In the Time of Harmony

Prompt: Focus on In the Time of Harmony and explain the Inspiration.

In a thank you note to Jean Grave for sending his book La Société mourante et l'anarchie, Signac wrote, "the hope of that near future in which at last, for the first time, every individuality will be free... what practical and habitable monuments you are erecting! How freely one can breathe in them". From this vision of a freer society, Signac began to create In the Time of Harmony with Saint Tropez as his backdrop. Signac was inspired by his modern surroundings which can be seen with the elements specific to Saint Tropez, including the pine grove with berthoud pine, the local jetty and beach, and the local petanque players. He was also inspired by the work of other artists, including Pierre Puvis de Chavannes' painting Pleasant Land.

'''Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894'''

'''In the Time of Harmony color lithograph study, 1895-86'''

'''Study for In the Time of Harmony Woman, 1894'''

'''Study for In the Time of Harmony Boules Player, 1894'''[[File:Signac - Study for In the Time of Harmony Man Reading, 1894, FC 256.jpg

File:Signac - Study for In the Time of Harmony Woman, 1894, FC 257.jpg

'''Study for In the Time of Harmony Oleanders, 1894'''

'''Study for In the Time of Harmony Man Reading, 1894'''

File:Signac - Study for In the Time of Harmony Boules Player, 1894, FC 258.jpg

File:Signac - Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894, FC 267 recto.jpg

File:Paul Signac - In the Time of Harmony- The Joy of Life--Sunday by the Sea - Google Art Project.jpg

File:Pierre Puvis de Chavannes - Doux Pays (Pleasant Land) - 1958.64 - Yale University Art Gallery.jpg

'''Study for In the Time of Harmony Poppies, 1894'''

File:Signac - Study for In the Time of Harmony Oleanders, 1894, FC 263.jpg

File:Signac - Study for In the Time of Harmony Poppies, 1894, FC 266.jpg

Pierre Puvis de Chavannes, Pleasant Land, 1882, oil on canvas


In the Time of Harmony

Prompt: Explain the Inspiration of this artwork, In the Time of Harmony.

In a thank you note to Jean Grave for sending his book La Société mourante et l'anarchie, Signac wrote, "the hope of that near future in which at last, for the first time, every individuality will be free... what practical and habitable monuments you are erecting! How freely one can breathe in them". From this vision of a freer society, Signac began to create In the Time of Harmony with Saint Tropez as his backdrop. Signac was inspired by his modern surroundings which can be seen with the elements specific to Saint Tropez, including the pine grove with berthoud pine, the local jetty and beach, and the local petanque players. He was also inspired by the work of other artists, including Pierre Puvis de Chavannes' painting Pleasant Land.

'''Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894'''

'''In the Time of Harmony color lithograph study, 1895-86'''

'''Study for In the Time of Harmony Woman, 1894'''

'''Study for In the Time of Harmony Boules Player, 1894'''[[File:Signac - Study for In the Time of Harmony Man Reading, 1894, FC 256.jpg

File:Signac - Study for In the Time of Harmony Woman, 1894, FC 257.jpg

'''Study for In the Time of Harmony Oleanders, 1894'''

'''Study for In the Time of Harmony Man Reading, 1894'''

File:Signac - Study for In the Time of Harmony Boules Player, 1894, FC 258.jpg

File:Signac - Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894, FC 267 recto.jpg

File:Paul Signac - In the Time of Harmony- The Joy of Life--Sunday by the Sea - Google Art Project.jpg

File:Pierre Puvis de Chavannes - Doux Pays (Pleasant Land) - 1958.64 - Yale University Art Gallery.jpg

'''Study for In the Time of Harmony Poppies, 1894'''

File:Signac - Study for In the Time of Harmony Oleanders, 1894, FC 263.jpg

File:Signac - Study for In the Time of Harmony Poppies, 1894, FC 266.jpg

Pierre Puvis de Chavannes, Pleasant Land, 1882, oil on canvas


In the Time of Harmony

Prompt: How does In the Time of Harmony explain its Inspiration?

In a thank you note to Jean Grave for sending his book La Société mourante et l'anarchie, Signac wrote, "the hope of that near future in which at last, for the first time, every individuality will be free... what practical and habitable monuments you are erecting! How freely one can breathe in them". From this vision of a freer society, Signac began to create In the Time of Harmony with Saint Tropez as his backdrop. Signac was inspired by his modern surroundings which can be seen with the elements specific to Saint Tropez, including the pine grove with berthoud pine, the local jetty and beach, and the local petanque players. He was also inspired by the work of other artists, including Pierre Puvis de Chavannes' painting Pleasant Land.

'''Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894'''

'''In the Time of Harmony color lithograph study, 1895-86'''

'''Study for In the Time of Harmony Woman, 1894'''

'''Study for In the Time of Harmony Boules Player, 1894'''[[File:Signac - Study for In the Time of Harmony Man Reading, 1894, FC 256.jpg

File:Signac - Study for In the Time of Harmony Woman, 1894, FC 257.jpg

'''Study for In the Time of Harmony Oleanders, 1894'''

'''Study for In the Time of Harmony Man Reading, 1894'''

File:Signac - Study for In the Time of Harmony Boules Player, 1894, FC 258.jpg

File:Signac - Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894, FC 267 recto.jpg

File:Paul Signac - In the Time of Harmony- The Joy of Life--Sunday by the Sea - Google Art Project.jpg

File:Pierre Puvis de Chavannes - Doux Pays (Pleasant Land) - 1958.64 - Yale University Art Gallery.jpg

'''Study for In the Time of Harmony Poppies, 1894'''

File:Signac - Study for In the Time of Harmony Oleanders, 1894, FC 263.jpg

File:Signac - Study for In the Time of Harmony Poppies, 1894, FC 266.jpg

Pierre Puvis de Chavannes, Pleasant Land, 1882, oil on canvas


In the Time of Harmony

Prompt: In In the Time of Harmony, how is the Inspiration discussed?

In a thank you note to Jean Grave for sending his book La Société mourante et l'anarchie, Signac wrote, "the hope of that near future in which at last, for the first time, every individuality will be free... what practical and habitable monuments you are erecting! How freely one can breathe in them". From this vision of a freer society, Signac began to create In the Time of Harmony with Saint Tropez as his backdrop. Signac was inspired by his modern surroundings which can be seen with the elements specific to Saint Tropez, including the pine grove with berthoud pine, the local jetty and beach, and the local petanque players. He was also inspired by the work of other artists, including Pierre Puvis de Chavannes' painting Pleasant Land.

'''Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894'''

'''In the Time of Harmony color lithograph study, 1895-86'''

'''Study for In the Time of Harmony Woman, 1894'''

'''Study for In the Time of Harmony Boules Player, 1894'''[[File:Signac - Study for In the Time of Harmony Man Reading, 1894, FC 256.jpg

File:Signac - Study for In the Time of Harmony Woman, 1894, FC 257.jpg

'''Study for In the Time of Harmony Oleanders, 1894'''

'''Study for In the Time of Harmony Man Reading, 1894'''

File:Signac - Study for In the Time of Harmony Boules Player, 1894, FC 258.jpg

File:Signac - Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894, FC 267 recto.jpg

File:Paul Signac - In the Time of Harmony- The Joy of Life--Sunday by the Sea - Google Art Project.jpg

File:Pierre Puvis de Chavannes - Doux Pays (Pleasant Land) - 1958.64 - Yale University Art Gallery.jpg

'''Study for In the Time of Harmony Poppies, 1894'''

File:Signac - Study for In the Time of Harmony Oleanders, 1894, FC 263.jpg

File:Signac - Study for In the Time of Harmony Poppies, 1894, FC 266.jpg

Pierre Puvis de Chavannes, Pleasant Land, 1882, oil on canvas


In the Time of Harmony

Prompt: Focus on In the Time of Harmony and explain the Studies and process.

Signac, as a post-impressionist, shunned the Impressionist en plein air style. He instead produced intricate studies and took years to create this painting. The first study was a loose sketch made with blue and black ink wash over graphite in 1893. He annotated this study writing "pine groves, round, machines, women hanging out washing, sower, lovers, iris, mimosa, women picking flowers, flowers". Then Signac painted an oil-on-canvas study in color in 1893. After completing these two sketches, he made studies of individual elements and figures, including:standing man, 1894man reading, 1894woman, 1894boules player, 1894oleanders, 1894irises, 1894poppies, 1894plage des graniers (1), saint-tropez, 1894plage des graniers (2), saint-tropez, 1894Finally, Signac completed two full studies before making his final painting: one in black ink and graphite and the other in color lithograph both from 1895-96.

'''Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894'''

'''In the Time of Harmony color lithograph study, 1895-86'''

'''Study for In the Time of Harmony Woman, 1894'''

'''Study for In the Time of Harmony Boules Player, 1894'''[[File:Signac - Study for In the Time of Harmony Man Reading, 1894, FC 256.jpg

File:Signac - Study for In the Time of Harmony Woman, 1894, FC 257.jpg

'''Study for In the Time of Harmony Oleanders, 1894'''

'''Study for In the Time of Harmony Man Reading, 1894'''

File:Signac - Study for In the Time of Harmony Boules Player, 1894, FC 258.jpg

File:Signac - Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894, FC 267 recto.jpg

File:Paul Signac - In the Time of Harmony- The Joy of Life--Sunday by the Sea - Google Art Project.jpg

File:Pierre Puvis de Chavannes - Doux Pays (Pleasant Land) - 1958.64 - Yale University Art Gallery.jpg

'''Study for In the Time of Harmony Poppies, 1894'''

File:Signac - Study for In the Time of Harmony Oleanders, 1894, FC 263.jpg

File:Signac - Study for In the Time of Harmony Poppies, 1894, FC 266.jpg

Pierre Puvis de Chavannes, Pleasant Land, 1882, oil on canvas


In the Time of Harmony

Prompt: Explain the Studies and process of this artwork, In the Time of Harmony.

Signac, as a post-impressionist, shunned the Impressionist en plein air style. He instead produced intricate studies and took years to create this painting. The first study was a loose sketch made with blue and black ink wash over graphite in 1893. He annotated this study writing "pine groves, round, machines, women hanging out washing, sower, lovers, iris, mimosa, women picking flowers, flowers". Then Signac painted an oil-on-canvas study in color in 1893. After completing these two sketches, he made studies of individual elements and figures, including:standing man, 1894man reading, 1894woman, 1894boules player, 1894oleanders, 1894irises, 1894poppies, 1894plage des graniers (1), saint-tropez, 1894plage des graniers (2), saint-tropez, 1894Finally, Signac completed two full studies before making his final painting: one in black ink and graphite and the other in color lithograph both from 1895-96.

'''Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894'''

'''In the Time of Harmony color lithograph study, 1895-86'''

'''Study for In the Time of Harmony Woman, 1894'''

'''Study for In the Time of Harmony Boules Player, 1894'''[[File:Signac - Study for In the Time of Harmony Man Reading, 1894, FC 256.jpg

File:Signac - Study for In the Time of Harmony Woman, 1894, FC 257.jpg

'''Study for In the Time of Harmony Oleanders, 1894'''

'''Study for In the Time of Harmony Man Reading, 1894'''

File:Signac - Study for In the Time of Harmony Boules Player, 1894, FC 258.jpg

File:Signac - Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894, FC 267 recto.jpg

File:Paul Signac - In the Time of Harmony- The Joy of Life--Sunday by the Sea - Google Art Project.jpg

File:Pierre Puvis de Chavannes - Doux Pays (Pleasant Land) - 1958.64 - Yale University Art Gallery.jpg

'''Study for In the Time of Harmony Poppies, 1894'''

File:Signac - Study for In the Time of Harmony Oleanders, 1894, FC 263.jpg

File:Signac - Study for In the Time of Harmony Poppies, 1894, FC 266.jpg

Pierre Puvis de Chavannes, Pleasant Land, 1882, oil on canvas


In the Time of Harmony

Prompt: How does In the Time of Harmony explain its Studies and process?

Signac, as a post-impressionist, shunned the Impressionist en plein air style. He instead produced intricate studies and took years to create this painting. The first study was a loose sketch made with blue and black ink wash over graphite in 1893. He annotated this study writing "pine groves, round, machines, women hanging out washing, sower, lovers, iris, mimosa, women picking flowers, flowers". Then Signac painted an oil-on-canvas study in color in 1893. After completing these two sketches, he made studies of individual elements and figures, including:standing man, 1894man reading, 1894woman, 1894boules player, 1894oleanders, 1894irises, 1894poppies, 1894plage des graniers (1), saint-tropez, 1894plage des graniers (2), saint-tropez, 1894Finally, Signac completed two full studies before making his final painting: one in black ink and graphite and the other in color lithograph both from 1895-96.

