Sgt Pepper's Lonely Hearts Club Band | The Beatles Bible
Sgt Pepper's Lonely Hearts Club Band
A Day In The Life
The Beatles' eighth UK album caused a seismic shift in popular music. Recorded in over 400 hours during a 129-day period, Sgt Pepper's Lonely Hearts Club Band helped define the 1967 Summer of Love, and was instantly recognised as a major leap forward for modern music.
The mood of the album was in the spirit of the age, because we ourselves were fitting into the mood of the time. The idea wasn't to do anything to cater for that mood - we happened to be in that mood anyway. And it wasn't just the general mood of the time that influenced us; I was searching for references that were more on the fringe of things. The actual mood of the time was more likely to be The Move, or Status Quo or whatever - whereas outside all of that there was this avant-garde mode, which I think was coming into Pepper.
There was definitely a movement of people. All I am saying is: we weren't really trying to cater for that movement - we were just being part of it, as we always had been. I maintain The Beatles weren't the leaders of the generation, but the spokesmen. We were only doing what the kids in the art schools were all doing. It was a wild time, and it feels to me like a time warp - there we were in a magical wizard-land with velvet patchwork clothes and burning joss sticks, and here we are now soberly dressed.
Paul McCartney
Anthology
Even more so than its predecessor, Revolver , Sgt Pepper saw The Beatles pushing boundaries within the studio, creating sounds which had never before been heard. They made extensive use of orchestras and other hired musicians, and combined a variety of musical styles including rock, music hall, psychedelia, traditional Indian and Western classical.
From the fairground swirls of Being For The Benefit Of Mr Kite! to the animal stampede that closes Good Morning Good Morning, Sgt Pepper's Lonely Hearts Club Band signalled to the world that The Beatles were no longer the loveable moptops of old, unwilling to sing simple love songs and perform for crowds who were more interested in screaming than listening.
The album was always going to have Sgt Pepper at the beginning; and if you listen to the first two tracks, you can hear it was going to be a show album. It was Sgt Pepper and his Lonely Hearts Club Band with all these other acts, and it was going to run like a rock opera. It had started out with a feeling that it was going to be something totally different, but we only got as far as Sgt Pepper and Billy Shears (singing With A Little Help From My Friends), and then we thought: 'Sod it! it's just two tracks.' It still kept the title and the feel that it's all connected, although in the end we didn't actually connect all the songs up.
Ringo Starr
Anthology
At the core of Sgt Pepper is the sound of The Beatles' English background, with tales of runaway girls, circus attractions, Isle of Wight cottages, domestic violence, home improvements, Daily Mail news stories, memories of school days and favourite childhood literature - far from the riches they enjoyed as the most famous foursome on the planet, but remembering times past and wondering what the future would hold.
Prior to the release of Sgt Pepper, however, many commentators believed The Beatles to be over as a group. They had ceased touring and largely retreated from public view, and Penny Lane / Strawberry Fields Forever had failed to top the UK singles chart after its February 1967 release.
After the record was finished, I thought it was great. I thought it was a huge advance, and I was very pleased because a month or two earlier the press and the music papers had been saying, 'What are The Beatles up to? Drying up, I suppose.' So it was nice, making an album like Pepper and thinking, 'Yeah, drying up, I suppose. That's right.' It was lovely to have them on that when it came out. I loved it. I had a party to celebrate - that whole weekend was a bit of a party, as far as I recall. I remember getting telegrams saying: 'Long live Sgt Pepper.' People would come round and say, 'Great album, man.'
Paul McCartney
Latest Comments
Julio Tuesday 16 February 2010
If you think about it, Pepper is the beginning of the end. They are not playing or working together as group. Paul’s solo album, although the minimal contributions from John are what give the album weight and soul. George contributes very little to this album except for of course his masterpiece “within and within out you.” Paul plays most of the led guitar. Let it be ,which is always seen as the band falling apart actually has them playing as a unit.It is nice to seem them play on the roof.
Joseph Brush Monday 22 February 2010
Now Sgt.Pepper is Paul’s solo album?
Give me a break.
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Julio Wednesday 24 February 2010
Yes, Paul’s solo album. He wrote the majority of the songs and contributed greatly to Jonn’s 4 songs. It was Paul who came up with the great intro melody to Lucy in the Sky with Diamonds, instructed John on the vocal phrasing, wrote half of the lyrics, plays great the melodic base throughout. WIthout Paul, Lucy just does not work. His contributions to Day in the Life are well documented, conducted orchestra, plays the ever essential piano and base part, not to mention the middle eight,  and instructed Ringo’s great drum fills. He plays all of the lead guitar solos with exception of fixing a hole. Pepper was Paul’s dream, that is why the others hate it so much. John was jealous for the attention it got, George was never really involved (his heart was in India) and Ringo was bore out of his mind (learned how to play chess).
Joseph Brush Wednesday 24 February 2010
What are the sources for your claims?
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Julio Sunday 28 February 2010
For starters read Emmerick’s book, and Barry Miles’ book. If you are not a reader just watch anthology and listen to how john, george, ringo do not speak very fondly about pepper but paul loves it.
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Mbook Thursday 2 December 2010
I think if anything Julio’s comments are unflattering toward Paul more than toward the others.  They’re also accurate according to everything I’ve read about this album, inluding the above article on this site.
