In This Case

Prompt: Explain the History of this artwork, In This Case.

By the time Jean-Michel Basquiat executed In This Case at the age of 22 in 1983, he was already internationally acclaimed for his neo-expressionism paintings. The six-by-six-foot work on canvas depicts a "large skull head set against a ruby-red background, with a blazing eye, protruding green teeth, and fractured anatomy." Art historian Robert Farris Thompson described the work as "one of Basquiat’s strongest...a climactic portrait of the black face that haunts painting after painting. Every creative touch—the green teeth, the yellow eye, the navy-blue skin—is exactly right." Depictions of Human anatomy are prevalent throughout Basquiat's oeuvre, rooting from his childhood when his mother gave him a copy of Gray's Anatomy while he recuperated from a car accident. "What drew Basquiat almost obsessively to the depiction of the human head was his fascination with the face as a passageway from exterior physical presence into the hidden realities of man’s psychological and mental realms," wrote Art historian Fred Hoffman.In This Case is the last in a series of large skull paintings made between 1981 and 1983. The first, Untitled (Skull) (1981) was acquired by Eli and Edythe Broad the year after it was painted and is now housed at The Broad museum in Los Angeles. The second, Untitled (1982) was sold for $110.5 million at Sotheby's in 2017, the highest price paid for an American artist at auction. In 2018, a Basquiat retrospective opened at the Louis Vuitton Foundation in Paris featuring the trinity of skull paintings. "What situates these canvases among his most arresting is the violence they bring to their upending of the vanitas. Listed Untitled, the first two are sometimes dubbed Skull, while the third is titled In This Case; these cranial anatomies are not memento mori, but amplified memories played very, very loud. So loud that their presence is indisputable," explained co-curator, Olivier Michelon.In May 2021, In This Case was sold at Christie's 21st-century art auction for $93.1 million, which far exceeded the pre-sale estimate of $50 million. The seller was Italian businessman Giancarlo Giammetti, co-founder of the fashion house Valentino. The work of art was photographed in the dining room of his Manhattan apartment for a 2013 Architectural Digest spread. Giammetti purchased the painting from Gagosian in 2007, which was previously sold for $999,500 at Sotheby's in 2002.

List of most expensive paintings#List of highest prices paid

List of paintings by Jean-Michel Basquiat

Category:Paintings by Jean-Michel Basquiat

Museum of Cultures (Lugano)#Villa Malpensata


In This Case

Prompt: How does In This Case explain its History?

By the time Jean-Michel Basquiat executed In This Case at the age of 22 in 1983, he was already internationally acclaimed for his neo-expressionism paintings. The six-by-six-foot work on canvas depicts a "large skull head set against a ruby-red background, with a blazing eye, protruding green teeth, and fractured anatomy." Art historian Robert Farris Thompson described the work as "one of Basquiat’s strongest...a climactic portrait of the black face that haunts painting after painting. Every creative touch—the green teeth, the yellow eye, the navy-blue skin—is exactly right." Depictions of Human anatomy are prevalent throughout Basquiat's oeuvre, rooting from his childhood when his mother gave him a copy of Gray's Anatomy while he recuperated from a car accident. "What drew Basquiat almost obsessively to the depiction of the human head was his fascination with the face as a passageway from exterior physical presence into the hidden realities of man’s psychological and mental realms," wrote Art historian Fred Hoffman.In This Case is the last in a series of large skull paintings made between 1981 and 1983. The first, Untitled (Skull) (1981) was acquired by Eli and Edythe Broad the year after it was painted and is now housed at The Broad museum in Los Angeles. The second, Untitled (1982) was sold for $110.5 million at Sotheby's in 2017, the highest price paid for an American artist at auction. In 2018, a Basquiat retrospective opened at the Louis Vuitton Foundation in Paris featuring the trinity of skull paintings. "What situates these canvases among his most arresting is the violence they bring to their upending of the vanitas. Listed Untitled, the first two are sometimes dubbed Skull, while the third is titled In This Case; these cranial anatomies are not memento mori, but amplified memories played very, very loud. So loud that their presence is indisputable," explained co-curator, Olivier Michelon.In May 2021, In This Case was sold at Christie's 21st-century art auction for $93.1 million, which far exceeded the pre-sale estimate of $50 million. The seller was Italian businessman Giancarlo Giammetti, co-founder of the fashion house Valentino. The work of art was photographed in the dining room of his Manhattan apartment for a 2013 Architectural Digest spread. Giammetti purchased the painting from Gagosian in 2007, which was previously sold for $999,500 at Sotheby's in 2002.

List of most expensive paintings#List of highest prices paid

List of paintings by Jean-Michel Basquiat

Category:Paintings by Jean-Michel Basquiat

Museum of Cultures (Lugano)#Villa Malpensata


In This Case

Prompt: In In This Case, how is the History discussed?

By the time Jean-Michel Basquiat executed In This Case at the age of 22 in 1983, he was already internationally acclaimed for his neo-expressionism paintings. The six-by-six-foot work on canvas depicts a "large skull head set against a ruby-red background, with a blazing eye, protruding green teeth, and fractured anatomy." Art historian Robert Farris Thompson described the work as "one of Basquiat’s strongest...a climactic portrait of the black face that haunts painting after painting. Every creative touch—the green teeth, the yellow eye, the navy-blue skin—is exactly right." Depictions of Human anatomy are prevalent throughout Basquiat's oeuvre, rooting from his childhood when his mother gave him a copy of Gray's Anatomy while he recuperated from a car accident. "What drew Basquiat almost obsessively to the depiction of the human head was his fascination with the face as a passageway from exterior physical presence into the hidden realities of man’s psychological and mental realms," wrote Art historian Fred Hoffman.In This Case is the last in a series of large skull paintings made between 1981 and 1983. The first, Untitled (Skull) (1981) was acquired by Eli and Edythe Broad the year after it was painted and is now housed at The Broad museum in Los Angeles. The second, Untitled (1982) was sold for $110.5 million at Sotheby's in 2017, the highest price paid for an American artist at auction. In 2018, a Basquiat retrospective opened at the Louis Vuitton Foundation in Paris featuring the trinity of skull paintings. "What situates these canvases among his most arresting is the violence they bring to their upending of the vanitas. Listed Untitled, the first two are sometimes dubbed Skull, while the third is titled In This Case; these cranial anatomies are not memento mori, but amplified memories played very, very loud. So loud that their presence is indisputable," explained co-curator, Olivier Michelon.In May 2021, In This Case was sold at Christie's 21st-century art auction for $93.1 million, which far exceeded the pre-sale estimate of $50 million. The seller was Italian businessman Giancarlo Giammetti, co-founder of the fashion house Valentino. The work of art was photographed in the dining room of his Manhattan apartment for a 2013 Architectural Digest spread. Giammetti purchased the painting from Gagosian in 2007, which was previously sold for $999,500 at Sotheby's in 2002.

List of most expensive paintings#List of highest prices paid

List of paintings by Jean-Michel Basquiat

Category:Paintings by Jean-Michel Basquiat

Museum of Cultures (Lugano)#Villa Malpensata


In This Case

Prompt: Focus on In This Case and explain the Exhibitions.

In This Case has been exhibited at the following art institutions:Jean-Michel Basquiat at Museo d'Arte Moderna della Città di Lugano, Villa Malpensata in Lugano, March–June 2005.The Jean-Michel Basquiat Show at Fondazione La Triennale di Milano in Milan, September 2006–January 2007.Jean-Michel Basquiat at Gagosian Gallery in New York, February–April 2013.Jean-Michel Basquiat at Fondation Louis Vuitton in Paris, October 2018–January 2019.

List of most expensive paintings#List of highest prices paid

List of paintings by Jean-Michel Basquiat

Category:Paintings by Jean-Michel Basquiat

Museum of Cultures (Lugano)#Villa Malpensata


In This Case

Prompt: Explain the Exhibitions of this artwork, In This Case.

In This Case has been exhibited at the following art institutions:Jean-Michel Basquiat at Museo d'Arte Moderna della Città di Lugano, Villa Malpensata in Lugano, March–June 2005.The Jean-Michel Basquiat Show at Fondazione La Triennale di Milano in Milan, September 2006–January 2007.Jean-Michel Basquiat at Gagosian Gallery in New York, February–April 2013.Jean-Michel Basquiat at Fondation Louis Vuitton in Paris, October 2018–January 2019.

List of most expensive paintings#List of highest prices paid

List of paintings by Jean-Michel Basquiat

Category:Paintings by Jean-Michel Basquiat

Museum of Cultures (Lugano)#Villa Malpensata


In This Case

Prompt: How does In This Case explain its Exhibitions?

In This Case has been exhibited at the following art institutions:Jean-Michel Basquiat at Museo d'Arte Moderna della Città di Lugano, Villa Malpensata in Lugano, March–June 2005.The Jean-Michel Basquiat Show at Fondazione La Triennale di Milano in Milan, September 2006–January 2007.Jean-Michel Basquiat at Gagosian Gallery in New York, February–April 2013.Jean-Michel Basquiat at Fondation Louis Vuitton in Paris, October 2018–January 2019.

List of most expensive paintings#List of highest prices paid

List of paintings by Jean-Michel Basquiat

Category:Paintings by Jean-Michel Basquiat

Museum of Cultures (Lugano)#Villa Malpensata


In This Case

Prompt: In In This Case, how is the Exhibitions discussed?

In This Case has been exhibited at the following art institutions:Jean-Michel Basquiat at Museo d'Arte Moderna della Città di Lugano, Villa Malpensata in Lugano, March–June 2005.The Jean-Michel Basquiat Show at Fondazione La Triennale di Milano in Milan, September 2006–January 2007.Jean-Michel Basquiat at Gagosian Gallery in New York, February–April 2013.Jean-Michel Basquiat at Fondation Louis Vuitton in Paris, October 2018–January 2019.