'''Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894'''

'''In the Time of Harmony color lithograph study, 1895-86'''

'''Study for In the Time of Harmony Woman, 1894'''

'''Study for In the Time of Harmony Boules Player, 1894'''[[File:Signac - Study for In the Time of Harmony Man Reading, 1894, FC 256.jpg

File:Signac - Study for In the Time of Harmony Woman, 1894, FC 257.jpg

'''Study for In the Time of Harmony Oleanders, 1894'''

'''Study for In the Time of Harmony Man Reading, 1894'''

File:Signac - Study for In the Time of Harmony Boules Player, 1894, FC 258.jpg

File:Signac - Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894, FC 267 recto.jpg

File:Paul Signac - In the Time of Harmony- The Joy of Life--Sunday by the Sea - Google Art Project.jpg

File:Pierre Puvis de Chavannes - Doux Pays (Pleasant Land) - 1958.64 - Yale University Art Gallery.jpg

'''Study for In the Time of Harmony Poppies, 1894'''

File:Signac - Study for In the Time of Harmony Oleanders, 1894, FC 263.jpg

File:Signac - Study for In the Time of Harmony Poppies, 1894, FC 266.jpg

Pierre Puvis de Chavannes, Pleasant Land, 1882, oil on canvas


In the Time of Harmony

Prompt: In In the Time of Harmony, how is the Studies and process discussed?

Signac, as a post-impressionist, shunned the Impressionist en plein air style. He instead produced intricate studies and took years to create this painting. The first study was a loose sketch made with blue and black ink wash over graphite in 1893. He annotated this study writing "pine groves, round, machines, women hanging out washing, sower, lovers, iris, mimosa, women picking flowers, flowers". Then Signac painted an oil-on-canvas study in color in 1893. After completing these two sketches, he made studies of individual elements and figures, including:standing man, 1894man reading, 1894woman, 1894boules player, 1894oleanders, 1894irises, 1894poppies, 1894plage des graniers (1), saint-tropez, 1894plage des graniers (2), saint-tropez, 1894Finally, Signac completed two full studies before making his final painting: one in black ink and graphite and the other in color lithograph both from 1895-96.

'''Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894'''

'''In the Time of Harmony color lithograph study, 1895-86'''

'''Study for In the Time of Harmony Woman, 1894'''

'''Study for In the Time of Harmony Boules Player, 1894'''[[File:Signac - Study for In the Time of Harmony Man Reading, 1894, FC 256.jpg

File:Signac - Study for In the Time of Harmony Woman, 1894, FC 257.jpg

'''Study for In the Time of Harmony Oleanders, 1894'''

'''Study for In the Time of Harmony Man Reading, 1894'''

File:Signac - Study for In the Time of Harmony Boules Player, 1894, FC 258.jpg

File:Signac - Study for In the Time of Harmony Plage des Graniers, Saint-Tropez, 1894, FC 267 recto.jpg

File:Paul Signac - In the Time of Harmony- The Joy of Life--Sunday by the Sea - Google Art Project.jpg

File:Pierre Puvis de Chavannes - Doux Pays (Pleasant Land) - 1958.64 - Yale University Art Gallery.jpg

'''Study for In the Time of Harmony Poppies, 1894'''

File:Signac - Study for In the Time of Harmony Oleanders, 1894, FC 263.jpg

File:Signac - Study for In the Time of Harmony Poppies, 1894, FC 266.jpg

Pierre Puvis de Chavannes, Pleasant Land, 1882, oil on canvas


Fountain Girl

Prompt: Focus on Fountain Girl and explain the abstract.

Fountain Girl (also known as the Frances Willard Fountain and the Little Cold Water Girl) is a fountain and sculpture in Chicago's Lincoln Park, in the U.S. state of Illinois. The work was created by George Wade in 1893 and installed in 1921.

Category:1921 establishments in Illinois


Fountain Girl

Prompt: Explain the abstract of this artwork, Fountain Girl.

Fountain Girl (also known as the Frances Willard Fountain and the Little Cold Water Girl) is a fountain and sculpture in Chicago's Lincoln Park, in the U.S. state of Illinois. The work was created by George Wade in 1893 and installed in 1921.

Category:1921 establishments in Illinois


Fountain Girl

Prompt: How does Fountain Girl explain its abstract?

Fountain Girl (also known as the Frances Willard Fountain and the Little Cold Water Girl) is a fountain and sculpture in Chicago's Lincoln Park, in the U.S. state of Illinois. The work was created by George Wade in 1893 and installed in 1921.

Category:1921 establishments in Illinois


Fountain Girl

Prompt: In Fountain Girl, how is the abstract discussed?

Fountain Girl (also known as the Frances Willard Fountain and the Little Cold Water Girl) is a fountain and sculpture in Chicago's Lincoln Park, in the U.S. state of Illinois. The work was created by George Wade in 1893 and installed in 1921.

Category:1921 establishments in Illinois


Lady Caroline Howard

Prompt: Focus on Lady Caroline Howard and explain the abstract.

Lady Caroline Howard (1778) is an oil on canvas portrait by Joshua Reynolds.

Category:Paintings in the National Gallery of Art


Lady Caroline Howard

Prompt: Explain the abstract of this artwork, Lady Caroline Howard.

Lady Caroline Howard (1778) is an oil on canvas portrait by Joshua Reynolds.

Category:Paintings in the National Gallery of Art


Lady Caroline Howard

Prompt: How does Lady Caroline Howard explain its abstract?

Lady Caroline Howard (1778) is an oil on canvas portrait by Joshua Reynolds.

Category:Paintings in the National Gallery of Art


Lady Caroline Howard

Prompt: In Lady Caroline Howard, how is the abstract discussed?

Lady Caroline Howard (1778) is an oil on canvas portrait by Joshua Reynolds.

Category:Paintings in the National Gallery of Art


Lady Caroline Howard

Prompt: Focus on Lady Caroline Howard and explain the History.

Lady Caroline was the daughter of Frederick Howard, 5th Earl of Carlisle, and Margaret Caroline Howard. She was a spirited child, according to her father, and was seven years old when she sat to Reynolds.The portrait was commissioned by the Earl, and exhibited in 1779 at the Royal Academy before it was hung in Castle Howard. National Gallery of Art acquired the portrait in 1937.

Category:Paintings in the National Gallery of Art


Lady Caroline Howard

Prompt: Explain the History of this artwork, Lady Caroline Howard.

Lady Caroline was the daughter of Frederick Howard, 5th Earl of Carlisle, and Margaret Caroline Howard. She was a spirited child, according to her father, and was seven years old when she sat to Reynolds.The portrait was commissioned by the Earl, and exhibited in 1779 at the Royal Academy before it was hung in Castle Howard. National Gallery of Art acquired the portrait in 1937.

Category:Paintings in the National Gallery of Art


Lady Caroline Howard

Prompt: How does Lady Caroline Howard explain its History?

Lady Caroline was the daughter of Frederick Howard, 5th Earl of Carlisle, and Margaret Caroline Howard. She was a spirited child, according to her father, and was seven years old when she sat to Reynolds.The portrait was commissioned by the Earl, and exhibited in 1779 at the Royal Academy before it was hung in Castle Howard. National Gallery of Art acquired the portrait in 1937.

Category:Paintings in the National Gallery of Art


Lady Caroline Howard

Prompt: In Lady Caroline Howard, how is the History discussed?

Lady Caroline was the daughter of Frederick Howard, 5th Earl of Carlisle, and Margaret Caroline Howard. She was a spirited child, according to her father, and was seven years old when she sat to Reynolds.The portrait was commissioned by the Earl, and exhibited in 1779 at the Royal Academy before it was hung in Castle Howard. National Gallery of Art acquired the portrait in 1937.

Category:Paintings in the National Gallery of Art


Lady Caroline Howard

Prompt: Focus on Lady Caroline Howard and explain the Description.

Reynolds was a chief proponent of the Grand Manner and, to that end, the roses Lady Caroline plucks from an urn may have been intended to suggest Chastity, Beauty, and Love, the attributes of Venus and the Three Graces. The NGA writes "Reynolds has captured some of Lady Caroline's complexity in the serious, intent expression of her attractive face, her averted gaze, and the tension implied in her closed left hand ... the painting is broadly and fluidly executed in thick, opaque layers, with thin translucent glazes in the background."

Category:Paintings in the National Gallery of Art


Lady Caroline Howard

Prompt: Explain the Description of this artwork, Lady Caroline Howard.

Reynolds was a chief proponent of the Grand Manner and, to that end, the roses Lady Caroline plucks from an urn may have been intended to suggest Chastity, Beauty, and Love, the attributes of Venus and the Three Graces. The NGA writes "Reynolds has captured some of Lady Caroline's complexity in the serious, intent expression of her attractive face, her averted gaze, and the tension implied in her closed left hand ... the painting is broadly and fluidly executed in thick, opaque layers, with thin translucent glazes in the background."

Category:Paintings in the National Gallery of Art


Lady Caroline Howard

Prompt: How does Lady Caroline Howard explain its Description?

Reynolds was a chief proponent of the Grand Manner and, to that end, the roses Lady Caroline plucks from an urn may have been intended to suggest Chastity, Beauty, and Love, the attributes of Venus and the Three Graces. The NGA writes "Reynolds has captured some of Lady Caroline's complexity in the serious, intent expression of her attractive face, her averted gaze, and the tension implied in her closed left hand ... the painting is broadly and fluidly executed in thick, opaque layers, with thin translucent glazes in the background."

Category:Paintings in the National Gallery of Art


Lady Caroline Howard

Prompt: In Lady Caroline Howard, how is the Description discussed?

Reynolds was a chief proponent of the Grand Manner and, to that end, the roses Lady Caroline plucks from an urn may have been intended to suggest Chastity, Beauty, and Love, the attributes of Venus and the Three Graces. The NGA writes "Reynolds has captured some of Lady Caroline's complexity in the serious, intent expression of her attractive face, her averted gaze, and the tension implied in her closed left hand ... the painting is broadly and fluidly executed in thick, opaque layers, with thin translucent glazes in the background."

Category:Paintings in the National Gallery of Art


Lady in Blue (Cézanne)

Prompt: Focus on Lady in Blue (Cézanne) and explain the abstract.

Lady in Blue is an oil on canvas painting by Paul Cézanne, executed c. 1900, now in the Hermitage Museum in Saint Petersburg, Russia. One of Cézanne's last portraits of a woman, it shows the painter's governess Madame Brémond. Its tones, shapes and colours prefigure Fauvism and Cubism.

Category:Paintings in the Hermitage Museum


Lady in Blue (Cézanne)

Prompt: Explain the abstract of this artwork, Lady in Blue (Cézanne).

Lady in Blue is an oil on canvas painting by Paul Cézanne, executed c. 1900, now in the Hermitage Museum in Saint Petersburg, Russia. One of Cézanne's last portraits of a woman, it shows the painter's governess Madame Brémond. Its tones, shapes and colours prefigure Fauvism and Cubism.

Category:Paintings in the Hermitage Museum


Lady in Blue (Cézanne)

Prompt: How does Lady in Blue (Cézanne) explain its abstract?

Lady in Blue is an oil on canvas painting by Paul Cézanne, executed c. 1900, now in the Hermitage Museum in Saint Petersburg, Russia. One of Cézanne's last portraits of a woman, it shows the painter's governess Madame Brémond. Its tones, shapes and colours prefigure Fauvism and Cubism.

Category:Paintings in the Hermitage Museum


Lady in Blue (Cézanne)

Prompt: In Lady in Blue (Cézanne), how is the abstract discussed?

Lady in Blue is an oil on canvas painting by Paul Cézanne, executed c. 1900, now in the Hermitage Museum in Saint Petersburg, Russia. One of Cézanne's last portraits of a woman, it shows the painter's governess Madame Brémond. Its tones, shapes and colours prefigure Fauvism and Cubism.

Category:Paintings in the Hermitage Museum


Victory Bell (University of Portland)

Prompt: Focus on Victory Bell (University of Portland) and explain the abstract.

The Victory Bell refers to two bells used by the University of Portland at sporting and other events. The original is installed outside the Chiles Center. A new one was cast in 2012.

Category:Outdoor sculptures in North Portland, Oregon

Category:Individual bells in the United States


Victory Bell (University of Portland)

Prompt: Explain the abstract of this artwork, Victory Bell (University of Portland).

The Victory Bell refers to two bells used by the University of Portland at sporting and other events. The original is installed outside the Chiles Center. A new one was cast in 2012.

