Paralympics. It was installed at the Cordova Street median at Thurlow in 2014, after being stored at the city works yard for four years. The bronze sculpture is 4 metres (13 ft) tall.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: In Nike (Kougioumtzis), how is the Vancouver discussed?

The Vancouver statue was donated by the city of Olympia to commemorate the 2010 Winter Olympics and Paralympics. It was installed at the Cordova Street median at Thurlow in 2014, after being stored at the city works yard for four years. The bronze sculpture is 4 metres (13 ft) tall.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: Focus on Nike (Kougioumtzis) and explain the London.

A version of the statue was installed in the Royal Arsenal, Woolwich, London in 2012. It is made of bronze.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: Explain the London of this artwork, Nike (Kougioumtzis).

A version of the statue was installed in the Royal Arsenal, Woolwich, London in 2012. It is made of bronze.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: How does Nike (Kougioumtzis) explain its London?

A version of the statue was installed in the Royal Arsenal, Woolwich, London in 2012. It is made of bronze.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Nike (Kougioumtzis)

Prompt: In Nike (Kougioumtzis), how is the London discussed?

A version of the statue was installed in the Royal Arsenal, Woolwich, London in 2012. It is made of bronze.

Category:2014 establishments in British Columbia

Category:Outdoor sculptures in Vancouver

Category:Abstract sculptures in the United Kingdom

Category:Abstract sculptures in Georgia (U.S. state)

Category:1996 establishments in Georgia (U.S. state)

File:Nike statue at Thurlow, Vancouver, 2016.jpg

Category:Bronze sculptures in Georgia (U.S. state)

Category:Outdoor sculptures in Georgia (U.S. state)

List of public art in the Royal Borough of Greenwich

Category:Bronze sculptures in British Columbia


Cloaca (art installation)

Prompt: Focus on Cloaca (art installation) and explain the abstract.

Cloaca is a series of art installations by Belgian artist Wim Delvoye. The installations are computerised machines that recreate the human digestive process. The machine takes in food which it moves through a series of pipes and containers where digestive processes are performed following which the machine excretes the digested material at a time advertised to gallery viewers. This digested material has both the look and smell of faeces. Each installation has its own name, logo and technical drawings.Delvoye began working on the project in the early 1990s but did not produce a working installation until 2000 at the Museum of Contemporary Art in Antwerp. Since the first installation, Cloaca Original, Delvoye has exhibited a further nine Cloaca installations with the final machine, Cloaca Professional, being exhibited in 2010. With each installation the machinery has become more technologically advanced and efficient. Cloaca deals with ideas surrounding biological processes and commercialism, and the aesthetics of the series draws from laboratories, production lines and consumer products. Cloaca has received both positive and negative reviews from critics. Critics also have discussed whether or not the installations can be considered as performing digestion. The general public frequently has a strong reaction to the installations, yet data gathered by the Museum of Old and New Art demonstrated that Cloaca Professional was the work of art that visitors spent the most time with during their visit to the gallery.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: Explain the abstract of this artwork, Cloaca (art installation).

Cloaca is a series of art installations by Belgian artist Wim Delvoye. The installations are computerised machines that recreate the human digestive process. The machine takes in food which it moves through a series of pipes and containers where digestive processes are performed following which the machine excretes the digested material at a time advertised to gallery viewers. This digested material has both the look and smell of faeces. Each installation has its own name, logo and technical drawings.Delvoye began working on the project in the early 1990s but did not produce a working installation until 2000 at the Museum of Contemporary Art in Antwerp. Since the first installation, Cloaca Original, Delvoye has exhibited a further nine Cloaca installations with the final machine, Cloaca Professional, being exhibited in 2010. With each installation the machinery has become more technologically advanced and efficient. Cloaca deals with ideas surrounding biological processes and commercialism, and the aesthetics of the series draws from laboratories, production lines and consumer products. Cloaca has received both positive and negative reviews from critics. Critics also have discussed whether or not the installations can be considered as performing digestion. The general public frequently has a strong reaction to the installations, yet data gathered by the Museum of Old and New Art demonstrated that Cloaca Professional was the work of art that visitors spent the most time with during their visit to the gallery.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: How does Cloaca (art installation) explain its abstract?

Cloaca is a series of art installations by Belgian artist Wim Delvoye. The installations are computerised machines that recreate the human digestive process. The machine takes in food which it moves through a series of pipes and containers where digestive processes are performed following which the machine excretes the digested material at a time advertised to gallery viewers. This digested material has both the look and smell of faeces. Each installation has its own name, logo and technical drawings.Delvoye began working on the project in the early 1990s but did not produce a working installation until 2000 at the Museum of Contemporary Art in Antwerp. Since the first installation, Cloaca Original, Delvoye has exhibited a further nine Cloaca installations with the final machine, Cloaca Professional, being exhibited in 2010. With each installation the machinery has become more technologically advanced and efficient. Cloaca deals with ideas surrounding biological processes and commercialism, and the aesthetics of the series draws from laboratories, production lines and consumer products. Cloaca has received both positive and negative reviews from critics. Critics also have discussed whether or not the installations can be considered as performing digestion. The general public frequently has a strong reaction to the installations, yet data gathered by the Museum of Old and New Art demonstrated that Cloaca Professional was the work of art that visitors spent the most time with during their visit to the gallery.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: In Cloaca (art installation), how is the abstract discussed?

Cloaca is a series of art installations by Belgian artist Wim Delvoye. The installations are computerised machines that recreate the human digestive process. The machine takes in food which it moves through a series of pipes and containers where digestive processes are performed following which the machine excretes the digested material at a time advertised to gallery viewers. This digested material has both the look and smell of faeces. Each installation has its own name, logo and technical drawings.Delvoye began working on the project in the early 1990s but did not produce a working installation until 2000 at the Museum of Contemporary Art in Antwerp. Since the first installation, Cloaca Original, Delvoye has exhibited a further nine Cloaca installations with the final machine, Cloaca Professional, being exhibited in 2010. With each installation the machinery has become more technologically advanced and efficient. Cloaca deals with ideas surrounding biological processes and commercialism, and the aesthetics of the series draws from laboratories, production lines and consumer products. Cloaca has received both positive and negative reviews from critics. Critics also have discussed whether or not the installations can be considered as performing digestion. The general public frequently has a strong reaction to the installations, yet data gathered by the Museum of Old and New Art demonstrated that Cloaca Professional was the work of art that visitors spent the most time with during their visit to the gallery.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: Focus on Cloaca (art installation) and explain the Background.

The Belgian artist Wim Delvoye began working on the Cloaca project in 1992 intending to create installations that reproduced the human digestive process. In an interview, Delvoye said that he has always been "interested in the scatological". Delvoye designed the machine in consultation with scientists from the University of Antwerp.: 217  The first working installation was shown in 2000. The title of the series refers to the Roman sewage system of the same name.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: Explain the Background of this artwork, Cloaca (art installation).

The Belgian artist Wim Delvoye began working on the Cloaca project in 1992 intending to create installations that reproduced the human digestive process. In an interview, Delvoye said that he has always been "interested in the scatological". Delvoye designed the machine in consultation with scientists from the University of Antwerp.: 217  The first working installation was shown in 2000. The title of the series refers to the Roman sewage system of the same name.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: How does Cloaca (art installation) explain its Background?

The Belgian artist Wim Delvoye began working on the Cloaca project in 1992 intending to create installations that reproduced the human digestive process. In an interview, Delvoye said that he has always been "interested in the scatological". Delvoye designed the machine in consultation with scientists from the University of Antwerp.: 217  The first working installation was shown in 2000. The title of the series refers to the Roman sewage system of the same name.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: In Cloaca (art installation), how is the Background discussed?

The Belgian artist Wim Delvoye began working on the Cloaca project in 1992 intending to create installations that reproduced the human digestive process. In an interview, Delvoye said that he has always been "interested in the scatological". Delvoye designed the machine in consultation with scientists from the University of Antwerp.: 217  The first working installation was shown in 2000. The title of the series refers to the Roman sewage system of the same name.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: Focus on Cloaca (art installation) and explain the Installations.