List of most expensive paintings#List of highest prices paid

List of paintings by Jean-Michel Basquiat

Category:Paintings by Jean-Michel Basquiat

Museum of Cultures (Lugano)#Villa Malpensata


Kiosko (Hendrix)

Prompt: Focus on Kiosko (Hendrix) and explain the abstract.

Kiosko (lit. transl. "pavilion" or "gazebo"), alternatively known as Refugio (lit. transl. "shelter"), is a 2009 outdoor contemporary art sculpture by Dutch artist Jan Hendrix, installed in the Zócalo (main square) of the city of Puebla, in the Mexican state of the same name. It was requested by the Fundación Amparo to honour philanthropist Ángeles Espinosa Yglesias. The sculpture consists of two aluminium cylinders painted white and cut to resemble tree foliage. Critics have highlighted the integration of the sculpture's design with its surroundings.

File:Jan hendrix residency australia in Bundanon trust.jpg

Category:Outdoor sculptures in Puebla (city)


Kiosko (Hendrix)

Prompt: Explain the abstract of this artwork, Kiosko (Hendrix).

Kiosko (lit. transl. "pavilion" or "gazebo"), alternatively known as Refugio (lit. transl. "shelter"), is a 2009 outdoor contemporary art sculpture by Dutch artist Jan Hendrix, installed in the Zócalo (main square) of the city of Puebla, in the Mexican state of the same name. It was requested by the Fundación Amparo to honour philanthropist Ángeles Espinosa Yglesias. The sculpture consists of two aluminium cylinders painted white and cut to resemble tree foliage. Critics have highlighted the integration of the sculpture's design with its surroundings.

File:Jan hendrix residency australia in Bundanon trust.jpg

Category:Outdoor sculptures in Puebla (city)


Kiosko (Hendrix)

Prompt: How does Kiosko (Hendrix) explain its abstract?

Kiosko (lit. transl. "pavilion" or "gazebo"), alternatively known as Refugio (lit. transl. "shelter"), is a 2009 outdoor contemporary art sculpture by Dutch artist Jan Hendrix, installed in the Zócalo (main square) of the city of Puebla, in the Mexican state of the same name. It was requested by the Fundación Amparo to honour philanthropist Ángeles Espinosa Yglesias. The sculpture consists of two aluminium cylinders painted white and cut to resemble tree foliage. Critics have highlighted the integration of the sculpture's design with its surroundings.

File:Jan hendrix residency australia in Bundanon trust.jpg

Category:Outdoor sculptures in Puebla (city)


Kiosko (Hendrix)

Prompt: In Kiosko (Hendrix), how is the abstract discussed?

Kiosko (lit. transl. "pavilion" or "gazebo"), alternatively known as Refugio (lit. transl. "shelter"), is a 2009 outdoor contemporary art sculpture by Dutch artist Jan Hendrix, installed in the Zócalo (main square) of the city of Puebla, in the Mexican state of the same name. It was requested by the Fundación Amparo to honour philanthropist Ángeles Espinosa Yglesias. The sculpture consists of two aluminium cylinders painted white and cut to resemble tree foliage. Critics have highlighted the integration of the sculpture's design with its surroundings.

File:Jan hendrix residency australia in Bundanon trust.jpg

Category:Outdoor sculptures in Puebla (city)


Kiosko (Hendrix)

Prompt: Focus on Kiosko (Hendrix) and explain the Description and history.

Kiosko or Refugio is a sculpture by Dutch artist Jan Hendrix, installed in the Zócalo, the main square of Puebla, Puebla, Mexico, on 20 July 2009. It was commissioned by the Fundación Amparo to honour Ángeles Espinosa Yglesias, a philanthropist from the state.The sculpture features two cylindrical aluminium bodies cut out and baked with white ceramic paint. It is 6 metres (20 ft) high, 4.8 metres (16 ft) wide and 4.8 metres (16 ft) deep. The cylinders feature tree-like cut-outs that create a transparency effect, making elements behind the artwork visible. Kiosko is a contemporary artwork inspired by the gazebo created by Eduardo Tamariz Almendaro in 1883, emulating its circular base and intricate filigree ornamentation.

File:Jan hendrix residency australia in Bundanon trust.jpg

Category:Outdoor sculptures in Puebla (city)


Kiosko (Hendrix)

Prompt: Explain the Description and history of this artwork, Kiosko (Hendrix).

Kiosko or Refugio is a sculpture by Dutch artist Jan Hendrix, installed in the Zócalo, the main square of Puebla, Puebla, Mexico, on 20 July 2009. It was commissioned by the Fundación Amparo to honour Ángeles Espinosa Yglesias, a philanthropist from the state.The sculpture features two cylindrical aluminium bodies cut out and baked with white ceramic paint. It is 6 metres (20 ft) high, 4.8 metres (16 ft) wide and 4.8 metres (16 ft) deep. The cylinders feature tree-like cut-outs that create a transparency effect, making elements behind the artwork visible. Kiosko is a contemporary artwork inspired by the gazebo created by Eduardo Tamariz Almendaro in 1883, emulating its circular base and intricate filigree ornamentation.

File:Jan hendrix residency australia in Bundanon trust.jpg

Category:Outdoor sculptures in Puebla (city)


Kiosko (Hendrix)

Prompt: How does Kiosko (Hendrix) explain its Description and history?

Kiosko or Refugio is a sculpture by Dutch artist Jan Hendrix, installed in the Zócalo, the main square of Puebla, Puebla, Mexico, on 20 July 2009. It was commissioned by the Fundación Amparo to honour Ángeles Espinosa Yglesias, a philanthropist from the state.The sculpture features two cylindrical aluminium bodies cut out and baked with white ceramic paint. It is 6 metres (20 ft) high, 4.8 metres (16 ft) wide and 4.8 metres (16 ft) deep. The cylinders feature tree-like cut-outs that create a transparency effect, making elements behind the artwork visible. Kiosko is a contemporary artwork inspired by the gazebo created by Eduardo Tamariz Almendaro in 1883, emulating its circular base and intricate filigree ornamentation.

File:Jan hendrix residency australia in Bundanon trust.jpg

Category:Outdoor sculptures in Puebla (city)


Kiosko (Hendrix)

Prompt: In Kiosko (Hendrix), how is the Description and history discussed?

Kiosko or Refugio is a sculpture by Dutch artist Jan Hendrix, installed in the Zócalo, the main square of Puebla, Puebla, Mexico, on 20 July 2009. It was commissioned by the Fundación Amparo to honour Ángeles Espinosa Yglesias, a philanthropist from the state.The sculpture features two cylindrical aluminium bodies cut out and baked with white ceramic paint. It is 6 metres (20 ft) high, 4.8 metres (16 ft) wide and 4.8 metres (16 ft) deep. The cylinders feature tree-like cut-outs that create a transparency effect, making elements behind the artwork visible. Kiosko is a contemporary artwork inspired by the gazebo created by Eduardo Tamariz Almendaro in 1883, emulating its circular base and intricate filigree ornamentation.

File:Jan hendrix residency australia in Bundanon trust.jpg

Category:Outdoor sculptures in Puebla (city)


Kiosko (Hendrix)

Prompt: Focus on Kiosko (Hendrix) and explain the Reception.

For Jose Maria Wilford, Kiosko starts with integration into its green and brown surroundings, highlighted by its white ceramic-coated metal. He considers that while it resembles trees, it also reflects local lace-making inspiration. In his opinion, the outer cylinder features openings that interact with the inner cylinder, creating a dynamic interplay of light and shadow. He adds that the inner cylinder remains enigmatic and accessible only through imagination and a spiritual experience. For Pedro Ángel Palou García, Hendrix transformed the concept of gazebos by designing one that distorts and fragments reality. He commented that instead of being transparent, the walls of the artwork filter the view of the surrounding jungle. He emphasised it depicts the temporality and compared it to the Möbius strip or an infinity symbol where past and future converge in the perpetual present. In the book Jan Hendrix: Landfall (2019), published by the Museo Universitario Arte Contemporáneo, Cuauhtémoc Medina wrote that in works like Kiosko, "Hendrix's open-air interventions exude the utopia of [modernity] reconciled with an imaginary greenery". Elvia de la Barquera wrote for La Jornada de Oriente that the artwork differs from other contemporary artworks installed in the historic centre of Puebla, because it is not a bust of a historic person and it is not a bureaucratic project. For her, the sculpture takes the foliage as the main figure in a city where trees are indiscriminately felled or damaged. In 2011, Iván Ruiz wrote for the same newspaper that the artwork is a disruptive part of the landscape, noting that its modern design and stark, monochrome look stand out against the city's vibrant colours. Ruiz lamented that two years after its installation, the sculpture seems to have gone unnoticed by residents and local media, making it appear that contemporary art is trivialised.There have been intentions to remove the sculpture but these have not materialised.

File:Jan hendrix residency australia in Bundanon trust.jpg

Category:Outdoor sculptures in Puebla (city)


Kiosko (Hendrix)

Prompt: Explain the Reception of this artwork, Kiosko (Hendrix).

For Jose Maria Wilford, Kiosko starts with integration into its green and brown surroundings, highlighted by its white ceramic-coated metal. He considers that while it resembles trees, it also reflects local lace-making inspiration. In his opinion, the outer cylinder features openings that interact with the inner cylinder, creating a dynamic interplay of light and shadow. He adds that the inner cylinder remains enigmatic and accessible only through imagination and a spiritual experience. For Pedro Ángel Palou García, Hendrix transformed the concept of gazebos by designing one that distorts and fragments reality. He commented that instead of being transparent, the walls of the artwork filter the view of the surrounding jungle. He emphasised it depicts the temporality and compared it to the Möbius strip or an infinity symbol where past and future converge in the perpetual present. In the book Jan Hendrix: Landfall (2019), published by the Museo Universitario Arte Contemporáneo, Cuauhtémoc Medina wrote that in works like Kiosko, "Hendrix's open-air interventions exude the utopia of [modernity] reconciled with an imaginary greenery". Elvia de la Barquera wrote for La Jornada de Oriente that the artwork differs from other contemporary artworks installed in the historic centre of Puebla, because it is not a bust of a historic person and it is not a bureaucratic project. For her, the sculpture takes the foliage as the main figure in a city where trees are indiscriminately felled or damaged. In 2011, Iván Ruiz wrote for the same newspaper that the artwork is a disruptive part of the landscape, noting that its modern design and stark, monochrome look stand out against the city's vibrant colours. Ruiz lamented that two years after its installation, the sculpture seems to have gone unnoticed by residents and local media, making it appear that contemporary art is trivialised.There have been intentions to remove the sculpture but these have not materialised.