Category:Outdoor sculptures in North Portland, Oregon

Category:Individual bells in the United States


Victory Bell (University of Portland)

Prompt: How does Victory Bell (University of Portland) explain its abstract?

The Victory Bell refers to two bells used by the University of Portland at sporting and other events. The original is installed outside the Chiles Center. A new one was cast in 2012.

Category:Outdoor sculptures in North Portland, Oregon

Category:Individual bells in the United States


Victory Bell (University of Portland)

Prompt: In Victory Bell (University of Portland), how is the abstract discussed?

The Victory Bell refers to two bells used by the University of Portland at sporting and other events. The original is installed outside the Chiles Center. A new one was cast in 2012.

Category:Outdoor sculptures in North Portland, Oregon

Category:Individual bells in the United States


Monument to the Five Senses

Prompt: Focus on Monument to the Five Senses and explain the abstract.

Monument to the Five Senses (German: Denkmal für die fünf Sinne) is a 1991 metal sculpture by Lubo Kristek, installed outside the Neues Stadtmuseum, Landsberg am Lech, Germany in 1992. This tribute to human senses is made using repoussé and chasing technique, and is composed of welded sheets of metal.

Augsburger Allgemeine
German
repoussé and chasing
Thomas Goppel
surrealism
Lubo Kristek#Holographic Perception
Category:1991 sculptures
Lubo Kristek
holographic perception
Landsberg am Lech
Max Ernst
German language
Category:Metal sculptures
Mikuláš Medek
Salvador Dalí
sculpture
Category:Sculptures in Germany


Monument to the Five Senses

Prompt: Explain the abstract of this artwork, Monument to the Five Senses.

Monument to the Five Senses (German: Denkmal für die fünf Sinne) is a 1991 metal sculpture by Lubo Kristek, installed outside the Neues Stadtmuseum, Landsberg am Lech, Germany in 1992. This tribute to human senses is made using repoussé and chasing technique, and is composed of welded sheets of metal.

Augsburger Allgemeine
German
repoussé and chasing
Thomas Goppel
surrealism
Lubo Kristek#Holographic Perception
Category:1991 sculptures
Lubo Kristek
holographic perception
Landsberg am Lech
Max Ernst
German language
Category:Metal sculptures
Mikuláš Medek
Salvador Dalí
sculpture
Category:Sculptures in Germany


Monument to the Five Senses

Prompt: How does Monument to the Five Senses explain its abstract?

Monument to the Five Senses (German: Denkmal für die fünf Sinne) is a 1991 metal sculpture by Lubo Kristek, installed outside the Neues Stadtmuseum, Landsberg am Lech, Germany in 1992. This tribute to human senses is made using repoussé and chasing technique, and is composed of welded sheets of metal.

Augsburger Allgemeine
German
repoussé and chasing
Thomas Goppel
surrealism
Lubo Kristek#Holographic Perception
Category:1991 sculptures
Lubo Kristek
holographic perception
Landsberg am Lech
Max Ernst
German language
Category:Metal sculptures
Mikuláš Medek
Salvador Dalí
sculpture
Category:Sculptures in Germany


Monument to the Five Senses

Prompt: In Monument to the Five Senses, how is the abstract discussed?

Monument to the Five Senses (German: Denkmal für die fünf Sinne) is a 1991 metal sculpture by Lubo Kristek, installed outside the Neues Stadtmuseum, Landsberg am Lech, Germany in 1992. This tribute to human senses is made using repoussé and chasing technique, and is composed of welded sheets of metal.

Augsburger Allgemeine
German
repoussé and chasing
Thomas Goppel
surrealism
Lubo Kristek#Holographic Perception
Category:1991 sculptures
Lubo Kristek
holographic perception
Landsberg am Lech
Max Ernst
German language
Category:Metal sculptures
Mikuláš Medek
Salvador Dalí
sculpture
Category:Sculptures in Germany


Monument to the Five Senses

Prompt: Focus on Monument to the Five Senses and explain the History and description.

The piece depicts five human senses that conjoin in a face-like shape and resemble a growing plant. Kristek executed the sculpture in one of his typical techniques – from welded sheets of metal. The Czech art historian Barbora Putova noted:Just like a medieval artist, Kristek personally welds, grinds and carves his sculptures. From many aspects his free-standing sculptures represent a surreal parallel with the paintings of the Czech painter Mikuláš Medek (1926–1974), the German painter Max Ernst (1891–1976) and the Spanish painter Salvador Dalí. This is documented in particular by Kristek’s metal sculptures Monument to the Five Senses (1991) and Tree of the Wind Harp (1992).Kristek addressed senses and perception in his sculptural works. In some of his performance art pieces, he studied perception and behaviour of crowd. His ideas evolved in his theory of holographic perception – that various types of stimuli entangle and excite a holographic image in the mind of the spectator. In 2008, Thomas Goppel wrote a foreword for the publication about Lubo Kristek issued by the Neues Stadtmuseum and noted that this sculpture is a reminder that "art should be perceived by all the senses."The piece was commissioned by Beatrix und Erich Matthees (the Lechstadt Hausbau company) and donated to the museum. In November 1992, it was inaugurated in the museum’s garden as an introduction to Kristek’s solo retrospective exhibition in the Neues Stadtmuseum starting on 12 December.In 2015, the sculpture was included in the selection of 40 collection pieces owned by the Neues Stadtmuseum described in the publication Schätze aus den städtischen Sammlungen des Neuen Stadtmuseums Landsberg am Lech (Treasures of the Municipal Collection in the Neues Stadtmuseum Landsberg am Lech).

Augsburger Allgemeine
German
repoussé and chasing
Thomas Goppel
surrealism
Lubo Kristek#Holographic Perception
Category:1991 sculptures
Lubo Kristek
holographic perception
Landsberg am Lech
Max Ernst
German language
Category:Metal sculptures
Mikuláš Medek
Salvador Dalí
sculpture
Category:Sculptures in Germany


Monument to the Five Senses

Prompt: Explain the History and description of this artwork, Monument to the Five Senses.

The piece depicts five human senses that conjoin in a face-like shape and resemble a growing plant. Kristek executed the sculpture in one of his typical techniques – from welded sheets of metal. The Czech art historian Barbora Putova noted:Just like a medieval artist, Kristek personally welds, grinds and carves his sculptures. From many aspects his free-standing sculptures represent a surreal parallel with the paintings of the Czech painter Mikuláš Medek (1926–1974), the German painter Max Ernst (1891–1976) and the Spanish painter Salvador Dalí. This is documented in particular by Kristek’s metal sculptures Monument to the Five Senses (1991) and Tree of the Wind Harp (1992).Kristek addressed senses and perception in his sculptural works. In some of his performance art pieces, he studied perception and behaviour of crowd. His ideas evolved in his theory of holographic perception – that various types of stimuli entangle and excite a holographic image in the mind of the spectator. In 2008, Thomas Goppel wrote a foreword for the publication about Lubo Kristek issued by the Neues Stadtmuseum and noted that this sculpture is a reminder that "art should be perceived by all the senses."The piece was commissioned by Beatrix und Erich Matthees (the Lechstadt Hausbau company) and donated to the museum. In November 1992, it was inaugurated in the museum’s garden as an introduction to Kristek’s solo retrospective exhibition in the Neues Stadtmuseum starting on 12 December.In 2015, the sculpture was included in the selection of 40 collection pieces owned by the Neues Stadtmuseum described in the publication Schätze aus den städtischen Sammlungen des Neuen Stadtmuseums Landsberg am Lech (Treasures of the Municipal Collection in the Neues Stadtmuseum Landsberg am Lech).

Augsburger Allgemeine
German
repoussé and chasing
Thomas Goppel
surrealism
Lubo Kristek#Holographic Perception
Category:1991 sculptures
Lubo Kristek
holographic perception
Landsberg am Lech
Max Ernst
German language
Category:Metal sculptures
Mikuláš Medek
Salvador Dalí
sculpture
Category:Sculptures in Germany


Monument to the Five Senses

Prompt: How does Monument to the Five Senses explain its History and description?

The piece depicts five human senses that conjoin in a face-like shape and resemble a growing plant. Kristek executed the sculpture in one of his typical techniques – from welded sheets of metal. The Czech art historian Barbora Putova noted:Just like a medieval artist, Kristek personally welds, grinds and carves his sculptures. From many aspects his free-standing sculptures represent a surreal parallel with the paintings of the Czech painter Mikuláš Medek (1926–1974), the German painter Max Ernst (1891–1976) and the Spanish painter Salvador Dalí. This is documented in particular by Kristek’s metal sculptures Monument to the Five Senses (1991) and Tree of the Wind Harp (1992).Kristek addressed senses and perception in his sculptural works. In some of his performance art pieces, he studied perception and behaviour of crowd. His ideas evolved in his theory of holographic perception – that various types of stimuli entangle and excite a holographic image in the mind of the spectator. In 2008, Thomas Goppel wrote a foreword for the publication about Lubo Kristek issued by the Neues Stadtmuseum and noted that this sculpture is a reminder that "art should be perceived by all the senses."The piece was commissioned by Beatrix und Erich Matthees (the Lechstadt Hausbau company) and donated to the museum. In November 1992, it was inaugurated in the museum’s garden as an introduction to Kristek’s solo retrospective exhibition in the Neues Stadtmuseum starting on 12 December.In 2015, the sculpture was included in the selection of 40 collection pieces owned by the Neues Stadtmuseum described in the publication Schätze aus den städtischen Sammlungen des Neuen Stadtmuseums Landsberg am Lech (Treasures of the Municipal Collection in the Neues Stadtmuseum Landsberg am Lech).

Augsburger Allgemeine
German
repoussé and chasing
Thomas Goppel
surrealism
Lubo Kristek#Holographic Perception
Category:1991 sculptures
Lubo Kristek
holographic perception
Landsberg am Lech
Max Ernst
German language
Category:Metal sculptures
Mikuláš Medek
Salvador Dalí
sculpture
Category:Sculptures in Germany


Monument to the Five Senses

Prompt: In Monument to the Five Senses, how is the History and description discussed?

The piece depicts five human senses that conjoin in a face-like shape and resemble a growing plant. Kristek executed the sculpture in one of his typical techniques – from welded sheets of metal. The Czech art historian Barbora Putova noted:Just like a medieval artist, Kristek personally welds, grinds and carves his sculptures. From many aspects his free-standing sculptures represent a surreal parallel with the paintings of the Czech painter Mikuláš Medek (1926–1974), the German painter Max Ernst (1891–1976) and the Spanish painter Salvador Dalí. This is documented in particular by Kristek’s metal sculptures Monument to the Five Senses (1991) and Tree of the Wind Harp (1992).Kristek addressed senses and perception in his sculptural works. In some of his performance art pieces, he studied perception and behaviour of crowd. His ideas evolved in his theory of holographic perception – that various types of stimuli entangle and excite a holographic image in the mind of the spectator. In 2008, Thomas Goppel wrote a foreword for the publication about Lubo Kristek issued by the Neues Stadtmuseum and noted that this sculpture is a reminder that "art should be perceived by all the senses."The piece was commissioned by Beatrix und Erich Matthees (the Lechstadt Hausbau company) and donated to the museum. In November 1992, it was inaugurated in the museum’s garden as an introduction to Kristek’s solo retrospective exhibition in the Neues Stadtmuseum starting on 12 December.In 2015, the sculpture was included in the selection of 40 collection pieces owned by the Neues Stadtmuseum described in the publication Schätze aus den städtischen Sammlungen des Neuen Stadtmuseums Landsberg am Lech (Treasures of the Municipal Collection in the Neues Stadtmuseum Landsberg am Lech).

Augsburger Allgemeine
German
repoussé and chasing
Thomas Goppel
surrealism
Lubo Kristek#Holographic Perception
Category:1991 sculptures
Lubo Kristek
holographic perception
Landsberg am Lech
Max Ernst
German language
Category:Metal sculptures
Mikuláš Medek
Salvador Dalí
sculpture
Category:Sculptures in Germany


Unfolding Rhythms

Prompt: Focus on Unfolding Rhythms and explain the abstract.

Unfolding Rhythms is an outdoor 1987 sculpture by Manuel Izquierdo, located in Portland, Oregon, United States.

Category:Outdoor sculptures in Southwest Portland, Oregon


Unfolding Rhythms

Prompt: Explain the abstract of this artwork, Unfolding Rhythms.

Unfolding Rhythms is an outdoor 1987 sculpture by Manuel Izquierdo, located in Portland, Oregon, United States.

Category:Outdoor sculptures in Southwest Portland, Oregon


Unfolding Rhythms

Prompt: How does Unfolding Rhythms explain its abstract?