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alex Thursday 24 January 2013
it really is ridiculous and stupid to call an album where Ringo has his best vocal and drum performances, George has a great song and John has more than 2 of the most revolutionary classics, a Paul solo album. they didn’t speak very fondly of making the White Album either and Paul still loves that one and that’s not a solo album by any means. I see what you’re doing you’re trying to be controversial but the fact is your little dumb theory doesn’t hold up against the facts .you have to exclude a bunch of real things that happened to make your little idea hold up. Sorry buddy
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Joseph Scott Thursday 12 March 2015
“they didn’t speak very fondly of making the White Album either” That’s kind of a myth that going in the Beatles books over the years, more than what they actually said.
chucky Thursday 4 March 2010
You forget to precise that Ringo said concerning Sgt.Pepper’s : ” We done a great album”
(he never said: it’s a great album of Paul)
Because one day Ringo said, he learned how to play chess, some people tries to pretend to be experts. So, they said : “Hey, i’m a specialist, I discovered something. Sgt.Pepper’s, it’s not an album of The Beatles, it’s an album of Paul McCartney. Do you want a evidence? Ringo said he learned how to play chess.
So it’s the evidence that he didn’t participate to the sessions of Sgt.Pepper’s”
(lol)
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EltonJohnLennon Thursday 22 April 2010
I think you’re wrong. Yes, Paul wrote the majority of the song but John also contributed something to his songs (“Getting Better” and “She’s Leaving Home”). And who wrote the intro of Lucy in the Sky? It was John. Doesn’t matter if Paul played it. I don’t think he has anything to do with this song. He is the only one who says that he wrote it together with John.
sebastian mora Sunday 11 September 2011
Lennon sais this in his Rolling stone interview 1970:
Jann WENNER (journalist):
“There are no “newspaper taxis.”
LENNON:
http://www.jannswenner.com/Archives/John_Lennon_Part1.aspx
So Mccartney was telling the truth.
In fact, lucy in the sky authorship was one the reasons why McCartney decided to release the book many years from now:
http://www.youtube.com/watch?v=EpGUIM_hxrU
I think Paul’s opinion about who wrote lucy in the sky is as important as lennon´s, and more important than anybody else opinions. He was there, he was half of the writing team, not you or any “beatles expert”.
Ps:  Paul helped in mr kite and co wrote A day in the life.
Joseph Brush Tuesday 4 October 2011
Where did Paul help in Mr.Kite? What is the source of your remark?
Sebastian Mora Friday 7 October 2011
Playboy interview 1984
PLAYBOY: “‘Being for the Benefit of Mr. Kite!’?
Paul: “That was taken directly off a poster John had. A circus poster.WE stretched it a bit.”
Taken from the book Paul McCartney Many years from no:
PAUL: ‘Mr Kite’ was a poster that John had in his house in Weybridge. I arrived there for a session one day and he had it up on the wall in his living room. It was all there, the trampoline, the somersets, the hoops, the garters, the horse. It was Pablo Fanque’s fair, and it said ‘being for the benefit of Mr Kite’; almost the whole song was written right off this poster. We just sat down and wrote it. We pretty much took it down word for word and then just made up some little bits and pieces to glue it together. It was more John’s because it was his poster so he ended up singing it, but it was quite a co-written song. We were both sitting there to write it at his house, just looking at it on the wall in the living room. But that was nice, it wrote itself very easily. Later George Martin put a fairground sound on it.
http://www.wingspan.ru/bookseng/myfn/bmiles08.html
Some extra, info about paul´s contribution to Lucy… :
Confusion over Paul’s work in the Beatles sometimes extends to the Inner Circle. Paul even had to assure George Martin that he had co-written ‘Lucy in the Sky with Diamonds’. ‘I remember going to John’s house and him showing me Julian’s drawing [from school], and John saying: “Lucy in the Sky with Diamonds. Good title, eh?” And we wrote it: it’s John and me doing something like a Lewis Carroll. Now, John will have told George Martin that he had this great new song. He won’t have told him: “Hey, yesterday Paul came to my house and we wrote it together.” You don’t. You just say: “I’ve got this new one.” George would say: “Super, John, it’s lovely.” And he would assume it’s John’s song. In a recent book by George [Martin] it very nearly went down as one of John’s solo compositions. So I find myself these days trying to fight for some of the credit, particularly because John’s died in such crazy circumstances.’
Taken from the book Paul McCartney Yesterday and Today by Ray Coleman.
http://www.wingspan.ru/bookseng/coleman/coleman05.html
Taken from the book Paul McCartney Many years from now:
PAUL: I went up to John’s house in Weybridge. When I arrived we were having a cup of tea, and he said, ‘Look at this great drawing Julian’s done. Look at the title!’ He showed me a drawing on school paper, a five-by-seven-inch piece of paper, of a little girl with lots of stars, and right across the top there was written, in very neat child handwriting, I think in pencil, ‘Lucy in the Sky with Diamonds’. So I said, ‘What’s that mean?’, thinking, Wow, fantastic title! John said, ‘It’s Lucy, a friend of his from school. And she’s in the sky.’ Julian had drawn stars, and then he thought they were diamonds. They were child’s stars, there’s a way to draw them with two triangles, but he said diamonds because they can be interpreted as diamonds or stars. And we loved it and she was in the sky and it was very trippy to us. So we went upstairs and started writing it. People later thought ‘Lucy in the Sky with Diamonds’ was LSD. I swear we didn’t notice that when it came out, in actual fact, if you want to be pedantic you’d have to say it is LITSWD, but of course LSD is a better story.