Every Cloaca installation follows the same general model. Food typical of a human diet is fed into a machine by gallery staff or sometimes by famous chefs who cook for the machine as part of the exhibition. The food then passes through a series of tubes and containers. The machine carefully controls the temperature of the environment and incorporates precise amounts of digestive chemicals and enzymes at different stages of the process, eventually producing faeces at an exact time advertised to visitors.  The installations give off a powerful smell of faeces. As the series has progressed, the installations have become progressively more efficient and technologically sophisticated.: 218  Technical drawings of the installations detail to viewers how the different parts of the machine perform the various biological processes of digestion. For each installation, Delvoye designs a Cloaca logo.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: Explain the Installations of this artwork, Cloaca (art installation).

Every Cloaca installation follows the same general model. Food typical of a human diet is fed into a machine by gallery staff or sometimes by famous chefs who cook for the machine as part of the exhibition. The food then passes through a series of tubes and containers. The machine carefully controls the temperature of the environment and incorporates precise amounts of digestive chemicals and enzymes at different stages of the process, eventually producing faeces at an exact time advertised to visitors.  The installations give off a powerful smell of faeces. As the series has progressed, the installations have become progressively more efficient and technologically sophisticated.: 218  Technical drawings of the installations detail to viewers how the different parts of the machine perform the various biological processes of digestion. For each installation, Delvoye designs a Cloaca logo.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: How does Cloaca (art installation) explain its Installations?

Every Cloaca installation follows the same general model. Food typical of a human diet is fed into a machine by gallery staff or sometimes by famous chefs who cook for the machine as part of the exhibition. The food then passes through a series of tubes and containers. The machine carefully controls the temperature of the environment and incorporates precise amounts of digestive chemicals and enzymes at different stages of the process, eventually producing faeces at an exact time advertised to visitors.  The installations give off a powerful smell of faeces. As the series has progressed, the installations have become progressively more efficient and technologically sophisticated.: 218  Technical drawings of the installations detail to viewers how the different parts of the machine perform the various biological processes of digestion. For each installation, Delvoye designs a Cloaca logo.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: In Cloaca (art installation), how is the Installations discussed?

Every Cloaca installation follows the same general model. Food typical of a human diet is fed into a machine by gallery staff or sometimes by famous chefs who cook for the machine as part of the exhibition. The food then passes through a series of tubes and containers. The machine carefully controls the temperature of the environment and incorporates precise amounts of digestive chemicals and enzymes at different stages of the process, eventually producing faeces at an exact time advertised to visitors.  The installations give off a powerful smell of faeces. As the series has progressed, the installations have become progressively more efficient and technologically sophisticated.: 218  Technical drawings of the installations detail to viewers how the different parts of the machine perform the various biological processes of digestion. For each installation, Delvoye designs a Cloaca logo.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: Focus on Cloaca (art installation) and explain the Themes.

The Cloaca series deal with themes surrounding both biological processes and commercialisation.: 221  Aesthetically, the installations combine elements of laboratories, production lines and consumerism. The series explores anthropomorphism, mechanomorphism and posthumanism with Delvoye describing the installation as a "human being without a soul". The series is an absurd demonstration of the ability of machines to reproduce human functions. Delvoye's use of logos and promotional names for each installation, as well as the fast development of new installations to cater to different consumer groups, such as personal machines and commercial scale machines, demonstrates an interest in human desire and culture and their relationship to faeces.: 221

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: Explain the Themes of this artwork, Cloaca (art installation).

The Cloaca series deal with themes surrounding both biological processes and commercialisation.: 221  Aesthetically, the installations combine elements of laboratories, production lines and consumerism. The series explores anthropomorphism, mechanomorphism and posthumanism with Delvoye describing the installation as a "human being without a soul". The series is an absurd demonstration of the ability of machines to reproduce human functions. Delvoye's use of logos and promotional names for each installation, as well as the fast development of new installations to cater to different consumer groups, such as personal machines and commercial scale machines, demonstrates an interest in human desire and culture and their relationship to faeces.: 221

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: How does Cloaca (art installation) explain its Themes?

The Cloaca series deal with themes surrounding both biological processes and commercialisation.: 221  Aesthetically, the installations combine elements of laboratories, production lines and consumerism. The series explores anthropomorphism, mechanomorphism and posthumanism with Delvoye describing the installation as a "human being without a soul". The series is an absurd demonstration of the ability of machines to reproduce human functions. Delvoye's use of logos and promotional names for each installation, as well as the fast development of new installations to cater to different consumer groups, such as personal machines and commercial scale machines, demonstrates an interest in human desire and culture and their relationship to faeces.: 221

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: In Cloaca (art installation), how is the Themes discussed?

The Cloaca series deal with themes surrounding both biological processes and commercialisation.: 221  Aesthetically, the installations combine elements of laboratories, production lines and consumerism. The series explores anthropomorphism, mechanomorphism and posthumanism with Delvoye describing the installation as a "human being without a soul". The series is an absurd demonstration of the ability of machines to reproduce human functions. Delvoye's use of logos and promotional names for each installation, as well as the fast development of new installations to cater to different consumer groups, such as personal machines and commercial scale machines, demonstrates an interest in human desire and culture and their relationship to faeces.: 221

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: In the context of Cloaca (art installation), explain the Critical reception and the Reception.

When a Cloaca installation was exhibited in New York in 2002, it received a negative reaction. A critic reviewing the exhibition in The Brooklyn Rail was "disgusted" by the installation and criticised its cost, reliance on gimmicks and attempt at being an "educational enterprise". The review negatively contrasted Cloaca to other work on faeces by Pier Paolo Pasolini, Luis Buñuel, Karen Finley, Peter Saul and Joseph Beuys. Reviewing the same exhibition, The New York Times called the Cloaca "brainiac Conceptual Art, top-heavy with ideas", and argued that its effectiveness lies in being operational rather than just existing as a thought experiment. Writing in Frieze about Cloaca New & Improved, critic Saul Anton described the installation as "a metaphor for our culture, as art, as economics and so on - and arguably one of the most spectacular in decades."Critics Christian Denker and Isabelle Loring Wallace have discussed whether the installations' work can be identified as digestion. Denker described the work as a "simulation" and "imitation" of the biological digestive process that omits the provision of nourishment and energy which is the primary reason for digestion. Wallace commented that what the installations demonstrate, at a great cost, is not the digestive process but rather "digestion's facsimile, not shit, but shit's representation."

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: Explain the Critical reception about the Reception of this artwork, Cloaca (art installation).

When a Cloaca installation was exhibited in New York in 2002, it received a negative reaction. A critic reviewing the exhibition in The Brooklyn Rail was "disgusted" by the installation and criticised its cost, reliance on gimmicks and attempt at being an "educational enterprise". The review negatively contrasted Cloaca to other work on faeces by Pier Paolo Pasolini, Luis Buñuel, Karen Finley, Peter Saul and Joseph Beuys. Reviewing the same exhibition, The New York Times called the Cloaca "brainiac Conceptual Art, top-heavy with ideas", and argued that its effectiveness lies in being operational rather than just existing as a thought experiment. Writing in Frieze about Cloaca New & Improved, critic Saul Anton described the installation as "a metaphor for our culture, as art, as economics and so on - and arguably one of the most spectacular in decades."Critics Christian Denker and Isabelle Loring Wallace have discussed whether the installations' work can be identified as digestion. Denker described the work as a "simulation" and "imitation" of the biological digestive process that omits the provision of nourishment and energy which is the primary reason for digestion. Wallace commented that what the installations demonstrate, at a great cost, is not the digestive process but rather "digestion's facsimile, not shit, but shit's representation."

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: In Cloaca (art installation), how is the Critical reception of the Reception explained?