Unfolding Rhythms is an outdoor 1987 sculpture by Manuel Izquierdo, located in Portland, Oregon, United States.

Category:Outdoor sculptures in Southwest Portland, Oregon


Unfolding Rhythms

Prompt: In Unfolding Rhythms, how is the abstract discussed?

Unfolding Rhythms is an outdoor 1987 sculpture by Manuel Izquierdo, located in Portland, Oregon, United States.

Category:Outdoor sculptures in Southwest Portland, Oregon


Unfolding Rhythms

Prompt: Focus on Unfolding Rhythms and explain the Description and history.

Manuel Izquierdo's Unfolding Rhythms (1987) is an abstract painted metal sculpture, installed outside the Oregon Dental Services (ODS) Building on Southwest Fifth Avenue between Oak Street and Stark Street. It measures approximately 10 feet (3.0 m) x 5.5 feet (1.7 m) x 5.5 feet (1.7 m). The sculpture was funded by ODS and is enclosed by a fence at night. An inscription on its northeast side reads, "UNFOLDING RHYTHMS / Manuel Izquierdo / 2-10-1987" (the copyright date), and displays a copyright symbol with the artist's signature.The sculpture was surveyed and considered "treatment needed" by the Smithsonian's "Save Outdoor Sculpture!" program in 1993.

Category:Outdoor sculptures in Southwest Portland, Oregon


Unfolding Rhythms

Prompt: Explain the Description and history of this artwork, Unfolding Rhythms.

Manuel Izquierdo's Unfolding Rhythms (1987) is an abstract painted metal sculpture, installed outside the Oregon Dental Services (ODS) Building on Southwest Fifth Avenue between Oak Street and Stark Street. It measures approximately 10 feet (3.0 m) x 5.5 feet (1.7 m) x 5.5 feet (1.7 m). The sculpture was funded by ODS and is enclosed by a fence at night. An inscription on its northeast side reads, "UNFOLDING RHYTHMS / Manuel Izquierdo / 2-10-1987" (the copyright date), and displays a copyright symbol with the artist's signature.The sculpture was surveyed and considered "treatment needed" by the Smithsonian's "Save Outdoor Sculpture!" program in 1993.

Category:Outdoor sculptures in Southwest Portland, Oregon


Unfolding Rhythms

Prompt: How does Unfolding Rhythms explain its Description and history?

Manuel Izquierdo's Unfolding Rhythms (1987) is an abstract painted metal sculpture, installed outside the Oregon Dental Services (ODS) Building on Southwest Fifth Avenue between Oak Street and Stark Street. It measures approximately 10 feet (3.0 m) x 5.5 feet (1.7 m) x 5.5 feet (1.7 m). The sculpture was funded by ODS and is enclosed by a fence at night. An inscription on its northeast side reads, "UNFOLDING RHYTHMS / Manuel Izquierdo / 2-10-1987" (the copyright date), and displays a copyright symbol with the artist's signature.The sculpture was surveyed and considered "treatment needed" by the Smithsonian's "Save Outdoor Sculpture!" program in 1993.

Category:Outdoor sculptures in Southwest Portland, Oregon


Unfolding Rhythms

Prompt: In Unfolding Rhythms, how is the Description and history discussed?

Manuel Izquierdo's Unfolding Rhythms (1987) is an abstract painted metal sculpture, installed outside the Oregon Dental Services (ODS) Building on Southwest Fifth Avenue between Oak Street and Stark Street. It measures approximately 10 feet (3.0 m) x 5.5 feet (1.7 m) x 5.5 feet (1.7 m). The sculpture was funded by ODS and is enclosed by a fence at night. An inscription on its northeast side reads, "UNFOLDING RHYTHMS / Manuel Izquierdo / 2-10-1987" (the copyright date), and displays a copyright symbol with the artist's signature.The sculpture was surveyed and considered "treatment needed" by the Smithsonian's "Save Outdoor Sculpture!" program in 1993.

Category:Outdoor sculptures in Southwest Portland, Oregon


Unfolding Rhythms

Prompt: Focus on Unfolding Rhythms and explain the Reception.

Unfolding Rhythms has been included in at least one published walking tour of Portland.

Category:Outdoor sculptures in Southwest Portland, Oregon


Unfolding Rhythms

Prompt: Explain the Reception of this artwork, Unfolding Rhythms.

Unfolding Rhythms has been included in at least one published walking tour of Portland.

Category:Outdoor sculptures in Southwest Portland, Oregon


Unfolding Rhythms

Prompt: How does Unfolding Rhythms explain its Reception?

Unfolding Rhythms has been included in at least one published walking tour of Portland.

Category:Outdoor sculptures in Southwest Portland, Oregon


Unfolding Rhythms

Prompt: In Unfolding Rhythms, how is the Reception discussed?

Unfolding Rhythms has been included in at least one published walking tour of Portland.

Category:Outdoor sculptures in Southwest Portland, Oregon


Prompt: Focus on The Miraculous Draught of Fishes (Jordaens) and explain the abstract.

The Miraculous Draught of Fishes is a circa 1618–1620 oil painting by the Flemish artist Jacob Jordaens depicting a New Testament episode. It is now in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 618.The painting was long assumed to be by Peter Paul Rubens, who had treated similar subjects involving the fisherman Simon Peter. Wilhelm von Bode bought it as a Rubens (in London, in 1911), and the Rubens specialist Justus Müller-Hofstede confirmed that attribution in 1969. Only in 1977 did a consensus emerge among art historians that the painting is a work from the end of the early period of the long-lived Jacob Jordaens's career. This was established on compositional as well as chromatic grounds.The purpose of the painting has never been satisfactorily established. It is too large for an oil sketch, and too rough for an official commission. It may be a modello for a lost, larger and more polished painting, or for a tapestry. It could also have been destined for a predella.

Miraculous catch of fish#First miraculous catch of fish

Category:Paintings in the Musée des Beaux-Arts de Strasbourg


Prompt: Explain the abstract of this artwork, The Miraculous Draught of Fishes (Jordaens).

The Miraculous Draught of Fishes is a circa 1618–1620 oil painting by the Flemish artist Jacob Jordaens depicting a New Testament episode. It is now in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 618.The painting was long assumed to be by Peter Paul Rubens, who had treated similar subjects involving the fisherman Simon Peter. Wilhelm von Bode bought it as a Rubens (in London, in 1911), and the Rubens specialist Justus Müller-Hofstede confirmed that attribution in 1969. Only in 1977 did a consensus emerge among art historians that the painting is a work from the end of the early period of the long-lived Jacob Jordaens's career. This was established on compositional as well as chromatic grounds.The purpose of the painting has never been satisfactorily established. It is too large for an oil sketch, and too rough for an official commission. It may be a modello for a lost, larger and more polished painting, or for a tapestry. It could also have been destined for a predella.

Miraculous catch of fish#First miraculous catch of fish

Category:Paintings in the Musée des Beaux-Arts de Strasbourg


Prompt: How does The Miraculous Draught of Fishes (Jordaens) explain its abstract?

The Miraculous Draught of Fishes is a circa 1618–1620 oil painting by the Flemish artist Jacob Jordaens depicting a New Testament episode. It is now in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 618.The painting was long assumed to be by Peter Paul Rubens, who had treated similar subjects involving the fisherman Simon Peter. Wilhelm von Bode bought it as a Rubens (in London, in 1911), and the Rubens specialist Justus Müller-Hofstede confirmed that attribution in 1969. Only in 1977 did a consensus emerge among art historians that the painting is a work from the end of the early period of the long-lived Jacob Jordaens's career. This was established on compositional as well as chromatic grounds.The purpose of the painting has never been satisfactorily established. It is too large for an oil sketch, and too rough for an official commission. It may be a modello for a lost, larger and more polished painting, or for a tapestry. It could also have been destined for a predella.

Miraculous catch of fish#First miraculous catch of fish

Category:Paintings in the Musée des Beaux-Arts de Strasbourg


Prompt: In The Miraculous Draught of Fishes (Jordaens), how is the abstract discussed?

The Miraculous Draught of Fishes is a circa 1618–1620 oil painting by the Flemish artist Jacob Jordaens depicting a New Testament episode. It is now in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 618.The painting was long assumed to be by Peter Paul Rubens, who had treated similar subjects involving the fisherman Simon Peter. Wilhelm von Bode bought it as a Rubens (in London, in 1911), and the Rubens specialist Justus Müller-Hofstede confirmed that attribution in 1969. Only in 1977 did a consensus emerge among art historians that the painting is a work from the end of the early period of the long-lived Jacob Jordaens's career. This was established on compositional as well as chromatic grounds.The purpose of the painting has never been satisfactorily established. It is too large for an oil sketch, and too rough for an official commission. It may be a modello for a lost, larger and more polished painting, or for a tapestry. It could also have been destined for a predella.

Miraculous catch of fish#First miraculous catch of fish

Category:Paintings in the Musée des Beaux-Arts de Strasbourg


Chinatown West Gate

Prompt: Focus on Chinatown West Gate and explain the abstract.

The Chinatown West Gate is installed in Los Angeles' Chinatown neighborhood, in the U.S. state of California.Installed in 1938, the structure exhibits traditional Chinese design and displays characters which translate to "Cooperate to Achieve". The gate has 150-year-old camphor wood from China. After being nominated by the Los Angeles Conservancy, the West Gate was designated a Los Angeles Historic-Cultural Monument, No. 825. California Governor Frank Merrimack placed a bronze tablet at the site that commemorates Chinese-American contributions to California's growth.

Category:Outdoor sculptures in Greater Los Angeles

History of Chinese Americans in Los Angeles

Category:Buildings and structures in Los Angeles

List of Los Angeles Historic-Cultural Monuments in Downtown Los Angeles#825

Category:1938 establishments in California


Chinatown West Gate

Prompt: Explain the abstract of this artwork, Chinatown West Gate.

The Chinatown West Gate is installed in Los Angeles' Chinatown neighborhood, in the U.S. state of California.Installed in 1938, the structure exhibits traditional Chinese design and displays characters which translate to "Cooperate to Achieve". The gate has 150-year-old camphor wood from China. After being nominated by the Los Angeles Conservancy, the West Gate was designated a Los Angeles Historic-Cultural Monument, No. 825. California Governor Frank Merrimack placed a bronze tablet at the site that commemorates Chinese-American contributions to California's growth.

Category:Outdoor sculptures in Greater Los Angeles

History of Chinese Americans in Los Angeles

Category:Buildings and structures in Los Angeles

List of Los Angeles Historic-Cultural Monuments in Downtown Los Angeles#825

Category:1938 establishments in California


Chinatown West Gate

Prompt: How does Chinatown West Gate explain its abstract?

The Chinatown West Gate is installed in Los Angeles' Chinatown neighborhood, in the U.S. state of California.Installed in 1938, the structure exhibits traditional Chinese design and displays characters which translate to "Cooperate to Achieve". The gate has 150-year-old camphor wood from China. After being nominated by the Los Angeles Conservancy, the West Gate was designated a Los Angeles Historic-Cultural Monument, No. 825. California Governor Frank Merrimack placed a bronze tablet at the site that commemorates Chinese-American contributions to California's growth.

Category:Outdoor sculptures in Greater Los Angeles

History of Chinese Americans in Los Angeles

Category:Buildings and structures in Los Angeles

List of Los Angeles Historic-Cultural Monuments in Downtown Los Angeles#825

Category:1938 establishments in California


Chinatown West Gate

Prompt: In Chinatown West Gate, how is the abstract discussed?

The Chinatown West Gate is installed in Los Angeles' Chinatown neighborhood, in the U.S. state of California.Installed in 1938, the structure exhibits traditional Chinese design and displays characters which translate to "Cooperate to Achieve". The gate has 150-year-old camphor wood from China. After being nominated by the Los Angeles Conservancy, the West Gate was designated a Los Angeles Historic-Cultural Monument, No. 825. California Governor Frank Merrimack placed a bronze tablet at the site that commemorates Chinese-American contributions to California's growth.

Category:Outdoor sculptures in Greater Los Angeles

History of Chinese Americans in Los Angeles

Category:Buildings and structures in Los Angeles

List of Los Angeles Historic-Cultural Monuments in Downtown Los Angeles#825

Category:1938 establishments in California


Fall Plowing

Prompt: Focus on Fall Plowing and explain the abstract.

Fall Plowing is a 1931 oil painting by Grant Wood depicting a plowed field in his home state of Iowa. It pays homage to the recently developed walking plough and steel plowshare commonly used by farmers in the Midwestern United States during this time. It emphasizes the important role that new technologies played on the development of prairie land into workable farmland. The area is now listed on the National Register of Historic Places.The original painting is part of the John Deere collection.