File:Jan hendrix residency australia in Bundanon trust.jpg

Category:Outdoor sculptures in Puebla (city)


Kiosko (Hendrix)

Prompt: How does Kiosko (Hendrix) explain its Reception?

For Jose Maria Wilford, Kiosko starts with integration into its green and brown surroundings, highlighted by its white ceramic-coated metal. He considers that while it resembles trees, it also reflects local lace-making inspiration. In his opinion, the outer cylinder features openings that interact with the inner cylinder, creating a dynamic interplay of light and shadow. He adds that the inner cylinder remains enigmatic and accessible only through imagination and a spiritual experience. For Pedro Ángel Palou García, Hendrix transformed the concept of gazebos by designing one that distorts and fragments reality. He commented that instead of being transparent, the walls of the artwork filter the view of the surrounding jungle. He emphasised it depicts the temporality and compared it to the Möbius strip or an infinity symbol where past and future converge in the perpetual present. In the book Jan Hendrix: Landfall (2019), published by the Museo Universitario Arte Contemporáneo, Cuauhtémoc Medina wrote that in works like Kiosko, "Hendrix's open-air interventions exude the utopia of [modernity] reconciled with an imaginary greenery". Elvia de la Barquera wrote for La Jornada de Oriente that the artwork differs from other contemporary artworks installed in the historic centre of Puebla, because it is not a bust of a historic person and it is not a bureaucratic project. For her, the sculpture takes the foliage as the main figure in a city where trees are indiscriminately felled or damaged. In 2011, Iván Ruiz wrote for the same newspaper that the artwork is a disruptive part of the landscape, noting that its modern design and stark, monochrome look stand out against the city's vibrant colours. Ruiz lamented that two years after its installation, the sculpture seems to have gone unnoticed by residents and local media, making it appear that contemporary art is trivialised.There have been intentions to remove the sculpture but these have not materialised.

File:Jan hendrix residency australia in Bundanon trust.jpg

Category:Outdoor sculptures in Puebla (city)


Kiosko (Hendrix)

Prompt: In Kiosko (Hendrix), how is the Reception discussed?

For Jose Maria Wilford, Kiosko starts with integration into its green and brown surroundings, highlighted by its white ceramic-coated metal. He considers that while it resembles trees, it also reflects local lace-making inspiration. In his opinion, the outer cylinder features openings that interact with the inner cylinder, creating a dynamic interplay of light and shadow. He adds that the inner cylinder remains enigmatic and accessible only through imagination and a spiritual experience. For Pedro Ángel Palou García, Hendrix transformed the concept of gazebos by designing one that distorts and fragments reality. He commented that instead of being transparent, the walls of the artwork filter the view of the surrounding jungle. He emphasised it depicts the temporality and compared it to the Möbius strip or an infinity symbol where past and future converge in the perpetual present. In the book Jan Hendrix: Landfall (2019), published by the Museo Universitario Arte Contemporáneo, Cuauhtémoc Medina wrote that in works like Kiosko, "Hendrix's open-air interventions exude the utopia of [modernity] reconciled with an imaginary greenery". Elvia de la Barquera wrote for La Jornada de Oriente that the artwork differs from other contemporary artworks installed in the historic centre of Puebla, because it is not a bust of a historic person and it is not a bureaucratic project. For her, the sculpture takes the foliage as the main figure in a city where trees are indiscriminately felled or damaged. In 2011, Iván Ruiz wrote for the same newspaper that the artwork is a disruptive part of the landscape, noting that its modern design and stark, monochrome look stand out against the city's vibrant colours. Ruiz lamented that two years after its installation, the sculpture seems to have gone unnoticed by residents and local media, making it appear that contemporary art is trivialised.There have been intentions to remove the sculpture but these have not materialised.

File:Jan hendrix residency australia in Bundanon trust.jpg

Category:Outdoor sculptures in Puebla (city)


Aha Oe Feii?

Prompt: Focus on Aha Oe Feii? and explain the abstract.

Aha Oe Feii? or Are You Jealous? (French: Eh quoi ! Tu es jalouse ?) is an oil-on-canvas painting by Paul Gauguin from 1892, based on a real-life episode during his stay on Tahiti which he later described in the diary Noa Noa: "On the shore two sisters are lying after bathing, in the graceful poses of resting animals; they speak of yesterday's love and tomorrow's conquests. The recollection causes them to quarrel, "What? Are you jealous?" Gauguin titled the painting in Tahitian language, Aha Oe Feii?, in the lower left corner of the canvas.The painting evokes a sense of Pacific paradise in which sexual relations are playful and harmless. According to Professor Peter Toohey, "this jealousy is not the product of a threat to an exclusive sexual relationship or jilted love affair – it is the result of one of the sisters having enjoyed more sex than the other the night before". In a letter to his friend from 1892, Gauguin wrote about the painting: "I think this is the best of what I've made so far".The painting is housed in the Pushkin Museum, Moscow, Russia.

Category:Paintings in the Pushkin Museum


Aha Oe Feii?

Prompt: Explain the abstract of this artwork, Aha Oe Feii?.

Aha Oe Feii? or Are You Jealous? (French: Eh quoi ! Tu es jalouse ?) is an oil-on-canvas painting by Paul Gauguin from 1892, based on a real-life episode during his stay on Tahiti which he later described in the diary Noa Noa: "On the shore two sisters are lying after bathing, in the graceful poses of resting animals; they speak of yesterday's love and tomorrow's conquests. The recollection causes them to quarrel, "What? Are you jealous?" Gauguin titled the painting in Tahitian language, Aha Oe Feii?, in the lower left corner of the canvas.The painting evokes a sense of Pacific paradise in which sexual relations are playful and harmless. According to Professor Peter Toohey, "this jealousy is not the product of a threat to an exclusive sexual relationship or jilted love affair – it is the result of one of the sisters having enjoyed more sex than the other the night before". In a letter to his friend from 1892, Gauguin wrote about the painting: "I think this is the best of what I've made so far".The painting is housed in the Pushkin Museum, Moscow, Russia.

Category:Paintings in the Pushkin Museum


Aha Oe Feii?

Prompt: How does Aha Oe Feii? explain its abstract?

Aha Oe Feii? or Are You Jealous? (French: Eh quoi ! Tu es jalouse ?) is an oil-on-canvas painting by Paul Gauguin from 1892, based on a real-life episode during his stay on Tahiti which he later described in the diary Noa Noa: "On the shore two sisters are lying after bathing, in the graceful poses of resting animals; they speak of yesterday's love and tomorrow's conquests. The recollection causes them to quarrel, "What? Are you jealous?" Gauguin titled the painting in Tahitian language, Aha Oe Feii?, in the lower left corner of the canvas.The painting evokes a sense of Pacific paradise in which sexual relations are playful and harmless. According to Professor Peter Toohey, "this jealousy is not the product of a threat to an exclusive sexual relationship or jilted love affair – it is the result of one of the sisters having enjoyed more sex than the other the night before". In a letter to his friend from 1892, Gauguin wrote about the painting: "I think this is the best of what I've made so far".The painting is housed in the Pushkin Museum, Moscow, Russia.

Category:Paintings in the Pushkin Museum


Aha Oe Feii?

Prompt: In Aha Oe Feii?, how is the abstract discussed?

Aha Oe Feii? or Are You Jealous? (French: Eh quoi ! Tu es jalouse ?) is an oil-on-canvas painting by Paul Gauguin from 1892, based on a real-life episode during his stay on Tahiti which he later described in the diary Noa Noa: "On the shore two sisters are lying after bathing, in the graceful poses of resting animals; they speak of yesterday's love and tomorrow's conquests. The recollection causes them to quarrel, "What? Are you jealous?" Gauguin titled the painting in Tahitian language, Aha Oe Feii?, in the lower left corner of the canvas.The painting evokes a sense of Pacific paradise in which sexual relations are playful and harmless. According to Professor Peter Toohey, "this jealousy is not the product of a threat to an exclusive sexual relationship or jilted love affair – it is the result of one of the sisters having enjoyed more sex than the other the night before". In a letter to his friend from 1892, Gauguin wrote about the painting: "I think this is the best of what I've made so far".The painting is housed in the Pushkin Museum, Moscow, Russia.

Category:Paintings in the Pushkin Museum


Self-Portrait as the Apostle Paul

Prompt: Focus on Self-Portrait as the Apostle Paul and explain the abstract.

Self-portrait as the Apostle Paul (Dutch: Zelfportret als de apostel Paulus) is one of over 40 painted self-portraits by Rembrandt, painted in 1661 by the Dutch artist Rembrandt. It is now in the Rijksmuseum in Amsterdam.

List of paintings by Rembrandt
Rembrandt
Dutch language
Category:1661 paintings
Category:Paintings in the Rijksmuseum
Category:Paintings of Paul the Apostle
Rijksmuseum
Christian Tümpel
Category:Self-portraits by Rembrandt
self-portraits by Rembrandt
Dutch
Oil on canvas
Amsterdam


Self-Portrait as the Apostle Paul

Prompt: Explain the abstract of this artwork, Self-Portrait as the Apostle Paul.