When a Cloaca installation was exhibited in New York in 2002, it received a negative reaction. A critic reviewing the exhibition in The Brooklyn Rail was "disgusted" by the installation and criticised its cost, reliance on gimmicks and attempt at being an "educational enterprise". The review negatively contrasted Cloaca to other work on faeces by Pier Paolo Pasolini, Luis Buñuel, Karen Finley, Peter Saul and Joseph Beuys. Reviewing the same exhibition, The New York Times called the Cloaca "brainiac Conceptual Art, top-heavy with ideas", and argued that its effectiveness lies in being operational rather than just existing as a thought experiment. Writing in Frieze about Cloaca New & Improved, critic Saul Anton described the installation as "a metaphor for our culture, as art, as economics and so on - and arguably one of the most spectacular in decades."Critics Christian Denker and Isabelle Loring Wallace have discussed whether the installations' work can be identified as digestion. Denker described the work as a "simulation" and "imitation" of the biological digestive process that omits the provision of nourishment and energy which is the primary reason for digestion. Wallace commented that what the installations demonstrate, at a great cost, is not the digestive process but rather "digestion's facsimile, not shit, but shit's representation."

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: Describe the characteristics of the Critical reception in Cloaca (art installation)'s Reception.

When a Cloaca installation was exhibited in New York in 2002, it received a negative reaction. A critic reviewing the exhibition in The Brooklyn Rail was "disgusted" by the installation and criticised its cost, reliance on gimmicks and attempt at being an "educational enterprise". The review negatively contrasted Cloaca to other work on faeces by Pier Paolo Pasolini, Luis Buñuel, Karen Finley, Peter Saul and Joseph Beuys. Reviewing the same exhibition, The New York Times called the Cloaca "brainiac Conceptual Art, top-heavy with ideas", and argued that its effectiveness lies in being operational rather than just existing as a thought experiment. Writing in Frieze about Cloaca New & Improved, critic Saul Anton described the installation as "a metaphor for our culture, as art, as economics and so on - and arguably one of the most spectacular in decades."Critics Christian Denker and Isabelle Loring Wallace have discussed whether the installations' work can be identified as digestion. Denker described the work as a "simulation" and "imitation" of the biological digestive process that omits the provision of nourishment and energy which is the primary reason for digestion. Wallace commented that what the installations demonstrate, at a great cost, is not the digestive process but rather "digestion's facsimile, not shit, but shit's representation."

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: In the context of Cloaca (art installation), explain the Public reception and the Reception.

Jennifer Friedlander commented that Cloaca generates a "surprisingly disturbing effect among viewers." In his review of Cloaca Original, Els Fiers wrote that gallery visitors had a "a strange look on their faces, as if they'd just paid a visit to the devil" after viewing the exhibition, and also described a school girl who began crying when looking at the installation. A survey at MONA has shown that Cloaca Professional is visitors' most hated artwork at the museum, yet the museum's iPod tracking devices show that it is the artwork visitors spend the most time with.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: Explain the Public reception about the Reception of this artwork, Cloaca (art installation).

Jennifer Friedlander commented that Cloaca generates a "surprisingly disturbing effect among viewers." In his review of Cloaca Original, Els Fiers wrote that gallery visitors had a "a strange look on their faces, as if they'd just paid a visit to the devil" after viewing the exhibition, and also described a school girl who began crying when looking at the installation. A survey at MONA has shown that Cloaca Professional is visitors' most hated artwork at the museum, yet the museum's iPod tracking devices show that it is the artwork visitors spend the most time with.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: In Cloaca (art installation), how is the Public reception of the Reception explained?

Jennifer Friedlander commented that Cloaca generates a "surprisingly disturbing effect among viewers." In his review of Cloaca Original, Els Fiers wrote that gallery visitors had a "a strange look on their faces, as if they'd just paid a visit to the devil" after viewing the exhibition, and also described a school girl who began crying when looking at the installation. A survey at MONA has shown that Cloaca Professional is visitors' most hated artwork at the museum, yet the museum's iPod tracking devices show that it is the artwork visitors spend the most time with.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Cloaca (art installation)

Prompt: Describe the characteristics of the Public reception in Cloaca (art installation)'s Reception.

Jennifer Friedlander commented that Cloaca generates a "surprisingly disturbing effect among viewers." In his review of Cloaca Original, Els Fiers wrote that gallery visitors had a "a strange look on their faces, as if they'd just paid a visit to the devil" after viewing the exhibition, and also described a school girl who began crying when looking at the installation. A survey at MONA has shown that Cloaca Professional is visitors' most hated artwork at the museum, yet the museum's iPod tracking devices show that it is the artwork visitors spend the most time with.

File:Wim Delvoye- Cloaca 2000-2007 Faeces.jpg


Les Noces de Pierrette

Prompt: Focus on Les Noces de Pierrette and explain the abstract.

Les Noces de Pierrette (English:The marriage of Pierrette) is a 1905 painting by the Spanish artist and sculptor Pablo Picasso. While belonging chronologically to Picasso's Rose Period, it is artistically characteristic of the Blue Period, when the artist faced poverty and depression following the suicide of his friend Carlos Casagemas in 1901.

English language
Hazama
Sumitomo Mitsui Trust Holdings
English:
Pablo Picasso#Children
Paulo Picasso
Picasso's Blue Period
SBI Shinsei Bank
Category:1905 paintings
Picasso's Rose Period
La Samaritaine
Autopolis
Paris
Blue Period
Category:Paintings in Japan
Carles Casagemas
Carlos Casagemas
Category:Paintings by Pablo Picasso
Oil on canvas
Pablo Picasso
Hazama Corporation
Shinsei Bank
List of most expensive paintings
oil painting
Josef Stránský
GE Capital


Les Noces de Pierrette

Prompt: Explain the abstract of this artwork, Les Noces de Pierrette.

Les Noces de Pierrette (English:The marriage of Pierrette) is a 1905 painting by the Spanish artist and sculptor Pablo Picasso. While belonging chronologically to Picasso's Rose Period, it is artistically characteristic of the Blue Period, when the artist faced poverty and depression following the suicide of his friend Carlos Casagemas in 1901.

English language
Hazama
Sumitomo Mitsui Trust Holdings
English:
Pablo Picasso#Children
Paulo Picasso
Picasso's Blue Period
SBI Shinsei Bank
Category:1905 paintings
Picasso's Rose Period
La Samaritaine
Autopolis
Paris
Blue Period
Category:Paintings in Japan
Carles Casagemas
Carlos Casagemas
Category:Paintings by Pablo Picasso
Oil on canvas
Pablo Picasso
Hazama Corporation
Shinsei Bank
List of most expensive paintings
oil painting
Josef Stránský
GE Capital


Les Noces de Pierrette

Prompt: How does Les Noces de Pierrette explain its abstract?

Les Noces de Pierrette (English:The marriage of Pierrette) is a 1905 painting by the Spanish artist and sculptor Pablo Picasso. While belonging chronologically to Picasso's Rose Period, it is artistically characteristic of the Blue Period, when the artist faced poverty and depression following the suicide of his friend Carlos Casagemas in 1901.

English language
Hazama
Sumitomo Mitsui Trust Holdings
English:
Pablo Picasso#Children
Paulo Picasso
Picasso's Blue Period
SBI Shinsei Bank
Category:1905 paintings
Picasso's Rose Period
La Samaritaine
Autopolis
Paris
Blue Period
Category:Paintings in Japan
Carles Casagemas
Carlos Casagemas
Category:Paintings by Pablo Picasso
Oil on canvas
Pablo Picasso
Hazama Corporation
Shinsei Bank
List of most expensive paintings
oil painting
Josef Stránský
GE Capital


Les Noces de Pierrette

Prompt: In Les Noces de Pierrette, how is the abstract discussed?

Les Noces de Pierrette (English:The marriage of Pierrette) is a 1905 painting by the Spanish artist and sculptor Pablo Picasso. While belonging chronologically to Picasso's Rose Period, it is artistically characteristic of the Blue Period, when the artist faced poverty and depression following the suicide of his friend Carlos Casagemas in 1901.

English language
Hazama
Sumitomo Mitsui Trust Holdings
English:
Pablo Picasso#Children
Paulo Picasso
Picasso's Blue Period
SBI Shinsei Bank
Category:1905 paintings
Picasso's Rose Period
La Samaritaine
Autopolis
Paris
Blue Period
Category:Paintings in Japan
Carles Casagemas
Carlos Casagemas
Category:Paintings by Pablo Picasso
Oil on canvas
Pablo Picasso
Hazama Corporation
Shinsei Bank
List of most expensive paintings
oil painting
Josef Stránský
GE Capital


Les Noces de Pierrette

Prompt: Focus on Les Noces de Pierrette and explain the Sales history.