PAUL: John had the title and he had the first verse. It started off very Alice in Wonderland: ‘Picture yourself in a boat, on a river …’ It’s very Alice. Both of us had read the Alice books and always referred to them, we were always talking about ‘Jabber-wocky’ and we knew those more than any other books really. And when psychedelics came in, the heady quality of them was perfect. So we just went along with it. I sat there and wrote it with him: I offered ‘cellophane flowers’ and ‘newspaper taxis’ and John replied with ‘kaleidoscope eyes’. I remember which was which because we traded words off each other, as we always did … And in our mind it was an Alice thing, which both of us loved.
Joseph Brush Monday 10 October 2011
It seems as though Paul waited until after December 8, 1980 to “set the record straight”.
Sebastian Mora Wednesday 19 October 2011
“It seems as though Paul waited until after December 8, 1980 to “set the record straight”.”
Well, only after december 8 1980, “beatles experts” began to write  thousands books about “who wrote what” in The beatles, and spread the word that lennon was god, and paul just a lucky guy who met him. They didnt ask Paul about his version, so he released his semi autobiography Many years from now, after eighteen years of taking shit from people like you that dont believe him, because dont want to hear something that is obvious: Mccartney contributed to Lennon´s beatles stuff, just as john contributed paul´s.
In the 70´s, Paul didnt need to set the record straigth, the lennon myth didnt exist, and paul was by far the most successful and popular ex beatle, even if he wasnt the critics ´s  fave.
If you need to hear again  paul´s explanation why he need to set the record straight after Lennon´s dead, go again to http://www.youtube.com/watch?v=EpGUIM_hxrU to
JohnKing67 Tuesday 28 June 2011
John’s contributions were massive on Sgt. Pepper.  Lucy, Day In The Life, Mr. Kite.  Seems a bit exaggerated to call it Paul’s solo album.
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Don Sunday 9 October 2011
Since there are references in this trail to Anthology as the source that Ringo, John, and George hated Pepper I would point out that that is not correct.  If you really examine Anthology what you find is that each Paul, George, and Ringo specifically expressed “favorite” Beatles albums.  To wit; Ringo – “I loved the White Album”. George – “Rubber soul and Revolver were very happy records and could have been 1”, Paul was clearly deferrent to Pepper, and interestingly John seemed to be partial to the good points in all of the albums…
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the real sgt pepper Sunday 24 August 2014
Although it isnt a personel favourite of mine. i do feel that it was a passing phase of the beatles. the other beatles seem quite compliant toward the album, as if on musical Auto Pilot.it was  like handing the keys to paul and seeing what he could do. but still keeping him in check.
Ben Bettles Monday 17 October 2016
I think George Martin might have been involved !!
Joseph Brush Wednesday 24 February 2010
Sgt. Pepper was a time of cooperation from everyone in the group.
There were no walkouts, or bickering for Pepper as there was in the Get Back/Let It Be sessions.
Paul’s quantity of songs doesn’t equal John (and George’s) quality of songs.
As for Paul playing most of the lead guitar, according to you, check each guitar track for each song on this site!
chucky Thursday 4 March 2010
1 – ” They are not playing or working together as group.”
REVISIONISM!!!
Totally wrong : Every days together (except Sundays) for 4 consecutive months!
George contributes very little to this album except for of course his masterpiece “within and within out you.”
REVISIONISM!!!
1 – Sgt Pepper’s Lonely Hearts Club Band : Vocals, Guitar
2- With A Little Help From My Friends : Lead Guitar
3 – Lucy In The Sky With Diamonds : Backing Vocals, Lead Guitar, Acoustic Guitar, Tambura
4 – Getting Better : Backing Vocals, Lead Guitar, Tambura
5 – Fixing A Hole : Backing Vocals, Lead Guitar
6 – Being For The Benefit Of Mr Kite! : Harmonica
7 – Within You Without You : Vocals, Sitar, Acoustic Guitar, Tambura
8 – When I’m Sixty-Four : Backing Vocals
9 – Lovely Rita : Backing Vocals, Electric Slide Guitar, Acoustic Rhythm Guitar, Comb and Paper
10 – Good Morning Good Morning : Backing Vocals, Lead Guitar
11 – Sgt Pepper’s Lonely Hearts Club Band (Reprise) : Vocals, Lead guitar
12 – A Day In The Life : Maracas
Like you see, George played on 11 songs and he sing on 9 songs
He composed only one songs?
If you listen Led Zeppelin, all the songs was credited ” Jimmy Page/Robert Plant”
So, if you consider ” George contributes very little to this album ” because he composed one song, so we can say that John Bonham and John Paul Jones was absent on albums of Led Zeppelin.
Like “Led Zeppelin IV” is an album of Led Zeppelin (and not an album of Jimmy Page and Robert Plant), Sgt.Pepper’s is an album of The Beatles ( and not an album of Lennon/McCartney)
Sgt.Pepper’s is an album of The Beatles.
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Julio Friday 5 March 2010
Love those maracas! If you don’t agree that Paul completely dominates the Pepper sessions so be it.