Self-portrait as the Apostle Paul (Dutch: Zelfportret als de apostel Paulus) is one of over 40 painted self-portraits by Rembrandt, painted in 1661 by the Dutch artist Rembrandt. It is now in the Rijksmuseum in Amsterdam.

List of paintings by Rembrandt
Rembrandt
Dutch language
Category:1661 paintings
Category:Paintings in the Rijksmuseum
Category:Paintings of Paul the Apostle
Rijksmuseum
Christian Tümpel
Category:Self-portraits by Rembrandt
self-portraits by Rembrandt
Dutch
Oil on canvas
Amsterdam


Self-Portrait as the Apostle Paul

Prompt: How does Self-Portrait as the Apostle Paul explain its abstract?

Self-portrait as the Apostle Paul (Dutch: Zelfportret als de apostel Paulus) is one of over 40 painted self-portraits by Rembrandt, painted in 1661 by the Dutch artist Rembrandt. It is now in the Rijksmuseum in Amsterdam.

List of paintings by Rembrandt
Rembrandt
Dutch language
Category:1661 paintings
Category:Paintings in the Rijksmuseum
Category:Paintings of Paul the Apostle
Rijksmuseum
Christian Tümpel
Category:Self-portraits by Rembrandt
self-portraits by Rembrandt
Dutch
Oil on canvas
Amsterdam


Self-Portrait as the Apostle Paul

Prompt: In Self-Portrait as the Apostle Paul, how is the abstract discussed?

Self-portrait as the Apostle Paul (Dutch: Zelfportret als de apostel Paulus) is one of over 40 painted self-portraits by Rembrandt, painted in 1661 by the Dutch artist Rembrandt. It is now in the Rijksmuseum in Amsterdam.

List of paintings by Rembrandt
Rembrandt
Dutch language
Category:1661 paintings
Category:Paintings in the Rijksmuseum
Category:Paintings of Paul the Apostle
Rijksmuseum
Christian Tümpel
Category:Self-portraits by Rembrandt
self-portraits by Rembrandt
Dutch
Oil on canvas
Amsterdam


Terpsichore statuette from Dodona

Prompt: Focus on Terpsichore statuette from Dodona and explain the abstract.

The Terpsichore from Dodona (Greek: Τερψιχόρη της Δωδώνης) is a Greek marble statue under lifesize depicting Terpsichore, the Greek goddess of dance, created around the second century BC. The Hellenistic work of art was discovered in Epirus in northwestern Greece and illegally smuggled out of the country in the late nineties. It then became part a prized piece of the Ancient Greek and Roman collection of the Michael C. Carlos Museum in Atlanta, Georgia, until it was finally repatriated to Greece in early 2024.It is currently exhibited in Athens for a limited time, and will be eventually returned to Epirus and displayed there.

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Terpsichore statuette from Dodona

Prompt: Explain the abstract of this artwork, Terpsichore statuette from Dodona.

The Terpsichore from Dodona (Greek: Τερψιχόρη της Δωδώνης) is a Greek marble statue under lifesize depicting Terpsichore, the Greek goddess of dance, created around the second century BC. The Hellenistic work of art was discovered in Epirus in northwestern Greece and illegally smuggled out of the country in the late nineties. It then became part a prized piece of the Ancient Greek and Roman collection of the Michael C. Carlos Museum in Atlanta, Georgia, until it was finally repatriated to Greece in early 2024.It is currently exhibited in Athens for a limited time, and will be eventually returned to Epirus and displayed there.

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Terpsichore statuette from Dodona

Prompt: How does Terpsichore statuette from Dodona explain its abstract?

The Terpsichore from Dodona (Greek: Τερψιχόρη της Δωδώνης) is a Greek marble statue under lifesize depicting Terpsichore, the Greek goddess of dance, created around the second century BC. The Hellenistic work of art was discovered in Epirus in northwestern Greece and illegally smuggled out of the country in the late nineties. It then became part a prized piece of the Ancient Greek and Roman collection of the Michael C. Carlos Museum in Atlanta, Georgia, until it was finally repatriated to Greece in early 2024.It is currently exhibited in Athens for a limited time, and will be eventually returned to Epirus and displayed there.

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Terpsichore statuette from Dodona

Prompt: In Terpsichore statuette from Dodona, how is the abstract discussed?

The Terpsichore from Dodona (Greek: Τερψιχόρη της Δωδώνης) is a Greek marble statue under lifesize depicting Terpsichore, the Greek goddess of dance, created around the second century BC. The Hellenistic work of art was discovered in Epirus in northwestern Greece and illegally smuggled out of the country in the late nineties. It then became part a prized piece of the Ancient Greek and Roman collection of the Michael C. Carlos Museum in Atlanta, Georgia, until it was finally repatriated to Greece in early 2024.It is currently exhibited in Athens for a limited time, and will be eventually returned to Epirus and displayed there.

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Terpsichore statuette from Dodona

Prompt: In the context of Terpsichore statuette from Dodona, explain the Excavation and smuggling and the History.

The statuette was discovered at the site of ancient Dodona (outside Ioannina) in the Greek region of Epirus during illicit excavations in the year 1997; the Greek Ministry of Culture and Sports was alerted by a local man a couple of years later, but they were slow to act as the statuette was erroneously deemed a forgery. News of the statuette's alleged false origins were spread in the black market, with the result that its price and perceived worth plummeted.Nevertheless, the Terpsichore statuette was acquired by the Michael C. Carlos Museum in Atlanta, United States, in 2002, alongside some other artifacts of dubious provenance and legality. The museum purchased it from a New York-based dealer named Robert Hecht, who claimed at the time that he and his partner George Zakos had owned it since 1974; the Carlos is among the several American museums criticised for displaying looted art.

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Terpsichore statuette from Dodona

Prompt: Explain the Excavation and smuggling about the History of this artwork, Terpsichore statuette from Dodona.

The statuette was discovered at the site of ancient Dodona (outside Ioannina) in the Greek region of Epirus during illicit excavations in the year 1997; the Greek Ministry of Culture and Sports was alerted by a local man a couple of years later, but they were slow to act as the statuette was erroneously deemed a forgery. News of the statuette's alleged false origins were spread in the black market, with the result that its price and perceived worth plummeted.Nevertheless, the Terpsichore statuette was acquired by the Michael C. Carlos Museum in Atlanta, United States, in 2002, alongside some other artifacts of dubious provenance and legality. The museum purchased it from a New York-based dealer named Robert Hecht, who claimed at the time that he and his partner George Zakos had owned it since 1974; the Carlos is among the several American museums criticised for displaying looted art.

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Terpsichore statuette from Dodona

Prompt: In Terpsichore statuette from Dodona, how is the Excavation and smuggling of the History explained?

The statuette was discovered at the site of ancient Dodona (outside Ioannina) in the Greek region of Epirus during illicit excavations in the year 1997; the Greek Ministry of Culture and Sports was alerted by a local man a couple of years later, but they were slow to act as the statuette was erroneously deemed a forgery. News of the statuette's alleged false origins were spread in the black market, with the result that its price and perceived worth plummeted.Nevertheless, the Terpsichore statuette was acquired by the Michael C. Carlos Museum in Atlanta, United States, in 2002, alongside some other artifacts of dubious provenance and legality. The museum purchased it from a New York-based dealer named Robert Hecht, who claimed at the time that he and his partner George Zakos had owned it since 1974; the Carlos is among the several American museums criticised for displaying looted art.

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Terpsichore statuette from Dodona

Prompt: Describe the characteristics of the Excavation and smuggling in Terpsichore statuette from Dodona's History.

The statuette was discovered at the site of ancient Dodona (outside Ioannina) in the Greek region of Epirus during illicit excavations in the year 1997; the Greek Ministry of Culture and Sports was alerted by a local man a couple of years later, but they were slow to act as the statuette was erroneously deemed a forgery. News of the statuette's alleged false origins were spread in the black market, with the result that its price and perceived worth plummeted.Nevertheless, the Terpsichore statuette was acquired by the Michael C. Carlos Museum in Atlanta, United States, in 2002, alongside some other artifacts of dubious provenance and legality. The museum purchased it from a New York-based dealer named Robert Hecht, who claimed at the time that he and his partner George Zakos had owned it since 1974; the Carlos is among the several American museums criticised for displaying looted art.

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Terpsichore statuette from Dodona

Prompt: In the context of Terpsichore statuette from Dodona, explain the Negotiations and repatriation and the History.

Official attempts from the Greek state for the repatriation of the Terpsichore started in 2007, although until 2020 the informal contacts between the two sides was without any substantial progress. In the early stages, the Carlos Museum showed little urgency to settle the matter. In 2021, the talks were restarted anew. Photographic evidence was used to support the Greek case. The Greek Ministry was criticised over how slow it had been to act.In April 2022, the file with all the documentation and evidence was submitted to the Greek Embassy in Washington and, with the mediation of the Consul of Greece in Atlanta, a new round of contacts between the representatives began. Finally, in June 2023, the Carlos Museum notified the Ministry of Foreign Affairs of its intention to return the Terpsichore along with two more objects to Greece. The three artifacts were handed to the Greek Minister of Culture and Sports, Dr Lina Mendoni, in late January 2024, after sixteen years of negotiations. Mendoni said that the artifacts would be exhibited in Athens for some time before being returned to their respective regions; the statuette will be on display at the Fethiye Mosque in the Roman agora of the city until 31 May 2024.The two other items returned are a fourteenth century BC Minoan clay larnax with fish decorations from Crete and a marble fragment of a seated man from an Attic funerary naiskos (tomb relief) of the late fourth century BC.

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Terpsichore statuette from Dodona

Prompt: Explain the Negotiations and repatriation about the History of this artwork, Terpsichore statuette from Dodona.