The painting was acquired in 1907 by Josef Stránský, an art dealer and a friend of Picasso's. From 1945 to 1962, the painting was owned by Picasso's son Paulo Picasso.Around 1930, Georges Renand, owner of La Samaritaine department store, purchased the work. The painting was owned by the Swedish investment banker and merchant Fredrik Roos when it was sold at Binoche et Godeau in Paris on November 30, 1989. The buyer, Tomonori Tsurumaki, a real-estate developer, investment banker and owner of Autopolis racetrack, purchased the painting for the sum of $51,670,000, making it one of the world's most expensive paintings.With the collapse of Tsurumaki's company, Nippon Tri-Trust, the painting ended up in the hands of the construction company Hazama, which had constructed Tsurumaki's racetrack. Hazama, having run into financial difficulties, put the painting up as collateral when the firm took a loan from Lake Credit Company. Thus, Lake Credit Company came into possession of  Les Noces de Pierrette. When Lake Credit Company sold its stake in the mainline consumer loan business to GE Capital,  Les Noces de Pierrette (along with 500 other paintings worth approximately $200 million) became the property of GE Capital. Presently, Les Noces de Pierrette is secured in the vault of Sumitomo Mitsui Trust Holdings (formerly the Mitsui Trust Bank).  It was offered at $54 million in 1994 with no takers, and again, also with no takers in 1997 at $35 million. The Japanese operation of GE Capital was subsequently sold to Shinsei Bank in 2008, along with its art collection portfolio.

English language
Hazama
Sumitomo Mitsui Trust Holdings
English:
Pablo Picasso#Children
Paulo Picasso
Picasso's Blue Period
SBI Shinsei Bank
Category:1905 paintings
Picasso's Rose Period
La Samaritaine
Autopolis
Paris
Blue Period
Category:Paintings in Japan
Carles Casagemas
Carlos Casagemas
Category:Paintings by Pablo Picasso
Oil on canvas
Pablo Picasso
Hazama Corporation
Shinsei Bank
List of most expensive paintings
oil painting
Josef Stránský
GE Capital


Les Noces de Pierrette

Prompt: Explain the Sales history of this artwork, Les Noces de Pierrette.

The painting was acquired in 1907 by Josef Stránský, an art dealer and a friend of Picasso's. From 1945 to 1962, the painting was owned by Picasso's son Paulo Picasso.Around 1930, Georges Renand, owner of La Samaritaine department store, purchased the work. The painting was owned by the Swedish investment banker and merchant Fredrik Roos when it was sold at Binoche et Godeau in Paris on November 30, 1989. The buyer, Tomonori Tsurumaki, a real-estate developer, investment banker and owner of Autopolis racetrack, purchased the painting for the sum of $51,670,000, making it one of the world's most expensive paintings.With the collapse of Tsurumaki's company, Nippon Tri-Trust, the painting ended up in the hands of the construction company Hazama, which had constructed Tsurumaki's racetrack. Hazama, having run into financial difficulties, put the painting up as collateral when the firm took a loan from Lake Credit Company. Thus, Lake Credit Company came into possession of  Les Noces de Pierrette. When Lake Credit Company sold its stake in the mainline consumer loan business to GE Capital,  Les Noces de Pierrette (along with 500 other paintings worth approximately $200 million) became the property of GE Capital. Presently, Les Noces de Pierrette is secured in the vault of Sumitomo Mitsui Trust Holdings (formerly the Mitsui Trust Bank).  It was offered at $54 million in 1994 with no takers, and again, also with no takers in 1997 at $35 million. The Japanese operation of GE Capital was subsequently sold to Shinsei Bank in 2008, along with its art collection portfolio.

English language
Hazama
Sumitomo Mitsui Trust Holdings
English:
Pablo Picasso#Children
Paulo Picasso
Picasso's Blue Period
SBI Shinsei Bank
Category:1905 paintings
Picasso's Rose Period
La Samaritaine
Autopolis
Paris
Blue Period
Category:Paintings in Japan
Carles Casagemas
Carlos Casagemas
Category:Paintings by Pablo Picasso
Oil on canvas
Pablo Picasso
Hazama Corporation
Shinsei Bank
List of most expensive paintings
oil painting
Josef Stránský
GE Capital


Les Noces de Pierrette

Prompt: How does Les Noces de Pierrette explain its Sales history?

The painting was acquired in 1907 by Josef Stránský, an art dealer and a friend of Picasso's. From 1945 to 1962, the painting was owned by Picasso's son Paulo Picasso.Around 1930, Georges Renand, owner of La Samaritaine department store, purchased the work. The painting was owned by the Swedish investment banker and merchant Fredrik Roos when it was sold at Binoche et Godeau in Paris on November 30, 1989. The buyer, Tomonori Tsurumaki, a real-estate developer, investment banker and owner of Autopolis racetrack, purchased the painting for the sum of $51,670,000, making it one of the world's most expensive paintings.With the collapse of Tsurumaki's company, Nippon Tri-Trust, the painting ended up in the hands of the construction company Hazama, which had constructed Tsurumaki's racetrack. Hazama, having run into financial difficulties, put the painting up as collateral when the firm took a loan from Lake Credit Company. Thus, Lake Credit Company came into possession of  Les Noces de Pierrette. When Lake Credit Company sold its stake in the mainline consumer loan business to GE Capital,  Les Noces de Pierrette (along with 500 other paintings worth approximately $200 million) became the property of GE Capital. Presently, Les Noces de Pierrette is secured in the vault of Sumitomo Mitsui Trust Holdings (formerly the Mitsui Trust Bank).  It was offered at $54 million in 1994 with no takers, and again, also with no takers in 1997 at $35 million. The Japanese operation of GE Capital was subsequently sold to Shinsei Bank in 2008, along with its art collection portfolio.

English language
Hazama
Sumitomo Mitsui Trust Holdings
English:
Pablo Picasso#Children
Paulo Picasso
Picasso's Blue Period
SBI Shinsei Bank
Category:1905 paintings
Picasso's Rose Period
La Samaritaine
Autopolis
Paris
Blue Period
Category:Paintings in Japan
Carles Casagemas
Carlos Casagemas
Category:Paintings by Pablo Picasso
Oil on canvas
Pablo Picasso
Hazama Corporation
Shinsei Bank
List of most expensive paintings
oil painting
Josef Stránský
GE Capital


Les Noces de Pierrette

Prompt: In Les Noces de Pierrette, how is the Sales history discussed?

The painting was acquired in 1907 by Josef Stránský, an art dealer and a friend of Picasso's. From 1945 to 1962, the painting was owned by Picasso's son Paulo Picasso.Around 1930, Georges Renand, owner of La Samaritaine department store, purchased the work. The painting was owned by the Swedish investment banker and merchant Fredrik Roos when it was sold at Binoche et Godeau in Paris on November 30, 1989. The buyer, Tomonori Tsurumaki, a real-estate developer, investment banker and owner of Autopolis racetrack, purchased the painting for the sum of $51,670,000, making it one of the world's most expensive paintings.With the collapse of Tsurumaki's company, Nippon Tri-Trust, the painting ended up in the hands of the construction company Hazama, which had constructed Tsurumaki's racetrack. Hazama, having run into financial difficulties, put the painting up as collateral when the firm took a loan from Lake Credit Company. Thus, Lake Credit Company came into possession of  Les Noces de Pierrette. When Lake Credit Company sold its stake in the mainline consumer loan business to GE Capital,  Les Noces de Pierrette (along with 500 other paintings worth approximately $200 million) became the property of GE Capital. Presently, Les Noces de Pierrette is secured in the vault of Sumitomo Mitsui Trust Holdings (formerly the Mitsui Trust Bank).  It was offered at $54 million in 1994 with no takers, and again, also with no takers in 1997 at $35 million. The Japanese operation of GE Capital was subsequently sold to Shinsei Bank in 2008, along with its art collection portfolio.