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alex Thursday 24 January 2013
first of all you said Paul solo album not Paul dominant I like how youre changing your story it’s very pathetic I also like how you play out the smallest example of georges contributions. By the way those maracas are actually kind of iconic in the song. so you can keep sliding down your little mountain pathetically 😉
asmirandah Sunday 29 June 2014
I’am agree with you.. Paul absolutely nothing with little help from band mate…
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LOMAN Friday 23 April 2010
I’ve heard people say that same bull about Abbey Road…”Paul’s album”. I would remind you that these are both Beatles albums! Just because Paul cared more towards the end and put forth greater effort in the recording and production of said albums does not make them his albums. To state that as fact you downplay the importance of songs like “Lucy in the Sky…” and “For the Benefit..” on Sgt. Pepper’s and songs like “Come Together” and “I Wany You (She’s So Heavy)” on Abbey Road. I know that that second side of Abbey Road was Paul’s conception and really was his creation, but it would not have been worth s#!t without the “Sun King”/Mr.Mustard”/”Pam” section…all songs by Lennon.
p.s. I do think they should have included “Only a Northern Song” on Sgt. Pepper!
George Demake Tuesday 4 January 2011
Are you kidding me?
Only a Northern song is perhaps the most unimaginative song George ever wrote. Why do you think it was relegated to the Yellow Submarine Soundtrack, along with “Its All too Much”?
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Frank Saturday 29 November 2014
Paul’s solo album. Except ringo sings lead on With a little help from my friends, one of the best song of pepper. John sings lead and wrote Lucy in the sky, mr kite, good morning good morning and is the centrepiece of a day in the life, the greatest song of all time. Not to mention Within You Without You, which Paul doesn’t even play on. It can’t be a Paul solo album if there’s a song without Paul now can it Julio.
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George Sunday 21 December 2014
You know, you’re right. This is the point when you see them getting apart from each other.
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Elsewhere Man Monday 22 February 2010
When did it become fashionable to downplay Sgt. Pepper? I agree with the common belief these days that Revolver is a better group effort and their best album overall but that doesn’t take away from the greatness of Pepper. It’s still a stunning masterpiece…
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Julio Tuesday 23 February 2010
I love the album too. I just think that it is interesting to view it as such a pinnacle for the group when it is more of a Mccartney solo album. I prefer the white album, Revolver, Rubber Soul, Abbey Road over Pepper. But don’t get me wrong I love em all, I am a Beatle nut!
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BeatleMark Wednesday 24 February 2010
The mystery to me is, on “A Day In The Life” after the …went into a dream section, who is singing the melodic scat phrases?  Sounds like Paul but others have stated that it was John.
Joseph Brush Thursday 4 March 2010
Barry Miles has been close to Paul since mid-1960’s.
Many Years From Now gives Paul credit for every innovation by the Beatles.
This McCartney-acolyte labels John as a “manoeuvring swine”.
It reads more like a press kit than an objective book.
Roger Thursday 18 March 2010
McCartney’s idea…Lennon’s album.
paulsbass Monday 14 June 2010
How can you call Pepper “John’s album”??
According to people working with the Beatles in the studio Lennon was extremely little interested in working on the songs, even his own!
Paul’s bass lines in all of Lennon’s (few) songs are amazing, as is his guitar solo in “Good morning”, as is the intro to “Lucy”, as is his incredible piano part in “A day in the life”. Many great aspects about John’s song were accomplished by the arrangements of George Martin (animals, Mr. Kite’s crazy organ, orchestra on “A day in the life, supported by Paul etc.)
He was the driving force behind the album. I still wouldn’t call it his “solo” album, since it was the four of them that made The Beatles so legendary. And of course the others contributed greatly. Imagine George Harrison NOT bringing up his sworde-mandel or the tambura! Imagine Ringo NOT doing “With a little help” and all this wonderful drums. Imagine John doing NOT those fantastic vocals on “A day in the life” or the greece choir part on “She’s leaving home”. It was still an excellent group effort.
But it should be still obvious that Paul was the major force, writing most of the songs, playing all those essential musical parts, being involved and interested in the production the most.
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EltonJohnLennon Tuesday 15 June 2010
The animal sounds on “Good Morning” were Johns idea. And the orchestral arrangement on “A Day in the Life” was created collaboratively by George Martin, John Lennon and Paul McCarntey.
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GniknuS Monday 4 October 2010
You McCartney fans are nuts, yes we get it, Paul is a musical god and without him the Beatles would have been less successful than a Ringo-less Rory Storm and the Hurricanes. Paul’s album? If you believe that the intro and reprise, Fixing a Hole, Getting Better and Lovely Rita “make” this album great, then so be it, but I’ve never seen those songs as more than filler. Great and inventive filler, but still not exactly great songs. She’s Leaving Home is jaw droppingly beautiful but the best songs, to me at least, are Lucy in the Sky and A Day in the Life, and while A Day in the Life was obviously a collaborative effort, there’s no question as to who’s part is more monumental and awe inspiring. I don’t think anyone’s trying to take anything away from Paul, but saying this is a solo McCartney album is laughable.
paulsbass Tuesday 5 October 2010
So who called it Paul’s “solo album”???
I surely didn’t!
Please re-read my posting where I explicitly said the excact opposite.
Also re-read the parts where I described Macca’s influence on your favourite songs.