Official attempts from the Greek state for the repatriation of the Terpsichore started in 2007, although until 2020 the informal contacts between the two sides was without any substantial progress. In the early stages, the Carlos Museum showed little urgency to settle the matter. In 2021, the talks were restarted anew. Photographic evidence was used to support the Greek case. The Greek Ministry was criticised over how slow it had been to act.In April 2022, the file with all the documentation and evidence was submitted to the Greek Embassy in Washington and, with the mediation of the Consul of Greece in Atlanta, a new round of contacts between the representatives began. Finally, in June 2023, the Carlos Museum notified the Ministry of Foreign Affairs of its intention to return the Terpsichore along with two more objects to Greece. The three artifacts were handed to the Greek Minister of Culture and Sports, Dr Lina Mendoni, in late January 2024, after sixteen years of negotiations. Mendoni said that the artifacts would be exhibited in Athens for some time before being returned to their respective regions; the statuette will be on display at the Fethiye Mosque in the Roman agora of the city until 31 May 2024.The two other items returned are a fourteenth century BC Minoan clay larnax with fish decorations from Crete and a marble fragment of a seated man from an Attic funerary naiskos (tomb relief) of the late fourth century BC.

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Terpsichore statuette from Dodona

Prompt: In Terpsichore statuette from Dodona, how is the Negotiations and repatriation of the History explained?

Official attempts from the Greek state for the repatriation of the Terpsichore started in 2007, although until 2020 the informal contacts between the two sides was without any substantial progress. In the early stages, the Carlos Museum showed little urgency to settle the matter. In 2021, the talks were restarted anew. Photographic evidence was used to support the Greek case. The Greek Ministry was criticised over how slow it had been to act.In April 2022, the file with all the documentation and evidence was submitted to the Greek Embassy in Washington and, with the mediation of the Consul of Greece in Atlanta, a new round of contacts between the representatives began. Finally, in June 2023, the Carlos Museum notified the Ministry of Foreign Affairs of its intention to return the Terpsichore along with two more objects to Greece. The three artifacts were handed to the Greek Minister of Culture and Sports, Dr Lina Mendoni, in late January 2024, after sixteen years of negotiations. Mendoni said that the artifacts would be exhibited in Athens for some time before being returned to their respective regions; the statuette will be on display at the Fethiye Mosque in the Roman agora of the city until 31 May 2024.The two other items returned are a fourteenth century BC Minoan clay larnax with fish decorations from Crete and a marble fragment of a seated man from an Attic funerary naiskos (tomb relief) of the late fourth century BC.

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Terpsichore statuette from Dodona

Prompt: Describe the characteristics of the Negotiations and repatriation in Terpsichore statuette from Dodona's History.

Official attempts from the Greek state for the repatriation of the Terpsichore started in 2007, although until 2020 the informal contacts between the two sides was without any substantial progress. In the early stages, the Carlos Museum showed little urgency to settle the matter. In 2021, the talks were restarted anew. Photographic evidence was used to support the Greek case. The Greek Ministry was criticised over how slow it had been to act.In April 2022, the file with all the documentation and evidence was submitted to the Greek Embassy in Washington and, with the mediation of the Consul of Greece in Atlanta, a new round of contacts between the representatives began. Finally, in June 2023, the Carlos Museum notified the Ministry of Foreign Affairs of its intention to return the Terpsichore along with two more objects to Greece. The three artifacts were handed to the Greek Minister of Culture and Sports, Dr Lina Mendoni, in late January 2024, after sixteen years of negotiations. Mendoni said that the artifacts would be exhibited in Athens for some time before being returned to their respective regions; the statuette will be on display at the Fethiye Mosque in the Roman agora of the city until 31 May 2024.The two other items returned are a fourteenth century BC Minoan clay larnax with fish decorations from Crete and a marble fragment of a seated man from an Attic funerary naiskos (tomb relief) of the late fourth century BC.

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Terpsichore statuette from Dodona

Prompt: Focus on Terpsichore statuette from Dodona and explain the Description.

The marble statuette, which is smaller than lifesize, depicts a young female figure identified as the goddess Terpsichore resting her weight with her left elbow on a tall tree trunk, and is dated back to the second century BC during the Hellenistic period. It is made from white marble; the head from Parian marble, the body from Pentelic, and measures 99.1 cm in height and 29.2 cm in width.The goddess stands in contrapposto, her right leg supporting her weight, while she leans on a tree stump with her left elbow; the holes on the tree trunk were probably used for the attachment of a separate piece with an attribute of the goddess, like a kithara. She is wearing a thin, long chiton, which is pinned at her shoulders on both arms. The chiton is held at place with a cord that passes beneath Terpsichore's breasts, then under her shoulders and finally crosses at the back.On top of the chiton she wears a himation (a type of cloak), wrapped low around her hips and legs. The folds the himation creates as it hangs from her left arm conceals part of the stump. Terpsichore's hair is braided into a coronet that circles her head, and her ears are also pierced so earrings could be attached. Her lips, eyes and hair still bear faint traces of pigment.Prior to its return to Greece, the statuette had been described as "one of the finest examples of Hellenistic sculpture in the United States".

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Terpsichore statuette from Dodona

Prompt: Explain the Description of this artwork, Terpsichore statuette from Dodona.

The marble statuette, which is smaller than lifesize, depicts a young female figure identified as the goddess Terpsichore resting her weight with her left elbow on a tall tree trunk, and is dated back to the second century BC during the Hellenistic period. It is made from white marble; the head from Parian marble, the body from Pentelic, and measures 99.1 cm in height and 29.2 cm in width.The goddess stands in contrapposto, her right leg supporting her weight, while she leans on a tree stump with her left elbow; the holes on the tree trunk were probably used for the attachment of a separate piece with an attribute of the goddess, like a kithara. She is wearing a thin, long chiton, which is pinned at her shoulders on both arms. The chiton is held at place with a cord that passes beneath Terpsichore's breasts, then under her shoulders and finally crosses at the back.On top of the chiton she wears a himation (a type of cloak), wrapped low around her hips and legs. The folds the himation creates as it hangs from her left arm conceals part of the stump. Terpsichore's hair is braided into a coronet that circles her head, and her ears are also pierced so earrings could be attached. Her lips, eyes and hair still bear faint traces of pigment.Prior to its return to Greece, the statuette had been described as "one of the finest examples of Hellenistic sculpture in the United States".

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Terpsichore statuette from Dodona

Prompt: How does Terpsichore statuette from Dodona explain its Description?

The marble statuette, which is smaller than lifesize, depicts a young female figure identified as the goddess Terpsichore resting her weight with her left elbow on a tall tree trunk, and is dated back to the second century BC during the Hellenistic period. It is made from white marble; the head from Parian marble, the body from Pentelic, and measures 99.1 cm in height and 29.2 cm in width.The goddess stands in contrapposto, her right leg supporting her weight, while she leans on a tree stump with her left elbow; the holes on the tree trunk were probably used for the attachment of a separate piece with an attribute of the goddess, like a kithara. She is wearing a thin, long chiton, which is pinned at her shoulders on both arms. The chiton is held at place with a cord that passes beneath Terpsichore's breasts, then under her shoulders and finally crosses at the back.On top of the chiton she wears a himation (a type of cloak), wrapped low around her hips and legs. The folds the himation creates as it hangs from her left arm conceals part of the stump. Terpsichore's hair is braided into a coronet that circles her head, and her ears are also pierced so earrings could be attached. Her lips, eyes and hair still bear faint traces of pigment.Prior to its return to Greece, the statuette had been described as "one of the finest examples of Hellenistic sculpture in the United States".

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Terpsichore statuette from Dodona

Prompt: In Terpsichore statuette from Dodona, how is the Description discussed?

The marble statuette, which is smaller than lifesize, depicts a young female figure identified as the goddess Terpsichore resting her weight with her left elbow on a tall tree trunk, and is dated back to the second century BC during the Hellenistic period. It is made from white marble; the head from Parian marble, the body from Pentelic, and measures 99.1 cm in height and 29.2 cm in width.The goddess stands in contrapposto, her right leg supporting her weight, while she leans on a tree stump with her left elbow; the holes on the tree trunk were probably used for the attachment of a separate piece with an attribute of the goddess, like a kithara. She is wearing a thin, long chiton, which is pinned at her shoulders on both arms. The chiton is held at place with a cord that passes beneath Terpsichore's breasts, then under her shoulders and finally crosses at the back.On top of the chiton she wears a himation (a type of cloak), wrapped low around her hips and legs. The folds the himation creates as it hangs from her left arm conceals part of the stump. Terpsichore's hair is braided into a coronet that circles her head, and her ears are also pierced so earrings could be attached. Her lips, eyes and hair still bear faint traces of pigment.Prior to its return to Greece, the statuette had been described as "one of the finest examples of Hellenistic sculpture in the United States".

Category:2nd-century BC Greek sculptures

File:Statuette from Dodona goddess in the Fethiye Mosque Athens 04.jpg

Category:Archaeological discoveries in Epirus (region)

The statuette during its temporal exhibition in the Fethiye Mosque.


Exhibition of Eleven (Leningrad, 1972)

Prompt: Focus on Exhibition of Eleven (Leningrad, 1972) and explain the abstract.

The Exhibition of eleven artists (Russian: Выставка произведений одиннадцати ленинградских художников 1972 года) was opened at the end of 1972 in Leningrad on the Okhta district in the new Exhibition Hall of the Union of Artists of the Russian Federation. It became a significant important event in the Soviet fine art of the 1970s-1980s.

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: Explain the abstract of this artwork, Exhibition of Eleven (Leningrad, 1972).

The Exhibition of eleven artists (Russian: Выставка произведений одиннадцати ленинградских художников 1972 года) was opened at the end of 1972 in Leningrad on the Okhta district in the new Exhibition Hall of the Union of Artists of the Russian Federation. It became a significant important event in the Soviet fine art of the 1970s-1980s.

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: How does Exhibition of Eleven (Leningrad, 1972) explain its abstract?