Grant Wood's "Fall Plowing" Rural Historic Landscape District


Fall Plowing

Prompt: Explain the abstract of this artwork, Fall Plowing.

Fall Plowing is a 1931 oil painting by Grant Wood depicting a plowed field in his home state of Iowa. It pays homage to the recently developed walking plough and steel plowshare commonly used by farmers in the Midwestern United States during this time. It emphasizes the important role that new technologies played on the development of prairie land into workable farmland. The area is now listed on the National Register of Historic Places.The original painting is part of the John Deere collection.

Grant Wood's "Fall Plowing" Rural Historic Landscape District


Fall Plowing

Prompt: How does Fall Plowing explain its abstract?

Fall Plowing is a 1931 oil painting by Grant Wood depicting a plowed field in his home state of Iowa. It pays homage to the recently developed walking plough and steel plowshare commonly used by farmers in the Midwestern United States during this time. It emphasizes the important role that new technologies played on the development of prairie land into workable farmland. The area is now listed on the National Register of Historic Places.The original painting is part of the John Deere collection.

Grant Wood's "Fall Plowing" Rural Historic Landscape District


Fall Plowing

Prompt: In Fall Plowing, how is the abstract discussed?

Fall Plowing is a 1931 oil painting by Grant Wood depicting a plowed field in his home state of Iowa. It pays homage to the recently developed walking plough and steel plowshare commonly used by farmers in the Midwestern United States during this time. It emphasizes the important role that new technologies played on the development of prairie land into workable farmland. The area is now listed on the National Register of Historic Places.The original painting is part of the John Deere collection.

Grant Wood's "Fall Plowing" Rural Historic Landscape District


Statue of Irene Robledo

Prompt: Focus on Statue of Irene Robledo and explain the abstract.

A statue of Irene Robledo is installed along the Rotonda de los Jaliscienses Ilustres in Centro, Guadalajara, in the Mexican state of Jalisco. Before its installation (and that of Rita Pérez Jiménez) the roundabout was named the "Rotonda de los Hombres Ilustres". Robledo's rests remain there. The statue was installed in 2000.

Category:Outdoor sculptures in Guadalajara

Category:Rotonda de los Jaliscienses Ilustres

Category:Sculptures of women in Guadalajara


Statue of Irene Robledo

Prompt: Explain the abstract of this artwork, Statue of Irene Robledo.

A statue of Irene Robledo is installed along the Rotonda de los Jaliscienses Ilustres in Centro, Guadalajara, in the Mexican state of Jalisco. Before its installation (and that of Rita Pérez Jiménez) the roundabout was named the "Rotonda de los Hombres Ilustres". Robledo's rests remain there. The statue was installed in 2000.

Category:Outdoor sculptures in Guadalajara

Category:Rotonda de los Jaliscienses Ilustres

Category:Sculptures of women in Guadalajara


Statue of Irene Robledo

Prompt: How does Statue of Irene Robledo explain its abstract?

A statue of Irene Robledo is installed along the Rotonda de los Jaliscienses Ilustres in Centro, Guadalajara, in the Mexican state of Jalisco. Before its installation (and that of Rita Pérez Jiménez) the roundabout was named the "Rotonda de los Hombres Ilustres". Robledo's rests remain there. The statue was installed in 2000.

Category:Outdoor sculptures in Guadalajara

Category:Rotonda de los Jaliscienses Ilustres

Category:Sculptures of women in Guadalajara


Statue of Irene Robledo

Prompt: In Statue of Irene Robledo, how is the abstract discussed?

A statue of Irene Robledo is installed along the Rotonda de los Jaliscienses Ilustres in Centro, Guadalajara, in the Mexican state of Jalisco. Before its installation (and that of Rita Pérez Jiménez) the roundabout was named the "Rotonda de los Hombres Ilustres". Robledo's rests remain there. The statue was installed in 2000.

Category:Outdoor sculptures in Guadalajara

Category:Rotonda de los Jaliscienses Ilustres

Category:Sculptures of women in Guadalajara


Spanish–American War Soldier

Prompt: Focus on Spanish–American War Soldier and explain the abstract.

Spanish–American War Soldier is a public art work created by the American Bronze Company and located in downtown Milwaukee, Wisconsin. The bronze figure depicts a uniformed soldier with an ammunition belt around his waist and a rifle in hand.

Category:Spanish–American War memorials in the United States

Category:Outdoor sculptures in Milwaukee

Category:1932 establishments in Wisconsin

Category:Monuments and memorials in Wisconsin


Spanish–American War Soldier

Prompt: Explain the abstract of this artwork, Spanish–American War Soldier.

Spanish–American War Soldier is a public art work created by the American Bronze Company and located in downtown Milwaukee, Wisconsin. The bronze figure depicts a uniformed soldier with an ammunition belt around his waist and a rifle in hand.

Category:Spanish–American War memorials in the United States

Category:Outdoor sculptures in Milwaukee

Category:1932 establishments in Wisconsin

Category:Monuments and memorials in Wisconsin


Spanish–American War Soldier

Prompt: How does Spanish–American War Soldier explain its abstract?

Spanish–American War Soldier is a public art work created by the American Bronze Company and located in downtown Milwaukee, Wisconsin. The bronze figure depicts a uniformed soldier with an ammunition belt around his waist and a rifle in hand.

Category:Spanish–American War memorials in the United States

Category:Outdoor sculptures in Milwaukee

Category:1932 establishments in Wisconsin

Category:Monuments and memorials in Wisconsin


Spanish–American War Soldier

Prompt: In Spanish–American War Soldier, how is the abstract discussed?

Spanish–American War Soldier is a public art work created by the American Bronze Company and located in downtown Milwaukee, Wisconsin. The bronze figure depicts a uniformed soldier with an ammunition belt around his waist and a rifle in hand.

Category:Spanish–American War memorials in the United States

Category:Outdoor sculptures in Milwaukee

Category:1932 establishments in Wisconsin

Category:Monuments and memorials in Wisconsin


Spanish–American War Soldier

Prompt: Focus on Spanish–American War Soldier and explain the Background.

The inscription on its plinth reads, "To those who served in the war with Spain, 1898 - 1902." It is located in the middle of West Wisconsin Avenue between North 9th and 10th Streets in the Court of Honor near the Milwaukee Public Library.

Category:Spanish–American War memorials in the United States

Category:Outdoor sculptures in Milwaukee

Category:1932 establishments in Wisconsin

Category:Monuments and memorials in Wisconsin


Spanish–American War Soldier

Prompt: Explain the Background of this artwork, Spanish–American War Soldier.

The inscription on its plinth reads, "To those who served in the war with Spain, 1898 - 1902." It is located in the middle of West Wisconsin Avenue between North 9th and 10th Streets in the Court of Honor near the Milwaukee Public Library.

Category:Spanish–American War memorials in the United States

Category:Outdoor sculptures in Milwaukee

Category:1932 establishments in Wisconsin

Category:Monuments and memorials in Wisconsin


Spanish–American War Soldier

Prompt: How does Spanish–American War Soldier explain its Background?

The inscription on its plinth reads, "To those who served in the war with Spain, 1898 - 1902." It is located in the middle of West Wisconsin Avenue between North 9th and 10th Streets in the Court of Honor near the Milwaukee Public Library.

Category:Spanish–American War memorials in the United States

Category:Outdoor sculptures in Milwaukee

Category:1932 establishments in Wisconsin

Category:Monuments and memorials in Wisconsin


Spanish–American War Soldier

Prompt: In Spanish–American War Soldier, how is the Background discussed?

The inscription on its plinth reads, "To those who served in the war with Spain, 1898 - 1902." It is located in the middle of West Wisconsin Avenue between North 9th and 10th Streets in the Court of Honor near the Milwaukee Public Library.

Category:Spanish–American War memorials in the United States

Category:Outdoor sculptures in Milwaukee

Category:1932 establishments in Wisconsin

Category:Monuments and memorials in Wisconsin


Art belongs to the people

Prompt: Focus on Art belongs to the people and explain the abstract.

Art belongs to the people. Anniversary Exhibition of Leningrad artists (Leningrad, 1977) (Russian: Искусство принадлежит народу. Выставка произведений ленинградских художников, посвящённая 60-летию Великого Октября), dedicated to 60th Anniversary of Great October Revolution of 1917, became one of the most significant art event of 1977 in the USSR. The Exhibition took place in the new exhibition space - The Central Exhibition Hall Maneze, which has become the largest exhibition area of the city.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: Explain the abstract of this artwork, Art belongs to the people.

Art belongs to the people. Anniversary Exhibition of Leningrad artists (Leningrad, 1977) (Russian: Искусство принадлежит народу. Выставка произведений ленинградских художников, посвящённая 60-летию Великого Октября), dedicated to 60th Anniversary of Great October Revolution of 1917, became one of the most significant art event of 1977 in the USSR. The Exhibition took place in the new exhibition space - The Central Exhibition Hall Maneze, which has become the largest exhibition area of the city.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: How does Art belongs to the people explain its abstract?

Art belongs to the people. Anniversary Exhibition of Leningrad artists (Leningrad, 1977) (Russian: Искусство принадлежит народу. Выставка произведений ленинградских художников, посвящённая 60-летию Великого Октября), dedicated to 60th Anniversary of Great October Revolution of 1917, became one of the most significant art event of 1977 in the USSR. The Exhibition took place in the new exhibition space - The Central Exhibition Hall Maneze, which has become the largest exhibition area of the city.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: In Art belongs to the people, how is the abstract discussed?

Art belongs to the people. Anniversary Exhibition of Leningrad artists (Leningrad, 1977) (Russian: Искусство принадлежит народу. Выставка произведений ленинградских художников, посвящённая 60-летию Великого Октября), dedicated to 60th Anniversary of Great October Revolution of 1917, became one of the most significant art event of 1977 in the USSR. The Exhibition took place in the new exhibition space - The Central Exhibition Hall Maneze, which has become the largest exhibition area of the city.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: Focus on Art belongs to the people and explain the History and Organization.

The Anniversary Exhibition was opened at November 5, 1977, under the motto "Art belongs to the people". Organization and preparation of Exhibition engaged specially formed Exhibition Committee under the chairmanship of Boris Ugarov, which consisted of 43 the most authoritative art-experts. It was published Catalog of Exhibition. In total the Exhibition displayed 1,400 works of art of painters, sculptors, graphics, masters of arts and crafts, artists of theater and cinema and attended by over 750 artists of Leningrad.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: Explain the History and Organization of this artwork, Art belongs to the people.

The Anniversary Exhibition was opened at November 5, 1977, under the motto "Art belongs to the people". Organization and preparation of Exhibition engaged specially formed Exhibition Committee under the chairmanship of Boris Ugarov, which consisted of 43 the most authoritative art-experts. It was published Catalog of Exhibition. In total the Exhibition displayed 1,400 works of art of painters, sculptors, graphics, masters of arts and crafts, artists of theater and cinema and attended by over 750 artists of Leningrad.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: How does Art belongs to the people explain its History and Organization?

The Anniversary Exhibition was opened at November 5, 1977, under the motto "Art belongs to the people". Organization and preparation of Exhibition engaged specially formed Exhibition Committee under the chairmanship of Boris Ugarov, which consisted of 43 the most authoritative art-experts. It was published Catalog of Exhibition. In total the Exhibition displayed 1,400 works of art of painters, sculptors, graphics, masters of arts and crafts, artists of theater and cinema and attended by over 750 artists of Leningrad.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: In Art belongs to the people, how is the History and Organization discussed?

The Anniversary Exhibition was opened at November 5, 1977, under the motto "Art belongs to the people". Organization and preparation of Exhibition engaged specially formed Exhibition Committee under the chairmanship of Boris Ugarov, which consisted of 43 the most authoritative art-experts. It was published Catalog of Exhibition. In total the Exhibition displayed 1,400 works of art of painters, sculptors, graphics, masters of arts and crafts, artists of theater and cinema and attended by over 750 artists of Leningrad.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: Focus on Art belongs to the people and explain the Contributing Artists.