English language
Hazama
Sumitomo Mitsui Trust Holdings
English:
Pablo Picasso#Children
Paulo Picasso
Picasso's Blue Period
SBI Shinsei Bank
Category:1905 paintings
Picasso's Rose Period
La Samaritaine
Autopolis
Paris
Blue Period
Category:Paintings in Japan
Carles Casagemas
Carlos Casagemas
Category:Paintings by Pablo Picasso
Oil on canvas
Pablo Picasso
Hazama Corporation
Shinsei Bank
List of most expensive paintings
oil painting
Josef Stránský
GE Capital


Mac the Moose

Prompt: Focus on Mac the Moose and explain the abstract.

Mac the Moose is a steel and concrete sculpture of a moose in Moose Jaw, Saskatchewan. It is on the grounds of Moose Jaw's visitors' center, on the corner of E Thatcher Drive and the Trans-Canada Highway. It is claimed to be the world's largest moose at 10.36 metres (34.0 ft) tall and a weight of approximately 10 long tons (10,000 kg).

In 2003, prior to being moved and fenced

Category:Buildings and structures in Moose Jaw

Category:Vandalized works of art in Canada


Mac the Moose

Prompt: Explain the abstract of this artwork, Mac the Moose.

Mac the Moose is a steel and concrete sculpture of a moose in Moose Jaw, Saskatchewan. It is on the grounds of Moose Jaw's visitors' center, on the corner of E Thatcher Drive and the Trans-Canada Highway. It is claimed to be the world's largest moose at 10.36 metres (34.0 ft) tall and a weight of approximately 10 long tons (10,000 kg).

In 2003, prior to being moved and fenced

Category:Buildings and structures in Moose Jaw

Category:Vandalized works of art in Canada


Mac the Moose

Prompt: How does Mac the Moose explain its abstract?

Mac the Moose is a steel and concrete sculpture of a moose in Moose Jaw, Saskatchewan. It is on the grounds of Moose Jaw's visitors' center, on the corner of E Thatcher Drive and the Trans-Canada Highway. It is claimed to be the world's largest moose at 10.36 metres (34.0 ft) tall and a weight of approximately 10 long tons (10,000 kg).

In 2003, prior to being moved and fenced

Category:Buildings and structures in Moose Jaw

Category:Vandalized works of art in Canada


Mac the Moose

Prompt: In Mac the Moose, how is the abstract discussed?

Mac the Moose is a steel and concrete sculpture of a moose in Moose Jaw, Saskatchewan. It is on the grounds of Moose Jaw's visitors' center, on the corner of E Thatcher Drive and the Trans-Canada Highway. It is claimed to be the world's largest moose at 10.36 metres (34.0 ft) tall and a weight of approximately 10 long tons (10,000 kg).

In 2003, prior to being moved and fenced

Category:Buildings and structures in Moose Jaw

Category:Vandalized works of art in Canada


Mac the Moose

Prompt: Focus on Mac the Moose and explain the History.

Mac the Moose was built in 1984 by Saskatoon artist Don Foulds with the goal of attracting visitors to the city. The construction process involved a steel frame covered with metal mesh and four coats of cement. A contest was held to name the moose, with the name "Mac" being chosen after Les MacKenzie. The giant moose was one of the city's first tourist attractions. The project was completed in May 1984.In 2004, Mac was moved 2 kilometres (1.2 mi) by H.C.L Construction Ltd. using a flatbed truck and is now just off of the Trans-Canada highway next to the Moose Jaw visitors' center. Although Mac has been vandalized many times (once being painted blue and other physical damage was done, including losing his jaw), he still stands, although surrounded by a fence in 2009. In 2013, Mac was honoured by the Moose Jaw Times Herald as Moose Jaw's Best Celebrity.

In 2003, prior to being moved and fenced

Category:Buildings and structures in Moose Jaw

Category:Vandalized works of art in Canada


Mac the Moose

Prompt: Explain the History of this artwork, Mac the Moose.

Mac the Moose was built in 1984 by Saskatoon artist Don Foulds with the goal of attracting visitors to the city. The construction process involved a steel frame covered with metal mesh and four coats of cement. A contest was held to name the moose, with the name "Mac" being chosen after Les MacKenzie. The giant moose was one of the city's first tourist attractions. The project was completed in May 1984.In 2004, Mac was moved 2 kilometres (1.2 mi) by H.C.L Construction Ltd. using a flatbed truck and is now just off of the Trans-Canada highway next to the Moose Jaw visitors' center. Although Mac has been vandalized many times (once being painted blue and other physical damage was done, including losing his jaw), he still stands, although surrounded by a fence in 2009. In 2013, Mac was honoured by the Moose Jaw Times Herald as Moose Jaw's Best Celebrity.

In 2003, prior to being moved and fenced

Category:Buildings and structures in Moose Jaw

Category:Vandalized works of art in Canada


Mac the Moose

Prompt: How does Mac the Moose explain its History?

Mac the Moose was built in 1984 by Saskatoon artist Don Foulds with the goal of attracting visitors to the city. The construction process involved a steel frame covered with metal mesh and four coats of cement. A contest was held to name the moose, with the name "Mac" being chosen after Les MacKenzie. The giant moose was one of the city's first tourist attractions. The project was completed in May 1984.In 2004, Mac was moved 2 kilometres (1.2 mi) by H.C.L Construction Ltd. using a flatbed truck and is now just off of the Trans-Canada highway next to the Moose Jaw visitors' center. Although Mac has been vandalized many times (once being painted blue and other physical damage was done, including losing his jaw), he still stands, although surrounded by a fence in 2009. In 2013, Mac was honoured by the Moose Jaw Times Herald as Moose Jaw's Best Celebrity.

In 2003, prior to being moved and fenced

Category:Buildings and structures in Moose Jaw

Category:Vandalized works of art in Canada


Mac the Moose

Prompt: In Mac the Moose, how is the History discussed?

Mac the Moose was built in 1984 by Saskatoon artist Don Foulds with the goal of attracting visitors to the city. The construction process involved a steel frame covered with metal mesh and four coats of cement. A contest was held to name the moose, with the name "Mac" being chosen after Les MacKenzie. The giant moose was one of the city's first tourist attractions. The project was completed in May 1984.In 2004, Mac was moved 2 kilometres (1.2 mi) by H.C.L Construction Ltd. using a flatbed truck and is now just off of the Trans-Canada highway next to the Moose Jaw visitors' center. Although Mac has been vandalized many times (once being painted blue and other physical damage was done, including losing his jaw), he still stands, although surrounded by a fence in 2009. In 2013, Mac was honoured by the Moose Jaw Times Herald as Moose Jaw's Best Celebrity.

In 2003, prior to being moved and fenced

Category:Buildings and structures in Moose Jaw

Category:Vandalized works of art in Canada


Mac the Moose

Prompt: Focus on Mac the Moose and explain the Rivalry.

After 31 years of holding the title of the world's largest moose, in 2015 Mac the Moose was surpassed by another moose statue in Stor-Elvdal, Norway, called The Big Elk (moose (Alces alces) are called elk in Europe). Conceived by Norwegian artist Linda Bakke, The Big Elk was erected in China and stood about 30 centimetres (12 in) taller. In an interview with Global News on the subject, Moose Jaw's mayor Deb Higgins wasn't bothered, stating that "I think we’ve won the battle, first and foremost that Mac's reputation has spread to Norway and beyond." Subsequently, Mac the Moose was billed as North America's largest moose, with Tourism Moose Jaw referring to it as the "World's Second Largest Moose".In January 2019, two Canadian comedians urged Moose Jaw residents to add 31 cm (12 in) to Mac's height (likely by extending his antlers or giving him a helmet), so that the moose statue would once again win the title of the world's largest moose.In October 2019, Mac regained the title of the world's tallest moose when a new set of antlers was installed, raising its height to 10.36 metres (34.0 ft)., making it taller than the Norwegian sculpture.On Friday, August 16th 2024 the city of Moose Jaw celebrated Mac's 40th birthday. Many from the town and outside of the town came together to celebrate the occasion.

In 2003, prior to being moved and fenced

Category:Buildings and structures in Moose Jaw

Category:Vandalized works of art in Canada


Mac the Moose

Prompt: Explain the Rivalry of this artwork, Mac the Moose.