The Exhibition of eleven artists (Russian: Выставка произведений одиннадцати ленинградских художников 1972 года) was opened at the end of 1972 in Leningrad on the Okhta district in the new Exhibition Hall of the Union of Artists of the Russian Federation. It became a significant important event in the Soviet fine art of the 1970s-1980s.

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: In Exhibition of Eleven (Leningrad, 1972), how is the abstract discussed?

The Exhibition of eleven artists (Russian: Выставка произведений одиннадцати ленинградских художников 1972 года) was opened at the end of 1972 in Leningrad on the Okhta district in the new Exhibition Hall of the Union of Artists of the Russian Federation. It became a significant important event in the Soviet fine art of the 1970s-1980s.

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: Focus on Exhibition of Eleven (Leningrad, 1972) and explain the History.

The idea of the exhibition came from three artists - Valery Vatenin, German Yegoshin, and Zaven Arshakuny. These artists were friendly since 1950, when they studied in the painting department of Repin Institute. They invited other Leningrad painters to take part in this exhibition, including Yaroslav Krestovsky, Boris Shamanov, Leonid Tkachenko, husband and wife Victor Teterin and Evgenia Antipova from the elder generation, Valentina Rakhina, a wife of German Yegoshin, a young talented artist Vitaly Tulenev and sculptor Konstantin Simun.

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: Explain the History of this artwork, Exhibition of Eleven (Leningrad, 1972).

The idea of the exhibition came from three artists - Valery Vatenin, German Yegoshin, and Zaven Arshakuny. These artists were friendly since 1950, when they studied in the painting department of Repin Institute. They invited other Leningrad painters to take part in this exhibition, including Yaroslav Krestovsky, Boris Shamanov, Leonid Tkachenko, husband and wife Victor Teterin and Evgenia Antipova from the elder generation, Valentina Rakhina, a wife of German Yegoshin, a young talented artist Vitaly Tulenev and sculptor Konstantin Simun.

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: How does Exhibition of Eleven (Leningrad, 1972) explain its History?

The idea of the exhibition came from three artists - Valery Vatenin, German Yegoshin, and Zaven Arshakuny. These artists were friendly since 1950, when they studied in the painting department of Repin Institute. They invited other Leningrad painters to take part in this exhibition, including Yaroslav Krestovsky, Boris Shamanov, Leonid Tkachenko, husband and wife Victor Teterin and Evgenia Antipova from the elder generation, Valentina Rakhina, a wife of German Yegoshin, a young talented artist Vitaly Tulenev and sculptor Konstantin Simun.

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: In Exhibition of Eleven (Leningrad, 1972), how is the History discussed?

The idea of the exhibition came from three artists - Valery Vatenin, German Yegoshin, and Zaven Arshakuny. These artists were friendly since 1950, when they studied in the painting department of Repin Institute. They invited other Leningrad painters to take part in this exhibition, including Yaroslav Krestovsky, Boris Shamanov, Leonid Tkachenko, husband and wife Victor Teterin and Evgenia Antipova from the elder generation, Valentina Rakhina, a wife of German Yegoshin, a young talented artist Vitaly Tulenev and sculptor Konstantin Simun.

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: Focus on Exhibition of Eleven (Leningrad, 1972) and explain the Contributing artists.

Ten known artists and a sculptor were participants of this exhibition:Valery Vladimirovich Vatenin (1933-1977)German Pavlovich Yegoshin (1931-2009)Boris Ivanovich Shamanov (1931-2008)Yaroslav Igorevich Krestovsky (1925-2003)Leonid Anisimovich Tkachenko (b. 1927)Vitaly Ivanovich Tulenev (1937-1998)Evgenia Petrovna Antipova (1917-2009)Victor Kuzmich Teterin (1922-1991)Valentina Ivanovna Rakhina (1932-2013)Zaven Petrosovich Arshakuny (1932-2012)Konstantin Mikhailovich Simun (b. 1934)

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: Explain the Contributing artists of this artwork, Exhibition of Eleven (Leningrad, 1972).

Ten known artists and a sculptor were participants of this exhibition:Valery Vladimirovich Vatenin (1933-1977)German Pavlovich Yegoshin (1931-2009)Boris Ivanovich Shamanov (1931-2008)Yaroslav Igorevich Krestovsky (1925-2003)Leonid Anisimovich Tkachenko (b. 1927)Vitaly Ivanovich Tulenev (1937-1998)Evgenia Petrovna Antipova (1917-2009)Victor Kuzmich Teterin (1922-1991)Valentina Ivanovna Rakhina (1932-2013)Zaven Petrosovich Arshakuny (1932-2012)Konstantin Mikhailovich Simun (b. 1934)

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: How does Exhibition of Eleven (Leningrad, 1972) explain its Contributing artists?

Ten known artists and a sculptor were participants of this exhibition:Valery Vladimirovich Vatenin (1933-1977)German Pavlovich Yegoshin (1931-2009)Boris Ivanovich Shamanov (1931-2008)Yaroslav Igorevich Krestovsky (1925-2003)Leonid Anisimovich Tkachenko (b. 1927)Vitaly Ivanovich Tulenev (1937-1998)Evgenia Petrovna Antipova (1917-2009)Victor Kuzmich Teterin (1922-1991)Valentina Ivanovna Rakhina (1932-2013)Zaven Petrosovich Arshakuny (1932-2012)Konstantin Mikhailovich Simun (b. 1934)

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: In Exhibition of Eleven (Leningrad, 1972), how is the Contributing artists discussed?

Ten known artists and a sculptor were participants of this exhibition:Valery Vladimirovich Vatenin (1933-1977)German Pavlovich Yegoshin (1931-2009)Boris Ivanovich Shamanov (1931-2008)Yaroslav Igorevich Krestovsky (1925-2003)Leonid Anisimovich Tkachenko (b. 1927)Vitaly Ivanovich Tulenev (1937-1998)Evgenia Petrovna Antipova (1917-2009)Victor Kuzmich Teterin (1922-1991)Valentina Ivanovna Rakhina (1932-2013)Zaven Petrosovich Arshakuny (1932-2012)Konstantin Mikhailovich Simun (b. 1934)

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: Focus on Exhibition of Eleven (Leningrad, 1972) and explain the Contributed artworks.

Evgenia Antipova: "Girl in front of the Apple Tree", "Children in the Garden" (1964), "Workwoman`s Portrait" (1965), "Stil life with Sparrows", "Crymea Landscape" , "Almond Tree" (1966), "Still life with Red Tulips", "Roses and Basket", "Grapes Pergola" (1968), "Spring", "In the Garden", "Winter Window", "Landscape with Foros Cape" (1969), "Window" (1970), "Blooming Apple Tree", "Road among the Olive-trees" (1971) and others.Victor Teterin: "Griboedov`s Channel" (1965), "Quince and a Teapot", "Chrysanthemums" (1966), "Quince and Paints", "Rostov the Great" (1967), "December in Crymea", "Dresser", "Reminiscences about Venice" (1968), "Olives", "Inerior", "White Night near Sennaya Sqwear", "Reminiscences about Velázquez" (1969), "Pink House", "Still life with Rose", "Poplars", "Tulips" (1970), "Girl in Pink", "Still life with Curd Tart" (1971) and others.German Yegoshin: "Self portrait in Old Costume", "Women on the Sofa" (1967), "Flowers and the Mirror" (1967), "Garden near Nikolsky Cathedral", "Bush", "Glass", "Fontanka. Frost" (1968), "Street in Gursuf", "Still life with Samovar", "Stone Pines" (1969), "Almond Tree", "Blue Gursuf" (1970), "Griboedova Channel. Twylight", "Windy Day. Trees" (1970), "Bouquet" (1971), "Window" (1972) and others.Vitaly Tulenev: "Big Water", "Spring Evening", "Forest River", "River Krupen" (1969), "Evening", "Dream", "Spring", "Lake", "Aspens in Water", "Fishermen", "Clearing", "Staks", "On the Bank" (1970), "Blue Day", "Windy Day", "Warm Day", "Farm" (1971), "Street of Childhood", "Boy and the Pigeons", "Evening Sun", "Thaw", "On the Raft" (1972) and others.Boris Shamanov: "Willows", "Red Fishes" (1962), "Bleu River", "Old Iron", "Girl with Pussy-willow" (1963), "Supper in the Country" (1964-1969), "Portrait of Wife", "Still life with Cucumbers" (1964), "Autumn. Flowers", "Wild Flowers. Morning" (1965), "Girl in a Blue Dress", "Country Window", "Portrait of Father" (1966), "An Autumnal Flowers" (1970), "Izhborsk. Rye" (1962), "Kitchen Table" (1963), Pink Dahlia" (1971), "Old Icon" (1971) and others.Leonid Tkachenko: "Portrait of Artists G.Yegoshin, Z. Arshakuny, Y. Krestovsky" (1968), "An Artist Boris Ermolayev`s Portrait" (1969), "Portrait of N. Kozyrev", "Crystal" (1969), "Flowers in a White Vase", "Cup and Decanter" (1970), "Krasnoyarsk Hydroelectric Power Station", "Giordano Bruno", "Still life with Crystal" (1971), "Lilies" (1971) and others.Valery Vatenin: "In the Studia", "On the Boulevard", "Girl, Lamp and Bird" (1965), "An Artist and a Model" (1967), "The Self-portrait" (1971), "Portrait of Svetlana" (1964), "Stil life with Glass" (1966), "Birds and Fishes", "In the Twylight" (1968), "Sea and Children" (1971), "Bride" (1972), "Self-portrait and a Model" (1968), "Girl in Violet" (1969), "White Night at Studia" (1970), "Red Still life" (1972) and others.Zaven Arshakuny: "New Bridge" (1964), "Last Tram" (1966), "New Year Night" (1967), "Carnival", "Still life with Mirror" (1969), "Portrait of Artist M. Azizyan" (1964), "Morning", "Samovar" (1969), "Woman with Fruits" (1972), "Flowers" (1971), "Window" (1968), "Fishermen" (1969), "Morning" (1969) and others.Yaroslav Krestovsky: "New Outskirts", "Blue Still life", "Blue Rooster. Night" (1964), "Architecture", "Cage with Parrots", "Big Old House" (1965), "Interior with Mannequin", "Still life with Axe" (1966), "White Night", "Novgorod Village", "Pine", "Building in Kupchino" (1967), "Still life with Aquarium", "Twylight" (1968), "Ded Tree" (1971) and others.Valentina Rakhina: "Spring. Obvodny Channel" (1964), "Still life with Flatfish" (1966), "Obvodny Channel in Autumn" (1964), "White Roses" (1967), "Still life with Strawberry" (1968), "Still life with Red Tray", "Dry Branch", "Pechora" (1970), "Prickles" (1971), "Still life in front of Mountains" (1971), "Aquarium" (1972), "Balcony. Fruits of Wild Rose", "In Damask" (1972) and others.Konstantin Simun: "Motherhood", granite (1958), model of monument "Road of Life", marble (1965),"Portrait of Kazakh", shamotte (1966), "Portrait of Fesherman", marble; "Painted Head", shamotte; "Vase", shamotte (1967), "Woman's Portrait", marble (1968); "Clownery", faience (1969), "Portrait of A. Block", bronze; "Poetess M. Tsvetaeva", bronze; "Circus", shamotte; "Two Blooming Trees", faience (1970) and others.