In the largest Department of Painting were exhibited art works of 243 authors. There were Evgenia Antipova, Taisia Afonina, Vladislav Anisovich, Leonid Baykov, Irina Baldina, Nikolai Baskakov, Leonid Baykov, Evgenia Baykova, Vsevolod Bazhenov, Yuri Belov, Piotr Belousov, Olga Bogaevskaya, Lev Bogomolets, Veniamin Borisov, Nikolai Brandt, Dmitry Buchkin, Sergei Frolov, Nikolai Galakhov, Ivan Godlevsky, Vasily Golubev, Abram Grushko, Irina Dobrekova, Oleg Eremeev, Alexei Eriomin, Mikhail Kaneev, Yuri Khukhrov, Maria Kleschar-Samokhvalova, Maya Kopitseva, Victor Korovin, Elena Kostenko, Nikolai Kostrov, Anna Kostrova, Gevork Kotiantz, Mikhail Kozell, Engels Kozlov, Marina Kozlovskaya, Vladimir Krantz, Yaroslav Krestovsky, Boris Lavrenko, Ivan Lavsky, Oleg Lomakin, Dmitry Maevsky, Gavriil Malish, Yuri Mezhirov, Evsey Moiseenko, Andrei Mylnikov, Vera Nazina, Mikhail Natarevich, Yuri Neprintsev, Samuil Nevelshtein, Yaroslav Nikolaev, Dmitry Oboznenko, Victor Oreshnikov, Sergei Osipov, Lia Ostrova, Vladimir Ovchinnikov, Vyacheslav Ovchinnikov, Yuri Pavlov, Varlen Pen, Nikolai Pozdneev, Alexander Pushnin, Valentina Rakhina, Semion Rotnitsky, Ivan Savenko, Gleb Savinov, Vladimir Sakson, Arseny Semionov, Alexander Semionov, Yuri Shablikin, Boris Shamanov, Alexander Shmidt, Nadezhda Shteinmiller, Elena Skuin, Kim Slavin, Alexander Shmidt, Alexander Sokolov, Alexander Stolbov, Alexander Tatarenko, German Tatarinov, Victor Teterin, Nikolai Timkov, Leonid Tkachenko, Yuri Tulin, Vitaly Tulenev, Vitaly Tulenev, Boris Ugarov, Igor Veselkin, Ivan Varichev, Anatoli Vasiliev, Valery Vatenin, Lazar Yazgur, German Yegoshin, Vecheslav Zagonek, Sergei Zakharov, Ruben Zakharian, Elena Zhukova, and others most prominent painters of the Leningrad School.In the Department of Sculptures were exhibited art works of 153 sculptors. Department of graphics presented a creation of 207 artists.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: Explain the Contributing Artists of this artwork, Art belongs to the people.

In the largest Department of Painting were exhibited art works of 243 authors. There were Evgenia Antipova, Taisia Afonina, Vladislav Anisovich, Leonid Baykov, Irina Baldina, Nikolai Baskakov, Leonid Baykov, Evgenia Baykova, Vsevolod Bazhenov, Yuri Belov, Piotr Belousov, Olga Bogaevskaya, Lev Bogomolets, Veniamin Borisov, Nikolai Brandt, Dmitry Buchkin, Sergei Frolov, Nikolai Galakhov, Ivan Godlevsky, Vasily Golubev, Abram Grushko, Irina Dobrekova, Oleg Eremeev, Alexei Eriomin, Mikhail Kaneev, Yuri Khukhrov, Maria Kleschar-Samokhvalova, Maya Kopitseva, Victor Korovin, Elena Kostenko, Nikolai Kostrov, Anna Kostrova, Gevork Kotiantz, Mikhail Kozell, Engels Kozlov, Marina Kozlovskaya, Vladimir Krantz, Yaroslav Krestovsky, Boris Lavrenko, Ivan Lavsky, Oleg Lomakin, Dmitry Maevsky, Gavriil Malish, Yuri Mezhirov, Evsey Moiseenko, Andrei Mylnikov, Vera Nazina, Mikhail Natarevich, Yuri Neprintsev, Samuil Nevelshtein, Yaroslav Nikolaev, Dmitry Oboznenko, Victor Oreshnikov, Sergei Osipov, Lia Ostrova, Vladimir Ovchinnikov, Vyacheslav Ovchinnikov, Yuri Pavlov, Varlen Pen, Nikolai Pozdneev, Alexander Pushnin, Valentina Rakhina, Semion Rotnitsky, Ivan Savenko, Gleb Savinov, Vladimir Sakson, Arseny Semionov, Alexander Semionov, Yuri Shablikin, Boris Shamanov, Alexander Shmidt, Nadezhda Shteinmiller, Elena Skuin, Kim Slavin, Alexander Shmidt, Alexander Sokolov, Alexander Stolbov, Alexander Tatarenko, German Tatarinov, Victor Teterin, Nikolai Timkov, Leonid Tkachenko, Yuri Tulin, Vitaly Tulenev, Vitaly Tulenev, Boris Ugarov, Igor Veselkin, Ivan Varichev, Anatoli Vasiliev, Valery Vatenin, Lazar Yazgur, German Yegoshin, Vecheslav Zagonek, Sergei Zakharov, Ruben Zakharian, Elena Zhukova, and others most prominent painters of the Leningrad School.In the Department of Sculptures were exhibited art works of 153 sculptors. Department of graphics presented a creation of 207 artists.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: How does Art belongs to the people explain its Contributing Artists?

In the largest Department of Painting were exhibited art works of 243 authors. There were Evgenia Antipova, Taisia Afonina, Vladislav Anisovich, Leonid Baykov, Irina Baldina, Nikolai Baskakov, Leonid Baykov, Evgenia Baykova, Vsevolod Bazhenov, Yuri Belov, Piotr Belousov, Olga Bogaevskaya, Lev Bogomolets, Veniamin Borisov, Nikolai Brandt, Dmitry Buchkin, Sergei Frolov, Nikolai Galakhov, Ivan Godlevsky, Vasily Golubev, Abram Grushko, Irina Dobrekova, Oleg Eremeev, Alexei Eriomin, Mikhail Kaneev, Yuri Khukhrov, Maria Kleschar-Samokhvalova, Maya Kopitseva, Victor Korovin, Elena Kostenko, Nikolai Kostrov, Anna Kostrova, Gevork Kotiantz, Mikhail Kozell, Engels Kozlov, Marina Kozlovskaya, Vladimir Krantz, Yaroslav Krestovsky, Boris Lavrenko, Ivan Lavsky, Oleg Lomakin, Dmitry Maevsky, Gavriil Malish, Yuri Mezhirov, Evsey Moiseenko, Andrei Mylnikov, Vera Nazina, Mikhail Natarevich, Yuri Neprintsev, Samuil Nevelshtein, Yaroslav Nikolaev, Dmitry Oboznenko, Victor Oreshnikov, Sergei Osipov, Lia Ostrova, Vladimir Ovchinnikov, Vyacheslav Ovchinnikov, Yuri Pavlov, Varlen Pen, Nikolai Pozdneev, Alexander Pushnin, Valentina Rakhina, Semion Rotnitsky, Ivan Savenko, Gleb Savinov, Vladimir Sakson, Arseny Semionov, Alexander Semionov, Yuri Shablikin, Boris Shamanov, Alexander Shmidt, Nadezhda Shteinmiller, Elena Skuin, Kim Slavin, Alexander Shmidt, Alexander Sokolov, Alexander Stolbov, Alexander Tatarenko, German Tatarinov, Victor Teterin, Nikolai Timkov, Leonid Tkachenko, Yuri Tulin, Vitaly Tulenev, Vitaly Tulenev, Boris Ugarov, Igor Veselkin, Ivan Varichev, Anatoli Vasiliev, Valery Vatenin, Lazar Yazgur, German Yegoshin, Vecheslav Zagonek, Sergei Zakharov, Ruben Zakharian, Elena Zhukova, and others most prominent painters of the Leningrad School.In the Department of Sculptures were exhibited art works of 153 sculptors. Department of graphics presented a creation of 207 artists.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: In Art belongs to the people, how is the Contributing Artists discussed?

In the largest Department of Painting were exhibited art works of 243 authors. There were Evgenia Antipova, Taisia Afonina, Vladislav Anisovich, Leonid Baykov, Irina Baldina, Nikolai Baskakov, Leonid Baykov, Evgenia Baykova, Vsevolod Bazhenov, Yuri Belov, Piotr Belousov, Olga Bogaevskaya, Lev Bogomolets, Veniamin Borisov, Nikolai Brandt, Dmitry Buchkin, Sergei Frolov, Nikolai Galakhov, Ivan Godlevsky, Vasily Golubev, Abram Grushko, Irina Dobrekova, Oleg Eremeev, Alexei Eriomin, Mikhail Kaneev, Yuri Khukhrov, Maria Kleschar-Samokhvalova, Maya Kopitseva, Victor Korovin, Elena Kostenko, Nikolai Kostrov, Anna Kostrova, Gevork Kotiantz, Mikhail Kozell, Engels Kozlov, Marina Kozlovskaya, Vladimir Krantz, Yaroslav Krestovsky, Boris Lavrenko, Ivan Lavsky, Oleg Lomakin, Dmitry Maevsky, Gavriil Malish, Yuri Mezhirov, Evsey Moiseenko, Andrei Mylnikov, Vera Nazina, Mikhail Natarevich, Yuri Neprintsev, Samuil Nevelshtein, Yaroslav Nikolaev, Dmitry Oboznenko, Victor Oreshnikov, Sergei Osipov, Lia Ostrova, Vladimir Ovchinnikov, Vyacheslav Ovchinnikov, Yuri Pavlov, Varlen Pen, Nikolai Pozdneev, Alexander Pushnin, Valentina Rakhina, Semion Rotnitsky, Ivan Savenko, Gleb Savinov, Vladimir Sakson, Arseny Semionov, Alexander Semionov, Yuri Shablikin, Boris Shamanov, Alexander Shmidt, Nadezhda Shteinmiller, Elena Skuin, Kim Slavin, Alexander Shmidt, Alexander Sokolov, Alexander Stolbov, Alexander Tatarenko, German Tatarinov, Victor Teterin, Nikolai Timkov, Leonid Tkachenko, Yuri Tulin, Vitaly Tulenev, Vitaly Tulenev, Boris Ugarov, Igor Veselkin, Ivan Varichev, Anatoli Vasiliev, Valery Vatenin, Lazar Yazgur, German Yegoshin, Vecheslav Zagonek, Sergei Zakharov, Ruben Zakharian, Elena Zhukova, and others most prominent painters of the Leningrad School.In the Department of Sculptures were exhibited art works of 153 sculptors. Department of graphics presented a creation of 207 artists.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: Focus on Art belongs to the people and explain the Contributed Artworks.