After 31 years of holding the title of the world's largest moose, in 2015 Mac the Moose was surpassed by another moose statue in Stor-Elvdal, Norway, called The Big Elk (moose (Alces alces) are called elk in Europe). Conceived by Norwegian artist Linda Bakke, The Big Elk was erected in China and stood about 30 centimetres (12 in) taller. In an interview with Global News on the subject, Moose Jaw's mayor Deb Higgins wasn't bothered, stating that "I think we’ve won the battle, first and foremost that Mac's reputation has spread to Norway and beyond." Subsequently, Mac the Moose was billed as North America's largest moose, with Tourism Moose Jaw referring to it as the "World's Second Largest Moose".In January 2019, two Canadian comedians urged Moose Jaw residents to add 31 cm (12 in) to Mac's height (likely by extending his antlers or giving him a helmet), so that the moose statue would once again win the title of the world's largest moose.In October 2019, Mac regained the title of the world's tallest moose when a new set of antlers was installed, raising its height to 10.36 metres (34.0 ft)., making it taller than the Norwegian sculpture.On Friday, August 16th 2024 the city of Moose Jaw celebrated Mac's 40th birthday. Many from the town and outside of the town came together to celebrate the occasion.

In 2003, prior to being moved and fenced

Category:Buildings and structures in Moose Jaw

Category:Vandalized works of art in Canada


Mac the Moose

Prompt: How does Mac the Moose explain its Rivalry?

After 31 years of holding the title of the world's largest moose, in 2015 Mac the Moose was surpassed by another moose statue in Stor-Elvdal, Norway, called The Big Elk (moose (Alces alces) are called elk in Europe). Conceived by Norwegian artist Linda Bakke, The Big Elk was erected in China and stood about 30 centimetres (12 in) taller. In an interview with Global News on the subject, Moose Jaw's mayor Deb Higgins wasn't bothered, stating that "I think we’ve won the battle, first and foremost that Mac's reputation has spread to Norway and beyond." Subsequently, Mac the Moose was billed as North America's largest moose, with Tourism Moose Jaw referring to it as the "World's Second Largest Moose".In January 2019, two Canadian comedians urged Moose Jaw residents to add 31 cm (12 in) to Mac's height (likely by extending his antlers or giving him a helmet), so that the moose statue would once again win the title of the world's largest moose.In October 2019, Mac regained the title of the world's tallest moose when a new set of antlers was installed, raising its height to 10.36 metres (34.0 ft)., making it taller than the Norwegian sculpture.On Friday, August 16th 2024 the city of Moose Jaw celebrated Mac's 40th birthday. Many from the town and outside of the town came together to celebrate the occasion.

In 2003, prior to being moved and fenced

Category:Buildings and structures in Moose Jaw

Category:Vandalized works of art in Canada


Mac the Moose

Prompt: In Mac the Moose, how is the Rivalry discussed?

After 31 years of holding the title of the world's largest moose, in 2015 Mac the Moose was surpassed by another moose statue in Stor-Elvdal, Norway, called The Big Elk (moose (Alces alces) are called elk in Europe). Conceived by Norwegian artist Linda Bakke, The Big Elk was erected in China and stood about 30 centimetres (12 in) taller. In an interview with Global News on the subject, Moose Jaw's mayor Deb Higgins wasn't bothered, stating that "I think we’ve won the battle, first and foremost that Mac's reputation has spread to Norway and beyond." Subsequently, Mac the Moose was billed as North America's largest moose, with Tourism Moose Jaw referring to it as the "World's Second Largest Moose".In January 2019, two Canadian comedians urged Moose Jaw residents to add 31 cm (12 in) to Mac's height (likely by extending his antlers or giving him a helmet), so that the moose statue would once again win the title of the world's largest moose.In October 2019, Mac regained the title of the world's tallest moose when a new set of antlers was installed, raising its height to 10.36 metres (34.0 ft)., making it taller than the Norwegian sculpture.On Friday, August 16th 2024 the city of Moose Jaw celebrated Mac's 40th birthday. Many from the town and outside of the town came together to celebrate the occasion.

In 2003, prior to being moved and fenced

Category:Buildings and structures in Moose Jaw

Category:Vandalized works of art in Canada


Bathsheba at her Bath (Veronese)

Prompt: Focus on Bathsheba at her Bath (Veronese) and explain the abstract.

Bathsheba at her Bath is an oil-on-canvas painting by Italian Renaissance painter Paolo Veronese, dated around 1575 and now in the Musée des Beaux-Arts de Lyon, France.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Bathsheba at her Bath (Veronese)

Prompt: Explain the abstract of this artwork, Bathsheba at her Bath (Veronese).

Bathsheba at her Bath is an oil-on-canvas painting by Italian Renaissance painter Paolo Veronese, dated around 1575 and now in the Musée des Beaux-Arts de Lyon, France.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Bathsheba at her Bath (Veronese)

Prompt: How does Bathsheba at her Bath (Veronese) explain its abstract?

Bathsheba at her Bath is an oil-on-canvas painting by Italian Renaissance painter Paolo Veronese, dated around 1575 and now in the Musée des Beaux-Arts de Lyon, France.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Bathsheba at her Bath (Veronese)

Prompt: In Bathsheba at her Bath (Veronese), how is the abstract discussed?

Bathsheba at her Bath is an oil-on-canvas painting by Italian Renaissance painter Paolo Veronese, dated around 1575 and now in the Musée des Beaux-Arts de Lyon, France.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Bathsheba at her Bath (Veronese)

Prompt: Focus on Bathsheba at her Bath (Veronese) and explain the History.

This work is a marriage painting ordered by a Venetian customer. It arrived in France in the seventeenth century in the royal collections. It was then kept at the Palace of Versailles, enlarged atop and on the left side to match the woodwork. It was sent to Lyon by the State in 1811, and is currently at the Musée des Beaux-Arts de Lyon. Its original format was restored in 1991, keeping the extension behind the new guidelines.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Bathsheba at her Bath (Veronese)

Prompt: Explain the History of this artwork, Bathsheba at her Bath (Veronese).

This work is a marriage painting ordered by a Venetian customer. It arrived in France in the seventeenth century in the royal collections. It was then kept at the Palace of Versailles, enlarged atop and on the left side to match the woodwork. It was sent to Lyon by the State in 1811, and is currently at the Musée des Beaux-Arts de Lyon. Its original format was restored in 1991, keeping the extension behind the new guidelines.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Bathsheba at her Bath (Veronese)

Prompt: How does Bathsheba at her Bath (Veronese) explain its History?

This work is a marriage painting ordered by a Venetian customer. It arrived in France in the seventeenth century in the royal collections. It was then kept at the Palace of Versailles, enlarged atop and on the left side to match the woodwork. It was sent to Lyon by the State in 1811, and is currently at the Musée des Beaux-Arts de Lyon. Its original format was restored in 1991, keeping the extension behind the new guidelines.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Bathsheba at her Bath (Veronese)

Prompt: In Bathsheba at her Bath (Veronese), how is the History discussed?

This work is a marriage painting ordered by a Venetian customer. It arrived in France in the seventeenth century in the royal collections. It was then kept at the Palace of Versailles, enlarged atop and on the left side to match the woodwork. It was sent to Lyon by the State in 1811, and is currently at the Musée des Beaux-Arts de Lyon. Its original format was restored in 1991, keeping the extension behind the new guidelines.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Bathsheba at her Bath (Veronese)

Prompt: Focus on Bathsheba at her Bath (Veronese) and explain the Composition.

The painting depicts a biblical scene. It is generally agreed that the episode depicted is 2 Samuel 11, in which Bathsheba is seen by King David from the terrace of his palace while she bathes in the evening. Some sources have identified a different biblical story, namely Susannah and the Elders, as the painting's subject. In this story, Susannah bathes on a hot day and is watched by two old men (the characters in the arcades in the background) whose sexual demands Susannah refuses and who avenge themselves by unjustly accusing her of adultery.In this painting, one of his many masterpieces, Veronese vertically divided the space into two separate parts linked by agreements in the colors and a powerful chiaroscuro. The old man wears the cloak of gold buttons which is characteristic of the Doges of Venice. The arms represented on the pitcher may reflect the celebration of a marriage or an alliance between two powerful Venetian families.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Bathsheba at her Bath (Veronese)

Prompt: Explain the Composition of this artwork, Bathsheba at her Bath (Veronese).