GniknuS Tuesday 5 October 2010
Sorry I was referring to the first poster when I said Paul’s solo album.
paulsbass Wednesday 6 October 2010
Ok! 😉
Matt Elwood Monday 14 June 2010
Probably the most overrated album in history!
Sgt Pepper/Reprise
Lucy In The Sky With Diamonds
A Day In The Life
Shes Leaving Home
Lovely Rita
Are the best songs on that album, Is it better than Rubber Soul/Revolver/The White Album for Me it isn’t, It made a large impact because of the feel of it within the physchedelic era of the 60’s plus it soothes alot of ego’s for the McCartney fanbase (By the way Im a fan of Paul its just some people try to take away credit from the John, George, Ringo on this album even though A Day In The Life is probably the greatest Beatle’s song of all time and its mainly a Lennon composition)
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EltonJohnLennon Saturday 19 June 2010
This is a really good album. But it’s not the best Beatles album. There are a lot of good songs on it but there is just one real masterpiece: “A Day in the Life”.
Paul may have written the majority of the songs but the most famous songs on this album are “A Day in the Life” and “Lucy in the Sky with Diamonds”. And both are generally seen as Lennon compositions.
Joseph Brush Saturday 19 June 2010
Yes indeed, Pepper is not the best Beatles album!
My favourite feature of Pepper are the backing vocals and/or the responses (Greek chorus if you will).
As well as the two tracks mentioned above I still enjoy:
Being For The Benefit of Mr. Kite, She’s Leaving Home, Good Morning, Good Morning and Within You, Without You.
The rest I skip over most of the time I play Pepper.
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beatleKen Friday 13 August 2010
It was John and Paul’s album mainly, George wasnt very interested in it,nor Ringo.  AND Paul did play most of the lead guitar parts. BUT ITS STILL THE BEATLES
Robert Monday 16 August 2010
clearly Pepper is Ringo’s album – I mean c’mon
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Whatever Thursday 4 November 2010
In my opinion, it is Paul’s album because he dominates it. His ideas were made for this album. John’s songs could have gone to any other album and the same happens to George.
However, I don’t see it as a flawless album because Paul successfully fails. Paul was incredibly influenced by Pet Sounds and it is obvious in certain songs but I don’t see him winning. Furthermore, I see that Paul’s songs were an attempt to be better than John’s but he also loses. For example, “Penny Lane” is not even close to “Strawberry Fields Forever” and “She’s Leaving Home” was a nice try but “A Day In The Life” also wins. They both have the same origins and, when it is put in that way, Lennon’s mind wins without a doubt.
PS: I love The Beatles and I love Sgt. Pepper’s Lonely Hearts Club Band since they both were an icon of society’s ideas and beliefs. In this post, I just made negative observations towards Paul since he is getting too much feedback for this album here (there and everywhere).
Also, this idea of John hating the album kind of makes sense because, really, he always seems a little disappointed that the band went there in the psychedelic area. He is always so cold about that album and it’s understandable since he is really into Rock’n’Roll. Not to mention how George and Ringo were there physically but, mentally, they were somewhere else.
“People had this dream about Pepper and it was good for them.” (John Lennon)
mr. Sun king coming together Thursday 4 November 2010
Consider the following
Pepper Was the dream of Paul’s which John and George vastly improved with their contributions. Is A Hard Day’s Night a Lennon Solo album
He majority-wrote 10 songs on that album, But it is a Beatles album
Pepper is a beatles album
Live with it
Whatever Wednesday 10 November 2010
Not that John didn’t like Psychedelic Music. He actually loved it.
I think he kind of regreted it. He said drugs made him psychedelic as a lot of other people from his generation so we can say that this is not the John we knew, it’s an altered John. The original John is a Rock’n’Roll head.
Also, I think he regreted it because it was the door for Paul’s empire. So Sgt. Pepper Lonely Hearts Club Band was the album who made Paul a second (for some people, the only) leader.
So, John had this bad feelings about Pepper and whatnot but he loved it because it was a period. A ”peak” of contribution on the ideas, the instrumentals, the harmonies, everything. And of course, it gave a lot of money to them so there’s no reason to be sad about it.
PS: A Hard Day’s Night is a John album, yes.
Sgt. Pepper’s Lonely Hearts Club Band (and I guess Abbey Road) are Paul’s.
Not because they are the ones who matter in the album, but because they were predominant not only in the ideas but also in the production.
EXTREMELY IMPORTANT PS: WE HAVE TO REMEMBER THAT PAUL MADE THE BEATLES FIRST FAILURE TOO.
Magical Mystery Tour is a nice album for me, I like the crazyness and stuff but Paul is so defensive when he talks about this album. He had Pepper and he probably tried to push it further with Magical Mystery Tour but, at that time, a lot of people hated it. So, yeah, just pointing that out for you all.