For the Exhibition were selected art works created in years of 1976–1977, also some earlier works. All of them were exhibited at first time. Some of them were subsequently found in the collections of leading Soviet Art museums, as well as domestic and foreign galleries and collectors. The retrospective section of the exhibition was presented by works of famous masters from Art Museums and private collections. Among them were art works of Isaak Brodsky, Joseph Serebriany, Boris Kustodiev, Kuzma Petrov-Vodkin, Rudolf Frentz and others.Genre and Historical painting were presented of "Entrance in the Leningrad Sea Port" by Lev Bogomolets, "The Beginning of Summer" by Dmitry Buchkin, "In the old far village" by Nikolai Galakhov, "Plane arrived" by Abram Grushko, "Bonfires of October" by Oleg Eremeev, "May 9 in Zaonezhie" by Alexei Eriomin, "On the shore of Samatlor Lake" by Yuri Khukhrov, "October, 1917" by Boris Lavrenko, "The new Constitution" by Yuri Mezhirov, "Concert", "Grenada", "On the river" by Evsey Moiseenko, "Federico García Lorca" by Andrei Mylnikov, "Evening", "Saturday", "Close to the old Apple Tree" by Mikhail Natarevich, "Sunday morning" by Lia Ostrova, "In a watch factory" by Vyacheslav Ovchinnikov, "Evening in the Gorushky village" by Yuri Pavlov, "Weather Station" by Nikolai Pozdneev, "Interior. In the Art Studio" by Valentina Rakhina, "Siberian trailblazers" by Ivan Savenko, "Helicopter arrived" by Yuri Shablikin, "Relaxation. Haymaking time" by Alexander Stolbov, "Petrograd City in 1917" by Alexander Tatarenko, "Talking with Lenin" by Vitaly Tulenev, "Meeting of Leningraders with guerrillas" by Yuri Tulin, "Soldiers of the Revolution" by Boris Ugarov, and some others.Portrait was presented of "Portrait of student Ufimtseva" by Vladislav Anisovich, "Portrait of artist Alexei Eriomin" by Irina Baldina, "Portrait of Old Uzbek woman" by Nikolai Baskakov, "Portrait of daughter" by Piotr Belousov, "Katya with a doll" by Olga Bogaevskaya, "Milkmaid" by Nikolai Brandt, "Old Fisherman" by Irina Dobrekova, "Portrait of Academician Mikhail Kostenko" by Elena Kostenko, "Portrait of student Irina Shepelina" by Engels Kozlov, "Portrait of young Power Engineer" by Yuri Mezhirov, "War veteran and his mother" by Vera Nazina, "Katya", "Young lad", "Ludmila" by Samuil Nevelshtein, "Commander" by Dmitry Oboznenko, "Portrait of Masha Chystakova", "Portrait of Badmaev", "Prof. A. Gorban" by Victor Oreshnikov, "Portrait of Ira with the dragonfly" by Lia Ostrova, "Portrait of Boris Tokin", "Scientist Vadim Fomichyov" by Varlen Pen, "Portrait of A. Mirolubov" by Semion Rotnitsky, "Alexander Pushkin in Mikhailovskoye village" by Igor Veselkin, and some others.Landscape, Seascape and Cityscape were presented of "Northern landscape" by Vsevolod Bazhenov, "The new district of Leningrad" by Leonid Baykov, "Murmansk Sea Port" by Lev Bogomolets, "Silent evening" by Veniamin Borisov, "Twilight" by Nikolai Brandt, "Drizzle" by Dmitry Buchkin, "Northern Summer" by Nikolai Galakhov, "Storm on the Sea" by Ivan Godlevsky, "Green expanses", "Autumn harvest" by Vasily Golubev, "A White Night", "Autumn Day" by Alexei Eriomin, "Nevsky Prospekt", "Konushennaya square", "Moyka River", "Neva River" by Mikhail Kaneev, "Rowan-tree" by Maria Kleschar-Samokhvalova, "Spring in the village" by Mikhail Kozell, "Leningrad Motive" by Yaroslav Krestovsky, "Fields and copses" by Dmitry Maevsky, "Spring" by Gavriil Malish, "Petrovskaya Embankment in Leningrad" by Yaroslav Nikolaev, "Little street in winter", "A trickle in the ravine", "Autumn Morning" by Sergei Osipov, "White night. Karpovka River" by Vladimir Ovchinnikov, "Barents Sea" by Nikolai Pozdneev, "Kirenga River" by Ivan Savenko, "A Window", "Cityscape of the Leningrad" by Gleb Savinov, "Autumn day in Summer garden" by Alexander Semionov, "Staritsa. Winter landscape", "Street in Venice" by Arseny Semionov, "Evening in Shozhma" by Yuri Shablikin, "Summer Midday", "A May. The Bird-Cherry" by Boris Shamanov, "Summer" by Elena Skuin, "Spring. Bird-Cherry tree", "Twilight. Fog" by Kim Slavin, "Young Pines" by Alexander Shmidt, "Twilight on the Pona river", "February", "Northern Spring" by Alexander Sokolov, "The Young May" by German Tatarinov, "First Snow", "Autumn" by Nikolai Timkov, "A March", "Winter", "Winter Day", "On the Volkhov River", "Evening ray", "A Winter" by Ivan Varichev, "Silence" by Anatoli Vasiliev, "Ice move" by Lazar Yazgur, "Fontanka river", "Montmartre", "Terrace by the Sea" by German Yegoshin, "The Cherry Orchard", "First houses on the seashore" by Elena Zhukova, and some others.Still life painting was presented of "Still life with Samovar", "Still life with Bird" by Olga Bogaevskaya, "Still life with Jug" by Nikolai Brandt, "A Branch of Cherry", "Blue tableware" by Maya Kopitseva, "Pink Still life" by Gevork Kotiantz, "Mining minerals and fruits" by Gavriil Malish, "Still life with a white vase" by Evsey Moiseenko, "Still life with Blue Tea-Cup" by Sergei Osipov, "Peonies" by Valentina Rakhina, "Roses", "Roses and Dog-roses" by Gleb Savinov, "Still life with Dogrose", "Flowers and fern" by Boris Shamanov, "A Honey" by Elena Skuin, "Still life at the barn", "Still life with dogrose" by Victor Teterin, "Golden cacti", "Decorative vase" by Leonid Tkachenko, "Still life with Bells" by Valery Vatenin, and some others.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: Explain the Contributed Artworks of this artwork, Art belongs to the people.

For the Exhibition were selected art works created in years of 1976–1977, also some earlier works. All of them were exhibited at first time. Some of them were subsequently found in the collections of leading Soviet Art museums, as well as domestic and foreign galleries and collectors. The retrospective section of the exhibition was presented by works of famous masters from Art Museums and private collections. Among them were art works of Isaak Brodsky, Joseph Serebriany, Boris Kustodiev, Kuzma Petrov-Vodkin, Rudolf Frentz and others.Genre and Historical painting were presented of "Entrance in the Leningrad Sea Port" by Lev Bogomolets, "The Beginning of Summer" by Dmitry Buchkin, "In the old far village" by Nikolai Galakhov, "Plane arrived" by Abram Grushko, "Bonfires of October" by Oleg Eremeev, "May 9 in Zaonezhie" by Alexei Eriomin, "On the shore of Samatlor Lake" by Yuri Khukhrov, "October, 1917" by Boris Lavrenko, "The new Constitution" by Yuri Mezhirov, "Concert", "Grenada", "On the river" by Evsey Moiseenko, "Federico García Lorca" by Andrei Mylnikov, "Evening", "Saturday", "Close to the old Apple Tree" by Mikhail Natarevich, "Sunday morning" by Lia Ostrova, "In a watch factory" by Vyacheslav Ovchinnikov, "Evening in the Gorushky village" by Yuri Pavlov, "Weather Station" by Nikolai Pozdneev, "Interior. In the Art Studio" by Valentina Rakhina, "Siberian trailblazers" by Ivan Savenko, "Helicopter arrived" by Yuri Shablikin, "Relaxation. Haymaking time" by Alexander Stolbov, "Petrograd City in 1917" by Alexander Tatarenko, "Talking with Lenin" by Vitaly Tulenev, "Meeting of Leningraders with guerrillas" by Yuri Tulin, "Soldiers of the Revolution" by Boris Ugarov, and some others.Portrait was presented of "Portrait of student Ufimtseva" by Vladislav Anisovich, "Portrait of artist Alexei Eriomin" by Irina Baldina, "Portrait of Old Uzbek woman" by Nikolai Baskakov, "Portrait of daughter" by Piotr Belousov, "Katya with a doll" by Olga Bogaevskaya, "Milkmaid" by Nikolai Brandt, "Old Fisherman" by Irina Dobrekova, "Portrait of Academician Mikhail Kostenko" by Elena Kostenko, "Portrait of student Irina Shepelina" by Engels Kozlov, "Portrait of young Power Engineer" by Yuri Mezhirov, "War veteran and his mother" by Vera Nazina, "Katya", "Young lad", "Ludmila" by Samuil Nevelshtein, "Commander" by Dmitry Oboznenko, "Portrait of Masha Chystakova", "Portrait of Badmaev", "Prof. A. Gorban" by Victor Oreshnikov, "Portrait of Ira with the dragonfly" by Lia Ostrova, "Portrait of Boris Tokin", "Scientist Vadim Fomichyov" by Varlen Pen, "Portrait of A. Mirolubov" by Semion Rotnitsky, "Alexander Pushkin in Mikhailovskoye village" by Igor Veselkin, and some others.Landscape, Seascape and Cityscape were presented of "Northern landscape" by Vsevolod Bazhenov, "The new district of Leningrad" by Leonid Baykov, "Murmansk Sea Port" by Lev Bogomolets, "Silent evening" by Veniamin Borisov, "Twilight" by Nikolai Brandt, "Drizzle" by Dmitry Buchkin, "Northern Summer" by Nikolai Galakhov, "Storm on the Sea" by Ivan Godlevsky, "Green expanses", "Autumn harvest" by Vasily Golubev, "A White Night", "Autumn Day" by Alexei Eriomin, "Nevsky Prospekt", "Konushennaya square", "Moyka River", "Neva River" by Mikhail Kaneev, "Rowan-tree" by Maria Kleschar-Samokhvalova, "Spring in the village" by Mikhail Kozell, "Leningrad Motive" by Yaroslav Krestovsky, "Fields and copses" by Dmitry Maevsky, "Spring" by Gavriil Malish, "Petrovskaya Embankment in Leningrad" by Yaroslav Nikolaev, "Little street in winter", "A trickle in the ravine", "Autumn Morning" by Sergei Osipov, "White night. Karpovka River" by Vladimir Ovchinnikov, "Barents Sea" by Nikolai Pozdneev, "Kirenga River" by Ivan Savenko, "A Window", "Cityscape of the Leningrad" by Gleb Savinov, "Autumn day in Summer garden" by Alexander Semionov, "Staritsa. Winter landscape", "Street in Venice" by Arseny Semionov, "Evening in Shozhma" by Yuri Shablikin, "Summer Midday", "A May. The Bird-Cherry" by Boris Shamanov, "Summer" by Elena Skuin, "Spring. Bird-Cherry tree", "Twilight. Fog" by Kim Slavin, "Young Pines" by Alexander Shmidt, "Twilight on the Pona river", "February", "Northern Spring" by Alexander Sokolov, "The Young May" by German Tatarinov, "First Snow", "Autumn" by Nikolai Timkov, "A March", "Winter", "Winter Day", "On the Volkhov River", "Evening ray", "A Winter" by Ivan Varichev, "Silence" by Anatoli Vasiliev, "Ice move" by Lazar Yazgur, "Fontanka river", "Montmartre", "Terrace by the Sea" by German Yegoshin, "The Cherry Orchard", "First houses on the seashore" by Elena Zhukova, and some others.Still life painting was presented of "Still life with Samovar", "Still life with Bird" by Olga Bogaevskaya, "Still life with Jug" by Nikolai Brandt, "A Branch of Cherry", "Blue tableware" by Maya Kopitseva, "Pink Still life" by Gevork Kotiantz, "Mining minerals and fruits" by Gavriil Malish, "Still life with a white vase" by Evsey Moiseenko, "Still life with Blue Tea-Cup" by Sergei Osipov, "Peonies" by Valentina Rakhina, "Roses", "Roses and Dog-roses" by Gleb Savinov, "Still life with Dogrose", "Flowers and fern" by Boris Shamanov, "A Honey" by Elena Skuin, "Still life at the barn", "Still life with dogrose" by Victor Teterin, "Golden cacti", "Decorative vase" by Leonid Tkachenko, "Still life with Bells" by Valery Vatenin, and some others.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: How does Art belongs to the people explain its Contributed Artworks?