The painting depicts a biblical scene. It is generally agreed that the episode depicted is 2 Samuel 11, in which Bathsheba is seen by King David from the terrace of his palace while she bathes in the evening. Some sources have identified a different biblical story, namely Susannah and the Elders, as the painting's subject. In this story, Susannah bathes on a hot day and is watched by two old men (the characters in the arcades in the background) whose sexual demands Susannah refuses and who avenge themselves by unjustly accusing her of adultery.In this painting, one of his many masterpieces, Veronese vertically divided the space into two separate parts linked by agreements in the colors and a powerful chiaroscuro. The old man wears the cloak of gold buttons which is characteristic of the Doges of Venice. The arms represented on the pitcher may reflect the celebration of a marriage or an alliance between two powerful Venetian families.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Bathsheba at her Bath (Veronese)

Prompt: How does Bathsheba at her Bath (Veronese) explain its Composition?

The painting depicts a biblical scene. It is generally agreed that the episode depicted is 2 Samuel 11, in which Bathsheba is seen by King David from the terrace of his palace while she bathes in the evening. Some sources have identified a different biblical story, namely Susannah and the Elders, as the painting's subject. In this story, Susannah bathes on a hot day and is watched by two old men (the characters in the arcades in the background) whose sexual demands Susannah refuses and who avenge themselves by unjustly accusing her of adultery.In this painting, one of his many masterpieces, Veronese vertically divided the space into two separate parts linked by agreements in the colors and a powerful chiaroscuro. The old man wears the cloak of gold buttons which is characteristic of the Doges of Venice. The arms represented on the pitcher may reflect the celebration of a marriage or an alliance between two powerful Venetian families.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Bathsheba at her Bath (Veronese)

Prompt: In Bathsheba at her Bath (Veronese), how is the Composition discussed?

The painting depicts a biblical scene. It is generally agreed that the episode depicted is 2 Samuel 11, in which Bathsheba is seen by King David from the terrace of his palace while she bathes in the evening. Some sources have identified a different biblical story, namely Susannah and the Elders, as the painting's subject. In this story, Susannah bathes on a hot day and is watched by two old men (the characters in the arcades in the background) whose sexual demands Susannah refuses and who avenge themselves by unjustly accusing her of adultery.In this painting, one of his many masterpieces, Veronese vertically divided the space into two separate parts linked by agreements in the colors and a powerful chiaroscuro. The old man wears the cloak of gold buttons which is characteristic of the Doges of Venice. The arms represented on the pitcher may reflect the celebration of a marriage or an alliance between two powerful Venetian families.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Bathsheba at her Bath (Veronese)

Prompt: Focus on Bathsheba at her Bath (Veronese) and explain the Analysis.

The painting deals with the theme of adultery linked to that of Justice. According to art historians Daniel Arasse and Joséphine Le Foll, two biblical stories are intertwined in this painting:The theme of Susanna is suggested by the presence of the fountain and an old man, but there is only one (if one considers that the elders are the ones in the arcades, while the presence of man in red in the foreground is inexplicable).The theme of David and Bathsheba has an old David, and this is unusual especially as artists generally follow the Bible, in which David sent a young messenger to Bathsheba rather than going to meet her in person, as in the painting by Jan Matsys in the Louvre. However, in other paintings of this subject it is sometimes David himself who comes to see Bathsheba, which would be the case here.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Bathsheba at her Bath (Veronese)

Prompt: Explain the Analysis of this artwork, Bathsheba at her Bath (Veronese).

The painting deals with the theme of adultery linked to that of Justice. According to art historians Daniel Arasse and Joséphine Le Foll, two biblical stories are intertwined in this painting:The theme of Susanna is suggested by the presence of the fountain and an old man, but there is only one (if one considers that the elders are the ones in the arcades, while the presence of man in red in the foreground is inexplicable).The theme of David and Bathsheba has an old David, and this is unusual especially as artists generally follow the Bible, in which David sent a young messenger to Bathsheba rather than going to meet her in person, as in the painting by Jan Matsys in the Louvre. However, in other paintings of this subject it is sometimes David himself who comes to see Bathsheba, which would be the case here.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Bathsheba at her Bath (Veronese)

Prompt: How does Bathsheba at her Bath (Veronese) explain its Analysis?

The painting deals with the theme of adultery linked to that of Justice. According to art historians Daniel Arasse and Joséphine Le Foll, two biblical stories are intertwined in this painting:The theme of Susanna is suggested by the presence of the fountain and an old man, but there is only one (if one considers that the elders are the ones in the arcades, while the presence of man in red in the foreground is inexplicable).The theme of David and Bathsheba has an old David, and this is unusual especially as artists generally follow the Bible, in which David sent a young messenger to Bathsheba rather than going to meet her in person, as in the painting by Jan Matsys in the Louvre. However, in other paintings of this subject it is sometimes David himself who comes to see Bathsheba, which would be the case here.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Bathsheba at her Bath (Veronese)

Prompt: In Bathsheba at her Bath (Veronese), how is the Analysis discussed?

The painting deals with the theme of adultery linked to that of Justice. According to art historians Daniel Arasse and Joséphine Le Foll, two biblical stories are intertwined in this painting:The theme of Susanna is suggested by the presence of the fountain and an old man, but there is only one (if one considers that the elders are the ones in the arcades, while the presence of man in red in the foreground is inexplicable).The theme of David and Bathsheba has an old David, and this is unusual especially as artists generally follow the Bible, in which David sent a young messenger to Bathsheba rather than going to meet her in person, as in the painting by Jan Matsys in the Louvre. However, in other paintings of this subject it is sometimes David himself who comes to see Bathsheba, which would be the case here.

Category:Paintings of Susanna and the Elders

Category:Paintings in the Museum of Fine Arts of Lyon


Prompt: Focus on Statue of Saint Wenceslas, Wenceslas Square and explain the abstract.

The statue of Saint Wenceslas (Czech: Socha svatého Václava) in Prague, Czech Republic depicts Wenceslaus I, Duke of Bohemia. It is installed at Wenceslas Square.

Category:Equestrian statues in the Czech Republic

Category:Monuments and memorials in Prague


Prompt: Explain the abstract of this artwork, Statue of Saint Wenceslas, Wenceslas Square.

The statue of Saint Wenceslas (Czech: Socha svatého Václava) in Prague, Czech Republic depicts Wenceslaus I, Duke of Bohemia. It is installed at Wenceslas Square.

Category:Equestrian statues in the Czech Republic

Category:Monuments and memorials in Prague


Prompt: How does Statue of Saint Wenceslas, Wenceslas Square explain its abstract?

The statue of Saint Wenceslas (Czech: Socha svatého Václava) in Prague, Czech Republic depicts Wenceslaus I, Duke of Bohemia. It is installed at Wenceslas Square.

Category:Equestrian statues in the Czech Republic

Category:Monuments and memorials in Prague


Prompt: In Statue of Saint Wenceslas, Wenceslas Square, how is the abstract discussed?

The statue of Saint Wenceslas (Czech: Socha svatého Václava) in Prague, Czech Republic depicts Wenceslaus I, Duke of Bohemia. It is installed at Wenceslas Square.

Category:Equestrian statues in the Czech Republic

Category:Monuments and memorials in Prague


Prompt: Focus on Statue of Saint Wenceslas, Wenceslas Square and explain the Description.

The mounted saint was sculpted by Josef Václav Myslbek in 1887–1924, and the image of Wenceslas is accompanied by other Czech patron saints carved into the ornate statue base: Saint Ludmila, Saint Agnes of Bohemia, Saint Prokop, and Saint Adalbert of Prague. The statue base, designed by architect Alois Dryák, includes the inscription: "Svatý Václave, vévodo české země, kníže náš, nedej zahynouti nám ni budoucím" (English: "Saint Wenceslas, duke of the Czech land, prince of ours, do not let perish us nor our descendants").

Category:Equestrian statues in the Czech Republic

Category:Monuments and memorials in Prague


Prompt: Explain the Description of this artwork, Statue of Saint Wenceslas, Wenceslas Square.