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: Explain the Contributed artworks of this artwork, Exhibition of Eleven (Leningrad, 1972).

Evgenia Antipova: "Girl in front of the Apple Tree", "Children in the Garden" (1964), "Workwoman`s Portrait" (1965), "Stil life with Sparrows", "Crymea Landscape" , "Almond Tree" (1966), "Still life with Red Tulips", "Roses and Basket", "Grapes Pergola" (1968), "Spring", "In the Garden", "Winter Window", "Landscape with Foros Cape" (1969), "Window" (1970), "Blooming Apple Tree", "Road among the Olive-trees" (1971) and others.Victor Teterin: "Griboedov`s Channel" (1965), "Quince and a Teapot", "Chrysanthemums" (1966), "Quince and Paints", "Rostov the Great" (1967), "December in Crymea", "Dresser", "Reminiscences about Venice" (1968), "Olives", "Inerior", "White Night near Sennaya Sqwear", "Reminiscences about Velázquez" (1969), "Pink House", "Still life with Rose", "Poplars", "Tulips" (1970), "Girl in Pink", "Still life with Curd Tart" (1971) and others.German Yegoshin: "Self portrait in Old Costume", "Women on the Sofa" (1967), "Flowers and the Mirror" (1967), "Garden near Nikolsky Cathedral", "Bush", "Glass", "Fontanka. Frost" (1968), "Street in Gursuf", "Still life with Samovar", "Stone Pines" (1969), "Almond Tree", "Blue Gursuf" (1970), "Griboedova Channel. Twylight", "Windy Day. Trees" (1970), "Bouquet" (1971), "Window" (1972) and others.Vitaly Tulenev: "Big Water", "Spring Evening", "Forest River", "River Krupen" (1969), "Evening", "Dream", "Spring", "Lake", "Aspens in Water", "Fishermen", "Clearing", "Staks", "On the Bank" (1970), "Blue Day", "Windy Day", "Warm Day", "Farm" (1971), "Street of Childhood", "Boy and the Pigeons", "Evening Sun", "Thaw", "On the Raft" (1972) and others.Boris Shamanov: "Willows", "Red Fishes" (1962), "Bleu River", "Old Iron", "Girl with Pussy-willow" (1963), "Supper in the Country" (1964-1969), "Portrait of Wife", "Still life with Cucumbers" (1964), "Autumn. Flowers", "Wild Flowers. Morning" (1965), "Girl in a Blue Dress", "Country Window", "Portrait of Father" (1966), "An Autumnal Flowers" (1970), "Izhborsk. Rye" (1962), "Kitchen Table" (1963), Pink Dahlia" (1971), "Old Icon" (1971) and others.Leonid Tkachenko: "Portrait of Artists G.Yegoshin, Z. Arshakuny, Y. Krestovsky" (1968), "An Artist Boris Ermolayev`s Portrait" (1969), "Portrait of N. Kozyrev", "Crystal" (1969), "Flowers in a White Vase", "Cup and Decanter" (1970), "Krasnoyarsk Hydroelectric Power Station", "Giordano Bruno", "Still life with Crystal" (1971), "Lilies" (1971) and others.Valery Vatenin: "In the Studia", "On the Boulevard", "Girl, Lamp and Bird" (1965), "An Artist and a Model" (1967), "The Self-portrait" (1971), "Portrait of Svetlana" (1964), "Stil life with Glass" (1966), "Birds and Fishes", "In the Twylight" (1968), "Sea and Children" (1971), "Bride" (1972), "Self-portrait and a Model" (1968), "Girl in Violet" (1969), "White Night at Studia" (1970), "Red Still life" (1972) and others.Zaven Arshakuny: "New Bridge" (1964), "Last Tram" (1966), "New Year Night" (1967), "Carnival", "Still life with Mirror" (1969), "Portrait of Artist M. Azizyan" (1964), "Morning", "Samovar" (1969), "Woman with Fruits" (1972), "Flowers" (1971), "Window" (1968), "Fishermen" (1969), "Morning" (1969) and others.Yaroslav Krestovsky: "New Outskirts", "Blue Still life", "Blue Rooster. Night" (1964), "Architecture", "Cage with Parrots", "Big Old House" (1965), "Interior with Mannequin", "Still life with Axe" (1966), "White Night", "Novgorod Village", "Pine", "Building in Kupchino" (1967), "Still life with Aquarium", "Twylight" (1968), "Ded Tree" (1971) and others.Valentina Rakhina: "Spring. Obvodny Channel" (1964), "Still life with Flatfish" (1966), "Obvodny Channel in Autumn" (1964), "White Roses" (1967), "Still life with Strawberry" (1968), "Still life with Red Tray", "Dry Branch", "Pechora" (1970), "Prickles" (1971), "Still life in front of Mountains" (1971), "Aquarium" (1972), "Balcony. Fruits of Wild Rose", "In Damask" (1972) and others.Konstantin Simun: "Motherhood", granite (1958), model of monument "Road of Life", marble (1965),"Portrait of Kazakh", shamotte (1966), "Portrait of Fesherman", marble; "Painted Head", shamotte; "Vase", shamotte (1967), "Woman's Portrait", marble (1968); "Clownery", faience (1969), "Portrait of A. Block", bronze; "Poetess M. Tsvetaeva", bronze; "Circus", shamotte; "Two Blooming Trees", faience (1970) and others.

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: How does Exhibition of Eleven (Leningrad, 1972) explain its Contributed artworks?

Evgenia Antipova: "Girl in front of the Apple Tree", "Children in the Garden" (1964), "Workwoman`s Portrait" (1965), "Stil life with Sparrows", "Crymea Landscape" , "Almond Tree" (1966), "Still life with Red Tulips", "Roses and Basket", "Grapes Pergola" (1968), "Spring", "In the Garden", "Winter Window", "Landscape with Foros Cape" (1969), "Window" (1970), "Blooming Apple Tree", "Road among the Olive-trees" (1971) and others.Victor Teterin: "Griboedov`s Channel" (1965), "Quince and a Teapot", "Chrysanthemums" (1966), "Quince and Paints", "Rostov the Great" (1967), "December in Crymea", "Dresser", "Reminiscences about Venice" (1968), "Olives", "Inerior", "White Night near Sennaya Sqwear", "Reminiscences about Velázquez" (1969), "Pink House", "Still life with Rose", "Poplars", "Tulips" (1970), "Girl in Pink", "Still life with Curd Tart" (1971) and others.German Yegoshin: "Self portrait in Old Costume", "Women on the Sofa" (1967), "Flowers and the Mirror" (1967), "Garden near Nikolsky Cathedral", "Bush", "Glass", "Fontanka. Frost" (1968), "Street in Gursuf", "Still life with Samovar", "Stone Pines" (1969), "Almond Tree", "Blue Gursuf" (1970), "Griboedova Channel. Twylight", "Windy Day. Trees" (1970), "Bouquet" (1971), "Window" (1972) and others.Vitaly Tulenev: "Big Water", "Spring Evening", "Forest River", "River Krupen" (1969), "Evening", "Dream", "Spring", "Lake", "Aspens in Water", "Fishermen", "Clearing", "Staks", "On the Bank" (1970), "Blue Day", "Windy Day", "Warm Day", "Farm" (1971), "Street of Childhood", "Boy and the Pigeons", "Evening Sun", "Thaw", "On the Raft" (1972) and others.Boris Shamanov: "Willows", "Red Fishes" (1962), "Bleu River", "Old Iron", "Girl with Pussy-willow" (1963), "Supper in the Country" (1964-1969), "Portrait of Wife", "Still life with Cucumbers" (1964), "Autumn. Flowers", "Wild Flowers. Morning" (1965), "Girl in a Blue Dress", "Country Window", "Portrait of Father" (1966), "An Autumnal Flowers" (1970), "Izhborsk. Rye" (1962), "Kitchen Table" (1963), Pink Dahlia" (1971), "Old Icon" (1971) and others.Leonid Tkachenko: "Portrait of Artists G.Yegoshin, Z. Arshakuny, Y. Krestovsky" (1968), "An Artist Boris Ermolayev`s Portrait" (1969), "Portrait of N. Kozyrev", "Crystal" (1969), "Flowers in a White Vase", "Cup and Decanter" (1970), "Krasnoyarsk Hydroelectric Power Station", "Giordano Bruno", "Still life with Crystal" (1971), "Lilies" (1971) and others.Valery Vatenin: "In the Studia", "On the Boulevard", "Girl, Lamp and Bird" (1965), "An Artist and a Model" (1967), "The Self-portrait" (1971), "Portrait of Svetlana" (1964), "Stil life with Glass" (1966), "Birds and Fishes", "In the Twylight" (1968), "Sea and Children" (1971), "Bride" (1972), "Self-portrait and a Model" (1968), "Girl in Violet" (1969), "White Night at Studia" (1970), "Red Still life" (1972) and others.Zaven Arshakuny: "New Bridge" (1964), "Last Tram" (1966), "New Year Night" (1967), "Carnival", "Still life with Mirror" (1969), "Portrait of Artist M. Azizyan" (1964), "Morning", "Samovar" (1969), "Woman with Fruits" (1972), "Flowers" (1971), "Window" (1968), "Fishermen" (1969), "Morning" (1969) and others.Yaroslav Krestovsky: "New Outskirts", "Blue Still life", "Blue Rooster. Night" (1964), "Architecture", "Cage with Parrots", "Big Old House" (1965), "Interior with Mannequin", "Still life with Axe" (1966), "White Night", "Novgorod Village", "Pine", "Building in Kupchino" (1967), "Still life with Aquarium", "Twylight" (1968), "Ded Tree" (1971) and others.Valentina Rakhina: "Spring. Obvodny Channel" (1964), "Still life with Flatfish" (1966), "Obvodny Channel in Autumn" (1964), "White Roses" (1967), "Still life with Strawberry" (1968), "Still life with Red Tray", "Dry Branch", "Pechora" (1970), "Prickles" (1971), "Still life in front of Mountains" (1971), "Aquarium" (1972), "Balcony. Fruits of Wild Rose", "In Damask" (1972) and others.Konstantin Simun: "Motherhood", granite (1958), model of monument "Road of Life", marble (1965),"Portrait of Kazakh", shamotte (1966), "Portrait of Fesherman", marble; "Painted Head", shamotte; "Vase", shamotte (1967), "Woman's Portrait", marble (1968); "Clownery", faience (1969), "Portrait of A. Block", bronze; "Poetess M. Tsvetaeva", bronze; "Circus", shamotte; "Two Blooming Trees", faience (1970) and others.