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George Demake Wednesday 1 December 2010
Perhaps Paul’s energy played a greater role for the impetus of Sgt. Pepper, But I think this album needs to be appreciated as a whole and not simply by it’s individual parts. Sure, there may be better songs on other albums, but what was your impression when you saw that album cover when it first came out, or when you opened the gatefold and saw the beatles in those colorful costumes, not to mention the lyrics on the back. I know these don’t make for a great album on their own, but the songs are very good. I believe the album’s success is a result of the production, engineering and the willingness to take musical chances during a fairly primitive musical time in the British recording studio, where they were forced to be inventive and creative. To me the beatles have always been more than the four musicians themselves. Sure, John and Paul were the strong musical forces for most of the band’s tenure, but they were blessed with a classically trained producer who was able to translate their musical ideas into a cohesive musical form and engineers who were not afraid to push the musical envelope and work outside of the box. And on Pepper, the musical team really made it work. There was a definite magic that was created in the production of Pepper which give it it’s cohesiveness and continuity. That being said, they all contributed their musical ideas and input into the record, Paul’s guitar solos really punctuated the songs on which he added to, both his and John’s.John’s ” A Day in the Life” is one of the all-time greats of any musical genre, and George finally became the composer he is now known as with the creation of Within You Without You. Oh Yeah, Ringo ain’t so bad on the drums on this album either.
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Inner Light Monday 3 January 2011
I just finished reading all the posts regarding this album and cannot believe how many posts there are claiming this is McCartney’s album. They were all very talented in their own way. Without all four of them participating during the Sgt. Pepper recording sessions this album would not sounded as good as it turned out.
I am so tired of hearing Paul this and Paul that. They are all great songwriters and musicians. the Beatles are the Beatles and that is why their solo efforts will never measure up to the group efforts.
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Matheus Luque Wednesday 2 February 2011
Guys, of course Paul´s contribuition on Sgt. Pepper´s is bigger than John´s, that is very clear. But John´s contribuition is great too, camon, A Day in the Life, the best song of the album, Lucy in the Sky with Diamonds, like John said to Rolling Stone magazine: “Paul and I were definitely working together”. That´s why Sgt. Pepper´s is the best album of all time, because it is the best of Lennon/McCartney, both great genius
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michael Friday 28 October 2011
Sgt Pepper should have been a double album, with 4 songs on 4 sides, by adding the 2 songs that should have never been left off in the first place, Penny Lane and Strawberry Fields Forever. Then I would have called it the 2nd greatest rock album ever made… George Martin has even said that not leaving those 2 songs on the album was “the biggest mistake of my life”
The Revolver album,should have had both Rain And Paperback Writer included.And perhaps And Your Bird Can Sing Taken off…Then, no other rock album would touch it…
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Jammy_jim Tuesday 8 November 2011
Sergeant Pepper’s Lonely Hearts Club Band, is an album by THE BEATLES: John Lennon, Paul McCartney, George Harrison, Ringo Starr.
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apple_jam Tuesday 8 November 2011
Sgt. Pepper is one of the Beatles most collaborative albums. Sure, from Please Please Me to Rubber Soul they were laying down the basic tracks as a complete, 4-piece band on almost every track; however, those 1963-65 songs had less room for suggestions — i.e. they were simpler, more straight forward. On Sgt. Pepper they were all contributing  their thoughts and ideas (yes, even Ringo — and Mal).  As any musician – amateur or otherwise – knows, thoughts and ideas play a HUGE part in the creation of music. And thoughts and ideas are usually not documented.
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John without Paul Saturday 26 November 2011
Sgt. Peppers was Paul’s baby. Face it. Paul was the most comfortable being a 9am-5pm Beatle. Ringo was hardly involved because the percussion tracks were done at the very end. George saw Pepper as Paul’s project and only presented one Indian song since he was so steeped in the India vibe at the time. Paul spent hour upon hour alone with George Martin redoing and practicing the bass lines. John was distant and offered only a few songs.
It was a steady daily job. Paul LOVED it. He loved having a steady studio job and a project to work on. It was a working model that fit him to a tee. The success of Pepper gave Paul the attitude that he had SAVED the band. This is where the clash of egos started with John. The success of Pepper gave Paul a tremendous amount of influence on their next project: Magical Mystery Tour. This was also Paul’s baby. Paul directed the movie too. It is the lowest point in the Beatles success arc.
To his credit, Paul created, constructed and directed the making of Sgt. Peppers. The zenith of the Beatles. But also, it goes on the permanent record that the worst album and film by the Beatles was also a Paul project. He had the biggest high and the biggest low, back to back.
The real group collaborations came several albums earlier.
Those of you grousing because you want perfect group unity to fit your beautiful Sgt. Peppers model may as well give it up. Rubber Soul and Revolver and earlier are where the true group think exist.
Bronx Boy Billy Monday 5 December 2011
Full on, 100% group effort.
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Long John Silver Saturday 7 January 2012
Paul wrote more songs in this album, yes, but, are they better? In my opinion, Lucy, Good Morning and Mr Kite are better than She´s leaving home or When I´m 64… and remember too that A day in the life was basically John´s idea… and George and Ringo were very important too in the album, George guitar playing is great and Within you without you is a fantastic song… and Ringo sings perfectly in With a little help… and his drumming in A day in the life are awesome. It´s true that Paul was the driving force in this album but if not for the other Beatles the album wouldn´t have been the same at all
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Inner Light Sunday 8 January 2012
You are correct. This album was McCartney’s idea but it is still a Beatles album with all four of the making contributions.
eddy Saturday 4 February 2012
Where is the great McCartney ballad? Revolver had “Here There and Everywhere”
Rubber Soul had “Michelle” This album has nothing on that level, in fact there is no attempt at a ballad. I think in 1966 the Beatles were the most covered artists of the year, who covered these songs, Joe Cocker?