For the Exhibition were selected art works created in years of 1976–1977, also some earlier works. All of them were exhibited at first time. Some of them were subsequently found in the collections of leading Soviet Art museums, as well as domestic and foreign galleries and collectors. The retrospective section of the exhibition was presented by works of famous masters from Art Museums and private collections. Among them were art works of Isaak Brodsky, Joseph Serebriany, Boris Kustodiev, Kuzma Petrov-Vodkin, Rudolf Frentz and others.Genre and Historical painting were presented of "Entrance in the Leningrad Sea Port" by Lev Bogomolets, "The Beginning of Summer" by Dmitry Buchkin, "In the old far village" by Nikolai Galakhov, "Plane arrived" by Abram Grushko, "Bonfires of October" by Oleg Eremeev, "May 9 in Zaonezhie" by Alexei Eriomin, "On the shore of Samatlor Lake" by Yuri Khukhrov, "October, 1917" by Boris Lavrenko, "The new Constitution" by Yuri Mezhirov, "Concert", "Grenada", "On the river" by Evsey Moiseenko, "Federico García Lorca" by Andrei Mylnikov, "Evening", "Saturday", "Close to the old Apple Tree" by Mikhail Natarevich, "Sunday morning" by Lia Ostrova, "In a watch factory" by Vyacheslav Ovchinnikov, "Evening in the Gorushky village" by Yuri Pavlov, "Weather Station" by Nikolai Pozdneev, "Interior. In the Art Studio" by Valentina Rakhina, "Siberian trailblazers" by Ivan Savenko, "Helicopter arrived" by Yuri Shablikin, "Relaxation. Haymaking time" by Alexander Stolbov, "Petrograd City in 1917" by Alexander Tatarenko, "Talking with Lenin" by Vitaly Tulenev, "Meeting of Leningraders with guerrillas" by Yuri Tulin, "Soldiers of the Revolution" by Boris Ugarov, and some others.Portrait was presented of "Portrait of student Ufimtseva" by Vladislav Anisovich, "Portrait of artist Alexei Eriomin" by Irina Baldina, "Portrait of Old Uzbek woman" by Nikolai Baskakov, "Portrait of daughter" by Piotr Belousov, "Katya with a doll" by Olga Bogaevskaya, "Milkmaid" by Nikolai Brandt, "Old Fisherman" by Irina Dobrekova, "Portrait of Academician Mikhail Kostenko" by Elena Kostenko, "Portrait of student Irina Shepelina" by Engels Kozlov, "Portrait of young Power Engineer" by Yuri Mezhirov, "War veteran and his mother" by Vera Nazina, "Katya", "Young lad", "Ludmila" by Samuil Nevelshtein, "Commander" by Dmitry Oboznenko, "Portrait of Masha Chystakova", "Portrait of Badmaev", "Prof. A. Gorban" by Victor Oreshnikov, "Portrait of Ira with the dragonfly" by Lia Ostrova, "Portrait of Boris Tokin", "Scientist Vadim Fomichyov" by Varlen Pen, "Portrait of A. Mirolubov" by Semion Rotnitsky, "Alexander Pushkin in Mikhailovskoye village" by Igor Veselkin, and some others.Landscape, Seascape and Cityscape were presented of "Northern landscape" by Vsevolod Bazhenov, "The new district of Leningrad" by Leonid Baykov, "Murmansk Sea Port" by Lev Bogomolets, "Silent evening" by Veniamin Borisov, "Twilight" by Nikolai Brandt, "Drizzle" by Dmitry Buchkin, "Northern Summer" by Nikolai Galakhov, "Storm on the Sea" by Ivan Godlevsky, "Green expanses", "Autumn harvest" by Vasily Golubev, "A White Night", "Autumn Day" by Alexei Eriomin, "Nevsky Prospekt", "Konushennaya square", "Moyka River", "Neva River" by Mikhail Kaneev, "Rowan-tree" by Maria Kleschar-Samokhvalova, "Spring in the village" by Mikhail Kozell, "Leningrad Motive" by Yaroslav Krestovsky, "Fields and copses" by Dmitry Maevsky, "Spring" by Gavriil Malish, "Petrovskaya Embankment in Leningrad" by Yaroslav Nikolaev, "Little street in winter", "A trickle in the ravine", "Autumn Morning" by Sergei Osipov, "White night. Karpovka River" by Vladimir Ovchinnikov, "Barents Sea" by Nikolai Pozdneev, "Kirenga River" by Ivan Savenko, "A Window", "Cityscape of the Leningrad" by Gleb Savinov, "Autumn day in Summer garden" by Alexander Semionov, "Staritsa. Winter landscape", "Street in Venice" by Arseny Semionov, "Evening in Shozhma" by Yuri Shablikin, "Summer Midday", "A May. The Bird-Cherry" by Boris Shamanov, "Summer" by Elena Skuin, "Spring. Bird-Cherry tree", "Twilight. Fog" by Kim Slavin, "Young Pines" by Alexander Shmidt, "Twilight on the Pona river", "February", "Northern Spring" by Alexander Sokolov, "The Young May" by German Tatarinov, "First Snow", "Autumn" by Nikolai Timkov, "A March", "Winter", "Winter Day", "On the Volkhov River", "Evening ray", "A Winter" by Ivan Varichev, "Silence" by Anatoli Vasiliev, "Ice move" by Lazar Yazgur, "Fontanka river", "Montmartre", "Terrace by the Sea" by German Yegoshin, "The Cherry Orchard", "First houses on the seashore" by Elena Zhukova, and some others.Still life painting was presented of "Still life with Samovar", "Still life with Bird" by Olga Bogaevskaya, "Still life with Jug" by Nikolai Brandt, "A Branch of Cherry", "Blue tableware" by Maya Kopitseva, "Pink Still life" by Gevork Kotiantz, "Mining minerals and fruits" by Gavriil Malish, "Still life with a white vase" by Evsey Moiseenko, "Still life with Blue Tea-Cup" by Sergei Osipov, "Peonies" by Valentina Rakhina, "Roses", "Roses and Dog-roses" by Gleb Savinov, "Still life with Dogrose", "Flowers and fern" by Boris Shamanov, "A Honey" by Elena Skuin, "Still life at the barn", "Still life with dogrose" by Victor Teterin, "Golden cacti", "Decorative vase" by Leonid Tkachenko, "Still life with Bells" by Valery Vatenin, and some others.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: In Art belongs to the people, how is the Contributed Artworks discussed?

For the Exhibition were selected art works created in years of 1976–1977, also some earlier works. All of them were exhibited at first time. Some of them were subsequently found in the collections of leading Soviet Art museums, as well as domestic and foreign galleries and collectors. The retrospective section of the exhibition was presented by works of famous masters from Art Museums and private collections. Among them were art works of Isaak Brodsky, Joseph Serebriany, Boris Kustodiev, Kuzma Petrov-Vodkin, Rudolf Frentz and others.Genre and Historical painting were presented of "Entrance in the Leningrad Sea Port" by Lev Bogomolets, "The Beginning of Summer" by Dmitry Buchkin, "In the old far village" by Nikolai Galakhov, "Plane arrived" by Abram Grushko, "Bonfires of October" by Oleg Eremeev, "May 9 in Zaonezhie" by Alexei Eriomin, "On the shore of Samatlor Lake" by Yuri Khukhrov, "October, 1917" by Boris Lavrenko, "The new Constitution" by Yuri Mezhirov, "Concert", "Grenada", "On the river" by Evsey Moiseenko, "Federico García Lorca" by Andrei Mylnikov, "Evening", "Saturday", "Close to the old Apple Tree" by Mikhail Natarevich, "Sunday morning" by Lia Ostrova, "In a watch factory" by Vyacheslav Ovchinnikov, "Evening in the Gorushky village" by Yuri Pavlov, "Weather Station" by Nikolai Pozdneev, "Interior. In the Art Studio" by Valentina Rakhina, "Siberian trailblazers" by Ivan Savenko, "Helicopter arrived" by Yuri Shablikin, "Relaxation. Haymaking time" by Alexander Stolbov, "Petrograd City in 1917" by Alexander Tatarenko, "Talking with Lenin" by Vitaly Tulenev, "Meeting of Leningraders with guerrillas" by Yuri Tulin, "Soldiers of the Revolution" by Boris Ugarov, and some others.Portrait was presented of "Portrait of student Ufimtseva" by Vladislav Anisovich, "Portrait of artist Alexei Eriomin" by Irina Baldina, "Portrait of Old Uzbek woman" by Nikolai Baskakov, "Portrait of daughter" by Piotr Belousov, "Katya with a doll" by Olga Bogaevskaya, "Milkmaid" by Nikolai Brandt, "Old Fisherman" by Irina Dobrekova, "Portrait of Academician Mikhail Kostenko" by Elena Kostenko, "Portrait of student Irina Shepelina" by Engels Kozlov, "Portrait of young Power Engineer" by Yuri Mezhirov, "War veteran and his mother" by Vera Nazina, "Katya", "Young lad", "Ludmila" by Samuil Nevelshtein, "Commander" by Dmitry Oboznenko, "Portrait of Masha Chystakova", "Portrait of Badmaev", "Prof. A. Gorban" by Victor Oreshnikov, "Portrait of Ira with the dragonfly" by Lia Ostrova, "Portrait of Boris Tokin", "Scientist Vadim Fomichyov" by Varlen Pen, "Portrait of A. Mirolubov" by Semion Rotnitsky, "Alexander Pushkin in Mikhailovskoye village" by Igor Veselkin, and some others.Landscape, Seascape and Cityscape were presented of "Northern landscape" by Vsevolod Bazhenov, "The new district of Leningrad" by Leonid Baykov, "Murmansk Sea Port" by Lev Bogomolets, "Silent evening" by Veniamin Borisov, "Twilight" by Nikolai Brandt, "Drizzle" by Dmitry Buchkin, "Northern Summer" by Nikolai Galakhov, "Storm on the Sea" by Ivan Godlevsky, "Green expanses", "Autumn harvest" by Vasily Golubev, "A White Night", "Autumn Day" by Alexei Eriomin, "Nevsky Prospekt", "Konushennaya square", "Moyka River", "Neva River" by Mikhail Kaneev, "Rowan-tree" by Maria Kleschar-Samokhvalova, "Spring in the village" by Mikhail Kozell, "Leningrad Motive" by Yaroslav Krestovsky, "Fields and copses" by Dmitry Maevsky, "Spring" by Gavriil Malish, "Petrovskaya Embankment in Leningrad" by Yaroslav Nikolaev, "Little street in winter", "A trickle in the ravine", "Autumn Morning" by Sergei Osipov, "White night. Karpovka River" by Vladimir Ovchinnikov, "Barents Sea" by Nikolai Pozdneev, "Kirenga River" by Ivan Savenko, "A Window", "Cityscape of the Leningrad" by Gleb Savinov, "Autumn day in Summer garden" by Alexander Semionov, "Staritsa. Winter landscape", "Street in Venice" by Arseny Semionov, "Evening in Shozhma" by Yuri Shablikin, "Summer Midday", "A May. The Bird-Cherry" by Boris Shamanov, "Summer" by Elena Skuin, "Spring. Bird-Cherry tree", "Twilight. Fog" by Kim Slavin, "Young Pines" by Alexander Shmidt, "Twilight on the Pona river", "February", "Northern Spring" by Alexander Sokolov, "The Young May" by German Tatarinov, "First Snow", "Autumn" by Nikolai Timkov, "A March", "Winter", "Winter Day", "On the Volkhov River", "Evening ray", "A Winter" by Ivan Varichev, "Silence" by Anatoli Vasiliev, "Ice move" by Lazar Yazgur, "Fontanka river", "Montmartre", "Terrace by the Sea" by German Yegoshin, "The Cherry Orchard", "First houses on the seashore" by Elena Zhukova, and some others.Still life painting was presented of "Still life with Samovar", "Still life with Bird" by Olga Bogaevskaya, "Still life with Jug" by Nikolai Brandt, "A Branch of Cherry", "Blue tableware" by Maya Kopitseva, "Pink Still life" by Gevork Kotiantz, "Mining minerals and fruits" by Gavriil Malish, "Still life with a white vase" by Evsey Moiseenko, "Still life with Blue Tea-Cup" by Sergei Osipov, "Peonies" by Valentina Rakhina, "Roses", "Roses and Dog-roses" by Gleb Savinov, "Still life with Dogrose", "Flowers and fern" by Boris Shamanov, "A Honey" by Elena Skuin, "Still life at the barn", "Still life with dogrose" by Victor Teterin, "Golden cacti", "Decorative vase" by Leonid Tkachenko, "Still life with Bells" by Valery Vatenin, and some others.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: Focus on Art belongs to the people and explain the Acknowledgment.

Anniversary Art Exhibition of 1977 was widely covered in press and in literature on Soviet fine art.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: Explain the Acknowledgment of this artwork, Art belongs to the people.

Anniversary Art Exhibition of 1977 was widely covered in press and in literature on Soviet fine art.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: How does Art belongs to the people explain its Acknowledgment?

Anniversary Art Exhibition of 1977 was widely covered in press and in literature on Soviet fine art.

''Manege Central Exhibition Hall (Saint Petersburg)''


Art belongs to the people

Prompt: In Art belongs to the people, how is the Acknowledgment discussed?

Anniversary Art Exhibition of 1977 was widely covered in press and in literature on Soviet fine art.

''Manege Central Exhibition Hall (Saint Petersburg)''


Ode to a Tree

Prompt: Focus on Ode to a Tree and explain the abstract.

Ode to a Tree is an outdoor 1977 sculpture by Le Roy (L. R.) Setziol, installed on the Oregon State University campus in Corvallis, Oregon, in the United States.

Category:Outdoor sculptures in Corvallis, Oregon


Ode to a Tree

Prompt: Explain the abstract of this artwork, Ode to a Tree.

Ode to a Tree is an outdoor 1977 sculpture by Le Roy (L. R.) Setziol, installed on the Oregon State University campus in Corvallis, Oregon, in the United States.

Category:Outdoor sculptures in Corvallis, Oregon


Ode to a Tree

Prompt: How does Ode to a Tree explain its abstract?

Ode to a Tree is an outdoor 1977 sculpture by Le Roy (L. R.) Setziol, installed on the Oregon State University campus in Corvallis, Oregon, in the United States.

Category:Outdoor sculptures in Corvallis, Oregon


Ode to a Tree

Prompt: In Ode to a Tree, how is the abstract discussed?

Ode to a Tree is an outdoor 1977 sculpture by Le Roy (L. R.) Setziol, installed on the Oregon State University campus in Corvallis, Oregon, in the United States.

Category:Outdoor sculptures in Corvallis, Oregon