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: In Exhibition of Eleven (Leningrad, 1972), how is the Contributed artworks discussed?

Evgenia Antipova: "Girl in front of the Apple Tree", "Children in the Garden" (1964), "Workwoman`s Portrait" (1965), "Stil life with Sparrows", "Crymea Landscape" , "Almond Tree" (1966), "Still life with Red Tulips", "Roses and Basket", "Grapes Pergola" (1968), "Spring", "In the Garden", "Winter Window", "Landscape with Foros Cape" (1969), "Window" (1970), "Blooming Apple Tree", "Road among the Olive-trees" (1971) and others.Victor Teterin: "Griboedov`s Channel" (1965), "Quince and a Teapot", "Chrysanthemums" (1966), "Quince and Paints", "Rostov the Great" (1967), "December in Crymea", "Dresser", "Reminiscences about Venice" (1968), "Olives", "Inerior", "White Night near Sennaya Sqwear", "Reminiscences about Velázquez" (1969), "Pink House", "Still life with Rose", "Poplars", "Tulips" (1970), "Girl in Pink", "Still life with Curd Tart" (1971) and others.German Yegoshin: "Self portrait in Old Costume", "Women on the Sofa" (1967), "Flowers and the Mirror" (1967), "Garden near Nikolsky Cathedral", "Bush", "Glass", "Fontanka. Frost" (1968), "Street in Gursuf", "Still life with Samovar", "Stone Pines" (1969), "Almond Tree", "Blue Gursuf" (1970), "Griboedova Channel. Twylight", "Windy Day. Trees" (1970), "Bouquet" (1971), "Window" (1972) and others.Vitaly Tulenev: "Big Water", "Spring Evening", "Forest River", "River Krupen" (1969), "Evening", "Dream", "Spring", "Lake", "Aspens in Water", "Fishermen", "Clearing", "Staks", "On the Bank" (1970), "Blue Day", "Windy Day", "Warm Day", "Farm" (1971), "Street of Childhood", "Boy and the Pigeons", "Evening Sun", "Thaw", "On the Raft" (1972) and others.Boris Shamanov: "Willows", "Red Fishes" (1962), "Bleu River", "Old Iron", "Girl with Pussy-willow" (1963), "Supper in the Country" (1964-1969), "Portrait of Wife", "Still life with Cucumbers" (1964), "Autumn. Flowers", "Wild Flowers. Morning" (1965), "Girl in a Blue Dress", "Country Window", "Portrait of Father" (1966), "An Autumnal Flowers" (1970), "Izhborsk. Rye" (1962), "Kitchen Table" (1963), Pink Dahlia" (1971), "Old Icon" (1971) and others.Leonid Tkachenko: "Portrait of Artists G.Yegoshin, Z. Arshakuny, Y. Krestovsky" (1968), "An Artist Boris Ermolayev`s Portrait" (1969), "Portrait of N. Kozyrev", "Crystal" (1969), "Flowers in a White Vase", "Cup and Decanter" (1970), "Krasnoyarsk Hydroelectric Power Station", "Giordano Bruno", "Still life with Crystal" (1971), "Lilies" (1971) and others.Valery Vatenin: "In the Studia", "On the Boulevard", "Girl, Lamp and Bird" (1965), "An Artist and a Model" (1967), "The Self-portrait" (1971), "Portrait of Svetlana" (1964), "Stil life with Glass" (1966), "Birds and Fishes", "In the Twylight" (1968), "Sea and Children" (1971), "Bride" (1972), "Self-portrait and a Model" (1968), "Girl in Violet" (1969), "White Night at Studia" (1970), "Red Still life" (1972) and others.Zaven Arshakuny: "New Bridge" (1964), "Last Tram" (1966), "New Year Night" (1967), "Carnival", "Still life with Mirror" (1969), "Portrait of Artist M. Azizyan" (1964), "Morning", "Samovar" (1969), "Woman with Fruits" (1972), "Flowers" (1971), "Window" (1968), "Fishermen" (1969), "Morning" (1969) and others.Yaroslav Krestovsky: "New Outskirts", "Blue Still life", "Blue Rooster. Night" (1964), "Architecture", "Cage with Parrots", "Big Old House" (1965), "Interior with Mannequin", "Still life with Axe" (1966), "White Night", "Novgorod Village", "Pine", "Building in Kupchino" (1967), "Still life with Aquarium", "Twylight" (1968), "Ded Tree" (1971) and others.Valentina Rakhina: "Spring. Obvodny Channel" (1964), "Still life with Flatfish" (1966), "Obvodny Channel in Autumn" (1964), "White Roses" (1967), "Still life with Strawberry" (1968), "Still life with Red Tray", "Dry Branch", "Pechora" (1970), "Prickles" (1971), "Still life in front of Mountains" (1971), "Aquarium" (1972), "Balcony. Fruits of Wild Rose", "In Damask" (1972) and others.Konstantin Simun: "Motherhood", granite (1958), model of monument "Road of Life", marble (1965),"Portrait of Kazakh", shamotte (1966), "Portrait of Fesherman", marble; "Painted Head", shamotte; "Vase", shamotte (1967), "Woman's Portrait", marble (1968); "Clownery", faience (1969), "Portrait of A. Block", bronze; "Poetess M. Tsvetaeva", bronze; "Circus", shamotte; "Two Blooming Trees", faience (1970) and others.

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: Focus on Exhibition of Eleven (Leningrad, 1972) and explain the Exhibition.

The Exhibition of eleven Leningrad artists (called later as the exhibition of "Eleven") was opened October 24, 1972. It showed the creation of the "left wing" of the Leningrad Union of Soviet Artists in concentration. That is why it was of such interest of spectators, critics and artists of Leningrad.Opinions and reviews were very polarized, from the admiration of the critic to a full rejection. Apologetes of the exhibition and creation of these artists contrasted with painting of socialistic realism and academy tradition. On the contrary critics were pointed to the entrainment of the studies and the formal tasks in the process of creation. They declared that couldn`t find the picture of traditional Russian art.

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia


Exhibition of Eleven (Leningrad, 1972)

Prompt: Explain the Exhibition of this artwork, Exhibition of Eleven (Leningrad, 1972).

The Exhibition of eleven Leningrad artists (called later as the exhibition of "Eleven") was opened October 24, 1972. It showed the creation of the "left wing" of the Leningrad Union of Soviet Artists in concentration. That is why it was of such interest of spectators, critics and artists of Leningrad.Opinions and reviews were very polarized, from the admiration of the critic to a full rejection. Apologetes of the exhibition and creation of these artists contrasted with painting of socialistic realism and academy tradition. On the contrary critics were pointed to the entrainment of the studies and the formal tasks in the process of creation. They declared that couldn`t find the picture of traditional Russian art.

Valentina Ivanovna Rakhina
Category:1972 in the Soviet Union
Valery Vatenin
German Yegoshin
"Quince and a Teapot"
Leonid Tkachenko
Victor Teterin
Victor K. Teterin
German Pavlovich Yegoshin
Victor Kuzmich Teterin
Private collection
Zaven Petrosovich Arshakuny
Vitaly Tulenev
Evgenia Petrovna Antipova
Vitaly Ivanovich Tulenev
Evgenia Antipova
Boris Shamanov
Konstantin Simun
Saint Petersburg Union of Artists
Valery Vladimirovich Vatenin
Category:Art exhibitions in Russia
Leonid Anisimovich Tkachenko (b. 1927)
Valentina Rakhina
Yaroslav Krestovsky
Fine Art of Leningrad
Quince and Teapot
Leonid Tkachenko (artist)
Zaven Arshakuny
Category:1972 in art
Category:Socialist realism
Yaroslav Igorevich Krestovsky
1972 in fine arts of the Soviet Union
Quince and Teapot (painting)
Socialist realism
Leningrad School of Painting
Boris Ivanovich Shamanov
Konstantin Mikhailovich Simun
Russia