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GeorgeTSimpson Friday 13 July 2012
On this album there are some really good songs (she’s leaving home, when i’m sixty four, lovely rita, getting better, fixing a hole, within you without you and lucy in the sky with diamonds) but I don’t like the other songs. It’s my 7th favourite album, i prefer the later albums (but yellow submarine) and the two albums before (abbey road is my favourite beatles album)
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Joe Cogan Thursday 6 September 2012
I’ve always read that Sgt. Pepper took 700 hours to record, as opposed to the 400 mentioned in the article. Also, shouldn’t Mal Evans also be credited with “Alarm Clock” on “A Day in the Life”?
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youcomoldflattop Sunday 30 September 2012
sgt. pepper is a good album. tracks that stand out are of course a day in the life, she’s leaving home. it’s getting better, lucy in the sky with diamonds and lovely rita. great effort by four men. the great ones are always the collaborations.
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Scott Saturday 29 December 2012
OK everyone, here’s a funny little story about Sgt Pepper:  I was 8 years old sitting on the couch, and my big sister came home, sat next to me and showed me Sgt Pepper, which she’d just bought.  I saw 4 dark haried guys with mustaches.  They didn’t look like the Beatles I knew at all.  I said, “those are Mexicans!” Those of you from anywhere but the Americas probably can’t relate to that, but at that time, the Mexican men loved to wear facial hair (actually still do), and many caucasions didn’t, so to me, at 8 years old,  they were Mexicans!
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Lucas Friday 25 January 2013
just wanted to drop a bit of information i just heard in the sgt. pepper’s mini doc that comes on the 2009 remastered copy.  no one seems to have mentioned it.  people keep saying sgt. pepper’s was paul’s idea, and i’m sure there’s a great deal of truth to that, but ringo says that this idea of having an alter ego-band was his.  not sure of the truth in that, but it sounds reasonable.  sure, paul most likely fleshed it out from there, but ringo seems to have sparked the interest in the initial concept.  feel free to double check my reference to verify.  all i want is the truth…
Bill Thursday 28 February 2013
Just finished playing my original ‘ 67 mono
US pressing of Pepper. Haven’t played it in years, been satisfying myself with the stereo version. God, the mono sounds so much better. No wonder this & Pet Sounds (another HUGE favorite of mine) always seem to be on the lists of the top albums ever made. As much as I hate Indian music (I always found it irritating-& I’m a guitarist!), “Within You, Without You” (especially the mono version) actually fits in this album. When I was in the Army, I used to play “Good Morning, Good Morning” in the barracks to wake everybody up…loved it. If you haven’t heard this in mono, get it now, it’s worth it…
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Arno Camel Saturday 6 April 2013
The album Sgt. Pepper’s Lonely Hearts Club Band by The Beatles, condensed and subjected to an electroacoustic remix, is now available on YouTube .
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BB Friday 3 May 2013
I think this masterpiece of an album is smudged by “She’s Leaving Home” and “When I’m Sixty-Four”. I just don’t care for SLH and ’64 a silly waste I think. The rest are all beyond mere words!
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BB Saturday 11 May 2013
I’m struck by what some call “filler” on this album, namely “Fixing A Hole” and “Getting Better” which are precisely the one’s I like. George’s guitar playing is just great on those and “Sgt. Pepper’s Lonely Heart’s Club Band” is so freaking good (again good guitar playing)!
“Within You Without You” was so mysterious to me way back then and I still love it. “Lucy” is of course a classic (to me anyway)and an all-time favorite of mine of course.
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HOMBRE NERVIOSO Wednesday 14 August 2013
Sgt Pepper was good in general, but the songs, the melodies do not connect musically with eachother as other albums. Each song is good individually in general, but not as good as the White Album. “A day in the life” has an interesting beginning, a very good part sang by Paul but I don’t like the Carnival of Sounds in the middle the full orchestra. It’s rather noisy and it was a good attempt, but it does not make it in the list of my favorites. In general I think even it is a brilliant song for most of us, it lacks of that Beatle quality because they tried to “over do it.” A good experiment but not a brilliant song for such talented composers in comparison with their previous work. This lack of connection between all songs in the album makes it in my opinion the worst album ever produced by the Beatles. I know lots of you are going to get upset because of this comment, but I am trully a Beatle fan. The Sgt. Pepper reprise with all animals it’s just a stupid, noisy and unnecessary idea. I think Getting Better it’s probably the best song in the album. The Sgt. Pepper song is brilliant, as A little help from my friends. For the Benefit of Mr. Kite, is really a poor and silly song that leads to nowhere. Lovely Rita is very catchy and a fair song. Blue Jay Way one of the worst songs written by George. My rating is a B minus for the whole album.
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dn112 Friday 6 September 2013
Wasn’t there supposed to be a television special on the Sgt Pepper album in 1967? Does anyone know why was that not completed?
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Montecristo1976 Thursday 21 November 2013
For anyone who has read extensively about the band, it is clearly evident that Paul was the driving force behind “Pepper.” Many comments from John and George substantiate the fact. Of course, like all of their albums, it’s a group effort and it’s still a “Beatles” record and not a “Paul” record. It would have not turned out to be the record it was it were only Paul.
Still, this does not mean that Paul was not the main force behind the album.
Bongo Sunday 20 July 2014
I’m just glad they stopped touring and concentrated on Pepper!  Great step forward!!