The mounted saint was sculpted by Josef Václav Myslbek in 1887–1924, and the image of Wenceslas is accompanied by other Czech patron saints carved into the ornate statue base: Saint Ludmila, Saint Agnes of Bohemia, Saint Prokop, and Saint Adalbert of Prague. The statue base, designed by architect Alois Dryák, includes the inscription: "Svatý Václave, vévodo české země, kníže náš, nedej zahynouti nám ni budoucím" (English: "Saint Wenceslas, duke of the Czech land, prince of ours, do not let perish us nor our descendants").

Category:Equestrian statues in the Czech Republic

Category:Monuments and memorials in Prague


Prompt: How does Statue of Saint Wenceslas, Wenceslas Square explain its Description?

The mounted saint was sculpted by Josef Václav Myslbek in 1887–1924, and the image of Wenceslas is accompanied by other Czech patron saints carved into the ornate statue base: Saint Ludmila, Saint Agnes of Bohemia, Saint Prokop, and Saint Adalbert of Prague. The statue base, designed by architect Alois Dryák, includes the inscription: "Svatý Václave, vévodo české země, kníže náš, nedej zahynouti nám ni budoucím" (English: "Saint Wenceslas, duke of the Czech land, prince of ours, do not let perish us nor our descendants").

Category:Equestrian statues in the Czech Republic

Category:Monuments and memorials in Prague


Prompt: In Statue of Saint Wenceslas, Wenceslas Square, how is the Description discussed?

The mounted saint was sculpted by Josef Václav Myslbek in 1887–1924, and the image of Wenceslas is accompanied by other Czech patron saints carved into the ornate statue base: Saint Ludmila, Saint Agnes of Bohemia, Saint Prokop, and Saint Adalbert of Prague. The statue base, designed by architect Alois Dryák, includes the inscription: "Svatý Václave, vévodo české země, kníže náš, nedej zahynouti nám ni budoucím" (English: "Saint Wenceslas, duke of the Czech land, prince of ours, do not let perish us nor our descendants").

Category:Equestrian statues in the Czech Republic

Category:Monuments and memorials in Prague


Equestrian statue of James B. McPherson

Prompt: Focus on Equestrian statue of James B. McPherson and explain the abstract.

Major General James B. McPherson is a public artwork by American artist Louis Rebisso, located at McPherson Square in Washington, D.C., United States. Major General James B. McPherson was originally surveyed as part of the Smithsonian's Save Outdoor Sculpture! survey in 1993. The monument is a bronze equestrian statue of Civil War hero James B. McPherson.The statue is a contributing monument to the Civil War Monuments in Washington, DC, of the National Register of Historic Places.

Category:Equestrian statues in Washington, D.C.

Category:Bronze sculptures in Washington, D.C.

Category:Historic district contributing properties in Washington, D.C.

List of public art in Washington, D.C., Ward 2

Category:Civil War Monuments in Washington, D.C.


Equestrian statue of James B. McPherson

Prompt: Explain the abstract of this artwork, Equestrian statue of James B. McPherson.

Major General James B. McPherson is a public artwork by American artist Louis Rebisso, located at McPherson Square in Washington, D.C., United States. Major General James B. McPherson was originally surveyed as part of the Smithsonian's Save Outdoor Sculpture! survey in 1993. The monument is a bronze equestrian statue of Civil War hero James B. McPherson.The statue is a contributing monument to the Civil War Monuments in Washington, DC, of the National Register of Historic Places.

Category:Equestrian statues in Washington, D.C.

Category:Bronze sculptures in Washington, D.C.

Category:Historic district contributing properties in Washington, D.C.

List of public art in Washington, D.C., Ward 2

Category:Civil War Monuments in Washington, D.C.


Equestrian statue of James B. McPherson

Prompt: How does Equestrian statue of James B. McPherson explain its abstract?

Major General James B. McPherson is a public artwork by American artist Louis Rebisso, located at McPherson Square in Washington, D.C., United States. Major General James B. McPherson was originally surveyed as part of the Smithsonian's Save Outdoor Sculpture! survey in 1993. The monument is a bronze equestrian statue of Civil War hero James B. McPherson.The statue is a contributing monument to the Civil War Monuments in Washington, DC, of the National Register of Historic Places.

Category:Equestrian statues in Washington, D.C.

Category:Bronze sculptures in Washington, D.C.

Category:Historic district contributing properties in Washington, D.C.

List of public art in Washington, D.C., Ward 2

Category:Civil War Monuments in Washington, D.C.


Equestrian statue of James B. McPherson

Prompt: In Equestrian statue of James B. McPherson, how is the abstract discussed?

Major General James B. McPherson is a public artwork by American artist Louis Rebisso, located at McPherson Square in Washington, D.C., United States. Major General James B. McPherson was originally surveyed as part of the Smithsonian's Save Outdoor Sculpture! survey in 1993. The monument is a bronze equestrian statue of Civil War hero James B. McPherson.The statue is a contributing monument to the Civil War Monuments in Washington, DC, of the National Register of Historic Places.

Category:Equestrian statues in Washington, D.C.

Category:Bronze sculptures in Washington, D.C.

Category:Historic district contributing properties in Washington, D.C.

List of public art in Washington, D.C., Ward 2

Category:Civil War Monuments in Washington, D.C.


Equestrian statue of James B. McPherson

Prompt: Focus on Equestrian statue of James B. McPherson and explain the Description.

The memorial shows General McPherson sitting upon a horse, turned slightly to the proper right as if surveying a battlefield. He is holding the horses reins in his proper left hand and a pair of field glasses in his proper right hand. His horse, caught in mid-stride, walks with its proper right foot raised and its head turned down. The statue sits upon a rectangular granite base (H. 12 ft (4 m)., D. 6 ft (2 m).). The base is adorned with a ring of small wreaths around the top and a ring of stars around the bottom, along with a ring of cannonballs.The west side of the base is inscribed with:The east side of the base is inscribed with:ERECTED BY HIS COMRADESOF THE SOCIETY OFTHE ARMY OF THE TENNESSEE

Category:Equestrian statues in Washington, D.C.

Category:Bronze sculptures in Washington, D.C.

Category:Historic district contributing properties in Washington, D.C.

List of public art in Washington, D.C., Ward 2

Category:Civil War Monuments in Washington, D.C.


Equestrian statue of James B. McPherson

Prompt: Explain the Description of this artwork, Equestrian statue of James B. McPherson.

The memorial shows General McPherson sitting upon a horse, turned slightly to the proper right as if surveying a battlefield. He is holding the horses reins in his proper left hand and a pair of field glasses in his proper right hand. His horse, caught in mid-stride, walks with its proper right foot raised and its head turned down. The statue sits upon a rectangular granite base (H. 12 ft (4 m)., D. 6 ft (2 m).). The base is adorned with a ring of small wreaths around the top and a ring of stars around the bottom, along with a ring of cannonballs.The west side of the base is inscribed with:The east side of the base is inscribed with:ERECTED BY HIS COMRADESOF THE SOCIETY OFTHE ARMY OF THE TENNESSEE

Category:Equestrian statues in Washington, D.C.

Category:Bronze sculptures in Washington, D.C.

Category:Historic district contributing properties in Washington, D.C.

List of public art in Washington, D.C., Ward 2

Category:Civil War Monuments in Washington, D.C.


Equestrian statue of James B. McPherson

Prompt: How does Equestrian statue of James B. McPherson explain its Description?

The memorial shows General McPherson sitting upon a horse, turned slightly to the proper right as if surveying a battlefield. He is holding the horses reins in his proper left hand and a pair of field glasses in his proper right hand. His horse, caught in mid-stride, walks with its proper right foot raised and its head turned down. The statue sits upon a rectangular granite base (H. 12 ft (4 m)., D. 6 ft (2 m).). The base is adorned with a ring of small wreaths around the top and a ring of stars around the bottom, along with a ring of cannonballs.The west side of the base is inscribed with:The east side of the base is inscribed with:ERECTED BY HIS COMRADESOF THE SOCIETY OFTHE ARMY OF THE TENNESSEE

Category:Equestrian statues in Washington, D.C.

Category:Bronze sculptures in Washington, D.C.

Category:Historic district contributing properties in Washington, D.C.

List of public art in Washington, D.C., Ward 2

Category:Civil War Monuments in Washington, D.C.