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Beatle Chris Thursday 6 November 2014
A lot of these comments sound idiotic.  You’re talking about Sgt. Pepper!!!  Clearly one of the greatest albums of all time.  It might not be everybody’s favorite but come on.  This back and forth about McCartney’s album and Lennon did this and he did that, sounds stupid to say the least.  LOMAN had a great post above, and sounds like an intelligent Beatle fan.  McCartney took everything a little more seriously in those years and loved his band.  If you don’t listen to every Beatle album and love everything, you’re not a Beatle aficionado and should really get a clue about who did what.  Negative comments about Sgt. Pepper, you must be out of your f****** mind!!!!!!!!!
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Cal Monday 9 February 2015
Sgt. Pepper’s Lonely Hearts Club Band is just a timeless masterpiece of music, so let’s just all enjoy it without arguing.
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Graham Paterson Monday 23 February 2015
I agree with Cal.I got Sgt Pepper in 1978 for my 12th birthday, playing it for the first time was magic. It is a great album and very much of its time. All of The Beatles albums are great but Rubber Soul, Revolver, Sgt Pepper,The White Album and Abbey Road are classics and yet all so different. Lucy In The Sky With Diamonds, Getting Better, Shes Leaving Home and Being For The Benefit Of Mr Kite are great songs. But A Day In The Life is one of the greatest popular songs of all time. Oh how I remember playing A Day In The Life up loud on my small record player. John Lennons  wonderful words and voice and then Paul McCartney comes in with his contrasting interlude . Finally back to Lennon and that finale with a little help from George Martin.
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Paul M Thursday 18 June 2015
Going back to an earlier comment. Paul was influenced by Pet Sounds. Apparently, in an interview with the Beach Boys, they were due to release Pet Sounds when they heard Sgt Pepper..A comment from one of the Beach Boys after hearing Pepper was “Oh well, back to the drawing board. Of course there are some very strong songs on the album more than other tracks but I don’t think any other Beatles album had so much comment and attention. Including the cover. Apparently, when the album was released in America it was like a Sgt Pepper day. All you heard coming from car radios and from houses was Sgt Pepper being played. I just think that Pepper was The album that sealed it for everyone on the planet that the Beatles were the biggest musical talent of all time. Never to be repeated, and I do think that Paul Mcartney was the driving force behind this album
perthblue Thursday 25 June 2015
Hard to imagine macca coming up with a day in the life on his own….
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Johan cavalli Monday 27 July 2015
The reason why the album became so famous is this, as I see it. The establishment and the elder generation didn´t discover The Beatles when they made their breakthrough in 1963.It was the youth. The Beatle music was too bluesy or expressive for the elder. The establishment and the elder generation preferred pop music resembling Irwing Berlin´s songs in the 1930s. But then came McCartney´s Yesterday 1965, a song without drums, and with strings. Now the establishment and the elder generation “discovered” The Beatles. They – not the youth — controled the media and got the prerogative. The establishment didn´t know that Lennon was the dominant composer 1963-1965, and judged McCartney to the “Composer in The Beatles”. After Yesterday the establishment followed the Beatles albums with more and more interest. But actually, they only understood the ballads in the albums. So it was a natural development that the establishment´s interest was very high, when the album Sgt Pepper was released 1 June 1967. And the critics or the establishment became so enthusiastic! Or, they believed they must be enthusiastic?
But the critic Richard Goldstein in New York Times was not impressed, it´s  “ a soft and messy piece of work” and  “there is nothing beautiful on Sgt. Pepper”.
I think there are too many mediocre McCartney compositions, and too few exciting or daring Lennon compositions, even though Lennon´s compositions here are the best – most of A Day In The Life, Being For Mr. Kite and Lucy In The Sky With Diamonds. Two songs are among the worst songs Beatles have ever made: The title track, and Lovely Rita. When the work with the album was almost finished, they recorded a Harrison composition  It´s All Too Much, very good. It would have been much better as the title song. The problem with McCartney´s compositions is that they cannot age, opposed to Lennon´s music that always is growing. And that despite McCartney´s and George Martin´s ever PR for the album. In the book The Mammut Book Of The Beatles, from the year 2000, Sean Egan writes about Sgt Pepper: The album has fallen down the esteem scale, in recent years.
I think the melodies in the album A Hard Day´s Night from 1964 are both more innovative and powerful, without symphony orchestra. 10 of the 13 songs are composed by Lennon.
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pat Monday 5 September 2016
I think Pepper is a little too Paul-heavy but maybe that’s just how the group dynamic was in 1967. Lennon later said he’d had no energy at the time to write more material and Paul just kept pounding it out. Maybe John drank too much tea in those days but the ones he did come up with were standouts and became total classics: Strawberry Fields, A Day In The Life, Lucy In The Sky, I Am The Walrus…most songwriters would sell their soul to write just ONE of that calibre. To me Rubber Soul has the best songs, Revolver is the hippest and the White Album is the coolest. Pepper stands out because of the brilliant production, the care for details and arrangement – I think they were really trying to keep ahead of Brian Wilson who was coming in close and had scared them a little with Pet Sounds and Good Vibrations (not to mention the incredible – and totally justified – hype around the Smile sessions). All in all it’s a great album that has become a pop culture icon but is it really their best? I don’t know, I think they’ve made better records but to quote George Martin “horses for courses”.
Johan cavalli Saturday 10 December 2016
Very well written pat! Yeas I agree, “Maybe Lennon drank too much tea those days”, ha.